http://www.filefactory.com/file/b3a77a/
Enjoy!
cant wait for the rest
thank you so much for taking the time to do what i’m sure will be a lenghty but worthwile task
I think whatever you can do will be amazing and i’m sure everyone here will appreciate it.
If i am mistaken on that, forgive me as i too am anxious to hear this score π
Can’t wait anymore for the full rip …
Direx
Thank you for doing this, truly this is a monumental undertaking!
First of all, Scoreman, in theory, yes, but if you’re recompressing an already compressed source, logic dictates that, in order to preserve as much of the original quality as possible, you should compress minimally.
192kbps source, re-encoded to 192kbps MP3 is going to sound like shit, whereas re-encoded to 320kbps MP3, it will be *approaching* the quality of the original source.
Also, OrangeC, I hate to whine, but how are you ripping these? What is the original file format? These tracks seriously need normalising before encoding.
Cheers π
D
How far through are you? π
D
The sad truth is, he signs up for crappy comedy movies because that’s all he’s being offered these days. A composer like Debney – who writes real music and has actual musical ability and education, just doesn’t get the big gigs nowadays. It is truly a dark period in film music history. The fine composers – Debney, Broughton, Silvestri, etc, either barely work or work on rubbish films to keep the bread and butter on the table, while dozens of generic idiots (Zimmer, Ottman, Bates, etc spring to mind) earn untold millions cranking outan endless stream of poor quality temp-track redux, hyper-percussive, thematically void, musically brain-dead scores…
Guys like that must get so depressed. Bruce Broughton’s last outing was Bambi 2. Before he died (RIP) Basil Poledouris was barely called up for anything since Starship Troopers in ’97. Alan Silvestri only works for Robert Zemeckis now, and the occasional CGI monstrosity. Debney wastes away on Bruce Almighty. David Shire is woken up for after twenty years of deep-sleep for Zodiac. Elliot Goldenthal lives off his past royalties and the Tyler Bates lawsuit, and only scores Julie Taymor movies….
Where are Cliff Eidelman, Craig Safan, Ed Shearmur, Frederic Talgorn, Yared, Burgon, Fenton, Blake, McNeely, Scott, Rosenthal, Folk, etc, etc… It’s really quite sad…
ANYWAY, sorry for getting depressing – thanks for the update OrangeC, can’t wait to hear the other tracks and hope it’s all going well π
Here it is, for those that are interested
That should tied some of you over for the gamerip that im halfway through.
Firestorm – Destroy mokai city is just awesome!!
I have 320kbps one.
maybe.but even in the game there is only 110mins.donοΏ½t know where the missing parts are-maybe they will release them as well…
i found that strange,too.possible they saved some music for a second part.debney said about 8 cds full of music, the game features two of them.the concert hall has 53 tracks with 108mins, one track is in the training mode with two minutes.thats all.some tracks are used twice like firestorm which appears in the final battle part 3 again.the itunes version is misssing some great action.donοΏ½t buy it, donοΏ½t download it.
what a great music. I am absolutly thrilled. The best release this year. Thats for sure.
Hope the game rip will show up the next days …
Direx
what a great music. I am absolutly thrilled. The best release this year. Thats for sure.
Hope the game rip will show up the next days …
Direx
its as great as stardust but not better.
Re the missing music, I am having the following thoughts…:
1) 8 hours (according to some estimates) with the London Symphony Orchestra is EXPENSIVE. We’re looking at probably οΏ½250,000 to record for that much, plus all the overheads. Maybe there are 8 hours of music, but I sincerely doubt that it would all be with full orchestra.
2) If there is indeed 8 hours of orchestral music, probably more than half of it will be nothing but alternative takes, overdubs, rehearsals, etc – take your pick. A professional symphony orchestra usually puts out about between 5 and 10 minutes of recording per hour in session, if that. Rehearsal can be as little as a playthrough, but sometimes more.
(I am recording 70 minutes of music with a 50 piece orchestra in the Czech Republic. I’m going to try and do it in one day – that’s a six hour session. I’ll probably come away with about two or three hours of recorded music, but easily half will be rehearsals and duds…)
I expect that once the gamerip is complete, we will have all the *unique* music recorded for Lair, if not every note that was performed over in Abbey Road, it will definitely be a very satisfying album.
Cheers π
Danny
Three hours is a bit more believable, and if there’s almost two in the game, it’s safe to say that the stuff they didn’t include is, as I suggested earlier, either filler dross or different takes of the same tracks that didn’t make the final cut.
Good luck with your rip, sir, looking forward to it immensely. π
Three hours is a bit more believable, and if there’s almost two in the game, it’s safe to say that the stuff they didn’t include is, as I suggested earlier, either filler dross or different takes of the same tracks that didn’t make the final cut.
Good luck with your rip, sir, looking forward to it immensely. π
they recorded 8cds full of music, thats from a interview with him.if someone has his email. lets ask him about this.debney is very nice to his fans, giving away promos and stuff.