What I have: Near complete collections of Mahler, Prokofiev, Shostakovich, Vaughan Williams, Ravel, Bartok, Webern, Dvorak, Penderecki, Copland, and lots of other huge orchestral works.
What I don’t have: Chamber works, anything pre-Beethoven (some exceptions, but not many), but request them anyway because hey, you might get lucky
What I’m looking for: symphonies by Rautavaara, Myaskovsky, Havergal Brian, Malcolm Arnold, Popov, etc.
For those of you with access to a university/college library, those cds aren’t doing them any good gathering dust on the shelves, so get plundering!
Edit:
Here’s everything posted by me thus far. If anyone else wants their links posted here, let me know.
http://rapidshare.com/files/136904485/sibelius5.rar – Sibelius’s Symphony No. 5
http://rapidshare.com/files/139128894/SHOSTAKOVICH__The_Fall_of_Berlin___The_Unforgettab le_Year_1919_Suite.rar – Shosty’s The Fall of Berlin and The Unforgettable Year 1919 Suite
http://rapidshare.com/files/140382218/willow_-_classical_sources.rar – the classical pieces James Horner ripped off for Willow
http://rapidshare.com/files/140964380/Revolution.part1.rar – Prokofiev’s October Revolution Cantata – GET THIS NOW!!
http://rapidshare.com/files/140975263/Revolution.part2.rar
http://rapidshare.com/files/142417273/Mahler_Symphony_No._5_-_Leonard_Bernstein.part1.rar – Mahler’s Symphony No. 5
http://rapidshare.com/files/142423844/Mahler_Symphony_No._5_-_Leonard_Bernstein.part2.rar
http://rapidshare.com/files/146141894/Prokofiev_-_Ivan_the_Terrible.rar – Prokofiev’s Ivan the Terrible film score suite
http://rapidshare.com/files/162974860/CDF_Schnittke_Concerto_Grosso_n.1.rar – Schnittke’s Concerto Grosso No. 1 – GET THIS TOO!!
http://rapidshare.com/files/244271872/hanson1.rar – The complete Hanson symphonies and some orchestral works
http://rapidshare.com/files/244314962/hanson2.rar
http://rapidshare.com/files/244362261/hanson3.rar
http://rapidshare.com/files/244341687/hanson4.rar
http://rapidshare.com/files/403151790/Kabalevsky_-_Requiem_-_Symphony_No._4.rar.html – Proof there is a Jesus! Kabalevsky’s Requiem and Fourth Symphony
Please let me know about any dead links or if you have any requests for 19th-20th century classical music/composers.
I have Havergal Brian – DEFINITELY sure about 1st, 2nd, 3rd, 4th, 6th, 7th, 8th, 16th, 17th, 31st, 32nd. Think I have the 10th somewhere. Not sure about the rest – they might be on other hard disks. Also have numerous other Brian pieces.
The bootleg LP of the Gothic is amazing (the famous Aries recording.)
Matey, you have EXCELLENT taste, and I can just tell that this is going to become my favourite thread…
Believe it or not, I don’t have a decent version of The Nutcracker (terrible orchestra) or Swan Lake (artifacts in compression), though I could post them if someone wanted them disparately enough. If someone has a good recording of the two, I’d appreciate him posting them instead. I’m also looking for Romeo and Juliet, tone poems, Queen of Spades, etc.
I have The Gothic too, obviously :D, it’s the only thing I have by him. But how are the rest?
Some of the later symphonies are very, very brutal. Not just in their tone, but in their construction. Some of them are less than ten minutes long – fragmentary, almost annoyed pieces. Like Brian was writing it down and thought, "Aw, I’ve had enough of that!" and suddenly there’s a new theme or just a big, unexpected orchestral howl of aggression, then it’s the end. It’s fascinating stuff.
The 4th is a lot like the Gothic – it’s choral, again, but with (slightly) smaller forces.
My own favourite is the 3rd – it started off as a concerto for two pianos, so in its final symphonic form, it retains very prominent parts for pianos. The scoring is absolutely magificent. The third movement is Brian chanelling Strauss – a lovely lilting waltz. The whole symphony lurches around from dissonant terror, MASSIVE orchestral grandeur (almost religious fervour), pastoral subtlety, vicious percussion, a jovial waltz, and back again – and yet, it ALL fits together so beautifully.
Since that’s my favourite, I’ll upload that one first, if that’s OK… ๐
Also, what other unknown choral symphonies do you have? I have Pettersson’s 12th, Myaskovsky’s 6th, Scriabin’s 1st, and Hamerik’s 7th (along with his amazing Requiem.) Still looking out for Holst’s Choral-Symphony and I hope it’s better than The Cloud Messenger.
My contribution of a lesser known romantic composer –
Joly Braga Santos
Symphony 4 & Symphonic Variations on a popular song from the Alentejo
Joly Braga Santos was born in Lisbon in 1924 and died there in 1988, at the height of his musical creativity. Although he composed only six symphonies, he was undoubtedly the leading Portuguese symphonist of the century and, in a way, of all time. Apart from an innate sense for good orchestration, his musical language is based on a strong sense of musical architecture as well as drama, with long melodic lines and a natural instinct for structural development as well as formal coherence. In his own words, he wanted to contribute "toward a Latin symphonism and to react against the predominant tendency, of the generation that preceded me, to reject monumentalism in music".
– Excerpt from Naxos
http://rapidshare.com/files/90514708/Joly_Braga_Santos_Symphony_4.part1.rar
http://rapidshare.com/files/90519422/Joly_Braga_Santos_Symphony_4.part2.rar
http://rapidshare.com/files/90523813/Joly_Braga_Santos_Symphony_4.part3.rar
http://rapidshare.com/files/90496201/Joly_Braga_Santos_Symphony_4.part4.rar
http://rapidshare.com/files/90505735/Joly_Braga_Santos_Symphony_4.part5.rar
http://rapidshare.com/files/90509897/Joly_Braga_Santos_Symphony_4.part6.rar
Enjoy this romantic and lush album.
C
Streich: I forgot – I have Kabelevsky’s 4th, (not the third – sorry) and some Myaskovsky symphonies also. Will give more info later. ๐
Streich, you wrote that in one of your posts :
"Vaughan Williams is a great composer who can write some of the most beautiful pastoral music"
Well, I also adore pastoral music (wonderful Beethoven’s 6th symphony), so could you please upload a selection of this music? thanks.
Symphonies
No. 1 "A Sea Symphony" – massive choral symphony and awesome
No. 2 "London" – restored version (Chandos CD) – makes me think of outer space for some reason
No. 3 "Pastoral" – (Chandos CD)
No. 4 – Jerry Goldsmith got his Klingon theme from this war-like symphony – (Chandos CD)
No. 5 – this one should have been called the pastoral
No. 6 – another war-like symphony like the 4th – (Chandos CD)
No. 7 "Antarctica" – If you like Scott of the Antarctic, this symphony is based on it
No. 8 – Vaughan William’s most modern symphony, crazy stuff, but not war-like – (Chandos CD)
No. 9 – a pastoral-like symphony using an orchestra containing some saxophones
My scale of likability from first to last: 5, 2, 1, 7, 4, 6, 9, 3, 8
Orchestral Pieces
The Lark Ascending – awesome work for solo violin and orchestra
Fantasia on a Theme by Thomas Tallis – awesome work for string orchestra
5 Variants of "Dives and Lazarus" – awesome work for string orchestra
Norfolk Rhapsodies 1 and 2
Overture to The Wasps
Fantasia on Greensleeves
The Running Set
3 English Folk Songs – popular piece for band
Choral/Vocal Works
Dona Nobis Pacem – a powerful oratorio
Toward the Unknown Region
Willow-Wood
The Voice out of the Whirlwind
The Sons of Light
Sancta Civitas
Mass in G minor
6 Choral Songs
Nocturne
Serenade To Music
Five Mystical Songs
Flos Campi – a work for chorus, orchestra, and viola solo, reminiscent of Ravel’s Daphnis et Chloe
Operas
The Pilgrim’s Progress – The basis for Symphony No. 5
Ballet
Job: A Masque for Dancing
Concertos
Piano Concerto
Oboe Concerto
Violin Concerto – don’t have this
Suite for Viola and Small Orchestra – don’t have this
Bass Tuba Concerto – don’t have this
Chamber Works
Phantasy Quintet
String Quartet No. 1
String Quartet No. 2
Six Studies in English Folk Song – I played this in uni on clarinet, themes taken from various works like Norfolk Rhapsody and film scores
Film Scores
Film Music Vol. 1 (Scott of the Antarctic, Coastal Command Suite, The People’s Land) (Chandos CD)
Film Music Vol. 2 – don’t have
Film Music Vol. 3 – don’t have
What I’m looking for
-anything I don’t have, especially choral works
Here are symphonies 5 and 9: http://www.sendspace.com/file/oa9rak
Also, a pastoral-like symphony with sax seems highly worth listening.
edit: oops, I didn’t notice the link at the bottom. Thanks a lot!
Cello Concerto
Concerto for two Timpanists and Orchestra (good piece)
Itaipu, The Canyon
Violin Concerto (good piece)
Dance from Akhnaten
I’m going to upload some more Vaughan Williams next, and then the version of Brian’s Gothic Symphony found here. (http://www.amazon.com/Havergal-Brian-Symphony-No-Gothic/dp/B0001Z65F8/ref=sr_1_2?ie=UTF8&s=music&qid=1217711414&sr=8-2)
Joly BRAGA SANTOS (1924-1988)
Symphony No. 2 (1947)
# Largo – Allegro energico ed appassionato – 14:53
# Adagio non troppo – 12:19
# Allegretto pastorale – 6:08
# Lento, Allegro, Epilogo (Lento) – 15:19
http://www.sendspace.com/file/hn84n7
The Lark Ascending
Fantasia on Greensleeves
Fantasia on a Theme by Thomas Tallis
5 Variants of "Dives and Lazarus"
Oboe Concerto
Let me know if the quality is okay.
(more comments after listening)
By the way, what do you mean by "non-symphonic orchestral"? That it’s played by a smaller orchestra?
do you have vaughan williams films scores ?
http://www.sendspace.com/file/hn84n7
The Lark Ascending
Fantasia on Greensleeves
Fantasia on a Theme by Thomas Tallis
5 Variants of "Dives and Lazarus"
Oboe Concerto
Let me know if the quality is okay.
Really nice music, very soothing and gracious. Particularly appreciated the Oboe Concerto.
Quality is good (well, just a slight problem if I may : "Vaughan Williams – Five Variants of ‘Dives and Lazarus’ – Theme.mp3" has a peak volume level of -13,5 dB and the others vars are moreless similar. But no big deal, can be easily fixed with mp3directcut or mp3gain).
I would like it as mp3s personally.
castlevania symphony of the night is classical music.
do you have vaughan williams films scores ?
I have all of snoop dogg’s symphonies but none of his chamber works. By eminem I have his first 3 symphonies, 2 piano concertos, and the cello concerto he wrote for Rostropovich. Still trying to track down that cantata.
I am personally on a search for Ives’ Universe Symphony (any of the three versions) and Grohg by Copland.
Also, do you have performer info for your collection?
I am personally on a search for Ives’ Universe Symphony (any of the three versions) and Grohg by Copland.
Also, do you have performer info for your collection?
I have:
Universe Symphony 37:56
Gerhard Samuel; Cincinnati Philharmonia Orchestra – 1994
and this version of Grohg:
Havergal Brian – Symphony No. 1 "The Gothic"
http://www.sendspace.com/file/fczxee
I tried a different compression, so let me know how it sounds.
Quality is good (well, just a slight problem if I may : "Vaughan Williams – Five Variants of ‘Dives and Lazarus’ – Theme.mp3" has a peak volume level of -13,5 dB and the others vars are moreless similar. But no big deal, can be easily fixed with mp3directcut or mp3gain).
That’s not a problem – it’s a sign of a sensible engineer in the recording studio. The peak volume is low because the piece is quiet. In classical music recordings, the quiet bits are quiet, and the loud bits are loud. Generally you won’t find much (any) dynamics compression going on turning the whole sound into a blasting muddy mess of white noise… ๐
Universe Symphony 37:56
Gerhard Samuel; Cincinnati Philharmonia Orchestra – 1994
and this version of Grohg:
(http://img227.imageshack.us/my.php?image=77367047xm5.jpg)
Wow…you’re my new favorite person. Those are exactly what I’m looking for.
In the meantime you wouldn’t happen to have Ives’ Symphony No. 3, would you? I’m also interested in finding stuff by Barber, which is what I’m going to be downloading next when my downloads reset at emusic.
What I don’t have: Chamber works, anything pre-Beethoven (some exceptions, but not many), but request them anyway because hey, you might get lucky
What I’m looking for: symphonies by Hanson, Rautavaara, Myaskovsky, Havergal Brian, Malcolm Arnold, Popov, Kabalevsky’s 4th, and the rarest symphony of all: Kabalevsky’s 3rd.
Popov, eh? You might be interested to know that I own all three Popov CDs that were released by Olympia back in the mid 1990’s. They’re long out of print. I remember special ordering them after reading an enthusiastic Gramophone review for them. Give me some time and I’ll post up all three.
You say you have Dvorak, Prokofiev, Shostakovich, and Webern? Do you happen to have these CDs?
Vaclav Talich and Karel Ancerl conducting Dvorak’s Eighth Symphony DG’s Webern 6 CD box set conducted by Boulez
Also, what recordings do you have of Prokofiev’s Sixth Symphony and Shostakovich’s Fourth and Fifteenth?
As I said, give me some time and I’ll post up the Popov CDs. They should be ready by Friday.
I recorded it on Lp (yes, it’s THAT long ago), and tried later to borrow it back but it was gone and replaced by an horrible version by an obscure eastern Europe orchestra.
Maybe you have the first one, and if so could you please up? thanks.
In the meantime you wouldn’t happen to have Ives’ Symphony No. 3, would you? I’m also interested in finding stuff by Barber, which is what I’m going to be downloading next when my downloads reset at emusic.
I don’t actually have all that much music right now. I’m rebuilding my collection after having most of my cds stolen… Hopefully in the near future I’ll have some things to contribute.
Olympia CDs are hard to come by these days (see Kabalevsky’s 3rd) so it’d be awesome if you could upload those Popov, especially if you have his first symphony.
Vaclav Talich and Karel Ancerl conducting Dvorak’s Eighth Symphony DG’s Webern 6 CD box set conducted by Boulez
For Dvorak’s 8th I have the Zubin Mehta+LA Philharmonic one from Naxos, and the complete symphonies conducted by Istvan Kertesz with the LSO. The complete Webern by Boulez is exactly the one I have. I grabbed it from avaxsphere before it went down. Unfortunately I didn’t keep the CD image files and split it into wavs. It’s not like there was anything lost, and I can upload it if you want, but I’m guessing you might have preferred the ape+cue files. They’re posting them here http://pqpbach.opensadorselvagem.org/ (as mp3s I think.)
Also, what recordings do you have of Prokofiev’s Sixth Symphony and Shostakovich’s Fourth and Fifteenth?
For Prokofiev’s 6th I have the Rostropovich with the Orchestre National de France collection, and the silly White Box which is arguably my worst classical music purchase of all time, but it was cheap. For Shostakovich’s 4th I have the complete symphonies by Rostropovich (also includes the 15th) and for the 15th I have the Olympia with Mravinsky and Stravinsky’s Agon.
http://fanfareforcopland.blogspot.com/
And here’s the Ives: http://www.sendspace.com/file/dljmzh
-Universe Symphony
-Orchestral Set No. 2
-The Unanswered Question
Gerhard Samuel; Cincinnati Philharmonia Orchestra
If you could post the link for the Rostropovich’s Shostakovich set, that would be fantastic! I would also love to hear Mravinsky’s recording of the Fifteenth.
I have an LP transfer of Shostakovich’s Fifteenth played by the USSR Symphony Orchestra under Maxim Shostakovich. As far as I know, it has never been transferred to CD. Would you be interested in my posting that recording?
Thanks! ๐
http://www.sendspace.com/file/f8w4oy
Shostakovich’s Symphony No. 6 conducted by Rostropovich:
http://www.sendspace.com/file/fpmsqd
Sure, post whatever you like. Is the 15th your favourite? For me it’s the 8th.
Greetings from Colombia, South America
Greetings from Colombia, South America
Right here: http://rapidshare.com/files/135358528/Shosta_Conc_Piano_2.rar
I think the tags are mislabeled though since this is the Naxos version with Christopher Lyndon-Gee and the New Zealand Symphony Orchestra from 1995.
I’ll comment more shortly, but I have just enough time for one little message for the fine gentleman who started this thread: Some people are idiots – and a sure sign that somebody is an idiot is when they start calling you one – usually when they see that your argument is better than theirs. I know (believe me, I know) it’s tempting to battle these morons, but all you will do is make yourself upset, and fuel their fevered ranting. Their actions are more than enough to demonstrate their idiocy to the people around them. Particularly when said people are known bastards – vicious, ignorant fools with a superiority complex – who are best left to their own devices. To any sensible person, you’ve already won your argument – to everybody else, you will never win… Such is life, my friend. ๐
http://rapidshare.com/files/135642922/requiem_cd1.rar
http://rapidshare.com/files/135653622/requiem_cd2.rar
could someone help me out; I’m looking for Scriabin’s etudes (Op. 8)
and also Sibelius Symphony No. 5 (If possible Kurt Sanderling recording)
also please upload by either rapidshare or megaupload, sendspace doesn’t work for me (country slot always full 24/7…)
http://rapidshare.com/files/136151360/ligeti_-_le_grand_macabre__1997_.part1.rar
http://rapidshare.com/files/136155649/ligeti_-_le_grand_macabre__1997_.part2.rar
If you ask me, Messiaen’s Turangalila Symphony is much better.
1337: I have Karajan conducting the 5th, is that okay?
I don’t have any of Scriabin’s solo piano works, sorry.
http://rapidshare.com/files/136155649/ligeti_-_le_grand_macabre__1997_.part2.rar
If you ask me, Messiaen’s Turangalila Symphony is much better.
1337: I have Karajan conducting the 5th, is that okay?
I don’t have any of Scriabin’s solo piano works, sorry.
streichorchester, do you have any other recordings of Sibelius’ 5th? besides Karajan that it. If so could you list them down for me? if NOT, that please go ahead and upload the Karajan recording.
Thanks alot!
This blog has all of Sibelius’s symphonies too, so check them out if you want a different version: http://pqpbach.opensadorselvagem.org/category/sibelius/
Say, do you happen to have any recordings of Scriabin’s 1st symphony? (I have Riccardo Muti & Leif Segerstam recordings) if so please upload them
Also do you have any of Alexander Glazunov’s symphonies? I’m looking for a full cycle of his symphonies.
and of course thanks for all the help.
It’s great to see someone willing to offer so many wonderful classical recordings. I’m very interested in the Bartok material that you might have – which works do you have?
Say, do you happen to have any recordings of Scriabin’s 1st symphony? (I have Riccardo Muti & Leif Segerstam recordings) if so please upload them
Also do you have any of Alexander Glazunov’s symphonies? I’m looking for a full cycle of his symphonies.
and of course thanks for all the help.
Sorry, I only have the Muti recordings of Scriabin’s symphonies with the Philadelphia Symphony. For the Glazunov cycle I have Jarvi and the Bavarian Radio Symphony which is a good 1.3 gigs.
streichorchester,
It’s great to see someone willing to offer so many wonderful classical recordings. I’m very interested in the Bartok material that you might have – which works do you have?
For Bartok I have:
Piano Concertos 1-3
Scherzo for piano and orchestra
Rhapsody for piano and orchestra
Concerto for 2 pianos, percussion, and orchestra
Music for Strings, Percussion and Celesta (many recordings)
String Quartets 1-6 (Emerson Quartet)
The Miraculous Mandarin (many recordings)
Concerto for Orchestra (many recordings)
The Wooden Prince (awesome ballet)
Two Portraits
Divertimento for Strings
Violin Concertos 1-2
Rhapsodies 1-2
Romanian Folk Dances
Romanian Dance
Dance Suite
Hungarian Pictures
Two Pictures (different from the portraits)
Bluebeard’s Castle
Cantata Profana (awesome choral work)
several misc piano works including some of the Mikrokosmos and sonatas
I’d love some Wagner if you have any.
I have the complete Ring cycle and the overtures from the other operas. Nothing else.
Do you have these?
http://www.naxos.com/catalogue/item.asp?item_code=8.555873-74
http://www.naxos.com/catalogue/item.asp?item_code=8.550224
Especially this one?
http://www.naxos.com/catalogue/item.asp?item_code=8.553496-97
I’m not sure how big the complete Ring cycle is, but if it wouldn’t be too much of a problem I’d love to get that. Thanks.
I’ve never listened to the whole cycle of Glazunov’s symphonies except the 5th. could you upload the 7th symphony (Pastorale) please?
Also besides the Pichas Zuckerman recording, how many other recordings of The Lark Ascending do you have? please list them down if you can.
And lastly, do you happen to have Glazunov’s Saxophone concerto?
Thanks so much, you’re thread is legendary!
http://www.naxos.com/catalogue/item.asp?item_code=8.553056
http://www.naxos.com/catalogue/item.asp?item_code=8.550381
Tsobanian, for the prokofiev Symphnoy No. 5, there are 2 recordings on P.Q.P Bach.org
http://pqpbach.opensadorselvagem.org/sergei-prokofiev-1891-1953-sinfonias-n-1-e-5-tenente-kije/
and
The first link has both the 5th symphony and also "Lieutenant Kije" but it seems to be missing the 5th movement "The Funeral of Kije"…
http://pqpbach.opensadorselvagem.org/sergei-prokofiev-1891-1953-sinfonias-n-1-e-5-tenente-kije/
Thanks a lot!
These orchestral works of the Russian composers are so addictive!
Too bad that it is missing the last movement of the Lieutenant Kije Suite.
For The Lark Ascending I also have Nigel Kennedy/Rattle and the City Of Birmingham Symphony Orchestra from 1997.
Tsobanian:
I have Swan Lake, Manfred, Prokofiev’s 5th, The Year 1941, Lt. Kije, Love for Three Oranges (both suite and opera), Romeo and Juliet, Cinderella, Execution of Stepan Razin, October, 5 Fragments, The Fall of Berlin, The Unforgettable Year 1919 Suite
I don’t have Voyevoda or The Red Poppy (which is on my toget list for emusic actually)
I have Swan Lake, Manfred, Prokofiev’s 5th, The Year 1941, Lt. Kije, Love for Three Oranges (both suite and opera), Romeo and Juliet, Cinderella, Execution of Stepan Razin, October, 5 Fragments, The Fall of Berlin, The Unforgettable Year 1919 Suite
I don’t have Voyevoda or The Red Poppy (which is on my toget list for emusic actually)
How pity… I have The Red Poppy Suite, but I was looking for the Red Poppy Complete Ballet.
If you have the alacrity upload some stuff such as: Swan Lake, The Year 1941, Lt. Kije Suite, Cinderella, Execution of Stepan Razin, October, 5 Fragments, The Fall of Berlin, The Unforgettable Year 1919 Suite.
I also surmise that you have "Ivan the Terrible"….
http://www.amazon.com/Sergey-Prokofiev-Terrible-Scenario-Philharmonia/dp/B000000ANO/ref=sr_1_2?ie=UTF8&s=music&qid=1218999268&sr=1-2
Adele Anthony, Ulster Symphony Orchestra
http://rapidshare.com/files/138055668/Glass_-_Violin_Concerto.part1.rar
http://rapidshare.com/files/138064355/Glass_-_Violin_Concerto.part2.rar
http://rapidshare.com/files/138070649/Glass_-_Violin_Concerto.part3.rar
http://rapidshare.com/files/138095171/Glass_-_Violin_Concerto.part4.rar
Glazunov – Symphonies 4 and 7
Jarvi, Bamberg Symphony Orchestra
http://rapidshare.com/files/138104732/Glazunov_Symphony_No._4___7_-_Jarvi.part1.rar
http://rapidshare.com/files/138110546/Glazunov_Symphony_No._4___7_-_Jarvi.part2.rar
http://rapidshare.com/files/138123014/Glazunov_Symphony_No._4___7_-_Jarvi.part3.rar
http://rapidshare.com/files/138131280/Glazunov_Symphony_No._4___7_-_Jarvi.part4.rar
http://rapidshare.com/files/138136576/Glazunov_Symphony_No._4___7_-_Jarvi.part5.rar
jewsdidwtc: The Ring Cycle is 1.5 gigs, so I suggest finding a torrent because that’s too much work for something very few people are going to actively listen to (there is a definite collector mentality going on at the ffshrine)
Tsobanian: I’ll see what I can do. Swan Lake is a pretty tall order compared to the others.
Ok then, forget it!
I’d really like to have stuff like these
http://www.amazon.com/Sergey-Prokofiev-Terrible-Scenario-Philharmonia/dp/B000000ANO/ref=sr_1_2?ie=UTF8&s=music&qid=1218999268&sr=1-2
http://www.naxos.com/catalogue/item.asp?item_code=8.553056
http://www.naxos.com/catalogue/item.asp?item_code=8.570238
http://www.naxos.com/catalogue/item.asp?item_code=8.553299
http://www.naxos.com/catalogue/item.asp?item_code=8.554057
http://www.naxos.com/catalogue/item.asp?item_code=8.553069
http://www.naxos.com/catalogue/item.asp?item_code=8.557208
http://www.naxos.com/catalogue/item.asp?item_code=8.553017
thanks so much again.
Thanks very much!! ๐
http://www.naxos.com/catalogue/item.asp?item_code=8.557812
R.Q.P. Bach has this CD, no need for upload.
http://pqpbach.opensadorselvagem.org/dmitri-shostakovich-1906-1975-a-execucao-de-stepan-razin/
Plus this one! Yay!!!! Shostakovich’s Jazz Suites are marvelous!
http://pqpbach.opensadorselvagem.org/machado-de-assis-a-polca-o-jazz-shostakovitch-e-o-pestana-e-o-wisnik-e-o-idelber/
http://rapidshare.com/files/139085918/Bart_k_Orchestral_Works_CD1.rar
The Wooden Prince Suite (not entire ballet) (as heard in The Land Before Time)
Two Portraits
http://rapidshare.com/files/139095427/Bart_k_Orchestral_Works_CD2.rar
Music for Strings,Percussion & Celesta (as heard in The Shining)
Divertimento for String Orchestra
http://rapidshare.com/files/139101981/Bart_k_Orchestral_Works_CD3.rar
Violin Concerto No.1
Violin Concerto No.2
http://rapidshare.com/files/139111334/Bart_k_Orchestral_Works_CD4.rar
Romanian Folk Dances (as heard in Escaflowne)
Dance Suite (awesome piece)
Hungarian Pictures
Two Pictures
Romanian Dance
http://rapidshare.com/files/139118242/Bart_k_Orchestral_Works_CD5.rar
Concerto for Orchestra
The Miraculous Mandarin Suite (not entire ballet)
Some other requests:
http://rapidshare.com/files/139120838/3_-_Glazunov_-_Saxophone_concerto.mp3
Glazunov’s Saxophone Concerto
http://rapidshare.com/files/139128894/SHOSTAKOVICH__The_Fall_of_Berlin___The_Unforgettab le_Year_1919_Suite.rar
Shostakovich’s The Fall of Berlin and The Unforgettable Year 1919 Suite
Let me know if there are any problems with the rars or mp3s.
edit: Thanks for spotting that, Tsobanian.
apropos of what you posted, the Miraculous Mandarin Suite is on the 5th disc
http://www.selections.com/BX195/bartok-orchestral-works-5cds/
Do you have Turn of the Screw by Britten, perhaps?
Prokofiev – Love for Three Oranges
Shostakoivch – Lady Macbeth of Mstensk
Vaughan Williams – The Pilgrim’s Progress
Wagner – Der Ring des Nibelungen
Poulenc – Les Dialogues des Carmelites
I have some others, but those are my favourites.
The Pilgrim’s Progress would be a good addition as well.
Thanks!
The Pilgrim’s Progress would be a good addition as well.
I don’t have any of Hindemith’s operas or Kammermusik, but I do have Mathis der Maler, Metamorfos???s Sinfonica, and Nobilissima Visione. I’ve been meaning to pick up his chamber works, but it’s just another thing on the list.
I will upload Vaughan Williams’s The Pilgrim’s Progress, Walton’s Symphony No. 2. I didn’t know there was a suite from Troilus and Cressida so I’m going to add that to the list of things to find too.
Dharma: Have you heard Myaskovsky’s 6th? That’s the only one I have at the moment.
Yes please, I would be very grateful for Walton 2. I think I can get the Troilus and Cressida Suite from a friend. I think the forum would love either a suite or complete. Its amazing.
I have Myaskovsky’s 24th and 25th if anyone wants it?
I don’t have any of Hindemith’s operas or Kammermusik, but I do have Mathis der Maler, Metamorfos???s Sinfonica, and Nobilissima Visione. I’ve been meaning to pick up his chamber works, but it’s just another thing on the list.
I will upload Vaughan Williams’s The Pilgrim’s Progress, Walton’s Symphony No. 2. I didn’t know there was a suite from Troilus and Cressida so I’m going to add that to the list of things to find too.
Dharma: Have you heard Myaskovsky’s 6th? That’s the only one I have at the moment.
Cristobalito2007, could you also upload the Myaskovsky 24th and 25th?
thanks alot.
Its at 128kbps. Sorry, thats how I found it. Its a nice recording though.
Streich I’m very interested in hearing the Myaskovsky symphonies, please upload the 6th symphony and also the Mathis der Maler symphony if possible.
Cristobalito2007, could you also upload the Myaskovsky 24th and 25th?
thanks alot.
Here’s Vaughan Williams’s opera A Pilgrim’s Progress which he based his Symphony No. 5 on. The Walton Symphony is going to take a little longer to compress and upload because it’s >300 megs.
http://rapidshare.com/files/140096390/VAUGHAN_WILLIAMS__Pilgrim_s_Progress__The_.part1.r ar
http://rapidshare.com/files/140106621/VAUGHAN_WILLIAMS__Pilgrim_s_Progress__The_.part2.r ar
It’s too large for me to upload, but the Solti one is the most commonly posted recording of it if you can find it through google. Just try including tags like rapidshare, megaupload, sendspace, etc.
Solti recording is definitely the best of all the Ring recordings made.
You can get Solti recording of the Ring on this torrent:
http://torrentportal.com/details/110344/Wagner-Der_Ring_des_Nibelungen-Solti.3341615.TPB.torrent
And you can also listen the Ring best orchestral parts, that will keep you entertained, while you’re downloading the full Solti recording.
http://rapidshare.com/files/77344703/Wag_Ring_OW.part1.rar
http://rapidshare.com/files/77341066/Wag_Ring_OW.part2.rar
Have a good listen.
http://rapidshare.com/files/140192650/Walton_-_Symphony_2_-_Violin_Concerto_CD2.part1.rar
http://rapidshare.com/files/140201023/Walton_-_Symphony_2_-_Violin_Concerto_CD2.part2.rar
http://rapidshare.com/files/140210725/Walton_-_Symphony_2_-_Violin_Concerto_CD2.part3.rar
http://rapidshare.com/files/140216730/Walton_-_Symphony_2_-_Violin_Concerto_CD2.part4.rar
Hindemith – Symphonic Metamorphosis, Nobilissima Visione, and Mathis der Maler
http://rapidshare.com/files/140223245/Hindemith_-_Metamorfos_s_Sinfonica_-_Nobilissima_Visione_-_Mathis_der_Maler.rar
Next up is Myaskovsky’s 6th.
William Walton – Symphony No. 2 and Violin Concerto
http://rapidshare.com/files/140192650/Walton_-_Symphony_2_-_Violin_Concerto_CD2.part1.rar
http://rapidshare.com/files/140201023/Walton_-_Symphony_2_-_Violin_Concerto_CD2.part2.rar
http://rapidshare.com/files/140210725/Walton_-_Symphony_2_-_Violin_Concerto_CD2.part3.rar
http://rapidshare.com/files/140216730/Walton_-_Symphony_2_-_Violin_Concerto_CD2.part4.rar
Hindemith – Symphonic Metamorphosis, Nobilissima Visione, and Mathis der Maler
http://rapidshare.com/files/140223245/Hindemith_-_Metamorfos_s_Sinfonica_-_Nobilissima_Visione_-_Mathis_der_Maler.rar
Next up is Myaskovsky’s 6th.
http://rapidshare.com/files/140382218/willow_-_classical_sources.rar
Bartok’s Cantata Profana – III. There Was Once An Old Man. Moderato (heard in the choral parts without lyrics, fastforward to 1:45)
Grieg – Peer Gynt – 12 – Arab Dance (heard on various occasions in Willow and Once Upon a Forest)
Janacek – Glagolitic Mass – IV. Veruju (Credo) (also heard in the choral parts without lyrics, fastforward to 3:21)
Le Mystere des Voix Bulgares – 11. Mir Stanke Le "Harvest Song From Thrace" (Willow’s theme played by a shakuhachi, probably one of the most blatant ripoffs of Horner’s career)
Prokofiev – October Revolution Cantata – VI. Revolution (the loud horn parts are used for Bavmorda’s theme/motif)
Rachmaninov – Symphony No. 1 – I. Grave – Allegro ma non troppo (the source of Horner’s infamous 4-note danger motif)
Schumann’s Symphony no. 3 "Rhenish" – I. Lebhaft – vivace (heard in Escape from the Tavern)
Also, smaller bits from Alexander Nevsky (Battle on the Ice) and Mahler’s Symphony No. 1 (the low rising line in the cellos/basses at the beginning of the first movement) can be heard. I have a note about Mozart’s Requiem making an appearance, but I can’t remember where at the moment.
edit: oh yeah, the opening of track 08 – Willow the Sorcerer is Mozart’s Requiem
This is probably a shot in the dark, but do you have Messiaen’s R???veil des oiseaux (Or any of his birdsong works) and/or Crumb’s Vox Balanae?
http://rapidshare.com/files/140409939/Myaskovsky_-__Symphony_No._6.part1.rar
http://rapidshare.com/files/140468793/Myaskovsky_-__Symphony_No._6.part2.rar
http://rapidshare.com/files/140475859/Myaskovsky_-__Symphony_No._6.part3.rar
kingnazgul: Sorry, I don’t have very many works by Messiaen or Crumb. That’s sort of getting into the late 20th century expressionist/avant-garde sound that I can only listen to in small doses.
Here are the works I have by Messiaen:
Quartet for the End of Time
Et Exspecto Resurrectionem Mortuorum
Chronochromie
La Ville d’en haut
???clairs sur l’Au-Del???…
Illuminations of the Beyond
Turangalila Symphonie
and the stuff on the 2001 soundtrack
By Crumb I only have Black Angels by the Kronos Quartet.
I actually have the Herbert von Karajan recordind, released by the Deutsche Grammophon, but i read some bad reviews who told that, this is not the best of all the recordings of The Planets.
let me know if you’re interested in the Levine recording.
That’s what I was thinking, but I figured I’d give it a shot.
Do you have the entire versions of Bartok’s Cantata Profana and Prokofiev’s October Revolution Cantata?
By the way, I think it is so much fun trying to pick out where Horner gets his material.
streichorchester, do you happen to have the cello concerto?
Brother, any chances for these?
http://www.amazon.com/Sergey-Prokofiev-Terrible-Scenario-Philharmonia/dp/B000000ANO/ref=sr_1_2?ie=UTF8&s=music&qid=1218999268&sr=1-2
http://www.naxos.com/catalogue/item.asp?item_code=8.553056
http://www.naxos.com/catalogue/item.asp?item_code=8.553056 – not this recording, but I have both pieces
http://www.naxos.com/catalogue/item.asp?item_code=8.553299 – I have the Gadfly but not Five Days – Five Nights Suite, instead it’s coupled with Hamlet
http://www.amazon.com/Prokofiev-Cantata-Anniversary-Revolution-Excerpts/dp/B000000AQ6/ref=sr_1_1?ie=UTF8&s=music&qid=1219500715&sr=1-1 – yes, I have this CD sitting on my desk most of the time
http://www.naxos.com/catalogue/item.asp?item_code=8.553056 – not this recording, but I have both pieces
http://www.amazon.com/Prokofiev-Cantata-Anniversary-Revolution-Excerpts/dp/B000000AQ6/ref=sr_1_1?ie=UTF8&s=music&qid=1219500715&sr=1-1 – yes, I have this CD sitting on my desk most of the time
I’d like to have the combination Neeme J???rvi + Prokofiev.
Plus "The Year 1941", Op. 90
let me know if you’re interested in the Levine recording.
Yes I am.
Thanks for taking your time.
And if someone else, have more Planets recordings, please don’t hesitate to upload it, if you can.
It will be greatly appreciated.
EDIT: Gustav holst; The Planets Suite (James Levine) (http://www.megaupload.com/?d=L79DE1PT)
streichorchester, could you please upload the Myaskovsky cello concerto? thanks so much again!
PS: and also the Kabalevsky cello concertos and the Lalo cello concerto if possible.
http://rapidshare.com/files/140964380/Revolution.part1.rar
http://rapidshare.com/files/140975263/Revolution.part2.rar
Some interesting things to watch for:
02 – The Philosophers: as heard in Horner’s score to Red Heat
05 – Interlude: I made a mistake including the Revolution track in the Willow collection, since this is actually where Bavmorda’s theme came from
06 – Revolution: This track is very powerful as it depicts the gunfire, sirens, and Stalin’s call to arms during the Russian revolution
07 – Victory: as heard in Horner’s The Land Before Time
09 – Symphony: this is Prokofiev at his best, writing much in the same style as the Symphony No. 5 and filmscores/ballets
Also included on the CD are excerpts from The Stone Flower ballet.
1337: I don’t have the Lalo. Actually, I don’t have anything by Lalo, probably because I hear him all the time on the radio. Him and Max Bruch, for some reason. They kind of fall into the catagory of "concertos everyone likes, but what else did they write?" Kabalevsky, on the other hand, I’m sure everyone would love his Requiem if I could only find it somehow.
http://rapidshare.com/files/140964380/Revolution.part1.rar
http://rapidshare.com/files/140975263/Revolution.part2.rar
Thanks!!!!
For those who want it, you’ll find the booklet of the recording here
http://www.theclassicalshop.net/details06.asp?CNumber=CHAN%209095
I can’t believe how much of Horner’s music is RIPPED from classical music, its no wonder the Land before Time score was so good… didn’t realize he had stolen so many melodies.
It will be greatly appreciated.
I have this one, but unfortunately the mp3-bitrate is 128Kbps.
http://www.naxos.com/catalogue/item.asp?item_code=8.554369
Also, Ivan the Terrible, track Ivan Appeals to the Boyras makes up the base notes for the main choral theme in Glory. You cant miss it.
streichorchester, I just downloaded the Prokofiev Cantata, magnificent stuff!
I can’t believe how much of Horner’s music is RIPPED from classical music, its no wonder the Land before Time score was so good… didn’t realize he had stolen so many melodies.
Also, Ivan the Terrible, track Ivan Appeals to the Boyras makes up the base notes for the main choral theme in Glory. You cant miss it.
Horner also uses the Morning Serenade in the 3rd scene of the 3rd act of Romeo and Juliet in The Land Before Time, not to mention the dozen or so references to Peter and the Wolf.
By the way, thanks for the cantata Streichorchester.
Bartok’s The Wooden Prince (opening)
Bartok’s Piano Concerto No. 3 (second movement) (incidental probably since it sounds a lot like Prokofiev’s October Revolution Cantata)
Prokofiev’s Romeo and Juliet (Interlude, Morning Serenade – both from Act III)
Prokofiev’s Peter and the Wolf (march and the fight with the wolf)
Prokofiev’s October Revolution Cantata
Shostakovich’s Symphony No. 10 (first movement) (incidental probably)
Mahler’s Symphony No. 1 (first movement)
Debussy’s Les Nocturnes (Nuages)
http://rapidshare.com/files/141174855/kabalevsky_cello.rar
The Myaskovsky concerto is paired with the Prokofiev in a lossless flac file so it’s going to take me a while to compress and upload.
I suggest you to listen these musics (they are the best songs that i own) :
Brahms – Hungarian dance no 5, No 1, No 2, No 4
Beethoven – 7th Symphony – 2nd Movement – Allegretto
Chopin- Impromptu n???4, Fantaisie
Chopin – Waltz Op. 64.1 in D flat major – Minute
Chostakovich – Waltz 2 from Jazz Suite
Chopin – Op.69 No.1, Waltz in A flat major
Dvorak – Symphony no. 9 of the new world – 4 Allegro con fuoco
Tchaikovsky – Piano Concerto No.1, Allegro
All seasons of Vivaldi
Beethoven – 9th Symphony – Ode a la joie
Chopin – 07 – Waltz Op. 64.2 in C sharp minor
Debussy_Reverie
Listen em on Youtube you will see how are they Fantastic
Look a few post above you… I’ve uploaded Holst’s suite conducted by Levine. Theres also another recording at P.Q.P Bach.org
streichorchester, Thanks alot for the Kabalevsky Cello concertos. I love his music, its always cheerful. Just wondering if you have his piano concertos? if so, which recordings are they?
EDIT: Does anyone have Roy Harris’ 3rd symphony? I’ve been hearing lots of good things about this piece from some forum.
Prokofiev – Sinfonia Concertante
Myaskovsky – Cello Concerto
Rachmaninov – Vocalise
http://rapidshare.com/files/141955707/Prokofiev_-_Sinfonia_Concertante_-_Miaskovsky_-_Cello_Concerto.part1.rar
http://rapidshare.com/files/141961288/Prokofiev_-_Sinfonia_Concertante_-_Miaskovsky_-_Cello_Concerto.part2.rar
http://rapidshare.com/files/141965620/Prokofiev_-_Sinfonia_Concertante_-_Miaskovsky_-_Cello_Concerto.part3.rar
http://rapidshare.com/files/141970036/Prokofiev_-_Sinfonia_Concertante_-_Miaskovsky_-_Cello_Concerto.part4.rar
It is the near-pinnacle of orchestral achievement to sound like Prokofiev, Copland, Ravel, etc. but Kanno can accomplish this with such ease. It is only one step down from the top tier: Mahler (whom is strangely absent from Kanno’s long list of sources.)
Is Mahler’s music so great ? And if it’s case, could you upload a selection of his music for the neophyte ?
Mahler is generally considered to be the ultimate evolution of the symphonic form that began with Haydn, Mozart, and continued through Beethoven, Schubert, Brahms, and Bruckner. But he took things one step further and combined this "absolute" musical form with programmatic ideas of operatic proportions; his biggest influence being Wagner. He was the end of the "first Viennese school," but didn’t come into mainstream popularity until Leonard Bernstein regularly performed concerts of his works. Now any major orchestra worth their salt performs a Mahler symphony at least once a season, the most common one being the ever-popular fifth (the first one I heard.)
Mahler’s symphonies are usually 1 to 1.5 hours long and are always scored for huge ensembles. Even the trombone-less fourth is massive, not in size, but in content. Mahler takes you for emotional rides employing funeral marches, l???ndler (kind of a like a folk waltz), German lieder, and extra long scherzos that show off his amazing ability to juggle 3-4 contrapuntal lines at once.
There are the recurring themes of nature, death, and the innocence of childhood in Mahler’s music. He always feared death, and many say he predicted three fates in his "tragic" Symphony No. 6 where he uses a massive hammer blow to the stage to represent 1) his being fired from directing the Vienna opera due to pre-war antisemitism, 2) the death of his daughter due to fever, 3) his own early death due to a bad heart. He is a tragic figure, and shortly after his death his beloved wife Alma (who regularly cheated on him) was an unreliable authority on his life and work, but the only authority there was.
Mahler actually didn’t care much for religion, and like many Jews living in the German empire converted to Lutheranism. He was a deist like most composers in that he believed in a God-like power that ruled over nature and the universe and man. His Symphony No. 2 "Resurrection" is not religious in nature at all, despite what many (Christians) would tell you. It was simply a ode to the death of a friend and the best way he knew how to cope with it. Similarly, though his Symphony No. 8 "Symphony of a Thousand" (which employs a large 200 person orchestra and 800 person chorus) begins with a choral outburst of "Veni Creator Spiritus" in Latin, it goes on to the story of Goethe’s Faust for the majority of the symphony.
Mahler wrote 9 symphonies, an unfinished 10th that others have attempted to complete, a symphony-like cycle called Das Lied von der Erde, and several lieder in the style of Schubert and Hugo Wolf. Since Beethoven, Schubert, and Bruckner all died before they could write a 10th symphony, Mahler feared writing the 9th hence the reason Das Lied is not considered one of his symphonies.
I could go on to break down each of his symphonies, but I’ll save that for if and when I get to posting them. You can hear Mahler influences in composers such as Arnold Shoenberg, Anton Webern, Leonard Bernstein, Dmitri Shostakoivch, James Horner, and pretty much wherever there is ingenious motivic development. The thing about the scores is that they’re the most detailed scores you’ve ever seen, with an articulation or performance indication on practically every note, which causes extra-long rehearsals. But the effect is great and you can hear every solo instrument, every combination of instruments, and every section reaching their full potential.
Here’s a short list with descriptions in case any of them interest you in particular:
Symphony No. 1
Mahler shows his love of nature through the German lieder he wrote and turns it into a symphony with a dance, a funeral procession, and a massive grand finale where the horn section is told to hold their instruments in the air.
Symphony No. 2 "Resurrection"
This one is darker in tone as it begins with a funeral procession*, a light-hearted, yet deceiving dance, a huge scherzo again based on his lieder, a song, and an operatic finale with chorus.
*As with most of Mahler’s music, it’s difficult to describe a single movement as being one thing like a funeral procession or dance. While it might begin one way, it is always evolving into something else, and the genius lies in Mahler’s ability to interweave several contrasting ideas.
Symphony No. 3
This symphony is almost 2 hours long, but every movement is like its own little symphony. In this Mahler explores mountains, flowers, animals, man, and love. You really have to hear it to get the full effect.
Symphony No. 4
This one is not as massive as the first three, but it carries an important message of death and heaven. Originally Mahler wrote a song about heaven for the end of the Symphony No. 3, but felt it would work better on its own. So he took material from the song and made three movements out of it, then put the song at the end. Genius. Listen for death playing the fiddle in the scherzo.
Symphony No. 5
This is the most popular of Mahler’s symphonies, and for good reason. It begins with a fanfare and march full of memorable themes, then another march, then a scherzo, then a heart-wrenching adagio (the famous Adagietto), and a massive ending based on another song Mahler wrote. Since in Mahler’s time it was still considered strange to write war-like music for the concert hall, it is thought that this symphony predicts the coming world wars. Indeed, if you wrote this kind of music in the early 1900s people would be wondering what was wrong with you and wonder why you’re so violent. Funny enough, Mahler did feel himself unbalanced enough to regularly visit with Sigmund Freud.
Symphony No. 6 "Tragic" (in A minor)
Almost as if to cash in on the success of the fifth, Mahler wrote this one much in the same way. The march at the beginning is memorable, but something new emerges and that’s the idea of "fate" (using an A major chord crescendoing to an A minor chord, then fading out.) There are many themes in this one, including a theme for Alma, and as I said earlier, the hammer blows in the third movement represent Mahler’s struggle against fate. The finale movement is quick and sounds like something out of a movie score (reusing themes from the first three movements.)
Symphony No. 7
This one is not generally liked by Mahler enthusiasts because it seems like more of the same. The opening march is not particularly likable, but it’s still genius in orchestration and development. Mahler again plays with the idea of a central "scherzo", but the biggest draw is the Wagner-like finale.
Symphony No. 8 "Symphony of a Thousand"
This symphony is glorious because you have two separate choirs, 4 soloists, and a children’s choir dueling out their contrapuntal lines against the orchestra. It’s very hard to follow along with the score and you wonder how a human could have written such a thing. It’s epic, but also thematically intricate. Mahler is one of the only composers who can have 1000 people performing one minute, and the next minute 1 or 2. This is also the origin of the famous Schindler’s List theme (which Horner used in Balto, Apollo 13, and Enemy at the Gates.)
Das Lied von der Erde (for two solo vocalists and orchestra)
Mahler gets philosophical on us in writing about the beauty of life and nature based on Hans Bethge’s volume of Chinese poetry. There are many themes, but the main attraction is the beauty of the sound. Except for the opening movement, this isn’t your usual dosage of funeral marches and dances and scherzos. But to many people, this is their favourite Mahler piece.
Symphony No. 9
Mahler didn’t live to see this performed, but many feel he made peace with the world by the end of it. It is similar in some respects to Bruckner’s 9th, ending with a long and tear-jerking adagio. The off-rhythm opening is said to represent Mahler’s failing heart, and the middle lander has some funky time signatures as well.
Symphony No. 10
Only the first movement and middle "purgatorio" section was completed, but from sketches of the other movements scholars have attempted to recreate Mahler’s world, including the melancholic ending where large drums represent the funeral of a fireman Mahler heard outside his New York apartment window one morning.
Leonard Bernstein and the New York Philharmonic
http://rapidshare.com/files/142417273/Mahler_Symphony_No._5_-_Leonard_Bernstein.part1.rar
http://rapidshare.com/files/142423844/Mahler_Symphony_No._5_-_Leonard_Bernstein.part2.rar
(note: if you’re having trouble extracting the first movement because of its absurdly long filename, try extracting it to your root C:\)
This symphony is generally considered to be the most representative of Mahler’s style. It’s 5 movements (Mahler was fond of breaking traditional symphonic form and adding an extra movement or two) but split into 3 parts:
Part 1
I. Trauermarsche
It all begins with a fanfare for solo trumpet that was foreshadowed in the Symphony No. 4. Mahler was frightened, if not a bit fascinated with death, and loved to begin his symphonies with a march in a minor key representative of a funeral procession. In true sonata-allegro form, the secondary theme appears around 1:20. Notice how Mahler plays with dynamics, switching between f and p for emotional effect. Where the classical symphony calls for a direct repeat of the primary and secondary themes, Mahler returns to the primary and then secondary in variation. Keep in mind that every little bit of instrumental ornamentation is its own motif that is heard throughout the movement in different voices and variations.
6:10 is the beginning of the development section, and though it hints at snippets of the trumpet fanfare, the theme here is new. The fast-moving violins and winds will also play a role in the final movement. At 7:47 there is a climax that marks the return of the primary theme. The secondary theme returns at 8:55, and Bernstein takes this really slow. The trumpet theme is played in the solo timpani at 11:00 marking the end of the development and the beginning of the coda. There is another climax at 12:50 that again leads into the fanfare, and then the end.
II. Sturmisch bewegt (moving "stormingly" or "stormishly")
The opening movement wasn’t exactly an allegro, so this is essentially a continuation of the idea of symphonic formality. The falling winds at 1:15 also will play a role in the final movement. At 1:35 a kind of variation plays on the funeral march from the previous movement while the winds play this neat motif figure over and over. It gets somewhat "romantic" like something Rachmaninov would write, but before too long returns to the quick, Wagner-ish action it opened with. At 4:25 a haunting solo for the cellos plays over a quiet timpani roll until 5:50 when the funeral march returns and things get more agitated. Here we can also hear foreshadowing of some ideas that will appear in the Adagietto and Symphony No. 6.
At 8:40 the orchestration begins to sound like John Williams in that the voices are all over the place, and when the funeral march returns take notice of everything else that is going on motivically. Each sound is found earlier in the movement and maybe has to be seen in the score to be appreciated for its complexity. At 11:00 a variation in the solo cello melody is heard with some awesome counterpoint in the trombones. At 12:00 things get very Wagner-ian as it wraps up Part 1 with a brass chorale and fanfare; a very awesome moment. If you didn’t know better, you might have thought this was the ending. But those wind runs interject yet again and the agitation persists. There is some more foreshadowing of the 6th, and a familiar motif ends the movement.
Part 2
III. Scherzo
The scherzos are really where Mahler’s orchestration shines, as if it hasn’t shone enough by now. Here he plays with dance-like melodies in triple-metre, but this movement is like its own self-contained, little symphony complete with allegros, adagios, and a grand finale. Notice a little bit of fugal writing between the top and bottom strings. There is also a little quoting of the "devil’s violin" from the 4th symphony’s scherzo. 2:40 is the beginning of the secondary theme which takes after the German l???ndler. Mahler’s dance music always gives the impression he could have made it big as an alternative to Johann Strauss, but Mahler instead tells a story with the music which is why it can never seem to settle down. It’s always going places, always developing, and any indication of a dance is to establish the rural setting for which the story takes place.
5:05 is the beginning of a new theme (B) that is almost Slovakian in nature since the harmonies are not your typical candential-Germanic. This is the style of Mahler’s "Wunderhorn lieder", the songs he wrote before the symphonies about nature, man, and death. 5:45 is the first climax of the scherzo (Mahler’s scherzos often have this sort of "moment of resolution" over a pedal.) The horn solo here is tragic and very lovely. At 7:20, the strings imitate a mandolin or some kind of guitar used for folk dances. The interchanging themes almost make you think there are two dances going on at the same time. And what else could 9:20 represent but a harsh German winter? The "lieder" continues on at 10:08 in the horns, and you can almost imagine a baritone singing that line.
10:40 is an interesting return to the quick dance as it becomes more waltz-like than l???ndler. As things become more agitated there is more motivic development of ideas heard at the beginning of the movement until 11:50 when there is a complete return to the beginning (A’) and the dance develops more. At 14:15 all of a sudden we’re back in the B section of the scherzo with the lieder singing over some new harmonies. This doesn’t last long as the dance takes over once again. The buildup at 15:45 is great and reminiscent of Holst (who actually came later.)
16:00 marks the beginning of a neat effect while the song in the horn tries to play out, but it is interrupted by the dance. If you want to get metaphorical, the dance is moving forward quickly into the new century while the slow song of the wise old man is holding things back as if to warn about the future. 18:11 to the end is quite a rush as Mahler brings back the themes from earlier and resolves them with a fanfare.
Part 3
IV. Adagietto
There isn’t much to say about this except it is scored for only strings and harp and is one of the most beautiful pieces of music ever written, and was used in the film Death in Venice. It often draws comparisons with Barber’s Adagio for Strings in the use of chromatic harmonies to pull and release. There is some foreshadowing of the adagio in the 6th. If you like this sort of music from Mahler, also check out the final movement from the 3rd, the adagio movement from the 4th, the adagio from the 6th, the adagio finale from the 9th, and the opening movement of the 10th (the last thing Mahler wrote that wasn’t just sketches.) Many of the themes in this movement will return for the 5th and final movement.
V. Rondo-Finale
In sharp contrast to the seriousness of what preceded it, this movement starts off very playful in the manner of Mahler’s first symphony. Again we hear some "Wunderhorn" lieder and some fugal interplay in the strings. The Symphony No. 5 also marks the end of Mahler’s basing his symphonies on the songs he wrote, or what are known as the "Wunderhorn symphonies." As with each of the first 5 of Mahler’s symphonies, the light-hearted tone of the final movement represents victory and the celebration of life. It is the 6th that is the bleakest and more representative of death. This movement moves along quite quickly and uninterrupted as it reiterates some ideas from the adagio over the double-bowing cellos. A neat aspect of this is that with each incarnation of the theme, it changes key. It’s almost as if Mahler couldn’t yet allow things to end, so he’d begin anew in a new key.
At 9:00 things begin to sound as though they’re wrapping up as it builds to the final variation of the song. There is even more fugul interplay over a rolling timpani in a kind of extended build up to the end. At 11:10 things are interrupted briefly for some great stringless wind playing. What’s great about Mahler is that one minute the entire orchestra is chugging along, then suddenly a wind octet or some other chamber ensemble takes over. It really adds to the "bigness" of the sound by drawing this contrast between formal styles. 13:49 is a glorious brass choral of 1812 Overture proportions. I don’t know how he does it, but Mahler always manages to find the best harmonies to end a symphony with (see the ending chorals from the 1st, 2nd, 3rd, 7th, and 8th.) At 14:48 the wind runs here heard back in the 2nd movement are a nice touch, and a great way to have the winds do something without being overpowered by the brass.
And that’s all there is to it. Many of the best orchestrations of all time within one symphony. You could spend a lifetime analyzing the score, and no one has come close in classical or film music to matching the ingenuity of the motivic development herein.
Actually it’s only 5 in concert pitch. You’re thinking of C# Major. ๐
Anyway thanks for the Myaskovsky stuff several posts ago. ๐
Anyway thanks for the Myaskovsky stuff several posts ago. ๐
We’re both wrong, it’s 4 sharps (7 minus 3) but who’s counting? ๐ I don’t know what I was thinking of. Anyway, thanks for catching my error.
A neat theory about the 5th is that it’s connected to the 9th by its key signature. The 5th begins in C# minor and ends in D major, whereas the 9th begins in D major and ends in Db minor (the enharmonic equivalent of C# minor.)
Leonard Bernstein and the New York Philharmonic
http://rapidshare.com/files/142417273/Mahler_Symphony_No._5_-_Leonard_Bernstein.part1.rar
http://rapidshare.com/files/142423844/Mahler_Symphony_No._5_-_Leonard_Bernstein.part2.rar
Thank you very much.
I was eager to listen to this composer since I red your comment. As you know I’m an orchestra junkie, addicted to grand, symphonic music for full orchestra. Mahler is one of these composers I totally missed. Glad to discover him thanks to you.
Thanks also for the analysis, it considerably accelerates the period of introduction and improves the appreciation of an oeuvre.
Speaking of what I’ve just remembered that I ripped Karajan & Berliner Philharmoniker – R. Strauss, Ein Heldenleben in mp3 best quality some months ago. If someone needs it, just ask.
Anything from these?
http://www.theclassicalshop.net/details06MP3.asp?CNumber=CHAN%2010282W
http://www.theclassicalshop.net/details06MP3.asp?CNumber=CHAN%209349W
It will be greatly appreciated.
I’ve found another for ya: Holst Gustav : The Planets / Elgar Edward : ‘Enigma’ Variations : Sir Adrian Boult – London Philharmonic & London Symphony Orchestra
http://rapidshare.com/users/LJ5UTB
Password: iceshoweronfire
This one?
http://www.naxos.com/catalogue/item.asp?item_code=8.557883
or this one?
http://www.naxos.com/catalogue/item.asp?item_code=8.111297
arthierr, do upload the tone poem, I’d be very grateful if you did. R. Strauss is one of my favourites
Is it your birthday today ? No ? Anyway I have a great gift for you.
Karajan Herbert (von) : Master Recordings : Berliner Philharmoniker / Wiener Symphoniker – Box-Set : 10CDs – (1959 – 1979) 2008.
http://classiclibrary.blogspot.com/2008/06/karajan-herbert-von-master-recordings.html
Alternative version :
Strauss Richard : Ein Heldenleben, Le Bourgeois Gentilhomme – Sir Simon Rattle – Berliner Philharmoniker – 2005.
http://classiclibrary.blogspot.com/search/label/Strauss%20Richard
Links at the bottom.
Pass: iceshoweronfire
Happy listening!
arthierr, I do believe you have provided me the link to the Holy Grail
thanks for the treasure trove of music!!
http://www.kickassclassical.com (http://www.kickassclassical.com/classical-music-popular-famous-best-composers-a-z.html) (quite limited if you ask me ๐ )
My question is, should I use this thread to post my collection and encourage others to share their popular classical music here, or should I start a new thread to do that, so that you keep managing these much more obscure requests?
Thanks for spreading the love for classical music!
Anyway you should wait for Streich’s answer before doing so.
http://rapidshare.com/files/140382218/willow_-_classical_sources.rar
Streich, you must know which is my favourite movie score : KRULL. I would be curious to hear what classical references are borrowed in this score. Could you upload the classical material Horner used for this one ?
arthierr:
There is not a lot of classical ripping going on in Krull. There is a brief quote from the ending of Wagner’s Gotterdammerung in Ride of the Firemares and a quote from Holst’s Mars for the bad guy music. That’s really it. No stolen melodies on the level of Willow or The Land Before Time.
http://orchestralworks.blogspot.com/
You’ll find LOADS of interesting stuff there.
But one recommandation : BE DISCREET WITH THESE BLOG LINKS TO AVOID THEM TO BE CLOSED.
All I can say is it’s not as action-packed as Shostakovich, and not as melodic as Prokofiev. It doesn’t sound as Russian as the 6th, and drags through the impressionist tuttis a bit like Bax.
I can’t seem to find much discussion on his work through google, and what I’m interested in is how other people might rank his symphonic output as they would Mahler’s or Shostakovich’s. Is the 6th really the best? I have high hopes for the 10th.
http://www.theclassicalshop.net/details06MP3.asp?CNumber=CHAN%208977W
And that’s the exact version I downloaded from emusic too. I have the Leonard Slatkin Voxbox one with the St. Louis Symphony, but I’m not sure I like it as much. Their Nevsky was a bit weird sounding.
http://rapidshare.com/files/146141894/Prokofiev_-_Ivan_the_Terrible.rar
http://rapidshare.com/files/146141894/Prokofiev_-_Ivan_the_Terrible.rar
Thanks!:angel:
I can recommend anything, but I would need you to tell me what kind of classical music you already like. Name some composers and/or pieces and I will suggest more along the same line.
If you’re unsure as to what kind of classical music you like, you can start off at that kickassclassical.com site mentioned earlier to hear the most popular classical pieces around, or browse youtube for performances.
By Delius I have:
Two Pieces for Small Orchestra
Two Aquarelles
Intermezzo from "Fennimore and Gerda"
Piano Concerto in C minor
I have stuff by Finzi too if you like English pastoral music.
By Finzi I have the clarinet concerto, 5 Bagatelles (amazing piece), cello concerto, grand fantasia for piano and orchestra, ecologue for piano and strings.
Speaking of English music, I’m also looking for stuff by Constant Lambert who seems to be impossible to find.
The Stokowski Sound.
http://www.megaupload.com/?d=20GBT49J
Mussorgsky: Pictures at an Exhibition (Stokowski’s version); Stravinsky: The Firebird Suite; Skryabin: Le Poeme de l’extase
http://rapidshare.com/files/87661868/Mussorgsky_Pictures_at_an_Exhibition_-_Stokowski__1996_.part1.rar
http://rapidshare.com/files/87664977/Mussorgsky_Pictures_at_an_Exhibition_-_Stokowski__1996_.part2.rar
http://www.amazon.com/Claudio-Abbado-Conducts-Mussorgsky/dp/B000003FBY/ref=pd_sim_m_1
I don’t have much Mussorgsky.
edit: I didn’t know Night on Bald Mountain had a chorus! First the 1812 Overture, then Peer Gynt, now this. What’s next, Also sprach Zarathustra?
I don’t have much Mussorgsky.
edit: I didn’t know Night on Bald Mountain had a chorus! First the 1812 Overture, then Peer Gynt, now this. What’s next, Also sprach Zarathustra?
Yes I really didn’t know that myself ’til recently…. And I really want to hear Mussorgksy’s original 1867 version.
Upon reading Gogol’s classic Russian short story "St. John’s Eve" in 1858, the young Modest Mussorgsky found the perfect narrative vehicle for the dark, dense musical language he was beginning to develop. The shortest night of the year, June 23, St. John’s Eve is known in Russian folklore as the night in which witches and demons gather on Bald Mountain (now known as Mount Triglav, near Kiev), for a yearly "Black Mass" and devilish revelry lasting until dawn. Despite the vividness of the scenario and Mussorgsky’s original realization of it in 1867, the composer struggled to cast the music in its ideal voice, off and on, for the rest of his career. It appeared unfinished in various forms, including a version with chorus meant for a ballet, as well as an operatic intermezzo. And although a few conductors in recent years, including Claudio Abbado and Esa-Pekka Salonen, have given successful performances of the original 1867 version, the one most familiar to modern audiences is the version completed in 1886 by Mussorgsky’s friend, Rimsky-Korsakov, known as Night on Bald Mountain. The famous conductor Leopold Stokowski, however, was so unsatisfied with the 1886 orchestration that he traveled to Russia, studied Mussorgsky’s manuscripts himself, and in 1938, prepared his own orchestration. Writing in the notes accompanying his 1954 recording of the work, Stokowski explained that Rimsky-Korsakov "had more technical skill than Mussorgsky, and so generously, and with good intentions, gave of his precious time to assist his friend." The problem, however, was that Rimsky-Korsakov "sometimes misunderstood Mussorgsky’s uncompromising originality in harmony and rhythm." In other words, Rimsky-Korsakov’s orchestrational skill rendered the diabolical scene altogether too tidily. Stokowski’s version sought to mediate between Mussorgsky’s visceral, weighty sonority and Rimsky-Korsakov’s skill at instrumental balance and contrast. There is, perhaps, a natural affinity between Stokowski’s orchestral sound — which is often characterized as bombastic, vivid, with a low center of gravity, and a broadness of gesture — and Mussorgsky’s compositional style, which for Stokowski betrays an obsession with "the dark, fantastic, grotesque, mysterious, and terrifying side of life." Ultimately, however, Stokowski’s more exaggerated orchestral realization of Mussorgsky’s demonic fascinations serve to contrast all the more starkly the visions of dawn that end the work: the early morning church bells, the bird call of an oboe solo, and the peasant song of a lone flute. ~ All Music Guide
Like nearly every piece Mussorgsky wrote, the compositional history of Night on Bald Mountain is convoluted to the point of near total confusion.
The work was first mentioned by the 19-year-old Mussorgsky on Christmas Day 1858 when he and his brother and a few other friends including Mussorgsky’s composition teacher Mily Balakirev, proposed a three-act opera on the subject of Gogol’s St. John’s Eve. A year and a half later, Mussorgsky writes to Balakirev to tell him that he has been commissioned "to set to music of whole of act of [Baron] Mengden’s drama The Witch depicting a witches’ Sabbath on St. John’s Night." There is not, however, any trace of either a commission nor a drama by Mengden called The Witch. Six years later, Mussorgsky mentions the piece again, this time as an orchestra tone-poem, in a letter dated April 20, 1866, to Balakirev: "I have started outlining the witches. Got into trouble. Satan’s journey does not please me yet."
After completing the original version of the work on June 23, 1867, now called St. John’s Night, that is, midsummer night, the night of the witches’ Sabbath, Mussorgsky wrote the following description of the work to Rimsky-Korsakov, his friend and fellow composition student with Balakirev:
"All your favorite bits came off splendidly in the scoring. In the Black mass there is a bit in B minor (the witches glorifying Satan), thoroughly foul and barbarous….The form is rather original….The whole thing is fiery, brisk, close-knit without German transactions. In my opinion St. John’s Night is something new, and ought to produce a satisfactory impression on any thinking musician."
Mussorgsky also wrote a description of the work to his friend Professor Nikolsky:
"My St. John’s Night on the Bald Mountain (A far better title than The Witches) is, in form and character, Russian and original;…I wrote it very quickly[!], straight-away in full score without preliminary rough drafts, in twelve days. It seethed within me, and I worked day and night, hardly knowing what was happening within me. And now I see in my sinful prank an independent Russian product, free from German profundity and routine, and, like my Savishna (the song O Darling Savishna!), grown on our country’s soil and nurtured on Russian bread.
At the head of my score I’ve put its contents: 1. Assembly of the witches, their talk and gossip; 2. Satan’s journey; 3. Obscene praises of Satan [titled in the score Black mass]; and 4. Sabbath….The form and character of composition are both Russian and original."
The original St. John’s Night is indeed wholly Russian and highly original. Compared with Rimsky’s tepid reorchestration and turgid recomposition, it is an infinitely more characteristic and effective work
The history of the composition of Night on Bald Mountain is as confused and confusing as any piece Mussorgsky ever wrote. Originally conceived as an opera on a subject from Gogol in 1858 when Mussorgsky was an army cadet of 19, re-conceived in 1860 as incidental music to a drama which apparently didn’t exist, re-re-conceived as a tone poem in 1866 and completed as a tone poem in the early summer of 1867, the work was then a wholly Russian and highly original orchestral tone poem which, in Mussorgsky’s words, is "free from German profundity and routine."
That was, not, however, the end of St. John’s Night. Mussorgsky revised his 1867 original version in approximately 1872 as his part of the joint commission for the composers of Balakirev’s Mighty Handful, the ballet opera called Mlada. This version is lost. However, it is apparently the basis of the third and final version of the work.
In the late spring of 1880, less than a year before Mussorgsky’s death at 42 from alcoholism, Mussorgsky unaccountably decided to re-re-re-conceive the work as an entr’acte with bass-baritone soloist, children’s choir, mixed choir, and orchestra for his opera The Sorochintsky Fair. Based on Gogol story of a devil turned out of hell who had become a drunkard, Mussorgsky apparently thought that what had been St. John’s Night would work as what was in effect a dream sequence in his never-to-be-completed opera.
In a letter to his friend Vladimir Stasov, Mussorgsky describes the work which is now called The Parobok’s Dream Vision (The Peasant Boy’s Dream Vision):
"The parobok sleeps at the foot of a hillock…In his sleep appear to him:
1. Subterranean roar of non-human voices, uttering non-human words.
2. The subterranean kingdom of darkness comes into its own — mocking the sleeping parobok.
3. Foreshadowing of the appearance of Chernobog (a Russian folk devil) and Satan.
4. The parobok left by the spirits of darkness. Appearance of Chernobog.
5. Worship of Chernobog and black mass.
6. Sabbath.
7. At the wildest moment of the Sabbath the sound of a Christian church bell. Chernobog suddenly disappears.
8. Suffering of the demons.
9. Voices of the clergy in church.
10. Disappearance of the demons and the parobok’s awakening."
Every bit as savagely original and brutally Russian as the 1867 version, Mussorgsky’s 1880 version seems not only extraneous to the plot of The Sorochintsky Fair, its size would seem too great for the opera to contain. However, since Mussorgsky never completed the opera, it is impossible to guess how The Parobok’s Dream Vision might have fit into the opera
About the Overture 1812 Op. 49, I have the version with Kiev Chorus and the Children’s Choir of Greater Cincinnati.
Concerning Grieg’s Peer Gynt I only have the Suites with Karajan & Berliner Philharmoniker, I really don’t know what’s happening in the "Peer Gynt incidental music, Op. 23"….
http://rapidshare.com/files/147831425/Grieg_-_Peer_Gynt.rar
Pieces from the Peer Gynt suite that have voice or chorus:
In the Hall of the Mountain King (too awesome)
Solveig’s Song (the second time)
Arab Dance (reminds me of Borodin’s Polovetsian Dances)
Also there are some neat tracks that aren’t in either of the suites that are worth checking out, particularly the the Dance of the Mountain King’s Daughter. I love orchestrated folk dances like that.
Thanks!!! That disc has excerpts from Grieg’s Opus 23 "Peer Gynt Incidental Music"
http://www.amazon.com/Grieg-Peer-Excerpts-Incidental-Music/dp/B0000026NT
In the 2 suites (Opus 46 and Opus 55) the chorus is absent.
By the way the orchestra is conducted by Esa-Pekka Salonen. Esa-Pekka Salonen made a recording of the original "Night on a Bare Mountain".
http://www.amazon.com/Sacre-Printemps-Hybrid-SACD/dp/B000F39M9W/ref=sr_1_1?ie=UTF8&s=music&qid=1222245814&sr=8-1
Saint-Saens: Fantaisia for Violin and Harp, Op. 124
midi or sheet music would also be nice.
Saint-Saens: Fantaisia for Violin and Harp, Op. 124
midi or sheet music would also be nice.
This is what I’ve found.
Saint-Sa???ns & Ysa???e – Rare Transcriptions for Violin & Piano – Philippe Graffin (violin) & Pascal Devoyon (piano)
http://www.megaupload.com/?d=HQS6F1GD
1. Saint-Sa???ns: Caprice brillant (1859)
2. Chopin/Saint-Sa???ns: Nocturne in E major, Op. 62 No. 2
3. Saint-Sa???ns: Caprice d???apr???s l???Etude en forme de valse
4. Chopin/Saint-Sa???ns: Nocturne in E flat major, Op. 55 No. 2
5. Chopin/Ysa???e: Waltz in E minor, Op. posth.
6. Chopin/Ysa???e: Ballade No. 1 in G minor, Op. 23
7. Saint-Sa???ns: Fantaisie for violin and piano after Weber???s Oberon
8. Saint-Sa???ns: L???air de la pendule
9. Saint-Sa???ns: Fantaisie for violin and harp, Op. 124* (with harpist Catherine Beynon)
Unfortunately imslp.org does not have sheets for this Opus of Saint-Saens
http://imslp.org/wiki/Category:Saint-Sa%C3%ABns%2C_Camille
Sorry, I don’t have anything by Joachim, but I’ll keep an eye open for that piece since it does seem fairly popular.
http://classicalvietnam.info/forum/showpost.php?p=12159&postcount=353
They seem to be posting a lot of stuff at that forum. Here’s hoping there’s a good selection of 20th century composers…
Anyone have anything like that, it sounds pretty interesting.
http://classicalvietnam.info/forum/showpost.php?p=21754&postcount=728
Is anyone interested in Hamilton Harty’s "An Irish Symphony"? Its quite a lovely pastoral piece.
Anyone have anything like that, it sounds pretty interesting.
Villa-Lobos Harmonica Concerto: http://sharebee.com/5cef00f9
Arnold’s stuff is always hard to find, so I don’t have anything by him, sadly.
It’s an ape format. Download ape codec and will work:). And don’t mount it in daemon or something, just add to winamp playlist.
http://www.theclassicalshop.net/details06MP3.asp?CNumber=CHAN%209467W
Since this is the Classical by request thread, I suppose I’ll do my part and request some albums I used to have, and now have lost. First is Ravel’s L’enfant et les Sortil???ges (The Child and the Spells), whose loss I mourn every day. It is simply the best opera. Second is a Boston Skyline album called From the Vault: Dance Music of the High Renaissance. I have a poorly-encoded version of it (without track numbers and with several tracks missing) that I guess I’ll upload, but I want more.
It’s a fabulous recording on period instruments, and it’s out of print, and I miss it dearly. Can anyone help?
Dvorak Slavonic Dance in E Minor Op 72 No 2.
Thank you for reading.
Dvorak Slavonic Dance in E Minor Op 72 No 2.
Thank you for reading.
Here you go :
http://rapidshare.com/files/136159268/Dvorak.SlavonicDances.Szell.rar
(Thanks in advance)
Here you go, Sanico :
AMADEUS Special 3 cd pack, collectors edition
rar password: www.deadzoners.com
http://rapidshare.com/files/33207562/amadost1.rar
http://rapidshare.com/files/33232156/amadost2.rar
(Thanks in advance)
It would be a lot easier for you to look for each piece of this album individually, instead of requesting this album wich is rather rare.
http://rapidshare.com/files/136159268/Dvorak.SlavonicDances.Szell.rar
Thank you so much, but I only wanted that one song. Rapidshare is taking forever to download the bundle. Unless I misunderstood and the bundle you uploaded is many version of that one song?
AMADEUS Special 3 cd pack, collectors edition
rar password: www.deadzoners.com
http://rapidshare.com/files/33207562/amadost1.rar
http://rapidshare.com/files/33232156/amadost2.rar
Arthierr, i dl’ed this, but it’s only the 2 CD version. ๐
Do you know if exists a third link avaiable for this set, or you just found only two links?
Do you know if exists a third link avaiable for this set, or you just found only two links?
It is the 3 CD version actually – the first link includes CD 1 & 2 in one .rar file. The second link includes CD 3 in a different/second .rar file (make sure you unrar the two files separately.
Edit: Thanks, fumoffu, I was pretty sure it was the right version.
You’re correct. Maybe it’s how the way the rar the files were named, that took me to mislead.
I’ll try to do my best next time.
@arthierr
Don’t worry. Even if i forgot to say a thanks for a "History of Violence", please let me know that all my answered requests by you, are really greatly appreciated. And that i will gladly answer some requests that you may need.
@all
Sorry for this inconvenience. And forgive my bad english grammar (English is not my first nature language). :-\
EDIT – Oh God, I forgot to say a thanks to arthierr for Amadeus OST.
Thank You Arthierr.
Let’s back on topic and to classic music.
Ok, I know, I’m not Streich – but I am a great advocate of Mahler, and am familiar with this arrangement.
I’ve always, always, questioned why it was made in the first place. Mahler remains one of the greatest orchestrators of all time – but what was the purpose of this?
He had two choices – a) Reimagine the piece in his own style. b) Do virtually nothing, just thicken up the orchestration slightly but leave it basically unchanged. It would’ve been interesting had he gone with the first option – although purists would have derided it, I’d quite like to hear Beethoven’s 9th, as filtered through Mahler’s psyche. That would be quite exciting. However, he appears to have taken the second option and basically done bugger-all. This is still Beethoven’s 9th symphony – the changes are awfully pedestrian. He changed a few dynamics here and there, thickened up the woodwind compliment, and threw a Tuba into the finale. The implication is that there was something wrong with Beethoven’s arrangement. Yes, the guy was deaf, but is that any reason to pee around with his symphony? Wasn’t he (isn’t he) recognised as one of the great geniuses of music?
I can see that this arrangement would be useful if performing at a concert where you’ve got a few spare woodwind players sitting around (say, for another piece in the same concert) so at least they have something to do… But it’s basically pointless, and barely existant change.
It’s change enough to infuriate the purists (Mahler’s orchestration? Sacrilige – Beethoven’s arrangement of his own symphony is obviously definitive) and change too little to excite Mahler fans. I don’t see why he needs his name all over it when all he did was shift a few dynamics around and chuck a pointless extra instrument into the last movement. If I’d done it, I would have done so without credit and just published it as an additional performing version with minor orchestration tweaks.
Why it’s lauded as "Mahler’s Re-Orchestration" I do not know – changing a few "ff" markings into "fff" markings and copying the bassline over to another instrument is barely orchestration at all – and it’s definitely not worthy of the term "re-orchestration" – implying something built from the ground up.
Beethoven’s 9th is a great symphony. It’s a great symphony in its original arrangement, and you won’t be disappointed if you listen a performance including Mahler’s tweaks… But in summary, I don’t see how it has justified its own existence. ๐
I’ve always, always, questioned why it was made in the first place. Mahler remains one of the greatest orchestrators of all time – but what was the purpose of this?
He had two choices – a) Reimagine the piece in his own style. b) Do virtually nothing, just thicken up the orchestration slightly but leave it basically unchanged. It would’ve been interesting had he gone with the first option – although purists would have derided it, I’d quite like to hear Beethoven’s 9th, as filtered through Mahler’s psyche. That would be quite exciting. However, he appears to have taken the second option and basically done bugger-all. This is still Beethoven’s 9th symphony – the changes are awfully pedestrian. He changed a few dynamics here and there, thickened up the woodwind compliment, and threw a Tuba into the finale. The implication is that there was something wrong with Beethoven’s arrangement. Yes, the guy was deaf, but is that any reason to pee around with his symphony? Wasn’t he (isn’t he) recognised as one of the great geniuses of music?
I can see that this arrangement would be useful if performing at a concert where you’ve got a few spare woodwind players sitting around (say, for another piece in the same concert) so at least they have something to do… But it’s basically pointless, and barely existant change.
It’s change enough to infuriate the purists (Mahler’s orchestration? Sacrilige – Beethoven’s arrangement of his own symphony is obviously definitive) and change too little to excite Mahler fans. I don’t see why he needs his name all over it when all he did was shift a few dynamics around and chuck a pointless extra instrument into the last movement. If I’d done it, I would have done so without credit and just published it as an additional performing version with minor orchestration tweaks.
Why it’s lauded as "Mahler’s Re-Orchestration" I do not know – changing a few "ff" markings into "fff" markings and copying the bassline over to another instrument is barely orchestration at all – and it’s definitely not worthy of the term "re-orchestration" – implying something built from the ground up.
Beethoven’s 9th is a great symphony. It’s a great symphony in its original arrangement, and you won’t be disappointed if you listen a performance including Mahler’s tweaks… But in summary, I don’t see how it has justified its own existence. ๐
Thanks for contributing to the discussion. Your post has given my a lot to think about, and in the meantime I’ve actually found a copy of one of the (I think two) common recordings.
During the 20th century, as classical music has been increasingly confined to acedamia, classical musical practice and objective classical musical study have become conflated. The performer is free to interpret within the subtle and narrow constraints of the score, but certainly not to re-interpret or improvise. A book I read concerning Franz Liszt’s concerts decried his practice of performing works of the past in his contemporary style and freely improvising based on the themes contained within, saying it would be "unthinkable today" and could lead only to "musical anarchy". It seems a great number of musicologists want to make classical music into an untouchable pristine museum exhibit of "authentic historical practice". Liszt would have disagreed. So, too, it seems, would Mahler.
What Mahler seems to have done is no more or less than adapt Beethoven’s score to the idioms of the larger and more versatile late romantic orchestra of his day. Where there were two timpani, there are now six. Where there were two natural horns, there are now six valved french horns. (Parts are written for them that would have been physically impossible with Beethoven’s horns) There are also extra doublings in the winds and the addition of bass clarinet. Finally there are some additional string doublings and counter-melodies.
If one goes into this expecting Mahler’s unmistakable music fingerprint or reinterpretation on the scale of Barry Cooper’s completion of the first movement of Beethoven’s 10th, the work will be a great letdown. But what we really have is not so much a Mahler piece, but simply a fuller, bigger, (and in my opinion) more epic and heroic Beethoven 9th. It’s probably a waste of time to try to consider what Beethoven might have done himself is he’d had Mahler’s orchestra or still had his hearing when he had written the work, but to take the piece at face value, as a more grandiose version of one of the greatest pieces in the classical repertoire, I’m not sure if its existence really needs to be justified, and I’d go so far as to say I prefer it to the original. Then again, I am utterly unconcerned with musical historical accuracy for its own sake. I’d rather just hear great music. If only there was a Karajan or Bernstein recording of it!
I’ve I get some time later, I’ll go ahead and upload it so everyone else can hear what we’re talking about.
Louie V. B.: Symphonie Nueve (Gustav Mahler Remix)
http://rapidshare.de/files/40739590/Beethoven_9th_Mahler.zip.html
Much appreciated. ๐
http://rapidshare.com/files/111978213/Beethoven-Wagner-Suzuki.part1.rar
http://rapidshare.com/files/111984828/Beethoven-Wagner-Suzuki.part2.rar
http://rapidshare.com/files/111987104/Beethoven-Wagner-Suzuki.part3.rar
http://rapidshare.com/files/111971795/Beethoven-Wagner-Suzuki_Scans.rar
I love the album art and how Ludwie slowly moprhs into Wagner lol
Very, very nice cover indeed. ๐
This is very true – music is, after all, something that lives and breathes. It’s open to interpretation and is coloured by the people performing it.
Purism is a funny thing, because I can see its great points, and also its terrible points. People shouldn’t get locked into expecting a piece of music to sound a certain way. Music isn’t music until somebody plays it – that’s when a bunch of academia on paper is translated into emotions by human interpreters. On the other hand, where does "meddling" around with a piece of music become *too* much?
Some conductors (Stokowski springs to mind) have been known to bugger with scores prior to performance, just because they felt like it. Stokowski, in particular, committed some terrible sins against The Planets – reorchestrating parts, adding instruments, taking them away, messing with tempi, etc – and (unforgivably) re-writing the conclusion of Neptune, so instead of fading off into nothing, it has a proper conclusion and finishes on a chord. That’s going beyond interpretation, into the realm of arrogance. It’s not about the music any more – it’s all about the conductor. "Look what I can do!" he says – somehow thinking himself better than the person who wrote the piece.
Interpretation is possible – to quite a considerable degree – without interfering with the composer’s vision. You have to at least respect the piece – I get the impression that Stokowski didn’t with The Planets, for instance – as he tried to turn it into his own showpiece – but succeeded only in ruining it with horrific reorchestration that made it sound like a dodgy music hall comedy.
By contrast, Bernard Herrmann conducted The Planets in a recording which is loved by some, and hated by an equally vocal group. But it’s down to interpretational difference – not intentional piss-balling with the score. Herrmann was a man of considerable ego, and made his interpretation of The Planets very much his own – but at the same time maintained respect for the original work. It’s difficult.
If anybody’s interested, I’ll upload them. I have Herrmann’s version on CD, but Stokowski’s is on Vinyl – it’s about time I dug it out…
Getting back to Mahler – and specifically his work on Beethoven’s 9th…
But what we really have is not so much a Mahler piece, but simply a fuller, bigger, (and in my opinion) more epic and heroic Beethoven 9th.
Indeed. I find it curious that history (or popular interpretation) appears to record Mahler’s work as considerably greater than it is. There is no creativity in his arrangement – it’s a completely workmanlike, mostly transparent effort (as it should be) that, as you say, simply helps Beethoven fit in a little better with the concept of the late romantic symphony orchestra.
It’s probably a waste of time to try to consider what Beethoven might have done himself is he’d had Mahler’s orchestra or still had his hearing when he had written the work…
It’s probably safe to say that, had Beethoven had access to the orchestra of Mahler’s time, he would most definitely have made use of it. Throughout his life he pushed the boundaries (sometimes further than was acceptable at the time!) and almost single-handedly kick started the transition from the classical to romantic eras. Without Beethoven, there would’ve been no Berlioz, and without Berlioz, there would’ve been no Wagner, and so on. I think it’s pretty much a foregone conclusion that if Ludwig had been offered this massive ensemble, he would have made the most of it, and still wanted more.
As to the hearing loss, you can certainly hear the effect it was having upon him in his later works. In a way, it made him less constrained – as his deafness developed, so his music became more brutal, extreme, and fragmentary. He stopped worrying about the practicalities of sound and concentrated on what he wanted to say. This made his music particularly hard on the ears (of the era). I wonder if his later works would’ve been as magnificent as they were had his struggle with deafness not happened. His BIG innovations started when his hearing loss became acute.
…but to take the piece at face value, as a more grandiose version of one of the greatest pieces in the classical repertoire, I’m not sure if its existence really needs to be justified, and I’d go so far as to say I prefer it to the original.
Oh, absolutely. I was merely musing over the extent to which the piece is still very much Beethoven’s, when the implication of a term like "Gustav Mahler’s 1895 Re-orchestration" is that you’d be getting something far, far different. It’s certainly enough to put off the purists. You could get away with calling it a performing version for modern orchestra and it wouldn’t raise an eyebrow.
I think it sounds more polished than the original, which in my eyes isn’t necessarily a good thing. One of the things I like about Beethoven (particularly later works) is that exciting, "seat-of-the-pants" feeling of spontaneous excitement, as if he’s thinking of it about two seconds before you’re hearing it. That raw, idiosyncratic nature is part of what defines Beethoven. After the rough edges have been smoothed out, it feels a little less passionate to my ears. Though I do enjoy it from a technical perspective (there’s no doubt that the changes – though minor – do create a more pleasing sound for somebody accustomed to contemporary orchestral performances) but I do feel that there has been slight loss sustained in the process.
Then again, I am utterly unconcerned with musical historical accuracy for its own sake. I’d rather just hear great music. If only there was a Karajan or Bernstein recording of it!
Well, great music needs to be preserved. Beethoven’s original MUST survive. But there’s nothing wrong with having a number of different impressions – as long as there is some acceptance that the original piece has the most right to exist. It may not even present the piece in its best light, but the efforts of the original composer should be remembered.
I would really like to hear a better version of this, too. The Brno Philharmonic is a good orchestra, but it’s not exactly world class – in terms of performance, interpretation, and recording. Something like this really needs the deluxe treatment. I’m surprised Karajan never touched it; I would have thought it would have been a dream project for him and the Berlin Philharmonic. Imagine that…
The Wagner piano transcription of the same piece is fascinating. I was thinking about it only a week or so ago – I’d never heard it, but had read a great deal about it and was quite keen to experience it. It’s surprisingly airy – this is no crazy Liszt transcription, and it’s distinctly un-Wagnerian – once again, as it should be. It sounds to me like it’s cutting straight to the point – which is quite a miraculous accomplishment.
Thank you to 1337 for posting it. ๐
Edit: Since we’re talking Beethoven, here are his complete symphonies, as performed by Karajan and the BPO.
http://rapidshare.com/files/154125750/Symphonies_Herbert_von_Karajan_and_Berliner_Philar moniker_1962.part01.rar
http://rapidshare.com/files/154129048/Symphonies_Herbert_von_Karajan_and_Berliner_Philar moniker_1962.part02.rar
http://rapidshare.com/files/154132546/Symphonies_Herbert_von_Karajan_and_Berliner_Philar moniker_1962.part03.rar
http://rapidshare.com/files/154135951/Symphonies_Herbert_von_Karajan_and_Berliner_Philar moniker_1962.part04.rar
http://rapidshare.com/files/154139442/Symphonies_Herbert_von_Karajan_and_Berliner_Philar moniker_1962.part05.rar
http://rapidshare.com/files/154143381/Symphonies_Herbert_von_Karajan_and_Berliner_Philar moniker_1962.part06.rar
http://rapidshare.com/files/154147223/Symphonies_Herbert_von_Karajan_and_Berliner_Philar moniker_1962.part07.rar
http://rapidshare.com/files/154151190/Symphonies_Herbert_von_Karajan_and_Berliner_Philar moniker_1962.part08.rar
http://rapidshare.com/files/154153853/Symphonies_Herbert_von_Karajan_and_Berliner_Philar moniker_1962.part09.rar
My general principle on reinterpretations or reorchestrations is that they’re perfectly acceptable if they work. Obviously, great composers like Mahler and everyone who ever touched Mussorgsky’s music thought something was missing (or flat out wrong), and composers are competitive by nature, so why not add those missing parts and show off a little? Of course, it helps that Mahler and Wagner are well respected composers in the first place.
Also, maybe they felt that they ran out of Beethoven, so reimagining his music is just something to keep it fresh. As long as they don’t go all Berio on it, I’m for it.
-One do you have an album of Paganini with the song la Campanella originally composed by Liszt
-Second i would please to knwo if any of your music are linked to an anime , movie , mangas,video games maybe it would interest me
Which music? And what do you mean by "linked", linked in what way?
-One do you have an album of Paganini with the song la Campanella originally composed by Liszt
-Second i would please to knwo if any of your music are linked to an anime , movie , mangas,video games maybe it would interest me
La Campanella by Liszt is an etude from a set of 6 etudes based on Paganini’s music if you’re talking about the etudes by Liszt
here: http://rapidshare.com/files/134611981/Liszt.PianoWorks48.rar
(Which also contains the rest of Liszt’s Paganini etudes)
If you are interested in the original composition of La campanella than you’re looking for Paganini’s second Violin Concerto.
Which music? And what do you mean by "linked", linked in what way?
I think he means: Classical music that has been used in Video games, movies etc…
I’m sure you’ll find something from Nodame Cantabile compilations. For movies;
I suggest : http://www.mininova.org/tor/1616134 (100 Best Film Classics) mainstream classical pieces everyone has heard thousand and thousands of times lol
Princess Tutu Konzerts OSTs 1, 2, 3 – Kaoru Wada and the Sofia Symphonic Orchestra
http://www.megaupload.com/fr/?d=TJ696MFV
http://princessguide.org/Princess%20Tutu.gif
A 513 MB pack! Contains some original music by the wonderful Kaoru Wada and a lot of classical music conducted by him. Highly recommended!
Franz Schubert: Gretchen Am Spinnrade
a.k.a "Gretchen and her spinning Wheel"
Schubert – Lieder – Barbara Hendricks – Radu LUPU @ 320
01. Der Wanderer An Den Mond D.870.mp3
02. Der Blinde Knabe D.833.mp3
03. Der Einsame D.800.mp3
04. Nacht Und Tra???me D.827.mp3
05. Suleika I, D.720.mp3
06. Ganymed D.544.mp3
07. Rastlose Liebe D.138.mp3
08. Wanderers Nachtlied D.768.mp3
09. Die Forelle D.550 (La Truite).mp3
10. Suleika II, D.717.mp3
11. Der Musensohn D.764.mp3
12. Lied Der Mignon D.877.mp3
13. Der K???nig In Thule D.367.mp3
14. Gretchen Am Spinnrade D.118.mp3
15. Du Bist Die Ruh D.776.mp3
16. Im Fr???hling D.882.mp3
Total Size: 127,13MB
http://rapidshare.com/files/18363227/schuberthendricks.part1.rar
http://rapidshare.com/files/18363938/schuberthendricks.part2.rar
http://avaxhome.ws/music/classical/Mussorgsky_Khovanshchina_Night_on_the_Bare_Mountai n_Scherzo_Int.html
Guys, my ADSL at home has problems and I cannot download torrents. I can access the internet only through a public PC, but unfortunately I cannot download torrents from a public PC.
Thus could someone download this torrent and upload the files on rapidshare please? That would be really great….
http://rapidshare.com/files/157260997/Stokowski_s_Symphonic_Bach_Volume.torrent.zip.html
Its Stokowski’s Symphonic Bach Vol 1 & 2
http://www.theclassicalshop.net/details06MP3.asp?CNumber=CHAN%209259W
http://www.theclassicalshop.net/details06MP3.asp?CNumber=CHAN%2010282W
Give me an hour or so.
And this one has the original 1867 version of Mussorgsky’s "Bald Mountain"
http://avaxhome.ws/music/classical/Mussorgsky_Pictures_At_An_Exhibition_Night_on_Bald _Mountain_Cho.html
Arabesque by Johann August Franz Burgm???ller
And for the love of classical, please, please, only this one song/various versions of this song. It’s an enormous pain having to dowload a huge file of a bunch of songs I don’t need.
The fast thing is not a problem. The problem is that I am with no internet for 3 weeks and I cannot download via torrents on public PCs. So rapidshare, megaupload, sendspace, etc are the only thing that will work in the case.
You need to upload the 2 albums in one rar. Split the thing!
Please if anything on where to get it, I’d greatly appreciate it!
I was listening to Mussorgsky’s Aria of Marfa while uploading this, imagine my surprise when I realized they were in the same key (G# minor!)
Also, I listened to the Mahler reorchestration of Beethoven. I couldn’t detect most of the changes, but there was this one neat part where the trombones were blasting a rising figure that was definitely un-Beethoven-like, so it was neat. Also, the violas doubling the basses in the fourth movement was kinda interesting.
edit: that version sucks, here’s Bernstein’s http://sharebee.com/e2bcade1
Something with pipe organ, harpsichord and some strings (together) The best way for me to describe it is something "Castlevania-like" I’ve always appreciated the feel of those instruments long before I got into video game music, especially the pipe organ. If you can either upload something or just point me in the right direction of what to look for I would be most humble. I also like up-beat orchestral works so If you reccomend something that would be wonderful. You almost can’t help but wave your arms around like you’re conducting while driving down the road listing to these pieces!
Also check out the soundtrack to Interview With the Vampire by Elliot Goldenthal. Very melancholic stuff.
Also check out the soundtrack to Interview With the Vampire by Elliot Goldenthal. Very melancholic stuff.
I’m working on getting Interview With the Vampire right now. I did check out the Concerto Grosso and it was very nice but none of the clips I found had any harpsichord in it, mostly just violins. But that’s okay, It was good stuff! lol yes, I guess Vampire music best describes it. I just love how it sounds, so powerful and meaningful, you know? Like I say, I’m looking for some vampire like music or grand organ music which I seem to have a bit of trouble find much of. I also like up-beat stuff as well. I’ve been listing to some of Bach lately and I’ve been liking that as well. Funny, you couldn’t have told me 8 years ago when I was in high school that I’d be listening to this!
Also, I’ve listend to some Rachmaninoff and I’m diggin it if you have any.
I’m assuming by vampire music you mean stuff from Castlevania? lots of Yamane’s work on the 3d Castlevanias are close to Bach’s music.
EDIT: For Rachmaninov, I recommend listening to his late works, especially the 2nd movement of the Symphonic Dances (Orchestral version), Op. 45. (the piece seems to remind me of an undead waltz)
http://rapidshare.com/files/162974860/CDF_Schnittke_Concerto_Grosso_n.1.rar
http://avaxhome.ws/music/classical/stokowski_symphonic_bach_1.html
http://avaxhome.ws/music/classical/stokowski_symphonic_bach_2.html
http://avaxhome.ws/music/classical/stokowski_mussorgsky.html
Thacrudd@ About Vampire music, I guess you want some haunted music,s I have in mind "Night on Bald Mountain" (Stokowski’s version or the original), Paul Dukas "The Sorcerer’s Apprentice", Mussorgsky’s Baba-Yaga.
I will upload something afterwards.
Some famous Bach organ works can be found here
http://avaxhome.ws/music/classical/Bach_Famous_Organ_Works_Miklos_Spanyi.html
http://rapidshare.com/files/159736290/Bach_FOW_Miklos_Spanyi_MP3.part1.rar
http://rapidshare.com/files/159749910/Bach_FOW_Miklos_Spanyi_MP3.part2.rar
http://rapidshare.com/files/159759619/Bach_FOW_Miklos_Spanyi_MP3.part3.rar
or
http://avaxhome.ws/music/classical/Bach_Organ_Works_KR.html
@streichorchester – The Rondo is amazing, really moving stuff!
http://www.youtube.com/watch?v=Nn0pkXyp97Q&fmt=18
If anyone has them… or if you know where I can download them please tell me. I would buy them, but I live in Colombia and I can’t find them anywhere.
Thanks a lot
Anybody have a decent version of Tchaikovsky’s 1812 Overture without canons and Romeo and Juliet Fantasy Overture?
Orchestrated by Leopold Stokowski for: 2 piccolos, 2 clarinets, 1 bassoon & contrabassoon, 2 french horns, 2 trumpets, 1 trombone, 1 tuba, triangle, bass drum, cymbals & strings.
http://www.sendspace.com/file/8hq0wh
Sousa/Stokowski "The Stars & Stripes Forever". The brilliance of Stokowski’s orchestration, with its use of sleigh-bells and xylophones, saxophones and harps, adds pure dazzle to this most famous of American marches!!!!!
http://www.sendspace.com/file/b1f4zj
Leopold Stokowski’s orchestral transcription for the Bach’s "Little Fugue" BWV578. Stokowski comments: "Although this fugue is short, it is one of Bach’s greatest creations. In its orchestral form it begins with the solo voice of wind instrumends. As each instrument enters, the complex weaving of the counterpoint becomes always richer, and the fugue ends with all the instruments sounding like a triumphant chorus!"
http://www.sendspace.com/file/204qin
The following mp3 contains Fugue No.2 from the "Well-tempered Clavier, Book I" scored for enormous orchestra by Leopold Stokowski. It’s short but it so representative for the infamous "Stokowski Sound".
The orchestration is gargantuan: 4 flutes, 2 piccolos, 3 oboes, 1 cor anglais (English Horn), 3 clarinets, 1 bass clarinet, 3 bassoons, 1 contrabassoon, 4 trumpets, 8 french horns, 4 trombones, 1 tuba, electric bass guitar, timpani and strings!
http://www.sendspace.com/file/m1hp3v
http://www.amazon.com/Kabalevsky-Symphonies-Nos-1-4/dp/B001C7D278
I think the cover could have been a little less… you know, but finally a way to hear the Requiem? We shall see very soon…
Do you have some other Grieg besides those or any interest in any of the ones I mentioned?
Leonard Bernstein and the New York Philharmonic
http://rapidshare.com/files/142417273/Mahler_Symphony_No._5_-_Leonard_Bernstein.part1.rar
http://rapidshare.com/files/142423844/Mahler_Symphony_No._5_-_Leonard_Bernstein.part2.rar
(note: if you’re having trouble extracting the first movement because of its absurdly long filename, try extracting it to your root C:\)
This symphony is generally considered to be the most representative of Mahler’s style. It’s 5 movements (Mahler was fond of breaking traditional symphonic form and adding an extra movement or two) but split into 3 parts:
Part 1
I. Trauermarsche
It all begins with a fanfare for solo trumpet that was foreshadowed in the Symphony No. 4. Mahler was frightened, if not a bit fascinated with death, and loved to begin his symphonies with a march in a minor key representative of a funeral procession. In true sonata-allegro form, the secondary theme appears around 1:20. Notice how Mahler plays with dynamics, switching between f and p for emotional effect. Where the classical symphony calls for a direct repeat of the primary and secondary themes, Mahler returns to the primary and then secondary in variation. Keep in mind that every little bit of instrumental ornamentation is its own motif that is heard throughout the movement in different voices and variations.
6:10 is the beginning of the development section, and though it hints at snippets of the trumpet fanfare, the theme here is new. The fast-moving violins and winds will also play a role in the final movement. At 7:47 there is a climax that marks the return of the primary theme. The secondary theme returns at 8:55, and Bernstein takes this really slow. The trumpet theme is played in the solo timpani at 11:00 marking the end of the development and the beginning of the coda. There is another climax at 12:50 that again leads into the fanfare, and then the end.
II. Sturmisch bewegt (moving "stormingly" or "stormishly")
The opening movement wasn’t exactly an allegro, so this is essentially a continuation of the idea of symphonic formality. The falling winds at 1:15 also will play a role in the final movement. At 1:35 a kind of variation plays on the funeral march from the previous movement while the winds play this neat motif figure over and over. It gets somewhat "romantic" like something Rachmaninov would write, but before too long returns to the quick, Wagner-ish action it opened with. At 4:25 a haunting solo for the cellos plays over a quiet timpani roll until 5:50 when the funeral march returns and things get more agitated. Here we can also hear foreshadowing of some ideas that will appear in the Adagietto and Symphony No. 6.
At 8:40 the orchestration begins to sound like John Williams in that the voices are all over the place, and when the funeral march returns take notice of everything else that is going on motivically. Each sound is found earlier in the movement and maybe has to be seen in the score to be appreciated for its complexity. At 11:00 a variation in the solo cello melody is heard with some awesome counterpoint in the trombones. At 12:00 things get very Wagner-ian as it wraps up Part 1 with a brass chorale and fanfare; a very awesome moment. If you didn’t know better, you might have thought this was the ending. But those wind runs interject yet again and the agitation persists. There is some more foreshadowing of the 6th, and a familiar motif ends the movement.
Part 2
III. Scherzo
The scherzos are really where Mahler’s orchestration shines, as if it hasn’t shone enough by now. Here he plays with dance-like melodies in triple-metre, but this movement is like its own self-contained, little symphony complete with allegros, adagios, and a grand finale. Notice a little bit of fugal writing between the top and bottom strings. There is also a little quoting of the "devil’s violin" from the 4th symphony’s scherzo. 2:40 is the beginning of the secondary theme which takes after the German l???ndler. Mahler’s dance music always gives the impression he could have made it big as an alternative to Johann Strauss, but Mahler instead tells a story with the music which is why it can never seem to settle down. It’s always going places, always developing, and any indication of a dance is to establish the rural setting for which the story takes place.
5:05 is the beginning of a new theme (B) that is almost Slovakian in nature since the harmonies are not your typical candential-Germanic. This is the style of Mahler’s "Wunderhorn lieder", the songs he wrote before the symphonies about nature, man, and death. 5:45 is the first climax of the scherzo (Mahler’s scherzos often have this sort of "moment of resolution" over a pedal.) The horn solo here is tragic and very lovely. At 7:20, the strings imitate a mandolin or some kind of guitar used for folk dances. The interchanging themes almost make you think there are two dances going on at the same time. And what else could 9:20 represent but a harsh German winter? The "lieder" continues on at 10:08 in the horns, and you can almost imagine a baritone singing that line.
10:40 is an interesting return to the quick dance as it becomes more waltz-like than l???ndler. As things become more agitated there is more motivic development of ideas heard at the beginning of the movement until 11:50 when there is a complete return to the beginning (A’) and the dance develops more. At 14:15 all of a sudden we’re back in the B section of the scherzo with the lieder singing over some new harmonies. This doesn’t last long as the dance takes over once again. The buildup at 15:45 is great and reminiscent of Holst (who actually came later.)
16:00 marks the beginning of a neat effect while the song in the horn tries to play out, but it is interrupted by the dance. If you want to get metaphorical, the dance is moving forward quickly into the new century while the slow song of the wise old man is holding things back as if to warn about the future. 18:11 to the end is quite a rush as Mahler brings back the themes from earlier and resolves them with a fanfare.
Part 3
IV. Adagietto
There isn’t much to say about this except it is scored for only strings and harp and is one of the most beautiful pieces of music ever written, and was used in the film Death in Venice. It often draws comparisons with Barber’s Adagio for Strings in the use of chromatic harmonies to pull and release. There is some foreshadowing of the adagio in the 6th. If you like this sort of music from Mahler, also check out the final movement from the 3rd, the adagio movement from the 4th, the adagio from the 6th, the adagio finale from the 9th, and the opening movement of the 10th (the last thing Mahler wrote that wasn’t just sketches.) Many of the themes in this movement will return for the 5th and final movement.
V. Rondo-Finale
In sharp contrast to the seriousness of what preceded it, this movement starts off very playful in the manner of Mahler’s first symphony. Again we hear some "Wunderhorn" lieder and some fugal interplay in the strings. The Symphony No. 5 also marks the end of Mahler’s basing his symphonies on the songs he wrote, or what are known as the "Wunderhorn symphonies." As with each of the first 5 of Mahler’s symphonies, the light-hearted tone of the final movement represents victory and the celebration of life. It is the 6th that is the bleakest and more representative of death. This movement moves along quite quickly and uninterrupted as it reiterates some ideas from the adagio over the double-bowing cellos. A neat aspect of this is that with each incarnation of the theme, it changes key. It’s almost as if Mahler couldn’t yet allow things to end, so he’d begin anew in a new key.
At 9:00 things begin to sound as though they’re wrapping up as it builds to the final variation of the song. There is even more fugul interplay over a rolling timpani in a kind of extended build up to the end. At 11:10 things are interrupted briefly for some great stringless wind playing. What’s great about Mahler is that one minute the entire orchestra is chugging along, then suddenly a wind octet or some other chamber ensemble takes over. It really adds to the "bigness" of the sound by drawing this contrast between formal styles. 13:49 is a glorious brass choral of 1812 Overture proportions. I don’t know how he does it, but Mahler always manages to find the best harmonies to end a symphony with (see the ending chorals from the 1st, 2nd, 3rd, 7th, and 8th.) At 14:48 the wind runs here heard back in the 2nd movement are a nice touch, and a great way to have the winds do something without being overpowered by the brass.
And that’s all there is to it. Many of the best orchestrations of all time within one symphony. You could spend a lifetime analyzing the score, and no one has come close in classical or film music to matching the ingenuity of the motivic development herein.
I have a small bone to pick with you sir. You see, the very first part, it has a filename so long, it is not recognized by Windows! I can’t play it in WinAmp, I can’t alter its filename – heck, I can’t even make a copy of it!
Any hopes of you releasing a version that doesn’t have a name the size of the Chinese Wall?
T_T
Any hopes of you releasing just that one .mp3?
i would love to hear it again, does anyone have it?
a link would be greatly appreciated
Do you have some other Grieg besides those or any interest in any of the ones I mentioned?
It was a little exaggerated, but I quite appreciate his orchestral compositions. The problem is that there aren’t many of them. Other than what you mentioned, the only thing I’m used to is the Piano Concerto (can be easily found as a torrent).
Also if someone could please post his Symphony in C Minor, it would be great because I didn’t try it.
Thanks alot. I do appreciate it!
I’ll post my thoughts after I listen to the symphony.
As I mentioned a long time ago, all these songs I personally hand-picked because they’re popular, in other words there’s a 90% chance you will recognize all of these songs from a movie, TV ads, cartoons, and other places. So here it is: (I hope it’s not too annoying if I post the list in regular size…)
1. Antonio Vivaldi – Concerto ‘L’estate’, RV 315 – III: Presto (2:48)
2. Bach – Air on strings in G (3:13)
3. Bach – Orchestral Suite No. 2 In B Minor (Badinerie) (1:26)
4. Bach – Toccata E Fuga (BWV 565) (9:21)
5. Bach – Minuet In G Major (1:35)
6. Bach – Jesus Bleibet Meine Freude (BWV 147) (3:49)
7. Beethoven – Fur Elise (3:10)
8. Beethoven – Ode to Joy (4:34)
9. Beethoven – Symphony No. 5 (2:54)
10. Beethoven – Moonlight Sonata (5:59)
11. Beethoven – Symphony No. 6 (Pastoral) Op. 68: I Allegro Ma Non Troppo (4:39)
12. Bizet – Carmen Suite No.2 (Habanera) (2:12)
13. Boccherini – Minuet (3:58)
14. Brahms – Hungarian Dance No.5 in G Minor (2:25)
15. Brahms – Lullaby (2:54)
16. Carl Orff – Carmina Burana – O Fortuna (5:19)
17. Chopin – Claire de Lune (4:47)
18. Chopin – Minute Waltz (1:52)
19. Clarke – Trumpet Voluntary (2:13)
20. Samuel Osborne Barber – Adagio For Strings (7:54)
21. Copland – Fanfare For The Common Man (3:12)
22. Copland – Hoedown (3:17)
23. Delibes – Lakm??? – Duo Des Fleurs (5:05)
24. Delibes – Pizzicato (2:37)
25. Dvorak – Humoresque (3:23)
26. Elgar – Pomp And Circumstance March (4:35)
27. George Gershwin – Rhapsody In Blue (Jazzband Version – Opening) (4:38)
28. Georges Bizet – L’amour Est Un Oiseau Rebelle (Habanera) (Carmen, Act I) (4:20)
29. Georges Bizet – Prelude (Carmen) (2:15)
30. Giacomo Puccini – O Mio Babbino Caro (Gianni Schicchi) (2:05)
31. Giacomo Puccini – Un Bel Di Vedremo (Madama *********) (5:21)
32. Gioachino Rossini – Largo Al Factotum (Il Barbiere Di Siviglia) (4:19)
33. Giuseppe Verdi – Libiamo Ne’lieti Calici (Brindisi) (La Traviata) (2:53)
34. Grieg – In The Hall Of The Mountain King (2:53)
35. Grieg – Peer Gynt Suite No. 1 (Op. 46) – Morgenstemning (4:00)
36. Gustav Holst, Levine – Jupiter, The Bringer of Jollity (7:35)
37. H???ndel – Messiah (HWV 56) – Hallelujah (4:21)
38. Handel – Suite No 2 (2:56)
39. Johann Strauss II And Josef Strauss – Pizzicato-Polka (2:32)
40. Joplin – Entertainer (4:08)
41. Khachaturian – Sabre Dance (2:29)
42. Liszt – Hungarian Rhapsody No.2 (10:20)
43. Mendelssohn- – Midsummer Nights Dream Op 21 (Wedding March) (2:20)
44. Mendelssohn – Spring Song (2:46)
45. Mouret – Rondeau (1:54)
46. Mouskouri – Zorba’s Dance (3:39)
47. Mozart – Eine Kleine Nachtmusik K525 (4:13)
48. Mozart – Green Sleeves (2:24)
49. Mozart – Je, Maman (4:35)
50. Mozart – Overture To The Marriage Of Figaro (4:15)
51. Mozart – Piano Concerto No.21 in C, (II. Andante) (2:48)
52. Mozart – Piano Sonata No11 (3:25)
53. Mozart – Piano Sonata No16 (9:14)
54. Mozart – Symphony No40 (7:37)
55. Mussorgsky Night on Bald Mountain (14:47)
56. Offenbach – Orpheus In The Underworld (2:13)
57. Pachelbel – Canon in D (4:44)
58. Percy Grainger – Country Gardens (2:03)
59. Ponchielli – Dance Of The Hours (9:32)
60. Prokofiev – Peter And The Wolf (1:47)
61. Prokofiev – Romeo And Juliet Suite No. 2 (Op. 64b) (5:20)
62. Richard Strauss – Also Sprach Zarathustra (1:46)
63. Rosas – Sobre Las Olas (3:40)
64. Rossini – La Gazza Ladra Overture (10:14)
65. Rossini – Overture – The Barber of Seville (3:45)
66. Rossini – William Tell Overture Begin (13:17)
67. Rossini – William Tell Overture End (3:31)
68. Rymsky, Korsakov – Flight of the Bumble Bee (1:35)
69. Saint-Saens – The Aquarium (2:06)
70. Sousa – Stars And Stripes Forever (3:30)
71. Sousa – Washington Post March (2:35)
72. Strauss – Overture Die Fledermaus (3:53)
73. Strauss – Radetzky (4:11)
74. Strauss – Thunder and Lightening Polka (3:19)
75. Strauss – Tritsch-Tratsch Polka (2:43)
76. Suppe – Light Cavalry – Overture (6:47)
77. Suppe – Poet and Peasant – Overture (9:56)
78. Tchaikovsky – 1812 – Festival Overture Op. 49 (6:02)
79. Tchaikovsky – Romeo And Juliet (2:06)
80. Tchaikovsky – Sleeping Beauty Op. 66, (The Waltz) (2:43)
81. Tchaikovsky – Swan Lake (Dance of the Swans) (1:50)
82. Tchaikovsky – The Nutcracker – Dance of the Reed Pipes (2:13)
83. Tchaikovsky – The Nutcracker – Dance of the Sugar-Plum Fairy (2:05)
84. Tchaikovsky – The Nutcracker – Pas de deux, Intrada (5:00)
85. Tchaikovsky – The Nutcracker – Tea (Chinese Dance) (1:07)
86. Tchaikovsky – The Nutcracker – Tr???pak (Russian Dance) (1:00)
87. Tchaikovsky – The Nutcracker – Waltz of the Flowers (6:23)
88. Vangelis – Main Theme From "Chariots Of Fire" :-[ (3:31)
89. Verdi – Anvil Chorus (2:45)
90. Verdi – Dies Irae (2:35)
91. Verdi – Rigoletto – La Donna ??? Mobile (2:22)
92. Vivaldi – Autumn (11:11)
93. Vivaldi – Spring (11:07)
94. Vivaldi – Summer (10:27)
95. Vivaldi – Winter (5:34)
96. Waldenteufel – The Skaters Waltz (5:41)
97. Classical – Wagner – Ride of the Valkyries (10:00)
So what do you think???
So what do you think???
Nice list, but for pieces in which most of the movements are listed, it might be better just to list the entire work.
Also, the "clair de lune" everybody knows is by Debussy, not Chopin.
Beethoven – Piano Sonata No. 6
Borodin – Polovetsian Dances
Debussy – Reverie
Dvorak – Symphony No. 9 (any movement)
Elgar – Enigma Variations
Faure – Pavane
Faure – Pelleas et Melisande – Sicilienne (orchestral version)
Grieg – Piano Concerto in A minor
Kabalevsky – The Comedians – Galopp
Prokofiev – March from Love for Three Oranges
Rachmaninov – Piano Concerto No. 2
Rachmaninov – Prelude in C# minor
Ravel – Pavane for a Dead Princess
Schubert – Symphony No. 8
Schuman – Piano Concerto in A minor
Shostakovich – Jazz Suite No. 2
Vaughan Williams – Fantasia on Greensleeves
http://rapidshare.com/files/76689876/Shostakovich-Symphony7-1.rar
http://rapidshare.com/files/76704401/Shostakovich-Symphony7-2.rar
Its too bad I don’t like Bach though…
EDIT: Heres a little interesting bit for all:
Rachmaninov’s Symphony No. 2 arranged for piano and orchestra and "appropriately" entitled "Rach 5"
http://www.mediafire.com/?shm0jtjmq2d
http://www.mediafire.com/?b4fcwgmmtwb
I’d like to have Bach’s Organ Concerto BWV 596 (after Vivaldi’s Concerto Grosso No. 11) please!
http://www.megaupload.com/ru/?d=S1XDT7BX
http://www.megaupload.com/ru/?d=ZH5TGGOM
http://www.megaupload.com/ru/?d=OXRO1GWH
http://www.megaupload.com/ru/?d=ORSJF9BW
Total size-15.3 MB
I don’t know why the links are to the Russian megaupload, hope you can still download it…
PS. Does anyone have the Blue Danube Waltz alone, without anything else by Strauss II?
EDIT: http://rapidshare.com/files/185482554/05._Johann_Strauss__On_The_Beautiful_Blue_Danube_W altz__Op._314.mp3.html
Remember to download it now because of the retarded rapishare 10 downloads only rule…
So If anyone wants them to be upped then Please let me know
I also have 1812 Overture (Without chorus cinn orchestra doing it with Church bells and real cannons Digital Recording Louder than hell)
as well as Mozart Requiem
And Respighi Pines of rome, Fountains of Rome and Roman Festivals
again if you want any of these upped please let me know and i shall do it
Karajan Herbert (von) : Master Recordings : Berliner Philharmoniker / Wiener Symphoniker – Box-Set : 10CDs – (1959 – 1979) 2008.
http://classiclibrary.blogspot.com/2008/06/karajan-herbert-von-master-recordings.html
Alternative version :
Strauss Richard : Ein Heldenleben, Le Bourgeois Gentilhomme – Sir Simon Rattle – Berliner Philharmoniker – 2005.
http://classiclibrary.blogspot.com/search/label/Strauss%20Richard
Links at the bottom.
Pass: iceshoweronfire
Happy listening!
Uploading Now, will Edit with link
http://www.sendspace.com/file/6ok1v4
There you go
EDIT: http://rapidshare.com/files/187481034/01_Symphony_No._4_in_A_major__Op._90__Italian___I. _Allegro_vivace.mp3.html
http://www.musicminusone.com/MainPages/Instrument.asp?catID=1
Please, if anyone has them…
Streichorchester – are you still there, my friend? This one – a real rare one, is for you.
Dmitry Kabalevsky: Cello Concerto No 2
Bournemouth Symphony Orchestra
conducted by Kirill Karabits
Steven Isserlis, cello.
Recorded live at the Poole Lighthouse, England, February 2009
This comes to you directly from BBC Radio 3. The MP3 is 192kbps, which is the bitrate at which they transmit.
[URL deleted – file broken, reuploading later today – sorry folks!]
Enjoy ๐
EDIT:
Shostakovich – Symphony No 5
The London Symphony Orchestra / Rostropovich
http://www.rapidspread.com/file.jsp?id=iyk4xcnorg
Enjoy ๐
Lots of links added what seems like daily. The top says it isn’t CD quality, but it’s pretty good, and I’ve even gotten a few FLAC, so it’s obviously a lie. There is no composer or performer information, so if you really care about that, steer clear. If you’re looking for just any recording or for new composers to get into, then this is for you.
There was a problem with the server and some posts were lost. You aren’t losing your mind.
On another note would anyone be interested in some classical music by film composers? I found the following online (only have mp3s)
Elmer Bernstein 3cd orchestral works
and
John Williams Cello Concertos played by Yo-Yo-Ma (very strange modern classical sound)
I’m still around but haven’t had a chance to download much, or well, anything because my internet connection where I am now sucks and likes to cut out in the middle of downloading/uploading. Is there some kind of program I can use for rapidshare so if my internet cuts out I can resume downloading/uploading? Here’s hoping…
Also I got Sonar 8 and Kontakt 3 a few weeks ago so I’ve been scrambling to learn it and update as many compositions as I can. There are just not enough hours in the day.
If you have some links for your new/enhanced compositions, post them in my thread or here, I’d be curious to hear them. I especially hope for a remake of "The Crusader", your most impressive and inspired oeuvre IMHO.
See the link for more info on the recording.
http://www.amazon.com/Wagners-Tannh%C3%A4user-Complete-Richard-Wagner/dp/B00005UW19/ref=sr_1_1?ie=UTF8&s=music&qid=1238026069&sr=8-1
Disc 1
http://www.rapidspread.com/file.jsp?id=tghtn5yxqn
Disc 2
http://www.rapidspread.com/file.jsp?id=lnr7ppisvy
Disc 3
http://www.rapidspread.com/file.jsp?id=nb2mhwfc0c
FLAC version to come later but these high quality VBR mp3 should satisfy some.
As the review on amazon says (not a user review)
This vividly recorded new Tannh???user has much to recommend it. Daniel Barenboim’s leadership not only keeps things moving so that the somewhat stilted drama actually takes wing, he elicits some of the most beautiful playing ever from the Berlin State Opera forces: lush strings; pointed, crisp brass; reedy, articulate winds. Thomas Hampson’s Wolfram is sensitive and handsomely sung, if on a slightly small scale; Rene Pape is by far the most impressive Landgraf on disc; and the supporting cast is topnotch. Peter Seiffert sings the title role as well as anyone alive today could, but the natural youth and brightness of his voice do not particularly suit the character and his torment. Jane Eaglen’s Elisabeth is correctly pure and simple, and equally well sung. Waltraud Meier uses her unimpressive voice well as Venus, underscoring the character’s incredible sensuality with her intelligent use of the text. While this set has its excitements, better still is the one led by Sinopoli (with Domingo and Cheryl Studer) or the even older Solti recording (out of print) with Christa Ludwig as the finest Venus available and a very strong cast. –Robert Levine
Id like some Bach, anything in the Baroque era…and some more organ is muchly apriciated. Thank you!
Please and thank you.
Please and thank you.
http://classic4everyone.blogspot.com/2009/03/stravinsky-bernstein-rite-of-spring.html
Album: The Instruments Of Classical Music Vol 1: The Flute
J.S. Bach / Badinerie (from Orchestral Suite No. 2)
Gluck / Dance of the Blessed Spirits (from “Orpheus and Eurydice”
J.S. Bach / Polonaise (from Orchestral Suite No. 2)
J.S. Bach / Menuet (from Orchestral Suite No. 2)
Mozart / Allegro aperto (from Flute Concerto No. 2 in D, K314)
Buffardin / Andante (from Flute Concerto in E minor)
C.P.E. Bach / Allegro (from Flute Sonata in D, Wq 129)
C.P.E. Bach / Allegro (from Flute Concerto in B flat, Wq 167)
Mozart / Rondeau. Allegretto (from Flute Concerto No. 2 in D, K314)
Mercadante / Largo (from Flute Concerto in E minor)
Vivaldi / Concerto for two recorders in D minor, RV 566
Mozart / Adagio non troppo (from Flute Concerto No. 2 in D, K314)
Mercadante / Rondo (from Flute Concerto in E minor)
http://rapidshare.com/files/151456145/01_The_Flute.rar
Album: The Instruments of Classical Music Vol 2: The Oboe
Mozart/Rondo, Allegretto (from Oboe Concerto in C, K314)
Bach/Adagio (from Oboe Concerto in D minor)
Handel/Sinfonia “Arrival of the Queen of Sheba” (from Solomon)
C.P.E. Bach/Allegro moderato (from Oboe Concerto in B flat, Wq164)
Handel/Adagio e staccato (from Water Music, Suite No 1 in F)
Tchaikovsky/Dance of the Swans (from Swan Lake)
Kalliwoda/Vivace (from Concertino Op. 110)
Beethoven/Marcia funebre (from Symphony No. 3)
Vivaldi/Allegro (from Oboe Concerto in F, RV 455)
Vivaldi/Minuet (from Oboe Concerto in C, RV 447)
Ferlendis/Rondo (from Oboe Concerto in F)
Handel/Hornpipe (from Water Music, Suite No 1 in F)
Tchaivkovsky/Scene (from Swan Lake)
Dvorak/Largo (from Symphony No 9, “From the New World”
Pasculli/Allegretto – Allegro velocissimio (from Concerto La Favorita)
http://rapidshare.com/files/151465724/02_The_Oboe.rar
Album: The Instruments of Classical Music vol 3: The Trumpet
Charpentier – Te Deum Prelude
Telemann – Concerto in D Adagio
Bach – Brandenburg No 2 – Allegro Assai
Bach-Gounod Ave Maria
Handel – Water Music Allegro
Handel – Water Music Alla Hornpipe
Loeillet – Sonata in C Largo cantabile
L Mozart – Concerto in D Allegro Moderato
Tchaikovsky – Danse Napolitaine
Bizet – Canson du Toreador
Bizet – La Garde Montante
Suppe – Light calvary Overture
Verdi – Macbeth Ballet Music
Tchaikovsky – Divertissement from Nutcracker
Purcell – Trumpet Tune and Air
Sperger – Concerto in D Tempo di Minuetto
Vivaldi – Concerto for Two Trumpets Allegro
Loeillet – Sonata in G Lengo dolce
Hayden – Concerto in Eflat Allegro
Bach – Orchestral Suite no. 4 Rejouissance
http://rapidshare.com/files/151477925/03_Trompet.rar
Album: The Instruments of Classical Music Vol 4: The Horn – Corno Da Caccia
Handel: Allegro (from Water Music, Suite No. 1)
Handel: Moderato (from Water Music, Suite No. 1)
Handel: Minuet for the French horn (from Water Music, Suite No. 1)
Mozart: Romance. Larghetto (from Horn Concerto No. 3 in E flat, K447)
Mozart: Allegro (from Horn Concerto No. 3 in E flat, K447)
Mendelssohn: Notturno (from “A midsummer Night’s Dream”
Mozart: Rondo. Allegro (from Horn Concerto No. 1 in D, K412)
Krebs: Sleepers, wake, the voice is calling
Heinichen: Andante (from Concerto for two Cornos da caccia in F)
Bach: Third movenent (from Brandenburg Concerto No. 2, Leipzig version)
Rimsky-Korsakov: Variations (from Capriccio Espagnol, Op. 34)
Wagner: Siegried’s Rhine Journey (from ‘The Twilight of the Gods”
Tchaikovsky: Second movement (Excerpt from Symphony No. 5 in E minor, Op. 64)
Weber: Der Freischutz, Overture
http://rapidshare.com/files/151498845/04_Horn.rar
Album: The Instruments of Classical Music Vol 5: The Violin
Ludwig Van Beethoven / Romance For Violin No. 2 In F, Op. 50
Jules Massenet / Meditation From “Thais”
Pablo de Sarasate / Zapateado
Johan Svendsen / Romance In G, Op. 26
Peter Ilyich Tchaikovsky / Valse: Scherzo In C, Op. 34
Antonin Dvorak / Romance In F minor, Op.11
Henryk Wieniawski / Romance (From Violin Concerto No. 2 In D minor)
Ludwig Von Beethoven / Romance For Violin No. 1 In G, Op. 40
Henryk Wieniawski / Legende In G Minor, Op.17
http://rapidshare.com/files/151508638/05_Violin.rar
Album: The Instruments of Classical Music Vol 6: The Cello
Rubenstein: Melody in F, Op. 3 No. 1
Schubert: Ave Maria
Rimsky-Korsakov: The Flight Of The Bumblebee
Schumann: Traumerei
Dvorak: Songs My Mother Taught Me
Saint-Seans: The Swan (from “Carnival of the Animals”
Godard: Berceuse
Verdi: I Masnadieri – Prelude
Beethoven: Finale – Introduction (From Symphony No. 9 “Choral”
Haydn: Allegro Molto (from Cello Concerto No. 1 in C)
Mendelssohn: Song Without Words
Telemann: Overture (from Suite in D)
Graun: Vivace (from Concerto in D)
http://rapidshare.com/files/151518107/06_Cello.rar
Album: The Instruments of Classical Music Vol7: The Piano
Sinding: Rustle of Spring
Beethoven: Fur Elise
Mozart: Andante (from Piano Concerto No. 21 in C, K 467 “Elvira Madigan”
Chopin: Nocturne in B, Op 9 No. 3
Mozart: Allegretto (from Piano Concerto No. 17 in G, K 453)
Schumann: “Aufschwung” (No. 2 from Fantasiestucke, Op. 12)
Tchaikovsky: Allegro non troppo (Excerpt from Piano Concerto No. 1)
Gershwin: Rhapsody in Blue (excerpt)
Mozart: Rondo Alla Turca (From Piano Sonata in A, K 331)
Schubert: Impromptu in A flat, D899 No. 4
Beethoven: Adagio sostenuto (from Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 “Moonlight”
Grieg: Allegro molto e marcato (Third Movement from Piano Concerto in A minor, Op. 16)
http://rapidshare.com/files/151599009/07_The_Piano.rar
Album: The Instruments of Classical Music Vol8: The Organ
HannesKastner,Germany~organ / ToccataInDm(JSBach,Germany;1990,HannesKastner,Germ any~organ)
GaborLehotka~organ,BudapestStrings,condKarolyBotva y / OrganConcertoInF,Op4{#5,AllaSiciliana~Presto}(GFHa ndel,Halle,Germany;1990,GaborLehotka~organ,Budapes tStrings,condKarolyBotvay
HansJurgenScholze,Germany~organ / Sleepers,Wake,TheVoiceIsCalling,BWV645(JSBach,Eise nach,Germany;1990,HansJurgenScholze,Germany~organ
ChristineSchornscheim,Germany~organ / OrganConcertoInDm[Reconstruction]{#1,Allegro}(JSBach,Eisenach,Germany;1990,Christin eSchornscheim,Germany~organ
ChristineSchornscheim,Germany~organ / OrganConcertoInDm[Reconstruction]{#2,Adagio}(JSBach,Eisenach,Germany;1990,Christine Schornscheim,Germany~organ
ChristineSchornscheim,Germany~organ / OrganConcertoInDm[Reconstruction]{#3,Allegro}(JSBach,Eisenach,Germany;1990,Christin eSchornscheim,Germany~organ
TonKoopman~organ / VoluntaryInE,Op7,#6(Stanley;1990,TonKoopman~organ)
ChristophKrummacher,Germany~organ / PreludeInC,BuxWV188(Buxtehude;1990,ChristophKrumma cher,Germany~organ)
JoachimDalitz,Germany~organ / PreludeAndFugeOnB-A-C-H(FranzLiszt,Raiding,Hungary;1990,JoachimDalitz,Ge rmany~organ)
SymphonyNo3,’Organ’{Allegro}(CamilleSant-Saens,France;1990,Francois-HenriHoubart~organ;PhilharmonicOrchestraOftheLoire Region,condMarcSoustrot
http://rapidshare.com/files/161634226/08_Organ.rar
Album: The Instruments of Classical Music Vol9: The Harpsichord
Johann Sebastian Bach / Allegro (from Brandenburg Concerto No. 5)
Domenico Scarlatti / Sonata in E, KK 380
Carl Philipp Emanuel Bach / Largo (from Harpsichord Concerto in G minor)
Johann Sebastian Bach / Minuet I & II in G major / minor
Peter Philips / Galiarda dolorosa
Johann Sebastian Bach / Minuet in G, MWV Anh. 116
Johann Sebastian Bach / Affettuoso (from Brandenburg Concerto No. 5)
Domenico Scarlatti / Sonata in C, KK 153
Johann Sebastian Bach / Adagio (from Harpsichord Concerto in D, BWV 1054)
Johann Sebastian Bach / Six Little Preludes
Johann Sebastian Bach / Vivace (from Concerto for two Harpsichords)
http://rapidshare.com/files/161609632/09_El_Clavicordio.rar
Album: The Instruments of Classical Music Vol 10: Guitar & Lute
J. Rodrigo: Concierto de Aranjuez – Allegro con spirito
J. Rodrigo: Concierto de Aranjuez – Adagio
A. Sor: Allegro from Sonata Op. 22
J.S. Bach: Allemande from Suite in E minor (BWV 996)
J.S. Bach: Prelude in C minor (BWV 999)
J.S. Bach: Fuge in G minor (BWV 1000)
J. Dowland: A Piper’s Pavan
J. Dowland: Dowland’s Galliard
J. Dowland: John Dowland’s Galliard
J. Dowland: Semi Dolens
J. Dowland: Welcome Home
J. Dowland: Gagliarde
A. Sor: L’encouragement Op. 34 – Cantabile
A. Sor: L’encouragement Op. 34 – Andantino (theme and variations)
A. Sor: L’encouragement Op. 34 – Valse
M. Falla: Spanish Dance
http://rapidshare.com/files/161628859/10_Guitar___Lute.rar
PASS: loko29
Thanks a lot to loko29
MP3-V0
http://uploadmirrors.com/download/LLA2XACF/Rach2.rar
Enjoy! ๐
Thanks in advance.
I have John Williams Tuba Concerto, here (http://www.mahawa.jw-music.net/classical/tuba.htm).
Would you want me to upload it?

John Williams – Tuba Concerto
Download (http://rapidshare.com/files/224884193/John_Williams_-_Tuba_Concerto.zip)
I will love this thread ๐
Thanks in advance.
http://rapidshare.com/files/221940541/Rachmaninov__Piano_Concerto_No.2__Rhapsody_On_A_Th eme_Of_Paganini.rar
320kbps
Just let me know if you want anything more and I’ll have it up in the next few days.
Thanks, Lens. I’ll try it. I’ll try to look for some of his symphonies too.

FLAC / 280MB
http://rapidshare.com/files/216442122/Lappy_BatizRach.part1.rar
http://rapidshare.com/files/216472882/Lappy_BatizRach.part2.rar
http://rapidshare.com/files/216485197/Lappy_BatizRach.part3.rar

APE
http://rapidshare.com/files/218369509/Rachm_Sym_2_T_R_RNO_Plet.part1.rar
http://rapidshare.com/files/218376725/Rachm_Sym_2_T_R_RNO_Plet.part2.rar
MP3
http://rapidshare.com/files/218382597/Rachm_Sym_2_t_Rock_RNO_Plet_MPT.rar
Haven’t heard this recording myself yet, but it apparently won Gramophone’s ‘Editor’s Choice’ ๐
APE+CUE 264 MB | MP3 HQ (tracks) 113 MB | Booklet | EASY CD-DA 12 | NoLog | 1994
Russian National Orchestra Mikhail Pletnev
APE normal 3.99
rapidshare.com/files/218369509/Rachm_Sym_2_T_R_RNO_Plet.part1.rar
rapidshare.com/files/218376725/Rachm_Sym_2_T_R_RNO_Plet.part2.rar
MP3 HQ LAME 3.98 VBR -V0 Stereo
rapidshare.com/files/218382597/Rachm_Sym_2_t_Rock_RNO_Plet_MPT.rar
There are dangers in getting to know a score through the work of a single orchestra and conductor whether on disc or in the concert-hall. The more powerful the interpretation, the more it can spoil you for subsequent readings. Not that Andre Previn’s celebrated, early-1970s recording of Rachmaninov’s Second Symphony is in any sense idiosyncratic. It is simply that, in the catalogue and out, its distinctive turns of phrase (and above all Jack Brymer’s magical way with the slow movement’s clarinet theme) have tended to monopolize mental maps of a once marginalized work. In putting over a quite different conception with similar conviction, Mikhail Pletnev’s achievement is to make us hear the music afresh. It isn’t simply a matter of timbral ‘authenticity’. His is a leaner, lither, more Tchaikovskian view which the sometimes muddling resonance of the Great Hall of the Moscow Conservatory cannot disguiseeven if one might wish for a more forward woodwind placement or a cleaner bass. Where an all-Russian recording like Valery Gergiev’s (Philipsto be reviewed next month) sounds solidly familiar in general outline (despite a first movement exposition repeat), Pletnev’s performance is characterized by relatively discreet emotionalism, stronger forward momentum and a fanatical preoccupation with clarity of articulation. When there is no Slavic wobble, it scarcely matters that his winds display an individuality which once or twice fails to transcend mere rawnessso much the better in this music! The strings, forceful and husky (with separated violin desks) are beyond reproach.
In the early stages, I did miss Previn’s dark, rhapsodic manner. Pletnev’s introduction is cooler, the line less obviously inflected. On the other hand, the extraordinary delicacy of the strings skittering into play at the start of the exposition proper is a miracle of control, and, after that comparatively unassuming opening, the development is as passionate and driven as anyone could wish. Again, the relatively backward balance of the horns in the second movement may bring some feeling of disappointment, but there are amends in the wonderfully natural, unselfconscious phrasing of the big tuneno over-indulgence there. Nor is there any risk of stagnation in the now famous Adagio. Taken controversially fast, this is perfectly effective in context without quite effacing memories of Ashkenazy’s warmer ebb and flow or Previn’s slow-building catharsis. Pletnev’s flowing tempo takes the spotlight off the non-occidentalized clarinet and is certainly in keeping with the taut ardour of his reading as a whole. The most remarkable playing comes in the finale, often bringing to mind the orchestra’s staggering display in the third movement of Tchaikovsky’s Pathtique on its dbut release (Virgin Classics, 1/92). The lyrical effusions are superbly characterized without undermining the sense of inexorability, the climaxes not just powerful but affecting too. The closing pages bring a rush of adrenalin of the kind rarely experienced live, let alone in the studio. This is great music-making, the rubato always there when required, the long phrases immaculately tailored yet always sounding spontaneous.
DG’s unexpected coupling is The Rock, an early, rather bitty piece which is however very deftly scored and intriguingly Scriabinesque in places. There are few alternative recordings in the current catalogue: Previn’s (RCA, 1/68) has recently gone though Lorin Maazel’s retains its place. In Pletnev’s hands, the central climax is surprisingly powerful, with just a hint of the buzz-saw in the brass playing. The fabulous delicacy elsewhere is alone worth the price of admission. What with Mariss Jansons’s outstanding accounts of the Third Symphony and Symphonic Dances (EMI, 12/93), Rachmaninov’s admirers have been well served of late. Don’t expect the new disc to rival EMI’s for Previn in terms of technical refinement and you won’t be disappointed: these are performances of even greater temperament and fire. Perhaps DG could now give us Pletnev’s uniquely dark and cogent readings of Prokofiev’s Sixth or Shostakovich’s Fifteenth, great Russian symphonies by no means so well represented in the lists.
Gramophone Magazine ”
We had the same idea!
EDIT: I have a 3cd set of complete symphonies so I will post each one in APE format. It is the direct image of the disc with a cue file because that is how I got it. I am not sure the exact details of the set either.
Disc 1: http://tinyurl.com/dy8vh9
MP3: http://tinyurl.com/csmt5v
Disc 2: http://tinyurl.com/dhodcx
MP3: http://tinyurl.com/cor7j6
Disc 3: http://tinyurl.com/d9v8wz
MP3: http://tinyurl.com/ddq443
I would post covers but I don’t know which ones this is exactly. I think its the same as this
http://www.amazon.com/Rachmaninov-Symphonies-Tom-Krause/dp/B0000042HY
http://www.youtube.com/watch?v=kbZYzoidkYU
http://www.youtube.com/watch?v=LrKdPDiBZTI
http://www.youtube.com/watch?v=2g-NFOID4mA
Here he is conducting the symphony with the NHK Symphony Orchestra live in concert in 2007. Not quite as lovely as the London studio recording, but still well worth watching. The whole symphony doesn’t appear to be available – only twenty minutes or so, but it does include the sumptuous third movement.
๐
This was also a much cherished cd of mine. I seem to have lost it tho ๐ I may have lent in to a friend and completely forgotten – this happens to me a lot!
May I please request (if you have time, of course) a Lame -V0 version?
HAVERGAL BRIAN
Symphony No 9
performed by the Royal Philharmonic Orchestra, conducted by Myer Fredman
Now, here’s the deal. This is one of those rare 1970s booties taken from radio broadcasts. A record label called Aries got hold of transcriptions of recordings made by the BBC – in most cases, of world premiere performances – and turned them into LPs. Then they promptly disappeared. The recordings have never been legitimately released.
In order to elude capture, the record company used fake orchestra and performer details on their sleeve notes so the original rights holders would hopefully not notice that their recordings were being pilfered.
This particular recording – in reality from the 1971 performance by the RPO under Fredman, was attributed to the world-renowned Wales Symphony Orchestra, conducted by highly respected musicologist Colin Wilson. They also gave us such fine fake performers as the Sao Paulo Symphony Orchestra and the Edinburgh Youth Symphony Orchestra!
So, here you go.
A note about sound quality:
This is a bootleg of a radio recording made in the 1970s. Don’t expect auditory miracles. There isn’t a great deal of high frequencies present, and there are some horrific noises caused by a mixture of poor quality vinyl, poor quality source tapes, and broadcast noise. The occasional buzzing/scraping noise on the right channel is regrettable but you soon get used to it. All the above notwithstanding, it’s extremely listenable if only for the curiosity value – this is a fine performance of one of Brian’s greatest symphonies and it’s a miracle the recording survived at all.
I had the incredible good fortune to come across about a dozen of these Aries bootlegs – all sealed and untouched – a couple of years ago and I snapped them up quickly. I am slowly getting around to transferring them all and doing audio cleanup work. Though it has to be said, very little was required given that these records – whilst nearly fourty years old – are in mint condition and haven’t even been exposed to air any time since their manufacture.
So – enjoy! And I’d love to hear comments as well; any other Brian fanatics here?

MP3 320kbps
http://rapidshare.com/files/164529233/Bach__Fr_Suites_Jaccottet_Vol_8_MP3.part1.rar
http://rapidshare.com/files/164534194/Bach__Fr_Suites_Jaccottet_Vol_8_MP3.part2.rar
FLAC
http://rapidshare.com/files/164479700/Bach__Fr_Suites_Jaccottet_Vol_8_FLAC.part1.rar
http://rapidshare.com/files/164489860/Bach__Fr_Suites_Jaccottet_Vol_8_FLAC.part2.rar
http://rapidshare.com/files/164499454/Bach__Fr_Suites_Jaccottet_Vol_8_FLAC.part3.rar
http://rapidshare.com/files/164508754/Bach__Fr_Suites_Jaccottet_Vol_8_FLAC.part4.rar
http://rapidshare.com/files/164517334/Bach__Fr_Suites_Jaccottet_Vol_8_FLAC.part5.rar
http://rapidshare.com/files/164521452/Bach__Fr_Suites_Jaccottet_Vol_8_FLAC.part6.rarhttp ://rapidshare.com/files/164479700/Bach__Fr_Suites_Jaccottet_Vol_8_FLAC.part1.rar
http://rapidshare.com/files/164489860/Bach__Fr_Suites_Jaccottet_Vol_8_FLAC.part2.rar
http://rapidshare.com/files/164499454/Bach__Fr_Suites_Jaccottet_Vol_8_FLAC.part3.rar
http://rapidshare.com/files/164508754/Bach__Fr_Suites_Jaccottet_Vol_8_FLAC.part4.rar
http://rapidshare.com/files/164517334/Bach__Fr_Suites_Jaccottet_Vol_8_FLAC.part5.rar
http://rapidshare.com/files/164521452/Bach__Fr_Suites_Jaccottet_Vol_8_FLAC.part6.rar
Password: parol
HAVERGAL BRIAN
Symphony No 9
performed by the Royal Philharmonic Orchestra, conducted by Myer Fredman
Danny, Brian is totally new to me! I’m enjoying it so far. Will have to give it a more concentrated listen soon. In a similar area, I’ve only ventured as far as Robert Simpson (who impresses me a lot). I’ll definately dip into the Marco Polo series. Classicstoday recommend 11&15 very strongly.. what would you say?
I have less Simpson than I should; only one disc on my shelf at the moment – the ninth symphony, which I love. As a matter of fact, I think I’ll fish it out and give it a spin now.
I discovered Brian when I was 13 – whilst browsing in HMV; there was a dusty cracked CD case mixed in with Mahler and it was something like ???3. I’d heard the name and I was feeling adventurous so I spent my lunch money and picked it up; it was the third symphony which is still my favourite Brian work.
Since then I’ve developed something of an obsession; obviously the Gothic symphony (posted earlier in this thread) is essential listening but it’s all worth attention. Symphonies 3, 4, 10, the Violin Concerto… All stunning.
I don’t have 10 any more as far as I can remember; I used to have the old Leicestershire Schools Symphony Orchestra recording by Lyrita on vinyl but it completely vanished a few years ago. Great pity. I still keep on the prowl around eBay…
HAVERGAL BRIAN
Symphony No 12
performed by the BBC Symphony Orchestra, conducted by Norman Del Mar
(attributed to Colin Wilson and the Wales Symphony Orchestra again!)
The recording…
So, here’s another one of those wonderful bootlegs – again from a live radio transcription from 1966. There is a commercial recording of this piece (coupled with the 4th Symphony – I think it’s already in this thread) but I prefer this performance despite the less-than-stellar sound quality – there’s a certain excitement about it as you would expect from a live world premiere performance. The sound on this recording – though made some five years before the 9th Symphony – fares considerably better; as before, eminently listenable and surprisingly clear. Once again this is my own transfer from a mint condition LP; I have performed the barest minimal remastering – slight crackle removal and slight surface noise removal; both carefully applied so as to not compromise the original signal.
The symphony…
You never know what you’re going to get with a Brian symphony; this is about as far away from the Gothic as you can get; very short (only eleven minutes for the entire work) and very concise. Reviewers have described these works like this as being written in a very specific Brianic shorthand; almost like when you listen to them your mind is supposed to expand them out fully inside your head. The sheer number of ideas he pours into such a short symphony is absolutely staggering; you certainly feel like a great deal is being left unsaid – and there’s an unshakeable feeling that the composer is thinking of things too quickly to write them down.
Many passages have a certain feeling of going somewhere and then suddenly Brian says, "Ok, I’ve had enough of that now!" and then suddenly – in the space of one bar or even less, you’re in a completely different world entirely. Based on those descriptions, the piece should be fragmented and incoherent; but strangely enough it isn’t once you listen to the whole symphony – Brian never dwells longer than necessary and makes every single note count: As I say, very concise, and in its own way, incredibly eloquent.
The link…
http://www.rapidspread.com/file.jsp?id=ybzqf5wafl
Enjoy – more to come tomorrow!
That’s ok, thank you. There must be a cue splitter program I could use.
Joshua Bell – The Essential Joshua Bell
http://tinyurl.com/deea75
Joshua Bell – The Kreisler Album
http://tinyurl.com/r4zrpr
Joshua Bell – Romance of the Violin
http://a2.vox.com/6a00f48ceb1256000300fae8defd42000b-500pi
http://tinyurl.com/q7xc8b
Joshua Bell – Vivaldi the Four Seasons
http://tinyurl.com/otzwpw
Joshua Bell – Prokofiev _ Violin Sonatas 1 & 2 ,5 Melo
http://tinyurl.com/pchdtx
Joshua Bell – Prokofiev Violin Concertos; Shostakovich
http://tinyurl.com/q4gn7k
Joshua Bell – Tchaikovsky_ Concerto in D Major for Violin
http://tinyurl.com/ogk6n7
Joshua Bell – Voice Of The Violin
http://tinyurl.com/o2mlbg
With the initial 4 thats all I’ve been able to find.
These are not my rips but they are solid quality. I really like the Prokofiev stuff having not heard anything by him before. Enjoy guys!
I’m not sure if you still want this, but here is The Typewriter by Anderson. I don’t have anything else by him though, sorry.
can someone upload in mp3 thanks
Sir Arthur Bliss – A Colour Symphony
BBC National Orchestra of Wales / Barry Wordsworth
MP3 / LAME -V0
Studies under Stanford gave Bliss a solid grounding in the English tradition, setting him fair to follow in Elgar’s footsteps. However, the Great War changed the things to come: home he came from France brandishing a bright trophy – a consuming passion for the brittle rhythms and iridescent textures of the likes of Stravinsky, Poulenc and Auric. This garnish of “French mustard” would spice up Bliss’s “roast beef” to a degree that would be unchallenged, even by the emergent enfant terrible, William Walton.
The first real fruit of this union, which paved the way for the brilliant film and ballet scores that were to follow, was A Colour Symphony. Our immediate reaction to the movement titles – Purple, Red, Blue, and Green – is to suppose that Bliss was trying to actually portray these colours in sound. Is such a thing even possible? That argument rages on. We can all distinguish music that is “colourful” from, well, music that isn’t! However, that’s not the same as telling what actual “colours” the sounds make. Some people claim they can – Messiaen was pretty hot on this – and there’s even a drug, peyotl, the effect of which is to bend your brain into translating sounds heard into apparent colours.
However, before I start getting myself “high” on this, I should say that Bliss was moved not by “colours” as in “of the rainbow”, but by “Colour” as in “Trooping the”! He had been invited by Elgar to write a new work for the 1922 Gloucester Festival. Completely stuck for an opener, one day in a friend’s library he stumbled across a book about heraldry. The heraldic connotations of colours, and especially the emotionally-loaded symbolism that makes much the easiest meat for music’s mincing-machine, instantly uncorked his creative juices. In next to no time, he’d served up four juicy courses of “spicy beef”. Sadly, at the premi???re most of the audience – including Elgar – found the dish too hard to swallow. Happily, tastes have changed since then!
Bliss turned a very neat trick, because composers usually express their own emotions. However,in selecting these heraldic colours, he effectively pulled clusters of predetermined “emotions” out of a hat, setting himself the challenge not only of expressing things that are at best only loosely related, but also of combining them into coherent musical statements. When you think about it, that’s a pretty tough test – and moreover one he passes with (dare I say?) flying colours!
1. Purple (andante maestoso) = Amethysts, representing Royalty, Pageantry and Death. It’s hard to imagine Elgar gagging on this! Taking two coiling melodies – a funereal processional and an ornate lament – Bliss forges a union of those three aspects. Over a consistent thread of nobility, Pageantry surges briefly in fanfares and Death surfaces in dark spasms.
2. Red (allegro vivace) = Rubies, representing Wine, Revelry, Courage, Furnaces and Magic. Can you see Wine and Revelry in the electrifying, spiky “scherzo” subject, and Courage in the emergent flowing “trio”? If so, you’ll appreciate the use of the jagged, vaulting music, that intrudes half-way through and then more pungently at the end, for the signature tune of the televised “Royal Institution Christmas Lectures”!
3. Blue (gently flowing) = Sapphires, representing Deep Water, Skies, Loyalty and Melancholy. I’d associate Skies and Loyalty with “light”, and Deep Water and Melancholy with “dark”. Bliss’s burbling arabesques of liquid flute (Skies) are spliced to long-breathed descending phrases on oboe then horn (Loyalty, which later borders on exultant). A third theme on cor anglais twists and turns on itself (what else for Melancholy?!). The recurrent jagged, rhythmic string accompaniment Bliss felt to be “like water lapping”. Near the movement’s end, this acquires a “big band” inflection – deep brass for Deep Water?
4. Green (moderato) = Emeralds, representing Hope, Youth, Spring, Joy and Victory. The two pairs of related elements – Hope and Youth, and Joy and Victory – are linked by Spring with its implications of both rebirth and optimism. Curiously these, the brightest, simplest sentiments of all, emerge through the most complex musical mechanism: double fugue. Then again, maybe it’s not so curious: didn’t Mozart do something similar to end his Jupiter Symphony? Hope springs eternal on strings, initially subdued but steadily blossoming. Midway, woodwind double the tempo of the materials, and the buttons of stiff collars are joyously loosened. Victory? Well, that’s assured!
There’s more to the man than "Roast beef with French spice" – how charming that the author choses to reduce the life experience of a venerable artist to a trite, poor quality attempt at humour courtesy of an old stereotype about British-French culinary rivalry; and then compromise the integrity of his essay still further with constant attempts at food-related puns – "spicy beef", "mincing machine", "creative juices", "four juicy courses" and "the dish too hard to swallow" – and he can’t resist another joke at the expense of the work’s title.
What a great pity as if you look beyond the childish, ridiculously shallow style, there’s a very interesting analysis of the piece going on there – it’s such a shame it’s couched in bull**** and obviously written by a frustrated wannabe-comedian-cum-musicologist who probably got booed off the stage at his local pub’s open mic night!
ELGAR – ORGAN SONATA, THE WAND OF YOUTH
http://rapidshare.com/files/233413803/Elgar_OW.rar
MP3 V0 / 98MB / 17 tracks / 1hr 2mins
I’ll upload the original version soon too!
Haha, yes sorry about that. Just thought the breakdown of the movements and some of the heraldic symbolism behind it might be useful to those new to the work. You do have to filter out all that ‘personality’ though.. ๐

http://www.sendspace.com/file/5nruwu
PSW: smile
Carl Nielsen ??? Choral Works
http://www.sendspace.com/file/mv0iww
PSW: smile
Its all thanks to you anyway for sharing me the wonders of Nielsen! More to come from Nielsen. Gotta re-rip them and upload though because they came in one single flac with cue so its easier to burn and re-rip. Before that some Richard Schumann symphonies ๐
Speaking of Bliss, has anyone heard "The Sea" (from Caesar and Cleopatra) by him? I’ve been trying to track that one down. I liked Checkmate and have been searching for his film music for a while now too.

CD1 – http://www.sendspace.com/file/qj4q8x
PSW: smile
CD2 – http://www.sendspace.com/file/83d7hq
PSW: smile
Nielsen Symphonies coming up!

CD1 – http://www.sendspace.com/file/bspypp
CD2 – http://www.sendspace.com/file/e3x0nh
CD3 – http://www.sendspace.com/file/dgtphc
PSW for all: smile

ARTHUR BLISS: FILM MUSIC
320kbps / 175MB / 26 tracks / 1hr 13mins
http://rapidshare.com/files/233869672/Bliss_Film_Music.rar
1 Welcome the Queen 6:47
March
Moderato ma con brio – Andante maestoso
premiere recording
Things to Come: Concert Music from the Film 31:58
arranged and reconstructed by Philip Lane
2 1 Prologue. Maestoso 2:31
3 2 Ballet for Children. Allegro moderato 3:38
4 3 March. Alla marcia 3:37
5 4 Attack. Allgro con fuoco 1:53
6 5 The World in Ruins. Lento doloroso 2:40
7 6 Pestilence. Molto sostenuto 2:52
8 7 Excavation. Moderaqto e pesante 1:53
9 8 The Building of the World. Allegro moderato molto deciso 2:15
10 9 Machines. Moderato 1:26
11 10 Attack on the Moon Gun. Molto allegro fuoco 1:18
12 11 Epilogue. Maestoso 7:33
premiere recording of the original version
The Royal Palaces Suite 15:09
13 I Queen Victoria’s Call to the Throne 3:03
14 II The Ballroom in Buckingham Palace 3:59
15 III Joust of the Knights in Armour (George IV’s reign) 1:35
16 IV Melodrama: The Murder of Rizzo in Holyrood House 2:39
17 V The Royal Palace. Theme 3:38
premiere recording
Caesar and Cleopatra 17:00
Suite from the incidental film music
edited and arranged by Giles Easterbrook and Malcolm Binney
18 1 Overture. Allegro marcia 3:17
19 2 The Sea. Lento 2:47
20 3 Dance Interlude I. Allegretto giocoso 2:03
21 4 Dance Interlude II. Allegro molto 1:12
22 5 Dance Interlude III. Waltz time 1:18
23 6 Barcarolle. Allegretto piacevole 2:57
24 7 Memphis at Night. Andantino 1:38
25 8 Supply Sequence. [Allegro] 1:29
premiere recording
26 Theme from ‘War in the Air’ 1:44
Moderato maestoso
BBC Philharmonic
Rumon Gamba
From Gramophone:
Chandos continues its most enjoyable film music series with a disc devoted to Sir Arthur Bliss, whose score for Things To Come (1934-5) was the first important contribution to cinema by an established composer. It remains one of the medium’s finest scores. Bliss’s screen work also embraced both more functional cinematic fare such as the weekly Pathe Pictorial newsreel (featured here a Welcome March marking the return of the Queen from a Commonwealth tour in 1954) and television documentary – represented on this disc by War in the Air and 1966’s The Royal Palaces Suite. In all this music, played with fervour and flair by the well-proven Rumon Gamba- BBC Philharmonic partnership, the vigour and vitality of the composer’s musical invention shines through.
Listen out for the unbuttoned start to Welcome the Queen and, at the other end of the scale, the piquantly scored wind interlude in the brief War in the Air. The picturesque tuneful waltz, ‘The Ballroom in Buckingham Palace’ from The Royal Palaces Suite, reminds us of the composer’s earlier credits for the ballet and Bliss, the conjurer of magical orchestral effects, runs through the spooky dark alleyways of Holyrood House, where Rizzio the confidante of Mary Queen of Scots was murdered, to evocative effect.
Things to Come, with its compelling warning for mankind’s future, has lost none of its power to enthrall. In an opening maestoso modal theme interrupted by call signs indicating an outside presence, Bliss powerfully captures the potent compound of HG Wells’s hopes and fears. ‘The Ballet for Children’, a gem of fleet-footed scoring and counterpoint with a trumpet tune foreshadowing to uncanny effect the one in Copland’s Billy The Kid, is followed by a series of bleak landscapes rent asunder by war-like noises. The optimistic note sounded in ‘Building of the New World’ is affirmed by the surging tune in the ‘Epilogue’. Congratulations are due to Philip Lane who arranged and reconstructed this concert music from the film, a story told in detail by Giles Easterbrook in his booklet-notes.
Given its first recording here, Caesar and Cleopatra was an unhappy experience for Bliss. He walked out on the project after meeting the Hungarian producer Gabriel Pascal, who by most accounts was as mad as a hatter, a fact recorded by Alan Jay Lerner during his acquisition of the musical rights to Pygmalion. At the time Bliss had completed over 80 pages of fully scored music including some enchanting, luminously conceived dance episodes. Studio 7 in New Broadcasting House, Manchester makes an ideal recording venue for this kind of music with a dry acoustic that is able to absorb the large battery of percussion evident in Things to Come, as well as offering an appropriately wide view of the sound stage.
http://rapidshare.com/files/233444671/Organ_Sonata.rar
Thanks alot!
http://rapidshare.com/files/233444671/Organ_Sonata.rar
Thank you for this very pleasant gift, Lens of Truth!
This gift also include the orchestrated version, of course! Don’t worry, even if you sounded provincial (and you didn’t), I’d forgive you ๐ given the beauty of this Elgar’s score!
-A.
http://rapidshare.com/files/115043938/wk-2003-ss_192.rar
Unfortunately I don’t have the cd myself, so I can’t help you with a lossless version.
AussieGuy – I’m not sure if dannyfrench or Streichorchester have this one, but if they don’t upload it I might be able to in a week or two, as I’ve been intending to buy a few Brian cds and the Lyrita recording of 2 and 16 is one of them! There’s a very tantalising review on musicweb:
http://www.musicweb-international.com/classRev/2008/Mar08/Brian_Cooke_SRCD295.htm
http://rapidshare.com/files/115043938/wk-2003-ss_192.rar
Unfortunately I don’t have the cd myself, so I can’t help you with a lossless version.
AussieGuy – I’m not sure if dannyfrench or Streichorchester have this one, but if they don’t upload it I might be able to in a week or two, as I’ve been intending to buy a few Brian cds and the Lyrita recording of 2 and 16 is one of them! There’s a very tantalising review on musicweb:
http://www.musicweb-international.com/classRev/2008/Mar08/Brian_Cooke_SRCD295.htm
Dear Lens of Truth
Great!!
Thanks very much for the information.
I will go ahead and download the file.
http://www.musicweb-international.com/classRev/2008/Mar08/Brian_Cooke_SRCD295.htm
That would be great! I can’t even buy the mp3s here in Australia – none of the online stores which stock it will sell to an Australian address. I s’pose I could buy the CD though…
Thanks,
-A.
Can someone recommend me, or even post, some good romantic classical music?
Once again, a movie that I forgot I liked the music from.
JonC
Hang on, I’ll up it.
-A.
-A.
It’s much better to have the disc! Gonna order this one myself soon. And thanks again danny for introducing me to a great British composer ๐
Again, many kudos to you. ๐ ๐ ๐
Charles Mackerras speaks of this set as his last series of Jan???cek recordings, which is understandable–but let’s fervently hope that he hangs around to make many more discs for Supraphon (and other labels). Some of this material has appeared previously in the opera sets: the overtures and interludes to K???t’a Kabanov??? and S???rka. The rest of the items are new and wonderful. Most interesting for Jan???cek collectors may be this superb Suite from The Cunning Little Vixen that follows the outline of Talich’s arrangement (that is, Act 1 minus the voices) but restores the composer’s original orchestration. It’s wonderful. Equally wonderful is the performance of Schluck und Jau, certainly its finest on disc, and the same holds true of the Jealousy Overture (a bit messy in the earlier Decca recording).
This performance of the Sinfonietta is thrilling: swifter than the somewhat staid Decca recordings and even more exciting than Mackerras’ famous first effort with the Pro Arte Orchestra (now on Testament). He whips up the excitement at such points as the third movement’s central climax with uninhibited abandon, and the Czech Philharmonic responds with explosive enthusiasm. The same qualities characterize the second two movements of Taras Bulba; the first is a touch relaxed, not as violent in the battle scene as some others I could name (Ancerl, for example), but it’s never slack or self-consciously smooth. The recordings–both live and studio efforts from a variety of venues–sound consistently excellent. Mackerras did more for Jan???cek than any other conductor living or dead, and it’s fitting that he should leave his final thoughts on this music with the Czech Philharmonic and Supraphon. A set not to be missed! 10/10
Incidentally, this is a pretty good site for classical reviews. They’re mostly reliable and they cover a lot of stuff from the smaller labels that gramophone etc tend to ignore.
Can someone recommend me, or even post, some good romantic classical music?
CLASSICAL ROMANCE
16 tracks / 1:43
http://rapidshare.com/files/238275612/Romance1.rar
http://rapidshare.com/files/238284729/Romance2.rar
1. Beethoven – Piano Concerto No. 5 "Emperor" – Adagio un poco mosso
2. Mendelssohn – A Midsummer Night’s Dream – Nocturne
3. Bach – Oboe Concerto in A – I. Allegro
4. Bach – Oboe Concerto in A – II. Larghetto
5. Bach – Oboe Concerto in A – III. Allegro
6. Debussy – Nocturnes – Sirens
7. Vaughan Williams – Symphony No. 5 – Romanza: Lento
8. Purcell – "If Music be the Food of Love"
9. Holst – The Planets – Venus, the Bringer of Peace
10. Elgar – Salut d’amour (version for violin and piano)
11. Mozart – Horn Concerto No.3 – II. Romance – Larghetto
12. Mozart – Fragment in D major
13. Dvorak – Cello Concerto – Adagio ma non troppo
14. Liszt – Un sospiro (Trois ???tudes de concert)
15. Rimsky-Korsakov – Sheherazade – The Young Prince and the Young Princess
16. Tchaikovsky – The Nutcracker – Pas de deux: Intrada
Apologies for the inherent cheesiness of such a compliation – some obvious choices here, and a few that, for various reasons, have romantic associations for me ๐
:love: :swoon: :love:
Havergal Brian – Symphony No. 1 "The Gothic"
http://www.sendspace.com/file/fczxee
I tried a different compression, so let me know how it sounds.
THE LINK IS DEAD.
I VERY MUCH WOULD LIKE TO CHECK THIS OUT.
THANKS!
Thanks x]

CLASSICAL ROMANCE
16 tracks / 1:43
http://rapidshare.com/files/238275612/Romance1.rar
http://rapidshare.com/files/238284729/Romance2.rar
1. Beethoven – Piano Concerto No. 5 "Emperor" – Adagio un poco mosso
2. Mendelssohn – A Midsummer Night’s Dream – Nocturne
3. Bach – Oboe Concerto in A – I. Allegro
4. Bach – Oboe Concerto in A – II. Larghetto
5. Bach – Oboe Concerto in A – III. Allegro
6. Debussy – Nocturnes – Sirens
7. Vaughan Williams – Symphony No. 5 – Romanza: Lento
8. Purcell – "If Music be the Food of Love"
9. Holst – The Planets – Venus, the Bringer of Peace
10. Elgar – Salut d’amour (version for violin and piano)
11. Mozart – Horn Concerto No.3 – II. Romance – Larghetto
12. Mozart – Fragment in D major
13. Dvorak – Cello Concerto – Adagio ma non troppo
14. Liszt – Un sospiro (Trois ???tudes de concert)
15. Rimsky-Korsakov – Sheherazade – The Young Prince and the Young Princess
16. Tchaikovsky – The Nutcracker – Pas de deux: Intrada
Apologies for the inherent cheesiness of such a compliation – some obvious choices here, and a few that, for various reasons, have romantic associations for me ๐
:love: :swoon: :love:
Just passing by in the board very quickly to say a HUGE thanks for this superb compilation. I haven’t tried it yet due to lack of time (need… more…sleep…), but I’ll plainly enjoy it this weekend, and then post some comments. Thanks again (a lot), Lens. ๐
Ps: usually, I avoid quoting with pics, but this custom cover is so beautiful that I do an exception this time.

CD1: http://www.rapidspread.com/file.jsp?id=huypvt4qm7
CD2: http://www.rapidspread.com/file.jsp?id=qttvzqb3tl
CD3: http://www.rapidspread.com/file.jsp?id=uwlhtq1ipi
CD4: http://www.rapidspread.com/file.jsp?id=dormnxfzu8
CD5: http://www.rapidspread.com/file.jsp?id=rukvwhtnv8
CD6: http://www.rapidspread.com/file.jsp?id=ez3j9dct2q
CD7: http://www.rapidspread.com/file.jsp?id=hsiuxptftf
CD8: http://www.rapidspread.com/file.jsp?id=28ulbrs40q
CD9: http://www.rapidspread.com/file.jsp?id=lzgqrdqgrn
CD10: http://www.rapidspread.com/file.jsp?id=mqvvfyjp0j
CD11: http://www.rapidspread.com/file.jsp?id=6t2teimlhb
CD12: http://www.rapidspread.com/file.jsp?id=ocynswxjjn
CD13: http://www.rapidspread.com/file.jsp?id=expqgsnacy
CD14: http://www.rapidspread.com/file.jsp?id=1auads7omj
CD15: http://www.rapidspread.com/file.jsp?id=8dcnizkxyo
All these files are WMA format (sorry that is the format I downloaded them in) and most of the cds are lossless but a few of them are 192 kbps. Still this is a fantastic collection of amazing piano music. I will slowly upload them in parts as it is quite large. I don’t have scans or cue files because that is not how they came.
Did you DL that 15CD set from a torrent?
This one xD
————-
Fryderyk Chopin
Chopin- Complete Piano Music- by Idil Biret (15 CD Box Set)
Disc 01
01 – Ballade No.1 – Op.23 – in Gm.mp3
02 – Ballade No.2 – Op.22 – in F.mp3
03 – Ballade No.3 – Op.47 – in Ab.mp3
04 – Ballade No.4 – Op.52 – in Fm.mp3
05 – Berceuse – Op.57 – in Db.mp3
06 – Trois Nouvelles ???tudes No.1 – Op.S2 No.3a – in Fm.mp3
07 – Trois Nouvelles ???tudes No.2 – Op.S2 No.3b – in Ab.mp3
08 – Trois Nouvelles ???tudes No.3 – Op.S2 No.3c – in Db.mp3
09 – Fantaisie – Op.49 – in Fm.mp3
10 – Galop Marquis – Op.P2 No.13 – in Ab.mp3
11 – Largo (Klavierst???ck) – Op.P2 No.5 – in Eb (BI 109).mp3
12 – Marche fun???bre – Op.posth.72 No.2 – in Cm.mp3
13 – Cantabile – Op.P2 No.6 – in Bb (BI 84).mp3
———————–
1.42 GiB…
Just wanna make sure, coz if it is, then i already have it x]
Did you DL that 15CD set from a torrent?
This one xD
————-
Fryderyk Chopin
Chopin- Complete Piano Music- by Idil Biret (15 CD Box Set)
Disc 01
01 – Ballade No.1 – Op.23 – in Gm.mp3
02 – Ballade No.2 – Op.22 – in F.mp3
03 – Ballade No.3 – Op.47 – in Ab.mp3
04 – Ballade No.4 – Op.52 – in Fm.mp3
05 – Berceuse – Op.57 – in Db.mp3
06 – Trois Nouvelles ???tudes No.1 – Op.S2 No.3a – in Fm.mp3
07 – Trois Nouvelles ???tudes No.2 – Op.S2 No.3b – in Ab.mp3
08 – Trois Nouvelles ???tudes No.3 – Op.S2 No.3c – in Db.mp3
09 – Fantaisie – Op.49 – in Fm.mp3
10 – Galop Marquis – Op.P2 No.13 – in Ab.mp3
11 – Largo (Klavierst???ck) – Op.P2 No.5 – in Eb (BI 109).mp3
12 – Marche fun???bre – Op.posth.72 No.2 – in Cm.mp3
13 – Cantabile – Op.P2 No.6 – in Bb (BI 84).mp3
———————–
1.42 GiB…
Just wanna make sure, coz if it is, then i already have it x]
no, this is WMA and totals 2.31 gigs but it is the same music, just different quality.
Fascinating article on Biret’s own website about the making of this set:
http://www.idilbiret.org/ENG/IBe13.htm
Fascinating article on Biret’s own website about the making of this set:
http://www.idilbiret.org/ENG/IBe13.htm
Oh yes that is indeed a great read, despite its length. I will of course update with the rest of the cds as I get them uploaded. Interestingly enough I got into the beauty of Chopin through the video game Eternal Sonata because it has portions about the life of Chopin and the circumstances surrounding various pieces he wrote. Each of those scenes, while boring because they were presented with really slowly appearing text of the stories, were accentuated by the beautiful music of Chopin and so I instantly found the best version of his music I could. I highly recommend that everyone at least download one of the cds and give it a listen because Chopin music is wonderful.
TRISTAN AND ISOLDE
Prelude and Transfiguration
http://rapidshare.com/files/239294957/Tristan_Isolde.rar
FLAC / 70MB / 18:20
http://rapidshare.com/files/241992611/Tristan_and_Isolde.rar
MP3-320 / 40MB / 18:20
This is the first and last music heard Wagner’s Tristan and Isolde. Somehow by themselves these pieces imply almost the entire emotional and formal compass of this great opera. The last section – usually referred to as the ‘Liebestod’ (‘love-death’) – is performed here in its concert version, without the soprano vocal of the expiring heroine. Also the Prelude has a special ending to link the two together. It’s one of the most inspiring moving pieces I know, and in a way all the more powerful for being presented as gloriously abstract and transcendent, divorced from explicit theatrical context (though I also adore the whole opera).
Wagner described his conception of Tristan and Isolde as "a tale of endless yearning, longing, the bliss and wretchedness of love; world, power, fame, honour, chivalry, loyalty, and friendship all blown away like an insubstantial dream". The music generates this sense of longing through a linkage of swelling suspensions that appear to constantly turn back upon themselves, withholding traditional harmonic resolution until the very end. Bernard Herrmann must have been profoundly affected by this music. Of course Herrmann transforms this influence into something else entirely and its a testament to his genius that he can reference Wagner so directly in Vertigo and yet create something totally original, and equally moving.
This really isn’t the type of thing for a casual listen on the ipod. It’s music to close your eyes and be absorbed in. I hope you like it as much as I do.
..And apologies to all classical cognoscenti, who probably find this post insufferably obvious. I just felt in the mood to share ๐
I haven’t played Eternal Sonata, as I don’t have a 360, but the concept sounds very odd for a japanese rpg! I can’t really imagine it working as a story premise. It’s obviously doing a good job though if it encourages people to seek out more Chopin!!
Oh yes I didn’t mention the actual story premise. Interestingly enough the company who developed the game is made up of musicians (thus the name Tri Crescendo). The game revolves around a story where Chopin is in a coma in the "real world" and is dreaming about his adventures through the "fantasy world" of the game. Occasionally the game switches from fantasy to show the people around Chopin in the real world as they sit by his bedside. Right around these times we get to see the short snippets of the beautiful music and information about his life. The game often questions whether the reality he experiences in his dream can be considered reality because he is living and interacting with people in the dream world as if they were their own alternate reality. Of course the wonderful Motoi Sakuraba weaves in beautiful piano melodies in his own music and, I believe, based on the game evolved musically to include more piano in his work and thus later release his piano album Forrest of Glass.
16 tracks / 1:43
http://rapidshare.com/files/238275612/Romance1.rar
http://rapidshare.com/files/238284729/Romance2.rar
1. Beethoven – Piano Concerto No. 5 "Emperor" – Adagio un poco mosso
2. Mendelssohn – A Midsummer Night’s Dream – Nocturne
3. Bach – Oboe Concerto in A – I. Allegro
4. Bach – Oboe Concerto in A – II. Larghetto
5. Bach – Oboe Concerto in A – III. Allegro
6. Debussy – Nocturnes – Sirens
7. Vaughan Williams – Symphony No. 5 – Romanza: Lento
8. Purcell – "If Music be the Food of Love"
9. Holst – The Planets – Venus, the Bringer of Peace
10. Elgar – Salut d’amour (version for violin and piano)
11. Mozart – Horn Concerto No.3 – II. Romance – Larghetto
12. Mozart – Fragment in D major
13. Dvorak – Cello Concerto – Adagio ma non troppo
14. Liszt – Un sospiro (Trois ???tudes de concert)
15. Rimsky-Korsakov – Sheherazade – The Young Prince and the Young Princess
16. Tchaikovsky – The Nutcracker – Pas de deux: Intrada
Apologies for the inherent cheesiness of such a compliation – some obvious choices here, and a few that, for various reasons, have romantic associations for me ๐
:love: :swoon: :love:
This compilation is amazing! Even though I was looking for music more passionate, more furiously romantic, your selections are sometimes truly exceptional. Here are some of my favorites:
"Piano Concerto No.5 ‘Emperor’ – Adagio un poco mosso" is one of my favorite "tender" classical pieces since years. It has a special emotional value to me because I consider it as incredibly inspired. It’s a wonderful choice indeed.
"A Midsummer Night’s Dream – Nocturne" features a truly gorgeous melody, very relaxing and noble at the same time. Superb.
A very special mention for "Nocturnes pour l’orchestre – III. Sirenes", it’s just one of the most beautiful classical piece I’ve heard, thanks to you! Haunting, mysterious, otherworldly, and spellbinding, it fascinates you at very high level. Sometimes it reminds me of Horner (ethereal choirs) and sometimes of Alien and Poltergeist for some reason (maybe the revolving horns motif in the BG, among other aspects). I’d appreciate A LOT the posting of the full Nocturnes, if you could, thanks.
"Un sospiro (Trois ???tudes de concert)": as often with Liszt, we reach a rare level of sublimity. I usually don’t listen much to piano solos (sounds too "hollow" to me – I need the rich and full sound of an orchestra), but this piece, due to the incredible richness of the waving layers of notes, is extremely enjoyable.
Sure! They are among my favourite pieces (only three sadly). You’ve got a good point about Horner/Goldsmith – Horner’s earlier scores and Goldsmith’s in the 80s very often bear the influence of composers like Debussy and Ravel. Secret of Nimh has some gorgeous ethereal moments with the choir too, as does Legend (this is one score where I just wish Jerry had ditched the synths). You’re very astute in pointing to Alien and Poltergeist – both of these, particularly the former, have a lot of ‘whole tone’ stuff going on, as does Debussy. See http://en.wikipedia.org/wiki/Whole_tone_scale
I usually don’t listen much to piano solos (sounds too "hollow" to me – I need the rich and full sound of an orchestra), but this piece, due to the incredible richness of the waving layers of notes, is extremely enjoyable.
:puppydog: I’m shocked! To my mind the piano is one of the richest and most expressive instruments of all. [though of course, it can’t, on its own, compare to the meta-instrument of the orchestra in power and range, but what can?] Its essentially percussive nature (wires hit with hammers) means it can be as violent and abrasive as you like, but also it can be incredibly lyrical and flowing – I guess this is why, for me, its such an ideal instrument for Beethoven, who moves from masculine bravura and tumult to the most fragile kind of pathos. I know what you mean about hollowness sometimes being a problem – particularly perhaps in fairly simple use anime/game scores? But if you like Un Sospiro there are many others that you’d love. Perhaps at some point I’ll post a compilation.
Yes, I mostly listened to piano solos in anime / movies, and they can be quite simple in that context. But I agree on the fact that the piano is one of the richest sounding instruments (with which intrument a player can make dozens of notes playing at the same time? – including dying notes). But what I meant is that I need the multi-textural quality of an orchestra: many different timbres mixed together.
Have you tried Mahler? The last movement of his 3rd Symphony is incredible, but almost beyond passion, a force of nature. Or indeed, the Wagner I posted above. The only word for the Liebestod is ‘orgasmic’!!
I’m thinking of putting up Berlioz ‘Symphonie Fantastique’ soon. It’s basically about passionate love – but also disillusionment, humiliation and death – like so much great art ๐ It has some astoundingly imaginative orchestrations.
Hey, it’s not aversion! Just something I like less than other forms of music. But I’ll certainly try one of your CDs. Any suggestion about which one? Clue: I prefer upbeat and lively pieces, I tend to avoid slow / sad music.
Well considering they aren’t tagged properly and I can’t find the right tags I hardly pay attention to which CD I am listening to at any given moment. Although the pieces tend to be a little on the slow side I wouldn’t consider it sad, only relaxing.
Thanks!
How would you like them? Is mp3 ok? Will prob start with the Oxford Symph (Jacobs).. ๐
bobbyboulders and arthurgolden: Some Arvo Part coming up.
I VERY MUCH WOULD LIKE TO CHECK THIS OUT.
THANKS!
In FLAC:
http://rapidshare.com/files/188436420/BrianTheGothic.part1.rar
http://rapidshare.com/files/188456300/BrianTheGothic.part2.rar
http://rapidshare.com/files/188454051/BrianTheGothic.part3.rar
http://rapidshare.com/files/188567816/BrianTheGothic.part4.rar
http://rapidshare.com/files/188573764/BrianTheGothic.part5.rar
http://rapidshare.com/files/20493220/Arthur_Rubinstein_-_Chopin_The_Nocturnes__1965___mp3-320_-CD1.part1.rar
http://rapidshare.com/files/20481684/Arthur_Rubinstein_-_Chopin_The_Nocturnes__1965___mp3-320_-CD1.part2.rar
http://rapidshare.com/files/20504691/Arthur_Rubinstein_-_Chopin_The_Nocturnes__1965___mp3-320_-CD2.part1.rar
http://rapidshare.com/files/20509025/Arthur_Rubinstein_-_Chopin_The_Nocturnes__1965___mp3-320_-CD2.part2.rar

CLAUDE DEBUSSY – NOCTUNRES
(Bernard Haitink and the Royal Concertgebouw Orchestra)
http://rapidshare.com/files/240389133/Debussy_Nocturnes.rar

ARVO PART – FRATRES
MP3-320 / 174MB
http://rapidshare.com/files/240490509/Arvo_Part_Fratres.rar
1. Fratres for violin and piano
2. Cantus in memorium Benjamin Britten
3. Summa for choir
4. Summa for string orchestra
5. The Beatitudes
6. Spiegel im Spiegel
7. Festina lente
8. Tabula rasa – Ludus (with movement)
9. Tabula Rasa – Silentium (without movement)
Gramophone:
Fratres comes bounding in on a breathless, arpeggiated violin crescendo that stops suddenly in mid-air, revealing—in its immediate aftermath, and beyond a masterful piano chord—music that is both harmonically powerful and profoundly peaceful. Tasmin Little is as adept at realizing the score’s ecstatic sense of ritual as either Gidon Kremer (on ECM) or Maria Bachmann (Catalyst), although Kremer’s febrile, attenuated tone particularly suits the music’s rarefied atmosphere. Yet Little’s zealous projection of the more passionate aspects of Fratres is no less convincing, while her skill in sustaining Spiegel im Spiegel (where the solo line seems more prayer than song) underlines Part’s telling use of the ‘home’ note, A. It is here especially that Part expresses the idea of ‘return’, with the violin line constantly oscillating either side of a soothing tonal mean, set to a simple piano accompaniment.
The Cantus in memory of Benjamin Britten and Festina lente are two sublime inhabitants of the one world, both of which operate at three simultaneous speeds: the one, a weeping veil of cascading A minor scales, the other a simple shared melody where individual strands entwine around each other. The Cantus is prompted by a distantly chiming bell, then falls across the ear like a tonal shroud, gradually gaining in intensity before settling, at length, on a single chord. Summa, on the other hand, is a sonorous and largely effective transcription of Part’s Creed for four voices, although I still retain a preference for the more cleanly delineated original. Lastly, there is Tabula Rasa, ”the most extended of the composer’s purely instrumental works to date”, to quote annotator Philip Borg-Wheeler, and certainly one of Part’s most striking creations—especially the second movement ”Silentium”, where the presiding chimes of a prepared piano set the atmosphere, and the whole gradually descends to a static duet for cello and bass. It’s the perfect ”Stressbuster” (to quote the title of a recent compilation album), although the first movement (”Ludus”) is one of Part’s most consistently motoric creations.
EMI Eminence’s admirable programme was taped in Abbey Church, Milton Abbey School, at Blandford Forum in Dorset, and Part’s bell-like creations are allowed to resonate freely within the church’s generous acoustic. The sum effect is one of immediate spirituality, and although Gidon Kremer’s ECM recordings have a moving (and appropriate) sense of the ethereal, Studt and Little convey a feeling of presence, of excited discovery that will surely win this fine composer many new friends.
————————————————————————–
ARVO PART – A TRIBUTE
APE / 254MB / Password: Sankerib
http://rapidshare.com/files/48043031/APATHM.part1.rar
http://rapidshare.com/files/48106307/APATHM.part2.rar
http://rapidshare.com/files/48110667/APATHM.part3.rar
1. Dopo La Vittoria
2. The Woman With The Alabaster Box
3. Kyrie
4. Gloria
5. First Alleluia Verse
6. Second Alleluia Verse
7. Veni Sancte Spiritus
8. Credo
9. Sanctus
10. Agnus Dei
11. Solfeggio
12. Magnificat
13. Bogoroditse Djevo
14. I Am The True Vine
15. Which Was The Son Of…
classicstoday:
Anyone who has followed choral music during the past 30 years–and especially the last couple of decades–knows at least some of the works of Estonian composer Arvo P???rt. This compilation features a fair selection of his more recent (primarily a cappella) pieces from the 1990s–but if you already own the earlier recordings from which these are drawn, you’ll find a nice bonus here: the newly recorded Dopo la vittoria (Following the victory). This substantial (11-minute) "picola cantata", premiered in 1997, tells of St. Ambrose and his famous hymn Te Deum. No doubt this lively (some parts sound like folk-dance) and dramatically varied work–another masterpiece of text-explication and expressive use of vocal color and texture–will gain many performances and enthusiastic audiences, joining P???rt favorites such as Bogoroditse Djevo, Magnificat, and the Berliner Messe.
Although it’s these latter two works that perhaps are most closely identified with P???rt’s unique "tintinnabuli" style–the endlessly resonating triads and undulating, register-shifting consonances and dissonances–The woman with the alabaster box and I am the true vine may be his most purely, fundamentally beautiful compositions, melodically, harmonically, and from the standpoint of choral sound and texture. Whatever your preference, this is important and profoundly moving music in which almost anyone can find meaning, even spiritual resonance. The performances are uniformly excellent, even essential, and the recordings couldn’t be better. This tribute to P???rt on his 70th birthday is an absolute joy.
ARVO PART – A TRIBUTE
APE / 254MB / Password: Sankerib
and
TRISTAN AND ISOLDE
Prelude and Transfiguration
http://rapidshare.com/files/23929495…tan_Isolde.rar
FLAC / 70MB / 18:20
In…. >< MP3? ^^;
Thanks
JOSEPH HAYDN – SYMPHONIES 91 & 92 "OXFORD"
MP3-320 / 159MB
http://rapidshare.com/files/240533223/Haydn_Symphonies_Nos._91___92.rar
Symphony No.91 in E-flat major
1. I. Largo-Allegro assai
2. II. Andante
3. III. Menuet (Un poco allegretto)
4. IV. Finale (Vivace)
5. Scena di Berenice (Bernarda Fink, mezzo-soprano)
Symphony No. 92 in G major "Oxford"
6. I. Adagio-Allegro spiritoso
7. II. Adagio
8. III. Menuet (Allegretto)
9. IV. Finale (Presto)
classicstoday:
Ren??? Jacobs turned in a sensational recording of Haydn’s The Seasons for Harmonia Mundi last year, and now he’s back with what I hope will mark the beginning of many forays into this composer’s inexhaustibly entertaining output. I loved this disc. Symphony No. 91 never gets played, but it’s a wonderful piece nonetheless, a svelte and sophisticated romp with a particularly wonderful variation second movement that becomes steadily more eccentric as it progresses, particularly in this performance. Jacobs and his crew then go absolutely crazy in the "Oxford" Symphony, particularly its finale, taken faster than even the excellent Freiburgers can comfortably play it, and if some of the rhythmic definition and textural clarity fall by the wayside, well, who cares? Haydn’s wig would have hit the floor if he could have heard it, that’s for sure.
In between the two symphonies, Jacobs and the superb Bernarda Fink give us the fabulous and far too little known (especially in its version for full orchestra) Scena di Berenice, a concert aria worthy to rank with Mozart’s best, and the piece on which Beethoven modeled his own far less interesting Ah, perfido! Containing two dramatic recitatives followed by two moving arias, it runs the gamut of primarily sorrowful emotions and Fink simply nails it (the ending will make your hair stand on end), enhanced immeasurably by Jacobs’ incisive leadership. All of these pieces were either written for or played at Haydn’s London concerts, and this stunningly recorded disc is probably the closest you’ll ever get to a front-row balcony seat in the Hanover Square Rooms more than two centuries ago. There’s just got to be more where this came from. Please? 10/10
Do give the "Oxford" a listen. It’s a stunning symphony. The slow introduction begins like a misty morning among the dreaming spires, and then the allegro kicks in with all the bustle and bluster you’d expect on High St – stressed academics and overeager tourists elbowing each other out of the way perhaps… [hehe – in actual fact the piece isn’t related to the city more than incidentally – performed at the ceremony when Haydn received his honorary doctorate from the uni, but was premiered in Paris] This is a *very* spirited period instrument performance but one of my favourite little details is the pianoforte ‘continuo’ that you hear giving cheeky little reflections every so often. The Finale is one of those infectious campy tunes that Haydn loves so much, and it gets whipped up into a storm here. Listen to the strings at 4:19 and 6:40 in the rapid approach to the coda – they sound like they are catching their breath from all the excitement!! ๐
ARVO PART – A TRIBUTE
APE / 254MB / Password: Sankerib
and
TRISTAN AND ISOLDE
Prelude and Transfiguration
http://rapidshare.com/files/23929495…tan_Isolde.rar
FLAC / 70MB / 18:20
In…. >< MP3? ^^;
Thanks
I could, but it would probably be quicker for you to just download them yourself and convert to mp3. My connection is rather slow when it comes to uploading. Do you not have the means to play flac and ape files?? Let me know – I can’t have anyone going without Tristan and Isolde!! ๐
Oh, ^^ hahaa, well… It’s not that at all…
You see, i have unlimited broadband, which means i can DL an unlimited amount of FILES ??????, not unlimited DATA, so… 9999 files of 1kb size is fine… but i can’t DL more than 30gig a month T_T and i DL a lottttt of music from here, and i’m in a family house, so i’m given 12gig a month of DL -_- so, 12/30… 400meg a day i can DL… how sad is that…
So i have things in MP3, coz i simply can’t afford to be downloading lossless, the filesize’n’all… u have no idea how much i wish i didn’t have this "Fair usage policy" ?????? ughh…
Thanks ><
———————————–
I just stumbled upon some amazing piano music *-*
Whilst playing a little flash game called "Music Catcher"
This is the genius behind the music
Isaac Shepard enjoys composing music across diverse genres, including classical, jazz, pop, rock, techno, electronica, and trance. He is probably best known for “Before Dawn”, a soothing track on his 2005 solo piano album, “Swept Away”. In 2008, Isaac released “Deep Joy”, his second solo piano album. Isaac’s music and orchestrations can also be found in several casual games, including “Airport Mania: First Flight” and “Build in Time.”
Here’s both solo piano albums, best quality i could find ><
100kbps ish on "Deep Joy" ._. but it sounds lovely ;D
If anyone can find better quality, lemme know anyway…
DEEP JOY:
http://rapidshare.com/files/228094718/CANCER_–_Isaac_Shepard.rar
SWEPT AWAY:
http://www.megaupload.com/?d=5S2045RU
Password: auf.taringa
Hope i’ve done this right -_- my first time doing anything like this…
ahhh, pressure ><‘
http://forums.ffshrine.org/showpost.php?p=1216768&postcount=284
The links may still work, if not I can upload again. Great tannhauser recording for sure.
I’m now uploading this album for you.
http://www.amazon.com/gp/product/B00150VWX8/ref=mu_dm_alb_dp
http://forums.ffshrine.org/showpost.php?p=1216768&postcount=284
I second this recommendation – a really lush account of the opera! You can’t go wrong with Barenboim in Wagner.
Also did you see I posted some music from Tristan and Isolde on the prevous page? One of his most inspired creations.
Sanico, I look forward to giving that selection a listen. The Ring has a special resonance for me. I first heard the Prelude to Das Rheingold at the age of 8, in awe that a human being could’ve composed something so sublime. The music felt completely beyond me and still does. It’s hard to say what so special about Wagner (particularly in his late operas – Lohengrin, Tristan, The Ring, Parsifal), to put it into words, or even to directly understand its effect.. he creates a feeling of another world, a magical feeling, that’s so complete unto itself, so comforting and terrifying.. not many ‘dramatic’ composers come close for me. I have the complete Ring cycle conducted by Solti (superb) and a cd of highlights from Bohm’s set (good for the singers, terrible for the orchestra).
I’m so glad to see the contributions here! Belioz and more Haydn coming soon ๐

The Ring Without Words
Composed by Richard Wagner & conducted by Lorin Maazel with the Berlin Philharmonic Orchestra.
1. Das Rheingold: Thus, We Begin In The "Greenish Twilight" Of The Rhine
2. Das Rheingold: Float Up To The Home Of The Gods, (Entrance Of The Gods Into Valhalla)
3. Das Rheingold: Fall Amongst Hammering Dwarfs "Smithying" Away
4. Das Rheingold: Ride Donner’s Thunderbolt, Crawl With The Thirst-Crazed Siegmund To The Haven (Temporary) Of Sieglinde’s Hearth And Solace
5. Die Walk???re: From Act I: In The Sound Code, We "See" His Loving Gaze
6. Die Walk???re: From Act I: Their Flight
7. Die Walk???re: From Act II: Wotan’s Rage
8. Die Walk???re: From Act III: The Cavalcade Of Brunnhilde’s Sisters (Ride Of The Valkyries)
9. Die Walk???re: From Act III: Wotan’s Farewell To His Favorite Daughter (Wotan’s Farewell And Magic Fire Music)
10. Siegfried: From Act I: Mime’s Fright
11. Siegfried: From Act I: Siegfried’s Forging Of The Magic Sword
12. Siegfried: From Act I: His Wanderings Through The Forest
13. Siegfried: From Act II: His Slaying Of The Dragon
14. Siegfried: From Act II: The Dragon’s Lament
15. Die G???tterd???mmerung: From Act I: Day Breaking ‘Round Siegfried’s And Brunnhilde’s Passion
16. Die G???tterd???mmerung: From Act I: Siegfried’s Rhine Journey, (Dawn And Siegfried’s Rhine Journey)
17. Die G???tterd???mmerung: From Act II: Hagen’s Call To His Clan
18. Die G???tterd???mmerung: From Act II: Siegfried And The Rhinemaidens
19. Die G???tterd???mmerung: From Act III: His Death And The Funeral Music, (Siegfried’s Death And Funeral Music)
20. Die G???tterd???mmerung: From Act III: Immolation (Immolation Scene)
Link (http://rapidshare.com/files/241320300/The_Ring_Without_Words.zip)
I’m so glad to see the contributions here! Belioz and more Haydn coming soon ๐
I have that Solti recording too, in digital format, but i have never listened to it entirely.
The orchestral parts are fantastic, but when those tenors start chanting i need to move on for to the next orchestra part, because i don’t undertand a single word in German. I suppose to fully understand an Opera you must watch and listen to it live within the context of the story, and that’s not what you can get in front of your computer or hifi stereo equipment.
That’s a reason i don’t have a complete Ring Cycle on CD, and this Georg Solti set is way to expensive for me to buy.
Wasn’t the Solti considered by the classical music scholars "the pinnacle of all the 20th century music recordings" and the definitive perfomance of the Ring cycle on CD, or something like that?
Solti’s Ring cycle is generally considered the best all-rounder: the orchestra, singers, and recorded sound are all good; there is even the odd stage effect to add a sense of theatre (though it was recorded in the studio, hence the clearer sound). But it doesn’t have everything perfect. No one recording can do justice to such a mammoth work of art.
In truth, I’ve only listened to the whole thing once, and I rarely go through the rest of my Wagner recordings. In the theatre though they transport you to another place, and are more moving than words can describe – Parsifal (his last) in particular knocked me out on just about every level possible!! ๐
CLAUDE DEBUSSY – NOCTUNRES
(Bernard Haitink and the Royal Concertgebouw Orchestra)
http://rapidshare.com/files/240389133/Debussy_Nocturnes.rar
Thanks also for the Nocturnes (and not NOCTUNRES ;)). Your romantic piece was exceptional, so let’s hope the others are at the same level.
Sanico: Excellent! The full Ring cycle is way too big to listen to for me, but I’m interested a lot in these orchestral selections. The music of Wagner has something profoundly grandiose, majestic and almost transcendent I appreciate immensely.
I have some more Janacek coming up in a day or so – an absolutely STONKING live recording of the Glagolitic Mass. Stand by. ๐
Prelude and Transfiguration
http://rapidshare.com/files/241992611/Tristan_and_Isolde.rar
MP3-320 / 40MB / 18:20
Mp3 added as requested.
Now moving beyond Wagner, what do you guys suggest to a newcomer to the world of Classical Music?
Thanks ;D
-A.
Please.
…one of the last great symphonists. Though not as long as Mahler’s or Shostakovich’s, Hanson’s seven symphonies are each spectacularly thematic, powerful, beautiful, and an orchestrator’s dream. If you love film music, especially the film music of John Williams, you will most certainly like this guy’s work. Start off with Symphonies 1 and 2, you won’t regret it. Look for the awesome parts for timpani and piccolo, as well as the stunning brass fanfares and chorales. For those familiar with Hanson’s work, it is no secret that this guy was one of Williams’s biggest inspirations.
Disc 1 – http://rapidshare.com/files/244271872/hanson1.rar
Symphony No. 1 "Nordic"
Elegy in Memory of Serge Koussevitsky
Symphony No. 2 "Romantic" (final movement remind you of anything?)
Disc 2 – http://rapidshare.com/files/244314962/hanson2.rar
Symphony No. 3
Fantasy Variations on a Theme of Youth
Symphony No. 6 (the final movement of this one is to be played at max volume)
Disc 3 – http://rapidshare.com/files/244362261/hanson3.rar
Symphony No. 4 "Requiem"
Serenade for Flute, Harp and Strings
Lament for Beowulf
Pastorale for Oboe, Harp and Strings
Suite from Merry Mount (Hanson’s opera)
Disc 4 – http://rapidshare.com/files/244341687/hanson4.rar
Mosaics
Piano Concerto in G major
Symphony No. 5
Symphony No. 7 "Sea Symphony" (for orchestra and chorus)
I ripped and compressed these mp3s myself on my girlfriend’s mac so let me know if there are any sound artifacts or other errors and I’ll redo them.
Thanks for posting, more comments after listening.
-A.
Sorry – I know some people have been waiting for this. It’s coming – I promise. It’ll be worth the wait. ๐
Did you DL that 15CD set from a torrent?
This one xD
————-
Fryderyk Chopin
Chopin- Complete Piano Music- by Idil Biret (15 CD Box Set)
Disc 01
01 – Ballade No.1 – Op.23 – in Gm.mp3
02 – Ballade No.2 – Op.22 – in F.mp3
03 – Ballade No.3 – Op.47 – in Ab.mp3
04 – Ballade No.4 – Op.52 – in Fm.mp3
05 – Berceuse – Op.57 – in Db.mp3
06 – Trois Nouvelles ???tudes No.1 – Op.S2 No.3a – in Fm.mp3
07 – Trois Nouvelles ???tudes No.2 – Op.S2 No.3b – in Ab.mp3
08 – Trois Nouvelles ???tudes No.3 – Op.S2 No.3c – in Db.mp3
09 – Fantaisie – Op.49 – in Fm.mp3
10 – Galop Marquis – Op.P2 No.13 – in Ab.mp3
11 – Largo (Klavierst???ck) – Op.P2 No.5 – in Eb (BI 109).mp3
12 – Marche fun???bre – Op.posth.72 No.2 – in Cm.mp3
13 – Cantabile – Op.P2 No.6 – in Bb (BI 84).mp3
———————–
1.42 GiB…
Just wanna make sure, coz if it is, then i already have it x]
I would love a link to this torrent. Need to get some piano music onto my HD.
Well i posted that full 15 cd thing a few pgs back if you look for Chopin.
Yes I am a lazy bastard. Sue me.
Yes I am a lazy bastard. Sue me.
Ah then
http://isohunt.com/torrent_details/90844181/chopin+idil+biret?tab=summary :3
I am new here and I was delighted to discover this thread. After reading through a few pages of posts, I’ve become tired. Now, I don’t know if you’ve previously posted/discussed/etc. about this, but I’ll ask any way:
Do you have any recordings of the Complete Ballet to Prokofiev’s "Romeo and Juliet"?
I’ll take anything you have. I recently acquired the FULL score to this, and would naturally like some audio accompaniment. I have the suites, but that won’t cut it for obvious reasons.
Hope you can help me out and I look forward to spending many happy hours here in the future!
Thank you!:)
I am new here and I was delighted to discover this thread. After reading through a few pages of posts, I’ve become tired. Now, I don’t know if you’ve previously posted/discussed/etc. about this, but I’ll ask any way:
Do you have any recordings of the Complete Ballet to Prokofiev’s "Romeo and Juliet"?
I’ll take anything you have. I recently acquired the FULL score to this, and would naturally like some audio accompaniment. I have the suites, but that won’t cut it for obvious reasons.
Hope you can help me out and I look forward to spending many happy hours here in the future!
Thank you!:)
The complete ballet conducted by Seiji Ozawa with the Boston Symphony Orchestra:
http://rapidshare.com/files/185404871/Prokofiev_-_Romeo___juliet_mp3.part1.rar
http://rapidshare.com/files/185431280/Prokofiev_-_Romeo___juliet_mp3.part2.rar
http://rapidshare.com/files/185458259/Prokofiev_-_Romeo___juliet_mp3.part3.rar
http://rapidshare.com/files/185461151/Prokofiev_-_Romeo___juliet_mp3.part4.rar
http://www.screenarchives.com/gifs/large/10963.gif
CINEMA SYMPHONY
Composed by: Andrew Pearce
The symphony was composed in the style of cinema scores, I was informed.
Quite intriguing…
Please.
No one? ๐

UNSUK CHIN – VIOLIN CONCERTO
BBC Philharmonic conducted by James MacMillan
Hae-Sun Kung, Violin
MP3-V0 / 40MB / 24:40
http://rapidshare.com/files/246348864/Unsuk_Chin_-_Violin_Concerto.mp3
"My music is a reflection of my dreams. I try to render into music the visions of immense light and of an incredible magnificence of colours that I see in all my dreams, a play of light and colours floating through the room and at the same time forming a fluid sound sculpture. Its beauty is very abstract and remote, but it is for these very qualities that it addresses the emotions and can communicate joy and warmth."
This is a stunning, imaginaive piece by contemporary Korean composer Usuk Chin. See what you think ๐
From the Boosey & Hawkes website:
The Violin Concerto is cast in four movements, resembling the classical sequence of extended first movement, slow movement, scherzo and finale, but also weaves in cyclical material, recast and reinterpreted to bind the concerto into an impressive 27-minute span. If the structure is readily familiar, there is nothing conventional about the music itself, which revels in Chin’s fantasy-filled orchestral soundworld with its percussion-rich colourings and chamber-like clarity. The ear is constantly beguiled, then surprised by Chin’s keen aural imagination, while the concerto also employs a greater degree of drama and conflict than in many of her other works.
Chin’s music possesses something very rare: an attractive sound that proves accessible to a large audience without fawning. The gentle, seemingly directionless suspension of time that marks much of Chin’s music also leads to fractures and abruptness; however detailed and preciously polished in appearance, the sounds are not of unvarying smoothness. Moments of hard, elemental emotion flare up from this malleable medium and constitute the propulsive source of this music.
"Chin’s Violin Concerto lets the solo instrument sing by playfully employing open strings and their overtones in all conceivable combinations of harmonics in a way that is as harmonically simple as it is rhythmically complex. The orchestration is large-scale… however one of the piece’s strengths is that Chin does not aspire to constant orchestral occupation but consistently pursues the idea of fanning out and of transformation of the very basic sound whose essence is derived from the solo instrument… The violin part presents the soloist with an adventurous challenge with its frequent and speedily alternating harmonics as well as with the incredibly fast pizzicatos of the third movement."
Frankfurter Allgemeine Zeitung
Leoš Jan???ček
Glagolitic Mass
The BBC Symphony Orchestra and Chorus
The BBC Singers
Christine Brewer, soprano
Louise Winter, mezzo soprano
David Kuebler, tenor
Nikolai Putilin, bass
conducted by
Sir Andrew Davis
The reason it took so long is this: I spent a considerable time transferring and restoring the (EXCELLENT) quality sound from my VHS tape – and was all set to upload that some weeks back. Then I realised that the performance was visually electrifying as well as aurally – and so I set about restoring the video as well. The end result speaks for itself.
It’s on Youtube – but don’t panic. The sound and picture are both excellent. I have spent quite some time on making it so.
I have more comments coming up later, but for now – enjoy.
I have arranged the whole piece into a continuous Youtube playlist:
Your a quintessential lifesaver.
http://rapidshare.com/files/188436420/BrianTheGothic.part1.rar
http://rapidshare.com/files/188456300/BrianTheGothic.part2.rar
http://rapidshare.com/files/188454051/BrianTheGothic.part3.rar
http://rapidshare.com/files/188567816/BrianTheGothic.part4.rar
http://rapidshare.com/files/188573764/BrianTheGothic.part5.rar
I JUST SAW THIS TODAY! THANKYOU!
AND IN FLAC!
ONCE YOU GO FLAC YOU DON’T GO BACK.
Leo??? Jan???ček
Glagolitic Mass
The BBC Symphony Orchestra and Chorus
The BBC Singers
Christine Brewer, soprano
Louise Winter, mezzo soprano
David Kuebler, tenor
Nikolai Putilin, bass
conducted by
Sir Andrew Davis
The reason it took so long is this: I spent a considerable time transferring and restoring the (EXCELLENT) quality sound from my VHS tape – and was all set to upload that some weeks back. Then I realised that the performance was visually electrifying as well as aurally – and so I set about restoring the video as well. The end result speaks for itself.
It’s on Youtube – but don’t panic. The sound and picture are both excellent. I have spent quite some time on making it so.
I have more comments coming up later, but for now – enjoy.
I have arranged the whole piece into a continuous Youtube playlist:
http://www.youtube.com/view_play_list?p=54FF0CF594AE4B53
Mr French, what am I going to have to do to get this in mp3? Rip it from .flv myself? I dare hope it won’t have to come to that! ๐
I went FLAC, and went back to MP3 instantly…
So…. Ha ;D
So…. Ha ;D
Same here. FLAC is overrated.
In fact, I can hear no difference between FLAC and MP3.
Glagolitic Mass
Many thanks!! I ADORE this piece! Wasn’t into Janacek at the time of this performance, so wasn’t aware of its greatness. In fact, Janacek is a fairly recent occurrence on my radar (heard Jenufa back in about 2002 but it didn’t wow me, still being enamoured of Wagner).
Mr French, what am I going to have to do to get this in mp3? Rip it from .flv myself? I dare hope it won’t have to come to that! ๐
This was obviously a labour of love of dannyfrench’s part! There are more polite ways to ask…
Sheesh, some people are never satisfied.
AND IN FLAC!
ONCE YOU GO FLAC YOU DON’T GO BACK.
๐
Thanks!
Don’t you go ripping the audio from the FLV… The Elders Of Digital Audio will never forgive you. The Youtube sound is very good, but compared to -V0 LAME encoded directly from the lossless source, well, there’s no contest. ๐
I just uploaded the video first because it’s a really exciting performance to watch as well as listen to – but obviously some people will want to burn CDs, listen in the car, etc.
Lens: Unsuk Chin’s Violin Concerto! I’m SO SORRY I threw in my Janacek right after your post and went banging on about how great it was; on reflection it sounded like I was saying "Never mind that crap, listen to THIS!!!" and that wasn’t intended.
The piece is absolutely stunning – it won’t be to everybody’s taste, but I’m absolutely loving it. Thank you. (As ever, more detailed comments later!)
Most appreciative Dan. That is some superb music there. ๐
The piece is absolutely stunning – it won’t be to everybody’s taste, but I’m absolutely loving it. Thank you. (As ever, more detailed comments later!)
Ha, no probs, I was thrilled with your post! Glad you like the Chin. Once you get past the harmonics obsessing of the first movemnt there’s some really beautiful stuff.
Can I ask what contemporary stuff you’re into? What do you think of George Benjamin? I find the ultra virtuosity of a lot of modern music can lead to a sort of chaos of great technique and devolve into purposeless ‘soundscapes’. But when its done well it can be thrilling (.. this is obviously highly subjective anyway). Would be interested to know your thoughts and if you have any recommendations.
HARDCORE BALLET
Thanks to streichorchester
http://www.megaupload.com/?d=G00UA1SB
streichorchester’s notes:
Bartok – The Miraculous Mandarin: It’s not an easy listen – no standout themes or tonal center. It kind of bridges the gap between Bartok’s colourful folk-like compositions and his forays into the avant-garde.
Bartok – The Wooden Prince: Ah yes, much more thematically connected and down to earth. It’s very reminiscent of Prokofievian ballet music or symphonies, which is why Horner used a bit of it in The Land Before Time.
Borodin – Prince Igor: Folk dances and choirs and beautiful chomaticism in the themes. It’s full of popular tunes, but lots of people don’t actually realize they came from an opera written by a chemist in his spare time. The Polovetsian Dances make up the most spectacular segment of this opera, and can easily be considered ballet music.
Copland – Rodeo: Speaking of popular tunes, everyone knows this one. Since Copland’s music is so schizophrenic it’s hard to find pieces that are through and through "action-oriented" so I went with the easy selection here you may remember from beef commercials. James Horner borrowed this sound for his score to An American Tail 2: Fievel Goes West.
Khachaturian – Gayane: pronounced "guy-nuh". The most famous part from this is the Sabre Dance, but everyone’s heard that a million times so I went with a more obscure selection. Also, you might recall Gayane’s Adagio was used in the movie 2001: A Space Odyssey, and subsequently Horner’s score to Aliens.
Khachaturian – Spartacus: Does Khachaturian’s genius know no bounds? He’s perhaps one of the most underrated composers if you look at his more unpopular works such as this two-hour ballet. While the Adagio of Spartacus and Phrygia is everyone’s favourite selection, for this I chose the Orgy at Crassus’s Villa which was used to great effect in the movie The Hudsucker Proxy along with the Adagio.
Khachaturian – The Valencian Widow: Another relatively unknown Khachaturian ballet that takes place during the Spanish Renaissance. It’s a comedy, so it carries that patented Khachaturian snare ostinato in full force.
Nielsen – Aladdin: The composer who will always be overshadowed by Sibelius was probably a better colourist than Sibelius as heard in his best work Aladdin. Yeah, he wrote six symphonies that people seem to like, but I can’t for the life of me remember how they go even though I own all six.
Prokofiev – Romeo and Juliet: Sergei Prokofiev, one of film scoring’s godfathers, was just as good at writing ballets, if not better. His Romeo and Juliet proved he was just as good as Tchaikovsky, and earned him a spot as the 20th century’s foremost ballet composer (along with Stravinsky.) James Horner steals quite a bit from this work, as heard in the selection here which can be found in the Stealing the Enterprise cue from Star Trek III: The Search for Spock.
Prokofiev – Scythian Suite: After hearing Stravinsky’s revolutionary The Rite of Spring, Prokofiev set out to do one better by writing a ballet called Ala and Lolli. He failed miserably (or so he thought) and the result is this colourful tale. James Horner used this in Battle Beyond the Stars.
Ravel – Daphnis et Chloe: When I first heard this I was in awe of its majestic grandeur and colourful orchestrations, not to mention it was a ballet accompanied by full chorus. The themes and harmonies during the openings of both acts really stuck with me, but here I present the exciting finale as per the action-oriented nature of my selections. There are also portions of this ballet ripped off by Joel McNeely for his Shadows of the Empire faux-soundtrack.
Shostakovich – The Golden Age: Here’s a Russian composer who is actually NOT known for his ballet music, though he tried. For the most part they just seemed like extensions of his symphonies and film music, and don’t carry the thematic inventiveness or pleasant listening experience of his Jazz Suites. This is only here because I’d hate to leave Shostakovich out. Go listen to his Jazz Suites and symphonies.
Stravinsky – The Firebird: Stravinsky is mostly known for his three big ballets: The Rite of Spring, Petrouchka, and The Firebird. Of the three, The Firebird is the most "listenable" in suite form since the melodies are simple, the harmonies are simple, and the result is good ol’ fashioned Tchaikovskian tradition. The more flowery sections seemed to have inspired John Williams for his score to Hook, but here I’ve selected the Infernal Dance heard in Fantasia 2000.
Stravinsky – The Rite of Spring: I couldn’t have made this collection of kick-ass ballet music and not included some selections from The Rite of Spring. Yeah, we all know the trivia: riots broke out at the premiere, John Williams borrows heavily from this, it scored the dinosaurs in Fantasia, etc. But did you know that Trevor Jones took a melody from this for his You Have the Power cue from Dark City? The more you know…
Vaughan Williams – Job: Vaughan Williams is a great composer who can write some of the most beautiful pastoral music you’ve ever heard, but he has a dark side that can be seen in his symphonies nos 4 and 6, and this ballet. His symphonic scherzos are often reminiscent of the kind his BFF Holst wrote, but this is just weird. Cool, but weird.
William Walton – The Quest: I think somewhere along the way Joel McNeely thought to himself "Gee, this ballet sounds a lot like Star Wars, so why don’t I rip it off for Shadows of the Empire? No one will notice because who’s ever heard of The Quest?" If you like Shadows of the Empire you will probably like The Quest, but if you LOVE Shadows of the Empire you’ll hate The Quest for reminding you that Shadows is just a rip off of this. The selection here actually isn’t any of the portions you hear in Shadows, but it’s still awesome.
-A.
And you can’t do without Vaughan Williams’ Job!! In fact I might post the whole thing when I get the chance.
I was lucky enough to attend an INCREDIBLE performance of this conducted by that great exponent of English music, Vernon Handley, shortly before his death. I know it doesn’t get much attention but it’s really an amazing piece.
…one of the last great symphonists. Though not as long as Mahler’s or Shostakovich’s, Hanson’s seven symphonies are each spectacularly thematic, powerful, beautiful, and an orchestrator’s dream. If you love film music, especially the film music of John Williams, you will most certainly like this guy’s work. Start off with Symphonies 1 and 2, you won’t regret it. Look for the awesome parts for timpani and piccolo, as well as the stunning brass fanfares and chorales. For those familiar with Hanson’s work, it is no secret that this guy was one of Williams’s biggest inspirations.
Disc 1 – http://rapidshare.com/files/244271872/hanson1.rar
Symphony No. 1 "Nordic"
Elegy in Memory of Serge Koussevitsky
Symphony No. 2 "Romantic" (final movement remind you of anything?)
Disc 2 – http://rapidshare.com/files/244314962/hanson2.rar
Symphony No. 3
Fantasy Variations on a Theme of Youth
Symphony No. 6 (the final movement of this one is to be played at max volume)
Disc 3 – http://rapidshare.com/files/244362261/hanson3.rar
Symphony No. 4 "Requiem"
Serenade for Flute, Harp and Strings
Lament for Beowulf
Pastorale for Oboe, Harp and Strings
Suite from Merry Mount (Hanson’s opera)
Disc 4 – http://rapidshare.com/files/244341687/hanson4.rar
Mosaics
Piano Concerto in G major
Symphony No. 5
Symphony No. 7 "Sea Symphony" (for orchestra and chorus)
I ripped and compressed these mp3s myself on my girlfriend’s mac so let me know if there are any sound artifacts or other errors and I’ll redo them.
Ahem… I just started listening to these, and a) it’s gorgeous – consider me as a new Hanson fan :), b) the Williams similarities are quite obvious, no doubt about that. I thank you for posting these masterpieces.
BUT, I’m very disappointed in fact with the quality! This is music of the highest order, the compositions are remarkable and the orchestrations are masterful, so why 128 kbps??? I can actually hear the typical flaws of low quality mp3 encoding when I listen to these symphonies, and it really spoils a good part of the experience.
So, as you proposed me a favor in exchange of the reup of the HARDCORE BALLET, I’d like to request the reposting of these symphonies in HQ mp3, preferably Lame V-0 or 320k (there’s a quick guide here (http://forums.ffshrine.org/showpost.php?p=1271688&postcount=2554)).
Thanks in advance. ๐
Symphonies No. 1 & 2
http://rapidshare.com/files/217402820/H12.part1.rar
http://rapidshare.com/files/217393218/H12.part2.rar
http://rapidshare.com/files/217412508/H12.part3.rar
Symphony No. 3
http://rapidshare.com/files/217427223/H36.part1.rar
http://rapidshare.com/files/217425992/H36.part2.rar
http://rapidshare.com/files/217437321/H36.part3.rar
Symphony No. 4
http://rapidshare.com/files/217394054/H4etc.part1.rar
http://rapidshare.com/files/217368062/H4etc.part2.rar
http://rapidshare.com/files/217388939/H4etc.part3.rar
Symphonies No. 5 & 7
http://rapidshare.com/files/217469190/H57.part1.rar
http://rapidshare.com/files/217449932/H57.part2.rar
http://rapidshare.com/files/217456327/H57.part3.rar
Other orchestral works
http://rapidshare.com/files/217468591/HVol.5.part1.rar
http://rapidshare.com/files/217486695/HVol.5.part2.rar
http://rapidshare.com/files/217482246/HVol.5.part3.rar
All passwords:#@n$0n
I was wondering…
…For everyone who sees this; I am new here. I don’t know if this is crossing some forbidden or inappropriate boundary. Any wrong doing or negativity is not intended! Best to all!
…Could you send me the links to the Complete Ballet of Prokofiev’s Romeo and Juliet, on megaupload.com? I have a membership there, so it is much easier. On an additional note, I’ve had trouble with rapidshare.com in the past. I would say that it’s something with my internet, but I don’t really know. The download just never seems to come out right or at all!
I would really appreciate it if you could help me out. If not, I understand, as well. ๐
I was wondering…
…For everyone who sees this; I am new here. I don’t know if this is crossing some forbidden or inappropriate boundary. Any wrong doing or negativity is not intended! Best to all!
…Could you send me the links to the Complete Ballet of Prokofiev’s Romeo and Juliet, on megaupload.com? I have a membership there, so it is much easier. On an additional note, I’ve had trouble with rapidshare.com in the past. I would say that it’s something with my internet, but I don’t really know. The download just never seems to come out right or at all!
I would really appreciate it if you could help me out. If not, I understand, as well. ๐
Sorry, but I’m not the one who uploaded those files, most of them I found on blogs and on melomaniacos. I’d gladly reupload them for you onto megaupload, alas… my internet connections is extremely slow it would literally take weeks to upload
Symphonies No. 1 & 2
http://rapidshare.com/files/217402820/H12.part1.rar
http://rapidshare.com/files/217393218/H12.part2.rar
http://rapidshare.com/files/217412508/H12.part3.rar
Symphony No. 3
http://rapidshare.com/files/217427223/H36.part1.rar
http://rapidshare.com/files/217425992/H36.part2.rar
http://rapidshare.com/files/217437321/H36.part3.rar
Symphony No. 4
http://rapidshare.com/files/217394054/H4etc.part1.rar
http://rapidshare.com/files/217368062/H4etc.part2.rar
http://rapidshare.com/files/217388939/H4etc.part3.rar
Symphonies No. 5 & 7
http://rapidshare.com/files/217469190/H57.part1.rar
http://rapidshare.com/files/217449932/H57.part2.rar
http://rapidshare.com/files/217456327/H57.part3.rar
Other orchestral works
http://rapidshare.com/files/217468591/HVol.5.part1.rar
http://rapidshare.com/files/217486695/HVol.5.part2.rar
http://rapidshare.com/files/217482246/HVol.5.part3.rar
All passwords:#@n$0n
One word: AWESOME.
Thx a lot!
Hector Berlioz
BERLIOZ – SYMPHONIE FANTASTIQUE
The Mahler Chamber Orchestra conducted by Mark Minkowski
320kbps / 5 tracks / 57:37
http://rapidshare.com/files/251997401/Berlioz_-_Symphonie_fantastique.rar
1. R???veries, passions (Largo – Allegro agitato e appassionato assai)
2. Un bal (Valse: Allegro non troppo)
3. Sc???ne aux champs (Adagio)
4. Marche au supplice (Allegretto non troppo)
5. Songe d’une nuit du Sabbat (Larghetto – Allegro)
OK, I’ve been meaning to post this for a while – a breathtakingly powerful live performance of Berlioz’s masterpiece – a symphony unlike any other. The following, in the words of the composer, is the imaginary scenario that brings the sequence of movements into being:
‘A young musician of morbid sensitivity and ardent imagination poisons himself with opium in a moment of despair caused by frustrated love. The dose of narcotic, while too weak to cause his death, plunges him into a heavy sleep accompanied by the strangest of visions, in which his experiences, feelings and memories are translated in his feverish brain into musical thoughts and images. His beloved becomes for him a melody… an id???e fixe…’
Here’s some very briefly typed notes:
‘Reveries and Passions’- theme of the beloved is alluded to in the slow introduction and stated fully at the beginning of the allegro (5:58) with an excitable, thrusting accompaniment. Contrasts of ecstatic emotion and melancholy – enthralled love, obsessive devotion. Gorgeous, peaceful coda after all that tumult (14:56).
‘A Ball’ – two harps and shivering strings introduce an elegant waltzified version of the id???e fixe. Almost out of control by the end of the movement, whiling around in delirium – god Herrmann must have loved this!
‘A Scene in the Country’ – two shepherd call to each other with their pipes. Reminiscent of Beethoven’s ‘Pastoral’ of course (even in the same key, F major) but much more of a feeling of distance and isolation. Very beautiful, slowly unfolding movement, very understated compared to the rest of the symphony, transparent orchestrations. Timpani rolls toward the end suggest the impending nightmare world of the last two movements.
‘March to the Scaffold’ – sinister and fatalistically triumphant at the same time. The composer is witnessing his own execution. Brass dominate. Almost comic grotesquery begins with scampering bassoons and flatulent tubas. Guillotine falls on the composer (and his beloved?) at around 6:00 – plucked strings like the sound of the head plopping into the basket!
‘Dream of a Night of the Sabbath’ – final grotesque deformation of the beloved’s theme, as though she has destroyed him and now mocks in a frenzied satanic gathering. Almost mocking the idea of love itself (!). Amazing that the music is both very descriptive (suggestive of vermin, insects, witches etc) yet compellingly abstract, with its own sense of motion and purpose. The Dies Irae and a fugal theme are stated and then combined. More crazy syncopations (7:18 and 7:57), finally rushes to an awesome crescendo. Total orchestral tour de force!
Enjoy! ๐
Thanks for this great post and for the nice presentation, as usual. ๐
And now, if I may do a request, I enjoyed a lot the aria in Tytania, posted in the Orchestral Thread by Danny. So maybe, if you have time, could you post here some great arias from the classical repertoire. Arias have often something so graceful, so moving, and even frequently romantic. It’s a sort of magical moment between a singer and an orchestra, bringing a lot of emotion and beauty.
Where’s Danny T_T
Where’s Danny T_T
I concur. Where is Master French?
Apologies for the delay – it is uploading right now.
Apologies for the delay – it is uploading right now.
๐ ๐ ๐ ๐
Apologies for the delay – it is uploading right now.
It sure takes some time to upload. It must be in the same upload queue than the Sahashi scores. :p
More seriously, this is also relevant to my interests, so please post when you can. I already d-led the Youtube videos, but a better audio is welcome.
THE PLANETS
Andre Previn & Royal Philharmonic Orchestra
TELARC CD-80133 (1986)
——————————————————————————————
Available in Lossless FLAC as well as 320 CBR MP3
——————————————————————————————
PLEASE ENJOY !!!
THE PLANETS
Thanks again for this= awesome. I just finished listening to it.
By the way, does anyone know anything about Gustav Holst’s other works besides The Planets?
There doesn’t seem to be that much out there recorded besides The Planets.
I know he has some other Choral works sung in Sanskrit I would be interested in.
I have searched around and come up with nothing.
Thanks,
~Rick
and can anyone recommend good string quartets by Haydn? i need this for school.. haha. tnx. ๐
and can anyone recommend good string quartets by Haydn? i need this for school.. haha. tnx. ๐
Carnival of Animals & Other Playful classics conducted & Narrated by Bernstein.
http://rapidshare.com/files/232391040/classic_for_children_-_bernstein.rar
By the way, does anyone know anything about Gustav Holst’s other works besides The Planets?
There doesn’t seem to be that much out there recorded besides The Planets.
I know he has some other Choral works sung in Sanskrit I would be interested in.
I have searched around and come up with nothing.
Thanks,
~Rick
Holst wasn’t exactly prolific – and of his somewhat limited collection of works, sadly very few are remembered and performed today. He was something of a one-hit-wonder – his music wasn’t massively popular even in his time; he was a teacher first, a conductor second, and a composer third.
Which is a great shame, because the music we do have is magnificent. The Hymn Of Jesus is absolutely gorgeous. If I can remember where I put the disc, I’ll upload it later along with my Janacek post I’ve been promising for weeks…!!!
SAINT-SAENS – ORGAN SYMPHONY, CARNIVAL OF THE ANIMALS
MP3-V0
http://rapidshare.com/files/255448447/Saint-Saens_-_Organ__Carnival.rar
1. Symphony No. 3 In C Minor ‘ Organ’: I Adagio – Allegro moderato
2. Symphony No. 3 In C Minor ‘ Organ’: Poco adagio
3. Symphony No. 3 In C Minor ‘ Organ’: II Allegro moderato – Presto
4. Symphony No. 3 In C Minor ‘ Organ’: Maestoso – Allegro
5. Carnaval of the Animals: Introduction and the Royal March of the Lion
6. Carnaval of the Animalsls: Hens and Cockerels
7. Carnaval of the Animals: Wild Asses
8. Carnaval of the Animals: Tortoises
9. Carnaval of the Animals: The Elephant
10. Carnaval of the Animals: Kangaroos
11. Carnaval of the Animals: Aquarium
12. Carnaval of the Animals: Personages with Long Ears
13. Carnaval of the Animals: The Cuckoo in the Depths of the Forest
14. Carnaval of the Animals: Aviary
15. Carnaval of the Animals: Pianists
16. Carnaval of the Animals: Fossils
17. Carnaval of the Animals: The Swan
18. Carnaval of the Animals: Finale
and can anyone recommend good string quartets by Haydn? i need this for school.. haha. tnx. ๐
There are many fine recordings of Haydn’s quartets. Which in particular are you after? The Lindsays are always superb, and the period instrument group Quatuor Mosa???ques are one of my favs. Even the Naxos bargain set by the Kodaly Quartet are very good. Let me know if you want any uploading ๐
http://www.rapidspread.com/file.jsp?id=hguhlyiqy0
More info coming up…
320kbps / 42MB / 4 tracks / 18:26

http://rapidshare.com/files/255464466/Holst_Suite_de_ballet.rar
This is a little gem of a suite. Very bouncy and tuneful. I used to have the cd (it came as an ‘extra’ with a middling performance of The Planets), but I haven’t been able to find it for ages. In a moment of uncontrolable craving I bought the mp3s. So enjoy!
More Holst to come..
Out of interest, what’s your Planets of choice? On disc I have Karajan, Vernon Handley, Charles Dutoit (and said Naxos attempt), but recently I’ve been listening most to William Steinberg’s on DG Originals. It’s said to be the closest tempi-wise to Holst’s own, and it has a superbly detailed recording:
http://rapidshare.com/files/168323791/Hols_Pla_Str_Zara.rar
PROKOFIEV – ALEXANDER NEVSKY, LIEUTENANT KIJE
http://rapidshare.com/files/210779526/Prok_Nevs_Kij_Abb_MPT.rar
Alexander Nevsky op. 78
1. I. Russia under the Mongol Yoke (03:04)
2. II. Song about Alexander Nevsky (03:32)
3. III. The Crusaders in Pskov (06:38)
4. IV. Arise, ye Russian people. (02:16)
5. V. The Battle on the Ice (12:00)
6. VI. The Field of the Dead (06:00)
7. VII. Alexander’s Entry into Pskov (04:43)
Lieutenant Kij??? op. 60
8. I. Kij???’s Birth (04:09)
9. II. Romance (04:08)
10. III. Kij???’s Wedding (02:36)
11. IV. Troika (02:42)
12. V. Kij???’s Burial (05:53)
http://www.douban.com/subject/3533692/
又名: The Yellow Rive, The Butter-fly Lovers
—————————–^^^^^
(had to hyphonate that word, coz it’s filtered?… ughh)
表演者: 孔祥东 许可 / 麦家乐 中国中央交响乐团
唱片数: 1
发行时间: 1992-7-22
版本特性: 专辑
出版者: stereophile production company
介质: CD
AND
http://www.douban.com/subject/2055693/
又名: Orchestral works on themes of Chinese folk songs by Bao Yuan-kai:Tales from Hebei
表演者: 佛羅內斯交響樂團 / 麥家樂 指揮
条型码: 4892440717626
发行时间: 1998
出版者: 香港 : 雨果製作有限公司
^^’ ehehhh…
Thanks ;D

http://rapidshare.com/files/210779526/Prok_Nevs_Kij_Abb_MPT.rar
Hey, is this the complete work, or is it a "Best of"? I only ask because you have the term suite in the title.
The complete score can be had here:
1. Prelude (03:47)
2. The 13th Century (01:29)
3. Plescheyevo Lake (Song about Alexander Nevsky) (02:28)
4. Pskov in Flames (02:27)
5. "Death to the Blasphemer!" (Peregrinus expectavi) (03:16)
6. Arise, People of Russia (04:13)
7. The Teutonic Camp (Peregrinus expectavi) (02:35)
8. Nevsky’s Camp: Night before the Battle (00:52)
Tracks 9-14 : "The Battle on the Ice" suite
9. April 5, 1242 (Peregrinus expectavi) (06:08)
10. Fight for Russia! (01:51)
11. Spears and Arrows (Peregrinus expectavi) (02:55)
12. The Duel with the Grand Master (01:22)
13. The Battle Is Won (03:33)
14. The Ice Breaks (01:43)
15. The Field of the Dead (05:37)
16. Pskov: Procession of the Fallen and Judgement of the Prisoners (04:10)
17. "And now let’s celebrate!" (01:02)
18. Final Chorus (00:49)
SAINT-SAENS – ORGAN SYMPHONY, CARNIVAL OF THE ANIMALS
MP3-V0
http://rapidshare.com/files/255448447/Saint-Saens_-_Organ__Carnival.rar
1. Symphony No. 3 In C Minor ‘ Organ’: I Adagio – Allegro moderato
2. Symphony No. 3 In C Minor ‘ Organ’: Poco adagio
3. Symphony No. 3 In C Minor ‘ Organ’: II Allegro moderato – Presto
4. Symphony No. 3 In C Minor ‘ Organ’: Maestoso – Allegro
5. Carnaval of the Animals: Introduction and the Royal March of the Lion
6. Carnaval of the Animalsls: Hens and Cockerels
7. Carnaval of the Animals: Wild Asses
8. Carnaval of the Animals: Tortoises
9. Carnaval of the Animals: The Elephant
10. Carnaval of the Animals: Kangaroos
11. Carnaval of the Animals: Aquarium
12. Carnaval of the Animals: Personages with Long Ears
13. Carnaval of the Animals: The Cuckoo in the Depths of the Forest
14. Carnaval of the Animals: Aviary
15. Carnaval of the Animals: Pianists
16. Carnaval of the Animals: Fossils
17. Carnaval of the Animals: The Swan
18. Carnaval of the Animals: Finale
Thanks a lot for your posts, mates.
Now, about this wonderful ORGAN SYMPHONY, it’s quite a masterpiece I listened a lot years ago, when I had time to "explore" the vast continent of Classical Music. So powerful, so majestic… Here’s some comments about it:
The Symphony No. 3 in C minor, Op. 78, was completed by Camille Saint-Sa???ns in 1886 at what was probably the artistic zenith of his career. It is also popularly known as the "Organ Symphony", even though it is not a true symphony for organ, but simply an orchestral symphony where two sections out of four use the pipe organ. The French title of the work is more accurate: Symphonie No. 3 "avec orgue" (with organ).
Of composing the work Saint-Sa???ns said that he had "given everything to it I was able to give." The composer seemed to know it would be his last attempt at the symphonic form, and he wrote the work almost as a type of "history" of his own career: virtuoso piano passages, brilliant orchestral writing characteristic of the Romantic period, and the sound of a cathedral-sized pipe organ. The work was dedicated to Saint-Sa???ns’s friend Franz Liszt, who died that year, on July 31, 1886.
This symphony was commissioned by the Royal Philharmonic Society in England, and the first performance was given in London on 19 May 1886, at St James’ Hall, conducted by the composer. He also conducted the French premiere in January 1887.
Full article here (http://en.wikipedia.org/wiki/Symphony_No._3_(Saint-Sa???ns))
thanks for the Saint-Saens, to lens and 1337. much appreciated. ๐
on Haydn, if you have:
op. 74, no. 3 in g-minor "Horseman"
op. 76, no. 2 in d-minor "Quinten"
op. 76, no.3 in C-major "Emperor"
op. 76, no.4 in Bflat-major "Sunrise"
I’d be pretty happy with those… do you have any more recommendations? ๐

http://rapidshare.com/files/210779526/Prok_Nevs_Kij_Abb_MPT.rar
Alexander Nevsky op. 78
1. I. Russia under the Mongol Yoke (03:04)
2. II. Song about Alexander Nevsky (03:32)
3. III. The Crusaders in Pskov (06:38)
4. IV. Arise, ye Russian people. (02:16)
5. V. The Battle on the Ice (12:00)
6. VI. The Field of the Dead (06:00)
7. VII. Alexander’s Entry into Pskov (04:43)
Lieutenant Kij??? op. 60
8. I. Kij???’s Birth (04:09)
9. II. Romance (04:08)
10. III. Kij???’s Wedding (02:36)
11. IV. Troika (02:42)
12. V. Kij???’s Burial (05:53)
Thank You! :3
I have read a little about Holst, but even when you are out trying to hunt it down at shops he’s hard to find. It’s always the Planets.
I have NEVER seen SUITE DE BALLET or The Hymn Of Jesus in record shops.
I wanted to point out to you that MadKalnod has posted John Williams conducting Gustav Host’s The Planets over here:
http://forums.ffshrine.org/showpost.php?p=1284118&postcount=14249
John Williams conducting the Boston Pops Gustav Holst The Planets.
"Holst The Planets"
1986
THE PLANETS
Suite for Large Orchestra
1. Mars, the Bringer of War (6:45)
2. Venus, the Bringer of Peace (8:19)
3. Mercury, the Winged Messenger (4:11)
4. Jupiter, the Bringer of Jollity (7:53)
5. Saturn, the Bringer of Old Age (8:24)
6. Uranus, the Magician (5:55)
7. Neptune, the Mystic (8:21)
with 6-part chorus of female voices
Info
John Williams HOLST – THE PLANETS (http://mahawa.jw-music.net/compilations/popsplanets.htm)
Particularly…his Oboe Concerto. I’m working on a few concepts for a concerto of my own. I’ve heard some samples of this work and would like to give it a full listen.
Any help would be wonderful!
Also…anything else that you may have would great too.
Looking everywhere xD requested a re-up a while back, but nothing happened, so… please? ^^
Can we have a new thread ?????? for JUST choral music (sorry if it exists)
Just that it’s hard to find, and it’s AMAZING stuff (normally) such as this enchanting russian choir
http://www.youtube.com/watch?v=XzK5YEVMHn4
I have Yellow River and Butt3rf1y Lovers but not those particular recordings. Any good to you? ๐
Lens: I haven’t heard Steinberg’s Planets for years – I think I used to have it on LP but it vanished years ago. I remember it being a little frenetic…
I have a certain fondness for Holst’s own recordings (with a certain preference for the 1923) but I find the tempo to be too quick – I take the assertion that "it’s what Holst wanted!" with a pinch of salt, because in the twenties it was routine practice to hit the fast-forward button in an effort to fit a given piece onto one or two sides of a 78rpm disc (3-4 minutes per side) so it’s obvious that Holst was being hurried. Oddly enough, his later 1926 recording was much faster. The 1923 acoustic performance was certainly brisk, but the 1926 just sounds hurried. The first recording – for all its flaws, inevitably poor quality sound, and vastly reduced orchestra – seems to reach me the most. That violin portamento… Those were the days… ๐
Naxos’ second attempt with the Royal Scottish National Orchestra is pretty good.
Boult’s wartime recording (January 1945) is absolutely ravishing. If you can get past the sound quality (which is actually not bad on Pristine Audio’s remaster) I always found this to be my overall favourite. The performance is absolutely spotless and the sense of atmosphere is tangible to say the least – the thought of the orchestra, exiled to Bedford, recording the relentless war-march of Mars, and the overwhelming joy and patriotism of Jupiter – it’s truly astonishing.
Looking everywhere xD requested a re-up a while back, but nothing happened, so… please? ^^
Can we have a new thread ?????? for JUST choral music (sorry if it exists)
Just that it’s hard to find, and it’s AMAZING stuff (normally) such as this enchanting russian choir
http://www.youtube.com/watch?v=XzK5YEVMHn4
LUCIDOLPH IT IS HERE! IN FLAC!
http://forums.ffshrine.org/showpost.php?p=1254627&postcount=400
Obviously you’re much more of a connoisseur of this piece than myself. I regret to say it’s one of those works I take for granted somewhat – even though I rank it as the highest of masterpieces (isn’t this always the way..). I’d love to hear any of Boult’s recordings – thanks for the tip! For me, it’s a piece best appreciated at a live concert, with all the intention and imperfection that goes along with that.
Do you know, I haven’t heard Holst’s own!!! Soon enough…
I hear you on the portamento btw ๐
Do you know, I haven’t heard Holst’s own!!! Soon enough…
I hear you on the portamento btw ๐
The Planets is a lot like Star Wars. Everybody knows it so well and has heard it a billion times, to the extent where it’s difficult to take a step back and realise that it’s actually a great piece. Turn off that familiarity and just listen to it for its own merits. That’s hard work. I’m trying to do it more and more lately. Yesterday I did Beethoven’s 5th – and for the first time realised that virtually every bar of the first movement is a variation on "da da da daaah"; I’m not the biggest Beethoven fan but the greatness of it really reached me for the first time. Overexposure can be a bad thing and it can spoil great things if you don’t keep it under control. I know what you mean about taking it for granted.
It’s also amazing how much The Planets has influenced film scoring and how much it continues to do so, even after 90 years. Powell’s Ice Age 3 rips off Jupiter so bad you’d think it was Yoko Kanno in disguise.
The Planets is playing at this year’s Proms, coupled with Elgar’s Cockaigne and Delius’ The Song Of The High Hills – on Saturday 25th if I remember correctly. I’ve got my tickets. It’s going to be amazing. (Also, I haven’t heard Charles Mackerras live before and I’m particularly looking forward to seeing him conduct in the flesh.)
I actually don’t have Boult’s Planets on disc – only vinyl. Shame on me!
I WILL upload some later on. Holst’s own recordings I think I’ll start with, if you can stand 85 year old sound quality. ๐
The composer recorded the work twice – once acoustically in 1922/1923 with a very reduced orchestra, and again electrically in 1925/1926 with a larger orchestra.
Now, these recordings are 86 and 83 years old respectively. If you don’t like that "vintage sound" then don’t bother with these – they’re good for historical interest but not for a hi-fi listening perspective. Get them if you want to hear how Holst interpreted his own music nearly ninety years ago.
Both are performed by the LSO, under Holst’s baton.
1923: WARNING – this remastering was done in 1989 and, not beating about the bush, it sounds like SHIT – there is a better version available from Pristine Classical (http://pristineclassical.com/) but if you want that one you’ll have to go and buy it. That company does GREAT work and the proprieter, Andrew Rose, in addition to being an absolute genius, is also a VERY nice fellow.
1926: This one sounds much much better. It’s a digital restoration made by EMI in 1992. It sounds pretty good. There is another version available on Naxos Historical done a couple of years ago but I think this one is better.
Both of these are out of print.
http://www.rapidspread.com/file.jsp?id=vqlh3srucr
As a little bonus…
Here’s Jupiter from Leopold Stokowski’s vile recording with the Los Angeles Philharmonic. This is a vinyl transfer – this monstrosity is available on CD but I don’t have it and I’m not prepared to dignify it by spending cash on it.
The sleeve notes talk a great deal of bollocks:
"This unusual music… has found its supreme interpreter. Stokowski captures its subtlest nuances of tone and its full range of orchestral colour, in an album that is a High-Fidelity showpiece!"
Believe me folks, that is nothing more than marketing puff. Listen for yourself! ๐
http://forums.ffshrine.org/showpost.php?p=1254627&postcount=400
ooohh.. that’s what that was, when someone says "IT’S DONE" and then "HERE IT IS"… i kinda dont know what it IS xD
Perhaps next time u can put what the upload IS written there, so if someone would search for it they would find it easier, and it’s clearer to other people that it’s been uploaded…
also, can u upload it in MP3, no i cant DL in flac and then convert, coz i have a very tight download limit..
sorry
Yesss… Please ;D
Thanksss ^^
Also, Danny, am i still waiting for the MP3 version of that something mass BBC something youtube vid but, u know what i mean xD
Am i still waiting for that or have i missed it, or have u given up, or.. eh, sorry, just really interested x]
[Edit: Or not… Upload failed. Bollocks to Rapidspread. Trying again.]
http://forums.ffshrine.org/showpost.php?p=1287167&postcount=2769
http://www.rapidspread.com/file.jsp?id=vqlh3srucr
Thanks, I was listening to these last night for hours.
~Rick
1. YOU CLICK ON THE LINKS! OR READ YOUR ORIGINAL POST THAT I QUOTED IN MY POST.http://forums.ffshrine.org/showpost.php?p=1285320&postcount=498
Perhaps next time u can put what the upload IS written there, so if someone would search for it they would find it easier, and it’s clearer to other people that it’s been uploaded…
2. ARE YOU TALKING TO ME OR THE PERSON WHO WAS SO KIND AS TO UPLOAD IT? (SEE POINT 1)
also, can u upload it in MP3, no i cant DL in flac and then convert, coz i have a very tight download limit..
3. ASK THE ORIGINAL UPLOADER.
Symphonies No. 1 & 2
http://rapidshare.com/files/217402820/H12.part1.rar
http://rapidshare.com/files/217393218/H12.part2.rar
http://rapidshare.com/files/217412508/H12.part3.rar
Symphony No. 3
http://rapidshare.com/files/217427223/H36.part1.rar
http://rapidshare.com/files/217425992/H36.part2.rar
http://rapidshare.com/files/217437321/H36.part3.rar
Symphony No. 4
http://rapidshare.com/files/217394054/H4etc.part1.rar
http://rapidshare.com/files/217368062/H4etc.part2.rar
http://rapidshare.com/files/217388939/H4etc.part3.rar
Symphonies No. 5 & 7
http://rapidshare.com/files/217469190/H57.part1.rar
http://rapidshare.com/files/217449932/H57.part2.rar
http://rapidshare.com/files/217456327/H57.part3.rar
Other orchestral works
http://rapidshare.com/files/217468591/HVol.5.part1.rar
http://rapidshare.com/files/217486695/HVol.5.part2.rar
http://rapidshare.com/files/217482246/HVol.5.part3.rar
All passwords:#@n$0n
Jeez, I go out and buy these after not finding them for a year online thinking I’ll never see them on here unless I posted them myself, and here they are meer weeks after I bought the collections. But thanks for Vol. 5, I didn’t have that one.
Now if I can only find Popov’s symphonies, especially the first one…

MP3-V0 / 109MB / 8 tracks / 1:09
http://rapidshare.com/files/257289829/Holst_-_Beni_Mora_etc.rar
Quotation from Thomas Hardy’s The Return of the Native written above the score of Egdon Heath:
"A place perfectly accordant with man’s nature – neither ghastly, hateful nor ugly; neither commonplace, unmeaning nor tame; but like man, slighted and enduring; and withal singularly colossal and mysterious in its swarthy monotony"
Gramophone review:
This disc, superbly recorded in the Henry Wood Hall in Glasgow, makes a most welcome addition to Naxos’s growing collection of English music. In every way it provides formidable rivalry for the two excellent full-price Holst discs which substantially overlap with this in repertory — from Richard Hickox on Chandos and from Sir Adrian Boult on Lyrita in vintage performances from around 1970.
Like Hickox, Lloyd-Jones has as his two weightiest items the Hardy-inspired Egdon Heath, arguably Holst’s finest work, as well as the prelude and fugue. Hammersmith, comparably dark and intense. But where Hickox has the latter in its usual orchestral form, Lloyd-Jones chooses the wind-band version, achieving a subtlety of shading in phrasing and dynamic amply to justify that striking choice. The Chandos recording is sumptious, but the Naxos sound is at least as vividly atmospheric, while letting one hear more inner detail, particularly important in the fugue.
As to interpretation. Hickox is a degree warmer in phrasing and more passionate in his build-up of climaxes, where Lloyd-Jones, generally adopting more flowing speeds closer to those of Boult, is more objective, while bringing out to the full the tenderness and refinement of the writing. Particularly beautiful is the performance of A Somerset Rhapsody which opens the disc, with the cor anglais solo ravishingly played. Boult of course has unique authority in this music, and the Lyrita analogue recordings — among the finest of their period — still sound superb, with clean focus and separation.
Yet quite apart from the intrinsic quality of Lloyd-Jones’s performances with the Scottish orchestra, and the formidable advantage of price, his grouping of works is more generous than that on either rival disc. The six works are neatly balanced, three dating from before the climactic period of The Planets and The Hymn of Jesus, and three after. Particularly valuable — and not included on either rival disc — is the atmospheric Invocation for cello and orchestra of 1911, rather dismissed by Imogen Holst, but here given a yearningly intense, deeply thoughtful performance with Tim Hugh as soloist.
A highly recommendable offering, whether for the dedicated Holstian or the newcomer wanting to investigate this composer’s more characteristic work outside The Planets.
I’ve had exactly the same experience with the 5th. The rhythmic incisiveness of the first movement seems almost superhuman once you take a step back. The opening motif is there even underpinning the elegant second subject – but totally appropriately, inevitably. The bit that really takes my breath away though is at end of the exposition, when it transforms into a cascading major fanfare.
The 7th has a similar level of concentrated motivic development, and is definitely among my favourite symphonies by anyone. I love the way Beethoven seems to ‘explain’ his default tremolo string setting at the beginning of the coda to the first movement – a crescendo over a weird chromatic bass where violins gradually foreshorten a rhythmic figure until it becomes that orgasmic tremolo; as if this formal rigour and energy is latently there all the time packed into every gesture, every colour..
[sorry, that doesn’t really make sense – I get very purple sometimes thinking about my favourite music ;)]
I’m considering going to Unsuk Chin’s Cello Concerto on the 14th of August.. Also there’s Bruckner 3 at some point. It depends on work ๐ Would love to have gone to tonight’s Creation (new translation and all). The Mackerras concert also sounds tasty..

(Performed by Quatuor Mosa???ques on period instruments)
MP3-V0
CD1: http://rapidshare.com/files/257364323/Haydn_Quartets_Op.76_CD1.rar
String Quartet Op.76 No.1 in G major 24:36
1 Allegro con spirito 8:58
2 Adagio sostenuto 6:32
3 Menuet, Presto. Trio 2:51
4 Finale. Allegro ma non troppo 6:15
String Quartet Op.76 No.5 in D major 18:20
5 Allegretto 5:10
6 Largo ma non troppo; cantabile e mesto 6:45
7 Menuet. Allegro ma non troppo. Trio 2:51
8 Finale. Presto 3:34
String Quartet Op.76 No.4 in B flat major "Sunrise" 23:07
9 Allegro con spirito 8:25
10 Adagio 5:27
11 Menuet. Allegro. Trio 4:35
12 Finale. Allegro ma non troppo 4:40
CD2: http://rapidshare.com/files/257737507/Haydn_Quartets_Op.76_CD2.rar
String Quartet Op.76 No.2 in D minor "Fifths" 22:40
1 Allegro 9:43
2 Adante o pi??? tosto allegretto 5:34
3 Menuet. Allegro ma non troppo. Trio 3:24
4 Finale. Vivace assai 3:59
String Quartet Op.76 No.6 in E flat major 23:34
5 Allegretto 7:10
6 Fantasia. Adagio 6:12
7 Menuet. Presto. Alternativa 3:34
8 Finale. Allegro spiritoso 6:38
String Quartet Op.76 No.3 in C major "Emperor" 27:22
9 Allegro 10:07
10 Poco adagio; cantabile 6:51
11 Menuet. Allegro. Trio 4:37
12 Finale. Presto 5:47
I’ve been looking at that one myself. If you do decide to go – fancy a pint after?
Sirus – glad you like it! Review added above.
Sirus – glad you like it! Review added above.
My only complaint is overall the album is so quiet!! I have to crank my speakers to double my normal volume to enjoy it at some parts.
Not you, as well… ๐
It’s not quiet – it’s a truly glorious recording that captures the sound of a symphony orchestra in a concert hall, quite unlike most made today. No fake reverb, no dynamics compression, no loudness war – just a splendid ensemble performing in a beautiful hall. Lens: Is this the Henry Wood Hall?
And – I live near Hammersmith. It’s nothing like this piece of music! It’s one endless traffic jam.
I am sure it sounds wonderful in a concert hall with a quiet audience but sadly I am rarely in such a situation so the often varied dynamics of the music can be quite iritating. I turn up the quieter parts so that I can hear them at the same volume as everything else around me only to be blown away when the music reaches the "ordinary" loudness level.
Try listening to this in your car. Silence… silence… silence… BOOM BOOM BOOM AAAAAAAAARGH!!! *smash / police sirens*… Silence… silence… silence.
It just bothers me that people hear a good recording and think there’s something wrong with it. It’s a symptom of the horrid loudness wars, and of a decade of symphonic recordings made by engineers who don’t have the foggiest idea how to record an orchestra, or capture it in its natural environment. The modern technique is to stuff a microphone into every instrument you can, record on five million tracks, mix the bejeezus out of it all in the mastering studio, whack on a tonne of fake reverb and compress the shit out of it so that it ALL sounds loud – even the quiet bits.
Even if it’s inconvenient to listen to, it’s still nice to hear a recording like this – that sounds like a bunch of people sitting in a large room playing instruments, as it should be. Judiciously placed microphones capturing sections and hall ambience. The conductor is your mixing desk – if you’ve got the levels right and the microphones in a decent place, you don’t need multitrack and you don’t need a desk. The concert hall is your reverb console. There is no dynamics compression – because there isn’t in real life, and one of the most important, miraculous features of the modern symphony orchestra is its ability to play the most delicate pianissimo, right through to ear-shattering end-of-the-world fortissimo.
When I am listening to music, I don’t want to hear the recording – I want to hear the music; and approximate as much as possible the experience of being there. It isn’t about technology – it’s about humans talking to other humans with the universal language of music.
(Apologies – many people here have called me a snob, and I don’t deny that for a moment where this kind of thing is concerned. Feel free to ignore my fevered ranting. :))
http://rapidshare.com/files/241854213/GH-owlpoda.rar
Post from "when-the-musics-over.blogspot.com"
I’m mostly with danny on this one, but I do know what you mean. For mp3 listening I tend to avoid very natural sounding recordings such as this – they really show up the weakness of even the best LAME (though funnily enough the Holst came out pretty ok with V-0).
I don’t know about you, but I play my mp3s on the bus through my zen and the shitty headphones it came with. Not ideal. This Naxos cd sounds gorgeous on our modest denon hi-fi though (and it’s VERY temperamental with classical). I just don’t much like listening ‘seriously’ to music in such compromised quality, and some recordings are more ‘artificial’ shall we say and suit the mp3 treatment better.
Film music doesn’t often go for the concert hall sound (though some of Goldsmith’s with this same orchestra do so very persuasively), so it’s less of a problem there too. And being a fan of film scores and game music, I actually quite like the overmiked, fake reverb etc on occasion. I’m not quite the purist danny is ๐
There is definitely no gain or other fiddles that could sensibly be applied to these Holst tracks. It would cause all kinds of hideous distortion. It’s a great shame that we can’t all just sit with great hi-fi equipment in a marble hall with busts of all the great composers looking approvingly while we absorb their music in ideal quality.. [the lp cover posted recently in the orchestral thread puts a very interesting spin on this.. but Beethoven looks none too happy :(]
Thanks 1337 for moar Holst!!
CD2 added to the Haydn Op.76 ^^
http://rapidshare.com/files/257827701/symphonies6_8.rar
Ripped it myself, so let me know if there are errors since it was a rush job.
LAME is great but it’s not perfect. Well, actually, strike that – LAME is pretty much perfect but MP3 is just inadequate for some things. Particularly symphonic music. But it does its best – and with the right settings and the latest version, it can do wonders – even for killer samples. 3.98.2, Joint Stereo, VBR, and a lowpass filter are the four very best solutions.
Film music doesn’t often go for the concert hall sound (though some of Goldsmith’s with this same orchestra do so very persuasively), so it’s less of a problem there too. And being a fan of film scores and game music, I actually quite like the overmiked, fake reverb etc on occasion. I’m not quite the purist danny is ๐
Don’t get me wrong – that recording technique has a place, and sometimes it’s the best technique to use – particularly with composers like Goldsmith who need a certain kind of clarity that can’t be achieved 100% in the concert hall.
It just worries me when someone hears a lifelike recording and thinks there is something wrong with it because it doesn’t sound like it was recorded by Alan "Compressors and Gain and Reverb To Max" Meyerson.
It sets a dangerous prececent when perceptions shift to interpret the inferior as the superior. It happened with film music (we live in a world where growing numbers of people think Williams is old fashioned and irrelevant, and Ramin Dwajidi / etc are going to lead the new golden age of film scoring) and it (is) happenn(ed/ing) to symphonic recording. Classical music is still… mostly… engineered sensibly but that is changing. A great pity because most symphony orchestras are still at the top of their game, and are capable of performing such beautiful sounds, and for the first time technology is sufficiently advanced that we could capture them in a recording – but we never will because recording today is about volume and clarity – not subtlety and realism.
It’s a great shame that we can’t all just sit with great hi-fi equipment in a marble hall with busts of all the great composers looking approvingly while we absorb their music in ideal quality.. [the lp cover posted recently in the orchestral thread puts a very interesting spin on this.. but Beethoven looks none too happy :(]
Forget that – I want a time machine!!
Obviously Ludwig doesn’t understand the dreadful 1960s pun. ๐
I’m tempted to open a can of worms here on contemporary culture and the popular mindset that puts such severe limitations on what music is allowed to be (ie music = a song) and always shuns subtlety and depth in favour of the obvious.
Slightly off topic, have you seen ‘How to be a composer’ on BBC4 with Paul Morely? I hate this pontificating pseud anyway, but this was nightmare television. *Perhaps* a well-intentioned attempt to expand people’s notion of what music can be.. It came off more as an excruciating vanity trip for Morely (and by extension arrogant musical ignoramuses everywhere). I can’t believe the Royal Academy conspired in this! I felt hurt and betrayed on behalf of the few REAL composers I know. The only word for it is SICK. There’s almost an ‘Office’ style of cringe-making humour in there if you can put yourself in the right frame of mind.
I knew I shouldn’t have watched it, but I’m too much of a masochist!
Forget that – I want a time machine!!
Ah yes, but wouldn’t we be shocked by the standard of the playing? In Beethoven’s day I think we would. We’re so used to the uber-virtuosity of modern orchestras that can toss off the Rite of Spring without breaking a sweat.
Perhaps the extra grit would be a good thing though..
I have a few recordings of this piece, its quite an interesting piece. In live performances, the chorus is usually "hidden" behind curtains.
I look forward to hearing this piece. I don’t know any Busoni apart from his piano transcriptions of Bach. And curtained-off choirs are always a good thing ๐
About the sound volume topic, just one comment: Orchestral music was invented centuries ago and was only meant to be listened live, in a dedicated hall, not in a bus or in a room with your family doing noisy stuff around. So it’s normal it doesn’t go very well with these situations. Orchestral music isn’t meant to be sonic wallpaper, it’s grand music, meant to be listened to with attention, respect, and in a good (i.e. calm) environment. To make a culinary comparison: if you’re a true gastronom, you don’t eat fast-food and high-end french cuisine the same way.
The generation of recording engineers who respected music as an artform has tragically largely died out or retired now – and those who remain are under pressure from blockhead studio executives who complain that their recordings are "quieter" than those made by other engineers and therefore there must be something wrong with them.
Recording used to be about trying to bring the sound of live musicians into your home – to make the recording medium as transparent as possible and simply render the music, within a natural ambience, as accurately and as lifelike as possible.
The rot has set in faster outside of orchestral music, but the "loudness wars" have now made their mark on every single genre of recorded music.
Dharma: What genre are you working in? Was it a studio session? Did you win in the end?
I write concert and film music but have yet to enjoy the pleasure of working with live musicians – so I have these battles to look forward to… :/
At the other end of the spectrum, some breathtakingly natural, expansive modern recordings I treasure are: Andrew Davis’ Vaughan Williams 6 (with gorgeous accounts of the Tallis Fantasia and Lark Ascending), anything with Vernon Handley and the Liverpool Phil, Ricardo Chailly’s Mahler symphonies.. I’m a particular fan of Goldsmith’s recordings of The Sand Pebbles and Patton with the Royal Scottish National as well – but the huge dynamics are often met with distain by film score fans.
[Btw, could anyone recommend me a good ‘Rite’?]
This discussion is the polar opposite of another discussion on the FSM board where somebody recommended running older recordings thru a tube compressor to get a "bigger sound" ๐ – supporting your ending comment Lens….
What might be cool in the future is that we will get music in a form in which we can set dynamics and reverb to our own taste. Maybe the default will be "rock" or "classical" etc…but you could go into the ID tag and change the preference. iTunes now lets you change and save the EQ settings as well as starting and ending points which is a step in that direction. To make compression and reverb optional would be much more drastic of course, requiring a major industry rethink as to how music is distributed. But who knows. Actually I think I’ve seen a "karaoke" option on some players as well.
I write concert and film music but have yet to enjoy the pleasure of working with live musicians – so I have these battles to look forward to… :/
I write concert works. For orchestra and concert band. I’d like to do film but I know I wouldn’t be able to stay on schedule, heh.
I did win in the end because this time the recording costs were coming out of my pocket. And they can be some tough and rather trying battles, when people think they know your music better than you do. ๐
A great cd for this is Pletnev’s first recording of Tchaikovsky’s Pathetique Symphony. The sudden explosion at the start of the first movement development nearly gives me a heart attack every time, even though I know it’s coming!! And I wouldn’t have it any other way ๐
What might be cool in the future is that we will get music in a form in which we can set dynamics and reverb to our own taste. Maybe the default will be "rock" or "classical" etc…but you could go into the ID tag and change the preference.
Interesting, I wouldn’t be surprised. It’d be a totally useless feature for me. Anyway, I’m sure there’s already software out there that lets you boost the quiet bits etc.
This is my fav version of Rite (on video at least) and added immeasurably to my appreciation of the piece:
Thanks for the recommendation. I’m totally out of the loop when it comes to classical dvds for some reason. Bit big for a download though! Does it let you access the score while listening/watching?
With utmost respect, that would be one of the biggest disasters to befall recorded music. Reverb is nonsense. If your recording was competently made in the first place then you already have all the reverb you need. It is useful for one reason: Restoration / remastering of bad recordings that you can’t remake.
Ditto EQ. Basically useless as far as lifelike reproduction is concerned.
Reverb and EQ – used by the ignorant to get a "better" sound.
Dharma: Fascinating! I’m self-funding a recording session in Brno next year. Would be really interested to hear about your experiences!
Actually if you go to the website it does have something like that where Michael walks you thru the score. I can’t remember how detailed it got, I think I eventually just obtained the full score in pdf form just so I could analyze it at my leisure. But no, the dvd doesn’t have a scrolling score feature, tho that’d be cool.
It’s a big download, yeah. I got it thru a demonoid torrent, took a couple days…but it’s pretty great, documentary about Igor, the piece, then Michael takes apart the piece with a live orchestra demonstrating different effects….(also the sound is in 5.1 and is thundering).
I think you misunderstood my intent :). I actually meant that an option to REMOVE any artificial reverb or EQ would be a cool thing to have.
For example, Stu Phillips’ Battlestar Galactica came out in 2 versions: the 25th Anniversary "domestic" edition (with composer-approved added reverb and some kind of "exciter effect" and compression) and the German 1993 CD which is very natural sounding and raw. I think it would be cool to have 1 CD where you get the German "raw" master, but then you could have the "Stu Phillips remaster setting" as an option if you so preferred. In fact there are several later Goldsmith recordings in which he uses far more reverb (or the hall is bigger) than his recordings from the ’70s, and I guess I’d prefer an option to hear a "70’s mix". Do I want to sit in the nosebleed seats or in the front row, that kind of thing?
Putting aside reverb and EQ tho, recently Guitar Hero game tracks have surfaced on torrent sites. I mean INDIVIDUAL instrument tracks of classic rock songs from the likes of Rush and The Who, etc… Because of this, some ambitious people have been able to take these tracks and been able to remix entire albums into 5.1 surround DVDAs. As a musician/composer, it’s been a real revelation to hear raw, unaccompanied guitar and drum tracks from these artists. Now if music in the future (tho possibly not orchestral music) could have the plasticity of having a consumer be able to remix music to their own preference (but still have a default "compose-approved" mix) I would be quite happy! In fact I guarantee there would be a market for something like that.
EDIT: Also my Erich Kunzel and the Cincinnati Pops Orchestra version of Tchaikovsky 1812 overture on DTS surround is sublime! Cannon fire and all!
Ditto EQ. Basically useless as far as lifelike reproduction is concerned.
Reverb and EQ – used by the ignorant to get a "better" sound.
You’re too sanctimonious here, my friend.
Some old or badly done recordings are really not easy to listen, so when you apply reverb and EQ, and you do it correctly, knowing what you do, the result can be really whorth it.
One precise example: the Ogre Battle Symphonic Suite I posted some months ago had 2 notable problems 1) an orchestra too small recorded in a tiny hall = lack of reverb, 2) like often in old recordings, the mid-range frequencies were way too high, producing an aggressive and un-natural sound.
1) can be easily fixed by applying a good reverb (not a shitty, amateurish one – I’ve tried dozens of reverb tools), and 2) can be fixd by any common EQ changer, like the one in Winamp, to diminish the excessive frequencies (in this case, I lowered the 3 kHz range by 2 dB).
Concerning the compression topic, there are many Winamp plugins doing that, but I’m mostly disappointed by them, because the orchestral music doesn’t sound natural: when a powerful cue is meant to come, what you have instead is a weak, muffled sound, thus removing the original dynamics, the sense of lightness and power the composer intended to express.
Thanks for that.
Some old or badly done recordings are really not easy to listen, so when you apply reverb and EQ, and you do it correctly, knowing what you do, the result can be really whorth it. One precise example: the Ogre Battle Symphonic Suite I posted some months ago had 2 notable problems 1) an orchestra too small recorded in a tiny hall = lack of reverb, 2) like often in old recordings, the mid-range frequencies were way too high, producing an aggressive and un-natural sound…
Isn’t that EXACTLY what I just said? Allow me to quote myself in the relevant sections:
If your recording was competently made in the first place then you already have all the reverb you need. It is useful for… Restoration / remastering of bad recordings that you can’t remake.
That said, surely it’s obvious that when I refer to reverb and EQ being used by the ignorant, I am clearly referring to people taking very good recordings and doing dumb things to them (like a former friend of mine who re-EQ’d all his CDs to boost the bass by ridiculous amounts – so that his car vibrated more and he could piss off other motorists with his music.
Again – if a recording is a good one, and has been made by a competent engineer at an appropriate venue – then equalisation is not necessary and neither is artificial reverb.
Concerning the compression topic, there are many Winamp plugins doing that, but I’m mostly disappointed by them, because the orchestral music doesn’t sound natural: when a powerful cue is meant to come, what you have instead is a weak, muffled sound, thus removing the original dynamics, the sense of lightness and power the composer intended to express.
Some are better than others but you can’t just "apply" a plugin to any piece of music and expect a good result – for a compressor to work properly it requires tuning and precise configuration as appropriate to the music in question. Otherwise, as you say, it will end up sounding bloody awful.
Glad to see you didn’t mean every people though. ๐
I also find various equalizer settings are nice because you can hear different instruments more pronounced in other settings then you might on just a flat equalizer. If you listen to the same album over and over, it helps you gain a better appreciation for the quality of each instrument used and not just the ones the sound engineer decided to bring to the front and make pronounced through the mixing.
Just as there is music that I find too quiet there are numerous times, especially at live rock shows from smaller bands, that i can barely stand the music because the group decided that they want the bass guitar to be loud and i can’t hear the vocals. Rock, metal and pop to me are occasionally about the instrumentation but most importantly about the quality of the singer and their beautiful tones. When you can’t hear the singing above the rest of the album it is a terrible shame.
?? For some reason when I read that I went cold! Kinda like at the airport when they ask if you’re carrying any wmds and you feel irrationally guilty..
No, I knew you’d twig eventually.
I’m your long lost clone!!! *sobs*
I’m pretty big into interactivity with my music (as well as being a semi-professional sound mixer) so I guess my angle would be different than a purist’s – so guilty on that one :).
But what if you had the power to say to John Williams to mute those synth tracks and push up those live choral tracks (referring to a hypothetical situation related to the Holst Planets recording, if such tracks existed)? This all goes back to my attempt to "speed up" the Herrmann Jason suite. If it were possible to artificially bring those tracks up to "film" speed (and not destroy the integrity of the recording itself) – yep, that’s the version I would be playing in my iPod now. I don’t think any of these options would be damaging in any way because these would just be additional choices. The consumer would still have the "composer-approved, critically-acclaimed" version of the mix as well…
Good Lord, I am with you there, Siriusjr! Actually I have remastered a few bootleg soundboards and you can’t imagine the gyrations I’ve had to go thru to tease out the vocals or guitar sometimes. I guess this is kind of off-topic since this is more about orchestral music…nonetheless I still stand by my "seating row" option as something that would be desirable….I’ll take front row please:)
But what if you had the power to say to John Williams to mute those synth tracks and push up those live choral tracks (referring to a hypothetical situation related to the Holst Planets recording, if such tracks existed)?
First of all, as a sound mixer, your angle should be more the purist than all of us put together – your job is to capture reality on tape, disc, or whatever. Stop thinking about the technology (it is, after all, merely a means to an end) and instead think about that most beautiful, romantic concept – humans making music together, speaking to one-another through the one, completely universal, limitless language that unites us all.
Well, it’s a moot point because I won’t be listening to that album again, full stop – there are far, far better interpretations of The Planets out there, and as far as I know, all of them but this one actually use an orchestra, choir, and organ – as dictated in Holst’s score. ๐
This all goes back to my attempt to "speed up" the Herrmann Jason suite. If it were possible to artificially bring those tracks up to "film" speed (and not destroy the integrity of the recording itself) – yep, that’s the version I would be playing in my iPod now. I don’t think any of these options would be damaging in any way because these would just be additional choices. The consumer would still have the "composer-approved, critically-acclaimed" version of the mix as well…
You do realise that if Herrmann were alive and he read that, he would stop whatever he was doing, come and find you, and beat you repeatedly with a rolled up copy of the score whilst yelling "YOU KNOW NOTHING!!!!!" – then he’d set fire to your house. ๐
There are two problems with that. "Artificially" anything is bad news. Herrmann made a recording that you don’t like – and I don’t like it either. So I don’t listen to it. I don’t try to f**k around with it digitally so it sounds like I think it should sound – because to do so would be an affront to his artistry. I don’t like it, I think it was a mistake, but I respect Herrmann and his right to do what he thought was best with his music. I definitely don’t play back great music at chipmunk speed to make it sound more exciting.
That would make an awesome movie! I would LOVE to see that. Maybe he can take a few zimmer lovers down with him.
First of all, as a sound mixer, your angle should be more the purist than all of us put together – your job is to capture reality on tape, disc, or whatever. Stop thinking about the technology (it is, after all, merely a means to an end) and instead think about that most beautiful, romantic concept – humans making music together, speaking to one-another through the one, completely universal, limitless language that unites us all.
The difference in opinion here really goes down to what each person believes is the best way to represent music in it’s purist form. Technology definitely helps to achieve that end. To say "stop thinking about the technology" is kind of throwing the baby out with the bath water. A trumpet is technology. Admittedly I have no experience with orchestral music so I may blowing smoke to some degree but if technology can bring the consumer additional listening options then I’m all for it. Did I mention before that we would all be getting versions of the piece in it’s rawest, most "wooden" form? I keep feeling that that part is not stressed enough.
You do realise that if Herrmann were alive and he read that, he would stop whatever he was doing, come and find you, and beat you repeatedly with a rolled up copy of the score whilst yelling "YOU KNOW NOTHING!!!!!" – then he’d set fire to your house. ๐
There are two problems with that. "Artificially" anything is bad news. Herrmann made a recording that you don’t like – and I don’t like it either. So I don’t listen to it. I don’t try to f**k around with it digitally so it sounds like I think it should sound – because to do so would be an affront to his artistry. I don’t like it, I think it was a mistake, but I respect Herrmann and his right to do what he thought was best with his music. I definitely don’t play back great music at chipmunk speed to make it sound more exciting.
I see that is being no different than Elmer Bernstein conducting a Herrmann piece at a different tempo. In fact Herrmann himself was told to sit down and shut up at the Gerhardt recording sessions of his own pieces. Herrmann was also a great supporter of different interpretations of his music so you may be wrong about the burning of the house part. He would probably still beat me tho. But then a half hour later he would buy me a drink :). And then never speak to me again…
Aack! Did you just associate me with Zimmer lovers !!?? Oooohhhh…
Incidentally, don’t you like Bruce Broughton’s recording? I think he nails it. And in this case the full score is essential!! ๐
When I say "technology" I am not referring to the music, the musicians, nor the tools with which they actually make the music. I’m referring to the means by which the music is committed to whatever recording medium you’re working with.
Recording technology is at a simply stunning level of maturity. Used correctly, allows a good engineer to capture reality. But surely the utopian situation with recording technology is to perfect it to the extent where you are just hearing music.
Admittedly I have no experience with orchestral music so I may blowing smoke to some degree but if technology can bring the consumer additional listening options then I’m all for it.
I’m probably blowing orchestral-bias smoke as well, although I think that a lot of what I say is true of all kinds of music. There is a great deal more "production" in other genres however – some of which is a direct result of the technology. Some of what makes the music what it is… is explicitly engineered. The Beatles, for instance – all sorts of studio tricks – backwards tape, looping, phasing, overdubbing – you name it.
But they were using the technology to make music.
That’s different to what I’m talking about – using technology to distort existing music. ๐
Did I mention before that we would all be getting versions of the piece in it’s rawest, most "wooden" form? I keep feeling that that part is not stressed enough.
Good music is never wooden. If it’s a crappy performance, or a lifeless recording, it may be wooden – but that’s not the fault of the music. A good recording of a good performance of good music is the ideal.
I see that is being no different than Elmer Bernstein conducting a Herrmann piece at a different tempo. In fact Herrmann himself was told to sit down and shut up at the Gerhardt recording sessions of his own pieces.
Haha! I’d have enjoyed watching him sitting in the chair, fuming… ๐
However – that was Gerhardt’s recording. He makes the rules. Obviously as Herrmann was the composer, his thoughts should be considered – but ultimately there’s that subtle difference between Gerhardt’s and Herrmann’s interpretations simply differing – and the possibility that one interpretation may be just plain bad.
I think Herrmann’s Argonauts was bad. Doesn’t mean I’m going to start messing around with it in Adobe Audition though. ๐
Herrmann was also a great supporter of different interpretations of his music so you may be wrong about the burning of the house part. He would probably still beat me tho. But then a half hour later he would buy me a drink :). And then never speak to me again…
That sounds a lot more like Herrmann – changeable, fierce, steadfast, and stubborn as a mule. I can’t imagine him being too pleased at somebody saying "I think you conducted this piece too slowly, so I played your records really fast to make it sound better"…
What would I give for a chance to have met the man… ๐
Karl Jenkins – Adiemus_IV_The_Eternal_Knot
|MP3|VBR256|128MB|Ripped from Original CD|
|Celtic/Orchestral/Female Vocals|
http://rapidshare.com/files/259662799/Adiemus_IV_The_Eternal_Knot.rar
PSW: smile
http://www.amazon.com/Adiemus-IV-Eternal-Karl-Jenkins/dp/B00004WC6I
Angels_will_Seek_you_From_Heaven_-_Coba_with_Orchestra
|MP3|VBR256|96mb|Ripped from original CD|
|Orchestral/Accordion|
http://rapidshare.com/files/259651019/Angels_will_Seek_you_From_Heaven_-_Coba_with_Orchestra.rar
PSW: smile
I couldn’t find any information about this one online so I had to scan the cover myself. Fantastic album though :3
Just my last 2 cents – Lens: the Debney Jason recording rocks, yeah. Some clunky moments and some odd tempo fluctuations (which I fixed (JOKE!)) but o/w a fun listen.
Danny: "wooden" – sorry I didn’t mean "wooden" in the classical negative sense – ie – "stiff", I was just trying to impart the sense of a "natural" sound, w/o digital processing…just instruments and a good room with a "wooden" floor.

BERLIOZ – HAROLD IN ITALY, TRISTIA
Orchestre R???volutionnaire et Romantique conducted by Sir John Eliot Gardiner
MP3-V0 / 98MB / 7 tracks / 59:32
http://rapidshare.com/files/259702741/Berlioz_-_Harold_in_Italy.rar
Harold in Italy
Symphony with viola solo
1. I. Harold aux montagnes
2. II. Marche des p???lerins
3. III. S???r???nade d’un montagnard des Abruzzes
4. IV. Orgie des brigands
Tristia
5. I. M???ditation religieuse
6. II. La mort d’Oph???lie (Ballade)
7. III. Marche fun???bre pour la derni???re sc???ne d’Hamlet
Two Belioz masterpieces for you! Harold in Italy features another of those recurring themes of his; this one’s absolutely beautiful, almost like a lullaby, introduced by the solo viola at 3:25. Some edge of the seat rhythmic stuff in the orgiastic final movement – THIS is how to write action music!!
For incredible dynamic contrasts that will knock you out of your chair listen to the Funeral March piece that ends the Tristia triptych. It’s beyond epic!! The ghostly murmur of the choir at the end is stunning. Who needs tube compressors? ๐
I felt a bit ambitious so I included a few scans. There are some concise notes and a pic of Gardiner looking rather distinguished (a friend of mine interviewed him a few years back and apparently he’s a supercilious so and so. But I say he’s allowed to be!).
http://forums.ffshrine.org/showpost.php?p=1277225&postcount=469
That accordian+orchestra disc you posted looks very curious. I’ll give it a listen ๐
I did used to enjoy that tune from Adiemus that was used as the title piece for the ‘Testament’ Bible animations. But I had no idea he’d done 4! Maybe I should cautiously dip my toe into that one too.
Edit: Sirus – this Coba cd is the strangest concoction. There’s everything from klezmer to James Bond (or is it the temple theme from Zelda II? ;)). Fun listen!
|MP3|VBR256|113MB|Ripped from Original Disc|

http://rapidshare.com/files/260064300/Busoni_Piano_Concerto_Op.39.rar
PSW: smile
This is a fantastic concerto that I stumbled upon when looking for a filler to get me free shipping on Amazon. It is a wonderful little piece that everyone can enjoy. Because of the cheap price, I suggest those who love it to purchase it for their collection and if you want lossless.
http://www.amazon.com/Busoni-Piano-Concerto-Op-39/dp/B000MGTFFI/ref=sr_1_1?ie=UTF8&qid=1248570131&sr=8-1
I think I shall upload some Scriabin tomorrow. ๐
Thanks for that Sirusjr – I’m very familiar with the piece but not with this performance. Ogdon was one of the best. Really looking forward to playing this one.
"Amazon.com:
With so many compilation CDs billing themselves as being perfect for "romantic moments" or "young minds," it’s refreshing to find a CD that attempts to do nothing but get your blood pumping. And Extreme Classics does just that; there’s not a single Bach excerpt, and even Vivaldi’s summer storm from The Four Seasons couldn’t make the cut. Instead, we get snippets of Wagner’s "Ride of the Valkyries" (from Die Walkure), the conclusion of Ravel’s Bolero, as well as the finale of Tchaikovsky’s 1812 Overture. The "extreme" moniker might be a bit misleading (save that for Stockhausen!), but these are great cuts that will have your heart racing. The recordings by included conductors Leonard Slatkin, Fritz Reiner, and Eugene Ormandy are all classics. Crank it up and watch the neighbors complain! –Jason Verlinde"
I have lots of Stockhausen, too if you want extreme – "Mikrophonie I" anyone?
http://www.megaupload.com/?d=7AORT9RC
1. Die Walk?re: Ride of the Valkyries – The Philadelphia Orchestra
2. A Sea Symphony: Behold, The Sea Itself – Philharmonia Chorus
3. Symphony No. 6 ‘Pastoral’: Thunderstorm – Fritz Reiner
4. Grand Canyon Suite: Cloudburst – Eugene Ormandy
5. Requiem: Dies irae (Excerpt) – Chicago Symphony Chorus
6. The Rite Of Spring: Sacrificial Dance – Chicago Symphony Orchestra
7. Romeo And Juliet: Montagues and Capulets (Excerpt) – Philharmonia Orchestra
8. El Amor Brujo: Ritual Fire Dance – Boston Pops Orchestra
9. Bolero: Conclusion – Charles Munch
10. Gayne: Sabre Dance – Boston Pops Orchestra
11. Carmina Burana: O Fortuna – London Symphony Chorus
12. Pictures At An Exhibition: The Great Gate at Kiev – The Philadelphia Orchestra
13. Il Trovatore: Anvil Chorus – Rome Opera Chorus
14. Ein Heldenleben: Battle Scene – Fritz Reiner
15. 1812 Overture: Finale – Fritz Reiner
Yeah, the cover is so bad it’s not even funny, no argument there…
You did see the (dreadful) cover, but did you see the tracklist? This is pure gold, go for it!
Thanks a lot, Dooj.
As for feeling bad… don’t – we don’t have to drown in hardcore repertoire all the time – it’s nice to just have some fun once in a while. And if you’re feeling miserable or listless, nobody can deny that this is the way to get yourself moving again.
Ta ๐
dooj – Stockhausen would be very welcome! I’ve never got into him at all and I don’t think any has appeared thus far in the thread.
danny – how was The Planets with Charlie Mac?? I caught a bit of Jupiter on the box before going out and I thought the big tune was very stately and powerful. Surely Sir Charles had something to offer in Saturn..?
Unfortunately, the performance sent me to sleep. I quite enjoyed the Elgar (one of my favourite pieces of classical music, full stop) although I found the Delius quite lifeless and awfully dull. Even Clive Anderson and his guests weren’t enjoying it. I was in the box three to the right of the TV box and they were sitting there fidgiting about, talking to each other, looking bored, etc. And every five minutes, a makeup lady could sweep in and polish Clive Anderson’s (epic) forehead. Most exciting.
So, to The Planets. A technically adept, highly professional, very tight performance. I think any broadcaster would be proud to have an orchestra that good – and of course, the Philharmonic is only second in command. The BBC’s five orchestras always were, and remain, absolutely stunning – one of the few British institutions we can still be truly proud of.
But the whole thing left me feeling strangely emotionless. It was quite a robotic performance – it just happened and then it stopped. Venus thankfully avoided modern conductors’ attempts to play the thing like a passionate love scene. Mackerras shaped it very smooth and very broad – I don’t think Venus works when you pour on too much schmaltz, but Mackerras kept it just the right side of restrained.
Mercury sounded like one of his wings were broken – a bit sluggish for my tastes, and the woodwinds dancing around sounded again very mechanical. There was no shape – the notes were just played.
Jupiter was solid enough but the middle section failed to grab me entirely – it was more like "I will sorta-try but no promises or anything to thee my Country" – strangely non-committal to my ears.
Saturn was the biggest disaster of the night, unfortunately. I’ve never heard so much vibrato in ALL MY LIFE – even in the alternating woodwind chords at the beginning, it was just too much. I always thought Saturn should be cold, detatched, and vaguely other-worldly. It is, after all, a final gasp before death. But no, it was played like a late romantic tone poem. Didn’t like it, not at all.
Uranus – not too bad; brass was very impressive but nothing standout. Just a playthrough, not really a performance.
Neptune – nice touch to plonk the BBC Singers upstairs in the Gallery – it truly sounded as if their voices were pouring down from the sky. Unfortunately the overall performance was again somewhat drab, and the finale, with the choir alternating between chords and gradually fading into nothingness… was too fast, the singers faltered, and I think the tempo was flaky too. Mackerras didn’t conduct the choir – there was a separate conductor in the Gallery so I don’t know if they’re to blame…
So, there you go – the only time I heard louder applause was during the MASSIVELY WELL DESERVED standing ovation at the Philharmonia’s Gurrelieder earlier this year – the audience obviously loved it, but it didn’t really resonate with me at all. Oh well – you win some, you loose some.
I’ll upload the concert this evening.
Sign me up for the Grand Canyon Suite! when you get the chance, thanks- that was a very nice surprise since it hasn’t been over-used in Looney Tunes or TV commercials.
I’m also looking for this similar-but deeper comp:
http://www.classicsonline.com/catalogue/product.aspx?pid=4880
Stockhausen was my favorite composer for about 15 years and now I kind of regret being sucked into his world because it pushed away all kinds of classical music which I am just now getting into. Do you have any specific request? I will up "Gruppen" for 3 orchestras unless you have another preference. But first I have a Wagner 2CD in my queue…
Wagner: Overtures & Preludes
Richard Wagner (Composer), Adrian Boult (Conductor), London Philharmonic Orchestra (Orchestra), London Symphony Orchestra (Orchestra), New Philharmonia Orchestra (Orchestra)
http://g-ecx.images-amazon.com/images/G/01/ciu/fa/24/3f16923f8da0418a534c9010.L.jpghttp://g-ecx.images-amazon.com/images/G/01/ciu/f6/5f/f758b340dca0a89530fb5010.L.jpg
http://www.megaupload.com/?d=99EQLDUT
http://www.megaupload.com/?d=JSGZZJA7
I’ll up Stockhausen this afternoon. I know you all are very open-minded (no sarcasm here – really) but ol’ KS can be extremely…well lets just say some of his music would fall closer to a Godzilla sound effects suite. So I’ll first up some stuff which was played at the BBC Proms – ie – orchestral stuff. But later I will probably up something VERY UN-Orchestral just to get some reactions;).
In short, Stockhausen would be the outer-space version of Wagner crossed with Ben Burtt (the sound designer for the Star Wars films). He also wrote 7 operas, 1 for each day of the week, and they involve time-travel, aliens and one piece even has 4 helicopters in it. I actually have the DVD to that one.
Concerto for Viola and Orchestra / Stargazers
https://rapidshare.com/files/3627667112/Viola_Concerto_-_Stargazers.zip
Concerto for Viola and Orchestra (2007)
World Premiere Performance
1. Introduction by John Williams (3:20)
2. First Movement (11:16)
3. Second Movement – "The Family Argument" (3:51) *
4. Third Movement (9:19) **
Cathy Basrak, viola
* Timothy Genis, timpani
** Ann Hobson Pilot, harp
Stargazers (1982, rev. 2009)
First Live Performance
5. Introduction by John Williams (1:28)
6. Stargazers (5:31)
Ann Hobson Pilot, harp
More Details (http://www.jw-collection.de/classical/violaconcerto.htm)
————-
Looking the pic on the cover, isn’t Williams a true gent?! sexpot
The Helicopter String Quartet is part of an opera, I forget which one. In fact he states that every piece he’s written from 1975 to 2004 or so is part of one of the 7 operas of Light (Licht). Also all of his operas have "parts" which can (and often are) performed separately. At the Proms concert they "performed" the electronics-only portion of a piece (well the CD player did anyways). Pretty crafty, he can gets 3 performances out of 1 piece.
I’m going to start a Stockhausen thread, I’ve been meaning to start a Herrmann thread and do a chronological discography, but I just copied a bunch of KS to my HD right now so I guess I’ll do him first.
OK Stockhausen thread is here (Thread 67993). I’d like to keep it separate because then otherwise I won’t able to shut up.
dooj, you will have to be the guiding hand when it comes to Stockhausen. One of the problems I’ve had is that I just don’t know where to begin!
And thank you for the Wagner. It’s always a pleasure to hear new performances of his overtures. Grand Canyon Suite will be up in a day or two ๐
Who’s the best composer to look for on this particular instrument?
Many thanks for the music that has been posted with the harp so far.
I’ve read that this was the piece that Kurosawa asked Toru Takemitsu to based his music when composing for Ran.
Here’s Ran trailer with Takemitsu original music where ,I suppose, it’s based from that Mahler-inspired work.
I’ve read that this was the piece that Kurosawa asked Toru Takemitsu to based his music when composing for Ran.
Here’s Ran trailer with Takemitsu original music where ,I suppose, it’s based from that Mahler-inspired work.
http://www.youtube.com/watch?v=PfUIxYWrVGE
Since I am currently in love with Ran, I must say – this is very relevant to my interests.
http://rapidshare.com/files/185471594/MDLVDE-BBCNSOJH.7z
Posted at "when-the-musics-over.blogspot.com/"
I am looking for "BACH: GREAT ORCHESTRAL TRANSCRIPTIONS" from BIDDULPH Records.
http://www.musicweb-international.com/classrev/2001/jan01/Bach_Transcriptions.htm
Thanks in advance!
http://rapidshare.com/files/185471594/MDLVDE-BBCNSOJH.7z
Posted at "when-the-musics-over.blogspot.com/"
Thank you, one thousand three hundred and thirty-seven…!
I also found by google a site with a different perfomance of this Mahler work, but in flac format for someone interested.
Google is really an amazing thing. I not only found another version but also a new site that I never seen before.
Downloads
http://rapidshare.com/files/255607864/Lappy_GMDE1959.part1.rar
http://rapidshare.com/files/255630971/Lappy_GMDE1959.part2.rar
http://rapidshare.com/files/255642586/Lappy_GMDE1959.part3.rar
http://rapidshare.com/files/255642588/Lappy_GMDE1959.part4.rar
Password: lappy
It’s only a few notes actually, and is quite different in tone than Ran which is much more dramatic. And Takemitsu was a enough talented composer to create something original of his own, rather then copy/paste jobs from other works.
GEORGE GERSHWIN
RHAPSODY IN BLUE
The Paul Whiteman Band
George Gershwin, piano
1927 Recording
This is my own transfer, and extensive remaster, from this British HMV pressing of Gershwin’s famous 1927 recording of Rhapsody in Blue. He recorded the piece twice with Whiteman’s band – once in 1924 with the old acoustic process, and again three years later in this electric recording.
I rescued this 82 year-old record from a dusty car boot sale when I was 11. The guy selling it took pity on me because I was just a kid and let me have it for 10p. I didn’t like to tell him that he had just given me a piece of musical history! I said thank you and ran off, clutching this wonderful record in my hands.
At the time, I only had a crummy record player (also from the ubiquitous car boot sale) and although this record sounded awfully good for its vintage, it never really shone. It went into a box in my wardrobe… and came out this afternoon. About five years ago I was going into business with a friend from work as a startup media company, so I had a brand new turntable custom built, and commissioned a diamond-grinding company to make me three needles. (Incidentally, SOMEBODY ELSE paid for this! I am a poor man! Just thought I’d add that so you don’t think I’m some arrogant rich bastard who can afford such luxuries…!) I won’t go on about the long complicated history of record restoration – I’ll just say that on older records (over simplifying for the sake of brevity) it is sometimes prudent to play them with a special stylus that has had the tip sawn off – that way, the needle doesn’t reach the bottom of the groove (where the damage, dust, mold, and what have you is usually worst) and so you reduce the noise. The venture fell through, and when the man went travelling, I inherited the turntable and the needles, and I went off to do audio restoration and production freelance – and the rest is history…! (Honesty time: I didn’t expect the business to work out… I really just wanted the turntable. I had my eyes on it from the beginning. *shame*)
Enjoy this gorgeous performance of Rhapsody in Blue the way it was intended – in its original jazz band arrangement, and with the infectious solo piano of the great Gershwin himself!
Also I am torn between whether I should tell you to get better soon or wish you continued sickness so we can get more awesome music but I think i’ll go for the former.
Also I am torn between whether I should tell you to get better soon or wish you continued sickness so we can get more awesome music but I think i’ll go for the former.
Screw that! Go for the latter! Danny get sick more!
๐
I kid. Get well soon Danny!
GEORGE GERSHWIN
RHAPSODY IN BLUE
Wow – this is great, thanks. Funny, just yesterday I was listening to the 1971 Andre Previn version and it’s almost twice as long. I guess the symphonic arrangement adds a few bars…
Still a fascinating recording though. ๐
[Edit: Or not… Upload failed. Bollocks to Rapidspread. Trying again.]
Ermm…
Is it still coming? ;D
that butterflie or something xD
Unfortunately, the performance sent me to sleep. I quite enjoyed the Elgar (one of my favourite pieces of classical music, full stop) although I found the Delius quite lifeless and awfully dull. Even Clive Anderson and his guests weren’t enjoying it. I was in the box three to the right of the TV box and they were sitting there fidgiting about, talking to each other, looking bored, etc. And every five minutes, a makeup lady could sweep in and polish Clive Anderson’s (epic) forehead. Most exciting.
So, to The Planets. A technically adept, highly professional, very tight performance. I think any broadcaster would be proud to have an orchestra that good – and of course, the Philharmonic is only second in command. The BBC’s five orchestras always were, and remain, absolutely stunning – one of the few British institutions we can still be truly proud of.
But the whole thing left me feeling strangely emotionless. It was quite a robotic performance – it just happened and then it stopped. Venus thankfully avoided modern conductors’ attempts to play the thing like a passionate love scene. Mackerras shaped it very smooth and very broad – I don’t think Venus works when you pour on too much schmaltz, but Mackerras kept it just the right side of restrained.
Mercury sounded like one of his wings were broken – a bit sluggish for my tastes, and the woodwinds dancing around sounded again very mechanical. There was no shape – the notes were just played.
Jupiter was solid enough but the middle section failed to grab me entirely – it was more like "I will sorta-try but no promises or anything to thee my Country" – strangely non-committal to my ears.
Saturn was the biggest disaster of the night, unfortunately. I’ve never heard so much vibrato in ALL MY LIFE – even in the alternating woodwind chords at the beginning, it was just too much. I always thought Saturn should be cold, detatched, and vaguely other-worldly. It is, after all, a final gasp before death. But no, it was played like a late romantic tone poem. Didn’t like it, not at all.
Uranus – not too bad; brass was very impressive but nothing standout. Just a playthrough, not really a performance.
Neptune – nice touch to plonk the BBC Singers upstairs in the Gallery – it truly sounded as if their voices were pouring down from the sky. Unfortunately the overall performance was again somewhat drab, and the finale, with the choir alternating between chords and gradually fading into nothingness… was too fast, the singers faltered, and I think the tempo was flaky too. Mackerras didn’t conduct the choir – there was a separate conductor in the Gallery so I don’t know if they’re to blame…
So, there you go – the only time I heard louder applause was during the MASSIVELY WELL DESERVED standing ovation at the Philharmonia’s Gurrelieder earlier this year – the audience obviously loved it, but it didn’t really resonate with me at all. Oh well – you win some, you loose some.
I’ll upload the concert this evening.
Sorry to quote all the text above. Was just wondering if anyone could please up load Delius’s Song of the High Hills and Elgar’s Cockraigne (is that right?) overture pretty please. The Prom’s performances were quite flat, but I did enjoy the works originally (esp Delius). Thanks in advance!
I’d be happy to upload something for you in return, should I have it…
Thanks, folks!
-A.
Uploads = Delayed AGAIN. ๐
Me = Sorry.
Will fix tomorrow.
Look after yourself and get better soon.
-A.
Uploads = Delayed AGAIN. ๐
Me = Sorry.
Will fix tomorrow.
You have the H1N1 ??
Danny, hope you get well soon and take care of yourself…
Thanks,
-A.
Oh, and as for the Glagolitic Mass, I’m currently quite happily downloading the audio from the youtube clips posted earlier, which I can save as mp3’s, and then copy across to my iPod. So all good.
-A.
I have Harmonium, harmolierie, Short ride, Tansfigerations, and chairmen dances. But I’m looking for other stuff,
As well as some good Tchaikovsky symphonies, done by CSO, or any Orchestra with loud brass
But, he wrote it for Large Wind Ensemble, So its the Texas wind symphony Under Jerry Junkin, As well his his Gazebo Dances (a 4-hands piano piece rearranged for wind ensemble)
So if anyone wants to go jumping into that stuff i can rip it and upload it, just let me know
I have Harmonium, harmolierie, Short ride, Tansfigerations, and chairmen dances.
Which John Adams? John Luther Adams or John Coolidge Adams?
OH and I have A pretty good recording of John Corgilino’s Third Symphony "Circus Maxius"
But, he wrote it for Large Wind Ensemble, So its the Texas wind symphony Under Jerry Junkin, As well his his Gazebo Dances (a 4-hands piano piece rearranged for wind ensemble)
So if anyone wants to go jumping into that stuff i can rip it and upload it, just let me know
Yes, please. Band music is severely underrated and hard to come by. Plus it’s the Texas Wind Ensemble, so you can’t go wrong.
Yes, please. Band music is severely underrated and hard to come by. Plus it’s the Texas Wind Ensemble, so you can’t go wrong.
John Collidge Adams
i also have North Texas Wind Symphony Cd if anyone wants that too, ill start the uploads now for the Circus Maximus’
John corigliano "Circus Maximus"
http://rapidshare.com/files/265642232/Archive.zip.html
(It’s in just normal mp4, if you want another format let me know, and tell me how to convert it and I shall do it)
P.S. When you first listen to it, it might seem weird but it is suppose to sound like your in a Concert hall, with them all the way around you
IF anyone wants the North Texas CD let me know and I’ll upload it
Yersterday i was checking this site that talked about 100 OPERA CLASSICS, but i haven’t found any of them =(. Does anyone here has those songs?
http://www.abc.net.au/classic/classic100/opera.htm
thanks in advance.
Two requests, if you please:
Bruckner Sym. # 3; Busoni TanzWalzer, conducted by Horenstein on BBC Legends
Bernstein’s Mass, conducted by Kristjian Jarvi, on Chandos
Thank you.
But Does anyone have Any Choral Stuff From Eric Whiticare (Sp?) I recently heard one of his pieces and i would like to hear more, anything would be nice
i also have North Texas Wind Symphony Cd if anyone wants that too, ill start the uploads now for the Circus Maximus’
Sorry for the late reply. For John Coolidge Adams I have:
Century Rolls
Dr. Atomic Symphony
Lollapalooza
On the Transmigration of Souls
Shaker Loops
Violin Concerto
I wouldn’t mind having that Texas Wind Symphony CD ๐
Welcome His 3rd symphony was the frist thing I have ever heard from him, I like his writing style ALOT.
But Does anyone have Any Choral Stuff From Eric Whiticare (Sp?) I recently heard one of his pieces and i would like to hear more, anything would be nice
Of his choral pieces I have:
Cloudburst
I Thank You God For This Most Amazing Day
Little Tree
Lux Auromque
Sleep
Water Night
When David Heard
I fully recommend Cloudburst, Lux Auromque and especially Sleep. As for other Whitacre pieces (some of which has choral sections) I have:
Ghost Train
Godzilla Eats Las Vegas
Lux Auromque (for Brass Ensemble)
October
Only the Beginning
Sleep (for Concert Band)
Also, to both of you, I’m moving the day after tomorrow, so any requests (if there even are any) will have to wait until I’m settled into my new place, sometime next week. Hopefully though someone else can help you out.
Paul B???ttner or Buttner: Symphonies 1-3
Berlin Radio Symphony Orchestra
Conductor: Gerhard Pfluger or Pfl???ger.
LP Rip. Please.
as for Eric Whitacre, Pretty much everything you’ve got if its not a big upload, and if you give me till the end of the day today i can get that north Texas one up.
http://forums.ffshrine.org/showpost.php?p=1252741&postcount=378
Composer(s):Michael Daugherty, David Gillingham, Donald Grantham, Daron Hagen, John Philip Sousa, Daniel Welcher, Charles Rochester Young,
Tracks:
1. Young: Tempered Steel
2. Grantham: Southern Harmony (Movement’s 1-4)
3. Gillingham: Concertino for Four Percussion
4. Sousa: Easter Monday on the White House Lawn
5. Welcher: Symphony No. 3 ‘Shaker Life’ (Movement’s 1-2)
6. Hagen/Spede: Wedding Dances from "Bandanna"
7. Daugherty: Niagara Falls
http://www.megaupload.com/?d=MLQC6BTN
It’s in MP4 want another format please let me know
Thanks,
-A.
I saw it here:
http://www.youtube.com/watch?v=o_LcU8rx-J8&feature=related.
Do somebody has it? The complete Masterpiece of Concerto n.5?
Thanks in Advance.
I saw it here:
http://www.youtube.com/watch?v=o_LcU8rx-J8&feature=related.
Do somebody has it? The complete Masterpiece of Concerto n.5?
Thanks in Advance.
Ahhh, I see you have taken an interest in the Egyptian Concerto! really a wonderful and under appreciated piece. Saint-Saens’ music is clever and listening to his music never dissapoints.
A few things to listen to within the concerto:
Mvt 1: The 2 lovely themes that interchange and develop
Mvt 2: The piano imitates the sounds of crickets chirping in the night
http://avaxhome.ws/music/classical/saint_saens_thibaudet.html
A few things to listen to within the concerto:
Mvt 1: The 2 lovely themes that interchange and develop
Mvt 2: The piano imitates the sounds of crickets chirping in the night
http://avaxhome.ws/music/classical/saint_saens_thibaudet.html
They are asking a password. which is it?
As shown on the website.
GEORGE GERSHWIN
RHAPSODY IN BLUE
The Paul Whiteman Band
George Gershwin, piano
1927 Recording
Danny Sir, you are the Man. I love this recording of Rhapsody in Blue! It is such an amazing recording, with Gershwin him self playing the piano! I love it! My parents have this EXACT same record, but sadly it is in poor shape. Also acquired at a yard sale, there is a large gash about mid way through the record that must be manually skipped past. I am so happy you transferred this so I can hear this in its entirety. I also MUST applaud you on how clean and clear this sounds for how old of a recording this is. Whatever you did to clean up the audio worked our very well!
I have a recording conducted by Michael Tilson Thomas that I will have to dig out and put up here for you in return for your awesome presentation of the classic recording ๐
Found:
MONTEVERDI – VESPERS
Gabrieli Consort and Players, Paul McCreesh
http://rapidshare.com/files/135395197/Monteverdi.Vespro.McCreesh.part1.rar
http://rapidshare.com/files/135395841/Monteverdi.Vespro.McCreesh.part2.rar
๐
http://www.rapidspread.com/file.jsp?id=gahknxhjbg
This is a placeholder. Artwork and more info to come in about an hour. But the music is yours as of right now. ๐
With pleasure. ๐
Does anybody here have another Saint-Sa???ns or Choral composition?
or maybe the complete work of H???ndel: "Alexander Feast"?
http://www.youtube.com/watch?v=vl9EKtZg4XU&feature=related
thanks in advance :)!
Prague National Orchestra and Chorus
|MP3|VBR|2CD|210MB|

http://www.sendspace.com/file/03bmtw
PSW: smile
MONTEVERDI – VESPERS
Gabrieli Consort and Players, Paul McCreesh
http://rapidshare.com/files/135395197/Monteverdi.Vespro.McCreesh.part1.rar
http://rapidshare.com/files/135395841/Monteverdi.Vespro.McCreesh.part2.rar
๐
You sir, are something wonderful! Thank you VERY much. I’ll start downloading it after midnight.
-A.
http://www.rapidspread.com/file.jsp?id=gahknxhjbg
This is a placeholder. Artwork and more info to come in about an hour. But the music is yours as of right now. ๐
Woo hoo! Thank you thank you! But I’ve been enjoying the audio files downloaded from youtube.
-A.
I think i did the right thing here,
didn’t listen on youtube, waited for the DANNY version ;D
s’gonna be more WOW when i hear it the first time me thinks,
all my patience shall now finally pay off
I’ve followed your orders, and you were quite right. The new mp3’s are quite simply magnificent. Thank you again!
-A.
TARTINI – THE DEVIL’S SONATA
Andrew Manze
http://rapidshare.com/files/57900961/Tartini_Il_Trillo_del_Diavolo_e_outras_obras_Manze .rar
I love Violin ๐
cheers and thanks,
-A.
Magic Fire
All tracks @ 320 Kbps
http://rapidshare.com/files/271785065/Magic_Fire.zip
Details from Varese Sarabande site.
Magic Fire
By Erich Wolfgang Korngold
Original Motion Picture Soundtrack
This title is now sold out
Limited Edition of 1000 copies
Music Composed by Richard Wagner
Adapted and Supervised by Erich Wolfgang Korngold
Williams Dieterle???s 1955 film biography was the last film to be scored by the great Erich Wolfgang Korngold. Though retired from film scoring since 1947, Dieterle coaxed the master composer into returning in order to adapt and supervise all of the film???s music. Korngold would be free to choose repertoire, artists, orchestra, chorus and the recording venue, and Korngold???s wishes in musical/dramatic matters were to be adhered to without any interference. So while the music is by Wagner, this is Korngold???s baby, through and through. And what a baby it is! Magic Fire is a thrilling tribute from one legendary composer to another. The soundtrack also exhibits Korngold???s utter mastery at the piano.
The film starred Alan Badel as Wagner, Carlos Thompson as Franz Liszt and also featured both Yvonne De Carlo and Peter Cushing. Even Korngold himself appeared, playing conductor Hans Richter.
Magic Fire is a priceless historic document and a truly magical musical creation all its own.
The final curtain call of the great Erich Wolfgang Korngold is at last available on CD.
This special commemorative edition remembers both Erich Wolfgang Korngold and his son, the legendary music producer George Korngold. November 2007 marks the 50th anniversary of Erich???s death and the 20th anniversary of George???s. Neither will ever be forgotten.
The CD features the original extensive liner notes by George Korngold.
TRACK LISTING:
1. Main Title (Die Walk???re, Act 3) (1:48)
2. The Meadow (1:17) (Rienzi, Rienzi???s Prayer and Overture)
3. Ocean Voyage and Paris (:55) (Der Fliegende Holl???nder, Overture and Daland???s Aria, Act 2)
4. Visit To Meyerbeer (:59) (Les Huguenotes, Page Boy???s Aria, Act 2)
5. Wagner Plays For Meyerbeer (1:36) (Der Fliegende Holl???nder, Overture) Erich Wolfgang Korngold, piano
6. Der Fliegende Holl???nder, Performance (3:36) (Opening, Ghost Chorus and Finale) Otto Edelman, bass-baritone / Leonie Rysanek, soprano
7. Revolution and Tale Of The Holy Grail (5:19) (Lohengrin, Prelude and Entr???Acte, Act 3) Hans Hopf, tenor
8. The Salon (1:38) (Die Walk???re: Winterst???rme, Act 1) Leonie Rysanek, soprano
9. Wagner Plays Tristan Und Isolde (3:17) (Prelude, Act 3) Erich Wolfgang Korngold, piano
10. Love Scene (2:37) (Dreams from the Wesendonk Lieder)
11. Tannh???user, Paris Performance (3:19) (Overture and Venusberg Ballet, Act 1)
12. Tannh???user (Continued) (1:31) (S???ngerkrieg, Act 2) Otto Edelman, bass-baritone / Hans Hopf, tenor
13. Z???rich (Tristan Und Isolde, Prelude to Act 2) (:41)
14. The Bedroom / The Messenger (1:27) (Tristan Und Isolde, Act 2 and Act 3)
15. Farewell (2:47) (Tristan Und Isolde, Act 2) Erich Wolfgang Korngold, piano
16. Arrival In N???rnberg (Die Meistersinger, Act 3) (:54)
17. Neuschwanstein (Die Meistersinger, Act 3) (1:30)
18. Wagner Plays Themes (Die Meistersinger), Vocal Rehearsal (1:45) (Preislied, Act 3) Erich Wolfgang Korngold, piano Otto Edelman, bass-baritone / Hans Hopf, tenor
19. Die Meistersinger, Performance (2:32) (Overture and Act 3)
20. The Warning (:52) (Der Ring Des Nibelungen, Curse, Fate and Death Motives)
21. Triebchen (Siegfried, Act 3 and Siegfried Idyll) (1:45)
22. Liszt And Cosima: Wagner Weds (1:22) (Die Walk???re, Wotan???s Farewell, Act 3 and Lohengrin, Wedding March, Act 3)
23. Bayreuth (:32) (Die G???tterd???mmerung, Walhall Motive and Siegfried???s Rhinejourney)
24. Der Ring Des Nibelungen, Performance-Montage (5:06) Das Rheingold, Nibelheim, Scene 3, Spear Motive, Scene 4 ??? Otto Edelman, bass-baritone / The Rhinemaidens, Scene 4 / Die W???lkure, Ride Of The Valkyries, Act 3 ??? Leonie Rysanek, soprano / Siegfried, End Of Act 1 ??? Hans Hopf, tenor / Siegfried, Entr???Acte, Act 3 / Die G???tterd???mmerung, End of Act 3 ??? Leonie Rysanek, soprano
25. Venice, Wagner Plays Themes From Parsifal (2:41) (Parsifal Chimes, Bell Theme, Temptation Theme and Flower Maidens, End Of Act 3) Erich Wolfgang Korngold, piano
26. Wagner???s Death ??? Finale (1:07) (Parsifal, End Of Act 3)
Thanks Sanico! This is perhaps mostly of curiosity value, but I love the tracks with Korngold at the piano. Moreover, it reminds me how much I NEED to see this film! William Dieterle was a brilliant, undervalued director, with a great visual sense, and an ability to modulate ‘tone’ to magical effect – a thing sadly now lost to cinema ๐
There’s a new recording of EWK’s arrangement of Mendelssohn’s music for A Midsummer Night’s Dream (1935 – another Dieterle production, with some exquisite, rich, pictorial imagery). I’m going to try to get my hands on it as soon as I can, and I’ll be sure to upload it here when I do.
Sirusjr – The Cunning Little Vixen is much appreciated too. Great upgrade from the suite I have.
TCHAIKOVSKY – SWAN LAKE
(Complete Ballet)
Andre Previn, London Symphony Orchestra
Part 1: http://www.mediafire.com/?1jjwmy5zmiz
Part 2: http://www.mediafire.com/?tvwmmjuzmjm
Part 3: http://www.mediafire.com/download.php?tvjgj020f1w
Can you handle APE?
If so, this page has the rapidshare links:
http://avaxhome.ws/music/monteverdi_vespro_della_beata_vergine_savall.html
The link for Part 3 leads to the same link as part 2, lens.
Here’s the corrected link:
http://www.mediafire.com/download.php?tvjgj020f1w
(Complete Ballet)
Charles Dutoit, Montr???al Symphony Orchestra
MP3-V0 + Scans
http://www.mediafire.com/?8ksbw1ujbep8ubs
http://www.mediafire.com/?7ic2aa0bu2amcv3
From the Gramophone review:
The Montreal performance is in every way recommendable. The very opening sets the seal on Dutoit’s approach and the aptness of his pacing, with the warm introduction leading through a perfectly managed accelerando to the Allegro giusto, and elsewhere the tempo relationships maintain the structural flow of Tchaikovsky’s four carefully conceived sections, almost like the four movements of a ballet-symphony, with a distinct key structure. Yet Dutoit revels in the imaginative orchestral colour and the diversity of the individual sections of the "Pas de deux", "Pas de trois", "Pas de six" and the famous "Danses de cygnes". It is above all a romantic reading, and rises to the occasion, appropriately reaching its peak in the great final scene, where the Swan theme is giving its frisson-creating transformation at the B major climax. Here the resplendent Decca recording is wonderfully expansive, and throughout the glowing St Eustache acoustic adds much to the beauty of the sound. There is an excellent introduction on the work’s history from Noel Goodwin and John Warrack’s exemplary synopsis not only relates the narrative to the music, number by number, but tells us about the composer’s self-borrowings from his operas Undine and The Voyevoda. I would now regard Dutoit as a clear first choice.
I am currently downloading the second one you posted and am looking forward to enjoying it!
(Complete Ballet)
Valery Gergiev, Kirov Orchestra
MP3-V0 + Scans
http://www.mediafire.com/?3rym3b4yl3e7hvb
Review in The New York Times:
For most of us, Tchaikovsky’s ballet ”The Nutcracker” probably means one of two things: the perennial magic of the stagework itself or a purely musical encounter with the beloved little dances that pepper the second act. But who would pause over the whole of Tchaikovsky’s musical work, every scene and transition, without the stagecraft and dancing? After all, ”The Nutcracker” isn’t exactly the ”Pathetique” Symphony.
Or is it? In a new recording by Valery Gergiev and the Kirov Orchestra ”The Nutcracker” takes on a symphonic aspect of unsuspected power and depth. While cleverness and brilliance may be routinely associated with Tchaikovsky’s evergreen score, Mr. Gergiev gives fresh meaning to those virtues in an interpretation that is anything but routine.
Listening to the Kirov’s vibrant playing here, one thinks of Toscanini’s definition of tradition as the last bad performance. At least in the West, tradition has glazed the rich textures of ”The Nutcracker” with a superficial gloss that reflects nothing much deeper than good tunes. Mr. Gergiev and his savvy Russian ensemble strip away that varnish to get at the counterpoint, the interior voices and their animating rhythms. End to end, it’s a heady process of rediscovery.
Again and again, one is reminded of Tchaikovsky’s lifelong fascination with music of the 18th century. Along with the sparkling clarity and motoric energy that Mr. Gergiev brings to the work at every turn, he also catches a distinctive edge of Sturm und Drang that charges Tchaikovsky’s music at unexpected points: in Drosselmeyer’s presentation of gifts, in the impassioned duet between Clara and the Nutcracker, even in the grand waltz that crowns the ballet.
Perhaps nowhere is Mr. Gergiev’s sense of the musical fabric more striking than in the transitional Act I tableau of the Christmas tree, leading to the ”Waltz of the Snowflakes.” The conductor achieves an aura of dramatic suspension and flow worthy of a well-fashioned symphonic movement; ”The Nutcracker’,’ Mr. Gergiev demonstrates, makes for compelling theater even on the stage of the imagination.
But above all, his seriously considered reading shows us an eveninglong symphonic work of unflagging vitality and invention. Tchaikovsky may have rued the wild popularity of his children’s tale, but that was after the creative fact. Mr. Gergiev takes us back to that first light of inspiration, and his orchestra plays as if guided by the composer’s own hand.
I can quite happily live without the cutesy ‘Overture’ and ‘March’ too, but I think you’ll be surprised at how fresh and vivid some of the other famous tunes are in this recording. He really goes for the baselines and syncopations ๐
(Complete Ballet)
Mikhail Pletnev, Russian National Orchestra
MP3-V0 + Scans
Disc 1: http://www.mediafire.com/?5umz3efjgfq56al
Disc 2: http://www.mediafire.com/?9do9md1gha65jnv
Gramophone:
Given the total engagement in every bar of this recording, especially the vivid and varied characterisation, one is left wondering why there appeared to be less of it in this team’s DG cycle of the Tchaikovsky symphonies. That Pletnev knows and loves this score was already obvious from his own piano arrangements of parts of it, and their recordings. And if ever proof was needed of the pianist’s ability to transfer completely intact to the orchestra his own special brand of fantasy and superfine articulacy, this is it. Hardly a minute passes without one’s ear being enchanted by an affective gesture of the utmost precision, poise and sensitivity (all the various solos are superbly done); and significantly, the now-familiar Pletnev ideal of the tactfully and revealingly balanced tutti does not result in anticlimax, as it did in some of the symphonies.
If you need convincing, try the last ten minutes of Act 2 – a symphonic impression of the 100year sleep, owing not a little to Wagner in its methods and to something of the magical workings of Tchaikovsky’s own sea music for The Tempest – and ask yourself if you have ever heard it as atmospherically shaded; the subtle glints of Tchaikovsky’s wonderful orchestration as well caught; or the transition from static contemplation, through the kiss, to genuinely joyful activity, as well-gauged. A very special combination of all the right choices made as regards dynamics, tempo and differentiation of mood and, like so much else in this performance, a scene whose potential I cannot recall having been as fully realized as it is here.
The DG sound for Pletnev is as vibrant as you could wish, with deep perspectives and a superbly managed ambience. The ‘magical’ scenes are bathed in the appropriate enchanted halo, yet the textures kept clear in the active, louder sections of the score. It is a fractionally more brilliant sound than DG supplied in the symphonies (at last, the timpani are fully in focus!) and if the cellos are occasionally obviously spotlit and the violins inclined to a very slight steeliness in their upper reaches (their lower ‘chest’ voices are as glorious as ever), there is no denying the expert matching of tone and body of these divided fiddles (the score abounds in antiphonal exchanges for them). Not an easy task with half of them pointing in a different direction. I suppose that if you are going to divide your first and second violin desks, the ideal would be to have a group of seconds who were all left-handed!
Well quite! ๐ It’s well known that Horner took ‘inspiration’ from Tchaikovsky (among many others). Listen to the wind chords at 2:50 in ‘Inside the Christmas Tree’ – it’s Apollo 13!!
YOU…dramatical pause for a deep breath-in…HAVE SOMETHING…dramatical pause for a breath-out…AGAINST MY BELOVED NUTCRACKER o_O LOL
streichorchester, indeed an impressive collection…I am glad, that I???m not the only classical freak around ๐
Lens of Truth, thanks for the complete ballets ๐
May I ask you, people, don???t you know, where I could find Rachmaninoff???s "Bumblebee" and Pachelbel???s "Canon in D" arranged for piano? Just decided to give it a try ๐ Because I???m totally hopeless T_T
Thanks for the other two Tchaikovsky ballets, lens!!
I enjoyed them very much!!
Heyy, Lens, this link
http://www.mediafire.com/?tvwmmjuzmjm
doesn’t seem to be working for me…
I’ve DLed part 1 and 3 of the mediafire links, but part2 loads just the same, looks like it’s gonna work, s’all there, but i click "download" and it just doesn’t start… it just takes ages then presents me with "Page Load Error"…
Erm, anyone else having this problem? Perhaps you could upload this part2 somewhere else? Or if it IS broken, somehow, perhaps you could try and fix it? ^^”’
Thanks Lens…
Okay ^^’
Thanks
Damn you people and your unlimited DLs T_T
It shall forever remain a dream for me…
|Herbert Von Karajan conducts the Berliner Philharmoniker|
|MP3|192kbps|
Each CD is a separate Rar

CD1: Symphonies 1 and 2
http://rapidshare.com/files/274917132/Tchaikowsky_6_Symphonies_CD1.rar
CD2: Symphonies 2 and 3
http://rapidshare.com/files/274917136/Tchaicovsky_6_Symphonies_CD2.rar
CD3: Symphonies 4 and 5 Plus Scans
http://rapidshare.com/files/274924073/Tchaicovsky_6_Symphonies_CD3.rar
CD4: Symphonies 5 and 6
http://rapidshare.com/files/274927668/Tchaikovsky_6_Symphonies_CD4.rar
PSW: smile
VERDI – MACBETH
Claudio Abbado, Milan La Scala Orchestra & Chorus
Pl???cido Domingo, Shirley Verrett, Piero Cappuccilli, Nicolai Ghiaurov
http://rapidshare.com/users/24XD3Y
Password: www. AvaxHome. ru
(without spaces)
Carl Nielsen & Kalevi Aho : Concertos for Clarinet and Orchestra – Martin Frost – Osmo Vanska – Lahti Smphony Orchestra – SuperAudioCD – 2007.
Nielsen Carl : String Quartets Vol.1: The Young Danish String Quartet – SuperAudioCD – 2007.
Carl Nielsen : Orchestral Music : Thomas Dausgaard – Danish National Symphony Orchestra / DR – SuperAudioCD – 2007.
Credits to elphie
Playlist:
1. Whistle While You Work / Snow White and the Seven Dwarfs (Beethoven)
2. Give a Little Whistle / Pinnochio (Haydn)
3. A Whole New World / Alladin (Chopin)
4. Lavender Blue (Dilly Dilly) / So Dear to My Heart (Faure)
5. Just Around the Riverbend / Pocahontas (Vaughan Williams)
6. Chim Chim Cher-Ee / Mary Poppins (Pachelbel)
7. The Siamese Cat Song / Lady and the Tramp (Falla)
8. Some Day My Prince Will Come / Snow White and the Seven Dwarfs (Berlioz)
9. Circle of Life / Lion King (Gregorian Chant)
10. So This Is Love / Cinderella (Debussy)
11. Kiss the Girl / The Little Mermaid (Sibelius)
12. Bibbidi-Bobbidi-Boo / Cinderella (Bach)
13. You’ve Got a Friend in Me / Toy Story (Bernstein)
14. Bella Notte / Lady and the Tramp (Satie)
15. The Ballad of Davy Crockett (Copland)
Matthias Bamert, BBC Philharmonic Orchestra
MP3-V0 + PDF booklet
http://rapidshare.com/files/275240699/Stokowski_s_Mussorgsky.rar
1. A Night on Bald Mountain 10:15
Boris Godunov: Symphonic Synthesis 24:20
2. Outside the Novodievichi Monastery – 6:56
3. Coronation of Boris – 5:29
4. Monks chanting in the Monastery of Choudov – 2:47
5. Siege of Kazan – 1:35
6. Outside the Church of Saint Basil – 3:41
7. Death of Boris – 3:52
8. Entr`acte to Act IV of Khovanshchina 5:25
Pictures at an Exhibition 28:48
9. Promenade – 1:53
10. Gnomus – 2:23
11. Promenade – 0:56
12. The Old Castle – 3:46
13. Bydlo – 2:43
14. Promenade – 0:46
15. Ballet of the Chickens in their Shells – 1:04
16. Samuel Goldenberg and Schmuyle – 2:23
17. Catacombs – 1:53 ???0.70
18. Con mortuis in lingua mortua – 1:51
19. The Hut on Fowl’s Legs (Baba Yaga) – 2:59
20. The Great Gate of Kiev 6:09
A treat for all fans of dark, burnished orchestral music. These are Leopold Stokowski’s orchestrations of various works by Modest Mussorgsky. Beginning with his arrangement of ‘A Night of Bald Mountain’ for Disney’s Fantasia – that lies somewhere in between the rough-hewn Mussorgsky original and Rimsky-Korsakov’s more refined version, and taking us through a ‘Symphonic Synthesis’ of the opera Boris Godunov (a masterpiece of musical narrative and atmosphere) to a grand setting of ‘Pictures at an Exhibitiion’. Originally a piano suite, ‘Pictures’ is best known in Ravel’s orchestration. Stokowski, though, does things a little differently, keeping the fulsome Russian flavour of the score (he omits two short numbers not present in the original manuscript that he deemed ‘too French’), and the orchestral texture is ripe and thick-set. The grotesquery of ‘Gnomus’ and ‘The Hut on Fowl’s Legs’ may make you think of a certain Mr Herrmann, and in the rousing finale, ‘The Great Gate of Kiev’, Stokowski treats the orchestra like a giant sonorous organ, with instruments blending and swelling over a pedal bass, while bells chime in triumph.
Hope you enjoy it as much as I do! ๐
Can’t wait to listen to them!
Carl Nielsen – String Quartet
|Young Danish String Quartet|
|MP3|VBR256 V-0 Fast|Scans|
(http://img228.imageshack.us/my.php?image=coverav.jpg)
01. String Quartet in G minor, OP.13 : I. Allegro energico [0:09:48.51]
02. II. Andante amoroso [0:05:45.29]
03. III. Scherzo : Allegro molto [0:04:56.65]
04. IV. Finale : Allegro (inquieto) [0:05:42.46]
05. String Quartet in F major, OP.14 : I. Allegro non tanto e comodo [0:07:52.58]
06. II. Adagio con sentimento religioso [0:07:50.21]
07. III. Allegretto moderato ed innocente [0:03:39.56]
08. IV. Finale : Molto adagio – Allegro non tanto, ma molto shcerzoso [0:06:39.63]
09. String Quintet in G major : I. Allegro pastorale [0:08:22.40]
10. II. Adagio [0:07:10.66]
11. III. Allegretto scherzando [0:04:30.23]
12. IV. Finale : Allegro molto [0:05:20.34]
http://rapidshare.com/files/275366099/CN-SQV1.rar
PSW: smile
Review by Classics Today:
It’s been a very good couple of years for the clarinet repertoire, what with magnificent new concertos written by Lindberg, Rautavaara, and now this one by Kalevi Aho. Intensely lyrical, thematically memorable, and beautifully scored, this piece easily should find a home in concert halls throughout the world. Aho has said that he writes melodically because it is still the best tool for the musician to convey the most expressive information in the smallest space; the truth of his observation is evident in every bar of this evocative concerto. It covers a huge range of moods, from a Tempestoso opening to its emotional core, an Adagio mesto ("sad"), that leads to a Mysterioso conclusion. Along the way there’s plenty of virtuosity, of which Martin Frost takes full advantage.
The Nielsen Concerto, perhaps the greatest work in the medium, also receives an outstanding performance, though I have one small reservation. This is an eruptive, often angry work–I’m thinking of such moments as the cadenza after figure 7, marked "passionato", and in some of the duels between clarinet and snare drum. Frost plays all of these passages with consummate technique, but with such nimbleness and ease of articulation that some of the music’s inherent stridency and combattiveness seems to get lost. This is only obvious in direct comparison to such performances as Olle Schill’s (also on BIS), or perhaps the Drucker/Bernstein (Sony), where the two soloists manage to turn admittedly more effortful performances to more intense expressive effect.
I suspect that for most listeners this won’t be a big deal, and Frost’s musicianship is such that he’s a joy to listen to in any circumstances. There isn’t a minute in either work where you will find your attention wandering, particularly with such sympathetic accompaniments from Vanska and the Lahti Symphony Orchestra, never mind the spectacular sonics in both stereo and SACD surround formats. This is an excellent release, then, irrespective of one’s personal take on the individual merits of various versions of the Nielsen. For the Aho alone, it certainly belongs in the collections of clarinet fans.
Carl Nielsen – Concerto for Clarinet and Orchestra
|Martin Frost – Osmo Vanska – Lahti Smphony Orchestra|
|MP3|VBR256 V-0 Fast|Scans|
(http://img143.imageshack.us/my.php?image=frontcover.jpg)
01. Carl Nielsen : Clarinet Concerto: I. Allegretto un poco [0:08:19.38]
02. II. Poco adagio [0:04:52.12]
03. III. Allegro non troppo [0:11:08.37]
04. Kalevi Aho : Clarinet Concerto: I. Tempestoso [0:07:47.46]
05. II. Cadenza [0:02:28.59]
06. III. Vivace [0:06:22.02]
07. IV. Adagio [0:06:22.23]
08. V. Epilogo [0:06:39.08]
http://rapidshare.com/files/275372500/CN-CCO.rar
PSW: smile
Gramophone Review:
I???m not sure what the members of the Danish Quartet, who recorded the Nielsen quartets more than effectively in 1992, think about a ???young??? incarnation appearing 15 years later. But I hope they would doff their caps in admiration, because these new recordings are top-notch, and I???m happy to echo and endorse the enthusiasm they have already generated in Denmark.
The benchmark recording has been that of the Kontra Quartet (BIS 4/92 ??? nla), sympathetic interpretations of works which do not enshrine the absolute finest of Nielsen, for all that he was an orchestral violinist and an experienced and enthusiastic performer of string quartets. But the new Quartet, all in their early twenties, bring a freshness and energy plus a level of sheer accomplishment that I don???t ever remember hearing in these works. Far from defensiveness or special pleading, they simply assume that they are playing high quality music and that their job is therefore to give it their all. The results are joyous, effervescent.
The First Quartet is the most striking beneficiary, since it can too easily sound texturally over-written and structurally effortful, as in the finale???s contrived ???R???sum???. Such reservations are hard to entertain while listening to this thoroughly infectious account. Nielsen asks for energy in the first movement, and that is what the Young Danish Quartet give him, along with large-scale sweep and mellifluous tone throughout. The Fourth Quartet, a tough-minded cousin to the comic opera Maskarade, is interpretatively more challenging, and the Young Danish Quartet may in future find more subtly shaded routes through it; in the meantime their expressive candour and passion are entirely to the good. They are joined in the Quintet by Tim Frederiksen, under whom they studied at the Royal Conservatory in Copenhagen, and without quite transmuting base metal into gold, they display the various facets of what was a breakthrough piece for the young Nielsen to their best advantage.
EDIT: Really lens? Genre BLUES on Stokowsky!??
Here’s ‘Flight of the Bumblebee’, arranged by Rachmaninov from Rimsky-Korsakov’s original orchestral piece from the opera, ‘The Tale of Tsar Saltan’:
http://rapidshare.com/files/275605090/Olga_Kern_13_Flight_of_the_Bumblebee.mp3
I don’t know about Pachelbels Canon on piano, but here it is played by The London Baroque Consort:
http://rapidshare.com/files/275608831/The_London_Baroque_Consort_01_Pachelbel_Canon.mp3
EDIT: Really lens? Genre BLUES on Stokowsky!??
:laugh: Well, if you want to get technical about it then…. er, no. Is there a name for the mouse equivalent of a typo? There should be. Actually you might want to change Tchaikovsky’s first name from ‘Pytor’ to the correct ‘Pyotr’ on The Nutcracker and Sleeping Beauty too ๐
With regards to Tchaikovsky, i tend to simply rename it to Tchaikovsky on my zune for easier reading. I don’t really care which artist tag you use so long as it is consistent when you upload from that artist. So if you upload tons of Tchaikovsky, at least give each the exact same artist (copy and paste?). I’ll get that other Nielsen up tonight ๐
When I’m tagging film music I usually just go for ‘soundtrack’ as the easiest option, but that doesn’t seem quite right either. Then there’s anime, game music etc etc. Ah, the tyrannies of classification! ๐
Looking forward to that Nielsen orchestral set!
I do use the term Soundtrack for movie soundtracks, Game for game soundtracks, Anime for anime soundtracks just because I have so many of each that it makes things easier for me. Similarly I have various tags of Jpop, J-Rock, Metal, Rock, Heavy Metal, Progressive Metal that I arbitrarily apply to things. The important thing is that when I look through my player and feel like something heavy, I can look through Metal, Rock, Heavy Metal, and J-Rock and find most of it there, some of which I may forget I put on my zune. The tags may not always be 100% but at least it gives me some consistency with it all.
|Thomas Dausgaard – Danish National Symphony|
|MP3|VBR256 V-0 New|Scans|

01. Maskarade – 1. Ouverture [0:04:21.68]
02. Maskarade – 2. Hanedans [0:05:42.43]
03. Hr. Oluf han Rider – Forspil: Andantino giusto [0:05:38.27]
04. Snefrid – Suite for Orkester – 1 [0:02:15.09]
05. Snefrid – Suite for Orkester – 2 [0:02:43.54]
06. Snefrid – Suite for Orkester – 3 [0:02:03.19]
07. Snefrid – Suite for Orkester – 4 [0:03:27.42]
08. Snefrid – Suite for Orkester – 5 [0:02:33.17]
09. Saul og David – Forspil til 2. akt: Allegro marziale [0:05:08.31]
10. Rhapsodisk Ouverture – En Fantasirejse til Faeroerne [0:10:17.52]
11. Willemoes – Forspil til 3.akt: Andantino espressivo [0:02:11.71]
12. Pan og Syrinx – Naturscene for Orkester, Op. 49 [0:08:43.40]
13. Amor og Digteren, Op. 54 [0:05:22.08]
14. Ouverture Helios, Op. 17 – Andante tranquillo [0:11:55.29]
http://rapidshare.com/files/275801663/CN-OM.rar
PSW: smile
Toru Takemitsu – Orchestral Works (4cd)
|Tokyo Metropolitan Symphony Orchestra|
|MP3|VBR256 V-0 Fast|Scans|PSW: smile|
Autumn
Download (http://rapidshare.com/files/276009777/Takemitsu_Autumn.rar)
Coral Island
Download (http://rapidshare.com/files/276019950/Takemitsu_Coral_Island.rar)
Gemeaux
Download (http://rapidshare.com/files/276029722/Takemitsu_Gemeaux.rar)
Visions
Download (http://rapidshare.com/files/276036456/Takemitsu_Visions.rar)
Toru Takemitsu – I Hear the Water Dreaming
|BBC Symphony Orchestra – Andrew Davis|
|Patrick Gallois – Fabrice Pierre – Goran Sollscher|
|MP3|VBR 256 V-0 Fast|Scans|PSW: smile |
Download (http://rapidshare.com/files/276043687/Toru_Takemitsu_-_I_Hear_The_Water_Dreaming.rar)
EDIT: For those who care about tags, I forgot to mention that the first 4 Takemitsu albums are tagged improperly. I noticed after uploading. Be warned in advance that they all say "Unknown Genre" so you can change to whatever you prefer yourself.
-Brahms Sonata No.3 in fm
-Brahms Symphony No.4
-Stravinsky Firebird Suite
-Bach Prelude in bm (arr. by Siloti)
-Francesca de Rimini (I forgot who the composer is)
-Hinata Rhapsody No.1 op.38 (I don’t know who the composer is, i just heard this in a j-drama i recently watched)
It would be great if someone could help me. I need most of these for school. Any help would be greatly appreciated. Thanks. ๐
BRAHMS – SYMPHONY NO. 4
Carlos Kleiber, Vienna Philharmonic Orchestra
MP3-V0
http://rapidshare.com/files/276261313/Brahms_4.rar
One of my absolute favourite symphonies. From the sighing theme heard in the first bars (that nevertheless contains an element of horror) – a linkage of thirds in fact that floats along and is eventually whipped-up into a tempestuous development – witness the arching flow of the music, as one supple passage blends into the next. The almost medieval sounding main subject of the slow movement is explored through its modal implications; a crude figural suggestion, if the first movement was akin to the swells of a great ocean, the second would be an ancient twilight forest teaming with latent forces, not too far away from the one in Shakespeare’s A Midsummer Night’s Dream. The scherzo (I think it’s the only actual scherzo in a Brahms symphony, as he usually favoured gentler intermezzo-like pieces) totally takes my breath away. It struts around between huge chordal face-offs, but always with a smile on its face (listen to the deliciously tongue-in-cheek use of the triangle!). And finally we have a very succinct Passacaglia, a Baroque form of repeating a base line or harmonic progression and weaving ever more elaborate variations around it. The repeated theme here is supposed to originate in a Bach Cantata, I think, but I’ve never actually managed to track it down.
Anyway, sorry about that unsolicited gush. Hope you enjoy. I’ll get onto Firebird and Tchaikovsky’s Francesca as soon as I’m able.
All jokes aside i’ll check out the recording ๐
It’s okay. ๐ I greatly appreciate people who can’t help but gush over things they truly love, especially classical music. And the way you described it makes me really excited for this. Now i can’t wait to listen to it. Haha. <3 Thanks for your input on this. ๐
I’ve always loved Brahms’ vocal works, I’m sure I’ll love this too. XD <3
and the zips all have passwords. i’ve been having so much fun looking for music here, i have completely forgotten where i got this link. whoever posted this before, can u put up the password for me pls? i’m really sorry for disturbing… XO
Valery Gergiev, Kirov Orchestra
MP3-V0
http://rapidshare.com/files/277539286/Stravinsky_Rite.rar
BBC Music review:
The wait is over: Gergiev’s Rite is out, and it’s as thrilling as anyone could have wished, a riot of rhythms and colours dispatched with a heady mixture of virtuosity and controlled savagery. The recording is astonishing, there’s so much detail and a natural sense of air around everything, yet the intimate intensity of the orchestra pit is never sacrificed for the broader soundstage. The bass drum and timps have real impact in the Ritual of abduction, the earthiness of the double basses in the Spring rounds has to be heard to be believed, the bass clarinet adds a pungent depth to the winds, and the brass are truly brazen, howling at the heart of the ritual.
This is a sacrifice you can feel happening in front of you – Stravinsky’s score throbs with animal life until the very last chord…and that’s the only moment I struggled with Gergiev; he makes us wait a full five seconds for the final chord! Too much for me, but I can’t deny that the tension is held all the way to that last massive hammerblow.
It’s all too easy to go on about The Rite and ignore the coupling, Scriabin’s The Poem of Ecstasy, but that wouldn’t be fair: it’s the kind of luscious performance that might have you salivating over the sheer beauty of the sounds Gergiev coaxes from the Kirov Orchestra. Everyone who still thrills to Stravinsky’s masterpiece should hear this new recording; anyone who thinks The Rite has lost its power through over-familiarity should buy it as a tonic, and feel the adrenaline flow once more.
@lens: i love u for the rite of spring! XD
Valery Gergiev, Kirov Orchestra
MP3-V0
http://rapidshare.com/files/277539286/Stravinsky_Rite.rar
BBC Music review:
Wow… what a lousy album cover… I like how Scriabin’s Poem of Ecstasy is written in large fonts.
Great upload though!
…Sirus,
Lahti Smphony Orchestra Where’s the Y ;O
Page28…
Ehh ^^” I just notice typos too easily, doubt it’d change anything, but… well, there u go ;D
Oh, and thanks for the ermm xD stuff ;D which i shall DL in a sec x]
And you’re welcome for all the Stuff!
Saint-Saens number 3
Prokofiev 1 and 2
I can find them on Rapidshare, but only in APE format – does anybody have them in mp3?
Thanks!
-A.
This is why i don’t like pointing things out D;
You don’t seem to appreciate it ?????? hmm…
just when i was gonna unblock you too T_T
Ooh lovely! Thanks very much – I’ll look forward to them when they’re up.
-A.
;O
Well it wouldn’t be fair to deprive my ears of such a musical adventure, ughh… Fine ?????? only coz i love my ears so much D; and they’ve done nothing wrong…
Bully T_T
Keep the music coming ;D
oh, and yeah, I’m AWFUL at telling when someone’s sarcastic… sorry
—
Oh, and i never make any useful posts on this site, ever, sooo… maybe this is my first ^^…
hmm,
GENRES … tagging things correctly, well i like ur style Sirus… ^^; wow… i’m awful at this,
erm, Lens… I agree with you too ;D about Genres, and sub-genres and yeah ^^”
I just think that genres should be used as rough ideas as to what the music is like… ermm,
i actually DONT do genres at ALL on my music xD just got up to 480gig of music… and all of it, is left tagged as it was when i DLed it, sometimes i tag it with an artist of album or change the names of the songs if it’s REALLY unnacceptable…
All of my music is playlisted per album/ost/score… i know it’s awful xD i never listen to music outside the house, coz i dont go outside ;D ever… so no need to tag it for a music player,i always listen to it on my pc, and ONLY on WMP10, had to downgrade for my personal taste…
quite frankly i do things weird, i dunno what im talking about, but i like it that way ;D
wow… none of what i said was anything… it was just me talking to myself, which i do a lot…
ermm… scores/osts, right… i playlist ’em as simple as "Eragon [OST]"… done, do i know the composer? no… if it’s good enough that i care, i will look it up, and if it’s so good i bother to remember the composer, then ;D aye, i just found a composer i like, get more stuff, listen more, smile more…
gonna stop talking now -_-
dont shout at me for wasting your life ;D
P.S. i only talk to one person… fullstop, in life… and this is how i talk to her ^… so i dunno how else to talk D; i understand it sounds like i’m a stupid little kid talking all stupid-like, but i’m not ;3
Oh, and if u want me to just stop talking, and just be a lurker, feel free to tell me so
why am i even talking about music -_- i only listen to 1 song xD ever really
TCHAIKOVSKY – FRANCESCA DA RIMINI
http://rapidshare.com/files/279123618/Francesca_Da_Rimini_-_Symphonic_Fantasia_after_Dante__Op_32.mp3
Dmitry Sitkovetsky Violin
Sir Colin Davis, London Symphony Orchestra
Andrew Davis, BBC Symphony Orchestra
MP3-V0
Prokofiev: http://rapidshare.com/files/279891737/PVC.rar
Shostakovich: http://rapidshare.com/files/279901451/SVC.rar
AussieGuy, I’m glad you requested these – haven’t heard the Prokofiev for a while and it’s reminded me how magical these pieces are. I recommend you listen to the Shostakovich concertos too. These are really excellent performances. I’ve included a sample below of one an absolutely stunning movement to whet your appetite; it’s another Passacaglia (I’m beginning to realise this is one of my favourite forms, but I don’t know why!). Try it ๐
Oh yes, I’d forgotten the Shostakovich – I grew up with an old LP of my father’s, with David Oistrakh and an orchestra conducted by Shostakovich himself. Magical and superb music. Thank you very much indeed!
-A.
..with David Oistrakh and an orchestra conducted by Shostakovich himself.
Now that’s a recording I’d like to hear!!
And example of what I am looking is this (it’s from a soundtrack by Goldenthal).
www.4shared.com/file/132810547/f77e9b08/use04_Pista_4.html
THANKS FOR EVERYTHING!!!
of Ottrino’s respighi (SP?) Church Windows all 4 movements
Erich Wolfgang Korngold: Complete Music For Violin & Piano
Violin Sonata In G Major, Op. 6 (1912)
01 – 1. Ben Moderato, Ma Con Passione
02 – 2. Scherzo (Allegro Molto – Con Fuoco)
03 – 3. Adagio (Mit Tiefer Empfindung)
04 – 4. Finale (Allegretto Quasi Andante – Con Grazia)
Much Ado About Nothing
Suite For Violin And Piano, Op. 11 (1919)
05 – 1. M???dchen Im Brautgemach (Bridal Morning)
06 – 2. Holzapfel Und Schlehwein (Dogberry And Verges)
07 – 3. gartenscene (Intermezzo)
08 – 4. Mummenschanz (Hornpipe)
09 – Sonett F???r Wien (In Memoriam), Op. 41 (1952)
10 – Caprice Fantastique (The Goblins), Op. 3 (1908)
11 – Gesang Der Heliane (Ich Ging Zu Ihm) From "Das Wunder Der Heliane", Op. 20 (1927)
12 – Serenade From "Der Schneemann" (1908)
13 – Pierrots Tanzlied From "Die Tote Stadt", Op. 12 (1920)
14 – Mariettaslied From "Die Tote Stadt", Op. 12 (1920)
Detlef Hahn – Violin
Andrew Ball – Piano
http://rapidshare.com/files/252645128/krngdcmvp.part1.rar
http://rapidshare.com/files/252664811/krngdcmvp.part2.rar
ohwiseone – fraid I don’t have a recording of Church Windows. You’ve reminded me I need to hear more Respighi! I’ve got the Sinfonia Drammatica if that’s of any use?
Sorry, I cannot do that. The FLAC files were given to me by a friend and I do not retain the CD. How to convert FLAC to MP3, I have no idea.
So the links won’t download or the FLAC files won’t play? Because I did manage to download the files from the links provided.
I have few more Korngold files coming my way – alas, all in FLAC.
Hi Grunthor…you can download freeware flac to mp3 converter here:
http://www.asoftwareplus.com/flac-to-mp3-converter.html
or you can simply download FLAC PLUGIN for winamp here:
http://www.winamp.com/plugins/details/131643
(simply click at the button DOWNLOAD and after that install it) – after the installation you can listen FLAC files in WINAMP
hope this helps…

Can anyone PLEASE upload this in MP3 ^^’
yes, I know i’m a pain, but i really don’t have the means of DLing and converting it myself due to download limit… I would if i could, time’s never a problem with me, could wait a day for it to DL and would be happy, but yeah -_-
Thanks in advance to those who’re kind enough to help me out ;D
ohwiseone – fraid I don’t have a recording of Church Windows. You’ve reminded me I need to hear more Respighi! I’ve got the Sinfonia Drammatica if that’s of any use?
Yes actually i have never heard that piece , If you want I will upload Pines of Rome and Fountains of Rome (even though Pines is Superior IMO) Done by the CSO if you wanna expand your Respighi collection
I’ll up the Sinfonia at the end of the week.. I’m going to be incredibly stressed until then! :S
Yeah Ill upload The trilogy, sometime later this week, i gotta look up cover art and dig out the source files
I have a request/question for you. I’m a huge fan of Rimsky-Korsakov’s Scheherazade (Op.35) and I’m on a hunt. For reasons I won’t bother getting into, I need to find a few different recordings of it for comparison purposes. My question then is: which recording of the suite is your favourite? If you happen to have it available for downloading too, that would be fabulous.
Thank you very much in advance! ๐
QUOTE=Lens of Truth;1288256]
HAYDN – STRING QUARTETS OP. 76

(Performed by Quatuor Mosa???ques on period instruments)
MP3-V0
CD1: http://rapidshare.com/files/257364323/Haydn_Quartets_Op.76_CD1.rar
String Quartet Op.76 No.1 in G major 24:36
1 Allegro con spirito 8:58
2 Adagio sostenuto 6:32
3 Menuet, Presto. Trio 2:51
4 Finale. Allegro ma non troppo 6:15
String Quartet Op.76 No.5 in D major 18:20
5 Allegretto 5:10
6 Largo ma non troppo; cantabile e mesto 6:45
7 Menuet. Allegro ma non troppo. Trio 2:51
8 Finale. Presto 3:34
String Quartet Op.76 No.4 in B flat major "Sunrise" 23:07
9 Allegro con spirito 8:25
10 Adagio 5:27
11 Menuet. Allegro. Trio 4:35
12 Finale. Allegro ma non troppo 4:40
CD2: http://rapidshare.com/files/257737507/Haydn_Quartets_Op.76_CD2.rar
String Quartet Op.76 No.2 in D minor "Fifths" 22:40
1 Allegro 9:43
2 Adante o pi??? tosto allegretto 5:34
3 Menuet. Allegro ma non troppo. Trio 3:24
4 Finale. Vivace assai 3:59
String Quartet Op.76 No.6 in E flat major 23:34
5 Allegretto 7:10
6 Fantasia. Adagio 6:12
7 Menuet. Presto. Alternativa 3:34
8 Finale. Allegro spiritoso 6:38
String Quartet Op.76 No.3 in C major "Emperor" 27:22
9 Allegro 10:07
10 Poco adagio; cantabile 6:51
11 Menuet. Allegro. Trio 4:37
12 Finale. Presto 5:47[/QUOTE]
I have a request/question for you. I’m a huge fan of Rimsky-Korsakov’s Scheherazade (Op.35) and I’m on a hunt. For reasons I won’t bother getting into, I need to find a few different recordings of it for comparison purposes. My question then is: which recording of the suite is your favourite? If you happen to have it available for downloading too, that would be fabulous.
Thank you very much in advance! ๐
I have a recording that is my favorite of Herbert Von Karajan: Berlin Philharmonic Orchestra that is loud and very nice, If you want it i can track down the source files on my computer
http://rapidshare.com/files/283888669/havergal_brian_symphony_no_16.mp3
Enjoy!
Also, if anyone has that Joly Bragos symphony from waaay back on the first page, could you please reupload?
(1910 Complete Ballet)
MP3-V0
http://www.rapidspread.com/file.jsp?id=ffqff2ku9q
This is the Columbia Symphony Orchestra conducted by Stravinsky himself. I have the 1945 suite too, which has reduced forces and slightly odd staccato brass at the end, but you can’t go wrong with this one. Cover image of my own design ๐
The tracks that make up the 1919 suite are the following (I think):
1. Introduction
4. Dance of the Firebird
10. The Princesses’ Round
18. Infernal Dance of Kashchei’s Subjects
19. Lullaby (The Firebird)
22. Kashchei’s Spells are Broken; His Palace Disappears, the Stone Knights Return to Life, Joy Reigns
Obviously there are some slight edits and bars of bridging material between movements in the suite, but there you go. The whole thing is a milestone in dramatic orchestral music. Can you blame Cliff Eidelman for riffing off the amazing grinding basses of the Introduction? And am I imagining it, or does Zimmer try to get away with it too in The Da Vinci Code?

Obviously there are some slight edits and bars of bridging material between movements in the suite, but there you go. The whole thing is a milestone in dramatic orchestral music. Can you blame Cliff Eidelman for riffing off the amazing grinding basses of the Introduction? And am I imagining it, or does Zimmer try to get away with it too in The Da Vinci Code?
omg! i love u! :)) i’ll get back with my comments after i listen to this and get the Da Vinci Code OST (i’m such a noob. haha. i haven’t gotten around to DLing it yet) and compare. ๐ thanks so much! ๐
The only complete vocal works I have are:
Mozart’s Le Nozze di Figaro (unknown performers)
Handel’s Hercules (conducted by Gardiner 1983)
Schubert’s Winterreise (sung by Dietrich Fischer-Dieskau)
…that’s it, technically…
I’d really like some help to expand my collection, and knowledge of vocal work. Any help is greatly appreciated. Thanks! ๐
I’m not massivley into solo vocal music, but if I think of anything in the coming weeks I’ll post it.
I’m not massivley into solo vocal music, but if I think of anything in the coming weeks I’ll post it.
well, it does, but mostly just excerpts from, and we mostly have orchestral, much less vocal works, and i can’t take them out of the library. I’d bring a laptop but the one I have is prehistoric… and my school requires paper work blah blah, just so i can bring it into school, which kinda discourages me. and there’s no wi-fi… so not a lot of my friends bring their laptops either… so yeah. XO
Franz Liszt
Erik Satie
Sergei Rachmaninov
Emile Paladilhe
and any classical era opera (Mozart and Rossini’s a good start) ๐
help’s highly appreciated. ๐ i think I’ll be able to access my school lib by next week, since classes are cancelled till the end of the week here in the Philippines.
Been watching this board a couple weeks – amazing … & the atmosphere is civilised and generous. A blessing.
May I ask around for:
Lepo Sumera : any of Mushroom Cantata; Symphonies 3 to 6; Musica profana; Cello concerto
Gloria Coates: String Quartet no 6; Symphonies nos 1, 7 & 14
Helena Tulve – Lijnen
Carl Vine: any symphonies
Kurt Atterberg – Symphony no 2 or any other
Regards to all and thanks for creating a digital spot of paradise …
Dmitry Sitkovetsky Violin
Sir Colin Davis, London Symphony Orchestra
Andrew Davis, BBC Symphony Orchestra
I finally got around to downloading the superb Shostakovich concertos – I then glued the third and fourth movements together into a single mp3 file so that there was no audible delay between them.
Thank you so much – I have thoroughly enjoyed being re-acquainted with these pieces, which I hadn’t heard for years.
-A.
Thanks,
-A.
Disc 1 (http://www.megaupload.com/?d=J8RAYHW0)
Mozart Akademie Amsterdam
Jaap ter Linden
MP3 – 320Kbps
(1910 Complete Ballet)
MP3-V0
http://www.rapidspread.com/file.jsp?id=ffqff2ku9q
This is the Columbia Symphony Orchestra conducted by Stravinsky himself. I have the 1945 suite too, which has reduced forces and slightly odd staccato brass at the end, but you can’t go wrong with this one. Cover image of my own design ๐
The tracks that make up the 1919 suite are the following (I think):
1. Introduction
4. Dance of the Firebird
10. The Princesses’ Round
18. Infernal Dance of Kashchei’s Subjects
19. Lullaby (The Firebird)
22. Kashchei’s Spells are Broken; His Palace Disappears, the Stone Knights Return to Life, Joy Reigns
Obviously there are some slight edits and bars of bridging material between movements in the suite, but there you go. The whole thing is a milestone in dramatic orchestral music. Can you blame Cliff Eidelman for riffing off the amazing grinding basses of the Introduction? And am I imagining it, or does Zimmer try to get away with it too in The Da Vinci Code?
I love the firebird, And if anyone ever gets a chance to get ahold of the score and watch it go by (thank you Massive University Music Library) its wonderful to watch, I still think this has some of the best Orchestration ever
http://rapidshare.com/files/288487874/krzesany.mp3
Enjoy!
-A.
-A.
Yes I only have these works on the DG Label (LP) like to hear a nice cd of both.
Number 7: http://rapidshare.com/files/288806431/symphony_no_7.mp3
Number 11: http://rapidshare.com/files/288806432/symphony_no_11.mp3
Norrkoping Symphony Orchestra cond. Leif Segerstam, BIS CD-580:
http://www.bis.se/index.php?op=album&aID=BIS-CD-580
From rateyourmusic.com:
"The story of Allan Pettersson is almost as compelling his music. He suffered from crippling rheumatoid arthritis that left him hospitalized for extended periods of time on multiple occasions, with little time in between to devote to composition. Still, he managed to complete 16 symphonies before his death in 1980.
Symphony #7 is easily Petersson’s most famous and probably his most approachable as well. It was championed by Antal Dorati in 1968 and made Pettersson an overnight sensation of sorts. The symphony consists of a 46 minute single movement and is highlighted by richly textured lush and delicate string themes, with tempos and dynamics held back.
Symphony #11 is a single movement 24 minute work. It includes some of the lush strings found in symphony #7, but here the strings struggle against the horns and woodwinds. Apparently, the material for this symphony came to Pettersson during an extended hospital stay, which may account for some of the darker colors of this work. After repeated listening, #11 makes more of a lasting impression on me than #7.
Superbly engineered by BIS and lovingly conducted by Leif Segerstam."
Awesome, thanks in advance.
Disc 2 (http://www.megaupload.com/?d=UVHQP7PO)
Disc 3 (http://www.megaupload.com/?d=98QE321E)
Disc 4 (http://www.megaupload.com/?d=4H43JZGC)
Mozart Akademie Amsterdam
Jaap ter Linden
MP3 – 320Kbps
As requested:
CARL VINE – SYMPHONIES 1-6
http://rapidshare.com/files/157577426/Carl_Vine_Complete_Symphonies_1-6__CD_01_.rar
http://rapidshare.com/files/157705643/Carl_Vine_Complete_Symphonies_1-6__CD_02_.rar
CD 01
Symphony no. 1 ‘MicroSymphony’
Symphony no. 2
Symphony no. 3
Celebrate Celeberrime
CD 02
Symphony no. 4.2
Symphony no. 5 ‘Percussion’
Symphony no. 6 ‘Choral’
Sydney Symphony Orchestra
Sydney Philharmonia Motet Choir
Synergy
Stuart Challender, conductor
Edo de Waart, conductor
HELENA TULVE – LIJNEN
http://rapidshare.com/files/136299568/HlnTlv_2008_Ljnn_FLAC_.part1.rar
http://rapidshare.com/files/136299574/HlnTlv_2008_Ljnn_FLAC_.part2.rar
http://rapidshare.com/files/136306370/HlnTlv_2008_Ljnn_FLAC_.part3.rar
Thanks to the original uploaders. Both highly recommended!
Disc 5 (http://www.megaupload.com/?d=5BR067EK)
Mozart Akademie Amsterdam
Jaap ter Linden
MP3 – 320Kbps
Please re-upload it ๐
Disc 6 (http://www.megaupload.com/?d=8M2LKCTK)
Disc 7 (http://www.megaupload.com/?d=7TRBOJAU)
Disc 8 (http://www.megaupload.com/?d=Q686NGFI)
Disc 9 (http://www.megaupload.com/?d=ANBVZNF0)
Disc 10 (http://www.megaupload.com/?d=3MROXHKL)
Disc 11 (http://www.megaupload.com/?d=0GEOAQXP)
Mozart Akademie Amsterdam
Jaap ter Linden
MP3 – 320Kbps
—————
Symphony No. 40 on disc 9 is the original version without clarinet, and No. 40 on disc 11 is the revised version with clarinet.
Disc 1 (http://www.megaupload.com/?d=81DQ6FNL)
Musica Amphion
Pieter-Jan Belder, harpsichord
Martin Boeken, baroque violin
Remy Baudet, baroque violin
Margaret Urquhart, double bass
MP3 – 320Kbps
Disc 2 (http://www.megaupload.com/?d=Q0TZTXNN)
Disc 3 (http://www.megaupload.com/?d=ER9K8KL8)
Disc 4 (http://www.megaupload.com/?d=E16VP3JD)
Disc 5 (http://www.megaupload.com/?d=6AS997OP)
Disc 6 (http://www.megaupload.com/?d=5WO0F5V6)
Philharmonia Orchestra
Paul Freeman
Derek Han, piano
MP3 – 320Kbps
Thanks for all the awesome uploads, here’s my humble contribution:
(pw: forgottenmelodies)
Saint-Saens Sonatas for Violin and Piano:
http://rapidshare.com/files/408368504/saint_sonatas.rar.html
The Elegy is the most beautiful violin piano duo i’ve ever heard, try it!
Alkan: Symphony for Solo Piano (Hamelin):
http://rapidshare.com/files/408388251/alkan_symph.rar.html
I could write pages of admiration for this forgotten composer. These are real gems, although the accompanying pieces to the symphony aren’t as important. Just listen to the finale of the Symphony, it’s about 4 minutes long and it completely blew me away the first time i heard it.
Alkan: Les quatre ages (Hamelin):
http://rapidshare.com/files/408385772/alkan_quatre.rar.html
Better as an Alkan introduction, if only it had the Symphony. The Grande Sonate Les quatre ages displays the lifetimes of a man in his 20s, 30s, 40s and 50s, from virtuuos joy to lethargic moan. The Barcarolle shows Alkan is not limited to virtuosity but can also produce simple beauty and The Festin, a usually Alkan-like dark theme with variations proves his diversity.
Also, although it might be inappropriate to post here, i’ve recorded another simple but beautiful piece of Alkan on Youtube, the Nocturne op. 22:
http://www.youtube.com/watch?v=gAuB9V-3hFM
More gems coming up!
edit: collected uploads:
Two more gems from me! My listening recommendations are in bold, i hope you’ll love them as much as i do. I never knew baroque could be that involving and Medtner’s melodies are of a haunting quality i’ve hardly known before.
(pw forgottenmelodies)
Tous les matins du monde OST
http://rapidshare.com/files/408374712/matins.rar.html
You don’t need to know the movie to appreciate the music. It’s late Renaissance/early Baroque music (17th century) of the kind you probably haven’t heard before, refined, diverse and even emotionally engaging, all played on the viola da gamba. Just listen to the 2-viola arrangement of le pleurs and judge for yourself.
Medtner: Forgotten Melodies (Marc-Andr??? Hamelin)
http://rapidshare.com/files/293474965/medtner.rar
Hamelin is the knight of salvation for forgotten composers and here he brings Medtner’s melodious, enchanting, harmonically complex works, now ironically titled, to life. I was sad to see that the first movement of the first set had such a beautiful melodic line, only at over 15 minutes too long to be realistically playable for an amateur in many ways, and i was relieved that this motive draws through this whole set, with a very playable 6th movement (that i’m learning now), the canzona, that quite closely imitates the first. The 8th movement, sort of a coda, does much of the same. Also, there are the stylistically refreshing Danzas, just listen to the Danza festiva, a very individual piece.
I just haven’t quite found my love for the second set, Forgotten Melodies II, i think it’s quite complex and difficult to assess and appreciate.
Anyways, this brought me to upload said Sonata in Eb on a CD that also features the Mozart K311 in D and the Beethoven Op.2 No 2 in A Sonatas. The pianist is the young Rafal Blechacz, winner of the International Chopin Competition. His interpretation of the Polonaise Heroique there cought my interest (and admiration).
Rafal Blechacz: Sonatas
pw: forgottenmelodies
http://rapidshare.com/files/408378660/rafal_sonatas.rar.html
Prokofiev – Complete Piano Music Vol. 1 [Flac]
http://rapidshare.com/files/308460238/prok_comp_1.rar
Glass-wise, i have some of his solo piano stuff, mainly the Metamorphoses, from an unidentified recording:
http://rapidshare.com/files/308477945/glasssolop.rar
Marc-Andr??? Hamelin in a state of Jazz
http://rapidshare.com/files/318221205/hamelinjazz.rar
pw: forgottenmelodies
A collection of Jazz compositions – no improvisations, although Kapustin might sound like it. It’s an amazing feat to compose and correctly notate these pieces, and they’re a unique blend of Jazz idioms in classical forms like Sonatas. Trust me, his Sonata #2 Mvmt 1 will blow you away! The Gulda compositions are a nice addition and certainly in the reach of amateurs, while the Weissenberg and Antheil are a more difficult matter, certainly less accessible.
HELENA TULVE – LIJNEN
Don’t spose anyone’d wanna re-up this in ANYTHING 128kbps and up in MP3?
God i HATE my download limit T__T so sorry for this, but the cover art to this album is really drawing me in, don’t wanna miss out D;
Thanks
Disc 7 (http://www.megaupload.com/?d=5PWVGRKM)
Disc 8 (http://www.megaupload.com/?d=OL01OD49)
Disc 9 (http://www.megaupload.com/?d=SEJR3WKP)
Disc 10 (http://www.megaupload.com/?d=Y7R4XDR3)
Philharmonia Orchestra
Paul Freeman
Derek Han, piano
MP3 – 320Kbps
Disc 11 (http://www.megaupload.com/?d=1GHBDTEY)
1-6
Hungarian State Orchestra
Janos Ferencsik
Zoltan Kocsis, piano
Dezso Ranki, piano
Andras Schiff, piano (4-6)
7-8
Dresdner Philharmonic
Kurt Masur
Annerose Schmidt, piano
MP3 – 320Kbps
Disc 12 (http://www.megaupload.com/?d=4IE4EEF2)
1-3
Nieuw Sinfonietta Amsterdam
Lev Markiz
Harmen de Boer, clarinet
4-6
Les Violons du Roy
Bernard Labadie
Marc Grauwels, flute
Giselle Herbert, harp
MP3 – 320Kbps
Alkan: Symphony for Solo Piano (Hamelin):
http://rapidshare.com/files/290192215/alk_symph.rar
I could write pages of admiration for this forgotten composer. These are real gems, although the accompanying pieces to the symphony aren’t as important. Just listen to the finale of the Symphony, it’s about 4 minutes long and it completely blew me away the first time i heard it.
More gems coming up!
Apparently the rar file needs a password for extraction – is there any way you can make it available?
Thanks!
-A.
-A.
I am searching this for a while now, can`t find it. Thanks a lot!
-Atenzor-
…and Solti’s here (http://classiclibrary.blogspot.com/search/label/Wagner%20Richard).
Disc 13 (http://www.megaupload.com/?d=OYEZWVLX)
English Chamber Orchestra
Raymond Leppard
Peter-Lukas Graf, flute
MP3 – 320Kbps
Disc 14 (http://www.megaupload.com/?d=7XA321EM)
Nieuw Sinfonietta Amsterdam
Lev Markiz
1-3
Bart Schneemann, oboe
4-6
Ronald Karten, bassoon
7-9
Bart Schneemann, oboe
Harmen de Boer, clarinet
Jacob Slagter, horn
Ronald Karten, bassoon
MP3 – 320Kbps
Disc 15 (http://www.megaupload.com/?d=C2K1ULKK)
Netherlands Chamber Orchestra
Roy Goodman
Herman Jeurissen, horn
MP3 – 320Kbps
Disc 16 (http://www.megaupload.com/?d=RRJMZRYX)
Disc 17 (http://www.megaupload.com/?d=9LFTVTGI)
Concertgebouw Chamber Orchestra
Eduardo Marturet
Emmy Verhey, violin
MP3 – 320Kbps
Disc 18 (http://www.megaupload.com/?d=QMU0O28F)
1-3
Amati Chamber Orchestra
Gil Sharon
Gil Sharon, violin
Yuri Gandelsman, viola
4-6
Slovak Chamber Orchestra
Bohdan Warchal
Anna Hobling, violin
Guido Hobling, violin
MP3 – 320Kbps
—————
More to come next week.
It will take time to upload them. But it’s SUPERB! Great work! ๐
Thanks!
Yeah not really classical (if anything is more like romanticism-neoclassical) They are pieces for voice and piano. My favorites are "Heldenklage" (Heroic Lament- Track03) and ""Bechsw???rung" (Conjuration-Track 06). The first, I am told, was written for the "Germany" society by Nietzsche in his early sixteens. The second is the musicalization of a poem by Pushkin by a late Nietzsche. Enjoy.
Sorcerer88 – Can’t wait to listen to these. I’ve wanted to look into Alkan for a while now and you’ve given me the perfect chance. Enjoyed your vid too – entirely appropriate to the thread and a very nice, personal contribution. Lovely piece.
Another Mad Dancer – Who’d have thought Nietzsche would have such a warm melodic sense? Quite Schubertian. These pieces are much better and more charming than I expected – if not as dazzling as his writings ๐
Edit: Some of the pieces you mention don’t appear to be in this volume(II). Do you have the link for the first?
Here’s Nietzsche’s ‘Hymn to Friendship’, his last composition:
http://rapidshare.com/files/291470352/Hymnus_an_die_Freundschaft.mp3
—————————————————————————————–
VAGN HOLMBOE – REQUIEM FOR NIETZSCHE
http://rapidshare.com/files/291481721/Holmboe_-_Requiem_for_Nietzsche.rar
An avant-garde choral-orchestral work by Denmark’s most highly regarded composer after Nielsen. There are some stunningly realised effects with the choir that remind me in places of The Omen.. but just when you think you’re getting aleatoric improv whispering and so forth, the music reveals itself to be precisely controlled. Also, spot the Wagner quote in the first movement! The text is by Danish poet Thorkild Bjornvig and I wish I had it to peruse; it’s said not to be a biographic account of Nietzsche’s life, but an "imaginative recreation of his struggles".
Disc 1 (http://www.megaupload.com/?d=1SZ93HSC)
Kurpfalzisches Kammerorchester Mannheim
Florian Heyerick
Olga Nodel, solo violine
MP3 – 320Kbps
Disc 2 (http://www.megaupload.com/?d=1EHMJU6A)
Kurpfalzisches Kammerorchester Mannheim
Florian Heyerick
MP3 – 320Kbps
Disc 3 (http://www.megaupload.com/?d=YS1UTBB1)
1-14
Kurpfalzisches Kammerorchester Mannheim
Florian Heyerick
15-20
Neues Bachisches Collegium Musicum
Burkhard Glaetzner
MP3 – 320Kbps
Disc 4 (http://www.megaupload.com/?d=QPDR6LG8)
Kurpfalzisches Kammerorchester Mannheim
Jiri Malat
MP3 – 320Kbps
Disc 5 (http://www.megaupload.com/?d=VZWJOE68)
Kurpfalzisches Kammerorchester Mannheim
Jiri Malat
Olgo Nodel, solo violine
MP3 – 320Kbps
Disc 6 (http://www.megaupload.com/?d=6YR4MEA8)
Camerata Bern
Thomas Furi
MP3 – 320Kbps
Another Mad Dancer – Who’d have thought Nietzsche would have such a warm melodic sense? Quite Schubertian. These pieces are much better and more charming than I expected – if not as dazzling as his writings ๐
Edit: Some of the pieces you mention don’t appear to be in this volume(II). Do you have the link for the first?
.
They are there. The disc had two releases; one in 1997 (the link corresponds to a rip from that version) which has the tracklisting you saw, and a, so to speak, "expanded" reprint in 2000 with the complete track listings(the expanded part wasn’t more music, it was a small hard cover booklet; 114p in Spanish, English and German). This is the cover of the booklet which doubles as the CD case.
Pretty cool huh? It makes for a nice, classy gift. The "correct" or more up-to-date tracklisting is this:
N??? Track German Title – English translation
1.- Da Geht ein bach – A river flows there
2.- Herbstlich sonnige Tage – Sunny Autumn Days
3.- Heldenklage – Heroic Lament
4.- Aus der Jugenzeit – Of youth
5.- Monodie au Deux (Lob der Barmherzigkeit) See note
6.- Beschwor???ng – Pledge
7.- Nachklang einer Silvesternacht – Echoes of a New Year’s Eve
8.- Die junge Fischerin – The young fisherwoman
9.- Das fragment an Sich – The fragment Itself See note 2.
10.- Das Kind an die erloschene Kerze – The Child to a dead Candle
11.- Einleitung – Introduction
12.- Albumlatt – Album Photograph
13.- Gebet an das Leben – Prayer to life
14.- Im Mondschein auf der Puzsta – Moonlight in the Puszta
15.- Wie sich Rebenranken Schwingen – Like a swinging vine
16.- So lach doch mal – Laugh Now
Note: "Monodie au Deux (Lob der Barmherzigkeit)" was written by Nietzsche to be played at the wedding between Olga Herzen (foster daughter of Maldiwa von Meysenbug, Nietzsche’s maternal friend) and French historian Gabriel Monod. It was played two hands at the wedding by Nietzsche and Wagner. Yes, THAT Wagner.
Note 2: The title is actually an untranslatable pun on English; The Fragment Itself is also(in German and Spanish) Fragment on D SUCK THAT ENGLISH!!
Last Note: The pieces with "lyrics" are actually musicallized poems by various authors. You’d be better off googling them than asking me. If you can’t find them, send me a PM and I’ll capture them for you. Regards.
The close friendship and influence between Nietzsche and Wagner is something that I’m endlessly intrigued by, and I think it brings both figures into better focus. Certainly Nietzsche was a very conflicted man, and especially so in his relationship with the great composer. Wagner was the nearest thing to an ‘ubermensch’ that he ever knew – a dominating, full-blooded visionary, a composer of utmost brilliance and force; he went from idolising him to despising him, and made conscious attempts to distance himself, intellectually and emotionally. The common link was the philosophy of Schopenhauer, something they discussed constantly and Wagner bought into wholesale, but again Nietzsche came to reject. It’s one of the greatest cerebral love triangles of all time, and who would be without all the powerful works that surround it?!
Writing about his time at school as a boy, Nietzsche confesses: ‘since my ninth year, music was what attracted me most of all; in that happy state in which one does not yet know the limits of one’s gifts and thinks that all objects of love are attainable…’. I wonder if the imposing, sublime genius of Wagner cast this perspective on his own talent for composition. Apparently, the conductor Toscanini harboured ambitions of becoming a composer until he attended a performance of Tristan and Isolde, and realized he would never be able to match it!
I find it impressive that Nietzsche’s knowledge of music theory was entirely self-acquired, and I do think these miniatures have their appeal. Previous appraisals I’ve seen of his compositions have been rather dismissive, at best describing them as ‘inferior Schumann’. It might be difficult to deny that characterization, but I still enjoy them for what they are. Track 7 (which I think is mistagged on this set, as it claims to be for voice and piano) is my favourite; the others are very pleasant and Germanic, but this one has more passion and more rhythmic involvement; there are still moments when it doesn’t quite work, something awkward in the phrasing, but I find that adds to the effect and the pathos. It’s the longest piece and the most impressionistic.
I’ve read that Nietzsche had plans for a symphony at one point, a rather programmatic one. I wonder if he’d have been up to the job? It’s funny because these days we don’t hold musicians to such lofty standards (to the point that composing is becoming an antiquated idea in itself!), and it seems odd to think of anyone denying themselves the chance and just saying “I’m not good enough, not GREAT enough”.
Thanks for the detailed tracklist and translations! ๐
Valery Gergiev, Kirov Orchestra
MP3-V0
http://rapidshare.com/files/277539286/Stravinsky_Rite.rar
:
Just popping in here to say thanks for this. I know I have been MIA for the last couple months but I suddenly got called into a full-time job and so that’s life. But just checking this disc out now and I gotta say this is effing knocking me out. My previous "killer" Rite was Bernstein’s 1958, but has got the same savagery but with modern sound. Rock.
Whoa – last month I bought tix for Rite at Lincoln Center and I just checked my ticket and it’s this guy. Stoked!
Cool! You’ll love it. Gergiev is the real deal: he has a barely visible comb-over with a life of its own and sweats profusely under the weight of his own gravitas. His recording of the Rite of Spring might be some distance from ‘perfect’, with balance issues and a few audible errors, but he really gets to the heart of the piece for me. It’s supposed to be unkempt! I can only imagine a live performance will be even better.
Good to see you back btw. Do give us the full critique after the concert ๐
Gergiev is a bit hit and miss for me, but with Stravinsky, he’s usually absolutely spot on. I was going to go to his Mahler symphony cycle in London, but finances didn’t permit. In hindsight, I should’ve got a bank loan…
As far as this disc goes, it’s a ravishing Rite.
AND Scriabin’s Poem of Ecstacy! One of my all time favourites.
Ta muchly.
Disc 7 (http://www.megaupload.com/?d=CYXMPF0Y)
1-10
Symphonie-orchester des Bayerischen Rundfunks
Sir Colin Davis
11-23
Franz Liszt Chamber Orchestra
Janos Rolla
MP3 – 320Kbps
Disc 8 (http://www.megaupload.com/?d=M0WA5BWO)
Symphonie-orchester des Bayerishcen Runkfunks
Sir Colin Davis
MP3 – 320Kbps
Disc 9 (http://www.megaupload.com/?d=CEBS3FFO)
1-7
Franz Liszt Chamber Orchestra
Janos Rolla
8-15
Amati Chamber Orchestra
Gil Sharon
MP3 – 320Kbps
Disc 10 (http://www.megaupload.com/?d=16HB513O)
Capella Istropolitana
Nicol Matt
MP3 – 320Kbps
Disc 11 (http://www.megaupload.com/?d=8IM8MBBO)
Henk de Graaf, clarinet
Jan Jansen, clarinet
Johan Steinmann, bassoon
MP3 – 320Kbps
Disc 12 (http://www.megaupload.com/?d=JI226ZXK)
Henk de Graaf, clarinet
Jan Jansen, clarinet
Johan Steinmann, bassoon
MP3 – 320Kbps
Disc 13 (http://www.megaupload.com/?d=KP9POXHO)
Henk de Graaf, clarinet
Jan Jansen, clarinet
Remco de Vries, oboe
Katty Halvarson, oboe
Johan Steinmann, bassoon
Hans Wisse, bassoon
Martin van de Merwe, horn
Jos Buurman, horn
MP3 – 320Kbps
Disc 14 (http://www.megaupload.com/?d=FHW9OOFS)
Henk de Graaf, clarinet
Jan Jansen, clarinet
Remco de Vries, oboe
Sandra Zoer, oboe
Ron Tyhuis, english horn
Irma Kort, english horn
Johan Steinmann, bassoon
Dymphna van Dooremaal, bassoon
Martin van de Merwe, horn
Jos Buurman, horn
MP3 – 320Kbps
Disc 15 (http://www.megaupload.com/?d=T2CIMD43)
Remco de Vries, oboe
Irma Kort, oboe
Johan Steinmann, bassoon
Hans Wisse, bassoon
Martin van de Merwe, horn
Jos Buurman, horn
MP3 – 320Kbps
Disc 16 (http://www.megaupload.com/?d=5KN0JQHR)
1-2
Henk de Graaf, clarinet
Laura Rijsewijk, clarinet
Jan Jansen, basset horn
Diede Brantjes, basset horn
Romke Jan Wijmenga, basset horn
3-8
Clara de Vries, soprano
Jose Scholte, alto
Bas Ramselaar, bass
Henk de Graaf, clarinet
Laura Rijsewijk, clarinet
Jan Jansen, basset horn
9-20
Martin van de Merwe, horn
Jos Buurman, horn
21-26
Ad van Zon, trumpet in C
Simon Wieringa, trumpet in C
Frank Steeghs, trumpet in C
Andre Heuvelman, piccolo trumpet
Arto Hoornweg, trumpet in D
Jacco Groenendijk, trumpet in D
Randy Max timpani
MP3 – 320Kbps
Disc 17 (http://www.megaupload.com/?d=N3JL4FPQ)
Wind Soloists of The Chamber Orchestra of Europe
Alexander Schneider
MP3 – 320Kbps
Disc 18 (http://www.megaupload.com/?d=WQNYE2L5)
Slovak Sinfonietta
Taras Krysa
MP3 – 320Kbps
Tango – From what I’ve heard of Gergiev’s Mahler on the LSO Live discs, it wasn’t all that earth-shattering, or worth a bank bust. In particular, the 7th was a massive let down, and I need an upgrade!
ALEXANDER SCRIABIN – PROMETHEUS: THE POEM OF FIRE (1910)
(Valery Gergiev, Kirov Opera Orchestra)
http://www.mediafire.com/?6fnesjoa1rde03y
An interesting fact about this piece is that it includes a part for ‘clavier ??? lumi???res’, a keyboard intrument that projected coloured beams of light corresponding to different tones in the music. It’s rarely if ever performed this way now and, of course, an audio recording couldn’t convey its effect. Worth considering the concept though, and it’s a wonderful invitation to use your imagination!
The painter Kandinsky is said to have had a condition called Synesthesia (which Scriabin may or may not have shared), where he had the intense experience of ‘seeing’ colours when listening to music. A lot of his paintings derive from this association between the senses and he adored Prometheus, writing an appreciation of it in one of his aesthetic manifestos. See what you make of the fluid, ambiguous harmony (much of which is derived from Scriabin’s so-called ‘Mystic chord’) and the rich, perfumed orchestrations. The climax is incredibly powerful, forging its way to a solid, triadic F sharp major. It never fails to take my breath away ๐
You are a fine officer and a gentleman!
Two more gems from me! My listening recommendations are in bold, i hope you’ll love them as much as i do. I never knew baroque could be that involving and Medtner’s melodies are of a haunting quality i’ve hardly known before.
(pw forgottenmelodies)
Tous les matins du monde OST
http://rapidshare.com/files/293465556/matins.rar
You don’t need to know the movie to appreciate the music. It’s late Renaissance/early Baroque music (17th century) of the kind you probably haven’t heard before, refined, diverse and even emotionally engaging, all played on the viola da gamba. Just listen to the 2-viola arrangement of le pleurs and judge for yourself.
Medtner: Forgotten Melodies (Marc-Andr??? Hamelin)
http://rapidshare.com/files/293474965/medtner.rar
Hamelin is the knight of salvation for forgotten composers and here he brings Medtner’s melodious, enchanting, harmonically complex works, now ironically titled, to life. I was sad to see that the first movement of the first set had such a beautiful melodic line, only at over 15 minutes too long to be realistically playable for an amateur in many ways, and i was relieved that this motive draws through this whole set, with a very playable 6th movement (that i’m learning now), the canzona, that quite closely imitates the first. The 8th movement, sort of a coda, does much of the same. Also, there are the stylistically refreshing Danzas, just listen to the Danza festiva, a very individual piece.
I just haven’t quite found my love for the second set, Forgotten Melodies II, i think it’s quite complex and difficult to assess and appreciate.
So, if you want to make me happy, listen to at least one of the pieces i recommend, also of the Alkan and Saint-Saens i uploaded earlier:
(pw: forgottenmelodies)
Saint-Saens Sonatas for Violin and Piano:
http://rapidshare.com/files/289629632/saint_sonatas.rar
The Elegy is the most beautiful violin piano duo i’ve ever heard, try it!
Alkan: Symphony for Solo Piano (Hamelin):
http://rapidshare.com/files/290192215/alk_symph.rar
I could write pages of admiration for this forgotten composer. These are real gems, although the accompanying pieces to the symphony aren’t as important. Just listen to the finale of the Symphony, it’s about 4 minutes long and it completely blew me away the first time i heard it.
Alkan: Les quatre ages (Hamelin):
http://rapidshare.com/files/290192217/alk_quatre.rar
Better as an Alkan introduction, if only it had the Symphony. The Grande Sonate Les quatre ages displays the lifetimes of a man in his 20s, 30s, 40s and 50s, from virtuuos joy to lethargic moan. The Barcarolle shows Alkan is not limited to virtuosity but can also produce simple beauty and The Festin, a usually Alkan-like dark theme with variations proves his diversity.
Also, although it might be inappropriate to post here, i’ve recorded another simple but beautiful piece of Alkan on Youtube, the Nocturne op. 22:
http://www.youtube.com/watch?v=gAuB9V-3hFM
Disc 19 (http://www.megaupload.com/?d=CQ18JOUJ)
Disc 20 (http://www.megaupload.com/?d=B026WZI2)
Disc 21 (http://www.megaupload.com/?d=OP4WL4BP)
Disc 22 (http://www.megaupload.com/?d=F5OKPE2Q)
Disc 23 (http://www.megaupload.com/?d=1O668S2G)
Slovak Sinfonietta
Taras Krysa
MP3 – 320Kbps
For your Outstanding Mozart contributions…most appreciative I am!
Disc 1 (http://www.megaupload.com/?d=ZWG5OQ7I)
Brandis Quartet
Thomas Brandis, violin I
Peter Brem, violin II
Wilfried Strehle, viola
Wolfgang Boettcher, cello
1-3
Gerd Seifert, horn
4-6
Lothar Koch, oboe
7-10
Karl Leister, clarinet
MP3 – 320Kbps
Disc 2 (http://www.megaupload.com/?d=FLI0SYRI)
1-3
Klara Wurtz, piano
Henk de Graaf, clarinet
Hans Meijer, oboe
Martin van de Merwe, horn
Peter Gaasterland, bassoon
4-6
Anthony Pay, clarinet
Ian Brown, piano
Roger Chase, viola
MP3 – 320Kbps
Disc 3 (http://www.megaupload.com/?d=RB4LVOQ4)
Bart van Oort, fortepiano
Elizabeth Wallfisch, violin
Jaap ter Linden, cello
MP3 – 320Kbps
Disc 4 (http://www.megaupload.com/?d=2WRBHKPT)
Arios Trio
Igor Ozim, violin
Ilse von Alpenheim, piano
Walter Grimmer, cello
MP3 – 320Kbps
Disc 5 (http://www.megaupload.com/?d=P0K6Y8SF)
Bart van Oort, fortepiano
Tjamke Roelofs, violin
Bernadette Verhagen, viola
Jaap ter Linden, cello
MP3 – 320Kbps
Disc 6 (http://www.megaupload.com/?d=C51254MF)
1-10
Marc Grauwels, flute
Ulka Gonriak, violin
Paul Declerck, viola
Luc Dewez, cello
11-12
Joris van der Hauwe, oboe
Dennis James, glass harmonica
MP3 – 320Kbps
Disc 7 (http://www.megaupload.com/?d=NS6K6E9D)
Marc Grauwels, flute
Guy Penson, pianoforte/harpsichord
Jan Sciffer, cello
MP3 – 320Kbps
Disc 8 (http://www.megaupload.com/?d=0EQ4EIPE)
Remy Baudet, baroque violin
Pieter-Jan Belder, harpsichord
MP3 – 320Kbps
Disc 9 (http://www.megaupload.com/?d=7NPY6ZIN)
Remy Baudet, baroque violin
Pieter-Jan Belder, harpsichord/pianoforte
MP3 – 320Kbps
Disc 10 (http://www.megaupload.com/?d=ZPH1BFVR)
Disc 11 (http://www.megaupload.com/?d=6ZMRAORD)
Disc 12 (http://www.megaupload.com/?d=JJXVGFAY)
Disc 13 (http://www.megaupload.com/?d=D4YHEEG3)
Disc 14 (http://www.megaupload.com/?d=0D3I5DWH)
Disc 15 (http://www.megaupload.com/?d=AMIB61T7)
Salvatore Accardo, violin
Bruno Canino, piano
MP3 – 320Kbps
Disc 16 (http://www.megaupload.com/?d=KPPOZXSP)
Collegium Jaroslav Tuma
Bohuslav Matousek, violin
MP3 – 320Kbps
Disc 1 (http://www.megaupload.com/?d=UV0S1096)
Disc 2 (http://www.megaupload.com/?d=4CU9PU1C)
Disc 3 (http://www.megaupload.com/?d=F8GKOI3A)
Orlando Quartet
Nobuko Imai, viola
John Harding, violin I
Heinz Oberdorfer, violin II
Ferdinand Erblich, viola
Stefan Metz, cello
MP3 – 320Kbps
Disc 4 (http://www.megaupload.com/?d=JGCJGNQH)
Francois Fernandez, violin
Ryo Terakado, viola
Rainer Zipperling, cello
MP3 – 320Kbps
Disc 5 (http://www.megaupload.com/?d=31QGMU08)
1-6
Remy Baudet, violin
Marten Boeken, viola
7
Remy Baudet, violin
Staas Swierstra, violin
Rainer Zipperling, cello
MP3 – 320Kbps
Disc 6 (http://www.megaupload.com/?d=8JMUI0TG)
Remy Baudet, violin
Staas Swierstra, viola
Rainer Zipperling, cello
MP3 – 320Kbps
Disc 7 (http://www.megaupload.com/?d=1WJ0I3ON)
Sonare Quartet
Jacek Klimkiewicz, violin I
Laurentius Bonitz, violin II
Hideko Kobayashi, viola
Emil Klein, cello
MP3 – 320Kbps
Disc 8 (http://www.megaupload.com/?d=YX1X7CHW)
Sonare Quartet
Ruxandra Constantinovici, violin I
Laurentius Bonitz, violin II
Marius Nichiteanu, viola
Emil Klein, cello
MP3 – 320Kbps
Disc 9 (http://www.megaupload.com/?d=MO3D10LK)
Disc 10 (http://www.megaupload.com/?d=VORH35NA)
Disc 11 (http://www.megaupload.com/?d=G7LAR9JX)
Disc 12 (http://www.megaupload.com/?d=PRVUFP9Y)
Franz Schubert Quartet of Vienna
Florian Zwiauer, violin I
Helge Rosenkranz, violin II
Hartmut Pascher, viola
Vincent Stadlmair, cello
MP3 – 320Kbps
Disc 13 (http://www.megaupload.com/?d=AJEGTR7I)
1-8
Franz Schubert Quartet of Vienna
Florian Zwiauer, violin I
Helge Rosenkranz, violin II
Hartmut Pascher, viola
Vincent Stadlmair, cello
9-12
Sharon Quartet
Gil Sharon, violin I
Rodica Ciocoiu, violin II
Ron Ephrat, viola
Alexander Hulshoff, cello
MP3 – 320Kbps
Disc 1 (http://www.megaupload.com/?d=KX8UY47R)
Disc 2 (http://www.megaupload.com/?d=RW5UVCGY)
Disc 3 (http://www.megaupload.com/?d=V60LCV3O)
Disc 4 (http://www.megaupload.com/?d=SH12WNWM)
Disc 5 (http://www.megaupload.com/?d=CM97HSC5)
Klara Wurtz, piano
MP3 – 320Kbps
Disc 6 (http://www.megaupload.com/?d=SLI8I9E7)
Disc 7 (http://www.megaupload.com/?d=FVQ61JVC)
Bart van Oort, fortepiano
MP3 – 320Kbps
Disc 8 (http://www.megaupload.com/?d=32I7CAZ0)
Pieter-Jan Belder, fortepiano
MP3 – 320Kbps
i have the complete works of bach, Dvorak, some Brams, etc
Disc 9 (http://www.megaupload.com/?d=NMSPS1BD)
Bernard Foccroulle, organ (1,2,3,22)
Guy Penson, clavichord (4-9,15-16)
Guy Penson, harpsichord (10-14,17-19,20)
Guy Penson, Tangentenflugel (19,21)
MP3 – 320Kbps
Disc 10 (http://www.megaupload.com/?d=P6RGZSI4)
1-4,8-11
Luc Devos, pianoforte
5-7
Guy Penson, harpsichord
MP3 – 320Kbps
Disc 11 (http://www.megaupload.com/?d=RBNOTHDE)
1-7
Luc Devos, pianoforte
8-9
Bernard Foccroulle, organ
10
Dennis James, glass harmonica
MP3 – 320Kbps
Disc 12 (http://www.megaupload.com/?d=UMKKERDO)
Bart van Oort, fortepiano (primo)
Ursula Dutschler, fortepiano (secundo)
MP3 – 320Kbps
Disc 13 (http://www.megaupload.com/?d=C0QOWBA0)
Ursula Dutschler, fortepiano (primo)
Bart van Oort, fortepiano (secundo)
MP3 – 320Kbps
Disc 14 (http://www.megaupload.com/?d=CP46L5I6)
1-3,5
Ursula Dutschler, fortepiano (primo)
Bart van Oort, fortepiano (secundo)
4,6-8
Bart van Oort, fortepiano (primo)
Ursula Dutschler, fortepiano (secundo)
MP3 – 320Kbps
Disc 15 (http://www.megaupload.com/?d=IAFBSS66)
Martin Haselbock, organ
MP3 – 320Kbps
And anyone have a recording of messiah from Handel
Here you are:
http://forums.ffshrine.org/showpost.php?p=1277225&postcount=469
And anyone have a recording of messiah from Handel
You study music and you don’t have The Messiah?! :shock::shock::shock: FOR SHAME!!!!!
Seriously though, if you like classical music at all it’s a no-brainer for the collection ๐
HANDEL – THE MESSAIH
(Paul McCreesh, Gabrieli Consort & Players)
MP3-V0
http://rapidshare.com/files/296396284/Messiah1.rar
http://rapidshare.com/files/296408653/Messiah2.rar
——————————————————————
Thanks Doublehex for posting Verdi’s Requiem. My recording has been unattended for a long time (I’m really not the biggest fan of Verdi in general). I should really give it another listen.
Disc 1 (http://www.megaupload.com/?d=QYE76X8H)
Suddeutsches Kammerorchester Pforzheim
Chamber Choir of Europe
Nicol Matt
Pamela Heuvelmans, soprano
Barbara Werner, alto
Robert Morvaj, tenor
Thomas Pfeiffer, bass
MP3 – 320Kbps
Disc 2 (http://www.megaupload.com/?d=LKZO50IU)
1-9
Kurpfalzisches Kammerorchester Mannheim
Chamber Choir of Europe
Nicol Matt
Annemarie Kremer, soprano
10-14
Teatro Armonico Stuttgart
Chamber Choir of Europe
Nicol Matt
MP3 – 320Kbps
Disc 3 (http://www.megaupload.com/?d=QDDDLZGC)
1-9
Suddeutsches Kammerorchester Pforzheim
Chamber Choir of Europe
Nicol Matt
Pamela Heuvelmans, soprano
10-14
Kurpfalzisches Kammerorchester Mannheim
Chamber Choir of Europe
Nicol Matt
Annemarie Kremer, soprano
MP3 – 320Kbps
Disc 4 (http://www.megaupload.com/?d=RRX5YHEA)
Kurpfalzisches Kammerorchester Mannheim
Chamber Choir of Europe
Nicol Matt
Annemarie Kremer, soprano (1-6)
Pamela Heuvelmans, soprano (7-12)
MP3 – 320Kbps
Disc 5 (http://www.megaupload.com/?d=H6BEHARP)
1-4
Suddeutsches Kammerorchester Pforzheim
Chamber Choir of Europe
Nicol Matt
Pamela Heuvelmans, soprano
5-7
Kurpfalzisches Kammerorchester Mannheim
Chamber Choir of Europe
Nicol Matt
Annemarie Kremer, soprano
8
Teatro Armonico Stuttgart
Chamber Choir of Europe
Nicol Matt
9
Suddeutsches Kammerorchester Pforzheim
Chamber Choir of Europe
Nicol Matt
MP3 – 320Kbps
Disc 6 (http://www.megaupload.com/?d=P0TA2L3R)
1-6,9,21-22
Kurpfalzisches Kammerorchester Mannheim
Nicol Matt
3
Marietta Fischesser, soprano
Barbara Werner, alto
Benoit Haller, tenor
Christof Fischesser, bass
7-8,10,20
Teatro Armonico Stuttgart
Nicol Matt
8
Anja Tilch, soprano
Barbara Werner, alto
Daniel Schreiber, tenor
Manfred Bittner, bass
20
Daniel Schreibner, tenor solo
Manfred Bittner, bass solo
11-19
Nicol Matt, organ
Anja Tilch, soprano
Barbara Werner, alto
Daniel Schreibner, tenor
Manfred Bittner, bass
MP3 – 320Kbps
Disc 7 (http://www.megaupload.com/?d=HKRZW7CX)
1,8-11
Suddeutsches Kammerorchester Pforzheim
Chamber Choir of Europe
Nicol Matt
Annemarie Kremer, soprano
2-5,12-14
Kurpfalzisches Kammerorchester Mannheim
Chamber Choir of Europe
Nicol Matt
6-7,15
Teatro Armonico Stuttgart
Chamber Choir of Europe
Nicol Matt
Anja Tilch, soprano
MP3 – 320Kbps
Disc 8 (http://www.megaupload.com/?d=NOISWKO8)
Camerata Wurzburg
Chamber Choir of Europe
Nicol Matt
Valentina Farcas, soprano I
Annemarie Kremer, soprano II
Daniel Sans, tenor
Christof Fischesser, bass
Jens Wollenschlager, organ
MP3 – 320Kbps
Disc 9 (http://www.megaupload.com/?d=A1A79R8J)
1-7
Kurpfalzisches Kammerorchester Mannheim
Chamber Choir of Europe
Nicol Matt
Marietta Fischesser, soprano
Barbara Werner, alto
Benoit Haller, tenor
Manfred Bittner, bass
Jens Wollenschlager, organ
8-13
Sudwestdeutsches Kammerorchester Pforzheim
Chamber Choir of Europe
Nicol Matt
Pamela Heuvelmans, soprano
Barbara Werner, alto
Benoit Haller, tenor
Manfred Bittner, bass
Jens Wollenschlager, organ
MP3 – 320Kbps
Disc 10 (http://www.megaupload.com/?d=VWTKFMQA)
Kammerorchester Mannheim
Chamber Choir of Europe
Nicol Matt
1-6
Anja Bittner, soprano
Gabriele Wunderer, alto
Robert Morvaj, tenor
Manfred Bittner, bass
7-12
Marietta Fischesser, soprano
Babara Werner, alto
Benoit Haller, tenor
Christof Fischesser, bass
MP3 – 320Kbps
Disc 11 (http://www.megaupload.com/?d=7L7MM5PS)
Kurpfalzisches Kammerorchester Mannheim
Chamber Choir of Europe
Nicol Matt
1-12
Petra Labitzke, soprano
Barbara Werner, alto
Daniel Sans, tenor
Christof Fischesser, bass
13-19
Marietta Fischesser, soprano
Barbara Werner, alto
Benoit Haller, tenor
Christof Fischesser, bass
MP3 – 320Kbps
The Requiem is the only thing I have from Verdi. It was all for the Dies Irae.
Disc 12 (http://www.megaupload.com/?d=ALMJPDMP)
Kurpfalzisches Kammerorchester Mannheim
Chamber Choir of Europe
Nicol Matt
1-6
Petra Labitzke, soprano
Barbara Werner, alto
Daniel Sans, tenor
Christof Fischesser, bass
Jens Wollenschlager, organ
7-18
Anja Bittner, soprano
Gabriele Wunderer, alto
Robert Morvaj, tenor
Manfred Bittner, bass
Jens Wollenschlager, organ
MP3 – 320Kbps
Disc 13 (http://www.megaupload.com/?d=E7521V7X)
1-10
Camerata Wurzburg
Chamber Choir of Europe
Nicol Matt
11-16
Kurpfalzisches Kammerorchester Mannheim
Chamber Choir of Europe
Nicol Matt
Petra Labitzke, soprano
Barbara Werner, alto
Daniel Sans, tenor
Christof Fischesser, bass
Jens Wollenschlager, organ
MP3 – 320Kbps
Disc 14 (http://www.megaupload.com/?d=3F9CBAFW)
1-21
Sudwestdeutsches Kammerorchester Pforzheim
Chamber Choir of Europe
Nicol Matt
Anja Bittner, soprano
Barbara Werner, alto
Gerhard Nennemann, tenor
Manfred Bittner, bass
Jens Wollenschlager, organ
22-27
Kurpfalzisches Kammerorchester Mannheim
Chamber Choir of Europe
Nicol Matt
Anja Bittner, soprano
Gabriele Wunderer, alto
Robert Morvaj, tenor
Manfred Bittner, bass
Jens Wollenschlager, organ
MP3 – 320Kbps
Disc 15 (http://www.megaupload.com/?d=ON3T4P50)
1-18
Sudwestdeutsches Kammerorchester Pforzheim
Chamber Choir of Europe
Nicol Matt
Anja Bittner, soprano
Annemarie Kremer, soprano (solo arias)
Barbara Werner, alto
Benoit Haller, tenor
Manfred Bittner, bass
Jens Wollenschlager, organ
19-24
Kurpfalzisches Kammerorchester Mannheim
Chamber Choir of Europe
Nicol Matt
Anja Bittner, soprano
Gabriele Wunderer, alto
Robert Morvaj, tenor
Manfred Bittner, bass
Jens Wollenschlager, organ
25
Kurpfalzisches Kammerorchester Mannheim
Chamber Choir of Europe
Nicol Matt
MP3 – 320Kbps
Disc 16 (http://www.megaupload.com/?d=74ILGUQ8)
Disc 17 (http://www.megaupload.com/?d=QJOG6H8V)
Orchestra da Camera di Padova e del Veneto
Coro del Centro di Musica Antica di Padova
Peter Maag
Ernesto Palacio, Ozia
Gloria Banditelli, Guiditta
Lynda Russell, Amital
Petteri Salomaa, Achior
Caterina Trogu Rohrich, Cabri
Sabina Macculi, Carmi
MP3 – 320Kbps
Disc 18 (http://www.megaupload.com/?d=ZB9AJY2T)
Disc 19 (http://www.megaupload.com/?d=2XCCHAEI)
Berliner Domakapelle
Roland Bader
Arleen Auger, Weltgeist
Krisztina Laki, Gerechtigkeit
Sylvia Geszty, Barmherzigkeit
Werner Hollweg, Christgeit
Claus H. Ahnsjo, Christ
MP3 – 320Kbps
Disc 20 (http://www.megaupload.com/?d=82RNPIJW)
Wiener Akadamie
Chorus Viennensis
Martin Haselbock
Christoph Pregardien, tenor (solo 5,8,9)
Helmut Wildhaber, tenor (solo 6,7,11)
Gottfried Hornik, bass
Peter Schneyder, bass
MP3 – 320Kbps
Disc 21 (http://www.megaupload.com/?d=T0142N10)
1-5
Wiener Akademie
Concentus Vocalis
Martin Haselbock
Edith Wiens, soprano
Thomas Hampson, bass
6-15
Choir & Orchestra Collegium Musicum of the University of Tubingen
Wilfried Fischer
Gertraud Landwehr-Hermann, soprano I
Susanne Johns, soprano II
Hermann Fischer, tenor
MP3 – 320Kbps
http://rs502.rapidshare.com/files/261964588/02_-__Pachelbel_-_Canon_in_D.mp3

http://rapidshare.com/files/293465556/matins.rar
You don’t need to know the movie to appreciate the music. It’s late Renaissance/early Baroque music (17th century) of the kind you probably haven’t heard before, refined, diverse and even emotionally engaging, all played on the viola da gamba. Just listen to the 2-viola arrangement of le pleurs and judge for yourself.
This disc is absolutely gorgeous. Many thanks! I’m gonna have to see the movie now ๐
*searches youtube in vain*
Edit: Aussieguy are you still looking for Shostakovich 9?
Here’s one of my favoutire Mozart piano concertos, in what I feel is an immaculate performance. It’s the conductorless Orpheus Chamber Orchestra with Richard Goode at the piano.
MOZART – PIANO CONCERTO NO. 25
(Orpheus Chamber Orchestra, Richard Goode piano)
http://rowanduk.googlepages.com/MozartGoode25.bmp
MP3-V0
http://rapidshare.com/files/295535731/Mozart_-_Piano_Concerto_25__Goode_.rar
Goode has Mozart’s wit and delicacy down pat and the orchestra play with peerless precision. What I love about the first movement is the joyous, open-hearted chordal statement at the opening and the nonchalant rhythmic interjections (1:35) – for some reason I find them beyond funky. ๐ The slow movement isn’t a wallow and keeps the light tripping character established in the Allegro maestoso. Listen to the meltingly beautiful, Schubertian passage at 3:40 in the third movement too. Gorgeous.
—————————————————————
Notice:
Following on from Sorcerer’s excellent personal recommendations, I’d like to invite anyone who reads this thread to post some of their favourite works in performances they admire, and perhaps say a few words about them. And it needn’t be the most esoteric thing either. I’m sure we all have a few gems to share ๐
Disc 1 (http://www.megaupload.com/?d=NHWU6QD1)
Chamber Choir of Europe
Nicol Matt
MP3 – 320Kbps
Disc 2 (http://www.megaupload.com/?d=TT32ONJ5)
European Sinfonietta
Ed Spanjaard
Francine van der Heyden, soprano
MP3 – 320Kbps
Disc 3 (http://www.megaupload.com/?d=3LD60LH0)
European Sinfonietta
Ed Spanjaard
Miranda van Karlingen, soprano
MP3 – 320Kbps
Disc 4 (http://www.megaupload.com/?d=NB5OY5U6)
European Chamber Orchestra
Wilhelm Keitel
Marcel Reijans, tenor
MP3 – 320Kbps
Disc 5 (http://www.megaupload.com/?d=UIIEA92S)
European Chamber Orchestra
Wilhelm Keitel
Ezio Maria Tisi, bass
3-4
Caroline Vitale, mezzo soprano
Marcel Reijans, tenor
Christian Tchelebiev, bass (3)
10-11
Annemarie Kremer, soprano
MP3 – 320Kbps
Disc 6 (http://www.megaupload.com/?d=HZYV083H)
Kammerorchester Carl Philipp Emanuel Bach
Hartmut Haenchen
Christiane Oelze, soprano
MP3 – 320Kbps
Disc 7 (http://www.megaupload.com/?d=6ESRDL2W)
Staatskapelle Dresden
Otmar Suitner
Sylvia Geszty, soprano
MP3 – 320Kbps
Disc 8 (http://www.megaupload.com/?d=BABX6I49)
Bas Ramselaar, bass/baritone
Bart van Oort, fortepiano
MP3 – 320Kbps
Disc 9 (http://www.megaupload.com/?d=DM653B5H)
Claron McFadden, soprano
Bart van Oort, fortepiano
MP3 – 320Kbps
—————
Next week – Opera
Excellent, that’s good to hear. I haven’t had a chance to listen to most of the performances yet.
http://www.megaupload.com/?d=EANK0XUV
Enjoy!
You are most welcome…Handel is one of my favorite composers…especially his Water Music.
Lens Of Truth,
Many thanks for the outstanding version of Handel’s Messiah…replaced the one I had. Also, MOZART – PIANO CONCERTO NO. 25 (Orpheus Chamber Orchestra, Richard Goode piano) is fantastic!
Thanks,
-A.
(Istv???n Bog???r, Budapest Symphony Orchestra)
MP3-V0
http://rapidshare.com/files/298136455/Brahms_-_Hungarian_Dances.rar
Handel coming up later tonight ๐
Disc 1 (http://www.megaupload.com/?d=8M7JI54F)
Disc 2 (http://www.megaupload.com/?d=PL9DJUAO)
Apollo et Hyacinthus KV 38
Rundfunk-Sinfonie Orchester Leipzig
Rundfunkchor Leipzig
Max Pommer
John Dickie – Oebalus, King of Lacedemonia
Venceslava Hruba-Freiberger – Melia
Arno Raunig – Hyacinthus
Ralf Popken – Apollo
Axel Kohler – Zephyrus
MP3 – 320Kbps
Disc 3 (http://www.megaupload.com/?d=EW3KYNI9)
Bastien und Bastienne KV 50
Rundfunk-Sinfonie Orchester Leipzig
Max Pommer
Dagmar Schellenberger – Bastienne
Ralph Eschrig – Bastien
Rene Pape – Colas
MP3 – 320Kbps
Disc 4 (http://www.megaupload.com/?d=6KMNX4YW)
Disc 5 (http://www.megaupload.com/?d=Q02WUX03)
Disc 6 (http://www.megaupload.com/?d=BKAJD79E)
La Finta Semplice KV 51
Mozarteum-Orchester Salzburg
Leopold Hager
Helen Donath – Rosina
Robert Holl – Don Cassandro
Anthony Rolfe-Johnson – Don Polidoro
Teresa Berganza – Giacinta
Jutta-Renate Ihloff – Ninetta
Thomas Moser – Fracasso
Robert Lloyd – Simone
MP3 – 320Kbps
Disc 7 (http://www.megaupload.com/?d=PSHZPTSM)
Disc 8 (http://www.megaupload.com/?d=2D0T37TJ)
Disc 9 (http://www.megaupload.com/?d=V2DQVHWC)
Mitridate, re di Ponto KV 87
Musica Ad Rhenum
Jed Wentz
Marcel Reijans – Mitridate
Francine van der Heyden – Aspasia
Marijje van Stralen – Sifare
Johannette Zomer – Ismene
Cecile van de Sant – Farnace
Young-Hee Kim – Arbate
Alexei Grigorev – Marzio
Erwin Wieringa, solo horn
Michael Borgstede, harpsichord
Franc Polman, concert master
MP3 – 320Kbps
Disc 10 (http://www.megaupload.com/?d=5NYRECK6)
Disc 11 (http://www.megaupload.com/?d=H9TYL8S0)
Disc 12 (http://www.megaupload.com/?d=RN0ONRO0)
Ascanio in Alba KV 111
Musica Ad Rhenum
Vocaal Ensemble Cocu
Jed Wentz
Maaike Beekman – Ascanio
Claudia Patacca – Venere
Nicola Wemyss – Silvia
Tom Allen – Aceste
Claron McFadden – Fauno
MP3 – 320Kbps
I’m still trying to locate the disc with suites 1-5. I also have another set and if I come across that first I’ll post that one (really, my room’s THAT messy). In the meantime, here are two of my favourite movements from the suite in G minor.
Handel Harpsichord Sampler
(Alan Cuckson)
http://rapidshare.com/files/298566507/Handel_Harpsichord_Sample.rar
MP3-V0 / 12MB
First, a short Allegro with a very plucky (yet somehow caressing) registration that I can’t get enough of. And second, what I consider to be one of Handel’s "greatest hits" ;), a stunning, muscular passacaglia. The progression itself is so catchy that it brings a big smile to my face to hear it journeying through variations and doing exactly what’s expected of it. There’s one particular variation that gives me goosebumps it’s just so searching and acute in feeling.
Many thanks for the outstanding version of Handel’s Messiah…replaced the one I had. Also, MOZART – PIANO CONCERTO NO. 25 (Orpheus Chamber Orchestra, Richard Goode piano) is fantastic!
Likewise, thank you for the Water Music with Mackerras. It sounds so opulent with a modern orchestra! Here’s my favourite little sequence (on period instruments):
Water Music Sampler
(Trevor Pinnock, The English Consort)
http://rapidshare.com/files/298585389/Water_Music_Pinnock_Sample.rar
MP3-V0 / 11MB
Disc 13 (http://www.megaupload.com/?d=Y0Z6VUE4)
Disc 14 (http://www.megaupload.com/?d=KJREBI0T)
Il Sogno di Scipione KV 126
Musica ad Rhenum
Jed Wentz
Cappella Amsterdam
Daniel Reuss
Claron McFadden – Fortuna
Claudia Patacca – Costanza
Francois Soons – Scipione
Terence Mierau – Publio
Marcel Reijans – Emilio
Francine van der Heyden – La Licenza
Michael Borgstede, harpsichord
Franc Polman, concert master
MP3 – 320Kbps
Disc 15 (http://www.megaupload.com/?d=K66SW5KS)
Disc 16 (http://www.megaupload.com/?d=KZ9QA305)
Disc 17 (http://www.megaupload.com/?d=UMOMBZ8A)
Lucio Silla KV 135
Orchestre et Choeurs du Theatre Royal de la Monnaie
Sylvain Cambreling
Anthony Rolfe-Johnson – Lucio Silla
Lella Cuberli – Giunia
Ann Murray – Cecilio
Britt-Marie Aruhn – Cinna
Christine Barbaux – Celia
Ad van Baasbank – Aufidio
MP3 – 320Kbps
Disc 18 (http://www.megaupload.com/?d=OZVC8OLL)
Disc 19 (http://www.megaupload.com/?d=6RUGEZ8X)
Disc 20 (http://www.megaupload.com/?d=G78X2S56)
La Finta Giardiniera KV 196
Orchestre du Theatre Royal de la Monnaie
Sylvain Cambreling
Ugo Benelli – Il Podesta
Joanna Kozlowska – Sandrina
Marek Torzewski – Belfiore
Malvina Major – Arminda
Lani Poulson – Ramiro
Elzbieta Szmytka – Serpetta
Russel Smythe – Nardo
MP3 – 320Kbps
Disc 21 (http://www.megaupload.com/?d=GPA1Z0U0)
Disc 22 (http://www.megaupload.com/?d=MXWQ5IK4)
Il re Pastore KV 208
Musica ad Rhenum
Jed Wentz
Johannette Zomer – Aminta
Francine van der Heyden – Elisa
Marcel Reijans – Agenore
Alexei Grigorev – Alessandro
Claudia Patacca – Tamiri
Michael Borgstede, harpsichord
MP3 – 320Kbps
Disc 23 (http://www.megaupload.com/?d=B7ZPVBFP)
Disc 24 (http://www.megaupload.com/?d=O7L5N8TC)
Zaide KV 344
Radio Kamerorkest
Ton Koopman
Sandrine Piau – Zaide
Max Ciolek – Gomatz
Klaus Mertens – Allazim, Osmin
Paul Agnew – Sultan Soliman
Gregor Frenkel Frank – Narrator
MP3 – 320Kbps
Disc 25 (http://www.megaupload.com/?d=6YYJWNGX)
Thamos, Konig in Agypten KV 345
1-7
Wurttembergischer Kammerchor und Orchester
Jorg Faerber
Charlotte Lehmann, soprano
Rose Scheible, alto
Oly Pfaff, tenor
Bruce Abel, bass
8-20
Slovak Sinfonietta
Taras Krysa
MP3 – 320Kbps
Disc 26 (http://www.megaupload.com/?d=93BWI1XG)
Disc 27 (http://www.megaupload.com/?d=BM5YRFUL)
Disc 28 (http://www.megaupload.com/?d=LBHRF2GN)
Idomeneo KV 366
Staatskapelle Dresden
Chor des Leipziger Rundfunks
Hans Schmidt-Isserstedt
Nicolai Gedda – Idomeneo
Adolf Dallapozza – Idamante
Anneliese Rothenberger – Ilia
Edda Moser – Elettra
Peter Schreier – Arbace
Eberhard Buchner – Gran Sacerdote
Theo Adam – La Voce
Gunther Leib – Sacerdote
Adele Stolte, Ingeborg Springer – Two Cretan girls
Eberhard Buchner, Gunther Leib – Due Troiani
MP3 – 320Kbps
Disc 29 (http://www.megaupload.com/?d=HDHUUGQA)
Disc 30 (http://www.megaupload.com/?d=KOVW133U)
Die Entfuhrung aus dem Serail KV 384
Bruckner Orchestra Linz
Choir of the Landestheater Linz
Martin Sieghart
Ernst Dunshirn, chorus master
Ingrid Habermann, soprano
Piotr Bezcala, tenor
Donna Ellen, soprano
Oliver Ringelhahn, tenor
Franz Kalchmair, bass
Harald Pfeiffer, speaker
MP3 – 320Kbps
Disc 31 (http://www.megaupload.com/?d=I8GR8J8D)
Der Schauspieldirektor KV 486
Kammerorchester Berlin
Helmut Koch
Sylvia Geszty – Madame Herz
Rosemarie Ronisch – Mademoiselle Silberklang
Peter Schreier – Monsieur Vogelsang
Hermann Christian Polster – Buff
speaking roles
Heinz Suhr – Frank
Werner Ehrlicher – Eiler
Helmut Muller-Lankow – Buff
Otto Mellies – Herz
Annakathrin Burger – Madam Pfeil
Annemone Haase – Madam Krone
Jutta Hoffmann – Madame Vogelsang
Renate Rennhack – Madame Herz
Monika Lennartz – Mademoiselle Silberklang
MP3 – 320Kbps
Disc 32 (http://www.megaupload.com/?d=RAZTZMT1)
Disc 33 (http://www.megaupload.com/?d=KEUUH4K1)
Disc 34 (http://www.megaupload.com/?d=Y8TCLSID)
Le Nozze di Figaro KV 492
Le Petite Bande
Choeur de Chambre de Namur
Sigiswald Kuijken
Huub Claessens – Il Conte
Patrizia Biccire – La Contessa
Werner van Mechelen – Figaro
Christiane Oelze – Susanna
Monika Groop – Cherubino
Beatrice Cramoix – Marcellina
Harry van der Kamp – Bartolo
Yves Saelens – Basilio
Philip Defrancq – Don Curzio
Jean-Guy Devienne – Antonio
Marie Kuijken – Barbarina
MP3 – 320Kbps
Handel Harpsichord Sampler
(Alan Cuckson)
http://rapidshare.com/files/298566507/Handel_Harpsichord_Sample.rar
MP3-V0 / 12MB
First, a short Allegro with a very plucky (yet somehow caressing) registration that I can’t get enough of. And second, what I consider to be one of Handel’s "greatest hits" ;), a stunning, muscular passacaglia. The progression itself is so catchy that it brings a big smile to my face to hear it journeying through variations and doing exactly what’s expected of it. There’s one particular variation that gives me goosebumps it’s just so searching and acute in feeling.
A stunning piece indeed! This reminds me of his Sonata 52 in Eb, the first piece i really loved from Haydn. Yes, shame on me, but i’m a bit opposed by the conservative elements in Haydn and especially Mozart like dozenfold repititions of tonika-dominant or very simple cadenzas, which put me off a bit in the Piano Concerto 25. But i’m not an expert in composition so i must miss much of their genius. Still there are many Mozart pieces i love, like the Sonata for Two Pianos. There is an amazing recording of the first movement on Youtube, and not only for the excellent interpretation, but also for the experimental video editing. It is done by the AndersonRoe piano duo, who are experts at lively two-piano and four-hand arrangements. I can’t recommend their channel highly enough!
http://www.youtube.com/watch?v=tq1rZXzjP-I
Anyways, this brought me to upload said Sonata in Eb on a CD that also features the Mozart K311 in D and the Beethoven Op.2 No 2 in A Sonatas. The pianist is the young Rafal Blechacz, winner of the International Chopin Competition. His interpretation of the Polonaise Heroique there cought my interest (and admiration).
Rafal Blechacz: Sonatas
pw: forgottenmelodies
http://rapidshare.com/files/299219947/rafal_sonatas.rar
By the way, Sirus, have you listened to any of the Medtner or Alkan yet? I’ve put a recording of the Canzona Serenata on Youtube, but i can’t compete with Hamelin – yet ๐ although i don’t completely agree with his interpretation. In any case, i’m still in awe of the Forgotten Melodies I, especially the Danza Festiva:
http://www.youtube.com/watch?v=c3o-jC5YhW0
Good luck! That’d be wonderful if you found it through your (seemingly) unlimited grasp! ๐
(Paul Nicholson)
MP3-V0
http://rapidshare.com/files/299317354/Handel_-_Harpsichord_Suites_1.rar
http://rapidshare.com/files/299337250/Handel_-_Harpsichord_Suites_2.rar
Overall this is my preferred recording, though I do think Cuckston has something extra in the two pieces posted earlier. Paul Nicholson plays on a much richer, more mellow-toned instrument that’s easier to listen to for sustained periods. His performance style is a little ‘neater’, but also more varied, and has a great feel for the dance character of the music. The six fugues that close the set are described in the liner notes rather obliquely (but aptly) as "splendid examples of eighteenth century rational craftsmanship which never fail to recognise that experience may sometimes be perilous".
Yes, shame on me, but i’m a bit opposed by the conservative elements in Haydn and especially Mozart like dozenfold repititions of tonika-dominant or very simple cadenzas, which put me off a bit in the Piano Concerto 25. But i’m not an expert in composition so i must miss much of their genius.
I actually can’t get enough of the tonic/dominant grandstanding that goes on in Mozart, Haydn and Beethoven. It’s a part of the pomp of Classicism, but also can sound joyous and elemental. I perfectly understand when people say they don’t like Mozart because he’s too ‘safe’. Personally, I love everything about the Classical style – its openness, its elegance, its structure, its contrast and emphasis. After all (I’m paraphrasing Charles Rosen here a bit) it may the only time in history that a truly popular style has achieved such a degree of mastery, of craftsmanship, expressive variety and complexity. The formulaic elements are deceptive and serve to conceal the complexity. Humour is also essential to the big three, especially Haydn, and again, the perfect proportions of the music are able to encompass a level of eccentricity that I think no other composer matched. The first movement of Haydn’s Symphony No.97 in C totally takes the piss out of the tonic-dominant clich??? – it’s a parody of itself, but it’s also brilliant, life-affirming, energetic.
The humorous side of Beethoven is particularly overlooked I feel; the ABSURD never-ending coda of the 5th’s finale; the whole of the 8th, sublimely tongue-in-cheek (almost, in a very intentional way, camp); the crazy syncopations in the Leonore Overture (and pretty much everywhere else).. I could go on.
The other thing about Beethoven is that he expanded Classicism, or rather fulfilled its potential, for ultimately embodying struggle. The sense of struggle is all the more acute for the fact that it exists within an arch-Classical style. Hence why Beethoven is regarded as the archetypal creator-artist, alongside the likes of Michelangelo.
Anyway, I’m rambling..
Still there are many Mozart pieces i love, like the Sonata for Two Pianos. There is an amazing recording of the first movement on Youtube, and not only for the excellent interpretation, but also for the experimental video editing. It is done by the AndersonRoe piano duo, who are experts at lively two-piano and four-hand arrangements. I can’t recommend their channel highly enough!
http://www.youtube.com/watch?v=tq1rZXzjP-I
I caught the Proms performance of this on tv a few weeks ago. I think I like this one even better!
Thanks for the sonatas disc!
Looking forward to try the Harpsichord Suites.
(Paul Nicholson)
Thank you!
Disc 35 (http://www.megaupload.com/?d=8SS17KLF)
Disc 36 (http://www.megaupload.com/?d=RQQ3WC6L)
Disc 37 (http://www.megaupload.com/?d=9QQPO1BN)
Don Giovanni KV 527
La Petite Bande
Collegium Compostellanum
Sigiswald Kuijken
Werner van Mechelen – Don Giovanni
Huub Claessens – Leporello
Elena Vink – Donna Anna
Markus Schafer – Don Ottavio
Nancy Argenta – Zerlina
Nancy de Vries – Masetto
Christina Hogman – Donna Elvira
Harry van der Kamp – Il Commendatore
MP3 – 320Kbps
Disc 38 (http://www.megaupload.com/?d=BLGHQYMG)
Disc 39 (http://www.megaupload.com/?d=79D381XQ)
Disc 40 (http://www.megaupload.com/?d=HB0TIFCF)
Cosi fan tutte KV 588
La Petite Bande Orchestra & Chorus
Sigiswald Kuijken
Soile Isokoski – Fiordiligi
Monica Groop – Dorabella
Nancy Argenta – Despina
Markus Schafer – Ferrando
Per Vollestad – Guglielmo
Huub Claessens – Don Alfonso
MP3 – 320Kbps
Disc 41 (http://www.megaupload.com/?d=B3E6HHAK)
Disc 42 (http://www.megaupload.com/?d=BR0JJ1DJ)
Die Zauberflote KV 620
Scottish Chamber Orchestra & Chorus
Sir Charles Mackerras
Barbara Hendricks – Pamina
Jerry Hadley – Tamino
Thomas Allen – Papageno
Robert Lloyd – Sarastro
June Anderson – Queen of the Night
Ulrike Steinsky – Papagena
Gottfried Hornik – Sprecher, Zweiter Priester
Peter Svensson – Erster Priester
Helmut Wildhaber – Monostatos
MP3 – 320Kbps
Disc 43 (http://www.megaupload.com/?d=XKED2DQC)
Disc 44 (http://www.megaupload.com/?d=COQGOMPU)
La Clemenza di Tito KV 621
Musica ad Rhenum
Vocal Ensemble Cocu
Jed Wentz
Andre Post – Tito Vespasiano
Claudia Patacca – Vitellia
Francine van der Heyden – Servilia
Cecile van de Sant – Sesto
Nicola Wemyss – Annio
Marc Pantus – Publio
Eric Hoeprich, basset horn, basset clarinet
Michael Borgstede, harpsichord
Franc Polman, concert master
MP3 – 320Kbps
MP3-V0
http://rapidshare.com/files/301568774/Grand_Canyon_Suite.rar
I said I’d post this ages ago and then forgot. So here it is. Beautiful, sumptuously orchestrated (Grof??? was also responsible for the orchestral arrangements of Rhapsody in Blue that we’re all familiar with), descriptive and teeming with melodies inspired by folk music, dance and jazz and, ocassionally, American Indian motifs. My favourite might be the Niagara Falls Suite, which has some incredibly powerful, almost surreal passages, but also plenty of lyricism. Each one feels like a journey in itself. Enjoy!
Im looking for some phillp glass stuff (The Canyon Expesially, as well as some of his symphonies) and Some John Adams Stuff (Dr.Atomic, Phrygian Gates, Sionmsky’s Earbox and Lollapalooza)
Originally for Band:
Hindemith Symphony in Bb
Holst 1st Suite in Eb for Military Band
Vaughan Williams Suite for Military Band
Vaughan Williams Sea Songs
Transcriptions:
Shostakovich (2nd?) Piano Concerto
Grieg Piano Concerto in A Minor
The Pines of Rome
They aren’t perfect performances, but they are worth a listen (more so for the original works for band that we don’t get to hear very often from the big orchestral hitters)
I have Carlos Kleiber’s New Year Concert which features most of the Strauss family stuff, but I seem to remember lending it to a friend. Until I get it back I can give you the one’s I’ve mp3-ised on my computer (the best ones ;)).
Hindemith Symphony in Bb
Holst 1st Suite in Eb for Military Band
Vaughan Williams Suite for Military Band
Vaughan Williams Sea Songs
These would be very nice! Especially the Vaughan Williams ๐
(Selections)
Vienna Philharmonic Orchestra, Carlos Kleiber
MP3-V0
http://rapidshare.com/files/304522929/Strauss_Kleiber_Highlights.rar
1. Johann Strauss Jr. – Acceleration Waltz
2. Josef Strauss – The Dragonfly
3. Johann Strauss Jr. – Voices of Spring
4. Johann Strauss Jr. – The Blue Danube
5. Johann Strauss Sr. – Radetzky March
A bitesize bit Strauss(s) in excellent performances recorded live. I’ll upload the rest in time if you’re after more.
Originally for Band:
Hindemith Symphony in Bb
Holst 1st Suite in Eb for Military Band
Vaughan Williams Suite for Military Band
Vaughan Williams Sea Songs
Transcriptions:
Shostakovich (2nd?) Piano Concerto
Grieg Piano Concerto in A Minor
The Pines of Rome
They aren’t perfect performances, but they are worth a listen (more so for the original works for band that we don’t get to hear very often from the big orchestral hitters)
Can you upload Symphony in B-flat My version is a Bit Meh
Oh and on a sidenote i recently got a purchase of Vaughn Williams Bass Tuba Concerto For Orchestra so if anyone wants it let me know
Hopefully mine isn’t more "meh" than yours. Both recordings, imperfect as they may be, are by the University of Utah Wind Ensemble
Hindemith Symphony in Bb (for wind band) (http://rapidshare.com/files/304760103/HindemithBbSymphony.rar)
Vaughan Williams: Folk Song Suite for Military Band
(http://rapidshare.com/files/304541842/VWSuiteforMilitaryBand.rar)
Vaughan Williams: Sea Songs (http://rapidshare.com/files/304762070/Vaughan_Williams_Sea_Songs.rar)
http://www.youtube.com/watch?v=Bl9dO1CleW8
I can’t seem to be able to find it >w<
Thanks.
Just the first movement will do =D
I hope I may be able to join in here. I have a modest collection of interesting works of classical [and lots of obscure rock music that is borderline-classical]. My tastes tend to veer opposite to popular tastes [example: I love Sch???nberg, dislike most Tchaikovsky]. I also happen to have access to the wonderful classical library of USC.
Anyway, before some requests, I must say an emphatic thank you to Lens of Truth for Holmboe’s Requiem for Nietzsche, which I have been searching for, for a while now and which is how I found this magical thread, so thank you exceedingly much!
Requests:
Henry Cowell – Symphony #11
Hindemith – Quartet for Clarinet, Violin, Cello and Piano [really, really hoping to find this]
Hindemith – [any concertos; violin; horn; piano; organ; concert band]
Lucas Foss – Baroque Variations
Faure – Piano Quintet #2
Corigliano – Ghosts of Versailles
Busoni – Violin Concerto
Busoni – Clarinet Concerto
Franciax – Clarinet Concerto
DallaPiccola – Ulisse
Wuorinen – Percussion Symphony
Rorem – Poems of Love and the Rain
Alison Cameron: Gibbous Moon; A Blank Sheet of Metal
Xenakis – Oresteia
Stravinsky – Threni
Nearly anything by Luigi Nono, Luciano Berio [especially the operas], David Maslanka, Sophia Gubaidulina, Talivaldis Kenins, or Ivan Tcherpnin would be amazing as well.
I do apologize if this is "too much", I’m not expecting all of it, but better to ask then never know right? =)
As I said, I have at least a decent collection of music from all periods, and will try to fulfill any requests if possible. I think I have a lot of stuff that people wouldn’t think to ask for, but may enjoy very much though, so I’ll open with some of the things I have on mediafire already:
Maderna: Satyricon:
http://tinyurl.com/y8gkdyp
Ad???s: Powder Her Face:
http://tinyurl.com/yfhnlw7
http://tinyurl.com/y9khj99
Messiaen: Saint Francois d’Assise:
http://tinyurl.com/Saint-Francois-d-A
Lutoslawski: Piano Concerto:
http://tinyurl.com/Lutoslawski-Piano-Concerto
Xenakis: Kraanerg:
http://tinyurl.com/Kraanerg
Sch???nberg: Moses und Aaron:
tinyurl.com/moses-und-Aaron-CD1
http://tinyurl.com/Moses-und-Aaron-2
Tredici: An Alice Symphony:
http://tinyurl.com/Alice-Symphony
As far as your requests go, I’ll keep an eye peeled, but I’m really only beginning to get into modern/avant-garde music. Threni is something I’m after myself.
Bartok – The Wooden Prince:
Borodin – Prince Igor:
I saw this reposted by arthhier (originally posted by streichorchester) back in June, but the link was dead.
Were these three part of that set in their entirety or just in part? If they were only there in part, does anyone have a full version of these beauties? You would make me very happy. I love Vaughan Williams, and I played part of Job once and LOVED it, but never got a recording. I’ve only ever had a "Selections from Prince Igor" , and I’ve never heard the Wooden Prince, but I adore Bartok.
Would you like just anything?
I have Glass complete string quartets [the last three as the best things he ever wrote in my opinion], some piano music of his [with Cage], his Orion Suite from the Olympics, Music With Changing Parts, his documentary music, and The Witches of Venice [a very fun, and interesting play of sorts].
By Adams I have Gnarly Buttons with John’s Book of Alleged Dances, Nixon in China, and Harmonliehre.
Here is a link to an already uploaded Harmonleihre [same as mine]:
http://avaxhome.ws/music/classical/John_Adams_Harmonielehre.html
There’s a lot of Adams and Glass on that site [Avaxhome.ws] btw.
For example, this page has most of Glass’ works I think:
http://avaxhome.ws/music/Philip_Glass_Witches_Venice.html
I highly recommend the String Quartets.
Let me know if you can’t find anything I have. =)
Before John Williams there was…
…one of the last great symphonists. Though not as long as Mahler’s or Shostakovich’s, Hanson’s seven symphonies are each spectacularly thematic, powerful, beautiful, and an orchestrator’s dream. If you love film music, especially the film music of John Williams, you will most certainly like this guy’s work. Start off with Symphonies 1 and 2, you won’t regret it. Look for the awesome parts for timpani and piccolo, as well as the stunning brass fanfares and chorales. For those familiar with Hanson’s work, it is no secret that this guy was one of Williams’s biggest inspirations.
Disc 1 – http://rapidshare.com/files/244271872/hanson1.rar
Symphony No. 1 "Nordic"
Elegy in Memory of Serge Koussevitsky
Symphony No. 2 "Romantic" (final movement remind you of anything?)
Disc 2 – http://rapidshare.com/files/244314962/hanson2.rar
Symphony No. 3
Fantasy Variations on a Theme of Youth
Symphony No. 6 (the final movement of this one is to be played at max volume)
Disc 3 – http://rapidshare.com/files/244362261/hanson3.rar
Symphony No. 4 "Requiem"
Serenade for Flute, Harp and Strings
Lament for Beowulf
Pastorale for Oboe, Harp and Strings
Suite from Merry Mount (Hanson’s opera)
Disc 4 – http://rapidshare.com/files/244341687/hanson4.rar
Mosaics
Piano Concerto in G major
Symphony No. 5
Symphony No. 7 "Sea Symphony" (for orchestra and chorus)
I ripped and compressed these mp3s myself on my girlfriend’s mac so let me know if there are any sound artifacts or other errors and I’ll redo them.
As far as your requests go, I’ll keep an eye peeled, but I’m really only beginning to get into modern/avant-garde music. Threni is something I’m after myself.
Glad I could post something interesting =)
Moses und Aaron is probably one of the greatest operas of all times. I still remember my first listen — absolutely spine tingling.
Powder Her Face is also one of the best works of the last twenty years. The content is also tastefully spicy in ways that many operas are not [probably because the language is somewhat modern, so it is just more directly apparent to us modern listeners].
If you are intereasted in modern stuff, let me know what or who you are interested in. For starters, I have plenty of Sch???nberg, Webern, and Berg, and also a good bit of Boulez. I also have Varese’s works, which are an excellent starting point for music concrete.
Another guy to look out for is Mauricio Kagel. I have some of his stuff, which is pretty "light", but quite interesting [he took over Darmstadt after Stockhausen left], but it’s not easy to come by it seems.
Lastly, have you heard of Scelsi? He is a very interesting composer, very unique, apparently not following any specific tradition, who has recently come to light, and who I find absolutely wonderful. His piano work, just for starters, is unlike anything else I’ve ever heard.
RE Threni: worst comes to worst, perhaps someone will give it me for Christmas ๐
Look forward to future explorations =)
I have Itaipu/The Canyon:
http://www.philipglass.com/music/recordings/itaipu.php
And a few movie/documentary scores, of which I recommend the qatsi trilogy, Mishima, Kundun, the Hours and Dracula (a musical score for the original film with Bela Lugosi).
Completed and orchestrated by Rimsky-Korsakov and Glazunov
(Selections)
George Solti, London Symphony Orchestra and Chorus
http://uploadmirrors.com/download/KCHXV97U/Borodin – Prince Igor.rar
1. Overture – 10:50
2. Galitzsky’s aria (Act II) – 3:52
3. Konchak’s aria (Act III) – 7:07
4. Polovtsian Dances – 13:44
——————————————————
VAUGHAN WILLIAMS – JOB: A MASQUE FOR DANCING
David Lloyd_Jones, English Northern Philharmonia
http://uploadmirrors.com/download/0AHLFD2B/RVW – Job.rar
——————————————————
BARTOK – THE WOODEN PRINCE
(Suite)
Neeme J???rvi, Philharmonia Orchestra
http://uploadmirrors.com/download/1VQKMMVG/Bartok – Wooden Prince.rar
——————————————————
All are mp3 LAME -V0.
Oh man, I’m listening to Job, and I just looove this piece. I didn’t even know how long it was. When I played it, we only played the first two movements. Thanks!!!
Prokofiev – Love for Three Oranges
Shostakoivch – Lady Macbeth of Mstensk
Vaughan Williams – The Pilgrim’s Progress
Wagner – Der Ring des Nibelungen
Poulenc – Les Dialogues des Carmelites
I have some others, but those are my favourites.
I noticed you said you had this…I have heard bits and pieces of Love for Three Oranges but never the whole thing and I haven’t seen you post it yet. Is there any way you could upload it, please?
Pictures at an Exhibition
Both the original piano version and Revel’s orchestra arrangement
and Enigma Variations
I am also a big fan of Eric Whitacre’s works and if you guys have any of his stuff I’d love to have that too- espically October and Ghost Train.
I wouldn’t mind having a copy of Russian Christmas Music either- I play the english horn which is a featured instrument in the piece.
Also- could this please be reuploaded, the link is dead:
Bibbidi Bobbidi Bach! – Donald Fraser [1996]
Credits to elphie
Playlist:
1. Whistle While You Work / Snow White and the Seven Dwarfs (Beethoven)
2. Give a Little Whistle / Pinnochio (Haydn)
3. A Whole New World / Alladin (Chopin)
4. Lavender Blue (Dilly Dilly) / So Dear to My Heart (Faure)
5. Just Around the Riverbend / Pocahontas (Vaughan Williams)
6. Chim Chim Cher-Ee / Mary Poppins (Pachelbel)
7. The Siamese Cat Song / Lady and the Tramp (Falla)
8. Some Day My Prince Will Come / Snow White and the Seven Dwarfs (Berlioz)
9. Circle of Life / Lion King (Gregorian Chant)
10. So This Is Love / Cinderella (Debussy)
11. Kiss the Girl / The Little Mermaid (Sibelius)
12. Bibbidi-Bobbidi-Boo / Cinderella (Bach)
13. You’ve Got a Friend in Me / Toy Story (Bernstein)
14. Bella Notte / Lady and the Tramp (Satie)
15. The Ballad of Davy Crockett (Copland)
*edit*. Actually, I’m not sure if the Eric whitacre is in this thread or the orchestral action thread. Ghost train is great. October is cool, too.
It’s funny you should mention Scelsi – he’s been top of my ‘must get to know more’ list since I heard his fourth string quartet – a piercingly serious piece, horrific even, but beautiful beyond words. You get the sense of a true artist, a visionary, pushing you toward a strange place and expanding your awareness, not just manipulating sounds cleverly and showing off.
I’m extremely curious about his piano works – hardly know what to expect!
Maslanka, David
http://rapidshare.com/files/306237346/Maslanka__Garden_of_Dreams.rar
A Child’s Garden of Dreams
I. There is a desert on the moon where the dreamer sinks so deeply into the ground that she reaches hell
II. A drunken woman falls into the water and comes out renewed and sober
III. A horde of small animals frightens the dreamer. The animals increase to a tremendous size, and one of them devours the little girl.
IV. A drop of water is seen as it appears when looked at through a microscope. The girl sees that the drop is full of tree branches. This portrays the origin of the world.
V. An ascent into heaven, where pagan dances are being celebrated; and a descent into hell, where angels are doing good deeds.
Maslanka took the idea for this work from Jung’s Man and His Symbols, in particular some of a girl patient’s dreams which seemed to prefigure her death.
This one is from the Dallas Wind Ensemble with around V0 VBR ( I didn’t know amazon did VBR, but I was listening to this and sure enough, the bitrate was jumping around all over the place)
This is a piece for Wind Band by David Maslanka. I don’t know if any of you are familiar with his work, but I figured some of you might enjoy this one. The performance was done last year by the University of Utah, so forgive any errors, but focus on the music (For example, the horn and euphonium line after the tempo change in the first movement loses a few of the attacks on the A and just holds, instead of how the euphonium later plays it in solo form in the same movement) I’ve included a picture of the composer for those who want album art for ipods and whatnot, as this is not an official release.
There are three movements, each very interesting. The piece is about 50 minutes in length, and I find each minute completely captivating. The piece could be described as haunting, pensive, mournful, maybe even tormented, but definitely joyful in the third movement.
At any rate, I hope you enjoy David Maslanka’s Symphony no. 8.
http://rapidshare.com/files/303064244/Maslanka_Symphony_No._8.rar
I have Glass complete string quartets [the last three as the best things he ever wrote in my opinion], some piano music of his [with Cage], his Orion Suite from the Olympics, Music With Changing Parts, his documentary music, and The Witches of Venice [a very fun, and interesting play of sorts].
By Adams I have Gnarly Buttons with John’s Book of Alleged Dances, Nixon in China, and Harmonliehre.
Here is a link to an already uploaded Harmonleihre [same as mine]:
http://avaxhome.ws/music/classical/John_Adams_Harmonielehre.html
There’s a lot of Adams and Glass on that site [Avaxhome.ws] btw.
For example, this page has most of Glass’ works I think:
http://avaxhome.ws/music/Philip_Glass_Witches_Venice.html
I highly recommend the String Quartets.
Let me know if you can’t find anything I have. =)
Thank you VERY VERY much for giving me that site, That has had pretty much everything i wanted to get from Phillp Glass So thank you very much
But can you upload all the Philip Glass stuff you have as well as the John Adams, If you don’t mind.
I have A fairly new Maslanka Band Piece Called Give Us this day (which i played pretty recently Beautiful piece of music), If anyone wants it let me know
Ooh, I’d love to hear it.
GIVE US THIS DAY (for wind band) – DAVID MASLANKA
*edit* you have different album art in the mp3’s than on your post. Was is southern illinois or illinois state?
*edit* you have different album art in the mp3’s than on your post. Was is southern illinois or illinois state?
Okay use the album art On the MP3’s Not the one I posted here.
Ok thanks. I haven’t listened to it yet, but thanks for the upload!
*edit* sorry. Looking back at this page, it just looks like I threw up all over it. I’ll hold back…
I can at least provide the piano transcriptions:
Prokofiev – Complete Piano Music Vol. 1 [Flac]
http://rapidshare.com/files/308460238/prok_comp_1.rar
pw: forgottenmelodies (as always)
Of course the original orchestra arrangement would be interesting..
and on a whole, this CD probably isn’t the best Prokofiev collection. Some of the Romeo & Juliet transcriptions might be appealing, but i.e. the famous Montagues and Capulets just doesn’t seem convincing on the piano as it lacks the texture, sense of menace and richness of the orchestration.
Glass-wise, i have some of his solo piano stuff, mainly the Metamorphoses, from an unidentified recording:
http://rapidshare.com/files/308477945/glasssolop.rar
To me on casual listening his music seems minimalistic, Tiersen-like, although he distances himself from that description, labeling it "music with repetitive structures" (see wikipedia). I’m not sure how to assess it, to see beyond the simple repetitions, so i’m curious, what do you see in it?
Prokofiev – Complete Piano Music Vol. 1 [Flac]
http://rapidshare.com/files/308460238/prok_comp_1.rar
pw: forgottenmelodies (as always)
Thanks for that! I grabbed it, and if anyone has the original orchestral work, I’d love it as well.
P.S. Your avatar is hilarious.
Thanks also to streich for the October Revolution cantata and Ivan the Terrible. I’m always glad to hear more Prokofiev.
P.S. Speaking of Prokofiev, I don’t know which performances have been posted here but I have(and am willing to upload if anyone wants them):
All symphonies with Seiji Ozawa and the Berlin Philharmonic
Fifth Symphony
1) Leningrad (Mariss Jansons)
2) Cleveland (George Szell).
Romeo and Juliet
1) San Francisco Symphony (Michael Tilson Thomas)
2) Cleveland (Loren Maazel)
Lieutenant Kije and the scythian suite-Chicago Symphony with Claudio Abbado
(actually I have Alexander Nevsky on that same album with the LSO. I’m not sure if they were both conducted by Abbado or just one).
Piano Concertos 1-5 performed by Vladimir Ashkenazy and the London Symphony Orchestra (not sure of the conductor on that one)
http://www.youtube.com/watch?v=bI9akyHz_wc
http://forums.ffshrine.org/showpost.php?p=1266584&postcount=441
http://www.youtube.com/watch?v=h7PPPI7sL2k
MP3-V0
http://rapidshare.com/files/301568774/Grand_Canyon_Suite.rar
I said I’d post this ages ago and then forgot. So here it is. Beautiful, sumptuously orchestrated (Grof??? was also responsible for the orchestral arrangements of Rhapsody in Blue that we’re all familiar with), descriptive and teeming with melodies inspired by folk music, dance and jazz and, ocassionally, American Indian motifs. My favourite might be the Niagara Falls Suite, which has some incredibly powerful, almost surreal passages, but also plenty of lyricism. Each one feels like a journey in itself. Enjoy!
Hey Lens! Thanks for this, Holy crap you are right on about the Niagara suite. I love the car horns in the last movement – this is a nice discovery, probably my fav Grofe now, beating out Grand canyon. Also it’s the first Stromberg non-film recording I’ve heard, I didn’t know he did straight repertoire as well.
Well, I’ve got a day off here so if anyone is interested I can try and up a collection of Shostakovich string qrtts by the Fitzwilliam Qrtt. I see it’s also available at PirBay, but I’ll up it here if there’s interest. I can recommend about half of the 6 CDs, some movements are exciting as hell and some are just depressing and disturbing…
http://forums.ffshrine.org/showpost.php?p=1266584&postcount=441
Ooh, thank you for the help.
http://www.youtube.com/watch?v=h7PPPI7sL2k
I believe this was in one of the Nielsens that was posted. I’ll see if I can find it and let you know which one.
EDIT: I believe there was one piece of Aladdin in the classical action pack posted by Lens a while ago so perhaps he has the full recording.
Lol, that’s shostakovich for you. I’ve also got a collection of all of them by the Emerson String Quartet. I’ve never heard the recording by that ensemble, maybe we should swap!
Thanks! I’ll stop asking about that one…
I’m extremely curious about his piano works – hardly know what to expect!
Sorry this is delayed, but here is a link to a .txt with links for his complete string quartets:
Here are the links to some of his best piano works:
Quattro Illustrazioni (Four Illustrations on the Metamorphosis of Vishnu), Suite #8 & Cinque Incantesimi:
http://www.megaupload.com/?d=MB7AWJV7
http://www.megaupload.com/?d=8VCFLLEY
Suites #9 and #10:
http://tinyurl.com/sclesi-9-10
also essential:
Quattro Pezzi for orchestra [and Anahit, but QP is his most essential work, as it is centered around a single note + microtonal derivations, it is unbelievable, and unprecedented]:
http://www.megaupload.com/?d=RTBZPFWF
Does anyone have more Maslanka? SPecifically his Wind Quintets, Symphonies #4 and/or #5, Oboe Sonata, Concerto for Alto Saxophone and Wind Ensemble, Concerto for Piano, Winds and Percussion, or Mass?
I would love, love, love, love to hear more from him =)
David Maslanka
Symphony No. 4 & "In Memoriam"
Maslanka Symphony No. 4 (http://rapidshare.com/files/310467270/Maslanka_Symphony_No._4.rar) (VBR somewhere near V0)
They’re almost impossible to come by, but I would be extremely grateful to have them.
Thank you for the Maslanka Symphony =) i’d really been wanting that disk actually, thank you very much =)
Edit: Just trying to unpack the Illustrazioni. Do you have the password?
I have the Emerson, that’s a very good set too. I A-B’ed some of the faster mvmts and I kinda like the Fitz qrtt better – on the other hand I’ve read some reviews saying the Fitz is "stodgy" compared to the Emerson. I’ll try to up the Fitz sometime soon, but since you already have the Emerson I’ll try to fulfill the other request I can do first.
They’re almost impossible to come by, but I would be extremely grateful to have them.
Hi Schnittke, welcome to the board. You may be interested in my old thread about Stockhausen, too Thread 67993
Thanks for your contributions, frankly I have been on a big Beethoven jag so all of the 20th C stuff has been back-burnered lately. However since you requested it I will up the Freeman Etudes today (the Negyesy recording). I haven’t heard that in a good 15 years so it will be interesting to revisit that one….check back in a few hours ๐
http://www.megaupload.com/?d=OADGXN5W
http://www.megaupload.com/?d=99ZS4U0B
OK this is pretty hardcore avant-garde "point-music". Personally I’m a bigger fan of the slash-and-burn Cage of Variations II and Cartridge music but this is pretty confrontational stuff from a different angle -enjoy
Edit: Just trying to unpack the Illustrazioni. Do you have the password?
Sorry about that, the password is: www.AvaxHome.ru
Who plays that great recording of the 4th String Quartet? I would be very interested to hear it. =)
You should check out this piece as well [rapidshare links on site]:
http://avaxhome.ws/music/classical/Giacinto_Scelsi_Kya_Ensemble_Contrechamps_Jurg_Wyt tenbach_hatART_117_basa005_Weiss_Schmidt.html
I just saw it. Kya is one of the best clarinet works I’ve ever heard.
I would be interested in the FitzW’s performance, as I have heard that it is much "warmer" then the Emerson performance [which I have].
http://ladiscotecaclasica.blogspot.com/search/label/Britten%20Benjamin

http://tinyurl.com/ydwkbr4
Glass: Complete String Quartets by Kronos Quartet
http://tinyurl.com/ygfnt3l

http://tinyurl.com/yet4bzv
Glass: The Witches of Venice
http://tinyurl.com/ycssbo4
Thank you very much for the Freeman Etudes. Tomorrow I plan to check out the score at my music library and follow along. My friend and I listened to the whole book today, and found it riveting. =)
One day I hope to hear the Arditti performance as well…although I am not sure how different a performance would be?
Cage really had a lot of different avenues. It’s amazing that so many people disregard him musically…perhaps he was more interesting philosophically, but he still made fascinating music.
Really appreciative of these…and sorry for the late thank you, I thought I had posted one earlier.
The 20th Century really is very worth checking out…my own path has been generally backwards from the 20th century to past periods, but I still hardly know enough about it.
And I know nothing about the 21st Century…anyone know of any great composers of the 21st Century?
And I know nothing about the 21st Century…anyone know of any great composers of the 21st Century?
I highly recommend the EMI 20th Century Masterpieces – 100 Years of Classical music 16 cd set. Pretty sure that’s on avax. It’s pretty short on the avant-garde people tho. No Cage, Stockhausen, Berio, Kagel, Nono, not even Xenakis! But for "repertoire" people in the 20th C it’s very good.
Personally, I still stand by Bernard Herrmann as the greatest 20th C composer. I’ll put Vertigo, Psycho or Fahrenheit 451 up against anything by Stravinsky, Shostakovich or Prokofiev. Debussy gives Benny a good run, tho, since to me Prelude..Faun exploded so many elements of traditional harmony/form in music (IMHO of course!). I love and respect Igor and the rest but their styles evolved from classical/nationalistic traditions, whereas Herrmann’s concepts come from a much more unique place…possibly Venus or Alpha Centauri…the only problem is that because of the practical nature of film music the themes are not allowed to develop in the way concert music can. There’s a Herrmann thread on here somewhere…:)
Thanks for the suggestion, but that appears to be a highly biased and poor collection, even if it does capture a few good pieces. I already have the sum of the works included anyway [and far, far more works of even greater magnitude].
As for Hermann…guess I’ll have to give it a try…hard to imagine anyone being on the level of Sch???nberg, Mahler, Shosty, etc..guys I rank with Beethoven very easily.
I should mention, I don’t buy into the use of the term "avant-garde". If it exists, then Beethoven is surely among it’s most radical members, and, of course, Wagner, and Debussy. It’s hard to tell what avant-garde even really means though.
Do you know anything by Unsuk Chin? She’s a disarmingly modest character, but one of the most formidable contemporary composers I’ve encountered. What I love about her music (and what was sadly missing from her recent Cello Concerto) is the fantasy – the incredible, glittering colours almost tell a story.
As previously posted:
UNSUK CHIN – VIOLIN CONCERTO
BBC Philharmonic conducted by James MacMillan
Hae-Sun Kung, Violin
MP3-V0
http://forums.ffshrine.org/showpost.php?p=1266770&postcount=445
Also a piece that keeps growing in my estimation every time I hear it:
GEORGE BENJAMIN – SUDDEN TIME
BBC Symphony Orchestra conducted by the composer
MP3-V0
http://rapidshare.com/files/310946804/George_Benjamin_-_Sudden_Time.mp3
Ok, so this was premiered in the 90s (and begun in the 80s), but Benjamin is very much a contemporary voice. As the title suggests, the piece explores the idea of time and time perception – how it can seem rapid, suspended, distorted, and even completely upended. It begins with a prelude of sorts in which you’ll hear pulse-like figures overlapping (like ticking clocks). At 4:20ish the main body of the work begins to take shape; the simple main idea, a few short intervals in the horns, rises out of a long held dead chord, surrounded by a curling mist of violin harmonics. All the subsequent music is developed from that motif. Listen for example to the gorgeous passage for harp and cor anglais at 6:13 which grows ever more complex. The different lines of the music overlap and coalesce in a very fluid manner, and the colouristic combinations are often surprising. The orchestral palette includes 4 alto flutes, 2 recorders, a muted piano and a several mini-tablas that accompany the violin solo at the end.
In the words of the composer:
The title is a quotation from a Wallace Stevens poem, A Martial Cadenza, ‘It was like sudden time in a world without time’. Some of the concepts behind this piece can be illustrated by a dream I once had in which the sound of a thunderclap seemed to stretch to at least a minute’s duration before suddenly circulating, as if in a spiral, through my head. I then woke, and realised that I was in fact experiencing merely the first second of a real thunderclap. I had perceived it in dreamtime, in between and in real time.
Although this is but analogy, a sense of elasticity, of things stretching, warping and coming back together, is something that I have tried to capture in this piece.
http://forums.ffshrine.org/showthread.php?t=68018&
Herrmann is something special. I don’t think I could place him above Stravinsky or Debussy, but he’s definitely in the short list of true Greats. Unfortunately, most people I know who take classical music seriously think film scores are the lowest of the low, and it’ll be a while yet before it’s taken seriously as an artform (Zimmer and chums aren’t doing us any favours!). Thank goodness though for film as a medium and the chance it has afforded so many fantastic composers to both experiment and write bold, predominantly tonal music. Where would orchestral music in the later half of the 20thC be without Herrmann, Goldsmith, North, Rozsa etc? Where would I be?? I shudder to think.
Other composers of last century that I adore – Bartok, Sibelius, Vaughan Williams, Messian, Ligeti…
I should mention, I don’t buy into the use of the term "avant-garde". If it exists, then Beethoven is surely among it’s most radical members, and, of course, Wagner, and Debussy. It’s hard to tell what avant-garde even really means though.
‘Avant-garde’ is one of those sticky terms that’s become almost meaningless in current usage. I don’t think it can really escape it’s 19th century ‘revolutionary’ connotation, and as such seems a little absurd to use in a contemporary context. The avant-garde in all its guises was assimilated into the establishment long ago. Dissonance has become the ‘proper’ mode of expression – obvious tonalism and (heaven forbid) diatonicism is considered ‘vulgar’.
So, to lower the tone once again ๐ here’s a piece I promised to post a few months back. Dooj, I think you might enjoy this one – not un-Herrmann-like in parts ๐
RESPIGHI – SINFONIA DRAMMATICA
MP3-V0
http://uploadmirrors.com/download/NBIVBME8/Respighi – Sinfonia Drammatica.rar
From the review on classicstoday:
… one of those decadent, late Romantic effusions that’s gorgeously orchestrated (lots of organ pedals for extra emphasis), lush, bombastic, overlong, excessive–in a word, marvelous!
I’m going to check out the Unsuk Chin as well, I remember hearing good things about it, but haven’t ever actually heard the work itself. Thanks again.
Schnittke, no strong argument really about your opinion of the EMI box, but in its defense I can’t think of any other single compilation of the 20th C that beats it for breadth and quality of performances. I do wish it included the people I listed before as well as Ligeti, Radulescu, more than 1 minimalist (Adams), Gubaidulina, Zorn, Feldman, Dun…etc (throw in Herrmann, Morricone and Ifukube too). Some odd choices in the later period as well – Maw? What about Maxwell-Davies? Zimmerman? Davidovsky, Wourinen, Foss, Amacher, Lachenman…? But anyways if you want the du Pre Elgar Cello Concerto with Bernstein’s West Side Story with Das Lied von der Erde conducted by Klemperer this is the best all-in-one set IMHO.
When I said "avant-garde" I guess in terms of the music industry it’s what doesn’t sell and what no one plays ;).
(just kidding. oh wait, actually I’m not ๐ )
Here’s a request : Eduard Tubin’s 1st and 2nd Symphonies? I heard they were as exciting as Shostokovich’s…thx in advance!
Lovers of Tchaikovsky and 20th Century British music might like these:
http://rapidshare.com/files/196285126/Bantock_1.part1.rar
http://rapidshare.com/files/196290396/Bantock_1.part2.rar
http://rapidshare.com/files/196293449/Bantock_1.part3.rar
http://rapidshare.com/files/196299577/Bantock_2.part1.rar
http://rapidshare.com/files/196305589/Bantock_2.part2.rar
http://rapidshare.com/files/196311733/Bantock_2.part3.rar
http://rapidshare.com/files/196313256/Bantock_2.part4.rar
http://rapidshare.com/files/196319523/Bantock_3.part1.rar
http://rapidshare.com/files/196325698/Bantock_3.part2.rar
http://rapidshare.com/files/196329382/Bantock_3.part3.rar
http://rapidshare.com/files/196335088/Bantock_4.part1.rar
http://rapidshare.com/files/196341269/Bantock_4.part2.rar
http://rapidshare.com/files/196346547/Bantock_4.part3.rar
http://rapidshare.com/files/196353069/Bantock_5.part1.rar
http://rapidshare.com/files/196360025/Bantock_5.part2.rar
http://rapidshare.com/files/196366380/Bantock_5.part3.rar
http://rapidshare.com/files/196373475/Bantock_6.part1.rar
http://rapidshare.com/files/196380540/Bantock_6.part2.rar
http://rapidshare.com/files/196387722/Bantock_6.part3.rar
http://rapidshare.com/files/196388418/Bantock_6.part4.rar
http://rapidshare.com/files/196279866/Bantock_scans.rar
http://www.hyperion-records.co.uk/al.asp?al=CDS44281/6
Start with CDs 1 and 2.
Does anyone have any recording of the full Concert please?
Does anyone have any recording of the full Concert please?
http://rapidshare.com/files/187056172/Rachmaninov__Piano_Concerto_No.3.part1.rar
http://rapidshare.com/files/187065515/Rachmaninov__Piano_Concerto_No.3.part2.rar
From obscure (even thought Popeye signature theme is a carbon copy of his Light Cavalry overture, probably without paying any royalties(and they call us thieves!)) XIX century Austrian composer Franz Von Supp???; his Requiem. An even more obscure work that his operas; it was composed for theater director Franz Pokorny. I hope you enjoy this as much as I do.
http://massmirror.com/3560255e64dae88883a6b46609279247.html
Pass is: superkickasspass
Regards.
Many thanks
http://www.torrentdownloads.net/torrent/578006/franz+von+suppe:+requiem+%5Bape,2cds%5D
It’s on ape and it’s a different recording. Theoretically the same, but tell me if you think it’s worth it.
Best
I found No. 20 in .ape a while ago. Here’s a fresh V-0 encode:
MOZART – PIANO CONCERTO NO. 20
Malcolm Bilson fortepiano
Sir John Eliot Gardiner, English Baroque Soloists
http://uploadmirrors.com/download/1R1OHWPM/Mozart20GardinerBilson.rar
That’s all I have to offer, but I’d also be keen to hear more, especially the early concertos, which I’ve had my eye on for some time, and the late C minor.
I really like this performance – the detail and incisiveness in the orchestra is fantastic, even if it sits slightly oddly with the delicate sound of the fortepiano. My only complaints would be that the declamatory solo moments in the final movement (eg the opening) sound too ‘pretty’, and Bilson is somewhat swamped in the stormy central section of the Romanze. Overall though it’s superb. Invigorating and immaculately played. You’ve reminded me I should splash out on the box. ๐
If you are planning to, please let me know…as I will remove it from my Christmas list. ๐
I think I’ve found Threni by the way, along with other great sacred works of Stravinsky, if you’re still interested:
http://rapidshare.com/files/173306714/Igor_Stravinsky_Edition_Vol.11_-_Sacred_Works_CD1.rar
http://rs441.rapidshare.com/files/173236933/Igor_Stravinsky_Edition_Vol.11_-_Sacred_Works_CD2.rar
By the by, what put you on to the Gardiner set? Are you specifically after period instruments?
I think I’ve found Threni..
Many thanks. Can’t wait to listen! The only works by Busoni I know are his piano transcriptions and concerto (thanks to Sirusjr), and that needs to be rectified. I’ll keep my eyes peeled.
"By the by, what put you on to the Gardiner set? Are you specifically after period instruments?"
Three things: First, the music historian/critic I follow most recommends that set as the definitive set of Mozart Piano Concerti; 2. Yes, I’m very interested in period instruments; 3. I really like Gardiner as a conductor, and for me, Mozart needs some revving up.
So much else is on the list though…sadly I like very rare things…who knows if anything will actually come of the list…I am always making lists anyway…my "most wanted" list = Christmas List at this time of year…currently consisting of the following:
Roussel- Padmavati
Wolpe – Yigdal
Busoni – violin con.
Mozart piano concerti gardiner
Rochberg – sym 2; phaedra
Rorem – Poems of love and the rain
DallaPiccola – Ulisse
Xenakis – Oresteia
cowell – sym 11
Berio – Un Re in Ascolto
Henze – boulevard solitude
Wuorinen – time’s encomium
Hindemith – quartet for cl/vl/ce/pi
I would love to get Wuorinen’s Whore of Babylon…but alas, it seems impossible to find =(
Most of these are pretty difficult to track down anyway…I’m be happy with any one of them I imagine.
Its 6 movements and its for Orchestra, Chorus, and Boys Chior, and Its a bunch of Queen Songs All re-arranged. I listened to and found it to be pretty incredible, So if anyone wants something a bit different, let me know and ill upload it.
I just wanted to say… I’ve actually been planning on posting The Queen Symphony for a few weeks now, and actually uploaded it yesterday. (Not posting just yet as I have a few things to check first.)
So, you might want to save yourself some effort. I was planning to cross-post it to the orchestral thread as well, as calling it classical music might be pushing a point here for some… And I think it has the ability to appeal to people beyond those who may be floating around in this thread.
I’m planning to upload the video edition as well. ๐
I was just looking at this thread from the beginning and I came across Joly Braga Santos’ second symphony — I’m absolutely loving it. A few more of his works were also posted, including a later symphony, but the links appear to be dead now….any hope of a re-up? I’m especially interested in more of his symphonies if anyone happens to have them.
I’d also love to get the Hansen symphonies put back up as those links are dead now too…
Thank you in advance! ๐
This thread is dying? I call shenanigans. (THAT MEANS YOU, SARAH.)
Marc-Andr??? Hamelin in a state of Jazz
http://rapidshare.com/files/318221205/hamelinjazz.rar
pw: forgottenmelodies
A collection of Jazz compositions – no improvisations, although Kapustin might sound like it. It’s an amazing feat to compose and correctly notate these pieces, and they’re a unique blend of Jazz idioms in classical forms like Sonatas. Trust me, his Sonata #2 Mvmt 1 will blow you away! The Gulda compositions are a nice addition and certainly in the reach of amateurs, while the Weissenberg and Antheil are a more difficult matter, certainly less accessible.
I have a lot more piano music to share, namely:
Six Lost Haydn Piano Sonatas (finally almost surely ascribed to Haydn around 1993)
Hamelin – Kaleidoscope
Hamelin – Godowsky Studies
Korngold – Complete Works for Violin & Piano (beautiful stuff)
Masashi Hamauzu – Vielen Dank (Piano) (FFXIII Composer)
More Medtner, Saint-Saens, Alkan, Kapustin, Masashi Hamauzu etc.
i hope this inspires some of you to choose some gems from your collections as well =)
I’ve been looking for that for quite awhile now actually.
Disc 1
http://www.megaupload.com/?d=MMYKH040
http://rapidshare.com/files/324956933/Ultimate_Classical_Guitar_1.zip
Disc 2
http://www.megaupload.com/?d=BCYA45BB
http://rapidshare.com/files/324961412/Ultimate_Classical_Guitar_2.zip
Disc 3
http://www.megaupload.com/?d=O7G1H7FT
http://rapidshare.com/files/324964143/Ultimate_Classical_Guitar_3.zip
Disc 4
http://www.megaupload.com/?d=RIGCCJTN
http://rapidshare.com/files/324967612/Ultimate_Classical_Guitar_4.zip
Disc 5
http://www.megaupload.com/?d=XIBK11LU
http://rapidshare.com/files/324971071/Ultimate_Classical_Guitar_5.zip
I was just looking at this thread from the beginning and I came across Joly Braga Santos’ second symphony ??? I’m absolutely loving it. A few more of his works were also posted, including a later symphony, but the links appear to be dead now….any hope of a re-up? I’m especially interested in more of his symphonies if anyone happens to have them.
I’d also love to get the Hansen symphonies put back up as those links are dead now too…
Thank you in advance! ๐
Bumpity bump bump…? :cryingbatman:
Howard Hanson Complete Symphonies 4cd
|MP3|128kbps(sounds good)|
CD1 – http://www.mediafire.com/?nkhw1r2jzzo
CD2 – http://www.mediafire.com/?dzymfydymz2
CD3 – http://www.mediafire.com/?hmw33iijtw0
CD4 – http://www.mediafire.com/?gluyz4wgtmh
The files contain a recovery record so if it claims a track is corrupt try right clicking and hitting repair with winrar.
Thanks to original uploader for this.
let me know if you want me to upload
I’m new here and i’m very impressed to found this.
I’ve every cds of Gustavo Dudamel, if someone want’s I can up for rapidshare.
Someone has clarinet player’s cds?
Something like Emma Johnson, Sabine Meyer, MArtin Frost
Thanks
are there people interested in windband, brass or fanfare music ?
Let me know please, then I’ll upload a few albums like theses:
Band of the Coldstream Guards – Profiles (http://www.tunespro.com/album/52952/band-of-the-coldstream-guards/profiles#)
Band of the Coldstream Guards – On Her Majesty’s Service
I’m not familiar with that set. If they’re EMI Seraphim recordings I’m sure they’re good. If you list some of the performers I might have a better idea.
here’s one for you guys : anyone have "STRING QUARTET IN G, OPUS 54, NO.1 – THIRD MOVEMENT" by Joseph Haydn (as F. Haydn) ?
Here’s the full piece played by the Amadeus Quartet:
http://www.multiupload.com/GHWWMWK7DZ
I’m curious as to why you want that particular movement. Was is used in a film?
If you’d like to hear more, I posted the Op.76 quartets here:
http://forums.ffshrine.org/showpost.php?p=1288256&postcount=513
And two brilliant symphonies:
http://forums.ffshrine.org/showpost.php?p=1255366&postcount=408
http://www.multiupload.com/GHWWMWK7DZ
I’m curious as to why you want that particular movement. Was is used in a film?
If you’d like to hear more, I posted the Op.76 quartets here:
http://forums.ffshrine.org/showpost.php?p=1288256&postcount=513
And two brilliant symphonies:
http://forums.ffshrine.org/showpost.php?p=1255366&postcount=408
thanks!!! and yessir indeed it was – Wayne’s World…lol
Howard Hanson Complete Symphonies 4cd
|MP3|128kbps(sounds good)|
CD1 – http://www.mediafire.com/?nkhw1r2jzzo
CD2 – http://www.mediafire.com/?dzymfydymz2
CD3 – http://www.mediafire.com/?hmw33iijtw0
CD4 – http://www.mediafire.com/?gluyz4wgtmh
The files contain a recovery record so if it claims a track is corrupt try right clicking and hitting repair with winrar.
Thanks to original uploader for this.
Thankyou so much Sirusjr for posting this up,been trying for ages to find out what the track was called that played at the end credits of the 1979 movie "Alien".
let me know if you want me to upload
I wantttt iiittttt…How is the sound quality?
Ultimate Classical Guitar – Decca
Just wanted to say a big thank you to you both. Two fantastic posts that I’ve only just had time to catch up with.
I only knew Friedrich Gulda from a rather dry recording of the Well-Tempered Clavier, but wow, LOVE the Prelude and Fugue! – Sadly not within reach of this amateur!! Loads of great stuff here.
Discs 3 + 4 of the guitar set have many pieces that are new to me. I’m listening to the Giuliani concerti now and they’re fabulous; fresh, sunny and pleasingly melodic, right up my street! The performances all round are superb.
Thanks again guys ๐
I’ve never heard Flos Campi, I need to look that one up. Thanks.
You must put that right at once my friend. A bewitching piece. Let me know if you need it posting.

VAUGHAN WILLIAMS – FLOS CAMPI
MP3-V0
http://www.multiupload.com/BH71NUVZSF
A gorgeous, free-flowing fantasia, inspired by the Song of Solomon, and hence simmering with mystic, langourous eroticism. The ensemble consists of a small chamber-like orchestra (one of everything, plus a modest string section), solo viola and a wordless choir.
*edit* I listened to Flos Campi today, and I absolutely loved it!! It’s a very interesting mixture of Vaughan Williams styles. Parts of it sound like The Lark Ascending, and there is a very obvious quote of (or inspiration for? I’m not sure which came first) the theme in the beginning of the Finale of the London (2nd) symphony. There are blissful, peaceful sections, wonderful brooding moments, and even some of the typical rhythmic stuff that I think of as the "Vaughan Williams Machine" style. The use of the choir reminded me of my favorite bits of his 7th symphony that used voice also. I was in complete awe for the first fifteen minutes until someone in the office came in hearing range and said "What are you listening to?!" with a good bit of distaste in their voice. I had to listen to the last few minutes later, but it was GREAT. I love hearing things I haven’t ever listened to from my favorite composers ๐ ๐ Thanks again!
Here’s the two-disc version from Japan:
Tracklist:
CD 1
1. Hibari
2. Composition 0919
3. Put Your Hands Up
4. Mizu No Naka No Bagatelle
5. Tango
6. Amore
7. Ambiguous Lucidity (Hokuren)
8. A Flower Is Not A Flower
9. Before Long
10. Energy Flow
11. Mc8_ (Tongpoo)
12. Merry Christmas Mr.Lawrence
13. The Last Emperor
14. Rain
CD 2
1. Sheltering Sky
2. Sweet Revenge
3. Highheels
4. Bolerish
5. Silk
6. Self Portrait
7. Bino No Aozora
8. Perspective
9. Behind The Mask
10. Tibetan Dance
11. 1919
12. Thousand Knives
13. Parolibre
KILLED
http://www.sonymusicshop.jp/detail.asp?associate=SMO&goods=SICC-730
http://www.sonymusic.co.jp/Music/International/Arch/SR/nikolaitokarev/SICC-730/index.html
Here is a video of Paul McCartney’s most recent classical work Ecce Cor Meum, from its original concert performance from the Royal Albert Hall on November 4th 2006.
The Academy of St Martin In The Fields
conducted by Gavin Greenaway
Kate Royal (soprano)
with
The Choir of Magdalen College Oxford
King’s College, Cambridge
The London Voices
Paul McCartney: Ecce Cor Meum (VIDEO) – 393mb
Video: H264 / 640×352 widescreen
Audio: LAME 3.98.2 -V0
Container: MKV
http://uploadmirrors.com/download/1RPA78VA/PMC-ECM-LATRAH.part1.rar
http://uploadmirrors.com/download/IYYJKR2T/PMC-ECM-LATRAH.part2.rar
http://uploadmirrors.com/download/NOBBHBAG/PMC-ECM-LATRAH.part3.rar
http://uploadmirrors.com/download/0DYG4CBS/PMC-ECM-LATRAH.part4.rar
http://uploadmirrors.com/download/FFFRZIJF/PMC-ECM-LATRAH.part5.rar
(AUDIO ONLY) – 90mb
LAME 3.98.2 -V0
http://uploadmirrors.com/download/YDB1NRVO/PM-ECMLIVE.rar
Note that the audio isn’t from the CD release – it’s the sound track from the video, which as far as I know hasn’t been released separately.
A note on the source: This recording was made from a British television broadcast of the piece, made in 2009 on the channel Sky Arts 2. Quality is very good but isn’t quite DVD standard. If you want DVD quality that badly, go buy it… To be honest I didn’t like the piece enough to actually fork out for the DVD, although I did find it worth hearing.
Have fun. ๐
TT
Verdict after I listen.
Thank you for posting "VAUGHAN WILLIAMS – FLOS CAMPI"…absolutely brilliant!!!
Good work mate! Here’s to offending co-workers with the sublimity of Vaughan Williams! ๐ You guys are very welcome btw, and if there any other RVW I can help you with just sing out.
..I would have never dreamed that McCartney would write something so classical. Thanks so much.
Well, I believe it was upholstered to some degree (the official credit is orchestrated an produced) by John Fraser; as was the Liverpool Oratorio before it by Carl Davis. I’m surprised Tango didn’t include this info ๐
BETLY
LE CONVENIENZE TEATRALI
Orchestra Sinfonica
RIGACCI, BRUNO
RITA
LA BELLA PRIGIONIERA
IL PIGMALIONE
OLIMPIADE
Orchestra giovanile ‘In Canto’
MAESTRI, FABIO
IL FURIOSO ALL???ISOLA DI SAN DOMINGO
Orchestra Sinfonica di Piacenza; Coro Francesco Cilea
RIZZI, CARLO
CRISTOFORO COLOMBO
Orchestra Sinfonica di Savona
DE BERNART, MASSIMO
IL CAMPANELLO
Orchestra e coro del Conservatorio G. P. da Palestrina di Cagliari
PROIETTI, GIORGIO
CATERINA CORNARO
Orchestra Sinfonica e Coro di Torino della RAI
BONCOMPAGNI, ELIO
IL DUCA D’ALBA
All Works came out at the Label Bongiovanni.
Thanks! But upload it on Rapidshare.com! Please. I look for that Operas!
I am very interested on these works. Maybe anyone can support me.
Revol Bunin: symphony 6 (Rozhdestvensky, on a "Rare" CD box)
Robert Still: symphonies (on Lyrita)
Bernard Stevens: Piano concerto and other works (Marco Polo)
John Mccabe: symphony "Elegia" (on an Pye LP!!, LPO conducted by John Snashall)
A. Hoddinott: symphonies 2,3,5 (on Lyrita)
Thank you a lot! Gabriel
*edit* Ah, I guess the filename says "Bach-sonatas for flute and harpsichord".
Also, on an unrelated note, does anyone have Tchaikovsky’s Eugene Onegin?
J. Brahms – Symphony 3
John Eliot Gardiner – Orchestre Revolutionnaire et Romantique – The Monteverdi Choir
Recorded live at the Salle Pleyel, Paris, November 2007
and the Royal Festival Hall, London October 2008
|MP3|VBR V-9|138MB|
http://anonym.to/?http://rapidshare.com/files/352211907/J._Brahms_Symphony_Number_3_Gardiner.rar
I’m afraid I don’t know the first thing about Donizetti. But I have a friend who does. I’ll see if I can borrow some ๐
Anyone got any harpsichord albums? No rapidshare please. IF not thats ok.
There’s some Handel earlier in the thread if you check back a bit. With any luck I’ll have time to put up some Bach and Rameau soon.
Anybody want to share some Schubert lieder?
I posted a Schubert Lieder collection in this thread (Thread 71508). It’s MU unfortunately, but the link is still active. I thought to be on the safe side I’d direct you indirectly, in case they catch-on and take it down. ๐
The only other stuff I can offer are the obvious choices like Fischer-Dieskau and Bostridge..
Does anyone have any Menuhin or Richter recordings? I’m trying to get a friend of mine to listen to classical music but he’s weird in that he thinks only music performed by known virtuosos is worthy…
Also, on an unrelated note, does anyone have Tchaikovsky’s Eugene Onegin?
It’s time to put your friend right! Only someone who doesn’t like classical music would have that sort of attitude (in which case, you’re really limiting yourself in terms of who’s ‘known’). Play him something form this thread to win him over! ๐
Nevertheless I’ll keep an eye out.
J. Brahms – Symphony 3
John Eliot Gardiner – Orchestre Revolutionnaire et Romantique – The Monteverdi Choir
:neg:
Thank you!! I was eyeing this one up in HMV just the other day. Comments of a gushing nature *very likely*.. ๐
Thanks for "J. Brahms – Symphony 3"
The only other stuff I can offer are the obvious choices like Fischer-Dieskau and Bostridge…:)
Cool, I missed that somehow. Any other collections you would be willing to upload would be appreciated.
Are you looking for anything in particular? I have some of his concert works.
i have the bassoon concerto (five sacred trees) if you want it
– Essay For Strings, Trumpet Concerto
– Sinfonietta For Wind Ensemble
– Violin Concerto. Flute Concerto
– Tuba Concerto (20th Century Concerti)
– Concerto For Bassoon And Orchestra (The Five Sacred Trees)
– American Journey
– Concerto For Cello And Orchestra (Yo-Yo Ma Plays The Music Of John Williams)
– Duo Concertante (Duos For Violin And Viola)
I can upload it for you.
And while i’m here, i’d like to request Treesong, if anyone has it please.
OK, Wengenmayr #2 will have to wait! Months and months ago (around the time Fullmetal Alchemist Brotherhood’s first OST was released) I promised this and it entirely slipped my mind. Here is one for fans of Akira Senju, who doesn’t just write music film and television – he’s equally at home in the concert hall, as this magnificent symphony for soprano, tenor, and orchestra, proves:
AKIRA SENJU
Symphony Of Psalms – The Tale Of Genji (Shihen Kokyokyoku Genji Monogatari)
Takashi Matsumoto (lyricist)
Sara Kobayashi (soprano)
Kunpei Matsumoto (tenor)
The Kyoto Symphony Orchestra (leader: Naohisa Miyama)
Naoto Ohtomo (conductor)
http://uploadmirrors.com/download/1P5AU8HK/AS-TTOG.rar
MY RIP – LAME 3.98 -V0 – Sorry, no scans – my scanner is banjaxed. All the salient information from the booklet is here. Very little of it is in English, at any rate.
This symphony is a sensitive adaptation of Murasaki Shikibu’s insanely well known 11th century masterpiece "Genji Monogatari". It’s been translated into just about every language known to humankind, it’s been several films, an anime, and even an opera by Miki Minoru in 1999. Here, Akira Senju takes a shot at this venerable tale and what a shot it is.
[More gushing here: http://forums.ffshrine.org/showpost.php?p=1432825&postcount=4451]
Enjoy!

John Williams
Essay For Strings – Trumpet Concerto (320k)
http://rapidshare.com/files/352859386/Essay_For_Strings_-_Trumpet_Concerto.zip
John Williams
Sinfonietta For Wind Ensemble (320k)
http://rapidshare.com/files/352874048/Sinfonietta_For_Wind_Ensemble.zip
John Williams
Violin Concerto – Flute Concerto (320k)
http://rapidshare.com/files/353475393/Violin_Concerto_-_Flute_Concerto.zip
John Williams
Tuba Concerto (320k)
http://rapidshare.com/files/224884193/John_Williams_-_Tuba_Concerto.zip
John Williams
Yo-Yo Ma Plays The Music Of John Williams (320k)
http://rapidshare.com/files/353514414/Yo-Yo_Ma_Plays_The_Music_Of_John_Williams.zip
John Williams
Duos For Violin And Viola (320k)
http://rapidshare.com/files/354390232/Duo_Concertante__Duos_For_Violin_And_Viola_.zip
Nevertheless I???ll keep an eye out.
Well, he doesn’t, but I’m hoping that after converting him to the mainstream classical, I could introduce him to other stuff…
Thanks in advance ๐
I normally don’t upload the artwork of the albums on my posts, but in this case you can read the notes of these (and more John Williams albums too), if you go to this site:
http://www.mahawa.jw-music.net/classical.htm
Composer: Moeran, Ernest John
Ensemble: Maggini Quartet
Recording: 1997
Quality: 256kbps iTunes AAC
String Quartet in E flat major
1. I. Allegro moderato ma ben animato 00:08:20
2. II. Lento. Vivace. Allegretto. Andante. Allegro vivace 00:09:31
String Quartet in A minor
3. I. Allegro. Lento. Tempo primo 00:08:16
4. II. Andante con moto 00:05:28
5. III. Rondo: Allegro vivace 00:06:38
String Trio in G major
6. I. Allegretto giovale 00:07:41
7. II. Adagio 00:05:10
8. III. Molto vivace: Lento sostenuto 00:03:12
9. IV. Andante grazioso: Presto 00:05:04
LINK: http://anonym.to/?http://rapidshare.com/files/357186420/Moeran_Strings.zip.html
Enjoy! ๐
Thanks also to Tango for Senju, and to Sanico for the epic Williams post ๐
Treesong:
http://depositfiles.com/en/files/a2x045bb4
(courtesy of Porko_Rosso)
I’m looking for only one track…..it’s the first track on the 2002 remastered gold edition of the Amadeus soundtrack.
it’s listed as:
W.A. Mozart: Zaide, Aria: Ruhe Sanft
every link i’ve found so far, this track is corrupt…..
thanks ๐
I’m looking for only one track…..it’s the first track on the 2002 remastered gold edition of the Amadeus soundtrack.
it’s listed as:
W.A. Mozart: Zaide, Aria: Ruhe Sanft
every link i’ve found so far, this track is corrupt…..
thanks ๐
http://www.megaupload.com/?d=LND6SBCW
And enjoy. You can worship and praise me later. I feel like a sick pig at the moment, and do not wish to puke over my adoring subjects. ๐
GAVRILL MOTHERFUCKING POPOV
http://rapidshare.com/files/359162923/popov.rar
A little history:
Gavrill Popov was a ninja from the far east who often dabbled in composing. He conceived of this symphony during the physical act of love, then wrote it by carving the notes into the Berlin Wall (which later crumbled.) After it was first performed Stalin banned this symphony from ever being played again, so one night as Stalin slept, Popov broke into his bedroom and banned him from ever breathing again. The symphony later went on to become the national anthem for the whole universe.
Also included is an early peace by some dude named Shostakovich.
And enjoy. You can worship and praise me later. I feel like a sick pig at the moment, and do not wish to puke over my adoring subjects. ๐
thank you ๐
and that vomit thing….um…yeah….i’ll send my minions over to praise you ๐
@ohwiseone: There are two maslanka symphonies (8 and I can’t remember which other) as well as a couple other works of his in the orchestral thread, maybe a couple months ago.
2) Sharon Isbin: Journey to the New World
3) Ravel: Daphnis et Chloe" – Boston Symphony Orchestra; Tanglewood Festival Chorus; James Levine, cond.
4) London Philharmonic Orchestra; Jennifer Higdon: Percussion Concerto; Marin Alsop, cond.
I must say, I find his sudden turn for the awesome quite hilarious.
I’ve heard bits and pieces of it over the years (mostly from cartoons) and would love
to hear the entire thing. Many thanks in advance!
PS: Thank you Mithrandir_1977 for posting Le Nozze di Figaro by Mozart. I am looking forward to hearing it!
G.F.Handel-Chamber Music (Violin Flute Recorder)
http://www.megaupload.com/?d=KU95K4QE
or
http://www.megaupload.com/?d=LMD860VB

Franz Liszt
Concerto for Piano & Orchestra no. 1 in E flat major
Concerto for Piano & Orchestra no. 2 in A major
Totentanz
Krystian Zimerman, Piano
Boston Symphony Orchestra
Seiji Ozawa
320Kbps
http://www.megaupload.com/?d=LB6SZ8DL
http://rapidshare.com/files/364641578/Liszt_-_Piano_Concertos.zip
The Monteverdi Choir
The English Baroque Soloists
John Eliot Gardiner
Figaro – Bryn Terfel
Susanna – Alison Hagley
Il Conte di Almaviva – Rodney Gilfry
La Contessa di Almaviva – Hillevi Martinpelto
Cherubino – Pamela Helen Stephen
Marcellina – Susan McCulloch
Bartolo – Carlos Feller
Basilio/Don Curzio – Francis Egerton
Antonio – Julian Clarkson
Barbarina – Constanze Backes
Due Contadine – Lucinda Houghton, Sarah Connolly
320Kbps
Disc 1
http://www.megaupload.com/?d=N7MLKTJZ
http://rapidshare.com/files/364661855/Le_nozze_di_Figaro_Disc_1.zip
Disc 2
http://www.megaupload.com/?d=3ANWMUSQ
http://rapidshare.com/files/364689583/Le_nozze_di_Figaro_Disc_2.zip
Disc 3
http://www.megaupload.com/?d=JRDAI73I
http://rapidshare.com/files/364692246/Le_nozze_di_Figaro_Disc_3.zip
The Monteverdi Choir
The English Baroque Soloists
John Eliot Gardiner
Don Giovanni – Rodney Gilfry
Il Commendatore – Andrea Silvestrelli
Donna Anna – Luba Orgonasova
Don Ottavio – Christoph Pregardien
Donna Elvira – Charlotte Margiono
Leporello – Ildebrando D’Arcangelo
Masetto – Julian Clarkson
Zerlina – Eirian James
320Kbps
Disc 1
http://www.megaupload.com/?d=0QIYTYTI
http://rapidshare.com/files/364696099/Don_Giovanni_disc_1.zip
Disc 2
http://www.megaupload.com/?d=7IUQ6BI7
http://rapidshare.com/files/364699704/Don_Giovanni_disc_2.zip
Disc 3
http://www.megaupload.com/?d=MMW7QDG4
http://rapidshare.com/files/364703529/Don_Giovanni_disc_3.zip
Mithrandir_1977 – Fab! I can vouch for the sumptuousness of the Liszt concertos in this recording – it’s one of my favourite cds. If anyone thinks they haven’t clicked with this composer, I highly recommend giving this a try!
thank you
Rene Leibowitz
http://lolyesyoudo.blogspot.com/2009/09/mussorgsky-power-of-orchestra.html
http://lolyesyoudo.blogspot.com/2009/08/leibowitz-chamber-music.html
In addition, be certain to check all the music blogs for intersting material!
http://pqpbach.opensadorselvagem.org/
http://orchestralworks.blogspot.com/
http://fanfareforcopland.blogspot.com/
http://downloadstationfree.blogspot.com/search/label/Classical%20Music
http://problembearspantheon.blogspot.com/
http://jorgewic-silencio.blogspot.com/
http://maisumadofalsario.blogspot.com/
http://yourtrack.blogspot.com/search/label/Classical
http://ilcantosospeso.blogspot.com/
http://kammermusikkammer.blogspot.com/
http://archivosclasicos.blogspot.com/
http://theconcerthall.blogspot.com/
http://ladiscotecaclasica.blogspot.com/
http://organ-music-for-all.blogspot.com/
http://when-the-musics-over.blogspot.com/
http://carlosb1975.blogspot.com/
http://i-bloggermusic.blogspot.com/
http://sictransitoperamundi.blogspot.com/
http://guiaclasica.blogspot.com/
http://classiclibrary.blogspot.com/
http://classicalcollections.blogspot.com/
http://classic4everyone.blogspot.com/
http://libroslibresmusicalibre.blogspot.com/
http://ipromesisposi.blogspot.com/
http://blackbirdgsus.blogspot.com/
http://barocco-music.blogspot.com/
http://todomahler.blogspot.com/
http://elrestoesruido.blogspot.com/
http://soloboulez.blogspot.com/
http://raffnation.blogspot.com/
http://fauteuildoreille.blogspot.com/
http://uncle-osvalds-music.blogspot.com/
http://passacaille.blogspot.com/
http://lapeaudouce.blogspot.com/
http://classicmusic.wordpress.com/
http://bestiariomusical.blogspot.com/
http://eltotoblog.blogspot.com/
http://thephase4stereo.blogspot.com/
http://sitecitizenk.blogspot.com/
http://histoiresoldat.blogspot.com/
http://sonido-clasico.blogspot.com/
http://lolyesyoudo.blogspot.com/
http://bachradio.blogspot.com/
http://rareclassicalvinyl.blogspot.com/
http://www.sa-cd.net/showtitle/1716
http://avaxhome.ws/music/mussorgsky_mfsl.html
http://www.sa-cd.net/showtitle/1371
http://avaxhome.ws/music/prokofiev_ivan_the_terrible_mfsl.html
http://www.sa-cd.net/showtitle/2854
http://avaxhome.ws/music/gershvin_slatkin_american_catfish_promenade_rhapso dy_cuban_mfsl.html
http://i-bloggermusic.blogspot.com/2009/07/claudio-abbado-conducts-mussorgsky.html
http://i-bloggermusic.blogspot.com/2009/01/mussorgsky-excerpts-from-khovanshchina.html
http://organ-music-for-all.blogspot.com/2010/04/rca-living-stereo-hi-fi-fiedler-arthur.html
http://theconcerthall.blogspot.com/2009/08/reinhold-gliere-symphony-no-2.html
http://theconcerthall.blogspot.com/2009/08/reinhold-gliere-symphony-no-1.html
http://theconcerthall.blogspot.com/2009/07/george-enescu-symphony-no-3.html
http://organ-music-for-all.blogspot.com/2010/02/rca-living-stereo-fritz-reiner-chicago.html
http://theconcerthall.blogspot.com/2009/06/george-enescu-symphony-no-2.html
http://theconcerthall.blogspot.com/2009/05/cesar-franck-symphony-symphonic.html
http://theconcerthall.blogspot.com/2009/04/carl-nielsen-orchestral-works.html
http://organ-music-for-all.blogspot.com/2009/09/rca-living-stereo-fritz-reiner-chicago.html
http://organ-music-for-all.blogspot.com/2009/08/rca-living-stereo-fritz-reiner-chicago.html
http://theconcerthall.blogspot.com/2009/03/claude-debussy-engulfed-cathedral.html
http://theconcerthall.blogspot.com/2009/03/mikhail-mikhaylovich-ippolitov-ivanov.html
http://theconcerthall.blogspot.com/2009/03/claude-debussy-night-in-granada.html
http://theconcerthall.blogspot.com/2009/02/mikhail-glinka-life-for-tsar.html
http://theconcerthall.blogspot.com/2009/01/ferruccio-busoni-orchestral-works.html
http://theconcerthall.blogspot.com/2009/01/ernesto-lecuona-complete-piano-music.html
http://theconcerthall.blogspot.com/2008/11/sergei-prokofiev-romeo-juliet-three.html
http://rapidshare.com/files/257827701/symphonies6_8.rar
Ripped it myself, so let me know if there are errors since it was a rush job.
any chance of getting a re-up on this? I would be extremely grateful.
Well it’s mp3 256Kbps quality, but still good quality…
http://classic4everyone.blogspot.com/2009/06/vaughan-hickox-symphonies-6-8.html
Also recommended!
http://classiclibrary.blogspot.com/2008/10/next-post-sir-granville-bantok-omar.html
http://www.theclassicalshop.net/Details.aspx?CatalogueNumber=CHAN%2010570
http://avaxhome.ws/music/classical/Elgar_Shearer_Philharmonic_Davis__The_Crown_Of_Ind ia_2009_flac.html
These CDs are sick, dudes!
http://www.sa-cd.net/showtitle/1282
http://avaxhome.ws/music/classical/ravel_bolero_mfslsacd.html
http://www.sa-cd.net/showtitle/2214
http://avaxhome.ws/music/audiophile/mfsl/holst_the_planets_mfsl.html
If you mean this one, then I can assure you that Chandos has ace audio-quality! Not to mention Neeme Jarvi as conductor!
http://theconcerthall.blogspot.com/2009/07/pyotr-tchaikovsky-complete-suites.html
Booklet available here
http://www.theclassicalshop.net/Details.aspx?CatalogueNumber=CHAN%209676M
http://avaxhome.ws/music/audiophile/eiji_oue_minnesota_orchestra_exotic_dances_from_th e_opera.html
http://bachradio.blogspot.com/2009/12/smetana-bartered-bride-from-my-life.html
http://i-bloggermusic.blogspot.com/2010/01/smetana-bartered-from-my-life.html
http://bachradio.blogspot.com/2009/09/elgar-symphony-1-enigma-variations-sir.html
http://2.bp.blogspot.com/_OqJPXji3FVs/SXJBaSUoUJI/AAAAAAAAAL4/lnlEGvE6BfY/s1600-h/Golovanov+Melodiya+Pictures+front+cover.JPG
http://nealshistoricalcorner.blogspot.com/2009/01/nikolai-golovanov-mussorgsky-pictures.html
http://classic4everyone.blogspot.com/2010/05/stokowski-spectacular.html
http://i-bloggermusic.blogspot.com/2010/01/tchaikovsky-symphony-no-2-romeo-juliet.html]
http://bachradio.blogspot.com/2009/11/sa-chen-rachmaninov-6-etudes-tableaux.html
Sibelius Theatre Music
Scottish Chamber Orchestra
Includes Pelleas and Melisandre; Belshazzar’s Feast; and The Tempest Suite
|MP3 VBR V0|Converted from Lossless|
Download (http://rapidshare.com/files/395368343/Sib-TM.rar)
PSW: smile
It just so happened, in a discussion of The Last Airbender, someone said "well I can’t enjoy this as much because I’ve been listening to Sibelius lately" and of course I thought "hmm I haven’t heard any Sibelius" so the best thing to do was go find some and listen! And what a fantastic listen this is!
I have to admit, despite all the praise given for Shostakovich, I find most of his music terribly difficult to enjoy because it is so complex it lacks the simple melodies I enjoy and the music doesn’t really grab me (at least not yet). But this is an instantly beautiful set of music that everyone should check out even if you think you won’t like Classical if you enjoy the orchestral pieces posted here.
Seriously Sibelius
|MP3 VBR V-0|Converted from Lossless|
Download (http://rapidshare.com/files/395374082/SerSib.rar)
PSW: smile
Comments may come later
Shostakovich Edition
MP3 VBR V0|Total size 2.8GB|27 Discs|
View Thread (Thread 76498)
Pepe Romero and Academy of St. Martin in the Field Chamber Orchestra
Quintets for Guitar and String (disc 1)
The Guitar Quintets Including ‘La Ritirata Di Madrid’ and ‘Fandango'(Disc 2)
|MP3|VBR V0|Converted from Lossless|

Download Part 1 (http://rapidshare.com/files/395427770/Bocc-GuQt.part1.rar)
Download Part 2 (http://rapidshare.com/files/395431051/Bocc-GuQt.part2.rar)
PSW: smile
Featuring Handel Harp Concerto Op. 4 No. 6
Boieldieu Harp Concerto In 3 Tempi
Dittersdorf Harp Concerto
Mozart Theme, Variations and Rondo Pastorale
Handel Variations for Harp
Beethoven – Six variations on a Swiss Song
|MP3 VBR V-0|Converted from Lossless|
|Harp|Relaxing|Peaceful|

Download (http://rapidshare.com/files/395657420/HpCncts.rar)
PSW: smile
This is a fantastic collection of works, the highlight of which is the Boieldieu and Dittersdorf. Both pieces exude such relaxation and beauty that they take your breath away. The Dittersdorf piece is taken from an unfinished harpsichord concerto.
Featuring Handel Harp Concerto Op. 4 No. 6
Boieldieu Harp Concerto In 3 Tempi
Dittersdorf Harp Concerto
Mozart Theme, Variations and Rondo Pastorale
Handel Variations for Harp
Beethoven – Six variations on a Swiss Song
|MP3 VBR V-0|Converted from Lossless|
|Harp|Relaxing|Peaceful|
Thank you for posting this, Sirusjr!
I have been looking for a good harp cd for a while now.
Thanks again!
I normally wouldn’t just post links to other’s uploads but I actually contributed Vol. 49. Enjoy.
EDIT – Here (http://www.hyperion-records.co.uk/find.asp?f=romantic+piano+concertos) is the series that you can access through the link above, in case you want to see what it’s all about before registering at the site.
http://rapidshare.com/files/396454290/RPC49.part1.rar.html
http://rapidshare.com/files/396455862/RPC49.part2.rar.html
http://rapidshare.com/files/396457048/RPC49.part3.rar.html
http://rapidshare.com/files/396457173/RPC49.part4.rar.html
http://www.megaupload.com/?d=JPDBRS4A
http://www.megaupload.com/?d=P0TUZA50
http://www.megaupload.com/?d=WMQALLKE
http://www.megaupload.com/?d=MYE2TU6G
Those Hyperion discs are W*O*N*D*E*R*F*U*L. Obscure, little-known music as well as the classics. I discovered Parry and Stanford’s concerti thanks to Hyperion.
Great stuff. ๐
Thanks in advance ๐
http://rapidshare.com/files/244271872/hanson1.rar – The complete Hanson symphonies and some orchestral works
http://rapidshare.com/files/244314962/hanson2.rar
http://rapidshare.com/files/244362261/hanson3.rar
http://rapidshare.com/files/244341687/hanson4.rar
I have downloaded the Hanson symphonies and I enjoyed very much ๐
Thank you, streichorchester!
http://avaxhome.ws/music/classical/Mahler_Symphony_No_3_Chailly.html
http://avaxhome.ws/music/classical/contemporary/leonard_bernstein_-_candide_suite_etc_-_reference_recordings.html
http://avaxhome.ws/music/classical/Bach_Glinka_Mussorgsky_Evgeny_Kissin.html
http://avaxhome.ws/music/Evgeny_Kissin_-_I_Bis_di_Evgeny_Kissin.html
http://avaxhome.ws/music/evgeny_kissin__james_levine__the_carnegie_hall_con cert__schuber.html
http://avaxhome.ws/music/classical/Wagner_Stokowski_Symphonic_Synthesis_Serebrier.htm l
http://avaxhome.ws/music/classical/Bach_STOKOWSKI_Transcriptions.html
http://avaxhome.ws/music/Stokowski_The_Maverick_Conductor.html
http://avaxhome.ws/music/classical/Leopold_Stokowski_Rhapsodie.html
http://avaxhome.ws/music/classical/Bach_Greatest_Hits.html
http://avaxhome.ws/music/classical/Brahms_Hungarian_Dances_Budapest_Festival_Orchestr a_Fischer.html
I normally wouldn’t just post links to other’s uploads but I actually contributed Vol. 49. Enjoy.
EDIT – Here (http://www.hyperion-records.co.uk/find.asp?f=romantic+piano+concertos) is the series that you can access through the link above, in case you want to see what it’s all about before registering at the site.
Hi !
Thanks a lot for the link! I’m fairly new to classical music. Can you guys give me some advice, what works I definitely should have listened to? Advice like: "You have to listen to the Symphonies by Beethoven, the Preludes by Debussy and Schubert’s Winterreise!" ๐
Thanks a lot for the link! I’m fairly new to classical music. Can you guys give me some advice, what works I definitely should have listened to? Advice like: "You have to listen to the Symphonies by Beethoven, the Preludes by Debussy and Schubert’s Winterreise!" ๐
Do you have a few examples of things you have heard and liked? That makes it alot easier to recommend stuff.
The Symphonies of Beethoven, the preludes of Debussy and Schubert’s Winterreise are examples of works I enjoy. Other examples are Carmina Burana, Glassworks (Philip Glass), the piano works of Chopin and Stravinsky’s Rite of Spring.
So for example, what are the best works (to listen to for a start, or simply because of their ingenuity) of Vivaldi, Bach, Haendel, Mozart, Beethoven, Schubert, Schumann, Chopin, Debussy, Bruckner, Mahler, Schoenberg, Prokoviev, Bartok, Stravinsky and other great composers I didn’t mention ? ๐
So for example, what are the best works (to listen to for a start, or simply because of their ingenuity) of Vivaldi, Bach, Haendel, Mozart, Beethoven, Schubert, Schumann, Chopin, Debussy, Bruckner, Mahler, Schoenberg, Prokoviev, Bartok, Stravinsky and other great composers I didn’t mention ? ๐
You might find Berlioz’s Symphonie Fantasique to be to your liking, But if you enjoy big Pieces Mahler 8th and 2nd, as well as Schoenberg Gurre-Lieder, Which is for Massive Choir And Orchestra, and one of my favorite Symphonies Of all time Tchaikovsky 4th
(If you want any let me know and I will upload them, I am kinda of a crazy Recording Nazi, so i tend to always Get the best recordings, so what your getting is gonna be as close to perfect as can be)

Full album art and ID3 Tag’s (MP3 Only)
Schoenberg-GurreLieder-Kegel.zip – 197.18MB (http://www.zshare.net/download/77443504749c5622/)
This Piece was written and orchestrated for a HUGE Orchestra. (For Example Its written for 10 Horns, 6 Trumpets as well as a Bass Trumpet, 4 Tenor Trombones, An Alto Trombone, Countrabass Trombone, and a Single Bass Trombone, 4 harps as well as a Narrator, Choir’s (Multiple) and Soloists)
Its an amazing Work, and I just discovered it a couple of weeks ago, Hope you Enjoy it
(If you want any let me know and I will upload them, I am kinda of a crazy Recording Nazi, so i tend to always Get the best recordings, so what your getting is gonna be as close to perfect as can be)
Thanks for the Gurre-Lieder! I like them a lot ๐ Could you please upload Tchaikovsky’s 4th? I found Berlioz in this topic and Mahler by google. Any other recommendations are very welcome ๐
http://i-bloggermusic.blogspot.com/2010/06/glazunov-orchestral-works.html
http://i-bloggermusic.blogspot.com/2010/06/stravisnky-firebird-apollon-musagete.html
http://i-bloggermusic.blogspot.com/2010/05/piano-rarities-vol-1-transcriptions.html
http://i-bloggermusic.blogspot.com/2010/05/essential-evgeny-kissin.html
http://2.bp.blogspot.com/_OqJPXji3FVs/SXJBaSUoUJI/AAAAAAAAAL4/lnlEGvE6BfY/s320/Golovanov+Melodiya+Pictures+front+cover.JPG
http://nealshistoricalcorner.blogspot.com/2009/01/nikolai-golovanov-mussorgsky-pictures.html
http://2.bp.blogspot.com/_3TE2hBBgfgQ/TBONch3WNTI/AAAAAAAABNs/fPrNahLWb2s/s320/folder.JPG
http://archivosclasicos.blogspot.com/search/label/Wang%20Yuja
http://i-bloggermusic.blogspot.com/2009/11/rene-leibowitz-portrait-of-france.html
http://boxset.ru/previn-richard-strauss-also-sprach-zarathustra-flac/
http://boxset.ru/reinhold-gliere-symphony-no-3-ilya-murometz-op-42-flac/
http://avaxhome.ws/music/classical/liszt_beethoven_katsaris.html
http://4.bp.blogspot.com/_EF7uhIrSBLA/TCR6srC7CzI/AAAAAAAABV4/i4oRs2N9sCc/s320/folder.JPG
http://lix.in/-874461
We are talkin’ about da shit in here
http://avaxhome.ws/music/mussorgsky_mfsl.html
http://avaxhome.ws/music/prokofiev_ivan_the_terrible_mfsl.html
http://avaxhome.ws/music/gershvin_slatkin_american_catfish_promenade_rhapso dy_cuban_mfsl.html
http://avaxhome.ws/music/classical/ravel_bolero_mfslsacd.html
http://avaxhome.ws/music/audiophile/mfsl/holst_the_planets_mfsl.html
http://rapidshare.com/files/403151790/Kabalevsky_-_Requiem_-_Symphony_No._4.rar.html
I have the album, but what’s the problem with flac?
There are various converters to convert the flac into mp3.
http://avaxhome.ws/software/Easy.CD.DA.Extractor.2010.v2010.1.Ultimate.Portabl e.html
Orchestral|Classical|Dark
MP3 VBR V-0
Disc 1 – Concerto for Piano Op. 13; Concerto for Violin Op. 15
English Chamber Orchestra – Sviatoslav Richter (Piano), Mark Lubotsky (Violin)
Disc 2 – Cello Symphony Op. 68 (English Chamber Orchestra Mstislav Rostropovich (Cello));
Sinfonia da Requiem Op. 20 (New Philharmonic Orchestra);
Cantata Misericordium (London Symphony Orchestra and Chorus)
Download Disc 1 (http://www.multiupload.com/GQCK62LXOA)
Download Disc 2 (http://www.multiupload.com/UD7LH17JPS)
PSW: smile
Despite all the hype surrounding many modern composers, I have found some to be far too much for me to digest (shostakovich and stravinsky in particular) while enjoying the works of others (Prokofiev, Sibelius, Rimsky-Korsakov, etc) so I found this box set [which I will post more from later] and wasn’t sure what to expect.
My first reaction to the piano concerto was that it was something different than I usually listen to but despite that, I was entranced and intrigued by the emotions it created within me. I kept listening and found the entirety of the first two discs of this set to be powerful while at the same time deeply sad and tragic.
I hope you will listen to this and see for yourself if it brings you the same feelings. I am listening to the rest of the discs before posting them and may even buy this set if they are as powerful as the first two. I also want to bring special attention to the final piece from disc 2, Cantata Misericordium, which is a powerfully moving choral piece.
Britten, on the other hand, his Sinfonia de Requiem is so awesome that James Horner used it in his film score to Troy along with Shostakovich’s victory theme from the Symphonies Nos. 5 & 7 ๐ฎ
edit: one of your links is broke
AARON COPLAND
Symphony No. 3; Symphony for Organ & Orchestra
E. Power Biggs, organ
The New York Philharmonic conducted by Leonard Bernstein
LAME 3.98r -v0|108 MB
As a newcomer to these works myself, I’m not going to pretend I’m an expert. Of course, I’m familiar with Copland’s Appalachian Spring, Rodeo, Fanfare for the Common Man, and Lincoln Portrait. His name is synonymous with the "American" sound in concert music, so pervasive is his influence. I’ve been looking to find more of Copland’s work, and when I stumbled across this CD — both with Leonard Bernstein conducting and the intriguing "Symphony for Organ & Orchestra" — I knew it would be too good to pass up.
From the liner notes:
Symphony No. 3 — "It is a forty-minute work of epic proportions in which the composer quite evidently set about to consolidate all of his musical discoveries. Latin and North American folk and popularist sources without resort to direct thematic quotation. At the same time, the composer’s predilection for the musical abstract is substantially present in the work. And Copland’s typically tight-structured approach to musical form broadens out onto an uncharacteristically expansive symphonic canvas. The latter effect derived in part from the composer’s perennial fascination with much of Mahler’s work and, perhaps, as has been noted by other critics, by a more disciplined extension of a direction suggested by the ambitious symphonies of Shostakovich. Finally, the essentially optimistic, mass-addressed, outgoing gesture of much of the work is pointedly symbolized by Copland’s use of his own Fanfare for the Common Man as a substantive thematic element and final peroration in the last movement."
Symphony for Organ & Orchestra — " ‘Ladies and gentlemen, I am sure you will agree that if such a gifted young man can write a symphony like this at twenty-three, within five years he will be ready to commit murder!’ It was January 11, 1925, and [conductor Walter] Damrosch had just led the first performance at Aeolian Hall, New York City. The Stravinsky- and French-influenced score was bold, brash and ambitious, and Damrosch’s humorously intended remark had been a way of, as Copland put it, ‘smoothing the ruffled feathers of his conservative Sunday afternoon ladies.’ […] The piece gained instant notoriety for Copland as a dissonant modernist and, following a Chicago performance, a local critic offered this colorful precis: ‘It begins with a reverie, breaks into a squalling scherzo and ends screaming like a bewildered banshee which by some twist of locale has found itself at the Wailing Wall." On a side note, a few years later, Copland rescored this piece without the organ and retitled it "Symphony No. 1."
Both of these can be a little demanding of the listener, but if they seem inaccessible in their entirety, the fourth movement of the Third Symphony and the scherzo of the Organ Symphony are probably easiest to digest. But I would suggest listening to the whole disc, especially to the Organ Symphony.
Enjoy. ๐
http://uploadmirrors.com/download/0VXFNYA3/C-S3-SOO.zip.001
http://uploadmirrors.com/download/L5QCQDHD/C-S3-SOO.zip.002
Password: tazed
http://www.arkivmusic.com/classical/album.jsp?album_id=215982
http://www.arkivmusic.com/classical/album.jsp?album_id=215982
I’ve had a 3-track version of Daphnis et Chloe on a CD of BSO/Seiji Ozawa for quite a while, and was actually not aware that the work was so much larger than the version I had…
I second this request!
http://www.amazon.com/Daphnis-Chole-Ravel/dp/B000004269
http://www.amazon.com/Daphnis-Chloe-Ravel/dp/B0000041OK
Do you have the Havergal Brian Symphonies No. 5, or 7-10, 31?
The Symphony No. 5, I only heard on the radio once but know its got to be out there.
Here’s Ravel’s Daphnis et Chloe and Debussy’s Khamma
http://rapidshare.com/files/404924661/Ravel_-_Daphnis_et_Chloe__Debussy_-_Khamma.rar.html
http://rapidshare.com/files/404962087/HB-Sym_7-31-8-9_ldc-CD1.part1.rar.html
http://rapidshare.com/files/404965356/HB-Sym_7-31-8-9_ldc-CD1.part2.rar.html
http://rapidshare.com/files/404982740/HB-Sym_7-31-8-9_ldc-CD1.part3.rar.html
http://rapidshare.com/files/404969041/HB-Sym_7-31-8-9_ldc-CD1.part4.rar.html
http://rapidshare.com/files/404972776/HB-Sym_7-31-8-9_ldc_CD2.part1.rar.html
http://rapidshare.com/files/404977678/HB-Sym_7-31-8-9_ldc_CD2.part2.rar.html
http://rapidshare.com/files/404978930/HB-Sym_7-31-8-9_ldc_CD2.part3.rar.html
http://rapidshare.com/files/404980277/HB-Sym_7-31-8-9_ldc_CD2.part4.rar.html
Posted here in the Big Orchestral thread ๐
http://forums.ffshrine.org/showpost.php?p=1413445&postcount=4246
I’m hoping someone can help me find a good recording (audio and performance quality) of Delius’ Brigg Fair: An English Rhapsody. Recently heard it performed by the Berlin Phil and enjoyed the work thoroughly; hadn’t heard of it before.
Thanks! ๐
Sir Charlies Mackerras has died of cancer at the age of 84. A great man who began his outstanding sixty year career conducting in 1948 at Sadler’s Wells.
I saw him live at The Proms last year; one year ago almost to the day, I wrote in this very thread "He’s in stunning shape for a man of 85 [sic] – his conducting is a litle less energetic than I’ve seen, and he occasionally perched on a small chair on the podium during quieter moments – but he never flinched. A truly amazing man."
The performance on that occasion underwhelmed me, but that is by the by; yesterday we lost one of the greatest musicians of our time. Today, my tie shall be black – nor just for Sir Charles but for the classical music community in general.
RIP Sir Charles Mackerras, 1925-2010
RIP to Sir Charles Mackerras…
He was due to conduct Proms 12 and 17
http://www.bbc.co.uk/proms/2010/whatson/2507.shtml#prom12
http://www.bbc.co.uk/proms/2010/whatson/2907.shtml#prom17
BBC Proms 2010 start tomorrow
http://www.bbc.co.uk/proms/2010/whatson/
Sir Charles has been a gently guiding hand to me in discovering and enjoying classical music for as long as I’ve been aware of it. His recordings of Mozart, Schubert, Dvorak and Janacek, to name a few, are to be savoured. I’ve also had the pleasure of seeing him direct the Liverpool Phil on several occasions; they had a great rapport. His fresh, direct, unfussy approach seemed to produce wonderful results in almost any repertoire.
With this, and the passing of Vernon Handley in 08, it feels like we’re approaching the end of an era in British music making.
RIP
RIP
And Richard Hickox… :/
If my router will only indulge me, I’ll have some Mackerras up for everyone to enjoy at the weekend.
http://rapidshare.com/files/407368103/Glazunov.part1.rar
http://rapidshare.com/files/407367261/Glazunov.part2.rar
http://rapidshare.com/files/407367490/Glazunov.part3.rar
http://rapidshare.com/files/407367639/Glazunov.part4.rar
http://rapidshare.com/files/407367755/Glazunov.part5.rar
http://rapidshare.com/files/407367834/Glazunov.part6.rar
http://www.megaupload.com/?d=OW1ZO971
http://www.megaupload.com/?d=3Y6AULCG
http://www.megaupload.com/?d=2S9PB57E
http://www.megaupload.com/?d=SOVOPA0F
http://www.megaupload.com/?d=4798FNVA
http://www.megaupload.com/?d=S2GCXKZ6
Anyone have a different recording available? A few of the performances leave something to be desired, but I do appreciate having all of the symphonies in one concise collection.
Bolshoi Theater Orchestra – Gennady Rozhdestvensky
Vinyl Rip – MP3 VBR v-0

Download Part 1 (http://rapidshare.com/files/407678949/Stone_Flower.part1.rar)
Download Part 2 (http://rapidshare.com/files/407681692/Stone_Flower.part2.rar)
PSW: smile
You may notice some noise on the recording. I am unsure whether this is present in the original vinyls themselves or just as a result of ripping from the vinyls. Still, this is a very beautiful recording and worth listening to.
Back to classical ๐ we’ve got a Gergiev double-whammy of Mahler 4+5. I’ve not been impressed with his Mahler on disc, but you can’t get better bang for your buck than that!
There’s also a very tasty-looking "Bach Day" on the 14th of next month, including an evening concert of orchestral arrangements.
SNO – Neeme Jarvi
MP3 VBR V0 –

Download (http://rapidshare.com/files/407705049/AlxNv-StlDnc-Jarvi.rar)
PSW: smile
Sir Charles Mackerras
The Philharmonia Orchestra & The Royal Philharmonic Orchestra
MP3-V0
Part 1 – http://www.multiupload.com/2JRB772E6R
Part 2 – http://www.multiupload.com/4YJ1GP09GW
A little later than advertised, an upload for all Sir Charles Mackerras fans. ๐
This is my own compilation that I’ve rejigged slightly, containing many of Sir Charles’ earliest studio recordings from the 50s and 60s (sounding wonderful!), together with his later stereo account of Pineapple Poll for Decca. It’s a showcase of his brilliant natural way with the orchestra, his clarity and lightness of touch. What’s more there are several rarities – lovely little lolly pops like ‘Donna Diana’ and ‘The Hunting Parson’, and an alternately charming and bracing suite from the much maligned Giacomo Meyerbeer.
The main work ‘Pineapple Poll’ I’ve credited to Sullivan, but it might more properly be ascribed to Mackerras himself; it’s the maestro’s own ballet score, woven rather freely and imaginatively from the melodies of Sullivan’s many operettas.
A word from Mackerras on its creation:
The idea of transforming the music of the Gilbert and Sullivan operas into a ballet score occurred to me while I was playing in the orchestra for a Gilbert and Sullivan season in Australia. ‘How wonderful it would be’, I thought, ‘to arrange the eminently danceable tunes into a sort of symphonic synthesis and score them for full orchestra.’ Although the idea had been in my head for several years, the opportunity to put theory into practice did not occur until 1951 at Sadler’s Wells, when I suggested it to John Cranko, a young choreographer from South Africa who was just beginning to create attention with his ingenious and original balletic inventions.
The thought of a ballet using Sullivan’s music and a scenario taken from Gilbert delighted John Cranko from the start, and after a thorough search of Gilbert’s Bab Ballads we decided on ‘The Bumboat Woman’s Story’, No. 81 of the series. The subject of this was later developed by Gilbert into HMS Pinafore, but for our purposes it provided an ideal balletic situation. Dancers do not speak on the stage, and thus the secret of the girls dressed as men could be kept from the audience until very near the end of the ballet. (Audiences are often as surprised as Poll herself to find that all the sailors are really women in disguise.) Luck was still further on our side in that the copyright on Sullivan’s music was just about to lapse, while the Festival of Britain in 1951 made a perfect setting for a new comic British ballet – especially one which indulged the British taste for laughing at their most honoured institutions.
Naturally, as there are no voices in my arrangement of the music, considerable alterations to Sullivan’s orchestration had to be made, so that the score would not sound like those all too familiar selections in which the cornet plays the voice part of ‘Take a pair of sparkling eyes’ to the accompaniment of Sullivan’s orchestration, cooked up for brass or military band. I wanted the music to sound as natural as possible in its new form, both in content and orchestration. However, I did study the original scoring of all the tunes used in the ballet, in order to preserve as many of Sullivan’s touches of instrumentation as possible. The score is a patchwork quilt of tunes from most of the Savoy operas, and they pass by the listener so quickly as to bewilder even Gilbert and Sullivan experts. So far, I have come across only two people who were able to place the source of every tune in the ballet. Every bar of Pineapple Poll, including the bridge passages, is taken from one or other of the operas, although I found it necessary to ‘cheat’ a little at the end and insert a few bars of Sullivan’s early Overtura di ballo. Occasionally I have made several quite separate tunes go together (a trick which Sullivan often used), and die-hards who associate every scrap of Sullivan’s melodies with Gilbert’s librettos will find that the original words in the opera often fit the new situation in the ballet. (An obvious example is my use of ‘Twenty lovesick maidens we’ from Patience, as the girls cast loving eyes at Captain Belaye)
As charming young ballerinas do not usually like to appear on the stage as fat old women, John Cranko changed Gilbert’s Little Buttercup-like character Poll Pineapple into a youthful and fascinating Pineapple Poll, while Lieutenant Belaye becomes a Captain (and later even an Admiral) in order to have the necessary swagger for a premier danseur. Other characters have also been added, but they are all thoroughly Gilbertian types and seem to fit quite naturally into the first Gilbert and Sullivan ballet.
Pineapple Poll was first performed on 13 March 1951 at Sadler’s Wells Theatre, by the then Sadler’s Wells Theatre Ballet (now the Royal Ballet), with Elaine Fifield, David Blair and David Poole in the principal roles of Poll, Belaye and Jasper. Although many other ballets based on Gilbert and Sullivan were predicted after the immediate success of Pineapple Poll, as far as I know no further such ballets have appeared.
Note: The original 1951 mono Sadler’s Wells recording of PP is also available on request.
Enjoy! ๐
I found part of it (symphonies No.1, 2 and 3) on this blog, already in lossless :
http://rareclassicalvinyl.blogspot.com/
Thanks so much in advance !
PS : in case anyone is interested, I also found this Hanson disc :
http://avaxhome.ws/music/classical/Howard_Hanson_The_Composer_and_His_Orchestra.html
"A KNIGHT AT THE BALLET
Sir Charles Mackerras
The Philharmonia Orchestra & The Royal Philharmonic Orchestra"
Thank You!!!
SNO – Neeme Jarvi
MP3 VBR V0 –

Download (http://rapidshare.com/files/407705049/AlxNv-StlDnc-Jarvi.rar)
PSW: smile
Fabulous share…Thank You!!!
It???s great ๐
I don’t have this recording myself, but I think you should go for the Richard Hickox / Bournemouth Symphony version on EMI coupled with Paris and the Florida Suite. There’s a rather glowing review here (http://www.musicweb-international.com/classrev/2007/Jan07/Delius_Hickox_3705652.htm) and the samples on amazon sound good.
I’ve got a Delius set, including Brigg Fair, conducted by Andrew Davis, and it’s very nice too, with a marvellously natural recording quality (which, sadly mp3 doesn’t convey very well). I can upload that for you if you like?
But why not give Hickox a try. I think I might ๐
And yes, if you’re pleased with the Davis rendition and wouldn’t mind uploading that then I would appreciate it since I can’t buy from the Amazon MP3 store and it seems unavailable at the UK and Canada store in physical form so it’ll take me a while to track down the Hickox. ๐
..crackling away on an old turntable from the distant haze of younger days….
Tracks 1-13 are narrated by the Captain himself..
Tracks 14-25 are instrumental only..
I believe this is out of print…but I could be wrong.
http://www.megaupload.com/?d=NB43ZXPF
Enjoy!
Cheers!
Now for another life-enhancing recording by Charles Mackerras:
BRAHMS – SERENADES
Sir Charles Mackerras
The Scottish Chamber Orchestra
MP3-V0
http://www.multiupload.com/XALN1E9KQU
If you want to get an instant feel for the perfection on offer here, listen to the bustle of the catchy scherzo of the first serenade, and its partnered rondo with distinctive scotch snap. At the other end of the scale, there’s the softly aching third movement – as gorgeous and rich and gentle as only Brahms could make it. Like his Brahms symphony cycle (and both sets of Beethoven’s), Mackerras selects modern instruments with a few key exceptions: leather-skinned timpani, "Vienna" horns and rotary-valve trumpets.
The second serenade is a flowing work cast in A major and scored without violins and trumpets. Woodwind having the upper hand is no bad thing – just listen to the infectious dancing finale for a highlight. Mackerras and the SCO have all the colours and rhythms just right. Enjoy!
J S BACH – CONCERTO FOR 4 HARPSICHORDS
http://www.multiupload.com/8VTTBHA0BK
——————————————————————————
I should mention, this piece is a transcription of Vivaldi’s concerto for 4 violins from the L’Estro Armonico. It’s no secret that Bach adored Vivaldi’s music and this is one of his most stunning ‘tributes’.
Andas Schiff (conductor+piano) – Bach Harpsichord/Keyboard Concertos Bwv 1052-1058
http://rapidshare.com/files/397171293/BACKeyConSCH2.part1.rar
http://rapidshare.com/files/397176786/BACKeyConSCH2.part2.rar
http://rapidshare.com/files/397181685/BACKeyConSCH2.part3.rar
http://rapidshare.com/files/397337208/BACKeyConSCH2.part4.rar
http://rapidshare.com/files/397207712/BACKeyConSCH2.part5.rar
pw: schiff
note: schiff uses, as seemingly practice in baroque times, his own decorations on the piano. i’m not familiar with the original score, so i don’t mind, but others might.
Thank you.
Symphonies 1 & 4
Central Park In The Dark

http://www.multiupload.com/YFWNI0HTT7
Charles Ives
Symphonies 2 & 3
General Booth Enters into Heaven
http://www.multiupload.com/NWW0GVJY9V
FLAC
http://rapidshare.com/files/410654159/RPC51.part1.rar.html
http://rapidshare.com/files/410654853/RPC51.part2.rar.html
http://rapidshare.com/files/410655550/RPC51.part3.rar.html
http://www.megaupload.com/?d=2ZH5DIPL
http://www.megaupload.com/?d=4XV70XOV
http://www.megaupload.com/?d=OMTXIPKY
MP3 – 320kbps
http://rapidshare.com/files/410664743/RPC51a.rar.html
1. Jukka Linkola – Northbound (1:24)
2. Urmas Sisask – Maja (1:29)
3. Ren??? Eespere – Trivium (3:33)
4. Urmas Sisask – Oremus (8:10)
5. Jukka Linkola – The Forest (2:13)
6. Uuno Klami – Song Of The Watch (3:10)
7. Lauri Saikkola – Song Without Words (2:26)
8. Lepo Sumera – Piece From The Year 1981 (7:06)
9. Urmas Sisask – Dominus Vobiscum (5:39)
10. Erkki-Sven T??????r – Insula Deserta (2:06)
11. Ester M???gi – The Ancient Kannel (1:12)
12. Joonas Kokkonen – Adagio Religioso (4:51)
13. Jukka Linkola – Gerda And Kai (1:13)
14. Olli Mustonen – Fantasy For Piano And Orchestra (3:08)
15. Peteris Vasks – Cantabile (5:52)
16. Urmas Sisask – Pater Noster (1:47)
17. Ren??? Eespere – Trivium (3:29)
http://rapidshare.com/files/228210562/NorLitesMP.rar
———————————————–
I also have a request : does anyone has Bax’s Orchestral Works set (I’m thinking of Bryden Thomson’s, but others would be fine too).
And, just in case, I’m still looking for Howard Hanson symphonies in more than 128 kbps.
Thanks in advance !
Now for another life-enhancing recording by Charles Mackerras:
BRAHMS – SERENADES
Sir Charles Mackerras
The Scottish Chamber Orchestra
MP3-V0
http://www.multiupload.com/XALN1E9KQU
If you want to get an instant feel for the perfection on offer here, listen to the bustle of the catchy scherzo of the first serenade, and its partnered rondo with distinctive scotch snap. At the other end of the scale, there???s the softly aching third movement – as gorgeous and rich and gentle as only Brahms could make it. Like his Brahms symphony cycle (and both sets of Beethoven???s), Mackerras selects modern instruments with a few key exceptions: leather-skinned timpani, "Vienna" horns and rotary-valve trumpets.
The second serenade is a flowing work cast in A major and scored without violins and trumpets. Woodwind having the upper hand is no bad thing ??? just listen to the infectious dancing finale for a highlight. Mackerras and the SCO have all the colours and rhythms just right. Enjoy!
Thank you!!! Outstanding on so many levels.
EDIT: Nevermind, I did a little more searching and found it.
Recordings with The Early Music Consort, directed by David Munrow
Ecco la primavera – Florentine Music of the 14th Cent (1969)
Music of the Crusades (1970)
The Art of Courtly Love (1973)
Praetorius – Dances and Motets (1973)
Instruments of the Middle Ages and Renaissance (1976)
Greensleeves to a Ground (1976)
Festival of Early Music – Music from 14th Century Florence, Music of the Crusades & The Triumphs of Maximilian (1976)
The good folks over at the soundtrack/scores thread sent me over here….:)
Thanks!
Rob
OLIVIER MESSIAEN
Turangal???la-Symphonie
pour piano solo, ondes Martenot solo et grand orchestra
Version r???vis???e 1990
Pierre-Laurent Aimard, piano; Dominique Kim, ondes Martenot;
Berliner Philharmoniker, conducted by Kent Nagano
LAME 3.98r -v0 MP3 | 10 Tracks | 122.35 MB
1. Introduction
2. Chant d’amour 1 (Love Song)
3. Turangal???la 1
4. Chant d’amour 2
5. Joie du sang des ???toiles (Joy of the Blood of the Stars)
6. Jardin du sommeil d’amour (Garden of Love’s Sleep)
7. Turangal???la 2
8. D???veloppement de l’amour (Development of Love)
9. Turangal???la 3
10. Final
http://forums.ffshrine.org/showpost.php?p=1520778&postcount=6019
Rachmaninoff plays Rachmaninoff: Piano Concerto 1-4
320kbps
44100 Hz
2 CDs
195.7 Compressed
7zip
http://www.megaupload.com/?d=MFAYBC45
Be advised this is Rach plays Rach, so expect rather mediocre sound quality. But the brilliance of the music more than alleviates for any deficiencies in the nature of the sound
Rach 2 and 3 are the greatest songs of all time (especially 2.2 and 3.2)
enjoy ๐
Rachmaninoff plays Rachmaninoff: Piano Concerto 1-4
320kbps
44100 Hz
2 CDs
195.7 Compressed
7zip
http://www.megaupload.com/?d=MFAYBC45
Be advised this is Rach plays Rach, so expect rather mediocre sound quality. But the brilliance of the music more than alleviates for any deficiencies in the nature of the sound
Rach 2 and 3 are the greatest songs of all time (especially 2.2 and 3.2)
enjoy ๐
Thank you veryyyy muucchhhhhh!Any other Rachmaninoff plays Rachmaninoff album?
Edit: Just trying to unpack the Illustrazioni. Do you have the password?
You ever get around to finding that other Scelsi 4th?
And…is everyone still out of Maslanka? (Mass, Sym. 5, percussion + wind concerto, alto sax concerto, oboe sonata, wind quintet #2?)
Also, does anyone have Pettersson’s later symphonies (9, 10, 11, 13, 14, 15)??
Finally…anyone possibly have Curran’s Inner Cities that would be willing to share?
Here are some rarities for you to snack on:
Wolpe’s Yigdal (Cantata) + Symphony:
http://www.mediafire.com/?sharekey=88gpgjdw6cci9
Wuorinen’s Percussion Symphony:
http://www.mediafire.com/?sharekey=5255c451x12pf
Wuorinen’s Time’s Encomnium:
http://www.mediafire.com/?sharekey=w8t83i3bwp993
(Ivan) Tcherpnin’s Flores Musicales + Five Songs + Santur live!:
http://www.mediafire.com/?sharekey=1d8z4x2dbdysf
All of these are very rare, the Tcherpnin is the only recording of the man’s music I know of. So please spread the word about all these guys! Especially Tcherpnin, one of the most cruelly overlooked composers of the 20th century =(
P.S. I could upload the whole set of Mozart’s piano concertos by Gardiner/Bilson if anyone really, really wants them.
Edit:
Just found this:
www.mediafire.com/?2dugay240mi
Roberto Gerhard’s Concerto for Orchestra done by Norman Del Mar. I’ve been searching for it for a long time. It is reportedly one of the greatest 20th century works of music, and from what I am hearing it does not disappoint! It is unbelievable!
Gerhard is generally worth checking out anyway though…his violin concerto is stunning, and haunting, if anyone is interested in having me upload it?
APPLE LOSSLESS | COMPLETE SCANS | RETOUCHED COVERS (Best for iTunes) | RAR FILES | 238 Mb
Classical | 1CD | CBS SONY 28DC 5068
Concerto pour Piano et Orchestre (1967)
I. Allegro animato
II. Adagio misterioso
III. Allegro – Andante – Vivace molto capriccioso
One concerto.
One pianist.
Two different performances.
http://rapidshare.com/files/406166086/aycppeo.rar.html
pass:asimo
I think this is the best piano concerto in Japan.
If anyone had any links to anything like that it would great help.
Also, I am looking for some Eric Whitacre recordings if anyone has anything.
If anyone had any links to anything like that it would great help.
Um…there is an insane amount of music with oboe and English horn…like…most orchestral music. Could you be more specific?…
Personally I think Maslanka and Saint-Saens both wrote really great Oboe Sonatas. Berio’s Sequenza for solo oboe is very good (and a rare treat).
Ligeti’s Double Concerto for Flute and Oboe is a high masterpiece.
Carter’s Sonata for flute, oboe, cello & harpsichord is very good…though not necessarily oboe-centric.
Aho did a rare Oboe Quintet (Oboe set against strings) that is definitely a masterpiece worth hearing.
Wolpe did a quartet for oboe, cello, percussion & piano that is very good.
Rochberg and Matrinu both wrote astounding Oboe concertos.
Is this the kind of stuff you are looking for?
Horn is trickier but Ligeti and Brahms horn trios, Babbitt’s Around the Horn, Hovhaness’ "Artik" Concerto, and Angelic Song, Strauss’ Horn Concertos, Mozart’s Horn Quintet, and maybe even Beethoven’s sonata for Horn and Piano may be good starting places?
But usually horns are used best in the orchestral setting it seems to me…the horn parts throughout Tchaikovsky’s Manfred Symphony and Mussorgsky’s Bald Mountain come to mind, but I’ll have to think of other more specific examples I guess…Obviously Wagner wrote beautifully for horns as well. And Mahler kept that going in his work, especially the 3rd Symphony.
I’d be surprised if you weren’t aware of a lot of this already though…
So can you help me out with more specifics?
Am I on the right track?
J S BACH – CONCERTO FOR 4 HARPSICHORDS
http://www.multiupload.com/8VTTBHA0BK
——————————————————————————
I should mention, this piece is a transcription of Vivaldi’s concerto for 4 violins from the L’Estro Armonico. It’s no secret that Bach adored Vivaldi’s music and this is one of his most stunning ‘tributes’.
Interesting.
Do you, or anyone else, have Bach’s Concerto for Three Harpsichords in C Major BWV 1064 ?
http://classicalcollections.blogspot.com/
Interesting material….
http://classicalcollections.blogspot.com/2010/08/respighi-belkis-queen-of-sheba-2006.html
Do you, or anyone else, have Bach’s Concerto for Three Harpsichords in C Major BWV 1064 ?
Yes – coming up ๐
DELIUS – ORCHESTRAL WORKS
Sir Andrew Davis conducting the BBC Symphony Orchestra
MP3-V0
http://www.multiupload.com/RFPKI23VET
Apologies for the delay ๐
Only just seen this. I’m having a bit of trouble with uploads at the mo, but I’ll rip and post as soon as I can.
And thanks for a superb post!
Personally I think Maslanka and Saint-Saens both wrote really great Oboe Sonatas. Berio’s Sequenza for solo oboe is very good (and a rare treat).
Ligeti’s Double Concerto for Flute and Oboe is a high masterpiece.
Carter’s Sonata for flute, oboe, cello & harpsichord is very good…though not necessarily oboe-centric.
Aho did a rare Oboe Quintet (Oboe set against strings) that is definitely a masterpiece worth hearing.
Wolpe did a quartet for oboe, cello, percussion & piano that is very good.
Rochberg and Matrinu both wrote astounding Oboe concertos.
Is this the kind of stuff you are looking for?
Horn is trickier but Ligeti and Brahms horn trios, Babbitt’s Around the Horn, Hovhaness’ "Artik" Concerto, and Angelic Song, Strauss’ Horn Concertos, Mozart’s Horn Quintet, and maybe even Beethoven’s sonata for Horn and Piano may be good starting places?
But usually horns are used best in the orchestral setting it seems to me…the horn parts throughout Tchaikovsky’s Manfred Symphony and Mussorgsky’s Bald Mountain come to mind, but I’ll have to think of other more specific examples I guess…Obviously Wagner wrote beautifully for horns as well. And Mahler kept that going in his work, especially the 3rd Symphony.
I’d be surprised if you weren’t aware of a lot of this already though…
So can you help me out with more specifics?
Am I on the right track?
Some of these I have heard, others just heard of and there’s one or two I’m not to familiar with. Thanks for this round of recommendations! I’m off to he library to see how many of these titles I can find! (unless anyone has links?)
I am setting it to upload, but here is a folder with almost all of the oboe pieces I listed:
http://www.mediafire.com/?gn3kgnoqmub21
I will have to find my Maslanka Oboe Sonata and put it in there though. So, coming soon.
I included Bax’s Oboe Quintet to make up for it though =) It’s very good.
I’ll get to work on the horn works as well if you like. I only have a few, like Mahler’s 3rd, Strauss’ Horn Concertos, Brahms and Ligeti Horn Trios, and the Hovhaness pieces I mentioned.
Does anybody have Dolly Suite by Faure :o?
———- Post added at 01:14 AM ———- Previous post was at 01:14 AM ———-
Glad to be back here :o.
Does anybody have Dolly Suite by Faure :o?
STRING QUARTET NO.4
Klangforum Wien
Hans Zender
MP3-V0 + Scans
Multiupload.com – upload your files to multiple file hosting sites! (http://www.multiupload.com/VQZQ98W3L6)
This recording is one of those rare gems – a miracle of absolute concentration, the players living the music (and very difficult music at that!). It’s certainly not for the faint-hearted, so beware if you need traditional harmony and melody. What we have here is something quintessential to modern music; indeed many regard the 4th quartet as Scelsi’s finest achievement. It marks his first use of string-by-string tablature notation, treating each of the 16 strings that make up the ensemble as individual instruments – almost an "orchestral" approach. The piece begins clustering around the tone of C and over the span of a single 14 minute movement rises through a microtonal wave up to A. It’s like being taken to the edge, and then being coaxed a little further, and experiencing something both wonderful and terrifying. Stick the volume up and give it a shot! ๐
From Classicstoday:
Each piece seems to be "about" a single concept: Elohim is about wild chromatic runs and is the work that most verges on being out of control; the Duo for Violine and Violoncello deals with sudden occurrences, such as night terrors; Anagamin toys with a single chord that gets bent, smashed, and twisted out of shape; Maknongan is a low, throaty unison for dark and moody strings. Klangforum Wien is in top shape here, under the fearless baton of Hans Zender, who is willing to take the players to the dark corners Scelsi occupies. This is the sort of music they were made to play and they do so with amazing accuracy and appropriately sheer-pitched terror. As is to be expected from the Kairos label, the sound quality is exquisite, capturing every nuance of this startling music.
———————————————————————————————————————————–
TALES OF BEATRIX POTTER
Composed and Conducted by John Lanchbery
Orchestra of the Royal Opera House, Covent Garden
MP3-V0
Multiupload.com – upload your files to multiple file hosting sites! (http://www.multiupload.com/93GVKQH4YJ)
Rather a contrast from the above, conductor John Lanchbery arranged these ballet suites for the 1971 film, based on tableaux from Potters’ famous stories and illustrations. Discreet Victoriana is the order of the day; much of the musical material is drawn from popular, now largely forgotten tunes of era. Highlights include prickly shimmy of ‘Mrs Tiggy Winkle’s Laundry’ and ‘The Tale of Pigling Bland’. The latter is a beautifully self-contained symphonic narrative in itself, with adventure, playfulness, wonder, fledgling romance and one beguiling melody after another. Enjoy!
Piano Fantasy (Katie & Marielle Lab???que) – CD3: Bizet, Faure, Ravel, Poulenc, Mihaud
RapidShare: 1-CLICK Web hosting – Easy Filehosting (http://rapidshare.com/files/416252180/Piano_Fantasy_CD3_-_Bizet__Faure__Ravel__Poulenc__Mihaud.rar.html)
i.e. amazon.com: Amazon.com: Piano Fantasy: Music for Two Pianos [Box Set]: Johannes Brahms, Antonin Dvorak, Georges Bizet, Gabriel Faure, Maurice Ravel, Francis Poulenc, Darius Milhaud, Manuel de Falla, Ernesto Lecuona, Isaac Albeniz, Manuel Infante, Pyotr Il'yi (http://www.amazon.com/Piano-Fantasy-Music-Two-Pianos/dp/B00008CLIF/ref=sr_1_1?ie=UTF8&s=music&qid=1283268030&sr=8-1)
pw: forgottenmelodies
These CDs contain some of the most amazing 2-piano pieces and the performances of the Lab???que sisters are great. If you don’t know the Scaramouche by Milhaud for example, get this CD right now, It’s a must-have! I can heartily recommend their whole 6-CD 2-piano collection.
I am setting it to upload, but here is a folder with almost all of the oboe pieces I listed:
Free File Hosting Made Simple – MediaFire (http://www.mediafire.com/?gn3kgnoqmub21)
I will have to find my Maslanka Oboe Sonata and put it in there though. So, coming soon.
I included Bax’s Oboe Quintet to make up for it though =) It’s very good.
I’ll get to work on the horn works as well if you like. I only have a few, like Mahler’s 3rd, Strauss’ Horn Concertos, Brahms and Ligeti Horn Trios, and the Hovhaness pieces I mentioned.
The original request was for oboe and English horn, so I’m not sure whether oboejoe wants the French horn stuff. I thought I’d clarify before you posted the horn stuff. It all looks like great french horn Rep, though.
Classics Today.com – Your Online Guide to Classical Music (http://www.classicstoday.com/review.asp?ReviewNum=11009)
Classics Today.com – Your Online Guide to Classical Music (http://www.classicstoday.com/review.asp?ReviewNum=7145)
Volodos plays Tchaikovsky (Piano Concerto No.1) & Rachmaninov (Solo piano works) is available on avaxhome :
Volodos: Tchaikovsky – Piano Concerto No.1, Rachmaninoff – Solo Piano Works (2003) in AvaxHome (http://avaxhome.ws/music/classical/Volodos_Tchaikovsky_Piano_Concerto_No1_Rachmaninof f_Solo_Piano_Works_2003.html)
And so does Volodos plays Liszt :
Volodos Plays Liszt in AvaxHome (http://avaxhome.ws/music/VPLITSZ.html)
Enjoy ! ; )
How could I forget avaxhome?…. But the Liszt links are dead…..
At least there is this one too….
Arcadi Volodos – Solo Piano Works – Schubert (2002) in AvaxHome (http://avaxhome.ws/music/classical/Arcadi_Volodos_Solo_Piano_Works_Schubert_2002.html )
YouTube – Vivaldi – Concerto for Two Violins in A Minor RV522 (http://www.youtube.com/watch?v=7E-RTI-H2oI)
I’ll upload as soon as I can.
I’ll upload as soon as I can.
Actually there are quite a alot of uploads for L’Estro Armonico. The guy is looking for Double Violin Concerto, for 2 violins, strings & continuo in A minor (”L’estro armonico” No. 8), Op. 3/8, RV 522.
classics: A. Vivaldi : L’estro Armonico – Elizabeth Wallfisch – Jeanne Lamon : Orchestre Baroque Tafelmusik – 2007. (http://classiclibrary.blogspot.com/2009/05/vivaldi-lestro-armonico-elizabeth.html)
Blogger Musical (Beautiful Classical Music): Vivaldi · Concertos opp.3, 4, 8 & 9 (http://i-bloggermusic.blogspot.com/2010/08/vivaldi-concertos-opp3-4-8-9.html)
Blogger Musical (Beautiful Classical Music): Vivaldi · Concertos Op. 1-6 · "L’Estro Armonico" · "La Stravaganza" · Vol. 1 (http://i-bloggermusic.blogspot.com/2010/04/vivaldi-concertos-op-1-6-lestro.html)
BOXSET.RU ??? Blog Archive ??? Marriner: Vivaldi – L’estro Armonico (2 CD, FLAC) (http://boxset.ru/marriner-vivaldi-lestro-armonico-2-cd-flac/)
You can find some on this wonderful blog :
Begining with his extraordinary Four Seasons :
classics: Vivaldi : The four Seasons + 3 Concertos | Andra Marcon ; Giuliano Carmignola ; Venice Baroque Orchestra (http://classiclibrary.blogspot.com/2010/05/vivaldi-four-seasons-3-concertos-andra.html)
classics: Late Vivaldi Concertos – Andrea Marcon ; Giuliano Carmignola (Violin) – Venice Baroque Orchestra (2002) (http://classiclibrary.blogspot.com/2010/05/late-vivaldi-concertos-andrea-marcon.html)
classics: A. Vivaldi : Concertos for Two Violins – G. Carmignola – V. Mullova – A. Marcon – Venice Baroque Orchestra – 2008. (http://classiclibrary.blogspot.com/2009/02/vivaldi-concertos-for-two-violins-g.html)
Enjoy !
Blogger Musical (Beautiful Classical Music): Vivaldi · Concertos opp.3, 4, 8 & 9 (http://i-bloggermusic.blogspot.com/2010/08/vivaldi-concertos-opp3-4-8-9.html)
Thank you, that saves me a bit of trouble. I can certainly recommend the Christopher Hogwood disc above – one of the Academy of Ancient Scrapers classics! ๐
I’d also like to second what Dj???houty says about Carmignola’s Vivaldi. His Four Seasons is probably top dog of all the ones I’ve heard (lots). I know it’s silly to say something is ‘definitive’ but this has everything – wonderful tingling period instruments, drama, colour, joie de vivre, superb solos (Carmignola overdubbed himself I believe for the multi-parts) and style to spare. I have a different disc of the late concertos; they seem to be more rhapsodic and asymmetric – in a very good way!
Anyone have this album?
Olympic Arts Festival
The track list is as follows
1. Symphony No.8 (Excerpt)
2. Merry Widow
3. Piano Concerto No.20 (Romanza)
4. Triple Concerto (Finale)
5. Sonata For Strings No.3
6. Music For Airports (Excerpt)
7. When The Special Girlfriend
8. They Call Me Naughty Lola
9. Tosca (E Lucevan Le Stelle)
10. Don Giovanni (Champagne Aria)
11. Morgen
12. Capriccio (Moonlight Music & Closing Scene)
13. Le Fille Du Regiment
14. Symphony No.41 ‘Jupiter’ (Third Movement)
15. Violin Concerto (Finale)
16. Bolero
17. Symphony No.3
18. Simon Boccanegra (Excerpt)
19. La Traviata (Excerpt)
20. Gotterdammerung (Brunnhilde’s Immolation Scene)
Lucky you : Volodos plays Liszt has just been uploaded here (FLAC) :
BOXSET.RU ??? Blog Archive ??? Volodos Plays Liszt (FLAC) (http://boxset.ru/volodos-plays-liszt-flac/)
Enjoy !
Lucky you : Volodos plays Liszt has just been uploaded here (FLAC) :
BOXSET.RU ??? Blog Archive ??? Volodos Plays Liszt (FLAC) (http://boxset.ru/volodos-plays-liszt-flac/)
Enjoy !
Yeah I’ve noticed that. They uploaded other Volodos CDs as well.
I observe various blogs on daily basis
http://boxset.ru/volodos-live-at-carnegie-hall-ape/
http://boxset.ru/volodos-piano-transcriptions-ape/
http://boxset.ru/volodos-schubert-solo-piano-works-ape/
http://boxset.ru/volodos-ozawa-tchaikovsky-piano-concerto-no-1-rachmaninov-solo-piano-works-ape/
http://boxset.ru/volodos-rachmaninov-piano-concerto-no-3-solo-piano-works-flac/
excuse me, but I think the Vivaldi links are broken. The blog is not found
excuse me, but I think the Vivaldi links are broken. The blog is not found
That’s weird. I guess it will be available again soon.
Meanwhile, you can go here (if it’s not dead):
Vivaldi: The Four Seasons / 3 Violin Concertos – Giuliano Carmignola in AvaxHome (http://avaxhome.ws/music/vivaldi_4seasons_carmignola.html)
Antonio VIVALDI (1678-1741) Concertos for two violins – Viktoria Mullova – Giuliano Carmignola – Andrea Marcon in AvaxHome (http://avaxhome.ws/music/classical/vivaldi_mullova_carmignola_2_violins.html)
Antonio VIVALDI (1678 -1741) : Late violin concertos vol.1- Giuliano Carmignola – Andrea Marcon in AvaxHome (http://avaxhome.ws/music/vivaldi_late_violin_concertos_1_carmignola.html)
Antonio VIVALDI (1678 -1741) : Late violin concertos vol.2 – Giuliano Carmignola – Andrea Marcon in AvaxHome (http://avaxhome.ws/music/vivaldi_late_violin_concertos_2_carmignola.html)
For fans of the classical mandolin, here is a disc of the best works for the instrument by Antonio Vivaldi, the best friend the mandolin ever had. And for the rest of the world, here is a disc of colorful Baroque concertos by Antonio Vivaldi, the best friend the Baroque concerto ever had. After all, Vivaldi may have been the mandolin’s best friend, but even he could only compose so many mandolin concertos. But while the limited tone, range, and color of the instrument may only be so interesting even to its best friend, Vivaldi did everything that could be done with the instrument, and his handful of concertos are easily the best ever composed for the mandolin. This disc of Vivaldi mandolin concertos by Europa Galante under the direction of Fabio Biondi is also easily the best ever recorded. Because while there have been other great recordings of Vivaldi’s mandolin concertos by other outstanding mandolin players, no other ensemble has so completely and thoroughly mastered and integrated the mandolin into its overall sonority. Thus, while the mandolinists of Europa Galante play just as beautifully as Paul O’Dette in his masterful performances on Hyperion, Europa Galante is more sensitive to the delicate colors of the instrument than O’Dette’s Parley of Instruments. This results in performances that are more than the sum of their parts. For many listeners, it is the rest of the concertos on this disc that will prove just as attractive as the mandolin works. Such relative rarities as the Concerto for two violini in tromba marina, two recorders, two mandolins, two chalumeaux, two theorbos, and cello (RV 558) receive gloriously colorful performances by Biondi and Europa Galante. This is a superb disc with or without the mandolin concertos. [4.5/4.5; Performance/Sound]
This delicious collection contains two of Vivaldi’s most remarkable creations, the Concertos RV 555 and RV 558, scored for a vast ensemble including solo mandolins, recorders, oboes, chalumeaux, cellos, harpsichords, theorbos, viole all’inglese, and something called "violini in tromba marina", which no one to this day is entirely sure about. And my, how Fabio Biondi and Europa Galante do play! At first the tempos sound excessively fleet, but when you hear how well these players handle their solo episodes, and sense their joy in the excesses of Baroque instrumental writing and the opportunities for virtuosity that it offers, then it’s practically impossible not to be swept away in the sheer excitement of it all. That said, if you love this music you also should hear Leonard Bernstein’s wonderful performance (on Sony) of Alfredo Casella’s edition of RV 558, rescored for an equally extravagant ensemble of modern instruments.
The heart of this collection lies in the three concertos featuring solo mandolin (RV 532 actually requires two), which number among Vivaldi’s most piquantly appealing inspirations. RV 576, scored for solo violin, two recorders, three oboes, and solo bassoon, also represents the composer at his most inventive and expansive, and the quality of the wind playing here is second to none in the period instrument world. In short, you will find in these performances more than sufficient evidence to refute the notion that Vivaldi wrote the same concerto 600 times. Or at all events, he only did it 593 times: these seven works remain outstanding for their character and individuality, and you won’t find them better played or more immaculately recorded anywhere. [10/10; Artistic Quality/Sound Quality]
Tracklist:
01. Concerto for 2 Mandolins in G Major, RV.532: I. Allegro (03:58)
02. Concerto for 2 Mandolins in G Major, RV.532: II. Andante (02:47)
03. Concerto for 2 Mandolins in G Major, RV.532: III. Allegro (03:21)
04. Concerto in C Major, "con molti stromenti", RV.558: I. Allegro molto (04:53)
05. Concerto in C Major, "con molti stromenti", RV.558: II. Andante molto (01:30)
06. Concerto in C Major, "con molti stromenti", RV.558: III. Allegro (02:55)
07. Concerto for Violin and Oboe in G minor, ‘dedicato a Sua Altezza Reale di Sassonia’, RV.576: I. [Allegro] (04:13)
08. Concerto for Violin and Oboe in G minor, ‘dedicato a Sua Altezza Reale di Sassonia’, RV.576: II. Larghetto (02:18)
09. Concerto for Violin and Oboe in G minor, ‘dedicato a Sua Altezza Reale di Sassonia’, RV.576: III. Allegro (03:52)
10. Concerto for 2 Violins and 2 Cellos in D Major, RV.564: I. Allegro (04:13)
11. Concerto for 2 Violins and 2 Cellos in D Major, RV.564: II. Largo (02:35)
12. Concerto for 2 Violins and 2 Cellos in D Major, RV.564: III. Allegro (03:24)
13. Concerto for Violin in G minor, ‘dedicato a S. Pisendel’ (Dresden version), RV.319: I. Allegro (05:08)
14. Concerto for Violin in G minor, ‘dedicato a S. Pisendel’ (Dresden version), RV.319: II. [Lento] (02:25)
15. Concerto for Violin in G minor, ‘dedicato a S. Pisendel’ (Dresden version), RV.319: III. Allegro (03:15)
16. Concerto for Mandolin in C Major, RV.425: I. [Allegro] (03:10)
17. Concerto for Mandolin in C Major, RV.425: II. Largo (02:54)
18. Concerto for Mandolin in C Major, RV.425: III. [Allegro] (02:10)
19. Concerto for 3 Violins and Winds in C Major, RV.555: I. Allegro (03:46)
20. Concerto for 3 Violins and Winds in C Major, RV.555: II. Largo a piacimento (01:42)
21. Concerto for 3 Violins and Winds in C Major, RV.555: III. Allegro (03:03)
Europa Galante’s spirited interpretation of RV 558 is worth the price of this CD alone.
LAME 3.93U, 320kbps CBR (NMR), 160MB
ed. nah
English edition(mp3@320/62.49 MB)
http://www.megaupload.com/?d=ZXIMTIIH
Japanese edition(mp3@320/66.6 MB)
http://www.megaupload.com/?d=4Z3O0O3M
Enjoy!
and used in The Banishment (Izgnanie) film score (2007).
any body khow?!
It says it’s F???r Alina.
And it’s available here, on Avaxhome :
Arvo Part – Alina [ECM New Series 1591 449 958-2] in AvaxHome (http://avaxhome.ws/music/classical/arvo_part_alina_ecm_new_series_1591_449_958_2.html )
It says it’s F???r Alina.
Thanks Dj???houty,
It’s true … ๐
I have one question.
I have the album to make Enya’s tunes a classic style by the orchestra organization.
I may do upload it to this place?
O.K? or No?
Please give me advice.
Thanks!
JPN-26 – I think that would fit in much better in the Orchestral thread. I’d love to hear it. Thank you in advance. ๐
Thanks your advice.
A topics called "ORCHESTRAL THREAD" doesn’t exist.
I up-load it to "THE BIG ORCHESTRAL ACTION MUSIC THREAD! ".
Though I also own a lot of CD of classics…
I think that it is being satisfactory also in a classic fan.
Regards,
Thanks.
I up-load it to "THE BIG ORCHESTRAL ACTION MUSIC THREAD! ".
Though I also own a lot of CD of classics…
I think that it is being satisfactory also in a classic fan.
Yes, that’s the thread they meant. If you have some classical favourites, please don’t hesitate to post here ๐
Vivaldi: Concertos for Mandolin with Multiple Instruments (Fabio Biondi ??? Europa Galante)
Can I just say, anyone who doesn’t have this recording already NEEDS to download it right now! ๐
Does anyone have the recent NAXOS release of John Williams’ Horn Concerto? I would really appreciate an upload, if possible.
If you have some classical favourites, please don’t hesitate to post here
Thank you your advice.
Hereafter, I will do so.
see you!
P.S.
about #1163
Download link add.
Amazon.com: Sergey Prokofiev: Piano Concertos: Prokofiev, Berman, Gutierrez, Cgb, Jarvi: Music (http://www.amazon.com/Sergey-Prokofiev-Piano-Concertos/dp/B0024JQNF6/ref=tmm_other_title_0?ie=UTF8&qid=1286207001&sr=8-1-fkmr1)
Would greatly appreciate it!
Amazon.com: Brahms: Piano Concerto No. 1: Leonard Bernstein, Johannes Brahms, Glenn Gould, Leonard Bernstein, New York Philharmonic, Glenn Gould: Music (http://www.amazon.com/Brahms-Piano-Concerto-No-1/dp/B00000C28M/ref=sr_1_1?ie=UTF8&s=music&qid=1286495320&sr=1-1)
Classical Banjo- John Bullard (http://www.amazon.com/Classical-Banjo-John-Bullard/dp/B000001HBD/ref=wl_it_dp_o?ie=UTF8&coliid=I3MBFH8HU3U91&colid=1PJ3P9KPUERY8)?
Sounds interesting.
Many thanks in advance!

Tracklist:
01. Libro quatro d’intavolatura di chitarrone: Toccata Prima (05:54)
02. Libro quatro d’intavolatura di chitarrone: Capona-Sferraina (03:20)
03. Libro quatro d’intavolatura di chitarrone: Toccata 9na (01:20)
04. Libro quatro d’intavolatura di chitarrone: Toccata Xma (01:26)
05. Libro quatro d’intavolatura di chitarrone: Passacaglia in la (03:25)
06. Libro quatro d’intavolatura di chitarrone: Canario (02:05)
07. Libro quatro d’intavolatura di chitarrone: Ballo Primo (Uscita-Ballo-Gagliarda-Corrente) (04:18)
08. Libro quatro d’intavolatura di chitarrone: Toccata 7ma (03:20)
09. Libro quatro d’intavolatura di chitarrone: Ciaccona (05:20)
10. Libro quatro d’intavolatura di chitarrone: Passacaglia in re (03:32)
11. Libro quatro d’intavolatura di chitarrone: Passacaglia in sol (02:17)
12. Libro quatro d’intavolatura di chitarrone: Bergamasca (03:14)
13. Libro quatro d’intavolatura di chitarrone: Canzone Prima (03:46)
14. Libro quatro d’intavolatura di chitarrone: Toccata 2da (02:34)
15. Libro quatro d’intavolatura di chitarrone: Kapsberger (02:12)
16. Libro quatro d’intavolatura di chitarrone: Battaglia (07:27)
17. Libro quatro d’intavolatura di chitarrone: Colascione (02:25)
18. Libro quatro d’intavolatura di chitarrone: Seconda Arpeggiata (01:45)
Chitarrone/Theorbo/Tiorba: Rolf Lislevand
http://en.wikipedia.org/wiki/Theorbo
LAME 3.97 V0
For fans of lute-like works
Out of print! Sellers are selling it at $99 and $139 on amazon.com!
KILLED (but probably dead)
Track 9: Ciaccona
YouTube – Kapsberger(1580-1651): Ciaccona (http://www.youtube.com/watch?v=IDHEr-Kau18)
http://www.youtube.com/watch?v=GFJnJsPgss8
(same track, but an interpretation without the other instrumental and percussive arrangements found on this album)
The Romantic Piano
The Story of the Bells
Song and Dance
All were published in 1993.
Thanks!
Rob
To that end, here’s something rare and wonderful. Fans of British music, brass bands, and the Euphonium should pay specific attention…
Philip Wilby (b. 1949, British)
Concerto for Euphonium and Orchestra
performed by the BBC Philharmonic
Ivor Bolton, conductor
David Childs, Euphonium soloist (BBC Young Musician 2000 Finalist – aged 19 in this recording)
(Live recording. My transfer and remaster from VHS. LAME 3.98.4)
This is one of my all time favourites in the classical repertoire. Originally written for brass band, Wilby arranged his piece for full symphony orchestra exclusively for soloist David Childs, who performed it live at the BBC Young Musicians competition in 2000. The concerto is available on Naxos in its original arrangement (a glittering but somewhat sterile performance by the Black Dyke band) and there is another (awful) recording by the Williams Fairey band floating around too, but to my knowledge, the orchestral version has never been heard since. I find the orchestral version superior; both are beautiful, but the presence of a full orchestra is felt – especially in the slow movement which achieves such a feeling of peace and stillness.
"But," I hear you cry. "You said the orchestral version was never recorded!"
Well, actually, it was… by me! The concert at which it was performed received a live television broadcast in the UK. Fortunately, somebody (me) made a recording of that concert (broadcast in Stereo) on Hi-Fi VHS – and it sounds absolutely magnificent. (The irony is that I recorded the concert for another piece and had absolutely no idea that this concerto even existed. Of course, it had me captivated from the very first note, and the piece I was originally interested in – a middling performance of Rachmaninov’s Variations on a Theme of Paganini, is long forgotten.)
VHS, as anybody who has had the pleasure of using it will know, deteriorates – and when it does, the first thing to go is usually the audio track. Fortuitously, this recording survived completely intact – albeit with a handful of problems with that telltale VHS crackle. After my initial transfer to the digital domain, I painstakingly removed these (each and every crackle, by hand, over a period of three days) and that is absolutely all that needed doing. If you’re thinking of passing this up because it’s an amateur recording, don’t! The sound quality on the broadcast was phenomenal and the recording is spotless.
In fact, it sounds ravishing – and it certainly captures the powerful performance (both Childs and the BBC Philharmonic are on top form) and the absolutely electric atmosphere of the concert, not to mention the wonderful acoustics of Manchester’s Bridgewater Hall, where the competition was held. You’d never believe that the source was an ten year old consumer video tape.
As far as the concerto is concerned, it’s absolutely sublime – if you ever thought the Euphonium (basically a big Tuba) was just for oompah-oompah, give this a try – you’ll be surprised. It’s a powerful showpiece, but it’s also tenderly romantic – the slow movement is just beautiful. A fine piece that embraces all the finest traditions of the British brass band, and a once-in-a-lifetime performance – preserved for you and in the name of great art, by your friend Tangotreats.
Download PW-EC.rar from Mirrorcreator – Upload files to multiple file sharing sites (http://www.mirrorcreator.com/files/X1THPEWG/PW-EC.rar_links)
大栗裕 – (HIROSHI OHGURI)
Violin Concerto
Fantasy on Osaka Folk Tunes
Legend for Orchestra
Rhapsody on Osaka Nursery Rhymes
Kazuhiro Takagi, violin
Osaka Philharmonic Orchestra
Tatsuya Shimono, conductor
http://uploadmirrors.com/download/1UPKLK83/HO-VC.part1.rar
http://uploadmirrors.com/download/0QEG1NLN/HO-VC.part2.rar
My Rip – LAME 3.98.4 V0 – Scans included – Sleeve notes in English and German
I don’t make it out record shopping as often as I used to, due to various commitments and lack of time… but I try to do it every now and again. Last Sunday I braved London’s Oxford Street and this was an impulse buy – at Naxos’ prices, it wasn’t hard to justify, and I’m very pleased because I enjoyed this disc immensely. The sleeve notes place the music in its cultural context – Ohguri embued the spirit (and language) of Osaka into these works, which of course are universal. The music is approachable, tuneful, immaculately orchestrated, and percussion is particularly well highlighted. Ohguri wields the traditional Western orchestra (skilfully) with a pure, honest, Eastern sensibility. This is no crossover. This is no western music with superficial Japanese overtones and cliched harmonies. It’s far more subtle than that; it is all at once very alien and very familiar.
I’d describe this better if I weren’t so tired… but in any case, you should listen for yourself and make your own judgement. I find these works very appealing. I hope you will too. ๐
As requested by Jakob in another thread, here’s a bit more Philip Wilby – including the original brass band arrangement of the Euphonium Concerto.
PHILIP WILBY
A Breathless Alleluia, et al
Black Dyke Band
conducted by Nicholas Childs
My Rip – LAME 3.98.4 V0 – Scans as separate archive
ALBUM: Download PW-ABA.rar from Mirrorcreator – Upload files to multiple file sharing sites (http://www.mirrorcreator.com/files/CN9CO0HF/PW-ABA.rar_links)
SCANS: Download PW-ECSCANS.rar from Mirrorcreator – Upload files to multiple file sharing sites (http://www.mirrorcreator.com/files/0VXQ62GW/PW-ECSCANS.rar_links)
SAMUEL BARBER
Cello Concerto, et al.
Wendy Warner, cello
The Royal Scottish National Orchestra, conducted by Marin Alsop
11 Tracks | MP3 VBR -v0 | 105.85 MB
I’m primarily posting this album for the Cello Concerto, as I know the Adagio has been posted numerous times and I’ll admit to being somewhat indifferent to Medea (although it of course has its moments).
The concerto is very introspective and, I think, melancholic in tone (par for the course for Barber). The melodies are very dance-like and reminiscent of ballet, a quality that Barber seems to share with his contemporary, Copland. The first two movements generate a tremendous sense of longing, while the third adds hints of playfulness and fire into the mix, as if some hypothetical protagonist has chosen to take action after two movements of contemplation. Haunting and very beautiful, with a wonderful performance by Chicago cellist Wendy Warner.
Medea, the ballet suite, is a more expansive work; not devoid of Barber’s inward sound, but at the same time spotted with moments of grandeur and horror, as befits the mythological source. A most interesting listen, though it hasn’t captivated me in the same manner as the concerto or the final piece…
The Adagio for Strings. This speaks for itself, but it can’t hurt to have another version for comparison’s sake.
Download it here (http://www.multiupload.com/ZVZTJ8BZX9)
Pass: tazed
Enjoy
YouTube – The Addams Family – S01E20 – Cousin Itt Visits The Addams Family 1-3 (http://www.youtube.com/watch?v=ij4fFus0zso)
MEGAUPLOAD – The leading online storage and file delivery service (http://www.megaupload.com/?d=BSY3M3CS)
I would love Williams’ Horn Concerto if anyone has it,
Thanks,
Strax
Schoenberg – 5 Pieces for Orchestra
Webern – 5 Pieces for Orchestra
Webern – 6 Pieces for Orchestra
Berg – 3 Pieces for Orchestra
Boulez – Notations I – IV Pour Orchestre
Boulez – D???rive I
Boulez – D???rive
Stravinsky – The Flood
Stravinsky – Renard
Stravinsky – Oedipus Rex
Messiaen – Turangalila
Messiaen – Oiseaux Exotiques
Debussy – Nocturnes
Debussy – Jeux
Lutoslawski – Cello Concerto
Dutilleux – Timbres, Espace, Mouvement
Dutilleux – Metaboles
Ligeti – Atmospheres
Ligeti – Requiem
Honegger – Pacific 231
Scriabin – Poem of Ecstasy
Scriabin – Poem of Fire
One version says this work was composed in 1965 shortly after a typhoon struck the Hainan Island south of China. The composer went there to participate in the work of reconstruction and composed the piece of music to describe the fighting spirit of the inhabitants. The beginning describes daily life. Then the typhoon hits the island. The storm calms down and the heavens open up with torrid rain. At last the sun breaks through the clouds and reconstruction starts.
Another version states this is a dramatic depiction of fight of the Shanghai harbour proletariat against the forces of nature, while protecting the property of the people and the Chinese communist government. Wang composed the work in 1965 while living for three months in the dormitories of the Shanghai harbour and sharing her quarters with the workers there.
I do not know which version is true, since Hainan and Shanghai are over 1,000 miles apart.
The music has the wonderful sub-title ???An Exaltation of the Socialist Initiative and the Heroism of the Dockers???!
I used to have it on cassette tape, which I recorded over quarter of a century ago from British radio BBC Radio 3, in turn broadcast live from a classical concert in China. My tape has now expired before I could convert it to disc. I have found Chinese zither and piano versions, but are not quite as spine-tingling and nuanced as for full orchestra.
Any help with finding a CD or MP3-320 version would be much appreciated.
I would really appreciate an upload, if you can. Thanks guys! : )
———- Post added at 03:00 AM ———- Previous post was at 02:59 AM ———-
Does anyone have the full audio performance of Mahler’s 10th Symphony as prepared by Deryck Cooke?
I would really appreciate an upload, if you can. Thanks guys! : )
Have a look on avaxhome :
Mahler Symphony No.10 – Daniel Harding [2008] in AvaxHome (http://avaxhome.ws/music/classical/Mahler_Symphony_No.10_-_Daniel_Harding.html)
I hope it is what you are looking for.
John Travolta & Olivia Newton John
thanks
Here’s (http://forums.ffshrine.org/f92/film-score-hunt-thread-v2-78573/134.html) the one for film scores.
The Gothic symphony has just been performed in Brisbane, Australia. Any chance re-uploading your version as the original link is dead?
Many thanks,
chris
Does this exist on CD?
I finally took the plunge and I started to discover classical music. I’m just starting my ‘Wagner’ discovery and serveral people told me that Twilight of the Gods: The Essential Wagner Collection is the best disk to start with Wagner.
Problem is I can’t find this CD nowhere nor can I buy it from amazon MP3 or iTunes Store being in Europe. If somebody has this CD I would be thrilled if they could upload it for me.
Many thanks!
All the best!
Masquerade, by Aram Khachaturian (Avaxhome) :
Khachaturian – Ballet Suites , Ippolitov-Ivanov – Caucasian Sketches in AvaxHome (http://avaxhome.ws/music/classical/khachaturian_tjeknavorian_suites.html)
or
Khachaturian: Masquerade Suite; Kabalevsky: The Comedians / Kiril Kondrashin (2008) in AvaxHome (http://avaxhome.ws/music/red_seal_95.html)
or
Aram Khachaturian – Spartacus – Gayaneh – Masquerade in AvaxHome (http://avaxhome.ws/music/classical/Aram_Khachaturian_-_Spartacus_-_Gayaneh_-_Masquerade.html)
@ Bnightwing
Sorry, I’m sure such a disc exists, but I don’t have any…
– ‘The Ring Without Words’, performed by the Berlin Philharmonic and conducted by Lorin Maazel (TELARC)
– ‘The Ring, an Orchestral Adventure’, performed by the Royal Scottish National Orchestra, conducted by Neeme Jarvi (CHANDOS)
These are collections of ‘bleeding chunks’, as some english critic nicknamed the performance of the orchestral showpieces, which constitute a small portion of the 15-hour tetralogy.
Another interesting option is the ‘Introduction to the Ring’ by Deryck Cooke (DECCA), issued in two CD and featuring fragments performed by the Vienna Philharmonic, conducted by Solti. A narrator presents all the basic musical themes (the famous leitmotiven) and describes how they are constantly developed and combined to form new ones.
If you ask so, I think I could try to upload the Berlin Philharmonic disc, which I have in lossless. I also have the ‘Introduction’ but with the narration in Spanish.
– ‘The Ring Without Words’, performed by the Berlin Philharmonic and conducted by Lorin Maazel (TELARC)
– ‘The Ring, an Orchestral Adventure’, performed by the Royal Scottish National Orchestra, conducted by Neeme Jarvi (CHANDOS)
I posted "The Ring Without Words" here: http://forums.ffshrine.org/f92/classical-request-58159/17.html#post1256733
Any chance someone here own’s the The Ring, a Symphonic Adventure by the same Jarvi ? I can’t find it anywhere, not even on Amazon.fr… and I’m desperatly craving to listen to it !
Sir Andrew Davis conducting the BBC Symphony Orchestra
MP3-V0
Multiupload.com – upload your files to multiple file hosting sites! (http://www.multiupload.com/RFPKI23VET)
Apologies for the delay ๐
Lens, THANK YOU! I’m very sorry for my delayed appreciation I just haven’t been around the boards in a bit. Can’t believe I almost missed it!
I really appreciate it. ๐
mp3 | 320kbps | 42:44 | 98,4Mb (http://pastebin.com/raw.php?i=inzLdwWy)
01- I: Gandalf (the wizard) (06:31)
02- II: Lothl???rien (the Elvenwood) (07:58)
03- III: Gollum (Sm???agol) (10:06)
04- IV: Journey in the dark: A. The mines of Moria / B. The bridge of Khazad-D???m (08:51)
05- V: Hobbits (09:18)
Now here’s a tough (i.e impossible…) one… I’s called "Discoth???que Id???ale Classique" and has 100 CDs !!! Music label is Erato. It was released in France in 2007 (Amazon link (http://www.amazon.fr/Discoth%C3%A8que-Id%C3%A9ale-Classique-100-CD/dp/B000OPOEKI/ref=sr_1_2?s=music&ie=UTF8&qid=1295878442&sr=1-2)).
It’ s huge compilation that covers a very wide range of classical music. Good for classical music newbies (like me!). I’d love this one…
Thanks
EDIT: I don’t have much to share apart from those pieces conducted and/or composed by John Williams:
1988-Gustav Holst – The Planets (Philips) [320 Kbps].rar (121.68 MB) (http://www.fileserve.com/file/R6VFX4n)
1990-We Wish you a Merry Christmas (1980) (Philips) [320 Kbps].rar (107.01 MB) (http://www.fileserve.com/file/7mwDeK9)
1992-Joy to the World (Sony Classical) [320 Kbps].rar (162.46 MB) (http://www.fileserve.com/file/GFPpuUe)
1992-Violin Concerto – Flute Concerto (Varese Sarabande) [320 Kbps].rar (109.25 MB) (can’t publicly share this, it’s Varese Sarabande)
1996-The Sound of Glory (Sony Classical) [320 Kbps].rar (147.39 MB) (http://www.fileserve.com/file/6gwtGRk)
1997-The Five Sacred Trees (Sony Classical) [320 Kbps].rar (61.24 MB) (http://www.fileserve.com/file/VjA5vgm)
2001-Treesong (Deutsche Grammophon) [320 Kbps].rar (155.90 MB) (http://www.fileserve.com/file/VXtpeRX)
2002-20th Century Concerti (Asv Living Era) [320 Kbps].rar (47.56 MB) (http://www.fileserve.com/file/7ngUHpW)
2002-American Journey – Winter Olympics 2002 (Sony Classical) [320 Kbps].rar (154.57 MB) (http://www.fileserve.com/file/abWxtac)
2002-Essay for Strings – Trumpet Concerto (Denouement Records) [320 Kbps].rar (74.59 MB) (http://www.fileserve.com/file/eZBT8BF)
2002-Yo-Yo Ma Plays the Music of John Williams (Sony) [320 Kbps].rar (157.77 MB) (http://www.fileserve.com/file/8sbySyr)
2006-Vintage Collection No 8 (Tower Records) [320 Kbps].rar (40.45 MB) (http://www.fileserve.com/file/tGgHyWR)
2008-Duo Concertante – Duos for Violin and Viola (Antona) [320 Kbps].rar (34.79 MB) (http://www.fileserve.com/file/49zsN6K)
Still better than nothing !
Enjoy
100 Cd de musique classique. 1 lien par compositeur. | T???l???charger films, s???ries, logiciels, musiques, jeux, ebooks sur megaupload rapidshare et free (http://www.filesdrop.com/megaupload-100-cd-de-musique-classique-1-lien-par-compositeur/t104700/)
PW : lanceval
It is not in disc order but by composer : I guess that, taking a little time to put it in order, you could have the original track order back. It’s better if you don’t know which period the composer is related to.
As an advice… the first in alphabetical order is Tommaso Albinoni : have a listen to his Oboe concertos if some are on the set, they are lovely and easy-listening baroque pieces.
Enjoy ! ; )
– quality is rather poor: If I remember well, it’s 128k
– after I reordered every single track back to the original CD order, it turned out that there are several extra tracks and some genuine tracks are missing…
That’s why I am looking for a better release…
Thanks anyway Dj???houty !
_Leonard Bernstein-Brahms’s Symphonies,Overtures.Haydn Variations,Violin Concerto,Double Concerto
Vienna Philharmonic Orchestra,Gidon Kremer(violin),Mischa Maisky(cello)
wma 192
+ Symphony no 1 in C minor,Op 68
Bernstein-Brahms symphony no 1.rar (http://www.mediafire.com/download.php?g5nkz3ltqm0)
+Symphony no 2 in D major,Op 73;Academic Festival Overture,Op 80
Brahms- Symphonie No 2 Academic Festival Overture Bernstein.rar (http://www.mediafire.com/download.php?tzjogwmmxom)
+Symphony no 3 in F major,Op 90;Variations on a theme by Haydn,Op 56a
Brahms- Symphony No. 3; Haydn- Variationen Bernstein.rar (http://www.mediafire.com/download.php?4wlyy1mwmmj)
+Symphony no 4 in D major,Op 98;Tragic Overture,Op 81
Brahms- Symphony No 4 Tragic overture Bernstein.rar (http://www.mediafire.com/download.php?4z5tmczmrte)
+Violin Concerto in D major,Op 77;Double Concerto in A minor,Op 102
Brahms- Violin Concerto; Double Concerto Bernstein.part1.rar (http://www.mediafire.com/download.php?2jt0noomkvy)
Free File Hosting Made Simple – MediaFire (http://www.mediafire.com/download.php?1w0inu4hgmj)
Arnold Schoenberg
VERKL???RTE NACHT, PELLEAS UND MELISANDE
The Berlin Philharmonic
Conducted by Herbert von Karajan
My rip — MP3 -v0 | 16 Tracks | 120 MB
Link here (Thread 85448)
Here’s a piece you’ve probably heard before, but a performance you almost certainly haven’t. It’s from a 1998 concert given by the BBC Philharmonic Orchestra, conducted by Adrian Leaper, with Imogen Cooper as the soloist.
Back in ’98 I was too poor to buy CDs or anything for that matter, so my love of classical music was satisfied by BBC Radio 3. Every few months I spent my meagre pocket money on a big box of blank cassettes and recorded everything I could get my hands on. Some recordings were better than others – and some of the performances I captured were less than stellar… but some of them were something quite special. This is one of those golden performances that was never meant to be captured or recorded or remembered – it was done on the day for the audience at BBC Manchester and that was that… but a little boy of thirteen sat listening, utterly transfixed. I remember the day; it was a summer afternoon and the second movement played just as the evening moved into that wonderful transition period… where it’s still bright and warm out, but somehow quieter and a little dreamy.
This performance helped me fall in love with Ravel’s Piano Concerto, and over the years I have heard various other recordings of it – but I have always found myself drawn back to this one, and I don’t really know why. Perhaps it’s nostalgia, or perhaps it does have something special about it… regardless, I am delighted to be able to share with you this little piece of my musical awakening.
My cassette deck today is considerably better quality than the old, broken hand-me-down I used for the recording – with some judicious adjustments here and there, I found myself completely astounded by the sound quality – and it is excellent; hiss is low (and has been digitally reduced, to a sensible extent and with utmost respect to the music).
MAURICE RAVEL
Piano Concerto in G Major
Imogen Cooper (soloist)
BBC Philharmonic
conducted by
Adrian Leaper
From a live BBC Broadcast given in the summer of 1998.
LAME 3.98.4 -V0 – Transfer from cassette using Sony TC-KB902S Quality Series deck.
Download – MR-PCIGM.rar – Sharebee.com, the one and only online file hosting distribution service. (http://sharebee.com/478ea79e)
Edit: I’m listening to this now and this is a terrific performance by both soloist and ensemble! Just terrific!
Personally my favourite has always been Arturo Michelangeli’s performance conducted by Gracis….for shear poetry I don’t think it has been bettered……so many performers put too much false emotion into it……the notes are emotive enough.
This is my first ever exposure to Shostakovich; I can tell you that it took me a great many years to finally make up my mind whether I loved him or hated him (my decision was the former) and at the time of this concert, this music made me very uneasy indeed. The year was 1996, and I was 12 – so hopefully you’ll be able to forgive me for not entirely understanding ole’ Shosty! To my credit, though, I listened and relistened to this concert thinking that there was something very special there and hoping that it would gradually worm its way into my consciousness. I found the whole thing so turgid and tasteless. Thankfully, tastes change.
So, we have a recording made from TV in 1996; this was still a good couple of years before I was able to get my hands on a Stereo video recorder. Sadly, I was also forced to improvise a blank tape at the last minute – all I could find was a very used tape from the early 80s.
The picture, whilst marred with occasional dropout, has survived the years rather well. (Well, at any rate, it has brushed up quite well following an extensive restoration.) The sound, on the other hand, suffered quite badly – but no worse than you’d expect from the mono soundtrack of a thirty year old VHS tape! I have had my transfer VCR to pieces over the last few days, cleaning heads, greasing mechanisms, fine-tuning azimuth screws, and looking at spectrograph scans in order to squeeze every last drop out of this tape as physically possible. Having finished restoring the audio (transfer, noise reduction, re-equalisation, and the addition of light acoustically-extracted ambience) I can say it’s a wonderfully electric performance with excellent soloists (Joanna MacGregor is SEXXXY) and the strings of the BBC Symphony Orchestra play superbly. Very much worth having. I haven’t had nearly as much fun with other performances of this concerto than I have with this one.
BBC PROMS 1996
DMITRY SHOSTAKOVICH
Concerto in C Minor for Piano, Trumpet, and Strngs (Op. 35)
Joanna MacGregor (piano)
John Wallace (trumpet)
The BBC Symphony Orchestra
conducted by
Sir Andrew Davis
Download BBC_Proms_1996_-_Dmitry_Shostakovich_-_Concerto_in_C_Minor_for_Piano__Trumpet__and_Strin gs__Op._35_.mkv from Mirrorcreator – Upload files to multiple file sharing sites (http://www.mirrorcreator.com/files/PD44WXSX/BBC_Proms_1996_-_Dmitry_Shostakovich_-_Concerto_in_C_Minor_for_Piano__Trumpet__and_Strin gs__Op._35_.mkv_links)
Full restoration from VHS cassette, recorded from live BBC Broadcast in London, England. Total size 150mb. Total Time 21:39:00. Video (MKV Container) – H264 at Q.20. Audio – LAME 3.98.4 at -V0.
can anybody help me to recognize this two music:
Unknown 1.mp3 (http://www.mediafire.com/?adt14wa375w8dzd)
Unknown 2.mp3 (http://www.mediafire.com/?i93pei4bx2reb1x)
merci
I know you’re not a Bach fan, but did you catch any of her Well-Tempered Clavier on BBC2 back in the day (when was it now? Early noughties?)? Her performance of the GREAT B minor fugue, the culmination and disintegration of Book 1, is essential. Thankfully some kind soul has youtubed it for posterity:
Prelude – YouTube – Bach – WTC I (Joanna MacGregor) – Prelude & Fugue No. 24 in B Minor BWV 869 – 1. Prelude (http://www.youtube.com/watch?v=MmxXVlXZUr8)
Fugue – YouTube – Bach – WTC I (Joanna MacGregor) – Prelude & Fugue No. 24 in B Minor BWV 869 – 2. Fugue (http://www.youtube.com/watch?v=uv7gjiMSypU)
She also describes the music far more incisively than I could.
Hi,
can anybody help me to recognize this two music
I’m afraid these aren’t classical pieces by any stretch of the imagination.
Anyway, I’ll be grateful for your Help ..
Please …!
Melody (http://www.megaupload.com/?d=0GAGRJN0)
Thank you
Blogger Musical (Beautiful Classical Music): Tchaikovsky · Piano Concerto No. 1 | Rachmaninoff · Piano Concerto No. 3 (http://i-bloggermusic.blogspot.com/2011/02/tchaikovsky-piano-concerto-no-1.html)
Only Classical: Stokowski: Transcriptions – Sawallisch – EMI (http://classical-free.blogspot.com/2011/02/stokowski-transcriptions-sawallisch-emi.html)
Classic Collection: Grieg: Peer Gynt – Incidental music (http://classicalcollections.blogspot.com/2011/02/grieg-peer-gynt-incidental-music.html)
Le moment musical: Busoni • Transcriptions For Piano After J.S.Bach, Fantasia contrappuntistica (http://ilfarevorto.blogspot.com/2011/02/busoni-transcriptions-for-piano-after.html)
Le moment musical: Liszt • 6 Hungarian Rapsodies (http://ilfarevorto.blogspot.com/2010/09/liszt-6-hungarian-rapsodies.html)
http://3.bp.blogspot.com/_GnaCPW_PMK0/TUJ3PmNdnGI/AAAAAAAAAMk/PczksDzv_V0/s320/folder.JPG
Favorite classics: Brahms – Hungarian Dances (http://jfclassics.blogspot.com/2011/01/brahms-hungarian-dances.html)
Favorite classics: Stravinsky – The Firebird-Suite, Petrushka (http://jfclassics.blogspot.com/2011/02/stravinsky-firebird-suite-petrushka.html)
Cyprien Katsaris – Piano Rarities – Vol. 1: Transcriptions – 2008. | Classics (http://classicallibrary.blogspot.com/2011/02/cyprien-katsaris-piano-rarities-vol-1.html)
PLAN B: Wagneriana: Piano Transcriptions – Cyprien Katsaris – 1994. (http://robsplanb.blogspot.com/2011/02/wagneriana-piano-transcriptions-cyprien.html)
Does anybody have these?
AN EVENING WITH LEOPOLD STOKOWSKI*Bach, Haendel, Purcell et al.. Brussels Philharmonic,*Richard Egarr (http://www.glossamusic.com/glossa/reference.aspx?id=217)
TCHAIKOVSKY: Piano Music, Vol. 2 (http://www.theclassicalshop.net/Details.aspx?CatalogueNumber=NA%203330)
Thanks a lot in advance!
Some "Pictures at an Exhibition" frenzy!!!!
Pianist Joanna MacGregor interviewing several people, including Leonard Slatkin, Vladimir Ashkenazy, Edward Johnson (doyen of Leopold Stokowski Society) and Lawrence Leonard about the several orchestrations for "Pictures at an Exhibition".
Part1
YouTube – Mussorgsky: Pictures at an Exhibition. An introduction to various orchestration part 1/2 (http://www.youtube.com/watch?v=4cUg5DiGOd4)
Part2
YouTube – Mussorgsky: Pictures at an Exhibition. An introduction to various orchestration part 2/2 (http://www.youtube.com/watch?v=x-qNwq7gKvg)
At a Promenade Concert on Monday, August 19th 1991 we heard Leonard Slatkin’s brilliant first compilation from nine different orchestrations of Mussorgsky’s Pictures at an Exhibition, a remarkably successful initiative, reminding us, as it did, of how many arrangements there have been of this evocative score. Then he went for extracts from Lawrence Leonard’s version for piano and orchestra, from Vladimir Ashkenazy, Lucien Cailliet, Sergey Gorchakov, Leonidas Leonardi, Sir Henry Wood, Mikhail Tushmalov, Leopold Stokowski and Maurice Ravel.
It was the indefatigable Edward Johnson, champion of Leopold Stokowski, we had to thank for getting Slatkin interested and finding some of the scores. Now Slatkin has done it again with a new – in many ways more way-out – compilation including versions by Ellison, Gorchakov, Walter Goehr, Naoumoff, Geert van Keulen, Ashkenazy, Simpson, Cailliet, Wood, Lawrence Leonard, Leo Funtek, Boyd, Ravel and the Australian composer/arranger Douglas Gamley.
Slatkin’s first compilation, although he played it round the world, has never been commercially released, which makes it all the more pleasing to welcome his second version on this CD from the 2004 Proms at the Royal Albert Hall.
…………………..
MUSSORGSKY Pictures RESPIGHI Pines WARNER 2564 61954-2 [LF]: Classical CD Reviews- August 2005 MusicWeb-International (http://www.musicweb-international.com/classrev/2005/Aug05/Pictures_pines_2564619542.htm)
Leonard Slatkin’s 1st composite suite was :
1. Promenade (Lawrence Leonard)
2. Gnomus (Vladimir Ashkenazy)
3. Promenade II(Lucien Cailliet)
4. The Old Castle (Sergei Gorchakov)
5. Promenade III (Leonidas Leonardi)
6. Tuileries (Leonidas Leonardi)
7. Bydlo (Sir Henry Wood)
8. Promenade IV (Lucien Cailliet)
9. Ballet of the unhatched chicks (Lucien Cailliet)
10. 2 Polish-Jews, One Rich, the other Poor (Sergei Gorchakov)
11.Promenade V (Lucien Cailliet)
12.Limoges ; the Market (Mikhail Tushmalov)
13.Catacombs (Leopold Stokowski)
14.Cum Mortuis in Lingua Mortua (Sir Henry Wood)
15.Baba Yaga (Maurice Ravel)
16.Great Gate of Kiev (Maurice Ravel)
*encore* –> Great Gate of Kiev (Sir Henry Wood)
Introductory speech by Leonard Slatkin
YouTube – Mussorgsky: Pictures at an Exhibition. Various orchestrations. Leonard Slatkin conducting. (6/6) (http://www.youtube.com/watch?v=cqFSIlI-PGs)
Part1 ( Promenade I, Gnomus, Promenade II, Old Castle)
YouTube – Mussorgsky: Pictures at an Exhibition. Various orchestrations. Leonard Slatkin Conducting. (1/6) (http://www.youtube.com/watch?v=bRydpS69d0A)
Part 2 (Promenade III, Tuileries, Bydlo, Promenade IV, Polish Jews ) <– Leonidas Leonardi in here!!!! Yay!!!!!
YouTube – Mussorgsky: Pictures at an Exhibition. Various orchestrations. Leonard Slatkin Conducting. (2/6) (http://www.youtube.com/watch?v=LNxSnyDMKuI)
Part 3 ( Promenade V, Limoges, Catacombs, Cum Mortuis )
YouTube – Mussorgsky: Pictures at an Exhibition. Various orchestrations. Leonard Slatkin Conducting. (3/6) (http://www.youtube.com/watch?v=0P1teqjBdeY)
Part 4 (Baba-Yaga, The Grate Gate of Kiev )
YouTube – Mussorgsky: Pictures at an Exhibition. Various orchestrations. Leonard Slatkin Conducting. (4/6) (http://www.youtube.com/watch?v=Bx7tImOXHf8)
Great Gate of Kiev (Sir Henry Wood)
YouTube – Mussorgsky: Pictures at an Exhibition. Various orchestrations. Leonard Slatkin Conducting. (5/6) (http://www.youtube.com/watch?v=k38QV4ZTwN8)
Mikhail Tushmalov version with conductor Marc Andrae!
YouTube – Mussorgskij – Pictures at an Exhibition (http://www.youtube.com/watch?v=7f0H3J_CSL0)
Marc Andreae – Conductor (http://www.marcandreae.ch/lp09.html)
http://imslp.org/wiki/Pictures_at_an_Exhibition_%28Mussorgsky,_Modest_Pe trovich%29
http://www.lucksmusic.com/cat-symph/showdetailMain.asp?CatalogNo=08431
Now come some awkward requests :
Does anyone have a TV broadcast capture for this (BBC Proms 2010)?
YouTube – BBC Proms 2010: Mussorgsky – Pictures at an Exhibition (http://www.youtube.com/watch?v=Y0aCvdH8Rjs&nofeather=True)
YouTube – Mussorgsky (arr. Sir Henry Wood, 1915) – The Heroes' Gate at Kiev from Pictures at an Exhibition (http://www.youtube.com/watch?v=8XHHdPE1QG4&nofeather=True)
Does anyone have a TV broadcast capture for Slatkin’s 2nd composite suite (BBC Proms 1 Sep 2004)? I have it on disc, but it would be really nice if we could have on video….
MUSSORGSKY Pictures RESPIGHI Pines WARNER 2564 61954-2 [LF]: Classical CD Reviews- August 2005 MusicWeb-International (http://www.musicweb-international.com/classrev/2005/Aug05/Pictures_pines_2564619542.htm)
City of Birmingham Symphony Orchestra with Simon Rattle Conducting
Mediafire (http://www.mediafire.com/?4lshggbeboba145)
I was introducing Lens to Grainger, and he looked around to find this which has become one of my absolute favorite listening experiences of the last five years at least! I kept waiting for him to post this, but I am just bursting at the seams with the urge to share PERCY GRAINGER!
I was lucky enough to have an Australian band teacher in middle school that introduced me to Percy Grainger, and I have loved his music since. He takes the simplest pastoral melodies and with a genius that is just so tasty, picks them apart and expands them in a way that never ceases to entertain. If you’ve never heard Grainger before, you’re in for a real treat!!
This set contains the "In a Nutshell" suite, an arrangement of a Ravel and a Debussy piece, Lincolnshire Posy, and "The Warriors – Music for an Imaginary Ballet". Lincolnshire Posy, which is what led Lens to this album, is very traditional wind band repertoire but receives a somewhat lackluster performance here. My favorites of the album are The Warriors –which seems to be a sublime mix of Stravinsky and Ives that leaves me gasping for air– , The Nutshell Suite, and La Vallee Des Cloches.
Forgive my barren, lackluster review, but please listen to this gem!!
(cross-post from Big Orchestral Thread)
Having opened with the pure, pared-down period-performance approach stemming from the research of recent decades, Bach Day lets its hair down in a glorious, if slightly unfashionable, celebration.
• J. S. Bach, orch. Leopold Stokowski Toccata and Fugue in D minor, BWV 565 (10 mins)
• J. S. Bach, orch. Sir Henry Wood ‘Suite No. 6’ – Prelude; Finale (6 mins)
• Tarik O’Regan Latent Manifest (c5 mins)
(BBC commission: world premiere)
• William Walton The Wise Virgins — suite (21 mins)
interval
• Grainger Blithe Bells (4 mins)
• J. S. Bach, arr. Sargent Orchestral Suite No. 3 in D major, BWV 1068 – Air (6 mins)
• Alissa Firsova Bach Allegro (c5 mins)
(BBC commission: world premiere)
• J. S. Bach, arr. Bantock Chorale Prelude ‘Wachet auf, ruft uns due Stimme’, BWV 645 (5 mins)
• J. S. Bach, arr. Ottorino Respighi Passacaglia and Fugue in C minor, BWV 582 (13 mins)
• Royal Philharmonic Orchestra, Andrew Litton conductor
Part 1
YouTube – Bach J.S. (1685-1750) — BBC Proms 2010 – Bach Day – Part 1 – Andrew Litton (http://www.youtube.com/watch?v=j3MB6q9jxws&nofeather=True)
Part 2
YouTube – Bach J.S. (1685-1750) — BBC Proms 2010 – Bach Day – Part 2 – Andrew Litton (http://www.youtube.com/watch?v=Gj0FUX4oiBs&nofeather=True)
Part 3
YouTube – Bach J.S. (1685-1750) — BBC Proms 2010 – Bach Day – Part 3 – Andrew Litton (http://www.youtube.com/watch?v=xpdAr8hAwNU&nofeather=True)
Part 4
YouTube – Bach J.S. (1685-1750) — BBC Proms 2010 – Bach Day – Part 4 – Andrew Litton (http://www.youtube.com/watch?v=sq4_1CCcXXw&nofeather=True)
Part 5
YouTube – Bach J.S. (1685-1750) — BBC Proms 2010 – Bach Day – Part 5 – Andrew Litton (http://www.youtube.com/watch?v=ZAmIgeAR9sk&nofeather=True)
Part 6
YouTube – Bach J.S. (1685-1750) — BBC Proms 2010 – Bach Day – Part 6 – Andrew Litton (http://www.youtube.com/watch?v=kvFZUm5YxJc&nofeather=True)
Part 7
YouTube – Bach J.S. (1685-1750) — BBC Proms 2010 – Bach Day – Part 7 – Andrew Litton (http://www.youtube.com/watch?v=w7Tea1zwT3U&nofeather=True)
Part 8
YouTube – Bach J.S. (1685-1750) — BBC Proms 2010 – Bach Day – Part 8 – Andrew Litton (http://www.youtube.com/watch?v=SFZk4Xfafhg&nofeather=True)
Dvorak, orch. Sir Henry Wood : Humoresque in G flat
YouTube – BBC Proms 2010: Dvorak – Humoresque in G flat (orchestrated by Henry Wood) (http://www.youtube.com/watch?v=WSmQ5jkCT7w&nofeather=True)
Henry Purcell, orch. Sir Henry Wood : New Suite
YouTube – Henry Purcell: New Suite, arr Henry Wood (http://www.youtube.com/watch?v=g-fl5Hzdjp0&nofeather=True)
Mussorgsky / Sir Henry Wood : Pictures at an Exhibition
http://www.youtube.com/watch?v=Y0aCvdH8Rjs&nofeather=True
Great Gate of Kiev (Sir Henry Wood)
YouTube – Mussorgsky (arr. Sir Henry Wood, 1915) – The Heroes' Gate at Kiev from Pictures at an Exhibition (http://www.youtube.com/watch?v=8XHHdPE1QG4&nofeather=True)
Anybody got Mahler’s 4th conducted by Benjamin Britten – I only know of this performance by its reputation. I am very keen to listen to Britten conducting another composrer’s music – particularly one who was as much in love with song and voice as himself.
Thanks.
I’ve been looking for a long time for Haydn’s Creation conducted by Solti with the Chicago Symphony Orchestra and Burrowes, Greenberg, Wohlers, Morris and Nimsgern as soloists. There is no way to find it. The only one I find is the later recording in a live concert with the same orchestra and director and other soloists: Ziesak, Lippert, Pape and Scharinger.
Thanks.
Anybody got Mahler’s 4th conducted by Benjamin Britten – I only know of this performance by its reputation. I am very keen to listen to Britten conducting another composrer’s music – particularly one who was as much in love with song and voice as himself.
Thanks.
Brethren, search the blogs
Todo Mahler: Mahler, Sinfon???a no.4 / Lieder, Direcci???n de Benjamin Britten (http://todomahler.blogspot.com/2008/11/mahler-sinfona-no4-lieder-direccin-de.html)
There are so many blogs…. Once you browse the blogs, you will see links to others blogs with stuff and downloads.
BOXSET.RU (http://boxset.ru/)
Archivos Cl???sicos (http://archivosclasicos.blogspot.com/)
The Concert Hall (http://theconcerthall.blogspot.com/)
La Clasica… (http://ladiscotecaclasica.blogspot.com/)
Only Classical (http://classical-free.blogspot.com/)
Meeting in Music (http://meetinginmusic.blogspot.com/)
Classical And Organ Music For All (http://organ-music-for-all.blogspot.com/)
CLASSICS (http://classicallibrary.blogspot.com/)
Blogger Musical (Beautiful Classical Music) (http://i-bloggermusic.blogspot.com/)
Otto’s Classical Musick (http://bachradio.blogspot.com/)
The Phase 4 Stereo Blog (http://thephase4stereo.blogspot.com/)
Musica Clasica en DVD (http://clasicaendvd.blogspot.com/)
THE WORLD of CLASSICAL (http://sharedclassics2010.blogspot.com/)
Classic music and Discography (http://www.clasicsound.com/)
Allegro ordinario (http://domibus-eternis.blogspot.com/)
Classic Collection (http://classicalcollections.blogspot.com/)
Le moment musical (http://ilfarevorto.blogspot.com/)
Laureate Conductor(s) (http://laureateconductor.blogspot.com/)
ahhfwww Classical (http://ahhfwmy.blogspot.com/)
Classical WAYLTL (http://classicalwayltl.blogspot.com/)
Great Pianists (http://richtergilels.blogspot.com/)
A 20th Century Opera Collection (http://operadelsigloxx.blogspot.com/)
Ah Meng’s Blog (http://ahmeng1688.blogspot.com/)
Maestro (http://maestroclassico.blogspot.com/)
http://randomclassics.blogspot.com/
The Concert Hall: Claude Debussy: Engulfed Cathedral (http://theconcerthall.blogspot.com/2009/03/claude-debussy-engulfed-cathedral.html)
Debussy The engulfed Cathedral: Classical CD Reviews- October 2000 Music on the Web(UK) (http://www.musicweb-international.com/classrev/2000/oct00/debussyengulfed.htm)
http://rapidshare.com/files/212374112/dbssec.part1.rar
http://rapidshare.com/files/212390546/dbssec.part2.rar
Contents :
The Engulfed Cathedral (arr. Leopold Stokowski)
L’Isle Joyeuse (arr. Bernardino Molinari)
Deux Arabesques (arr. Henri Mouton)
La Mer
Bruy???res (arr. Percy Grainger)
Danse-Tarantelle Styrienne (arr. Maurice Ravel)
Children’s Corner (arr. Andre Caplet)
Geoffrey Simon conducts The Philharmonia Orchestra
The Concert Hall: Claude Debussy: Night In Granada (http://theconcerthall.blogspot.com/2009/03/claude-debussy-night-in-granada.html)
Debussy Night in Granada: Classical CD Reviews- October 2000 Music on the Web(UK) (http://www.musicweb-international.com/classrev/2000/oct00/Debussynight.htm)
http://rapidshare.com/files/210570325/dbssnig.part1.rar
http://rapidshare.com/files/210582471/dbssnig.part2.rar
Contents:
Night in Granada (arr. Leopold Stokowski)
Clair de Lune (arr. Andre Caplet)
Pagodes (arr. Percy Grainger)
The Girl With the Flaxen Hair (arr. William Gleichmann)
Nocturnes
Premi???re Rhapsodie
Petite Suite (arr. Henri B???sser)
Geoffrey Simon conducts The Philharmonia Orchestra
Geoffrey Simon series (http://anonym.to/?http://www.calarecords.com/acatalog/Geoffrey_Simon.html)
Do anybody know original name of this classical Remix?!
http://uploadmirrors.com/download/VJFAAI3Z/Remix.mp3
I don’t know the work yet. I found a lossless link with "google image" :
Fauteuil d’Oreille: Ravel, Debussy, Faur??? – String Quartets – Quatuor Eb???ne (http://fauteuildoreille.blogspot.com/2009/11/ravel-debussy-faure-string-quartets.html)
Hope that’s what you are looking for. ; )
Fauteuil d’Oreille: Ravel, Debussy, Faur??? – String Quartets – Quatuor Eb???ne (http://fauteuildoreille.blogspot.com/2009/11/ravel-debussy-faure-string-quartets.html)
Hope that’s what you are looking for. ; )
Thanks Djehouty!
That’ll do fine! ๐
Also, while I’m here, does anyone have American River by Jonathan Elias?
Title:American River
Artists:Jonathan Elias & Various Artists
Year:2004
Format:MP3
Bit Rate:256Kbps
Size:96MB
Tracks:14
Track Listing:
01. At The Edge –
02. The Continuance – Johnny Cash, Rosanne Cash –
03. Wild Colorado –
04. Waiting In The Forest –
05. Crossing Rivers –
06. Southern Delta –
07. The Source – Kris Kristofferson –
08. American River –
09. Ice On The St. Laurence –
10. Towards Home –
11. The Great Divide –
12. Move –
13. Mother Of Exile – Emmylou Harris –
14. I Can’t Stop Love (Wake Up America) – Marty Stuart
Czech Philharmonic Orchestra Vaclav Neumann
MP3 VBR v-0 – 150MB

Some might think that posting late Dvorak symphonies is silly because they are so well-known. While this may be true, on the off chance that some here have not heard this marvelous version of the 7th and 8th (and to a lesser extent a still-solid version of the 9th) it must be posted to share such beauty! As one can tell from the cover above, this is from a set that includes all the symphonies–but of course, like any composer, as Dvorak matured, the music got more lush and beautiful. Dvorak’s 8th is simply a stunning piece of relaxing classical bursting with emotion and color. Of course I’m sure we’ve all heard bits and pieces from the 9th whether or not we are conscious of it.
Download ( http://www.multiupload.com/XFNTR5FSEL)
PSW: smile
Enjoy.
They???re great ๐
———- Post added at 09:11 PM ———- Previous post was at 09:01 PM ———-
And also Harvegal Brian’s Gothic symphony reupload. I have the last part missing, but fearing the rest of it might also be missing along with it too. Anyone? I hope you guys don’t mind. ^_^
It’s all part of understanding a composition as part of being a student composer’s duty in order to become a successful composer.
REQUEST
can anybody help with one of these by
Paolo Vivaldi*
(1996) Testimoni
(2006) Salvatore – Questa ??? La Vita
(2007) Sweet Sweet Marja
(2008) Don Zeno
(2008) Ultimi Della Classe
(2009) Mal’aria
you could make my mailbox very happy ๐
(even myself )
*Paolo Vivaldi is an italian Classic New Age and Soundtrack composer.
———- Post added at 09:11 PM ———- Previous post was at 09:01 PM ———-
And also Harvegal Brian’s Gothic symphony reupload. I have the last part missing, but fearing the rest of it might also be missing along with it too. Anyone? I hope you guys don’t mind. ^_^
It’s all part of understanding a composition as part of being a student composer’s duty in order to become a successful composer.
Das Rheingold.. I posted earlier this morning.
Enjoy!
does anybody have
7.saltarello
thanks
What about the Oscar Fried/Berlin Phil from 1928 or the Eugene Goossens/Royal Opera House Orchestra from 1925?
As a starter here are 2 fabulous early documents of the piece:
Stokowski in Philadelphia from 1934
MEGAUPLOAD – The leading online storage and file delivery service (http://www.megaupload.com/?d=B0VDPPPA)
Ansermet conducting the Orchestre des Ballets Russes in 2 excerpts
http://rapidshare.com/files/257503568/Rimsky_Korsakow_ExtraitsSheherazade_Ansermet_1916. zip
(these 2 Ansermet excerpts are the first known recording of the work and were put down in New York in 1916 during the Ballets Russes American Tour – originally as two 78rpm sides)
Not my rips – thanks to the original posters. Both are excellent transfers (FLAC) considering the dates!
Any takers ……. ?
Enjoy!
Thank you! Thanks a lot. Just a little problem though……is it possible to post it up on an alternative site? I can’t seem to access megaupload. I think my country just recently banned the site. All thanks to the some country politics, I need to find an alternative site instead. Sorry for any inconveniences.
Rapidshare link:
Das Rheingold(Richard Wagner)(Herbert Von Karajan)(1967)(2008)(DG)(MP3~320Kbps)
ALEXANDER SCRIABIN – PROMETHEUS: THE POEM OF FIRE (1910)
(Valery Gergiev, Kirov Opera Orchestra)
Lens of Fire, can you re-up that?
The complete symphonies of Ralph Vaughn Williams? And the Tuba Concerto by the same composer?
And the complete piano concertos of Kabalevsky as well.
A lot of the links have long since died, and those above have caught my interest the most. If anyone feels free to re-up any others, that would be nice:)
Thank you, Gis revido, I love this thread.
Thank you
I’m new around here so I’m sorry to begin with a request but I crave for the album below and I couldn’t find it anywhere else on the web.
So if anyone has it (I prefer my albums lossless but I’ll take any quality now ^^ ), I would be eternally grateful ๐
Alkan: Les quatre ages (Hamelin):
http://rapidshare.com/files/408385772/alkan_quatre.rar.html
Better as an Alkan introduction, if only it had the Symphony. The Grande Sonate Les quatre ages displays the lifetimes of a man in his 20s, 30s, 40s and 50s, from virtuuos joy to lethargic moan. The Barcarolle shows Alkan is not limited to virtuosity but can also produce simple beauty and The Festin, a usually Alkan-like dark theme with variations proves his diversity.
Mussorgsky "Pictures at an Exhibition" – ‘The Old Castle’ (orch. Lawrence Leonard)
‪Mussorgsky "Pictures at an Exhibition" – 'The Old Castle' (orch. Lawrence Leonard)‬‏ – YouTube (http://www.youtube.com/watch?v=UKnJdAz0mzw)
Brahms-Sargent "Academic Festival Overture" – Andrew Davis conducts
‪Brahms-Sargent "Academic Festival Overture" – Andrew Davis conducts‬‏ – YouTube (http://www.youtube.com/watch?v=YjIGaL9HsDI)
Tchaikovsky "Barcarolle" – Morton Gould conducts
‪Tchaikovsky "Barcarolle" – Morton Gould conducts‬‏ – YouTube (http://www.youtube.com/watch?v=zRLbGtWZrjM)
Tchaikovsky’s "Barcarolle" from ‘The Seasons’ (also known as "June" from ‘The Months’) originally for piano solo, is here arranged and conducted by Morton Gould on an old RCA Camden stereo LP.
Corelli "Adagio" for Strings – Golschmann conducts
‪Corelli "Adagio" for Strings – Golschmann conducts‬‏ – YouTube (http://www.youtube.com/watch?v=nI-CayZ97hg)
The "Adagio" from Corelli’s Violin Sonata, Op.5 No. 5, is here given a sumptuous full string orchestra treatment by Amadeo de Filippi. It comes from a 1945 78rpm recording made by Vladimir Golschmann and the St. Louis Symphony.
‪SPO: "Finlandia" -Sibelius‬‏ – YouTube (http://www.youtube.com/watch?v=M1cu6vGAG4I)
Finlandia, op. 26, No. 7, Composed by Jean Sibelius
Arranged by Henry Sopkin
Saratoga Philharmonic Orchestra
Conducted by Mr. Scott Krijnen
‪SPO: "Toccata" -Frescobaldi‬‏ – YouTube (http://www.youtube.com/watch?v=HlHtm59tYx4)
Toccata, Composed by Girolamo Frescobaldi
Transcribed for orchestra by Hans Kindler
Saratoga Philharmonic Orchestra
Conducted by Mr. Scott Krijnen
Smetana: "From My Life" (Polka) – George Szell’s orchestration
‪Smetana: "From My Life" (Polka) – George Szell's orchestration‬‏ – YouTube (http://www.youtube.com/watch?v=tKwY6LnNpc8)
"From My Life" (Smetana’s String Quartet in E minor) was orchestrated by George Szell in the 1940s. The 2nd movement heard here depicts Smetana’s "merriment of youth and love of dance music." Geoffrey Simon and the London Symphony on Chandos.
"The Stars and Stripes" Ballet Suite, the music of John Philip Sousa arranged by Hershy Kay. The National Philharmonic Orchestra is conducted by Henry Lewis. Decca Phase Four LP from 1976.
‪Sousa Stars and Stripes ballet part 1 of 2‬‏ – YouTube (http://www.youtube.com/watch?v=os43vnU3xjM)
‪Sousa Stars and Stripes ballet part 2 of 2‬‏ – YouTube (http://www.youtube.com/watch?v=_VopxBrPC8g)
Ouvert???re "1812", op. 49 (Finale)
Cathedral Choir and Children’s Choir of St. Ambrose
Central Band of the Royal Air Force
Guns of the King’s Troop, Royal Horse Artillery
Russian Church Bells
New Philharmonia Orchestra
Igor Buketoff
‪Tschaikowsky: Ouvert???re "1812" (Finale)‬‏ – YouTube (http://www.youtube.com/watch?v=04NARn1G74A)
Igor Buketoff (1915-2001) created an arrangement of 1812 Overture sometime around 1960, in which he incorporated choral forces to sing the words to these tunes. So, we hear the opening sung a cappella (instead of being played by the strings, per Tchaikovsky’s score), and the addition of the choir in the finale.
Bach-Stokowski : "Wir glauben all’ an einen Gott"
‪Bach "Wir glauben all' an einen Gott" – Stokowski conducts‬‏ – YouTube (http://www.youtube.com/watch?v=NDBeI48uFd4)
In September 1972, Leopold Stokowski, then 90 years old, journeyed to Prague where he conducted the Czech Philharmonic in two concerts that featured several of his own Bach transcriptions. From these we hear his version of "We all believe in one God," originally a Chorale Prelude for organ that is also known as the ‘Giant Fugue’. Stokowski continued conducting and making records for a further five years and died at the age of 95.
Handel "Water Music" – Leopold Stokowski’s orchestration
‪Handel "Water Music" – Leopold Stokowski's orchestration‬‏ – YouTube (http://www.youtube.com/watch?v=Wl1Ek-0t0gA)
Stokowski’s colourful edition of 8 movements from Handel’s "Water Music" was recorded by the BBC Philharmonic under Matthias Bamert. We hear 5 numbers (Allegro; Bourree; Hornpipe; Andante; and a final Allegro). The superb oboe solo in the ‘Andante’ is played by Christopher Blake. (From a ‘Chandos’ CD.)
Stokowski’s own Purcell "Suite" – Stokowski conducts
‪Purcell "Suite" – Stokowski conducts‬‏ – YouTube (http://www.youtube.com/watch?v=X4ZBkykU2zs)
For a 1954 TV programme, Stokowski conducted the BBC Symphony Orchestra in his own "Suite" of music by Purcell:
(a) Trumpet Tune ‘The Cebell’
(b) Echo Pastorale ‘The Fairy Queen’
(c) Hornpipe ‘The Fairy Queen’
(d) When I am Laid in Earth ‘Dido and Aeneas’
(e) Largo and Allegro ‘The Fairy Queen’.
Bach / Lucien Cailliet : Little Fugue in G Minor, BWV 578
‪Bach (Arr. Cailliet) Kleine Fuge BWV 578 Little Fugue for Orchestra *‬‏ – YouTube (http://www.youtube.com/watch?v=OoKii5ZKglk)
Arthur Fiedler conducts the Boston Pops Orchestra.
Bach / Rene Leibowitz : Passacaglia anf Fugue BWV 582
‪Bach / Ren??? Leibowitz, 1960: Passacaglia and Fugue, BWV 582 – Arranged for Two Orchestras‬‏ – YouTube (http://www.youtube.com/watch?v=uv6sSFGJmbM)
Ren??? Leibowitz (1913-1972) leads the Royal Philharmonic Orchestra in a performance (dating to 1960 I believe) of JS Bach’s Passacaglia and Fugue in C minor, BWV 582, as arranged for two orchestras by Leibowitz.
Debussy "Night in Granada" (orch. Stokowski) – Geoffrey Simon conducts
‪Debussy "Night in Granada" (orch. Stokowski) – Geoffrey Simon conducts‬‏ – YouTube (http://www.youtube.com/watch?v=xuwhaOWRZQQ)
Tchaikovsky "At the Ball" (orch. Stokowski) – Marjana Lipovsek, mezzo-soprano
‪Tchaikovsky "At the Ball" (orch. Stokowski) – Marjana Lipovsek, mezzo-soprano‬‏ – YouTube (http://www.youtube.com/watch?v=LL3UQFnikcE)
Rachmaninoff / Leonidas Leonardi : Chanson Georgienne Op. 4 No 4
‪Rachmaninov "Chanson Georgienne" – Netania Davrath, soprano‬‏ – YouTube (http://www.youtube.com/watch?v=Z0FQYf78NcY)
Leonidas Leonardi FTW!
Brahms: Piano Quartet in G minor (orch. Schoenberg) – Finale – Robert Craft conducts
‪Brahms: Piano Quartet in G minor (orch. Schoenberg) – Finale – Robert Craft conducts‬‏ – YouTube (http://www.youtube.com/watch?v=S2ul4KxNSVE)
Borodin "Nocturne" (arr. Sargent) – Stokowski conducts
‪Borodin "Nocturne" (arr. Sargent) – Stokowski conducts‬‏ – YouTube (http://www.youtube.com/watch?v=QAU1kpme6rQ)
Bach-Stokowski: Passacaglia and Fugue in C minor
‪Bach-Stokowski: Passacaglia and Fugue in C minor‬‏ – YouTube (http://www.youtube.com/watch?v=4YjoECZ8tVE)
Marc Antonio Cesti / Leopold Stokowski : Tu Mancavi a Torentarmi
‪Tu Mancavi a Tormentarmi – Cesti arr. Stokowski – Richard Egarr conducts‬‏ – YouTube (http://www.youtube.com/watch?v=VxlTJGyKS0k)
Borodin / Leopold Stokowski : Requiem
‪Borodin "Requiem" – Stokowski's orchestration‬‏ – YouTube (http://www.youtube.com/watch?v=OUPgjAxvPkY)
‪Alexander Borodin – Requiem‬‏ – YouTube (http://www.youtube.com/watch?v=JvKNf-0lLS4)
-Debussy/Stokowski : Engulfed Cathedral
‪Debussy: "The Engulfed Cathedral" – Stokowski orchestration‬‏ – YouTube (http://www.youtube.com/watch?v=mEFuhWLenTA)
-Buxtehude/Stokowski : Sarabande and Courante
‪Buxtehude: Sarabande and Courante (arr. Stokowski)‬‏ – YouTube (http://www.youtube.com/watch?v=wfhQa5wM688)
-Handel/Stokowski : Dead March from Saul
‪Handel: Dead March from 'Saul' – Stokowski orchestration‬‏ – YouTube (http://www.youtube.com/watch?v=iOHrOegiF10)
-Mozart/Stokowski : Turkish March
‪Mozart "Turkish March" (orch. Stokowski)‬‏ – YouTube (http://www.youtube.com/watch?v=gGIvd6pjdd0)
-Stostakovich/Stokowski : United Nations March
‪Shostakovich: United Nations March (orch. Stokowski)‬‏ – YouTube (http://www.youtube.com/watch?v=8928BaDCb24)
-Rachmaninoff/ Edmund Rubbra : Prelude In G Minor Op. 23 No 5
‪Rachmaninoff: Prelude in G minor (arr. Rubbra) – Fennell conducts‬‏ – YouTube (http://www.youtube.com/watch?v=E-ee4dJjijc)
-J.S. Bach / William R. Smith : Fantasia & Fugue in G Minor BWV 542
‪Bach: Fantasia & Fugue in G minor – Ormandy conducting‬‏ – YouTube (http://www.youtube.com/watch?v=lJugAH0aZIY)
Bach-W.R. Smith: Arrangements/Transcriptions of Bach’s Works: Works (http://www.bach-cantatas.com/Arran/OT-Smith-WR.htm)
-J.S. Bach / Sir Edward Elgar : Fantasia & Fugue BWV 537
‪Bach-Elgar: Fantasia and Fugue in C minor – Ormandy conducting‬‏ – YouTube (http://www.youtube.com/watch?v=1EhDNpfSLVA)
Rachmaninoff / Lucien Cailliet : 3 Preludes
‪Rachmaninoff: 3 Preludes (orch. Cailliet) – Ormandy conducts‬‏ – YouTube (http://www.youtube.com/watch?v=vTIaDXIqY3E)
Instrumentation : 3,3,4,3 – 4,3,3,1 – timp, perc, – hp – str.
Clarke / Sir Henry Wood : Trumpet Voluntary
‪Jeremiah Clarke's "Trumpet Voluntary" – Sir Henry Wood's orchestration‬‏ – YouTube (http://www.youtube.com/watch?v=vTY9kmzr4Lc)
Chopin / Leopold Stokowski : Funeral March
‪Chopin "Marche Funebre" – Stokowski orchestration‬‏ – YouTube (http://www.youtube.com/watch?v=8XKGF7hr3-o)
Bach-Stokowski : Andante Sostenuto
‪Bach-Stokowski "Andante Sostenuto" – Bamert conducts‬‏ – YouTube (http://www.youtube.com/watch?v=UllWUHxuFtg)
Handel-Stokowski
‪Handel-Stokowski: Overture in D minor – Bamert conducts‬‏ – YouTube (http://www.youtube.com/watch?v=PFCF8mCkmOo)
Mussorgsky "The Great Gate of Kiev" – Douglas Gamley’s orchestration
‪Mussorgsky "The Great Gate of Kiev" – Douglas Gamley's orchestration‬‏ – YouTube (http://www.youtube.com/watch?v=vw7OM_Q810k&nofeather=True)
Douglas Gamley conducts his own orchestration of the finale from "Pictures at an Exhibition," with the New Symphony Orchestra, the Men’s Chorus of the Ambrosian Singers, and the organ of Kingsway Hall, London.
J.S. Bach / Lucien Cailliet : Toccata and Fugue in D Minor BWV 565
http://www.youtube.com/watch?v=mTicNmL8Lbw
2011 New World Youth Symphony Orchestra end of the year concert at the Hilbert Circle Theatre in Indianapolis, Indiana. Sorry, the recording started a few seconds in. Composed by Johann Sebastian Bach, Arranged by Lucien Cailliet. Conductor: Mrs. Susan Kitterman
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As far as I am concerned, [B]Leonidas Leonardi has the following Orchestral Transcriptions :
-J.S. Bach / Leonidas Leonardi: Overture from Cantata XXVI, Ach wie fluchtig, ach wie nichtig BWV 26 [Elkan-Vogel Inc. ]
-J.S. Bach / Leonidas Leonardi: Prelude and Fugue In E Minor "Cathedral", BWV 533 [Elkan-Vogel Inc. ]
-J.S. Bach / Leonidas Leonardi: Toccata & Fugue In D Minor, BWV 565 [Elkan-Vogel Inc. , c1936]
-J.S. Bach / Leonidas Leonardi : Chaconne for 9 solo instruments and orchestra [Elkan-Vogel Inc.]
-Dietrich Buxtehude / Leonidas Leonardi : Prelude BuxWV 142 In E minor [Fleisher Collection, 1935]
-Scheidt Samuel / Leonidas Leonardi : Cantiones sacrae, Vater unser im Himmelreich [Fleisher Collection]
-Rachmaninoff / Leonidas Leonardi : "Do Not Sing, My Beauty" in A Minor, Op.4 No4
-Rachmaninoff / Leonidas Leonardi : "Christ is Risen" in F Minor, Op. 26 No6 [Breitkopf & Haertel, c1923]
-Rachmaninoff / Leonidas Leonardi : "I Have Grown Fond of Sorrow" in G Minor, Op.8 No4 [Breitkopf & Haertel, c1923]
-Rachmaninoff / Leonidas Leonardi : "The Island" in G Major, Op. 14, No2 [Breitkopf & Haertel, c1923]
-Rachmaninoff / Leonidas Leonardi : "How Painful for Me" in G Minor, Op.21 No12 [Breitkopf & Haertel, c1923]
-Johann Nicholas Hanff / Leonidas Leonardi : Two chorale-preludes, for strings (Auf meinen liben Gott — Ein’ feste Burg) [Fleisher Collection, 1935]
-J.K. Vogler / Leonidas Leonardi : Jesu Leiden, Pein und Tod [Fleisher Collection]
-Johann Gottfried Walther / Leonidas Leonardi : Lobe den Herren, den machtigen Konig der Ehren [Fleisher Collection]
-Frescobaldi Girolamo / Leonidas Leonardi : Concerto in G Minor for Orchestra [Elkan-Vogel Inc.]
As far as I am concerned, [B]Fabien Sevitzky has the following Orchestral Transcriptions :
Bach-Sevitzky – Orchestral Arrangements/Transcriptions of Bach’s Works – Works (http://www.bach-cantatas.com/Arran/OT-Sevitzky.htm)
-J.S. Bach / Fabien Sevitzky : Aria (for string orchestra)
Instrumentation : str.
-J.S. Bach / Fabien Sevitzky : Chorale Prelude, "Herzlich Tut Mich Verlangen" [Carl Fischer Inc.]
Instrumentation : str.
-J.S. Bach / Fabien Sevitzky : Chorale Prelude, "Sleepers Awake"
Instrumentation : 2, 2+1, 2+1, 2+1 – 4,3,3,1 – timp,perc, – hp -str.
-J.S. Bach / Fabien Sevitzky : The Giant Fugue (Chorale Prelude : Wir All Glauben An Einen Gott)
Instrumentation : 2, 2+1, 2+1,2 – 4,3,3,1 – timp – str.
-J.S. Bach / Fabien Sevitzky : Jesu Joy of Man’s Desiring (for string orchestra)
Instrumentation : str.
-J.S. Bach / Fabien Sevitzky : A Mighty Fortress is Our God
Instrumentation : 2, 2+1[Eb cl], 1, 1 – 0, 0, 0, 0 – hp – str.
-J.S. Bach / Fabien Sevitzky : Passacaglia and Fugue in C Minor
Instrumentation : 2+1, 2+1, 2+1, 2+1 – 4, 3, 3, 2 -timp, perc -hp – str.
-J.S. Bach / Fabien Sevitzky : Prelude (from the Well-Tempered Clavichord) [Franco Colombo Publications]
Instrumentation : 2,3,3,2 – 4,3,3,1 -perc – str.
-J.S. Bach / Fabien Sevitzky : Toccata and Fugue in D minor, BWV 565
Instrumentation : 3[1.2.pic], 3[1.2.Eh], 3[1.2.bcl], 3[1.2.cbn], – 4,3,3,1 – tmp, perc, cel – hp – str.
-J.S. Bach / Fabien Sevitzky : Ye Are Not the Flesh (for chamber orchestra)
Instrumentation : str.
-W. Pogojeff / Fabien Sevitzky: Prelude [Fleisher Collection, 1929]
-Kreisler Fritz / Fabien Sevitzky: Prelude & Allegro in E Minor (In the style of Pugnani) [Fleisher Collection]
-Sgambati Giovanni / Fabien Sevitzky : Vecchio Minuetto
-Handel / Fabien Sevitzky : Allegro, Sarabande & Gigue [ G. Ricordi, c1941]
-Handel / Fabien Sevitzky : Concerto for strings
-McCollin Frances / Fabien Sevitzky : All glory, laud and honor [Fleisher Collection]
-Fabien Sevitzky : Russian folk song for string orchestra [Fleisher Collection]
-Rimsky-Korsakov / Fabien Sevitzky : Flight of the Bumble-Bee (for string orchestra) [Carl Fischer, c1932]
-Glinka Mikhail / Favien Sevitzky : Kamarinskaja, fantasia on two Russian folk-songs [Carl Fischer, c1935]
-Galliard Johann Ernst / Fabien Sevitzky : Sonata for chamber orchestra [G. Ricordi, ???1941]
-Haydn Joseph / Fabien Sevitzky : Largo from Quartet Op. 76, No 5
-Wagner Richard / Fabien Sevitzky : The Ring of Nibelungen (Symphonic Suite) [Franco Colombo Publications]
-Borodin / Fabien Sevitzky : Chorus from "Prince Igor" (for string orchestra) [Carl Fischer Inc.]
-Brahms / Fabien Sevitzky : An eine Aeolsharfe, Op. 19 No 5 (for voice and strings)
-Brahms / Fabien Sevitzky : Sapphische Ode, Op. 94 No 4 (for voice and strings)
-Brahms / Fabien Sevitzky : Vergebliches Standchen Op. 84 No 4
-Brahms / Fabien Sevitzky : Von Ewiger Liebe Op. 43 No 1 (for voice and full orchestra)
I have found that [B]Rene Leibowitz has the following transcriptions hitherto.
-J.S. Bach / Rene Leibowitz : Toccata and Fugue In D Minor BWV 565 (for double orchestra) [Boelke – Bomart / Mobart Music Publishers]
Orchestra I: 2,1,2,2 – 2,2,1,1 – str.
Orchestra II: 2,2,2,2 – 2,2,1,1 – str.
-J.S. Bach / Rene Leibowitz : Passacaglia and Fugue BWV 582 (for double orchestra)
-Franck / Rene Leibowitz : Panis Angelicus
-Mussorgsky / Rene Leibowitz : Night on Bald Mountain
-Mozart / Rene Leibowitz : Fantasia for double string orchestra (originally for mechanical organ) [Boelke-Bomart Inc. ]
-Schoenberg / Rene Leibowitz : Three Songs Op. 48 (for low voice and orchestra) [Boelke-Bomart Inc. ]
Instrumentation : 1,1, 2+1, 1, – 1,1,1,0 – hp – pf.
-Schubert / Rene Leibowitz : Fantasia in C Major (originally for violin and piano) [Boelke-Bomart Inc.]
Instrumentation : 2,2,2,2 – 2,2,3,1 – pf – str
-Schubert / Rene Leibowitz : Fantasia in F Minor (originally for piano 4-hands) [Boelke-Bomart Inc.]
Instrumentation : 2,2,2,2 – 2,2,3,1 – timp – str
Yes indeed, mate. We love orchestral transcriptions, don’t we?
A couple more
"The Volga Boat Song" – Sir Henry Wood conducts (orch. Henry Wood)
"The Volga Boat Song" – Sir Henry Wood conducts – YouTube (http://www.youtube.com/watch?v=pofeVt2ontM)
Sir Henry Wood, founder of the Proms in London, conducts his Symphony Orchestra in his own arrangement of this traditional Russian folksong. From a 78rpm disc made in 1930.
"Right Away!" Polka – Sargent conducts (orch. Walter Goehr)
"Right Away!" Polka – Sargent conducts – YouTube (http://www.youtube.com/watch?v=uN8hfdLhjLo)
Eduard Strauss’s "Right Away!" Polka, in an orchestration by Walter Goehr, is heard here in a 78rpm recording made in 1944 by Dr. (later Sir) Malcolm Sargent and the Liverpool Philharmonic.
Mussorgsky "A Tear-Drop" (orch. Kindler) – Geoffrey Simon conducts
http://www.youtube.com/watch?v=plut-2ummto
This charming piano piece, entitled "Une Larme" ("A Tear-Drop") was orchestrated by the Dutch-born cellist-turned-conductor Hans Kindler and is played here by the Philharmonia Orchestra under Geoffrey Simon on a Cala CD.
Lucien Cailliet
Luck’s Music Library – Symphonic Orchestra Music (http://www.lucksmusic.com/catdetailview_symph.asp?CatalogNo=08536)
Luck’s Music Library – Symphonic Orchestra Music (http://www.lucksmusic.com/catdetailview_symph.asp?CatalogNo=12141)
Leonidas Leonardi
Luck’s Music Library – Symphonic Orchestra Music (http://www.lucksmusic.com/catdetailview_symph.asp?CatalogNo=08431)
Hans Kindler
Luck’s Music Library – Symphonic Orchestra Music (http://www.lucksmusic.com/catdetailview_symph.asp?CatalogNo=09208)
Luck’s Music Library – Symphonic Orchestra Music (http://www.lucksmusic.com/catdetailview_symph.asp?CatalogNo=08594)
Luck’s Music Library – Symphonic Orchestra Music (http://www.lucksmusic.com/catdetailview_symph.asp?CatalogNo=09767)
Clifford Demarest
Luck’s Music Library – Symphonic Orchestra Music (http://www.lucksmusic.com/catdetailview_symph.asp?CatalogNo=08930)
Thanks in advance !
upload please. Please, not the RCA Red Label of the Stokowski performance, but something recorded morerecently.
Apologies for being so long about it! Updated Scriabin link:
http://forums.ffshrine.org/f92/classical-request-58159/33.html#post1348754
Toccata "In the Style of Frescobaldi" – Orchestral Version – YouTube (http://www.youtube.com/watch?v=2-GTOB5I_FM)
In 1925, the cellist Gaspar Cassado published what purported to be a cello-and-piano arrangement of a ‘Toccata’ by Frescobaldi. However, as Cassado’s Wikipedia biography points out, he was the author of "several musical hoaxes" and this was one of them. It was in fact his own composition. He had simply taken his cue from Fritz Kreisler, who had played works supposedly by Vivaldi, Tartini and others that he himself had written in their style. Another famous cellist, Hans Kindler, took up conducting and made an orchestral version of this piece. He was unaware that it was by Cassado, who never owned up to his hoaxes (unlike Kreisler) so Frescobaldi’s name appeared on his score. The splendid recording Kindler made of this music dates from 1940 and is heard here on a Biddulph CD (WHL 063)
Mussorgsky "Night on Bald Mountain" – Sir Adrian Boult conducts
Mussorgsky "Night on Bald Mountain" – Sir Adrian Boult conducts – YouTube (http://www.youtube.com/watch?v=PhXiPdJ6Z-8)
Sir Adrian Boult made only one recording of any of Mussorgsky’s music: this 1960 performance of "Night on Bald Mountain" for Reader’s Digest. Its producer, Charles Gerhardt, ‘tarted up’ the Rimsky-Korsakov score with a few ideas of his own, notably in the percussion (added side-drums, cymbal crashes and gong strokes) as well as deleting the recurring brass ‘fanfare’ motifs familiar in the Rimsky edition. Sir Adrian seems to have enjoyed letting his hair down, what little of it there was!. (Chesky CD 53.)
Liszt: Hungarian Rhapsody No. 6 – Hans Kindler conducts
Liszt: Hungarian Rhapsody No. 6 – Hans Kindler conducts – YouTube (http://www.youtube.com/watch?v=Om-PpFsV0Yw)
Hans Kindler conducts his own orchestration of Liszt’s Hungarian Rhapsody No. 6 "Carnival in Pest" in a recording he made with the National Symphony Orchestra in 1945. Dutch-born Kindler had begun his musical career as a cellist but later took up conducting and founded the NSO in 1931. This is the only recording yet made of his own arrangement of the Liszt piano piece. (From Biddulph CD WHL 063)
BBC Philharmonic Orchestra|Conducted by Gianandrea Noseda|Released by Chandos Records
MP3 VBR V-0|123MB|Released in 2011

Download (http://www.multiupload.com/HVW05S9UXJ)
PSW: smile
I picked up this lovely release this year when I saw a review online and the samples intrigued me. I wanted to share the love of this release without taking away potential sales from Chandos too much so this is only being posted in MP3 VBR V-0. Keep in mind that you can purchase a CD or digital download (in lossless or 24 bit) of this release direct from chandos or through their American distribution sites if you enjoy this. The recording here is superb and the music gives me new treasures every time I listen.
This is the clip. Be Forever Yamato (9/14) – YouTube (http://www.youtube.com/watch?v=CIiXnKOXCIU)
Benjamin Britten spent the early years of World War II in America and to make ends meet accepted a number of commissions. One of these was a new version of "Les Sylphides" for the Ballet Theatre in New York. Benjamin Britten’s sequence of orchestrated Chopin piano pieces (Preludes, Nocturnes, Mazurkas, etc.) concludes with the "Grande Valse Brillante" heard here. It comes from an early 1950s LP by the Ballet Theatre Orchestra under Joseph Levine in what seems to be the only recording yet made of Britten’s scoring.
Bach: Toccata and Fugue in D minor – Stokowski conducts – YouTube (http://www.youtube.com/watch?v=ax9C29_Gcms)
The most famous Bach Transcription of all is Leopold Stokowski’s version of the Toccata and Fugue in D minor. He featured it in Walt Disney’s "Fantasia" and recorded it several times over the years. It is played here in a 1954 television programme in which Stokowski conducted the BBC Symphony Orchestra.
For 2 Pianos – 4 hands arrangements
P.Tchaikovsky Slavonic march – YouTube (http://www.youtube.com/watch?v=MGcpaDqeEdA)
P.Dukas L’Apprenti Sorcier – YouTube (http://www.youtube.com/watch?v=6CXBh2Lr0Uk)
the hard to find Symphony 3.
Leopold Stokowski’s version of "A Night on Bare Mountain" was featured in Walt Disney’s ‘Fantasia.’ It is played here by the National Youth Orchestra of Spain under Jose Serebrier, former Associate Conductor to Stokowski. It comes from a concert that was filmed in Chester Cathedral in 2007 and released on Naxos DVD 2.110230.
Bach: Toccata in F major (orch. Esser) – Albert Coates conducts – YouTube (http://www.youtube.com/watch?v=FJ1xfWmbQMs)
Bach’s Toccata in F major for organ (BWV 540) was orchestrated in 1859 by Heinrich Esser (1818-1872). For a performance at the Three Choirs Festival in 1908, Sir Edward Elgar supplied a new concert ending to the piece. This recording was made in 1932 by the London Symphony Orchestra conducted by Albert Coates. (From ‘Biddulph’ CD BID 83069/70.)
Sibelius "Berceuse" from ‘The Tempest’ – Charles Gerhardt conducts – YouTube (http://www.youtube.com/watch?v=CS1DxhE1XtE)
This miniature masterpiece comes from Sibelius’s Incidental Music to a 1926 production of Shakespeare’s ”The Tempest’ and is played by the National Philharmonic under the direction of the record producer / conductor / arranger Charles Gerhardt (from a ‘Menuet’ CD entitled "Romantic Favorites").
Vivaldi: Concerto Grosso in D minor – Stokowski’s Symphonic Transcription – YouTube (http://www.youtube.com/watch?v=ZZHvOFQHdWw)
Vivaldi’s Concerto Grosso in D minor, originally for strings and harpsichord, was transcribed by Leopold Stokowski for a huge symphony orchestra. The instrumentation required is as follows: 2 flutes; piccolo; 2 oboes; cor anglais; 2 clarinets; bass clarinet; 2 bassoons; contra-bassoon; 5 horns; 4 trumpets; 4 trombones; 2 tubas; tam-tam; harp; timpani; and strings. In this spectacular recording (purists beware!) the BBC Philharmonic is conducted by Matthias Bamert, a one-time assistant conductor to Stokowski. There are three movements: (i) Allegro; (ii) Largo (featuring a superb duet for flute and oboe); and (iii) Allegro. (From a ‘Chandos’ CD
Mussorgsky-Wood "The Great Gate of Kiev" – Leonard Slatkin conducts – YouTube (http://www.youtube.com/watch?v=WYMXDORvqBY)
In the 1991 BBC Proms season at the Royal Albert Hall, Leonard Slatkin devised a version of Mussorgsky’s "Pictures at an Exhibition" in which each ‘picture’ and ‘promenade’ was by arranged by a different orchestrator (Ravel, Stokowski, Ashkenazy, Tushmalov, Leonidas Leonardi, Gortchakov, etc.). The sequence concluded with Ravel’s version of "The Great Gate of Kiev" but as an encore, Slatkin and the Philharmonia Orchestra played it again in the arrangement by Sir Henry Wood, founder of the Proms.
Purcell-Stokowski "Dido’s Lament" – Andrew Davis conducts – YouTube (http://www.youtube.com/watch?v=XotIPxrbEg4)
Leopold Stokowski’s string orchestra version of "Dido’s Lament" ("When I am Laid in Earth" from Henry Purcell’s ‘Dido and Aeneas’) was played at the Last Night of the 1995 Proms by the BBC Symphony Orchestra under Andrew Davis in London’s Royal Albert Hall.
Bach "Little" Fugue in G minor – Stokowski’s orchestration – YouTube (http://www.youtube.com/watch?v=U_OtfBwqzCE)
Bach’s Fugue in G minor (the "Little" or "Shorter" Fugue for organ) was orchestrated by Leopold Stokowski and is here played by the Bournemouth Symphony Orchestra under Jose Serebrier, his one-time Assistant Conductor. (From a ‘Naxos’ CD).
Piazzolla "Libertango" – The London Cello Sound – YouTube (http://www.youtube.com/watch?v=UDgWrxQ6Rf0)
Astor Piazzolla’s "Libertango" is one of his best known numbers. It is played here by the 24 members of The London Cello Sound, plus rhythm section, under the direction of Geoffrey Simon. (Cala CACD0109).
Borodin "Nocturne" – Nikolai Tcherepnin’s orchestration – YouTube (http://www.youtube.com/watch?v=KcesOvZidSA)
The "Nocturne" from Borodin’s String Quartet No. 2 in D is played here in an unfamiliar but evocative orchestration by Nikolai Tcherepnin. The Philharmonia Orchestra is conducted on this 1959 ‘Russian Concert Favourites’ LP by Anatole Fistoulari (SXLP 30119).
Gottschalk "Grande Tarantelle" for Piano and Orchestra – YouTube (http://www.youtube.com/watch?v=SBZhCki-UOg)
This bravura toe-tapping showpiece was discovered after Louis Gottschalk’s death in 1869 in versions for piano solo and for piano duo. It is heard here in Hershy Kay’s exhilarating orchestration in which Reid Nibley is accompanied by the Utah Symphony under Maurice Abravanel. (Vanguard Classics CD 08 4051 71).
Cyril Scott "Lotus Land" – Kostelanetz conducts – YouTube (http://www.youtube.com/watch?v=vHFNTuzni8g)
Cyril Scott’s famous piano piece "Lotus Land" is heard here in an orchestral version played by the New York Philharmonic under Andre Kostelanetz. It comes from a 1950s Columbia LP entitled ‘Grand Tour’ (CL 981).
"Greensleeves" is best-known in Vaughan Williams’s version but here it is beautifully arranged for strings and harp by Rene Leibowitz. He conducts the New Symphony Orchestra of London on a Readers Digest "Concert Favourites" LP.
Bach "Italian Concerto" – Orchestral Version – YouTube (http://www.youtube.com/watch?v=eYxc8u1FQxE)
Bach’s "Italian Concerto" in F major (BWV 971) is usually played on the harpsichord or piano. However, in 1936, Hans Schmidt-Isserstedt recorded a delightful orchestral version with the Berlin Philharmonic. Those old 78s (heard here) seem to be the only recording of the work in full orchestral form, as opposed to a smaller arrangement for chamber group. This particular version was made by the conductor himself. (From Biddulph BID 83069/70)
Sousa "The Stars and Stripes Forever" – Stokowski conducts – YouTube (http://www.youtube.com/watch?v=M2PB5fSzuH4)
John Philip Sousa’s military band march "The Stars and Stripes Forever" is here given the full symphonic treatment by Leopold Stokowski in his own brilliant orchestration. He was already in his 90s when he made this recording with the National Philharmonic, a specially assembled orchestra of top-flight London musicians, and it comes from the ‘EMI Classics’ CD "Stokowski Showcase."
Bach-Elgar: Fantasia and Fugue in C minor – Elgar conducts – YouTube (http://www.youtube.com/watch?v=c9LWe2GS7O8)
The "Fantasia" from this 1926 recording has already been uploaded here on its own. A comment underneath that upload asks "Where is the Fugue?" so the transcription is now presented here in its entirety. Sir Edward Elgar conducts the Royal Albert Hall Orchestra on this historic recording. (From a ‘Biddulph’ CD).
Pierne "March of the Little Fauns" – Ormandy conducts – YouTube (http://www.youtube.com/watch?v=GFfazG_CVLw)
This jaunty little piece comes from Gabriel Pierne’s ballet "Cydalise and the Satyr" (1923) and is played by the Philadelphia Orchestra under Eugene Ormandy.
Examples: ORCHESTRAL TRANSCRIPTIONS BY LEOPOLD STOKOWSKI | ClassicsOnline Classical Music CD mp3 downloads | Free preview streaming | CHAN9349 from Chandos (http://www.classicsonline.com/catalogue/product.aspx?pid=445743)
Here you can grab it in Lame 3.97 V0 quality MP3s (an old rip of mine)
MEGAUPLOAD – The leading online storage and file delivery service (http://www.megaupload.com/?d=H5WO685U)
Stokowski Encores (http://www.theclassicalshop.net/Details.aspx?CatalogueNumber=CHAN%209349)
Check these out, as well!
http://forums.ffshrine.org/f92/big-orchestral-action-music-thread-57893/304.html#post1675274
MEGAUPLOAD – The leading online storage and file delivery service (http://www.megaupload.com/?d=H5WO685U)
Stokowski Encores (http://www.theclassicalshop.net/Details.aspx?CatalogueNumber=CHAN%209349)
Check these out, as well!
http://forums.ffshrine.org/f92/big-orchestral-action-music-thread-57893/304.html#post1675274
THANK YOU !!!
http://24.media.tumblr.com/tumblr_lgb02mCfLm1qe0eclo1_r5_500.gif
SIC TRANSIT OPERA MUNDI: Fritz Wunderlich – Best Recordings (http://sictransitoperamundi.blogspot.com/2009/02/fritz-wunderlich-best-recordings-1.html)
and
SIC TRANSIT OPERA MUNDI: Fritz Wunderlich – The magic of Wunderlich (http://sictransitoperamundi.blogspot.com/2009/11/fritz-wunderlich-magic-of-wunderlich.html)
I’d be eternally grateful!! I’m having a hard time looking for this awesome tenor’s recordings. @_@
Thanks! ๐
Here is a list:
“Funeral Canticle”
Written by John Tavener and Mother Thekla
Performed by George Mosley, Paul Goodwin
and the Academy of Ancient Music
Courtesy of Harmonia Mundi USA
“Cosmic Beam Take 5”
Written and Performed by Francesco Lupica
Courtesy of Twentieth Century Fox Film Corporation
“Symphony No. 1”
Written by Gustav Mahler
Performed by the Polish National Radio Symphony Orchestra conducted by Michael Hal???sz
Courtesy of Naxos
By arrangement with Source/Q
“Morning Prayers”
Written by Giya Kancheli
Courtesy of ECM Records
“Faunophonia Balkanica”
Written, Performed and Produced by Arsenije Jovanovic
Courtesy of Arsenije Jovanovic
“Wind Pipes”
Written and Performed by Michael Baird
Courtesy of Sharp Wood Records
“Approaching”
Written, Performed and Produced by Arsenije Jovanovic
Courtesy of Arsenije Jovanovic
“Ta H??? 1”
Written and Performed by Klaus Wiese
Courtesy of Aquamarin Verlag GmbH, Germany
“Snapshot from the Island”
Written and Performed by Tibor Szemzo
Courtesy of Leo Records
“Lacrimosa 2”
Composed by Zbigniew Preisner
Performed by Elzbieta Towarnicka (soprano) and the Sinfonia Varsovia
and the Varsov Chamber Choir, conducted by Jacek Kaspszyk
Courtesy of New Music B.V.
“Ascending and Descending”
Written by David Hykes
Performed by David Hykes and The Harmonic Choir
Courtesy of Harmonic Presence Foundation
“Resurrection in Hades”
Written by John Tavener and Mother Thekla
Performed by Joseph Jennings and the Chanticleer Choir and Chorus
Courtesy of Warner Classics
By arrangement with Warner Music Group Film & TV Licensing
“Berlioz: 7. Domine Jesu Christe [Requiem Op. 5 (Grande Messe des Morts)]”
Performed by Wandsworth School Boys Choir, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
Courtesy of Decca Music Group Ltd.
Under license from Universal Music Enterprises
“Siciliana Da Antiche Danze Ed Arie Suite III”
Written by Ottorino Respighi
Performed by the National Symphony Orchestra of Ireland Conducted by Rico Saccani
Courtesy of Naxos
By Arrangement with Source/Q
“Hymn to Dionysus”
Composed by Gustav Holst
Performed by The Royal Philharmonic Orchestra and Chorus
Courtesy of Unicorn-Kanchana Records
“My Country –Vltava (The Moldau)”
Composed by Bedrich Smetana
Performed by Vaclav Smetacek and
The Czech Philharmonic Orchestra
Courtesy of SUPRAPHON
“Brahms: 2. Andante moderato [Symphony No. 4 in E minor, Op. 98]”
Performed by Berliner Philharmoniker, Herbert von Karajan
Courtesy of Deutsche Grammophon GmbH, Hamburg
Under license from Universal Music Enterprises
“Symphony No. 3”
Written by Henryk G???recki
Performed by the Polish National Radio Symphony Orchestra conducted by Antoni Wit
Courtesy of Naxos
By Arrangement with Source/Q
“Pi???ces de clavecin, Book II 6e Ordre N5:Les Barricades Mist???rieuses
Written by Francois Couperin (1668-1733)
Performed by Angela Hewitt
Courtesy of Hyperion Records Ltd.
“J.S Bach: Fugue [Toccata and Fugue in D Minor, BWV 565]”
Performed by Helmut Walcha
Courtesy of Deutsche Grammophon, GmbH, Hamburg
Under license from Universal Music Enterprises
“The Well-Tempered Clavier”
Written by Johann Sebastian Bach
Performed by Jenő Jand???
Courtesy of Naxos
By arrangement with Source/Q
“Pi???ces de clavecin, Book II 6e Ordre N5:
Les Barricades Mist???rieuses
Written by Francois Couperin
Performed by Hanan Townshend
Courtesy of Hanan Townshend
“Hymn 87: Welcome Happy Morning”
Performed by Hanan Townshend
Courtesy of Hanan Townshend
"Mussorgsky: Pictures at an Exhibition – Promenade – The Tuileries – Bydio (Piano Version)"
Performed by Vladimir Ashkenazy
Courtesy of Decca Music Group Ltd.
Under license from Universal Music Enterprises
“Schumann: 1. Allegro affettuoso [Piano Concerto in A Minor, Op. 54]”
Performed by Martha Argerich, Gewandhausorchester, Leipzig, Riccardo Chailly
Courtesy of Decca Music Group Ltd.
Under license from Univesral Music Enterprises
“Klangschalen 2”
Written and Performed by Klaus Wiese
Courtesy of Akasha, Germany
“Eternal Pulse”
Written and Performed by Hanan Townshend
Courtesy of Hanan Townshend
“After the Rain: Antiphon”
Written by Barry Guy
Performed by Richard Hickox and the City of London Sinfonia
Courtesy of NMC Recordings
“Harold in Italy”
Written by Hector Berlioz
Performed by the San Diego Symphony Orchestra conducted by Yoav Talmi
Courtesy of Naxos
By Arrangement with Source/Q 42
“Piano Sonata No.16 in C Major K. 545”
Composed by Wolfgang Amadeus Mozart
Performed by Jim Lynch
“Siciliana Da Antiche Danze Ed Arie Suite III”
Written by Ottorino Respighi
Performed by Hanan Townshend
Courtesy of Hanan Towhnshend
“Lacrimosa 2”
Written by Zbigniew Preisner
Performed by Hanan Townshend
Courtesy of Hanan Townshend
“Berlioz: 10. Agnus Dei [Requiem, Op. 5 (Grande Messe des Morts)]”
Performed by Wandsworth School Boys Choir, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
Courtesy of Decca Music Group Ltd.
Under license from Universal Music Enterprises
“Sound Testament of Mount Athos”
Written, Performed and Produced by Arsenije Jovanovic
Courtesy of Arsenije Jovanovic
“Ma Maison”
Written, Performed and Produced by Arsenije Jovanovic
Courtesy of Arsenije Jovanovic
If anyone can help… I would really appreciate it! Also, if you know of a better source or area to seek them… please point me in the right direction! Thanks, people!
(I’m a great fan of this topic, by the way!)
2) ???Cosmic Beam Take 5??? Written and Francesco Lupica 0???38
3) RL’s death/Grieving in the street_???Symphony No. 1???,Written Gustav Mahler, The Polish National Radio Symphony Orchestra conducted Michael Halasz 2???00
4) A mother’s comfort/A father’s guilt_???Morning Prayers??? Giya Kancheli, Lumia/Speeding to the future_Wind Pipes [Baird] 2???01
5) Tree in concrete/Ocean waves_Ta H??? 1 [Wiese] 0???33
6) Walkway/Remembering their grief/Bats/Mother in the woods_???Snapshot from The Island??? Tibor Szemzo, Morning Prayers [Kancheli] 2???26
7) Macroscopic creation_???Lacrimosa 2??? Composed Zbigniew Preisner Elzbieta Towarnicka (soprano) and The Sinfonia Varsovia and The Varsov Chamber Choir, conducted Jacek Kaspszyk 4???02
8) Microscopic creation_???Troops Advance in Grass??? Francesco Lupica and Lee Scott, ???Ascending and Descending??? David Hykes David Hykes and The Harmonic Choir 1???11
9) ???Resurrection in Hades??? Written John Tavener and Mother Thekla Joseph Jennings and The Chanticleer Choir and Chorus 1???38
10) From seas to land/Leviathan/Dino babies_Morning Prayers [Kancheli] 2???40
11) Goodbye dinosaurs_???Berlioz_ 7. Domine Jesu Christe (Requiem Op. 5 (Grande Messe des Morts))??? Wandsworth School Boys Choir, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis 1???34
12) O’Briens in love/A child is born_???Siciliana Da Antiche Danze Ed Arie Suite III??? Written Ottorino Respighi The National Symphony Orchestra of Ireland Conducted Rico Saccani 3???19
13) Baptism_Circles [Desplat] 1???34
14) The magic of childhood_???Hymn to Dionysus??? Composed Gustav Holst The Royal Philharmonic Orchestra and Chorus 2???00
15) Bubbles/Seizure_Circles [Desplat] 0???35
16) "You’ll be old before this tree is tall"_???Hymn to Dionysus??? Composed Gustav Holst The Royal Philharmonic Orchestra and Chorus 1???44
17) The boys grow up_???My Country ???Vltava (The Moldau)??? Composed Bedrich Smetana Vaclav Smetacek and The Czech Philharmonic Orchestra 2???44
18) Dinner table_???Brahms_ 2. Andante moderato (Symphony No. 4 Part 4 in E minor, Op. 98)??? Berliner Philharmoniker, Herbert von Karajan 4. Allegro energico e passionato* 1???36
19) Soaring in a biplane_Symphony No.3 (Sorrowful Songs): II. Lento e largo Henryk Gorecki The Polish National Radio Symphony Orchestra conducted Antoni Wit 1???01
20) Trip into town_Morning Prayers [Kancheli] 1???10
21) Jack’s prayer/Playground_???Pieces de clavecin, Book II 6e Ordre Nr.5_Les Barricades Misterieuses Written Francois Couperin (1668-1733) Angela Hewitt 2???28
22) Sunday morning_???J.S Bach_ Fugue (Toccata and Fugue in D Minor, BWV 565)??? Helmut Walcha 5???30
23) Father lights a candle_The Well-Tempered Clavier, Book 1: No. 8 in E flat minor/D sharp minor, BWV 853 [Bach] Jeno Jand??? 1???52
24) Father and Son (played by Brad Pitt) 1???31
25) School/Following her home_???Hymn 87_ Welcome Happy Morning??? Hanan Townshend (excerpt) 0???48
26) Death in the river_???Symphony No. 1???,Written Gustav Mahler, The Polish National Radio Symphony Orchestra conducted Michael Halasz 1???25
27) Mother in glass coffin_Childhood [Desplat] (heavily remixed, but basically the first 60 seconds) 3???41
28) Father in court_Emergence of Life [Desplat] 1???46
29) Playing with records_???Mussorgsky_ Pictures at an Exhibition The Tuileries (Piano Version)??? Vladimir Ashkenazy 0???28
30) Dinner table fight_???Schumann_ 1. Allegro affettuoso (Piano Concerto in A Minor, Op. 54)??? Martha Argerich, Gewandhausorchester, Leipzig, Riccardo Chailly 1. Allegro affettuoso 1???56
31) Mother cries/Reading by flashlight/Clown of Creation_???Funeral Canticle??? Written John Tavener and Mother Thekla, George Mosley, Paul Goodwin, and The Academy of Ancient Music,Klangschalen 2 [Weise] 1???36
32) When the cat’s away…_ ???Pieces de clavecin, Book II 6e Ordre Nr.5_Les Barricades Misterieuses Written Francois Couperin Hanan Townshend 2???33
33) Cap gun_???After The Rain_ Antiphon??? Written Barry Guy Richard Hickox and The City of London Sinfonia,Good & Evil [Desplat] 4???27
34) Running with the nightgown_???After The Rain_ Antiphon??? Written Barry Guy Richard Hickox and The City of London Sinfonia [Guy] 3???16
35) "Don’t look at me"_Morning Prayers [Kancheli] 2???50
36) Ruined painting/Father returns_???Harold in Italy??? Written Hector Berlioz The San Diego Symphony Orchestra conducted Yoav Talmi 2???43
37) "Father… why was he born?"_ ???Piano Sonata No.16 in C Major K. 545??? Wolfgang Amadeus Mozart ,Jim Lynch II. Andante** 2???24
38) In the ruined house_Lacrimosa 2 [Townshend, Zbigniew Preisner] 1???02
39) RL shows Jack grace_Clouds [Desplat] 2???59
40) Father’s choice_???Siciliana Da Antiche Danze Ed Arie Suite III??? Written Ottorino Respighi Hanan Townshend 2???35
41) Goodbye Waco_???Berlioz 7. Domine Jesu Christe (Requiem, Op. 5 (Grande Messe des Morts))??? Wandsworth School Boys Choir, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis 3???03
42) End of the earth/Eternity_???Berlioz 10. Agnus Dei (Requiem, Op. 5 (Grande Messe des Morts))??? Wandsworth School Boys Choir, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis 9???41
43) Closing Credits_???Hymn 87_Welcome Happy Morning??? Hanan Townshend 2???41
44) Closing Credits – Guitar Tune 2???01
45) Closing Credits – Fortunatas (Welcome, happy morning) 1???27
01. Academy Of Ancient Music & Paul Goodwin – Tavener: Funeral Canticle (Excerpt)
02. Zbigniew Preisner – Requiem – Lacrimosa
03. Chanticleer – Tavener: Resurrection in Hades
04. Berliner Philharmoniker & Herbert von Karajan – Respighi: Suite III: Siciliana. Andantino
05. Willcocks, RPO, Royal College Chamber Choir – Holst: Hymn to Dionysus
06. St. Petersburg RTV Symphony Orchestra & Stanislav Gorkovenko – Smetana: M??? Vlast: Vltava (The Moldau River)
07. David Zinman, Dawn Upshaw & London Sinfonietta – G???recki: Symphony No.3: Il Lento E Largo
08. Angela Hewitt – Couperin: 6e Ordre No. 5 – Les Baricades Mist???rieuses
09. Ainsley – Dutoit – Montreal Symphony Orchestra & Choir – Berlioz_Agnus Dei
10. Patrick Cassidy – Funeral March
11. Roman Rewakowicz – Preisner: Life Lacrimosa – Day Of Tears
Didn’t check the tracklist you send, but I’m interested in those ones too if you find it anytime.
Or maybe just send him the link in a PM and save a step.
๐
This Gavotte comes from the Sonata No. 6 in E major for Solo Violin. It was transcribed for full string orchestra by Sir Henry Wood and recorded in the 1950s by George Weldon and the London Symphony Orchestra on a Columbia LP (33SX1045).
http://www.youtube.com/watch?v=ScfZ956zgJs
For the 1895 revival of "Swan Lake," composer/conductor Riccardo Drigo interpolated several new dances into the score. These were his own orchestrations of several charming Tchaikovsky piano pieces. The "Valse-Bluette" is one of them and it is played here by the Chicago Symphony under Morton Gould.
http://www.youtube.com/watch?v=UDx-kRbXoCU
This is one of 24 works for Violin and Piano in Cesar Cui’s "Kaleidoscope" collection. It is heard here in the sumptuous arrangement by Carmen Dragon, who conducts the Capitol Symphony Orchestra on this 1950s "Full Dimensional Stereo Sound" LP.
http://www.youtube.com/watch?v=kvyzT95zaVo
Many musicians have arranged the music for the ballet "Les Sylphides" and in 1962 Sir Malcolm Sargent followed in their footsteps by making his own orchestrations of the various Chopin piano pieces which make up the score. After conducting his own version at Covent Garden that year he immediately made this recording. From it we hear the final two numbers: the Waltz in C sharp minor and the ‘Grande Valse Brillante’ in E flat major
http://www.youtube.com/watch?v=4NaT6OEWeTc
Leopold Stokowski conducts the National Philharmonic in Saint-Saens’s "Danse Macabre." The recording was made in 1975 with a specially constituted recording orchestra of top London players and freelance session musicians. Several months earlier, Stokowski had celebrated his 93rd birthday. The violin solo was played by Sydney Sax.(From an EMI Classics CD.)
Lens of Fire, can you re-up that?
All of the masterful music of Vaughan Williams is currently available on CD… it took years for many of the old EMI discs to appear (especially the double piano concerto). I think you could easily support his estate by purchasing these instead of asking for ALL the symphonies. The Adrian Bolt recordings remain my favorites and are under ten bucks.
The complete symphonies of Ralph Vaughn Williams? And the Tuba Concerto by the same composer?
And the complete piano concertos of Kabalevsky as well.
A lot of the links have long since died, and those above have caught my interest the most. If anyone feels free to re-up any others, that would be nice:)
Thank you, Gis revido, I love this thread.
Paganini "Moto Perpetuo" (arr. Stock) – Martinon conducts – YouTube (http://www.youtube.com/watch?v=C680GraXilo&context=C2f970ADOEgsToPDskLGElqgdoZNohc-dDrKi_0y)
Paganini’s "Moto Perpetuo" for Violin was orchestrated by Frederick Stock, conductor of the Chicago Symphony from 1905 to 1942. They play it here under Jean Martinon, their music director from 1963 to 1968, in a recording made in 1966. Note Stock’s clever quotations from Beethoven’s "Eroica" Symphony in this brilliant arrangement.
Revueltas "Sensemaya" (First Recording) – Stokowski conducts
Revueltas "Sensemaya" (First Recording) – Stokowski conducts – YouTube (http://www.youtube.com/watch?v=7YV0D0CiUXE&list=UUJbfiRvOlcTfHrbi98L9IZA&feature=plcp)
Silvestre Revueltas (1899-1940) was a Mexican composer whose most famous piece is "Sensemaya", a tone-pone depicting the ritual killing of a tropical snake. This vivid miniature tone-poem received its first recording in 1947 with Leopold Stokowski conducting his Symphony Orchestra. (An RCA 78rpm disc).
Mussorgsky "Pictures at an Exhibition" – Mikhail Tushmalov’s orchestration (1891)
Mussorgsky "Pictures at an Exhibition" – Mikhail Tushmalov’s orchestration (1891) – YouTube (http://www.youtube.com/watch?v=NQxcMlhmXa8&list=UUJbfiRvOlcTfHrbi98L9IZA&feature=plcp)
This was the first orchestration of "Pictures at an Exhibition" and was made by Mikhail Tushmalov, a pupil of Rimsky-Korsakov. It was not absolutely complete, since it omitted all but the first of the ‘Promenades’ as well as several of the ‘Pictures’. The ones that remain are ‘The Old Castle’, ‘Ballet of the Chicks’, ‘Samuel Goldenberg and Schmuyle’, ‘Market Place in Limoges’, ‘The Catacombs’, ‘Baba Yaga’ and ‘The Great Gate of Kiev’.This version was given its first performance in 1891 with Rimsky-Korsakov conducting. Its only recording to date has been by the Munich Philharmonic under Marc Andrae on the BASF label.
Rachmaninov "Vocalise" – Norman Luboff Choir; Stokowski conducting
Rachmaninov "Vocalise" – Norman Luboff Choir; Stokowski conducting – YouTube (http://www.youtube.com/watch?v=NykTf22gtMs&list=UUJbfiRvOlcTfHrbi98L9IZA&feature=plcp)
In this haunting version of Rachmaninov’s "Vocalise," the wordless female chorus of the Norman Luboff Choir is accompanied by the New Symphony Orchestra of London under Leopold Stokowski. The orchestral accompaniment was arranged by Walter Stott (he was called Wally Stott in the 1950s ‘Goon Show’ days on the radio) but after a visit to Scandinavia for a delicate operation in the 1970s he became Angela Morley. (From an RCA / BMG recording made in 1960).
Bach "Wir glauben all’ an einen Gott" – Stokowski’s wind band arrangement
Bach "Wir glauben all’ an einen Gott" – Stokowski’s wind band arrangement – YouTube (http://www.youtube.com/watch?v=P8knijGznCA&list=UUJbfiRvOlcTfHrbi98L9IZA&feature=plcp)
Stokowski made several Bach arrangements for wind band, including the Chorale-Prelude "Wir glauben all’ an einen Gott." It is played here by the United States Marine Band and comes from a concert given in Cincinnati in 1998, Timothy W. Foley conducting.
Liszt: Hungarian Rhapsody No. 2 (arr. Sidney Torch) – Barry Wordsworth conducts
Liszt: Hungarian Rhapsody No. 2 (arr. Sidney Torch) – Barry Wordsworth conducts – YouTube (http://www.youtube.com/watch?v=GcLzGy5H6UY&list=UUJbfiRvOlcTfHrbi98L9IZA&feature=plcp)
This well-known piano piece here receives what is probably its most over-the-top orchestral arrangement. Sidney Torch (1908-1990) was a British pianist, conductor, arranger and composer of light music. He was particularly associated with the BBC Concert Orchestra and it is they who play this dazzling version of Liszt’s famous Rhapsody under Barry Wordsworth’s baton. (From a Carlton Classics CD made in 1995.)
Thanks so much.
D ๐
Bach: Toccata and Fugue in D minor – Camarata's orchestration – YouTube (http://www.youtube.com/watch?v=lnsKGrm3E3A&list=UUJbfiRvOlcTfHrbi98L9IZA&index=14&feature=plcp)
This version of Bach’s famous Toccata and Fugue in D minor starts off with the organ, played by Leslie Pearson, but when the orchestra comes in the arrangement owes quite a lot to Stokowski’s transcription. It was made and conducted by Tutti Camarata (1913-2005) who began his musical career as a jazz trumpeter in New York. After World War II he became a composer and record producer. During the 1960s and ’70s he arranged and conducted a number of Decca/London popular classical LPs in ‘Phase 4 Stereo’ with the Kingsway Symphony Orchestra, so called because it was an ‘ad hoc’ band of top London musicians which recorded in the famous Kingsway Hall.
Pablo Casals (arr. Stokowski) "O Vos Omnes" – Philip Jones Brass Ensemble
Pablo Casals (arr. Stokowski) "O Vos Omnes" – Philip Jones Brass Ensemble – YouTube (http://www.youtube.com/watch?v=UeaY39XvSRw&list=UUJbfiRvOlcTfHrbi98L9IZA&index=13&feature=plcp)
O Vos Omnes," part of the Roman Catholic Liturgy for Holy Week, was set for mixed choir by Pablo Casals in 1932. Leopold Stokowski arranged it for brass and it received its only recording (so far) by the Philip Jones Brass Ensemble on an Argo LP in 1979.
Liszt (arr. Gamley): Etude de Concert No. 3 – Abbey Simon, piano
Liszt (arr. Gamley): Etude de Concert No. 3 – Abbey Simon, piano – YouTube (http://www.youtube.com/watch?v=2HHwxuO6cIU&list=UUJbfiRvOlcTfHrbi98L9IZA&index=10&feature=plcp)
In this version of Liszt’s Concert Study in D flat, Douglas Gamley supplied an orchestral accompaniment to the piano original. The solo part is played by Abbey Simon, with Gamley himself conducting the Sinfonia of London on a 1958 stereo Columbia LP entitled "Philharmonic Pops."
Handel (arr. Stokowski) "Pastoral Symphony" (‘Messiah’) – Serebrier conducts
Handel (arr. Stokowski) "Pastoral Symphony" ('Messiah') – Serebrier conducts – YouTube (http://www.youtube.com/watch?v=Iy_odYIU1fA&list=UUJbfiRvOlcTfHrbi98L9IZA&index=7&feature=plcp)
Leopold Stokowski eloquently arranged the "Pastoral Symphony" (or "Shepherds Christmas Music") from Handel’s ‘Messiah’ for woodwinds and strings. It is beautifully played by the Bournemouth Symphony Orchestra, conductor Jose Serebrier, on a Naxos CD devoted to Stokowski Transcriptions.
Here’s Ravel’s Daphnis et Chloe and Debussy’s Khamma
http://rapidshare.com/files/404924661/Ravel_-_Daphnis_et_Chloe__Debussy_-_Khamma.rar.html
Would love a reupload of this, if you’d be so kind.
———- Post added at 11:43 PM ———- Previous post was at 11:41 PM ———-
Would love anything by Penderecki-thanks
If you haven’t seen this yet, here’s my thread devoted to Penderecki: Thread 88747
———- Post added at 11:49 PM ———- Previous post was at 11:43 PM ———-
Lastly, can someone mind helping me identify which recording of Mussorgsky’s Night on Bald Mountain this (Multiupload.com – upload your files to multiple file hosting sites! (http://www.multiupload.com/99I7IV2GXN)) is? I’m trying to find a higher bitrate version and because it’s the exact (and best, in my opinion) recording used in The Toxic Avenger. In the tags it states it’s from the Fantasia soundtrack but that’s not the same recording. The conductor in the tags is also incorrect because it’s obviously not the same recording as on the Fantasia album. The Toxic Avenger page on IMDB isn’t too helpful about who the conductor is either. Thanks in advance to whoever can help.
Leopold Stokowski’s orchestral transcription of Bach’s Toccata and Fugue for organ is probably the most famous of all Bach arrangements. It was splendidly played at the First Night of the 2000 Proms in London’s Royal Albert Hall by the BBC Symphony Orchestra. For this performance, Sir Andrew Davis followed in Stokowski’s footsteps by conducting without a baton. As will be seen, he clearly enjoyed the experience.
Stokowski "Traditional Slavic Christmas Music" – Serebrier conducts – YouTube (http://www.youtube.com/watch?v=iVW0LU4M0T8&list=UUJbfiRvOlcTfHrbi98L9IZA&index=22&feature=plcp)
In his own notes to this recording, Jose Serebrier writes: "Stokowski’s own ‘Traditional Slavic Christmas Music’ is based on Ippolitov-Ivanov’s ‘In a Manger’ which in turn is based on a traditional Christmas hymn. Stokowski’s orchestration, which he first performed in 1933, interpolates string and brass choirs (no woodwinds in this score) and has a certain magic, and not suprisingly, an organ-like quality." (From a Naxos CD).
Bach (arr. Vaughan Williams) "Giant" Fugue – Leonard Slatkin conducts – YouTube (http://www.youtube.com/watch?v=xShPmy6Zo50&list=UUJbfiRvOlcTfHrbi98L9IZA&index=21&feature=plcp)
Ralph Vaughan Williams arranged Bach’s "Giant" Fugue (otherwise known as the Chorale Prelude "Wir glauben all’ an einen Gott") for strings. A former pupil of his, Arnold Foster, Music Master of Westminster School, simplified the string writing so as to make it easier for his students to play and received a co-credit on the score. Leonard Slatkin conducts the BBC Philharmonic in this splendid 1999 Chandos recording.
Mussorgsky "A Night on the Bare Mountain" (Choral Version) – Rozhdestvensky conducts – YouTube (http://www.youtube.com/watch?v=1sEpa89mSm4&list=UUJbfiRvOlcTfHrbi98L9IZA&index=18&feature=plcp)
This version of "A Night on the Bare Mountain" comes from Mussorgsky’s unfinished opera "The Fair at Sorochyntsi" (or "Sorochintsy Fair"). In the opera, it was intended as a dream sequence which incorporated parts for a solo baritone (sung here by David Wilson Johnson) and chorus (the BBC Singers and BBC Symphony Chorus). This performance comes from a Proms concert given in the Royal Albert Hall in 1981. It is sung in English, with the BBC Symphony Orchestra conducted by Gennadi Rozhdestvensky. Rimsky-Korsakov based his own purely orchestral edition of "Night on Bald Mountain" on this version of Mussorgsky’s music. (A BBC Radio Classics CD.)
Mussorgsky "Night on the Bare Mountain" – Original Version – YouTube (http://www.youtube.com/watch?v=zR2P-5J-2MA&list=UUJbfiRvOlcTfHrbi98L9IZA&index=16&feature=plcp)
The familiar version of "Night on the Bare Mountain" is the work of Rimsky-Korsakov, who not only shortened Mussorgsky’s original score but also re-orchestrated it, added passages of his own, changed the harmonies, and largely re-composed the whole work. Mussorgsky’s own orchestral composition was never played in his lifetime, though he also made a choral version for interpolation in his opera "Sorochintsy Fair" (recently uploaded). We hear now the first recording of Mussorgsky’s original score in a performance by the London Philharmonic conducted by David Lloyd-Jones on a 1971 Philips LP. The sleeve notes state that the title on the manuscript is "St. John’s Night on the Bare Mountain" and that there are four sections to the music: (i) Assembly of the Witches; (ii) Satan’s Journey; (iii) Black Mass; (iv) Sabbath.
Handel "Love in Bath" – Beecham conducts – YouTube (http://www.youtube.com/watch?v=Iqo8rWJUUQU&list=UUJbfiRvOlcTfHrbi98L9IZA&index=15&feature=plcp)
In 1945, Sir Thomas Beecham introduced a 45-minute ‘Balletic Entertainment’ he’d devised which was set in 18th century Bath. The score features his own delightful arrangements of assorted arias, choruses and dances in Handel’s operas. We hear two numbers – a Hornpipe, which ends with a flourish of ‘Rule Britannia’, and the ballet’s Finale in which Handel’s famous ‘Largo’ makes an appearance. This Seraphim LP dates from 1959.
Carl Stix "Playful Game" – Kostelanetz conducts – YouTube (http://www.youtube.com/watch?v=XqQLEQQWW2w&list=UUJbfiRvOlcTfHrbi98L9IZA&index=14&feature=plcp)
The notes to this 1970 Columbia LP states: "Carl Stix is one of the mystery men of music. He appears in no extant music encyclopedias in any accessible language. He was probably German. The rest is silence – except for a few delightful works such as the ‘Spielerei’ recorded here in all it pizzicato charm, as arranged by Eugene Ormandy." Googling reveals that this seems to have been the only piece by Stix ever published (it was his Opus 140!) though another composition, the Intermezzo from his ‘Dream Visions’, was recorded twice on old 78rpm discs by the Florentine Quartet. His ‘Spielerei’ (also known as ‘Child’s Play’) now makes its You Tube debut!
Fibich "Poeme" (‘My Moonlight Madonna’) – Kostelanetz conducts – YouTube (http://www.youtube.com/watch?v=XPKn-hKrYog&list=UUJbfiRvOlcTfHrbi98L9IZA&index=7&feature=plcp)
Fibich’s "Poeme" provided the melody for the popular 1930s song "My Moonlight Madonna." Andre Kostelanetz conducts his own orchestral version of the original on this old Columbia LP (with apologies for the ticks and scratches!)
Mussorgsky-Stokowski "A Night on Bare Mountain" – YouTube (http://www.youtube.com/watch?v=HMVxu7z06A8&list=UUJbfiRvOlcTfHrbi98L9IZA&index=5&feature=plcp)
Leopold Stokowski recorded his own version of "A Night on Bare Mountain" several times. This recording (on a Cala CD) dates from 1953 and is played by a specially-selected orchestra of New York musicians, including many from the New York Philharmonic. Stokowski based his orchestration on Rimsky-Korsakov’s edition of the score and used it in Walt Disney’s "Fantasia" (1940). In addition to Mussorgsky’s own original orchestral and choral versions, this piece has also been edited or arranged by Rene Leibowitz (and recorded by him) as well as Charles Gerhardt (his version was recorded by Sir Adrian Boult) and several others, including Gottfried von Einem and Henry Sopkin.
Rossini-Respighi "La Boutique Fantasque" – Sargent conducts – YouTube (http://www.youtube.com/watch?v=SAAs9p9TBhw&list=UUJbfiRvOlcTfHrbi98L9IZA&index=4&feature=plcp)
Respighi selected and orchestrated an assortment of Rossini piano pieces for Diaghilev’s production of the ballet "La Boutique Fantasque" ("The Magic Toy Shop") in 1919. Sir Malcolm Sargent arranged and edited his own Concert Suite from the complete ballet score and we hear four numbers from the recording he made with the Royal Philharmonic on an LP first issued in 1962.
Percy Grainger "Country Gardens" – Carmen Dragon conducts – YouTube (http://www.youtube.com/watch?v=ZVDUk8-EEk8&list=UUJbfiRvOlcTfHrbi98L9IZA&index=3&feature=plcp)
This delightful arrangement by Carmen Dragon of one of Percy Grainger’s most popular pieces comes from a stereo LP entitled "Invitation to the Dance" issued in 1959. The orchestra is the Capitol Symphony.
Song Cycles: Featuring ‘Tomorrow’
Bruckner Orchester Linz | Gigi Mitchell-Velasco soloist| Caspar Richter conducting
๐ a Flac version would be very nice.
Also, does anyone have any less well known works of Manuel de falla to share please?
I am looking for Korngold – ASV recording
Song Cycles: Featuring ‘Tomorrow’
Bruckner Orchester Linz | Gigi Mitchell-Velasco soloist| Caspar Richter conducting
๐ a Flac version would be very nice.
New link: http://forums.ffshrine.org/f92/classical-request-58159/24.html#post1295406
Enjoy ๐
———- Post added at 10:49 AM ———- Previous post was at 10:47 AM ———-
warhawk gamerip christopher lennertz download please
Bach’s Toccata and Fugue in D minor was performed at the First Night of the 2004 Proms in two parts: the Toccata was played on the Albert Hall organ by Martin Neary, while the Fugue was given in Sir Henry Wood’s orchestration. The BBC Symphony was conducted by its then Chief Conductor, Leonard Slatkin.
Chopin "Funeral March" – Sir Henry Wood’s orchestration – YouTube (http://www.youtube.com/watch?v=2zM5aUh-FgI&context=C35d80c2ADOEgsToPDskIg0v-AjAoi_FFaIm3HcuIF)
The "Funeral March" (‘Marche Funebre’) from Chopin’s Piano Sonata No. 2 has been orchestrated by several musicians, including Elgar and Stokowski. Sir Henry Wood introduced his own version during the 1895 Proms. It was last heard at the Proms in 1943 under Basil Cameron’s direction. (Taken from a ‘Lyrita’ CD on which Nicholas Braithwaite conducts the London Philharmonic)
Bach orch. Holst: "Fugue a la Gigue" – Leonard Slatkin conducts – YouTube (http://www.youtube.com/watch?v=yTujjFyoVdc&context=C3cec39aADOEgsToPDskIPJUUUwoi7f4YzxiRuEH2L )
Gustav Holst originally scored Bach’s "Fugue a la Gigue" BWV 577 for wind band but later made another version for full symphony orchestra. That version is played here by the BBC Philharmonic under Leonard Slatkin on a 1999 Chandos CD.
(a poster for this appears on the wall behind the piano in the recent DVD release of The Constant Nymph)
New Link is broken… ๐
(a poster for this appears on the wall behind the piano in the recent DVD release of The Constant Nymph)
Korngold opera The Dead City [Die tote Stadt] (1920)
I only have it in MP3-192. It is the 1975 RCA version by the Munich Radio Orchestra conducted by Erich Leinsdorf. Credit to Raffstein at RaffNation blog. I checked the links work.
DieToteStadt_Leinsdorf_CD1.rar – 4shared.com – online file sharing and storage – download (http://www.4shared.com/file/106764423/115f48c2/DieToteStadt_Leinsdorf_CD1.html)
DieToteStadt_Leinsdorf_CD2.rar – 4shared.com – online file sharing and storage – download (http://www.4shared.com/file/106690727/d21ae1a1/DieToteStadt_Leinsdorf_CD2.html)
More info here: LA Phil LIVE: Dudamel Conducts Mahler|LA Phil (http://www.laphil.com/tickets/performance-detail.cfm?id=4805)
I’d like to request the box set "Schubert: The 10 Symphonies" by Neville Marriner and the Academy of Saint Martin in the Fields with the symphony completions by Brian Newbould.
(seems to be kinda rare, I only found some torrents, and torrents somehow don’t work fine for me.)
Amazon.com: Schubert: The 10 Symphonies: Franz Schubert, Brian Newbould, Neville Marriner, Academy of St. Martin in the Fields: Music (http://www.amazon.com/Schubert-10-Symphonies-Franz/dp/B00006IU7X/ref=sr_1_1?ie=UTF8&qid=1328450112&sr=8-1)
Is anybody here who has this?
Thanks in advance!
*Ain’t I a saint?*
Hello,
I’d like to request the box set "Schubert: The 10 Symphonies" by Neville Marriner and the Academy of Saint Martin in the Fields with the symphony completions by Brian Newbould.
(seems to be kinda rare, I only found some torrents, and torrents somehow don’t work fine for me.)
Amazon.com: Schubert: The 10 Symphonies: Franz Schubert, Brian Newbould, Neville Marriner, Academy of St. Martin in the Fields: Music (http://www.amazon.com/Schubert-10-Symphonies-Franz/dp/B00006IU7X/ref=sr_1_1?ie=UTF8&qid=1328450112&sr=8-1)
Is anybody here who has this?
Thanks in advance!
Could you also send me a PM please? It would be greatly appreciated
RICHARD WAGNER
DER RING DES NIBELUNGEN
The Vienna Philharmonic Orchestra
conducted by Sir Georg Solti
4 Operas | 14 CDs | 14h16m56s
Even if you’re not interested in downloading, I’d really like to get a good discussion going on the thread, considering the enormity and importance of the Cycle!
Link to Thread (Thread 110808)
Thanks!
I wanted to know if there is any one who is or have high Knowledge of classical music that may be willing to help to find out what pieces I am looking for.
I ripped the audio of the episodes in question, and I can upload them if any one thinks it might help me. :/
Orchestrations by Sir Henry Wood (FLAC) | BOXSET.RU (http://boxset.ru/orchestrations-by-sir-henry-wood-flac/)
Music For All: RE-UP. RCA LIVING STEREO: Leopold Stokowski, Symphony of the Air – Rhapsodies. SACD-ISO + CD (http://organ-music-for-all.blogspot.com/2011/12/leopold-stokowski-symphony-of-air.html)
La Discoteca Cl???sica: Bedrich Smetana: M??? Vlast (My Country) Original arrangement by the composer for piano for four hands (http://ladiscotecaclasica.blogspot.com/2012/01/bedrich-smetana-ma-vlast-my-country.html)
La Discoteca Cl???sica: Malcolm Arnold: Film Music-Suites (Premier Recordings) (http://ladiscotecaclasica.blogspot.com/2012/01/malcolm-arnold-film-music-suites.html)
Bach-Walton "Ah! How ephemeral" from ‘The Wise Virgins’ Suite – YouTube (http://www.youtube.com/watch?v=b5xhylS4jqA&feature=g-user-u)
The complete ‘Wise Virgins’ Suite is already uploaded on You Tube, so here is just my favourite movement from it … the exciting "Ah! How ephemeral" from Bach’s Cantata No. 26 arr. by Walton. It’s one of several Cantata movements used in Frederick Ashton’s 1940 ballet featuring Margot Fonteyn. (From a Naxos CD.)
Bach orch. Cailliet "Little" Fugue – Fiedler conducts
Bach orch. Cailliet "Little" Fugue – Fiedler conducts – YouTube (http://www.youtube.com/watch?v=mJhMjs1rwxU&feature=g-user-u)
Bach’s "Little" Fugue in G minor was orchestrated by Lucien Cailliet (1891-1985), a woodwind player and ‘house arranger’ for the Philadelphia Orchestra as well as being a conductor and composer in his own right. He made a great many arrangements, including one of Mussorgsky’s "Pictures at an Exhibition" commissioned in 1937 by Eugene Ormandy. The Bach transcription heard here is brilliantly played by the Boston Pops under Arthur Fielder and comes from an RCA CD of other Bach works.
Bach-Stokowski: Chorale from the ‘Easter Cantata’ – Jose Serebrier conducts
Bach-Stokowski: Chorale from the ‘Easter Cantata’ – Jose Serebrier conducts – YouTube (http://www.youtube.com/watch?v=oWr8V27_t24&feature=g-user-u)
Stokowski’s many Bach Transcriptions include this stirring orchestral version of the Chorale "Jesus Christus, Gottes Sohn" from the ‘Easter Cantata.’ It is played here by the Bournemouth Symphony Orchestra, conductor Jose Serebrier, on a Naxos release
Debussy "La Cathedrale Engloutie" (‘The Engulfed Cathedral’) – Sir Henry Wood’s orchestration
Debussy "La Cathedrale Engloutie" (‘The Engulfed Cathedral’) – Sir Henry Wood’s orchestration – YouTube (http://www.youtube.com/watch?v=4UyUCbqcId0&feature=g-user-u)
Sir Henry Wood’s transcription of Debussy’s famous piano prelude dates from 1919 when he first introduced it at one of the Proms Concerts which still bear his name today. His scoring requires a large orchestra that includes a gong, tubular and mushroom bells, two harps and organ. Wood made his version as a memorial tribute to Debussy who had died the previous year. (From a ‘Lyrita’ CD on which Nicholas Braithwaite conducts the London Philharmonic.)
Brahms "A Rose Breaks Into Bloom" – Ormandy conducts
Brahms "A Rose Breaks Into Bloom" – Ormandy conducts – YouTube (http://www.youtube.com/watch?v=LrTK67ogvg8&feature=g-user-u)
Brahms’s song "Es ist ein’ Ros’ entsprungen" was arranged for string orchestra by Reginald Jacques and recorded by the Philadelphia Orchestra under Eugene Ormandy on a 1972 LP.
Mussorgsky-Stokowski "Great Gate of Kiev" – Kunzel conducts
Mussorgsky-Stokowski "Great Gate of Kiev" – Kunzel conducts – YouTube (http://www.youtube.com/watch?v=hUsFoFX9w6Q&feature=g-user-u)
Leopold Stokowski was conductor of the Cincinnati Orchestra from 1909-1912. Erich Kunzel paid tribute by recording a number of Stokowski’s transcriptions in the 1990s and his selection concluded with ‘The Great Gate of Kiev,’ the final number in Mussorgsky’s "Pictures at an Exhibition." Stokowski’s score provided an ‘ad lib’ optional organ part right at the end, so Kunzel added it in, though it’s only just audible over the Cininnati Orchestra at full bast!
Chopin "Fantasie-Impromptu" – Carmen Dragon conducts
Chopin "Fantasie-Impromptu" – Carmen Dragon conducts – YouTube (http://www.youtube.com/watch?v=gk9-WnfKVyw&feature=g-user-u)
Chopin’s "Fantasie-Impromptu" in C# minor is here brilliantly realised by conductor / arranger Carmen Dragon and the Hollywood Bowl Symphony on a 1950s Capitol recording.
Bach-Stokowski "Come, Sweet Death" (‘Komm, susser Tod’) – Orchestral version
Bach-Stokowski "Come, Sweet Death" (‘Komm, susser Tod’) – Orchestral version – YouTube (http://www.youtube.com/watch?v=Jc2hjkMmtv4&feature=g-user-u)
J. S. Bach’s "Komm, susser Tod" is taken from Schemelli’s Musical Song-Book of 1736. Stokowski’s transcription has the melody played twice, first on the strings and then by the full orchestra. He made this recording in 1958 with his own specially selected symphony orchestra of New York musicians.
Byrd "Pavane and Gigue" – Stokowski orchestration
Byrd "Pavane and Gigue" – Stokowski orchestration – YouTube (http://www.youtube.com/watch?v=Aatet8hOLVk&feature=g-user-u)
William Byrd’s ‘Pavane’ (subtitled ‘The Earl of Salisbury’ from "Parthenia") and ‘A Gigue’ (from ‘The Fitzwilliam Virginal Book’) are two baroque clavichord pieces. Leopold Stokowski combined them into a gorgeously coloured orchestral arrangement which is played here by the BBC Philharmonic under Matthias Bamert on a beautifully recorded Chandos CD.
Haydn "Andante Cantabile" – Stokowski conducts
Haydn "Andante Cantabile" – Stokowski conducts – YouTube (http://www.youtube.com/watch?v=YFxtthSedyM&feature=g-user-u)
This little piece is also known as Haydn’s "Serenade" and comes from one of his string quartets. Stokowski arranged it for strings, clarinet, flute and oboe and originally played it under the title "18th Century Dance." This recording was made in 1975 when he was 92 years old. The National Philharmonic was a ‘recording orchestra’ of top London players and this track comes from a PRT CD.
Beethoven "Moonlight Sonata" – ‘Adagio’ – Pennario & Dragon
Beethoven "Moonlight Sonata" – ‘Adagio’ – Pennario & Dragon – YouTube (http://www.youtube.com/watch?v=bxYtSXVTnIE&feature=g-user-u)
The most famous of Beethoven’s solo piano sonata movements is here given mini-concerto treatment with the addition of an orchestral accompaniment. Leonard Pennario is the soloist, with the Hollywood Bowl Symphony Orchestra conducted by Carmen Dragon, in a late 1950s ‘Capitol Full Dimensional Stereo Sound’ recording.
What the hell was that gibberish? lol
Me want stuff that music for me like it for download.

Gy???rgy S???ndor ??? Bart???k and Kod???ly
BARTOK – Baroque Transcriptions
KODALY – Complete Piano Music
Bartok
Sonata G – Azzolino Bernardino della Ciaia
Sonata in Bb, Tre Correnti F major – Benedetto Marcello
Pastorale in C – Domenico Zipoli
Toccata in C – Girolamo Frescobaldi
Fugue in G minor – Georg Muffat
Toccatas – Michelangelo Rossi
(Original works)
Piano Sonata Sz80
Out of Doors Suite
2 Roumanian Dances
Petite Suite
Allegro barbaro
Kodaly:
Dances of Marosszek
9 Piano Pieces
Meditation sur un motif de Claude Debussy
7 Piano Pieces
Valsette
Download it here in Lossless FLAC (http://www.peejeshare.com/files/362115965/Gyorgy_Sandor.rar.html)
Gy???rgy S???ndor is best known to music lovers and record collectors as a gifted pianist and champion of the music of his fellow Hungarian B???la Bart???k, but he was also one of the most important piano pedagogues of the later twentieth century. As a piano teacher at the University of Michigan and the Juilliard School, his students included Malcolm Bilson, Barbara Nissman, and H???l???ne Grimaud. S???ndor carried on the practician-pedagogue tradition passed down from Bart???k, who was his most important piano teacher, and Zolt???n Kod???ly, with whom he studied composition at the Liszt Royal Conservatory in Budapest. S???ndor had played throughout Europe, Asia and America by the time he made his Carnegie Hall debut in 1939, and he settled in the United States shortly after that triumphant appearance. He had an enormous repertoire, but he is best known as a champion of Bart???k’s piano music, swimming against the artistic tide at a time when the music was considered too modern, too difficult to play and listen to, too risky for concert presenters — and doing a great deal to reverse the public perception of Bart???k’s music in America in tandem with the efforts of fellow Hungarian expatriates Frigyes (Fritz) Reiner and Antal Dor???ti. S???ndor’s career as a performer exceeded an astonishing seven decades in duration.
The present release returns to circulation two of Sandor’s great recordings: the complete piano music of Zolt???n K???daly, originally released on Candide in the mid-1970s, and "Bart???k and the Baroque," a collection of Bart???k’s baroque transcriptions issued on Vox Cum Laude in the late 1970s.
Musical Concepts MC-128 — Gyrgy Sndor – Bartk and Kodly (http://www.dv-diva.com/MC128.html)
Gy???rgy S???ndor – Bart???k and Kod???ly (http://musicalconcepts.net//component/k2/item/52-gyorgy-sandor-bartok-and-kodaly)
Igor Zhukov (Arranger) – Short Biography (http://www.bach-cantatas.com/Lib/Zhukov-Igor.htm)
BACH IGOR ZHUKOV Passacaglia BWV 582 Piano Transcription (1966) – YouTube (http://www.youtube.com/watch?v=tAUkximrwHw)
Download from intoclassics.net (http://intoclassics.net/news/2009-05-24-6113)
Piano Transcriptions Festival
Download from intoclassics.net (http://intoclassics.net/news/2011-08-16-24715)
Borodin/ V. Gryaznov : Nocturne (piano V. Gryaznov)
Tchaikovsky / V. Gryaznov : Romeo and Juliet (piano V. Gryaznov)
Mussorgsky/ Ewald Evstafiev : Night on Bald Mountain (piano I.Silivanova, M.Puryzhinsky)
Borodin / Boris Frankstein : Polovtsian Dances (piano A.Kudryashov)
Tchaikovsky / Karen Kornienko : Ballad of Voivod (piano K.Kornienko)
Tchaikovsky/ A. Isakov : Elegy aus der Streicherserenade Op.48 (piano T.Chistyakova)
Tchaikovsky /A. Isakov : Don Juan’s Serenade (piano R.Soloveva
Mussorgsky / A. Isakov : Bloch (piano I.Boychenko)
Mussorgsky-Korobeinikov : Songs and Dances of Death + Hopak (piano A. Korobeinikov)
Bach (Vivaldi) / Samuel Feinberg : Organ Concert (1ch.) (piano L.Duhan)
Bach/ Samuel Feinberg : Prelude in G Minor (piano N.Pogosyan)
Tchaikovsky / Samuel Feinberg : Waltz from the 5th symphony (piano L.Duhan)
Bach / Ferruccio Busoni : Choralvorspiel: "Wachet auf, ruft uns die Stimme" BWV 645 (piano M.Isachenkov)
Liszt / Ferruccio Busoni : Fantasy on the Marriage of Figaro (piano O.Shevchenko)
Strauss / Leopold Godowsky : Symphonische Metamorphosen ???ber "Wein, Weib und Gesang" (piano A.Stukalov)
Rameau / Leopold Godowsky : Sarabande and Minuet – (piano S.Kasprov)
Godowsky : Passacaglia on Schubert – (piano Andzelika Borys)
Saint-Saens / Leopold Godowsky : The Swan (piano Yu.Favorin)
Schubert/ Leopold Godowsky : Trout and Moment Musical (piano M.Yahlakova
Chopin / Leopold Godowsky: Etude Op25 No 1 (piano Yu.Favorin)
Chopin / Leopold Godowsky : Etude Op10 No 6 for the left hand – (piano F.Amirov)
Paganini-Liszt-Hamelin : La Campanella (piano F. Amirov)
Tchaikovsky Two pieces Op72 in the style of Schumann and Chopin (Un poco di Schumann & Chopin) (piano A.Valinkova)
Schumann / Clara Schumann : Spring Night (piano N.Duhovnikova)
Schumann / Franz Liszt : Fr???hlingsnacht Op39 No12 (piano N.Duhovnikova)
Schumann / Paul Pabst : Spring Night (piano A.Stukalov)
Schumann / Michael Von Zadora : H???r ich das Liedchen klingen (piano A.Stukalov)
Schumann / Godowsky : How beautiful you are lily of the valley (piano A.Stukalov)
Schumann-Pevenson : Hazel (piano O.Georgievskaya)
Schumann / Alexandr Iokheles : From Manfred – Shadow of the grove. The Alpine Fairy (piano A.Reznik)
D’Indy Vincent : Schumanniana Op30 (piano George O)
Chopin / Franz Liszt : Six Polish Songs (piano Yu.Favorin)
Aleksander Michałowski : Paraphrase ???ber den Minuten-Walzer Op64 No1 (piano A. Komarov)
Federico Mompou : Variations on a Theme of Chopin A major (Based on Prelude in A major, Op. 28, No. 7) (piano N.Kozhin)
Grieg Edward : Stimmungen , Op. 73 No 5 Study (Hommage To Chopin) (piano A.Davydova)
Casella Graziosi (piano A.Davydova)
Chopin / Eduard Schutt : Paraphrase on Waltz Op.64 No2 in C sharp minor (piano O.Kozlova, N.Kozhin
Mussorgsky / Lee Pattison : Chimes from the Boris Godunov (piano O.Kozlova, N.Kozhin)
–> Vyacheslav Gryaznoff’s scores and his Official Page <—
Transcriptions | gryaznoff.com (http://gryaznoff.com/en/scores)
Karen Kornienko piano transcriptions
P.Tchaikovsky-K.Kornienko.Francesca da Rimini. new!!! – YouTube (http://www.youtube.com/watch?v=kpw6b3R8jJc&feature=plcp)
M.Glinka-K.Kornienko.Waltz-Fantasia (http://www.youtube.com/watch?v=8FtnPg2LhIc&feature=plcp)
A.Liadov- K.Kornienko. Baba-Jaga, Enchanted lake, Kikimora – YouTube (http://www.youtube.com/watch?v=GQxD-_eSm5Y&feature=plcp)
P.Tchaikovsky-K.Kornienko.Concert suite from Swan Lake (1,2) – YouTube (http://www.youtube.com/watch?v=qbnW1Iy2I6s&feature=plcp)
P.Tchaikovsky-K.Kornienko.Concert suite from Swan Lake (3-5) – YouTube (http://www.youtube.com/watch?v=zMgFmLirR6Q&feature=plcp)
3 Sketches on the themes of the opera "Boris Godunov" (arr. for piano by A. Kamensky )
Maria Yudina, piano
Download from Intoclassics.net (http://intoclassics.net/news/2011-10-31-25740)
ORFF – Carmina Burana (Piano Transcription).wmv – YouTube (http://www.youtube.com/watch?v=6xR3Pl1srKc&feature=related)
PANOVNIK: Alexander Kamensky, piano – broadcast-2 (FLAC) (http://panovnik.blogspot.com/2012/03/alexander-kamensky-piano-broadcast-2.html)
Alexander Danilovich Kamensky (1900-1952) – outstanding Soviet pianist, pupil of Professor BLUMENFELD. Professor of Leningrad Conservatory.
01. Kabalevsky – Grapes forager’s Choir from opera "Cola Brugnion" (arr.by A.Kamensky)
02. Khachaturian – Dance
03. Schubert – Waltzes (suite)
04. Tchaikovsky – Capriccioso
05. Tchaikovsky – Interrupted Dreams
06. Scriabin – Prelude
07. Scriabin – Prelude
Alexander Kamensky, piano
Rec.1940s
Radio Petersburg
PANOVNIK: Alexander Jocheles, piano – Schubert, Schumann (FLAC) (http://panovnik.blogspot.com/2011/06/alexander-jocheles-piano-schubert.html)
01 – Schubert. Adagio in E major, D.612.
02 – Schubert. Three Minuets – 1. A major, D.334.
03 – Schubert. Three Minuets – 2. E major, D.335.
04 – Schubert. Three Minuets – 1. Cis minor, D.600.
05 – Schubert. Ten Ecossaises, D.145, 299, 421, 697, 735, 781, 977.
06 – Schubert. Allegretto in C Minor, D.900, 348 (edition by Alexander Jocheles).
Robert Schumann
Two Fragments from the Music to Lord George Gordon Byron’s Dramatic Poem "Manfred" (transcription by Alexander Jocheles)
07 – The Shadow of Astarte.
08 – The Alpine Fairy.
09 – Schumann. Gugue, Lied and Fughette, Opus 32.
10 – Schumann. Four Sketches for Piano with Pedal Keyboard, Opus 58.
11 – Schumann. Impromptu on a Theme by Clara Wieck, Opus 50.
Alexander Jocheles (a.k.a Iokheles), piano
Recordings from the 1950 – 1960s
Does somebody knows how to download
Orchestrations by Sir Henry Wood ?
The link take me to another site with a thread closed here
Orchestrations by Sir Henry Wood (FLAC) | BOXSET.RU (http://boxset.ru/orchestrations-by-sir-henry-wood-flac/)
Thanks in advance!
Does somebody knows how to download
Orchestrations by Sir Henry Wood ?
The link take me to another site with a thread closed here
Orchestrations by Sir Henry Wood (FLAC) | BOXSET.RU (http://boxset.ru/orchestrations-by-sir-henry-wood-flac/)
Thanks in advance!
I think that the message addresses the issue clearly.
Only registered users allowed to view tracklist. You should log in or ask an invite.
If you didnt recieve your password you can restore it. The link to restore is under login form.
It???s a link to another post on another site asking You to register
But I Didn???t find the register button!!!
It???s a link to another post on another site asking You to register
But I Didn???t find the register button!!!
When I posted it on 03-10-2012, it was a download link. But the folks of boxset.ru decided to change their policy. It’s the invite button.
This is the DL link they provide, if you are able to download it…
FilePost.com: Download orchestrations_by_sir_henry_wood.rar – fast & secure! (http://filepost.com/files/566dfe27/orchestrations_by_sir_henry_wood.rar)
This is the DL link they provide, if you are able to download it…
FilePost.com: Download orchestrations_by_sir_henry_wood.rar – fast & secure! (http://filepost.com/files/566dfe27/orchestrations_by_sir_henry_wood.rar)
"The file owner has limited free downloads of this file. Thus a premium membership is required to download this file."
Do you still have a link for DL of the the entire list of songs from the movie? I am hitting a dead end trying to find all the other songs not on the original soundtrack release. Thanks.
Orchestra: London Philharmonic Orchestra
Conductor: Nicholas Braithwaite
Composer: Johann Sebastian Bach, Frederic Chopin, Franz Xaver Scharwenka, Enrique Granados, Edvard Grieg, Modest Mussorgsky, Claude Debussy, Sergei Rachmaninov
Orchestrations by Sir Henry Wood
J.S. BACH Toccata and Fugue in D minor (BWV 565) [9:53]
CHOPIN Marche fun???bre (from Piano Sonata No.2 in B flat minor) [10:26]
SCHARWENKA Polish Dance (Op.3 No.1) [4:10]
GRANADOS Spanish Dance (No.5 Andaluza) [5:15]
GRIEG Funeral March [7:47]
DEBUSSY La Cath???drale engloutie (Preludes, Book 1 No.10) [6:46]
RACHMANINOV Prelude in C sharp minor Op.3 No.2 [3:46]
MOUSSORGSKY Pictures at an Exhibition [30:29]
http://www.peejeshare.com/files/362287262/Orchestrations_HW.rar.html
password : kursanov
Debussy "La Cathedrale Engloutie" (‘The Engulfed Cathedral’) – Sir Henry Wood’s orchestration – YouTube (http://www.youtube.com/watch?v=4UyUCbqcId0)
Chopin "Funeral March" – Sir Henry Wood’s orchestration – YouTube (http://www.youtube.com/watch?v=2zM5aUh-FgI)
The conductor Sir Henry Wood was an adept of grand orchestration and continued in this activity after such indulgences had ceased to be fashionable.
The famous Bach Toccata and Fugue in a free-ranging transcription produced in 1929 manages to be teutonic and gargantuan yet finds room for fine romantic detail indebted to Rimsky-Korsakov’s fantasy operas.
The Chopin Funeral March is for large orchestra with bells and organ. It goes rather well and this version was first played in 1907 to mark the death of Joseph Joachim. This is a typically sonorous orchestration and it is sonorously played and recorded. It would be interesting to compare it with the orchestrations made by Stokowski and Elgar; the latter, it will be remembered, also orchestrated several Bach organ works. The wide-ranging Lyrita recording is something to be relished from the measured emergence into virtual silence to the saturated rise to protesting grief. Enigmatically it is both confessional and bellowing. The style is grand and no mistake; Hollywood sentimentality has nothing on this.
Xaver Scharwenka (brother of Philipp Scharwenka) had his Polish Dance No. 3 (one of a piano set of 12) orchestrated by Wood in 1919, the year of Polish independence also celebrated in Elgar’s Polonia. It is as light on its toes as the use of the grandest of grand orchestras permits and there’s certainly some delicate texturing.
Granados’s Spanish Dance No. 4 in G is a reminder of Wood’s regard for the Spanish composer. When Granados and his wife died after the torpedoing of the steamer ???Sussex??? in 1916, Wood played the completed part of the Granados???s major orchestral work Dante and Virgil. Here we stand at the more frivolous end of the scale with an orchestration that emphasises the Spanishry – complete with castanets. As in the Chopin the notated portamento is distinctive and very much of its time.
After this comes another funeral march – clearly Wood liked them and he did them well. This time it???s Grieg’s March for Richard Nordraak. The treatment preserves Grieg’s distinctive folk lisp but overall it???s another weightily expressive piece.
Debussy’s Cath???drale engloutie was more famously orchestrated by Stokowski but before that it had been given the orchestral treatment by Henri B???sser. Lewis Foreman plausibly speculates that, given its date (1919), it was intended as a memorial for Debussy’s death in 1918. It’s good to hear Wood, the magician of instrumentation, handling this piece with kid gloves and magically intensifying the impressionistic textures.
Rachmaninov could never escape the fame of his Prelude in C sharp minor op. 3 no. 2. Part of the ‘curse’ was a slew of orchestrators anxious to capitalise on the work’s success. Wood’s version was heard at the Queen’s Hall promenades on 20 September 1913 and he recorded it acoustically in 1915. There is about it something of the funeral cort???ge again. Wood every time succumbs to the stormily monumental if offered even a glimmer of encouragement.
It would be good to find a list of all the orchestrations of Mussorgsky’s Pictures at an Exhibition. Lewis Foreman reports that the first was by an obscure pupil of Rimsky-Korsakov, one Mikhail Tushmalov whose version dates from 1891; are we quite sure that this is not a nom de plume for Henry Wood who was given to that sort of thing. In any event the Tushmalov version was played by Wood after his own had been launched. Wood had been encouraged to tackle the orchestration by Rosa Newmarch and completed it in 1915. His version elides the promenades that separate the movements in the Ravel and in the original. Wood went so far as to withdraw his own score which is a pity because it has many strengths and is well worth getting to know. The highlights include the grand guignol of The Gnome with its rattle and nightmare. The Old Castle is more suave than the Ravel – one misses the saxophone. Tuileries is more pointillist-delicate than the Ravel with the solo violin playing a chuckling role. Bydlo has a more funereal tread and effect than the Ravel. The Ballet of the unatched chicks is inventively done with more woodwind charm than the Ravel. Goldenburg and Schmuyle has its pleasures including the strange woodwind chatter at 1:02 but overall is lacklustre by comparison with the Ravel. The chittering Limoges is similar to the Ravel. Catacombae is full of suitably mortuary effects. Bab Yaga’s Hut on Chicken Legs is another example of the sort of horror which Wood loved – he seems to have loved full-on horror rather than the lightly spooky. This movement recalls at times Night on the Bare Mountain. It ends with an eleven bar episode for the mushroom bells which do a creditable job of evoking Russian cathedral bells before the crash of The Great Gate of Kiev in which Wood’s phrasing differs noticeably from that of Ravel. Also at 2:00 the introduction to the pealing bell evocation is more magical than in the Ravel.
As expected then, it’s swings and roundabouts but there is plenty here to fascinate and please. The additional steeliness and grandiloquence that Wood brings is well worth encountering and that 32 foot organ pedal for The Gate registers unmistakably.
Who but Lyrita would give us such a valuable collection and annotate it in such princely detail at the hands of Lewis Foreman?
An enjoyable collection shedding new light on Henry Wood.
Orchestrations by Sir Henry Wood SRCD216 [RB]: Classical CD Reviews – August 2007 MusicWeb-International (http://www.musicweb-international.com/classrev/2007/Aug07/Henry_Wood_SRCD216.htm)
Orchestrations by Sir Henry Wood: Mussorgsky???s Pictures at an Exhibition, Pieces by Seven Other Composers (http://www.soundstage.com/music/reviews/rev969.htm)
The forthcoming Prom No 16 will be featuring an Debussy / Sir Henry Wood orchestration.
BBC – Proms – Prom 16 Elgar, Wood, Ravel & Debussy 2012 (http://www.bbc.co.uk/proms/whats-on/2012/july-26/14306)
Thank You Tsobanian, You???re a Gentleman
P.S.
I???m Greatfull forever ever
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Piano transcriptions for Rachmaninov, Giacomo Puccini, Jean Sibelius, Claude Debussy,
Ottorino Respighi, Igor Stravinsky, Sergei Prokofiev, Alexandr Glazunov (http://intoclassics.net/news/2011-11-01-25745)
http://radikal.ru/F/i081.radikal.ru/1110/71/4ddbee64af13.jpg.html
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Piano transcriptions for Aram Khachaturian, Alexander Cherepin, Bela Bartok, Johannes Brahms, Alexandr Scriabin, Sergei Prokofieff (http://intoclassics.net/news/2011-09-15-25069)
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Piano transcriptions for Cesar Frank, Carl Orff , Richard Wagner, Gabriel Faure, Bela Bartok, Maurice Ravel (http://intoclassics.net/news/2010-01-25-13266)
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?๏ฟฝ.???,???๏ฟฝ?????????????? – ?’?๏ฟฝ?๏ฟฝ?๏ฟฝ?,?<. ??.???*?๏ฟฝ???๏ฟฝ?๏ฟฝ??, ??.?๏ฟฝ.?๏ฟฝ?๏ฟฝ????????????????, ???*.?'?๏ฟฝ?????๏ฟฝ??. ?????๏ฟฝ?????????????????? ???๏ฟฝ?? ?"?????,?๏ฟฝ?????๏ฟฝ???? - 6 ?๏ฟฝ?๏ฟฝ?????๏ฟฝ?๏ฟฝ?? 2010 - ???????????๏ฟฝ?๏ฟฝ?????๏ฟฝ ?? ???๏ฟฝ?๏ฟฝ?????????? (http://intoclassics.net/news/2010-02-06-13625)
Maurice Ravel Claude Debussy orchestrations and piano transcriptions (http://intoclassics.net/news/2010-05-06-14747)
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??.??.?”?๏ฟฝ?๏ฟฝ?๏ฟฝ????????, ??.?’.???*?๏ฟฝ?.???๏ฟฝ??????????, ??.??.?????????๏ฟฝ????, ??.?๏ฟฝ.?๏ฟฝ?๏ฟฝ????????????????, ?”.?????๏ฟฝ???,. ?????๏ฟฝ?????????????????? ???๏ฟฝ?? ?”?????,?๏ฟฝ?????๏ฟฝ???? – 17 ???๏ฟฝ???,?๏ฟฝ 2010 – ???????????๏ฟฝ?๏ฟฝ?????๏ฟฝ ?? ???๏ฟฝ?๏ฟฝ?????????? (http://intoclassics.net/news/2010-03-17-14779)
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???๏ฟฝ???๏ฟฝ?? ???????? ???????๏ฟฝ?๏ฟฝ?, ?”???๏ฟฝ???????๏ฟฝ????. ?”?๏ฟฝ?๏ฟฝ????????, ???*?๏ฟฝ???๏ฟฝ?๏ฟฝ??, ?”?????๏ฟฝ – ???????๏ฟฝ???,?????????? (??????????, ???????๏ฟฝ?????๏ฟฝ ??????) – 11 ???๏ฟฝ???,?๏ฟฝ 2010 – ???????????๏ฟฝ?๏ฟฝ?????๏ฟฝ ?? ???๏ฟฝ?๏ฟฝ?????????? (http://intoclassics.net/news/2010-03-11-14659)
http://intoclassics.net/news/2010-03-10-14615 Claude Debussy Preludes orchestration Luc Brewaeys, (http://intoclassics.net/news/2010-03-10-14615)
Tchaikovsky Large Symphony Orchestra, Conductor Vladimir Fedoseyev
http://www.peejeshare.com/files/362573775/Sviridov_Blizzard_musical_illustrations.mpg.html
Format : MPEG Video
Format version : Version 2
Format profile : Main@Main
Format settings, BVOP : Yes
Format settings, Matrix : Custom
Duration : 31mn 24s
Bit rate mode : Variable
Bit rate : 2 764 Kbps
Maximum bit rate : 15.0 Mbps
Width : 704 pixels
Height : 576 pixels
Display aspect ratio : 4:3
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Compression mode : Lossy
Bits/(Pixel*Frame) : 0.273
Stream size : 621 MiB (92%)
Format : MPEG Audio
Format version : Version 1
Format profile : Layer 2
Duration : 31mn 24s
Bit rate mode : Constant
Bit rate : 192 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Compression mode : Lossy
Stream size : 43.1 MiB (6%)
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Georgi Sviridov – Time, Forward!, Kursk Songs, Ladoga, The Wooden Russia, It is Snowing.
Conductors : Rozhdestvenski Gennadi, Minin Vladimir, Fedoseyev Vladimir
Performers: Symphony Orchestra of Radio and Television of the USSR, Moscow Chamber Choir, The State Russian Choir, Grand Symphony Orchestra of All-Union Radio, Moscow Boys Choir of Institute Gnessin,
Genre: Film Music , Cantata
Year: 2003
Label: Melodiya
Audio Codec: FLAC
Bitrate audio: lossless
Duration: 66:15
http://www.peejeshare.com/files/362577443/Sviridov_TF.rar.html
password : kursanov
The Concert Hall: Claude Debussy: Engulfed Cathedral (http://theconcerthall.blogspot.com/2009/03/claude-debussy-engulfed-cathedral.html)
Debussy The engulfed Cathedral: Classical CD Reviews- October 2000 Music on the Web(UK) (http://www.musicweb-international.com/classrev/2000/oct00/debussyengulfed.htm)
http://rapidshare.com/files/212374112/dbssec.part1.rar
http://rapidshare.com/files/212390546/dbssec.part2.rar
Contents :
The Engulfed Cathedral (arr. Leopold Stokowski)
L’Isle Joyeuse (arr. Bernardino Molinari)
Deux Arabesques (arr. Henri Mouton)
La Mer
Bruy???res (arr. Percy Grainger)
Danse-Tarantelle Styrienne (arr. Maurice Ravel)
Children’s Corner (arr. Andre Caplet)
Geoffrey Simon conducts The Philharmonia Orchestra
The Concert Hall: Claude Debussy: Night In Granada (http://theconcerthall.blogspot.com/2009/03/claude-debussy-night-in-granada.html)
Debussy Night in Granada: Classical CD Reviews- October 2000 Music on the Web(UK) (http://www.musicweb-international.com/classrev/2000/oct00/Debussynight.htm)
http://rapidshare.com/files/210570325/dbssnig.part1.rar
http://rapidshare.com/files/210582471/dbssnig.part2.rar
Contents:
Night in Granada (arr. Leopold Stokowski)
Clair de Lune (arr. Andre Caplet)
Pagodes (arr. Percy Grainger)
The Girl With the Flaxen Hair (arr. William Gleichmann)
Nocturnes
Premi???re Rhapsodie
Petite Suite (arr. Henri B???sser)
Geoffrey Simon conducts The Philharmonia Orchestra
Geoffrey Simon series (http://anonym.to/?http://www.calarecords.com/acatalog/Geoffrey_Simon.html)
Could we possibly get these reuploaded please? Preferrably with Mediafire. Peeje is kinda frustrating to deal with.
Tchaikovsky Large Symphony Orchestra, Conductor Vladimir Fedoseyev
http://www.peejeshare.com/files/362573775/Sviridov_Blizzard_musical_illustrations.mpg.html
Format : MPEG Video
Format version : Version 2
Format profile : Main@Main
Format settings, BVOP : Yes
Format settings, Matrix : Custom
Duration : 31mn 24s
Bit rate mode : Variable
Bit rate : 2 764 Kbps
Maximum bit rate : 15.0 Mbps
Width : 704 pixels
Height : 576 pixels
Display aspect ratio : 4:3
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Compression mode : Lossy
Bits/(Pixel*Frame) : 0.273
Stream size : 621 MiB (92%)
Format : MPEG Audio
Format version : Version 1
Format profile : Layer 2
Duration : 31mn 24s
Bit rate mode : Constant
Bit rate : 192 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Compression mode : Lossy
Stream size : 43.1 MiB (6%)
================================================== =======================
Georgi Sviridov – Time, Forward!, Kursk Songs, Ladoga, The Wooden Russia, It is Snowing.
Conductors : Rozhdestvenski Gennadi, Minin Vladimir, Fedoseyev Vladimir
Performers: Symphony Orchestra of Radio and Television of the USSR, Moscow Chamber Choir, The State Russian Choir, Grand Symphony Orchestra of All-Union Radio, Moscow Boys Choir of Institute Gnessin,
Genre: Film Music , Cantata
Year: 2003
Label: Melodiya
Audio Codec: FLAC
Bitrate audio: lossless
Duration: 66:15
http://www.peejeshare.com/files/362577443/Sviridov_TF.rar.html
password : kursanov
I’d be curious if anyone has his Spring Songs for male chorus…. last seen on vinyl.
For me, mediafire is frustrating to upload. I am always getting a message "upload failed"
Besides, the intoclassics guys have done it!
ntoclassics.net/news/2009-08-22-8255 (http://intoclassics.net/news/2009-08-22-8255)
ClD_GS_V1.rar (http://files.mail.ru/3DONM4)
and………….
intoclassics.net/news/2011-10-31-25740 (http://intoclassics.net/news/2011-10-31-25740)
Mussorgsky Pictures (Piano and Orchestra).zip (http://files.mail.ru/TV7LJ4)
Borodin – G. Simon.zip (http://files.mail.ru/OHYYO5)
(Complete Ballet)
Mikhail Pletnev, Russian National Orchestra
MP3-V0 + Scans
Disc 1: http://rapidshare.com/files/273722729/Sleeping_Beauty_1.rar
Disc 2: http://rapidshare.com/files/273732229/Sleeping_Beauty_2.rar
Sample: Introduction (http://rapidshare.com/files/273732742/Prol-_Introduction._Allegro_vivo_-_Andantino_-_Moderato__Tempo_di_marcia_.mp3)
Gramophone:
Could you reupload this one please? it’s no longer online! thanks a lot in advance!
———- Post added at 10:23 PM ———- Previous post was at 10:21 PM ———-
TCHAIKOVSKY – SWAN LAKE
(Complete Ballet)
Charles Dutoit, Montr???al Symphony Orchestra
MP3-V0 + Scans
Disc 1: http://rapidshare.com/files/273557874/Swan_Lake_1.rar
Disc 2: http://rapidshare.com/files/273573532/Swan_Lake_2.rar
Sample: Danse espagnole (http://rapidshare.com/files/273583719/Act_3-_Danse_espagnole__Allegro_non_troppo._Tempo_di_bol ero_.mp3)
Unfortunately, the Previn recording above has multiple problems including mistitled and incomplete tracks. So, as promised, here’s my own rip of Charles Dutoit’s equally highly regarded interpretation. Ignore my miserable comments in the earlier post – I don’t know why I took a downer on it – this is a superlative recording with fantastic sound! It’s a very elegant and classical reading of the score I suppose; less overtly theatrical than some, but sweepingly symphonic.
From the Gramophone review:
This one isn’t either… could you please reupload? Thanks a lot ๐
———- Post added at 10:24 PM ———- Previous post was at 10:23 PM ———-
TCHAIKOVSKY – THE NUTCRACKER
(Complete Ballet)
Valery Gergiev, Kirov Orchestra
MP3-V0 + Scans
http://rapidshare.com/files/273707662/Nutcracker.rar
Sample: Inside the Christmas Tree (http://rapidshare.com/files/273708345/Act_1_Tableau_2-_Inside_the_Christmas_Tree.mp3)
Review in The New York Times:
Oh and this one too… thanks a bunch ๐
fantastic thanks a bunch! I’m particularly interested in the sleeping beauty one ๐ Great uploads btw!
Nice! What do ya think of the solo piano transcriptions of Sviridov’s Snowstorm as carried out by K. Titarenko and Sergei Kursanov??
(MGS theme fans, time to abuse your piano with some virtuosic transcriptions!!!!!!!!!)
Free Cloud Storage – MediaFire (http://www.mediafire.com/view/?1t29c2193hqnjmj)
Free Cloud Storage – MediaFire (http://www.mediafire.com/view/?39oz31mgiub1m8y)
Free Cloud Storage – MediaFire (http://www.mediafire.com/view/?3pj2j8v5by351bt)
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Free Cloud Storage – MediaFire (http://www.mediafire.com/view/?gkwi93ltpc65zdr)
FLAC | 221Mbs | RAR |
http://www.picturehost.eu/uploads/66e145fc822238f2d1113ab781af4e5e_510JB3HFUNL._SL50 0_AA300_.jpg
It is astonishing to recall that five years after the premi???re of Swan Lake, one of the greatest of all Russian ballets, and of Tchaikovsky???s three full-length ballets the one with the greatest number of memorable tunes, the composer wrote to his editor: ???To save this music from sinking into oblivion, I would like to make it into a concert suite modelled on Delibes??? published both as a symphonic score and as a transcription for four hands.??? The original transcription by the pianist Eduard Langer is heard on this recording with piano duet versions of concert suites from The Sleeping Beauty, commissioned from Rachmaninov and Ziloti, though later corrected by the composer himself, and from The Nutcracker, transcribed by Stepan Esipoff.
Tchaikovsky, Pyotr Il’yich
Rachmaninov, Sergei, arranger(s)
The Sleeping Beauty Suite, Op. 66a (arr. S. Rachmaninov for 2 pianos)
1. I. Introduction – The Lilac Fairy 00:04:43
2. II. Adagio – Pas d’action 00:05:30
3. III. Characteristic Dance 00:02:11
4. IV. Panorama 00:03:33
5. V. Waltz 00:03:58
Tchaikovsky, Pyotr Il’yich
Langer, Edouard, arranger(s)
Swan Lake Suite, Op. 20a (arr. for 2 pianos)
6. I. Scene 00:02:48
7. II. Waltz 00:06:25
8. III. Dance of the Swans 00:01:36
9. IV. Scene 00:05:17
10. V. Hungarian Dance, "Csardas" 00:02:14
11. VI. Scene 00:04:23
Tchaikovsky, Pyotr Il’yich
Esipoff, Stepan, arranger(s)
The Nutcracker Suite, Op. 71a (arr. for 2 pianos)
12. I. Overture 00:03:10
13. II. March 00:02:18
14. III. Dance of the Sugar Plum Fairies 00:02:00
15. IV. Russian Dance, "Trepak" 00:01:09
16. V. Arab Dance 00:02:58
17. VI. Chinese Dance 00:01:04
18. VII. Dance of the Reeds 00:02:16
19. VIII. Waltz of the Flowers 00:05:39
Total Playing Time: 01:03:12
DOWNLOAD
http://db.tt/1kCFuRYV
Thought I’d share this. Was looking for it and couldn’t find it anywhere. I love these ๐
TCHAIKOVSKY – THE SLEEPING BEAUTY
(Complete Ballet)
Mikhail Pletnev, Russian National Orchestra
MP3-V0 + Scans
Disc 1: TchSB.part1.rar (http://www.mediafire.com/?5umz3efjgfq56al)
Disc 2: TchSB.part2.rar (http://www.mediafire.com/?9do9md1gha65jnv)
Gramophone:
Given the total engagement in every bar of this recording, especially the vivid and varied characterisation, one is left wondering why there appeared to be less of it in this team’s DG cycle of the Tchaikovsky symphonies. That Pletnev knows and loves this score was already obvious from his own piano arrangements of parts of it, and their recordings. And if ever proof was needed of the pianist’s ability to transfer completely intact to the orchestra his own special brand of fantasy and superfine articulacy, this is it. Hardly a minute passes without one’s ear being enchanted by an affective gesture of the utmost precision, poise and sensitivity (all the various solos are superbly done); and significantly, the now-familiar Pletnev ideal of the tactfully and revealingly balanced tutti does not result in anticlimax, as it did in some of the symphonies.
If you need convincing, try the last ten minutes of Act 2 – a symphonic impression of the 100year sleep, owing not a little to Wagner in its methods and to something of the magical workings of Tchaikovsky’s own sea music for The Tempest – and ask yourself if you have ever heard it as atmospherically shaded; the subtle glints of Tchaikovsky’s wonderful orchestration as well caught; or the transition from static contemplation, through the kiss, to genuinely joyful activity, as well-gauged. A very special combination of all the right choices made as regards dynamics, tempo and differentiation of mood and, like so much else in this performance, a scene whose potential I cannot recall having been as fully realized as it is here.
The DG sound for Pletnev is as vibrant as you could wish, with deep perspectives and a superbly managed ambience. The ‘magical’ scenes are bathed in the appropriate enchanted halo, yet the textures kept clear in the active, louder sections of the score. It is a fractionally more brilliant sound than DG supplied in the symphonies (at last, the timpani are fully in focus!) and if the cellos are occasionally obviously spotlit and the violins inclined to a very slight steeliness in their upper reaches (their lower ‘chest’ voices are as glorious as ever), there is no denying the expert matching of tone and body of these divided fiddles (the score abounds in antiphonal exchanges for them). Not an easy task with half of them pointing in a different direction. I suppose that if you are going to divide your first and second violin desks, the ideal would be to have a group of seconds who were all left-handed!
TCHAIKOVSKY – SWAN LAKE
(Complete Ballet)
Charles Dutoit, Montr???al Symphony Orchestra
MP3-V0 + Scans
TchSL.part1.rar (http://www.mediafire.com/?8ksbw1ujbep8ubs)
TchSL.part2.rar (http://www.mediafire.com/?7ic2aa0bu2amcv3)
From the Gramophone review:
The Montreal performance is in every way recommendable. The very opening sets the seal on Dutoit’s approach and the aptness of his pacing, with the warm introduction leading through a perfectly managed accelerando to the Allegro giusto, and elsewhere the tempo relationships maintain the structural flow of Tchaikovsky’s four carefully conceived sections, almost like the four movements of a ballet-symphony, with a distinct key structure. Yet Dutoit revels in the imaginative orchestral colour and the diversity of the individual sections of the "Pas de deux", "Pas de trois", "Pas de six" and the famous "Danses de cygnes". It is above all a romantic reading, and rises to the occasion, appropriately reaching its peak in the great final scene, where the Swan theme is giving its frisson-creating transformation at the B major climax. Here the resplendent Decca recording is wonderfully expansive, and throughout the glowing St Eustache acoustic adds much to the beauty of the sound. There is an excellent introduction on the work’s history from Noel Goodwin and John Warrack’s exemplary synopsis not only relates the narrative to the music, number by number, but tells us about the composer’s self-borrowings from his operas Undine and The Voyevoda. I would now regard Dutoit as a clear first choice.
———- Post added at 09:55 PM ———- Previous post was at 09:39 PM ———-
TCHAIKOVSKY – THE NUTCRACKER
(Complete Ballet)
Valery Gergiev, Kirov Orchestra
MP3-V0 + Scans
TchN.rar (http://www.mediafire.com/?3rym3b4yl3e7hvb)
Review in The New York Times:
For most of us, Tchaikovsky’s ballet ”The Nutcracker” probably means one of two things: the perennial magic of the stagework itself or a purely musical encounter with the beloved little dances that pepper the second act. But who would pause over the whole of Tchaikovsky’s musical work, every scene and transition, without the stagecraft and dancing? After all, ”The Nutcracker” isn’t exactly the ”Pathetique” Symphony.
Or is it? In a new recording by Valery Gergiev and the Kirov Orchestra ”The Nutcracker” takes on a symphonic aspect of unsuspected power and depth. While cleverness and brilliance may be routinely associated with Tchaikovsky’s evergreen score, Mr. Gergiev gives fresh meaning to those virtues in an interpretation that is anything but routine.
Listening to the Kirov’s vibrant playing here, one thinks of Toscanini’s definition of tradition as the last bad performance. At least in the West, tradition has glazed the rich textures of ”The Nutcracker” with a superficial gloss that reflects nothing much deeper than good tunes. Mr. Gergiev and his savvy Russian ensemble strip away that varnish to get at the counterpoint, the interior voices and their animating rhythms. End to end, it’s a heady process of rediscovery.
Again and again, one is reminded of Tchaikovsky’s lifelong fascination with music of the 18th century. Along with the sparkling clarity and motoric energy that Mr. Gergiev brings to the work at every turn, he also catches a distinctive edge of Sturm und Drang that charges Tchaikovsky’s music at unexpected points: in Drosselmeyer’s presentation of gifts, in the impassioned duet between Clara and the Nutcracker, even in the grand waltz that crowns the ballet.
Perhaps nowhere is Mr. Gergiev’s sense of the musical fabric more striking than in the transitional Act I tableau of the Christmas tree, leading to the ”Waltz of the Snowflakes.” The conductor achieves an aura of dramatic suspension and flow worthy of a well-fashioned symphonic movement; ”The Nutcracker’,’ Mr. Gergiev demonstrates, makes for compelling theater even on the stage of the imagination.
But above all, his seriously considered reading shows us an eveninglong symphonic work of unflagging vitality and invention. Tchaikovsky may have rued the wild popularity of his children’s tale, but that was after the creative fact. Mr. Gergiev takes us back to that first light of inspiration, and his orchestra plays as if guided by the composer’s own hand.
Heard it on the radio a few years ago. Unfortunately, I was not able to find out which it was — it was one of these pieces:
ANONYMOUS: Suite, from Livre de St. Aphrodise [Beziers, @1735]
JEAN-DOMINIQUE PASQUET: Notturno for Trumpet and Organ.
Pretty sure it was the second. I remember doign a search, and could not find a CD, or a place that sells it. But it is on CD, as the host said — it’s just very rare.
Free File Hosting – Online Storage; Upload Mp3, Videos, Music. Backup Files (http://www.peejeshare.com/files/363246962/PT_ver1.zip.html)
Some transcriptions to look at once you’ve downloaded the zip file
*Strauss / Sergei Kursanov : Persian March
*Dunayevsky / Sergei Kursanov : Overture on Captain’s Grant Children
*Soloviev / Sergei Kursanov : Moscow Nights
*Sarasate / Sergei Kursanov : Zinegeunerweisen
*Sergei Kursanov : Rhapsody in Gypsy Style
*Kursanov Rumanian Rhapsody
*Monti / Sergei Kursanov : Czardas
*Tchaikovsky/ H. Hanke : Marche Slave Op. 31
*Gliere / Hans Swarsenski : Russian Sailors Dance (Yablochko)
*Elgar / Takashi Hoshide : Pomp & Circumstance March No. 1
*Kreisler / Grigory Ginzburg : Prelude & Allegro in the style of Pugnani
*Kreisler / Jan Holcman : Prelude & Allegro in the style of Pugnani
*Dukas / Gyorgy Sandor : The Scorcerer’s Apprentice
*Dukas / Vladimir Leyechhkiss : The Sorcerer’s Apprentice
*Rimsky-Korsakov / A. Kamensky : Suita Fantasia on the Invincible City of Kitezh
*Boroding / A. Kamensky : Polovtsian Dances
*Bizet / A. Kamensky : Overture
*Krenek / A. Kamensky : Foxtrot
*Strauss Josef / August Stradal : Dorfschwalben aus Osterreich
*Ippolitov-Ivanov / M. Lippold : Caucasian Sketches Op. 10
*Buxtehude / August Stradal : Chaconne in E Minor BuxWV 160
*Stravinsky / Theodore Szanto : Suite Petroushka
*Tchaikovsky / Stepan Esipoff : 1812 Overture Op. 49
*Sviridov / K. Titarenko : Snowstorm suite
*Handel / Anders Rachlew : Passacaglia in G Minor
*Monti / Giuseppe Ramella : Czardas
*Strauss / Alfred Grunfeld : Persian March Op. 289
*Strauss/ Alfred Grunfeld : Delirien Waltz
*Sarasate / Alfred Bensch : Zinegeunerweisen
*Sarasate / Goerges Enescu : Zinegeunerweisen
*Buxtehude / August Stradal : Chaconne in E Minor BuxWV 160
*Stravinsky / Mirkine & Pavchinsky : Petroushka
*Khachaturian / Hans Swarsenski : Sabre Dance
*Dvorak / Paul Juon : New World Symphony Op. 95
*Stravinsky / Sam Raphling : Firebird Suite
*Prokofiev / Sam Raphling : Scynthian Suite
In reference with music scores and sheets I’d recommend to have a look at.
=> Score search
Search system for musicians (http://en.scorser.com/D/Everything.html)
=>The Horowitz Scores. Very useful in case you want to procure Horowitz scores.
Index of /scores (http://vkgfx.com/scores/)
=> This a piano transcription database.
Opus Transcribisticum (http://www.pianophilia.com/ot/)
Of course it is advisable to join the pianophilia forum, so as to find a wide selection of piano sheets.
Pianophilia • Index page (http://www.pianophilia.com/phpBB3/index.php)
=> This is the Musical Page by University of Rochester.
https://urresearch.rochester.edu/viewInstitutionalCollection.action?collectionId=63
And of course their request page.
Request Form for Public Domain Scores (http://www.esm.rochester.edu/sibley/?page=request)
Mike’s old page
http://ark.media.mit.edu/~mike/music/scores/
username : leopold
password : godowsky
The Henselt Library at European-American University (http://henseltlibrary.wordpress.com/)
Transcriptions | gryaznoff.com (http://gryaznoff.com/en/scores)
Don’t wanna see anyone coming up and say that I forgot to post imslp.org…. That’s old news…
Yes, I agree with your listing here. I’m a British (classical) Music nut, and hope to encounter a few others on this site. Let’s show these Continentals that Britain can mix it with the best (by the way, I’m Australian so no bias here!)
Recently purchased Moeran’s "Lost" Symphony (No. 2) – spruced up by Martin Yates. For all Moeran fans I recommend taking a listen. I can upload if anyone is interested.
Also, I enjoy most of Benjamin Britten’s music – about as close to a genius as non-Europeans are allowed to be!!
And I have quite a bit of Alwyn’s stuff which has a distinctively ‘English’ sound.
As I type this I’m listening to Janet Baker’s recording of Elgar’s ‘Sea Pictures’ – wonderful singing (sigh). I’m also bowled over by Elgar’s Dream of Gerontius – the ending is quite luverly!
Rule Britannia!!!
大栗裕 – (HIROSHI OHGURI)
Violin Concerto
Fantasy on Osaka Folk Tunes
Legend for Orchestra
Rhapsody on Osaka Nursery Rhymes
Kazuhiro Takagi, violin
Osaka Philharmonic Orchestra
Tatsuya Shimono, conductor
Download: HO-VC.part1.rar (http://uploadmirrors.com/download/1UPKLK83/HO-VC.part1.rar)
Download: HO-VC.part2.rar (http://uploadmirrors.com/download/0QEG1NLN/HO-VC.part2.rar)
My Rip – LAME 3.98.4 V0 – Scans included – Sleeve notes in English and German
I don’t make it out record shopping as often as I used to, due to various commitments and lack of time… but I try to do it every now and again. Last Sunday I braved London’s Oxford Street and this was an impulse buy – at Naxos’ prices, it wasn’t hard to justify, and I’m very pleased because I enjoyed this disc immensely. The sleeve notes place the music in its cultural context – Ohguri embued the spirit (and language) of Osaka into these works, which of course are universal. The music is approachable, tuneful, immaculately orchestrated, and percussion is particularly well highlighted. Ohguri wields the traditional Western orchestra (skilfully) with a pure, honest, Eastern sensibility. This is no crossover. This is no western music with superficial Japanese overtones and cliched harmonies. It’s far more subtle than that; it is all at once very alien and very familiar.
I’d describe this better if I weren’t so tired… but in any case, you should listen for yourself and make your own judgement. I find these works very appealing. I hope you will too. ๐
Would love a reupload of this, please.
http://forums.ffshrine.org/f92/classical-request-58159/41.html#post1433545
thanks.
Yes, I agree with your listing here. I’m a British (classical) Music nut, and hope to encounter a few others on this site. Let’s show these Continentals that Britain can mix it with the best (by the way, I’m Australian so no bias here!)
Recently purchased Moeran’s "Lost" Symphony (No. 2) – spruced up by Martin Yates. For all Moeran fans I recommend taking a listen. I can upload if anyone is interested.
Also, I enjoy most of Benjamin Britten’s music – about as close to a genius as non-Europeans are allowed to be!!
And I have quite a bit of Alwyn’s stuff which has a distinctively ‘English’ sound.
As I type this I’m listening to Janet Baker’s recording of Elgar’s ‘Sea Pictures’ – wonderful singing (sigh). I’m also bowled over by Elgar’s Dream of Gerontius – the ending is quite luverly!
Rule Britannia!!!
The majority of my classical collection is early 20th Century British… especially Vaughan Williams and Finzi. I investigated Alwyn many years ago and found only ‘his favorite’ work The Concerto For Harp lovely. Britten: ergh. But Bridge, some Howells (especially the orchestral/strings), Butterworth, Walter Leigh, Sainton (The Island), Walton, Bax (NOT those symphonies but his work for piano and work for piano & orchestra), and a few other lesser knowns.
Seems to me we have very similar tastes. I’m collecting Howells at the moment: I recommend his sequence on ‘The B’s’ – just as good as Elgar’s Enigma variations, I think. And, of course, Howell’s Hymnus Paradisi is sheer Heaven (!) Just lately I purchased Vaughan Williams’s song cycle ‘On Wenlock Edge’ – quite exquisite (the version with Haitink and Ian Bostridge as the tenor is exceptionable) Walton, too, is a favourite of mine: Sinfonia Concertante with Eric Parkin is excellent. And Tony Palmer’s film on Walton, ‘At the Haunted End of the Day’ is available on Amazon if you’re a fan. Yes, I agree, Bax’s symphonies are an ‘acquired’ taste, although the lento in Symphony No. 3 can hold it’s own with most. Most of Bax’s tone poems are quite more-ish.
As for Britten, I’m impressed with his Cello Symphony (Rostropovich soloist) and, of course, the War Requiem, which must be one of the great works of 20th century music.
Keep the faith!!!
I like Bridge’s The Sea.
What about Bliss? ๐
Bridge’s The Sea is nice, but his Enter Spring (a Rhapsody) just blows the roof off! His solo piano work is nice. Naxos offers two discs. It is sad that so few British composers indulged in the piano.
Of course Ralph Vaughan Williams’ Concerto for Two Pianos (the EMI version with Adrian Boult conducting, since NOTHING else compares) remains STUNNING.
———- Post added at 03:55 PM ———- Previous post was at 03:41 PM ———-
Seems to me we have very similar tastes. I’m collecting Howells at the moment: I recommend his sequence on ‘The B’s’ – just as good as Elgar’s Enigma variations, I think. And, of course, Howell’s Hymnus Paradisi is sheer Heaven (!) Just lately I purchased Vaughan Williams’s song cycle ‘On Wenlock Edge’ – quite exquisite (the version with Haitink and Ian Bostridge as the tenor is exceptionable) Walton, too, is a favourite of mine: Sinfonia Concertante with Eric Parkin is excellent. And Tony Palmer’s film on Walton, ‘At the Haunted End of the Day’ is available on Amazon if you’re a fan. Yes, I agree, Bax’s symphonies are an ‘acquired’ taste, although the lento in Symphony No. 3 can hold it’s own with most. Most of Bax’s tone poems are quite more-ish.
As for Britten, I’m impressed with his Cello Symphony (Rostropovich soloist) and, of course, the War Requiem, which must be one of the great works of 20th century music.
Keep the faith!!!
Can’t stand Elgar- except his Sospori (sp?). Too old fashioned.
Howells’ MISSA SABRINENIS is a fun slog. The jazzy soprano bits; and its history of the first performance is a hoot: the conductor & orchestra had to stop because they got LOST. It was deemed ‘unperformable’ after that. But I have the Chandos recording so they finally figured it out. His ELEGY FOR SOLO VIOLA, STRING QUARTET and STRING ORCHESTRA rips your heart out in its plaintive misery. But Howells is known for that sort of work. That’s why the discovery of his perky & much enjoyable orchestral work many years ago was such a great & unexpected find.
After reading Gerald Finzi’s latest biography years ago, I wrote (did not email) the author on the excellence of this book. She had even met the man at one time. His great friendship with RVW (the Finzi house was always filled with cats and there was only one clock. It was in the kitchen, and wrong). You get insight into the man and insight into his work and its gestation.
vivaldi recomposed – MAX RICHTER?
Thanks
I’m also interested!
———- Post added at 11:49 PM ———- Previous post was at 11:44 PM ———-
Anyone happen to have "Debussy: La Mer […]" performed by the Seoul Philharmonic Orchestra? From what I have heard this recording is perfect. Thank you in advance!
La Mer is one of my favourite pieces, never heard about that from Seoul Philharmonic. I have these three recordings in case you’re interested in any of them:
-New Philharmonia Orchestra conducted by Pierre Boulez
-Berlin Philharmonic Orchestra conducted by Herbert von Karajan
-Saint Louis Symphony Orchestra conducted by Leonard Slatkin
it would be great to compare the Previn recording and to grab my hand on the Planets! thank you in advance tazermonkey!
Darn, you beat me to it! ๐
Edit: I already have it uploaded and will post in a new thread if you want to save your bandwidth.
Edit: I already have it uploaded and will post in a new thread if you want to save your bandwidth.
I shall leave Dutoit to you, good sir, but for jacksbrain I will be happy to upload the Previn.
LA MER / NOCTURNES /
PRELUDE TO THE AFTERNOON OF A FAUN
London Symphony Orchestra, Ambrosian Singers
conducted by Andre Previn
Lush | Sweeping | Exotic | Sensual
FLAC (CUE + LOG) | 7 Tracks | 61:21 | 227 MB
LA MER (97 MB) (http://www.mediafire.com/?chd3i0i09ct3fo7)
I. De l’aube ??? midi sur la mer – 9:08
II. Jeux de vagues – 7:06
III. Dialogue du vent et de la mer – 8:27
PR???LUDE ??? L’APR???S-MIDI D’UN FAUNE (41 MB) (http://www.mediafire.com/?x187b687sqskqrg) – 10:29
NOCTURNES (90 MB) (http://www.mediafire.com/?7d7wozqdkax237x)
I. Nuages – 8:02
II. F???tes: 6:44
III. Sir???nes – 11:25
Apologies that the archive is split separately, but as MF is blocking multi-part archives while also seemingly the most reliable filehost, it is a necessary evil. CUE + LOG located in the "Nocturnes" archive. Enjoy ๐
These things make me feel like I’m home. THANKS
———- Post added at 10:36 AM ———- Previous post was at 10:29 AM ———-
by the way. Just noticed that wimpel69 uploaded another recording of La Mer by at the great thread http://forums.ffshrine.org/f92/wimpel69s-could-film-music-classical-corner-work-121898/3.html#post2191515
Amazon.com: Xian Xinghai: The Yellow River Cantata and Piano Concerto – Liu Wenjin: Capriccio of The Great Wall: China National Symphony Orchestra: Music (http://www.amazon.com/Xian-Xinghai-Cantata-Concerto-Capriccio/dp/B003SHDNCE/ref=sr_1_1?s=music&ie=UTF8&qid=1351081727&sr=1-1&keywords=yellow+river+cantata)
Amazon.com: Xian Xinghai: The Yellow River Cantata and Piano Concerto – Liu Wenjin: Capriccio of The Great Wall: China National Symphony Orchestra: Music (http://www.amazon.com/Xian-Xinghai-Cantata-Concerto-Capriccio/dp/B003SHDNCE/ref=sr_1_1?s=music&ie=UTF8&qid=1351081727&sr=1-1&keywords=yellow+river+cantata)
I can offer The Yellow River Cantata (the original!) in a better recording:
DepositFiles (http://depositfiles.com/files/xjs6zndmh)
Music by Xian Xing-Hai (2nd version, with full orchestra)
The Shanghai Symphony Orchestra and Chorus
Conducted by Cao Ding (Peng)
The original is a powerful dramatic cantata, composed in a cave(!) by Xian Xing-Hai during the Second Sino-Japanese war.
Although I got several versions The Yellow River Concerto (a rather feeble-minded arrangement of the original vocal work for piano and orchestra, which only succeeds to sound live a heavily diluted Chinese-tinged Rachmaninov), including the one you want (but in a different coupling) I definitely recommend the original!
Try using the SEARCH function of this forum.
I can offer The Yellow River Cantata (the original!) in a better recording:
DepositFiles (http://depositfiles.com/files/xjs6zndmh)
Music by Xian Xing-Hai (2nd version, with full orchestra)
The Shanghai Symphony Orchestra and Chorus
Conducted by Cao Ding (Peng)
The original is a powerful dramatic cantata, composed in a cave(!) by Xian Xing-Hai during the Second Sino-Japanese war.
Although I got several versions The Yellow River Concerto (a rather feeble-minded arrangement of the original vocal work for piano and orchestra, which only succeeds to sound live a heavily diluted Chinese-tinged Rachmaninov), including the one you want (but in a different coupling) I definitely recommend the original!
FLAC | 221Mbs | RAR |
http://www.picturehost.eu/uploads/66e145fc822238f2d1113ab781af4e5e_510JB3HFUNL._SL50 0_AA300_.jpg
Tchaikovsky, Pyotr Il’yich
Rachmaninov, Sergei, arranger(s)
The Sleeping Beauty Suite, Op. 66a (arr. S. Rachmaninov for 2 pianos)
1. I. Introduction – The Lilac Fairy 00:04:43
2. II. Adagio – Pas d’action 00:05:30
3. III. Characteristic Dance 00:02:11
4. IV. Panorama 00:03:33
5. V. Waltz 00:03:58
Tchaikovsky, Pyotr Il’yich
Langer, Edouard, arranger(s)
Swan Lake Suite, Op. 20a (arr. for 2 pianos)
6. I. Scene 00:02:48
7. II. Waltz 00:06:25
8. III. Dance of the Swans 00:01:36
9. IV. Scene 00:05:17
10. V. Hungarian Dance, "Csardas" 00:02:14
11. VI. Scene 00:04:23
Tchaikovsky, Pyotr Il’yich
Esipoff, Stepan, arranger(s)
The Nutcracker Suite, Op. 71a (arr. for 2 pianos)
12. I. Overture 00:03:10
13. II. March 00:02:18
14. III. Dance of the Sugar Plum Fairies 00:02:00
15. IV. Russian Dance, "Trepak" 00:01:09
16. V. Arab Dance 00:02:58
17. VI. Chinese Dance 00:01:04
18. VII. Dance of the Reeds 00:02:16
19. VIII. Waltz of the Flowers 00:05:39
Total Playing Time: 01:03:12
DOWNLOAD
http://db.tt/1kCFuRYV
Thought I’d share this. Was looking for it and couldn’t find it anywhere. I love these ๐
Re-up Possible?
Thanks very much in advance!
Try using the SEARCH function of this forum.
I’m searching for:
Les Aventures du Roi Pausole (1995 recording)
S???r???nade ??? Ang???lique, for orchestra, H. 182
Les Aventures du Roi Pausole (1995 recording)
S???r???nade ??? Ang???lique, for orchestra, H. 182
Have you tried this? type in google: Les Aventures du Roi Pausole site:forums.ffshrine.org
———- Post added at 01:55 PM ———- Previous post was at 01:53 PM ———-
May i please have
vivaldi recomposed – MAX RICHTER?
Thanks
Is this one of his albums?
not works …
Thanks ๐
I have the Marco Polo… two discs… a booklet the length of a Bible.
Thanks ๐
La Discoteca Cl???sica: Brian Havergal (http://ladiscotecaclasica.blogspot.gr/search/label/Brian%20Havergal)
Havergal Brian: Symphony No.1 "The Gothic" /BBc National Orchestra of Wales; BBCConcert Orchestra; Chorus and Soloists/ Martyn Brabbins – CLASSICS (http://classicallibrary.blogspot.gr/2012/01/havergal-brian-symphony-no1-gothic-bbc.html)
There are two other recordings:
They were both recorded at Royal Albert Hall. The Boult version is the oldest, with rather poor sound (although this re-release has been improved), the Brabbins was recorded at the PROMS just a couple of years ago and is the best version available by about a mile. ๐
FLAC | 221Mbs | RAR |
http://www.picturehost.eu/uploads/66e145fc822238f2d1113ab781af4e5e_510JB3HFUNL._SL50 0_AA300_.jpg
Tchaikovsky, Pyotr Il’yich
Rachmaninov, Sergei, arranger(s)
The Sleeping Beauty Suite, Op. 66a (arr. S. Rachmaninov for 2 pianos)
1. I. Introduction – The Lilac Fairy 00:04:43
2. II. Adagio – Pas d’action 00:05:30
3. III. Characteristic Dance 00:02:11
4. IV. Panorama 00:03:33
5. V. Waltz 00:03:58
Tchaikovsky, Pyotr Il’yich
Langer, Edouard, arranger(s)
Swan Lake Suite, Op. 20a (arr. for 2 pianos)
6. I. Scene 00:02:48
7. II. Waltz 00:06:25
8. III. Dance of the Swans 00:01:36
9. IV. Scene 00:05:17
10. V. Hungarian Dance, "Csardas" 00:02:14
11. VI. Scene 00:04:23
Tchaikovsky, Pyotr Il’yich
Esipoff, Stepan, arranger(s)
The Nutcracker Suite, Op. 71a (arr. for 2 pianos)
12. I. Overture 00:03:10
13. II. March 00:02:18
14. III. Dance of the Sugar Plum Fairies 00:02:00
15. IV. Russian Dance, "Trepak" 00:01:09
16. V. Arab Dance 00:02:58
17. VI. Chinese Dance 00:01:04
18. VII. Dance of the Reeds 00:02:16
19. VIII. Waltz of the Flowers 00:05:39
Total Playing Time: 01:03:12
DOWNLOAD
http://db.tt/1kCFuRYV
Thought I’d share this. Was looking for it and couldn’t find it anywhere. I love these ๐
Link is dead ๐
Tchaikovsky / H. Hanke : Marche Slave Op. 31 (for solo piano) (VBR V0 mp3)
Tchaikovsky-Hanke__Marche Slave, Op31.mp3 (http://www.mediafire.com/?ujrs8111pnbkasn)
reviews of divine art dda25093 Tchaikovsky Transcriptions (http://www.divineartrecords.com/CD/rev25093.htm)
Written in just five days in November 1876, the "Marche Slave" is one of Tchaikovsky’s most rousing works. Built on Serbian tunes and on the Russian National Anthem "God Save the Tsar", the March created a bedlam of enthusiasm at its premiere in the same month and year, and this induced the composer to write a version for solo piano, also in 1876. The transcription recorded here is by one H. Hanke and was published in Russia about 1904. Unfortunately, we know nothing about this person, not even whether it was a man or a woman, but what can be ascertained is that H. Hanke was a true virtuoso. The piano version of this famous piece is a staggering conception and it does not in any way spare the performer the difficulty and the stamina required to bring it off.
This isn’t going to be of much help, but at least, it’s a reference.
tangotreats posted this back in 2009, in The Big Orchestral Action Music thread, page 120. Links appear to be down.
DAVE ROYLANCE and BOB GALVIN
THE TALL SHIPS SUITE
OCEAN FANTASIA
VOYAGER
The Royal Liverpool Philharmonic Orchestra
conducted by Bill Connor
LAME 3.98.2 -V0
home.pl : Najlepszy hosting. Domeny, serwery, e-mail, sklepy internetowe, SSL (http://www.rapidspread.com/file.jsp?id=eyi6wthfe4)
Mussorgsky "Bydlo" (‘Pictures at an Exhibition’) – Peter Breiner’s orchestration – YouTube (http://www.youtube.com/watch?v=uqBCUunaTtE)
There are over 30 symphony orchestra arrangements of ‘Pictures at an Exhibition,’ including Ravel’s, but one of the most recent is also one of the most over-the-top! It makes the versions by Sir Henry Wood and Leopold Stokowski sound positively ascetic. It’s by the Slovak conductor/composer Peter Breiner and here’s a ‘sampler’ of his scoring: the movement entitled "Bydlo" depicting a Polish ox-wagon. Breiner himself conducts the New Zealand Symphony on this splendidly recorded CD for Naxos.
Ippolitov-Ivanov / Stokowski : In a Manger
Ippolitov-Ivanov "In the Manger" (arr. Stokowski) – Bamert conducts – YouTube (http://www.youtube.com/watch?v=ojCiDGU50d4)
Mikhail Ippolitov-Ivanov (1859-1935) arranged an old Russian carol for choir and piano and this in turn was orchestrated for brass and strings by Leopold Stokowski. He published it as ‘Traditional Slavic Christmas Music,’ though for the recording made by Matthias Bamert, his one-time Assistant Conductor, the carol’s title was reinstated. We hear the strings and brass of the BBC Philharmonic in this recording by Chandos.
Bless This House’ – Carmen Dragon conducts
‘Bless This House’ – Carmen Dragon conducts – YouTube (http://www.youtube.com/watch?v=bWrlEOOAXV8)
This celebrated song, with words by Helen Taylor and music by May Brahe, dates from 1927. In this 1959 recording, made in EMI’s Abbey Road Studio 1, London, Carmen Dragon conducts the Royal Philharmonic in his own purely orchestral arrangement. Presumably for contractual reasons, the orchestra was designated the Capitol Symphony, since it was on the ‘Capitol’ label that the LP was originally released. (With all due acknowledgements to the ‘Angel’ CD entitled ‘America the Beautiful’ from which this track comes.)
Mussorgsky "Capriccio" (‘Pictures from the Crimea’) – Geoffrey Simon conducts
Mussorgsky "Capriccio" (‘Pictures from the Crimea’) – Geoffrey Simon conducts – YouTube (http://www.youtube.com/watch?v=h8IHl85yNq4)
The ‘Pictures from the Crimea’ are three of Mussorgsky’s piano pieces as orchestrated by Walter Goehr. The third of them, the "Capriccio" heard here, is one of two ‘Reminiscences’ of a visit that Mussorgsky made to the Crimea region of Southern Russia in 1879. In this colourful recording, Geoffrey Simon conducts the Philharmonia (With all due acknowledgements to Cala Records.)
Shostakovich "Tea for Two" (‘Tahiti Trot’) – Sinaisky conducts
Shostakovich "Tea for Two" (‘Tahiti Trot’) – Sinaisky conducts – YouTube (http://www.youtube.com/watch?v=NYJUJ_qzVWY)
After Shostakovich and Nikolai Malko had listened to an old 78rpm disc of Vincent Youman’s "Tea for Two" in 1927, Malko bet Dmitri 100 roubles that he couldn’t come up with an orchestration of the song, entirely from memory, in less than an hour. Shostakovich went into the next room and returned 45 minutes later, having made his own orchestration, and duly won the bet. In its new guise, the piece was called ‘Tahiti Trot’ and here it is, as played at the 1997 Proms by the BBC Philharmonic under Vassily Sinaisky.
Rimsky-Korsakov ‘Flight of the Bumble Bee’ – George Malcolm, harpsichord; Sinfonia of London
Rimsky-Korsakov ‘Flight of the Bumble Bee’ – George Malcolm, harpsichord; Sinfonia of London – YouTube (http://www.youtube.com/watch?v=4f8K4EXi0_g)
Rimsky-Korsakov’s ‘Flight of the Bumble Bee’ comes from his opera "Tsar Saltan." It is played here in an arrangement by Don Banks, with George Malcolm on the harpsichord and the Sinfonia of London conducted by Robert Irving. (From a 1958 HMV LP entitled "Philharmonic Pops.")
Sousa-Stokowski ‘Stars and Stripes Forever’ – Wayne Marshall conducts
Sousa-Stokowski ‘Stars and Stripes Forever’ – Wayne Marshall conducts – YouTube (http://www.youtube.com/watch?v=li16TM3TBfw)
Stokowski’s rousing orchestration of Sousa’s most celebrated march was the last item on an all-American programme given in 2000 by the BBC Philharmonic conducted by Wayne Marshall.
Mussorgsky ‘Night on Bare Mountain’ – Gottfried von Einem’s edition
Mussorgsky ‘Night on Bare Mountain’ – Gottfried von Einem’s edition – YouTube (http://www.youtube.com/watch?v=AkfTei9NJe8)
Mussorgsky’s ‘A Night on the Bare Mountain’ exists in several versions. There’s the composer’s own original orchestral score, as well as the choral version he used in his opera ‘Sorochintsy Fair.’ Rimsky-Korsakov’s edition has been the most widely played and recorded over the years, with Stokowski’s version, familiar from Walt Disney’s "Fantasia," being a close runner-up. Rene Leibowitz made his own arrangement with a completely new ending, while Charles Gerhardt heavily edited the Rimsky score and engaged Sir Adrian Boult to record his arrangement for Reader’s Digest. All these different versions are on You Tube.
The edition heard here, prepared by the Austrian composer Gottfried von Einem (1918-1996) "offers an alternative working of material that had undergone a number of changes at the hands of its original composer, and had, therefore, been left in some final disorder." (From the notes to the Marco Polo CD on which Alfred Walter conducts the North German Radio Orchestra, the Mussorgsky track being uploaded here with all due acknowledgements.) It starts off in a familiar vein, using the Rimsky score as its basis, but towards the end Gottfried von Einem’s imagination takes over … and we don’t get the usual quiet ending!
Bach-Stokowski ‘Mein Jesu’ – Tortelier conducts
Bach-Stokowski ‘Mein Jesu’ – Tortelier conducts – YouTube (http://www.youtube.com/watch?v=-XqBgQ6CUo4)
Stokowski’s arrangement for strings of Bach’s song ‘Mein Jesu’ sounds particularly beautiful in this performance, due to the acoustics where it was played. It was recorded in Liverpool Cathedral by the strings of the BBC Philharmonic under Yan Pascal Tortelier in July 1993 and broadcast the following December. It is one of Stokowski’s simplest yet most affecting transcriptions.
Duparc "Extase" – Stokowski conducts
Duparc "Extase" – Stokowski conducts – YouTube (http://www.youtube.com/watch?v=jX7JavLXfxc)
Stokowski’s catalogue of orchestral transcriptions of works originally written for other mediums runs to about 200 titles. One of these arrangements is of a song for voice and piano by Henri Duparc entitled "Extase." This performance dates from 1972 and is played by the London Symphony Orchestra under the 90-year-old Stokowski on a Cala CD of French music.
On your pale breast my heart is sleeping
In a slumber sweet like death
Exquisite death, death perfumed
By the breath of my beloved
On your pale breast my heart is sleeping
Purcell ‘Dido and Aeneas’ Suite – Ormandy conducts
Purcell ‘Dido and Aeneas’ Suite – Ormandy conducts – YouTube (http://www.youtube.com/watch?v=k_EgtY1b_yM)
Purcell’s opera "Dido and Aeneas" provided music for a sumptuous Orchestral Suite arranged in 1939 by Lucien Cailliet, a distinguished woodwind player in the Philadelphia Orchestra as well as its resident ‘house arranger.’ Cailliet’s Suite was recorded on 78s that year under Eugene Ormandy’s direction, so the sound is very historic indeed. In addition, the playing style is totally unlike what we hear today in ‘authentic performances’ of baroque music on ancient instruments, so please be warned! Even so, some listeners may think it is worth resurrecting here. The Suite begins with the opera’s Overture (a Lento followed by an Allegro moderato) and concludes with ‘When I am laid in Earth’ at about 10:40.
Weber orch. Weingartner ‘Invitation to the Dance’ – Susskind conducts
Weber orch. Weingartner ‘Invitation to the Dance’ – Susskind conducts – YouTube (http://www.youtube.com/watch?v=pEgU7fo-u64)
Weber’s ‘Invitation to the Dance,’ originally for solo piano, is best known in an orchestration by Berlioz. However, the conductor Felix Weingartner made an even more colourful arrangement in which the two main themes are frequently combined in counterpoint. Weingartner’s own 78s of it are uploaded on You Tube but here is a splendidly vivid 1960s stereo recording made by the Bournemouth Symphony under Walter Susskind. This music was used for the ballet "Le Spectre de la Rose" in which a young girl, asleep in a chair and cradling a rose, imagines that it comes to life in the form of a virile young man who leaps in through her open window and dances with her while she dreams. Stills of various dancers are used, including Nijinsky, who created the Rose.
Rachmaninov orch. Sir Henry Wood: Prelude in C-sharp minor
Rachmaninov orch. Sir Henry Wood: Prelude in C-sharp minor – YouTube (http://www.youtube.com/watch?v=4gR0mXBLe-s)
Sir Henry Wood was an inveterate transcriber of piano works and his orchestration of Rachmaninov’s most famous Prelude dates from 1913. The splendid recording heard here was made by the London Philharmonic conducted by Nicholas Braithwaite.
Rachmaninov Prelude in C# minor – Sir Henry Wood’s orchestration – YouTube (http://www.youtube.com/watch?v=6-6ql7obeGI)
Purcell "Hornpipe" from ‘King Arthur’ (arr. Herbage) – Stokowski conducts
Purcell "Hornpipe" from ‘King Arthur’ (arr. Herbage) – Stokowski conducts – YouTube (http://www.youtube.com/watch?v=mPjugQ4ujGE)
Julian Herbage was an English musicologist with special interest in 17th & 18th century music from which he prepared many suites and editions of his own. He also presented ‘Music Magazine’ on BBC radio and during the early 1950s invited Stokowski to appear on the programme. The Maestro repaid the compliment by recording for an early Capitol stereo LP this little "Hornpipe" from Herbage’s string orchestra Suite of Music from Purcell’s opera ‘King Arthur.’
Two Dutch Tunes of the 16th Century – Kindler conducts
Two Dutch Tunes of the 16th Century – Kindler conducts – YouTube (http://www.youtube.com/watch?v=rJIRkY-d87I)
The Dutch virtuoso cellist Hans Kindler abandoned the cello for a conducting career after the First World War and in 1931 founded the National Symphony Orchestra of Washington, D.C. For his debut concert with them he played three 16th Century Dutch Tunes which he’d orchestrated. Ten years later he recorded two of them: "In Times of Stress" and "See How Strong This Struggling Nation." This old 1941 78rpm disc was re-released some years ago, along with others from the same period (their copyright having long expired) on a Biddulph CD, in transfers by Mark Obert-Thorn (WHL 063).
Bach orch. Cailliet "Little" Fugue – Fiedler conducts
Bach orch. Cailliet "Little" Fugue – Fiedler conducts – YouTube (http://www.youtube.com/watch?v=mJhMjs1rwxU)
Bach’s "Little" Fugue in G minor was orchestrated by Lucien Cailliet (1891-1985), a woodwind player and ‘house arranger’ for the Philadelphia Orchestra as well as being a conductor and composer in his own right. He made a great many arrangements, including one of Mussorgsky’s "Pictures at an Exhibition" commissioned in 1937 by Eugene Ormandy. The Bach transcription heard here is brilliantly played by the Boston Pops under Arthur Fielder and comes from an RCA CD of other Bach works.
Debussy "La Cathedrale Engloutie" (‘The Engulfed Cathedral’) – Sir Henry Wood’s orchestration
Debussy "La Cathedrale Engloutie" (‘The Engulfed Cathedral’) – Sir Henry Wood’s orchestration – YouTube (http://www.youtube.com/watch?v=4UyUCbqcId0)
Sir Henry Wood’s transcription of Debussy’s famous piano prelude dates from 1919 when he first introduced it at one of the Proms Concerts which still bear his name today. His scoring requires a large orchestra that includes a gong, tubular and mushroom bells, two harps and organ. Wood made his version as a memorial tribute to Debussy who had died the previous year. (From a ‘Lyrita’ CD on which Nicholas Braithwaite conducts the London Philharmonic.)
Rachmaninoff "Tarantella" (Suite No. 2) arr. for Piano and Orchestra
Rachmaninoff "Tarantella" (Suite No. 2) arr. for Piano and Orchestra – YouTube (http://www.youtube.com/watch?v=jfiPWtaH1sU)
This "Tarantella" comes from what might be called Rachmaninoff’s 5th Piano Concerto! In its original form it is the Suite No. 2 for Two Pianos but we hear it in a transcription for Solo Piano and Orchestra. This arrangement was made by Lee Hoiby (1926-2011) and recorded by him in 1968 with the London Symphony Orchestra conducted by Lawrence Foster. (From a ‘Desto’ LP; also reissued on a ‘Citadel CD’.)
Stravinsky "Happy Birthday" (‘Greeting Prelude’) – Slatkin conducts – YouTube (http://www.youtube.com/watch?v=SzLscHE4WjA)
In 2000, the BBC Symphony Orchestra celebrated its 70th anniversary with a special concert at the Barbican Hall in London. Leonard Slatkin had just been appointed its new Chief Conductor and he marked the occasion by introducing and conducting Stravinsky’s version of "Happy Birthday."
https://www.youtube.com/watch?v=7t56lxm5nzY
Stokowski recorded most of his Bach arrangements on old 78rpm discs but with the advent of the stereo LP he re-recorded many of them in sumptuous sound. This example dates from 1960 when he returned to conduct the Philadelphia Orchestra after nearly 20 years absence. It comes from a complete set of Stokowski’s stereo recordings for Columbia.
Tchaikovsky ‘Andante Cantabile’ – Sargent conducts – YouTube (http://www.youtube.com/watch?v=wdhtHiyOV4Y)
Tchaikovsky’s ‘Andante Cantabile’ from his String Quartet No. 1 moved Tolstoy to tears at its first performance. It is played here by the BBC Symphony under Sir Malcolm Sargent. It comes from a 1959 recording and is heard in an arrangement for string orchestra by Adolf Schmid.
Bach-Klemperer ‘Bist du bei mir’ – Slatkin conducts – YouTube (http://www.youtube.com/watch?v=TmDf7ehQ-Bc)
Otto Klemperer arranged this song for strings in 1935. It comes from the Anna Magdalena Bach Notebook, though modern scholarship attributes the melody not to Bach but to an opera called ‘Diomedes’ by Gottfried Stolzel that was first performed in 1718. It is played here by the BBC Symphony under its then Chief Conductor, Leonard Slatkin.
Handel-Elgar: Overture in D minor – Sargent conducts – YouTube (http://www.youtube.com/watch?v=_mAyPHCyNsg)
This music occurs twice in Handel’s catalogue: as the Overture to the second of his twelve Chandos Anthems and again in the fifth of his Six Concerti Grossi of 1734. Elgar orchestrated it in 1923 and the recording heard here, played by Sir Malcolm Sargent and the Royal Philharmonic, dates from 1959 and is thus out-of-copyright under the 50-year expiry rule (UK / EU) which governs sound recordings. Also out of copyright is Handel’s music, while Elgar’s went out of copyright in 2005.
Chopin "Fantasie-Impromptu" – Carmen Dragon conducts – YouTube (http://www.youtube.com/watch?v=gk9-WnfKVyw)
Chopin’s "Fantasie-Impromptu" in C# minor is here brilliantly realised by conductor / arranger Carmen Dragon and the Hollywood Bowl Symphony on a 1950s Capitol recording.
Your record shows that you yourself have NEVER provided any content (just 4 "started threads", ALL requests!). That’s what I mean by "moocher" – or, less diplomatically, parasite!
RESPIGHI: PINES OF ROME – MUSSORGSKY: PICTURES AT AN EXHIBITION
BBC National Orchestra of Wales, Tadaaki Otaka (conductor)
BBC Symphony Orchestra, Leonard Slatkin (conductor)
MUSSORGSKY Pictures RESPIGHI Pines WARNER 2564 61954-2 [LF]: Classical CD Reviews- August 2005 MusicWeb-International (http://www.musicweb-international.com/classrev/2005/Aug05/Pictures_pines_2564619542.htm)
Ottorino Respighi – Pini di Roma (BBC National Orchestra of Wales – Tadaaki Otaka)
1. I pini di Villa Borghese (Allegro Vivace)
2. Pini presso una catacomba (Lento)
3. I pini del Gianicolo (Lento)
4. I pini della Via Appia (Tempo di marcia)
Modest Mussorgsky – Pictures at an Exhibition (BBC Symphony Orchestra & Chorus*. Various orchestrations compiled by Leonard Slatkin)
5. Promenade 1 (orch. Byrwec Ellison )
6. Gnomus (orch. Sergey Gorchakov )
7. Promenade 2 (orch. Walter Goehr )
8. Il vecchio castello (orch. Emile Naoumoff )
9. Promenade 3 and Tuileries (orch. Geert van Keulen )
10. Bydlo (orch. Vladimir Ashkenazy)
11. Promenade 4 (orch. Carl Simpson )
12. Ballet of the Unhatched Chicks (orch. Lucien Cailliet )
13. Two Polish Jews, One Rich, One Poor (orch. Sir Henry Wood )
14. Promenade 5 (orch. Lawrence Leonard )
15. Limoges: Le marche (orch. Leo Funtek )
16. Catacombae – Sepulcrum Romanum – (orch. John Boyd )
17. Cum mortuis in lingua mortua (orch. Maurice Ravel )
18. The Hut in Hen’s Legs – Baba Yaga (orch. Leopold Stokowski )
19. The Great Gate of Kiev (orch. Douglas Gamley )*
Free File Hosting – Online Storage; Upload Mp3, Videos, Music. Backup Files (http://www.peejeshare.com/files/363443188/Pini_Pictures_Slatkin.rar.html)
countersign : batso
MOUSSORGSKY: Pictures at an Exhibition; RESPIGHI: Pines of Rome BBC Symphony & Chorus/ Leonard Slatkin; BBC Wales/ Tadaaki Otaka-Warner 61954-58 min
Some years ago, Leonard Slatkin took up the Gorchakov arrangement of Moussorgsky’s Pictures at an Exhibition because it is more Slavic than the standard Ravel orchestration, and then he was stimulated to check out other orchestrations. The resulting suite, combining arrangements by Lawrence Leonard, Vladimir Ashkenazy, Lucien Cailliet, Sergei Gorchakov, Leonidas Leonardi, Sir Henry Wood, Michail Tushmalov, Leopold Stokowski, and closing out with Ravel’s ‘Baba Yaga’ and ‘Great Gate of Kiev’, Slatkin played often to great acclaim. Although he never recorded it commercially, it was included in the six-disc St Louis set celebrating Slatkin’s 17-year run with the orchestra.
Since then he has had second thoughts on the subject, stimulated in no small part by Edward Johnson, doyen of the Leopold Stokowski Society, who urged Slatkin to take a look at the wildly over-the-top ‘Great Gate’ by the Australian composer and arranger Douglas Gamley. It calls for organ and men’s chorus, along with a huge consort of brass and bells. No sooner did Johnson send a copy of it to Slatkin–it was recorded by Charles Gerhardt early on for Reader’s Digest– then Slatkin Emailed him back, "Love the Gamley … Find the score!" From such acorns do mighty oaks grow.
Slatkin has retained only one section from the earlier montage, Cailliet’s ‘Ballet of the Unhatched Chicks’. A rundown follows, including comparisons with other recordings where possible:
Promenade 1 (Ellison). The name may sound Welsh, but Ellison is an American, a structural engineer by trade, born in 1957 and currently violinist in the Fort Worth Orchestra. In his transcription each section is styled after a different composer, ranging from Scheherazade and Die Meistersinger to the 1812 (though his orchestration does not include a part for cannon…!) In the opening ‘Promenade’ he emulates Britten’s Young Person’s Guide to the Orchestra, introducing the choirs one by one beginning with the percussion–the familiar theme is first heard in the tubular bells. From here he works his way up to full orchestra and even remembers to pay homage to Purcell’s Abdelazar–listen for the nattering bassoon beginning at 0:40–"not the same phrase used by Britten" says annotator David Nice, though the part at 0:44 certainly does sound familiar! This seems to me an interesting if not entirely convincing effect; I’d like to hear what he does with the other pictures!
Gnomus (Gorchakov). Here at least we’re on familiar ground, as Gorchakov’s darkly Slavic Pictures has been recorded a couple of times, first by Kurt Masur (Teldec; May/June 1992) and later by Karl Anton Rickenbacher (RCA; July/Aug 2002), the latter unfortunately padded out with commentary by Peter Ustinov. Gorchakov makes of Hartmann’s gnome a far more sinister figure than Ravel, and Slatkin’s broad tempos only heighten the awkward movement and malevolent character of the little fellow. But the bass line comes across better with Masur–even more so the deep-throated gong-and actually I like Rickenbacher best of all once you program out Ustinov’s insufferable ramblings. (Or we could have Slatkin record the whole thing.)
Promenade 2 (Goehr). Goehr of course is far better known as a conductor; but he also compiled a Pictures that adds a vibraphone to the usual mix of percussion (you won’t hear it here). This he put together for use by smaller orchestras, and the introspective mood of strings, winds, and muted brass, beginning with solo viola, makes for a calming influence after the fearsome gnome’s antics.
The Old Castle (Naoumoff). I dismissed the Naoumoff as a turgid mess when Alcar brought it out a few years back (July/Aug 2002). It is ostensibly a sort of piano concerto, but the orchestra has all the good tunes, with the piano pretty much relegated to commentary. Naoumoff eschews Ravel’s familiar tenor sax in favor of alto flute for the amorous bard; but here the piano is so far forward you can hardly hear the flute. Worse, it sounds like a cocktail lounge piano. You might want to skip this track.
Promenade 3 & Tuileries (Van Keulen). No, I never heard of him either, but this wind band arrangement by the bass clarinetist Van Keulen–born in 1943, same as me–shows what can be done without strings or percussion, stark Russian brooding in the ‘Promenade’ contrasting effectively with the Gallic delicacy of the Tuileries gardens and children at play. Perhaps some of our more enterprising wind ensembles might look into this one.
Bydlo (Ashkenazy). The Russian-born Ashkenazy wanted to return the Pictures to its Slavic roots and also correct the numerous mistakes that cropped up in the Rimsky edition and were dutifully recreated by Ravel. In ‘Bydlo’ Moussorgsky intended to have the Polish oxcart fortissimo from the start. I approve of Ravel having it slowly approach, wheel past, and fade into the distance, but Ashkenazy will have none of it, and he makes that clear right off the bat with four French horns blaring away.
Just over 13 years ago, on 19 August 1991 to be precise, Leonard Slatkin conducted the Philharmonia Orchestra in a personal choice of orchestrations for each of Mussorgsky’s Pictures. For this birthday concert, he returned to the idea and, apart from repeating Lucien Cailliet’s ‘Ballet of the Unhatched Chicks’, he chose different orchestrations this time, no fewer than four had been written since Slatkin’s first Prom set.
Slatkin started with a brief spoken introduction comparing various composers’ attempts at orchestrating Mussorgsky’s solo piano original, none of the excerpts being from the complete performance to follow. The first orchestration, by Byrwec Ellison, arrestingly had the exhibition-visitor portrayed first by percussion and interpolated other music as a counterpoint, a snatch of Purcell that Britten had taken for his Young Person’s Guide. It also brought a nice symmetry with the final orchestration, by Douglas Gamley, who returned to banks of percussion (as well as men’s chorus and organ) in ‘The Great Gate of Kiev’.
In between we had fresh perspectives on not only each picture but also the promenades in between, including the one (No.5) that Ravel omitted. This was provided by Lawrence Leonard, who kept Mussorgsky’s original piano line, overlaying it with shifting orchestration. Sergei Gorchakov provided the darker-hued Gnomus (it was Kurt Masur’s championing of Gorchakov’s orchestration that originally alerted Slatkin to the myriad possibilities for Pictures), while Bulgarian Emil Naoumoff re-introduced the piano as counterpoint in The Old Castle to an alto flute (itself in marked contrast to Ravel’s alto saxophone). Ashkenazy followed Mussorgsky in a way that Ravel did not in ‘Bydlo’ by having the main theme fortissimo to start, and after Cailliet’s “irresistible” (to quote Slatkin) evocation of the unhatched chicks, came our very own Henry Wood in ‘Two Polish Jews’, typically playing up contrasts, although he was using Rimsky-Korsakov’s discredited version, Mussorgsky’s original not actually appearing until 1931. Ravel, in 1922, also used the Rimsky-Korsakov edition, as did another orchestrator from that same year, Czech-born, Finland-based Leo Funtek, barely able to keep grip on Mussorgsky’s gossipmongers in the ‘Market at Limoges’. Ravel was retained with his peerless evocation ‘Cum mortuis in lingua mortua’, which followed John Boyd’s ‘Catacombs’. Stokowski’s larger-than-life ‘Babi-Yaga’ took us up to Gamley’s ‘Great Gate’, the latter from 1968, not as shown above (which replicates the programme information): other discrepancies include the Ashkenazy orchestration, which was certainly made before 1990 given he recorded it in 1982, and one wouldn’t have known from the programme that Lawrence Leonard died a couple of years ago!
It’s an odd experience hearing familiar music in unfamiliar terms, although Mussorgsky always shines through. I suspect Slatkin has more pot-pourri Pictures to present. In 1991 we had nine composers (with Sir Henry Wood’s ‘Great Gate’ as an encore); here we had 15, and there may be more orchestrations to choose from in due course. I hope Slatkin brings some more Pictures to the Proms; although Henry Wood’s version complete would be the thing, especially when the bust of the Proms’ founder is looking down from on high in the Royal Albert Hall!
*2nd Sep 2004*
Ravel has more or less cornered the market when it comes to the orchestration of Mussorgsky’s Pictures at an Exhibition. It has become a classic.
But there are well over two dozen other versions and, last night, Leonard Slatkin, celebrating his 60th birthday, guided the BBC Symphony Orchestra through a collage of assorted arrangements.
Before the interval, he conducted excerpts from Britten’s The Prince of the Pagodas that caught the ballet’s sensuousness, stealth and sparkle, and Michael Collins was the agile soloist in John Corigliano’s cleverly written Clarinet Concerto, a virtuoso piece that seemed to demand an awful lot of effort for such innocuous results.
However, the Mussorgsky sequence was worth doing as a jeu d’esprit. There are 10 pictures and several linking "promenades" in the original piano suite – 15 items in all, each played here in an arrangement by a different composer.
It is odd that Rimsky-Korsakov never had a go at it: he was quick enough to apply his orchestral brush to other Mussorgsky scores when he thought them too primitive, and Pictures might be thought to have been an irresistible temptation.
But, in this instance, he passed the buck to Mikhail Tushmalov, who, by the 1880s, had already produced the first orchestral elaboration. One of the ones that followed, in 1915, was by none other than the founder of the Proms, Sir Henry Wood. And if his great lumbering orchestration of "Two Polish Jews, One Rich, One Poor" is anything to go by, it is hardly surprising that he suppressed his version after hearing the Ravel.
Even when Ravel’s score had taken a hold, others still felt free to have their say, including that uninhibited arch-transcriber Leopold Stokowski, whose account of "The Hut on Fowl’s Legs" could certainly not be accused of good taste. Indeed, with the exception of the chirpy "Ballet of the Unhatched Chicks" by Lucien Cailliet, none of the orchestrations here had Ravel’s finesse.
And after the excesses of Douglas Gamley’s "Great Gate of Kiev" (with organ and chorus), nobody could feel guilty about preferring the stark realities of Mussorgsky’s original.
================================================== =================================================
At a Promenade Concert on Monday, August 19th 1991 we heard Leonard Slatkin’s brilliant first compilation from nine different orchestrations of Mussorgsky’s Pictures at an Exhibition, a remarkably successful initiative, reminding us, as it did, of how many arrangements there have been of this evocative score. Then he went for extracts from Lawrence Leonard’s version for piano and orchestra, from Ashkenazy, Lucien Cailliet, Sergey Gorchakov, Leonidas Leonardi, Sir Henry Wood, Mikhail Tushmalov, Stokowski and Ravel.
Leonard Slatkin’s 1st compendium suite
1. Promenade (Lawrence Leonard)
2. Gnomus (Vladimir Ashkenazy)
3. Promenade II (Lucien Cailliet)
4. The Old Castle (Sergei Gorchakov)
5. Promenade III (Leonidas Leonardi)
6. Tuileries (Leonidas Leonardi)
7. Bydlo (Sir Henry Wood)
8. Promenade IV (Lucien Cailliet)
9. Ballet of the unhatched chicks (Lucien Cailliet)
10. 2 Polish-Jews, One Rich, the other Poor (Sergei Gorchakov)
11. Promenade V (Lucien Cailliet)
12. Limoges ; the Market (Mikhail Tushmalov)
13. Catacombs (Leopold Stokowski)
14. Cum Mortuis in Lingua Mortua (Sir Henry Wood)
15. Baba Yaga (Maurice Ravel)
16. Great Gate of Kiev (Maurice Ravel)
Leonard Slatkin conducting the St. Louis Symphony Orchestra
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countersign : batso
Compiled: SLATKIN, Leonard (b. Los Angeles CA 1 Sept. 1944)
[The St. Louis 1990 version]
Details from Marcia Farabee, Principal Librarian, National Symphony, Washington DC. 2007
Available on a video by Slatkin and The St Louis Symphony originally seen on Channel 4 KMOV-TV. Sales benefit the endowment fund of the Saint Louis Symphony Society.
Recording: Slatkin and the Chicago Symphony on Rarissima 48 [LP] Chicago 1990 Dur. 31’30”
[Only 4 copies of the recording made, per David DeBoor Canfield]
http://www.geocities.jp/qqbjj485/XPX/X-compi.htm
http://www.mola-inc.org/Nieweg%20Charts/MussorgskyPictures.pdf
1000s of links, 0 mindreaders.
could anyone please recommend a great recording of Trepak (Tchaikovsky) please
many thanks
MUSSORGSKY, M.P.: Pictures at an Exhibition / Songs and Dances of Death / The Nursery (arr. Peter Breiner for orchestra) (New Zealand Symphony, Breiner) – 8.573016 (http://www.naxos.com/catalogue/item.asp?item_code=8.573016)
Lossless FLAC
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Pictures at an Exhibition (arr. Peter Breiner for orchestra)
1. Promenade 00:02:04
2. I. Gnomus 00:03:24
3. Promenade 00:01:17
4. II. Old Castle 00:04:36
5. Promenade 00:00:37
6. III. Tuileries 00:01:03
7. IV. Bydlo 00:03:33
8. Promenade 00:01:01
9. V. Ballet of the Chickens in their Shells 00:01:17
10. VI. Samuel Goldenberg and Schmuyle 00:02:43
11. Promenade 00:01:46
12. VII. The Market – Place at Limoges 00:01:36
13. VIII. Catacombae (Sepulcrum romanum) – 00:02:21
14. VIII. Cum mortuis in lingua morta 00:02:15
15. IX. The Hut on Fowl’s Legs (Baba – Yaga) 00:03:39
16. X. The Great Gate at Kiev 00:07:14
Pesni i plyaski smerti (Songs and Dances of Death) (arr. Peter Breiner for orchestra)
17. No. 1. Lullaby 00:03:39
18. No. 2. Serenade 00:04:27
19. No. 3. Trepak 00:05:05
20. No. 4. The Field – Marshal 00:05:28
Detskaya (The Nursery) (arr. Peter Breiner for orchestra)
21. No. 1. S nyaney (With Nurse) 00:03:34
22. No. 2. V uglu (In the Corner) 00:01:48
23. No. 3. Zhuk (The Beetle) 00:03:43
24. No. 4. S kukloy (With the Doll) 00:01:41
25. No. 5. Na son gryadushchiy (Going to Sleep) 00:02:08
26. No. 6. Kot Matros (The Cat Sailor) 00:02:23
27. No. 7. Poyekhal na palochke (On the Hobbyhorse) 00:03:46
Modest Petrovich Mussorgsky was born in 1839, the fourth son of a land-owner. As a young officer he had musical ambitions and, without any training in composition, tried his hand at an opera and less demanding compositions for the entertainment of his friends. It was a meeting with the nationalist composer C???sar Cui, an expert in military fortification, and with the composer Dargom???zhsky, that led him to a more influential connection with Balakirev, self-appointed leader of the nationalists, and their polymath mentor, the immensely influential Vladimir Stasov, Mussorgsky’s first biographer. It is of some interest to notice that Stasov at first found little good to say of Mussorgsky, whom he found lacking in ideas and a complete idiot, a judgement in which Balakirev concurred at the time and over the following years. Mussorgsky resigned his commission in the army in 1858. Following the emancipation of the serfs of 1861, which brought financial consequences for land-owners, Mussorgsky in 1863 took a position as a clerk in the Ministry of Communications, and continued intermittently in government employment. It was from this time onwards that he developed his own highly original musical ideas and language, and his deep interest in the people and history of Russia. In 1867 he left the civil service and attempted to earn a living from music, as a teacher and accompanist, but the following year he sought to solve his financial difficulties by taking a position in the government Forestry Department. Perhaps his greatest musical success came in 1874 with the performance of his historical opera Boris Godunov, a work to which critics, however, took general exception. His bouts of drinking finally forced him to abandon government service in 1880, after attempts by friends to protect his position. Others now offered him support, hoping that he might complete his operas Sorochintsy Fair and Khovanshchina, two tasks that, in the circumstances, were beyond him. He died in March the following year, his death the result of epilepsy, induced by alcoholism. He left much unfinished, to be revised and edited by his colleague Rimsky-Korsakov, from whom Balakirev had recently advised him to take lessons in harmony. Rimsky-Korsakov, who had acquired his musical skills largely as an adult, after earlier service as a naval officer, was to revise and finish some of the works that Mussorgsky had failed to complete, and to perform the same service for the nationalist composer Borodin, introducing an element of musical sophistication that has not always proved welcome, as the nature of Mussorgsky’s originality and genius has become more widely understood and appreciated.
Pictures at an Exhibition was written in 1874 as a set of piano pieces, a translation into music of paintings, designs, models and drawings by Mussorgsky’s friend Victor Hartmann, who had died the year before. These piano pieces have been orchestrated by various composers, with the version by Maurice Ravel probably the best known. Peter Breiner has here orchestrated the pieces for an orchestra of piccolo, three flutes, alto flute, four oboes, cor anglais, four clarinets, bass clarinet, four bassoons, contrabassoon, four horns, four trumpets, four trombones, tuba, timpani, and six percussion players, with bass drum, snare drum, cymbals, tam-tam, anvil, temple blocks, cabassa, tambourine, tubular bells, glockenspiel, xylophone, marimba, and vibraphone. The orchestra used also has piano, harp and celeste, with a string section of sixty players.
The exhibits are linked by a Promenade, as the visitor to the exhibition goes from exhibit to exhibit. The titles of the works are largely self-explanatory. Gnomus is a design for nutcrackers in the shape of a gnome; The Old Castle shows a troubadour singing outside the castle walls and the Tuileries depicts children at play and quarrelling, while nursemaids gossip, in the famous Paris gardens. Bydlo is a traditional Polish peasant ox-cart, with its creaking wooden wheels slowly turning; Ballet of the Chickens in their Shells shows designs for children’s costumes, as described in the title, and Samuel Goldenberg and Schmuyle, the names of those portrayed the invention of the painter, is a picture of two Jews, one rich, one poor, a present by Hartmann to the composer. In Limoges market-place old women gossip, discussing the fate of an escaped cow, and more trivial nonsense, while the Roman Catacombs, subtitled Sepulchrum Romanum, are lit by a flickering lamp, the skulls piled on either side beginning to glow in the light from within. This is linked to the eerie With the Dead in the Language of the Dead. The macabre continues with The Hut on Fowl’s Legs, a clock in the form of the hut of the witch Baba Yaga, who crunches up children’s bones and flies through the night on a pestle. The impressive conclusion offers a design for a triumphal gate in Kiev, to commemorate the escape of Tsar Alexander II from assassination in 1866. The music contrasts the massive structure with the sound of a solemn procession of chanting monks.
Mussorgsky wrote songs throughout his life, the first at the age of nineteen and the last in 1879. Pesni i piyaski smerti (Songs and Dances of Death) date from 1875, with the fourth song written in 1877. Based on a suggestion from Stasov and with texts by Arseny Golenischchev-Kutuzov, the songs reflect encounters with death. In the first, Kol???bel’naya (Lullaby), dedicated to the veteran singer Anna Vorobyeva-Petrova, Death lulls to final sleep a child, dying in his mother’s arms, and in the second, Serenada, dedicated to Glinka’s sister, Death serenades a dying girl, claiming her as his own. In Trepak, dedicated to the bass Osip Petrov, Death dances with a drunken peasant, lured to die in the ice and snow. The fourth song, Polkovodets (The Field Marshal), dedicated to Kutuzov, presents a scene of battle, after which Death surveys the field, having conquered all. Peter Breiner’s orchestral arrangement of the songs is scored for two flutes with piccolo, two oboes with cor anglais, two clarinets and a bass clarinet, two bassoons and a contrabassoon, four horns, three trumpets, four trombones, tuba, timpani, snare drum, cymbals, bass drum, triangle, tubular bells, glockenspiel, xylophone, harp, celesta, piano and a string section of fifty players.
For his orchestral arrangement of The Nursery Peter Breiner uses similar forces, with the addition of tambourine, marimba and vibraphone to the percussion section. Mussorgsky was good with children and the songs that make up The Nursery reflect this ability to enter a child’s world on equal terms. The words, in prose, their rhythms and intonations reflected in the vocal line, are by the composer. The first song of the cycle, S nyaney (With Nurse), was written in 1868 and is dedicated to Dargom???zhsky, described as ‘the great teacher of musical truth’. A child begs his nurse to tell him stories of bogeymen, of a limping Tsar and a sneezing Tsaritsa; in the end, though, he would rather have a funny story. V uglu (In the Corner) has Nanny rebuking her charge for splashing ink over a sock and upsetting her knitting; the child rejects these accusations, claiming to have been good, while Nanny is being horrible. The song, with the following three of the series, was written in 1870. It is dedicated to Victor Hartmann. Zhuk (The Beetle), dedicated to Vladimir Stasov, has the boy telling Nanny about a beetle that appeared while he was playing and flew into him, and now lies on its back hardly moving; he puzzles over what has happened to it. S kukloy (With the Doll), dedicated to his niece and nephew Tanyushka and Goga, children of his brother Filaret, has the child, presumably a little girl, lulling a doll to sleep, with threats of bogeymen and speculation about the fine land of dreams. Na son gryadushchiy (Going to Sleep) is dedicated to his godson, C???sar Cui’s child Sasha. The little girl says her prayers, listing all those to be remembered, corrected finally to include herself, a sinner, to Nanny’s final approval.
The last two songs of the set were written in 1872 and originally intended to form part of another group, At the Dacha. In Kot Matros (The Cat Sailor) the little girl searches for a sunshade and finally rescues their caged bullfinch from their cat, Sailor. Poyekal na palochke (On the Hobby Horse), originally described as ‘An Episode from a Child’s Life’, is dedicated to Vladimir Stasov’s brother Dimitri and his wife Polixena. The boy rides his wooden hobbyhorse, pretending to ride out for the day, urging his horse onward, only to hurt his foot and need his mother’s consolation.
Note on the Orchestration
I was not trying to re-create Mussorgsky’s orchestral sound in this recording, but actually to create a contemporary sound. I wanted to create it without using any unusual instruments and to stay within the limits of the traditional symphony orchestra with a substantial expansion in woodwind and percussion. I tried to create a contemporary sound with unusual combinations and settings.
From the very beginning, the first Promenade combines alto flute, cor anglais and violins divisi in eight parts, with martellato violas. In places the piccolo doubling another solo woodwind at the octave and a fifth above creates an organ-like mixture effect, with the bassoon in Il vecchio castello. The possibility of setting the harmonies within one group of woodwind, thanks to the employment of four instruments in each group, creates also a lot of unusually sounds. Some solo passages were assigned to instruments that would not be really expected in that r???le—a trumpet solo in Tuileries, and a combination of trombones, four flutes and vibraphone in Cum nortuis in lingua morta.
There are a few things added to the score that were not in the piano version, such as horn glissandi in Gnomus and Bydlo, harp/vibraphone figurations in Gnomus, piano/celesta figurations in Il vecchio castello, flute figures in Samuel Goldberg und Schmuyle and La cabane sur des pattes de poule. At the end a body of 104 musicians creates quite a spectacular Great Gate of Kiev.
The song cycles introduce a different problem—to replace the vocal line in a way to make it an organic part of the orchestration. Thanks to rather recitativo like vocal lines this was possible by dividing it almost always between several solo instruments. Wherever Mussorgsky has a nice long melody, however, I try to remain within a single colour to support it. There is a lovely violin solo in Serenade and cor anglais in Trepak.
Peter Breiner
Arr. and orchestrated: BREINER, Peter (b. Humenn???, in former Czechoslovakia, present day Slovakia
July 3, 1957) Mussorgsky: Pictures at an Exhibition
5[1.2.3.4/afl.pic] 5[1.2.3.4.Eh] 5[1.2.3.4.bcl] 5[1.2.3.4.cbn] — 4 4 4[1.2.3.btb] 1— tmp+7perc(sd, bd, tri, cym crash, cym susp, tam-tam, anvil, temple blks, cabasa, tambrin , tubular bells, glock, xyl, mar, vib] — hp, pf, cel — str.
http://www.mola-inc.org/Nieweg%20Charts/MussorgskyPictures.pdf
A most original and pleasant post!
(CDRip not a vinyl rip)
SE3681.rar (219,76 MB) – uploaded.to (http://ul.to/p14i5t6k)
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Radio Me la Sudas: Carl Nielsen – Aladdin (http://radiomelasudas-beaumarchais.blogspot.gr/2012/07/carl-nielsen-aladdin.html)
http://narod.ru/disk/57111777001.2d2425b3e9c76c33ef1e9c570c82925c/Carl%20August%20Nielsen%20%E2%80%93%20Aladdin.rar. html
Grieg – Peer Gynt Suites. Nielsen – Maskarade, Aladdin – 11 ???????€?๏ฟฝ?๏ฟฝ?? 2010 – ???Ÿ???????€???ƒ?๏ฟฝ?๏ฟฝ?????๏ฟฝ ?? ???๏ฟฝ?๏ฟฝ???????????ƒ (http://intoclassics.net/news/2010-04-11-6825)
DepositFiles (http://depositfiles.com/files/5nkaiqckz)
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Moussorgsky-Naoumoff : Pictures at an Exhibition (2Pianos version)
Mussorgsky-Naoumoff Pictures/Exhibition The Piano Concerto – YouTube (http://www.youtube.com/watch?v=D1O1BgWYUWY)
Mussorgsky-Naoumoff – Pictures at an Exibition_2P.pdf (http://www.mediafire.com/view/?i7z849aq1tlf18r)
Emile Naoumoff’s version for piano and orchestra.
Mussorgski : Pictures at an Exhibition (1874) ; arr. for piano and orchestra by Emile Naoumoff 1/2 – YouTube (http://www.youtube.com/watch?v=vCVn2jk0Glg)
Mussorgski : Pictures at an Exhibition (1874) ; arr. for piano and orchestra by Emile Naoumoff 2/2 – YouTube (http://www.youtube.com/watch?v=6fYVxZng788)
Orch. NAOUMOFF, Emile (b Sofia, Bulgaria, 20 February 1962)
"Pictures at an Exhibition – the Piano Concerto‖: Paraphrase, Orchestration, and Cadenzas by Emile Naoumoff for piano and orchestra Dur. 40′
Piano solo —3[1/alto,2, 3/picc] 3[1.2.Eh] 3[1in Bb/A, 2 in Bb/Eb, bcl], 3[1.2.cbn] — 4 3inC 3 0 — tmp+3 perc (chimes, 2 tam-tams – med.& low, glock, lowbell, field drum[?]) — str
Pub: B. Schotts S???hne ???1991 Score and Parts on rental. U.S. rental agent Schott/EAMDLLC. NYC.
Reduction for 2 pianos 4 hands ED 8499 HL 49008055 $41.95
Moussorgsky, Modest. Naoumoff-Mussorgsky – Pictures at an Exhibition, The Piano Concerto; 2 pianos 4 hands edition.
―In April 1994 Mstislav Rostropovich and the National (DC) Symphony Orchestra with Mr. Naoumoff as soloist, presided over the world premiere of Emile Naoumoff’s new version in the form of a large-scale piano concerto.‖ In concerto style with some added music, for piano and orchestra.
―A French critic wrote about Emil Naoumoff’s orchestration of "Pictures at an Exhibition": "When he took hold of this mythical work, Naoumoff forgot the arrangements of a Ravel or an Ashkenazy and transformed it triumphantly into a true piano concerto […]. A work whose success is easily explained by its color, panache, radiance, and supreme fidelity to the spirit of the original, and which may well prompt other pianists to adopt it into their repertoires!"
Sergei Gortchakov’s orchestration for Pictures at an Exhibition (begins at 12:15)
http://www.youtube.com/watch?v=9q-FOZEUFVo
Shostakovich-Stokowski: Prelude in Eb minor – YouTube (http://www.youtube.com/watch?v=nlGpJGSssTg)
Stokowski was one of Shostakovich’s foremost champions, giving the US Premieres of several of his symphonies and also making the first American recordings of Symphonies Nos. 1, 5, 6 and 11. In 1935, Stokowski orchestrated one of Shostakovich’s 24 Preludes for Piano, turning it into a brief but dramatic miniature tone poem. The recording heard here was made in England with a specially selected orchestra of top London players, the Maestro having by then turned 94 years old.
Mussorgsky orch. Wood ‘Pictures at an Exhibition’ – Complete Proms Performance – YouTube (http://www.youtube.com/watch?v=FeErAbMS6t8)
Sir Henry Wood’s version of ‘Pictures at an Exhibition’ dates from 1915. It was only the second orchestration of Mussorgsky’s piano set, the first being that by Mikhail Tushmalov, a pupil of Rimsky-Korsakov. Like the Tushmalov version, Wood’s is not complete, since he omits all but the first ‘Promenade’ and makes considerable changes and abridgements to the music throughout. However, when the Ravel version appeared a few years later, Wood’s disappeared from view while Ravel’s became the pre-eminent transcription of the work, still retaining its place today at the head of over 30 orchestrations by other composers and conductors.
For a Proms concert in 2010 at London’s Royal Albert Hall, Sir Henry Wood’s arrangement was given a rare revival by the BBC National Orchestra of Wales under its Associate Guest Conductor, Francois-Xavier Roth. Gordon Jacob once described Wood’s orchestration as "superior in picturesqueness to Ravel’s," with its astonishing array of orchestral effects. On the other hand, as the announcer says at the end, it is very "over the top." No wonder the Proms audience went wild!
Tracklist/FULL synopsis(avoid the top part of the page if you don’t want spoilers).
Terrence Malick’s ‘To the Wonder’ Is Revealed With Complete Synopsis, Full Tracklist & Much More (http://thefilmstage.com/news/terrence-malicks-to-the-wonder-is-revealed-with-complete-synopsis-full-tracklist-much-more/)
Music:
“Fratres for Eight Cellos”
Composed by Arvo Part
Performed by Hungarian State Opera Orchestra
Conducted by Tamas Benedek
“Harold in Italy, Op. 16, II.”
Composed by Hector Berlioz
Performed by The San Diego Symphony Orchestra
Conducted by Yoav Talmi
“Parsifal: Prelude to Act One”
Composed by Richard Wagner
Performed by Hanan Townshend
“Parsifal: Prelude to Act One”
Composed by Richard Wagner
Performed by The Mariinsky Orchestra
Conducted by Valery Gergiev
“Die Jahreszeiten (The Seasons), H0B.XXI;3″
Composed by Franz Joseph Haydn
Performed by Mozarteum Orchestra
Conducted by Ivor Bolton
“Ancient Airs and Dances, Suite No. 2, P.138″
Composed by Ottorino Respighi
Performed by Ireland National Symphony Orchestra
Conducted by Rico Saccani
“June (Barcarolle)” Performed by Morton Gould at The Piano
Arranged and Conducted by Morton Gould
Composed by Piotr Ilich Tchaikovsky
If anyone can give me any help, that would be awesome!
FLAC | 221Mbs | RAR |
http://www.picturehost.eu/uploads/66e145fc822238f2d1113ab781af4e5e_510JB3HFUNL._SL50 0_AA300_.jpg
Tchaikovsky, Pyotr Il’yich
Rachmaninov, Sergei, arranger(s)
The Sleeping Beauty Suite, Op. 66a (arr. S. Rachmaninov for 2 pianos)
1. I. Introduction – The Lilac Fairy 00:04:43
2. II. Adagio – Pas d’action 00:05:30
3. III. Characteristic Dance 00:02:11
4. IV. Panorama 00:03:33
5. V. Waltz 00:03:58
Tchaikovsky, Pyotr Il’yich
Langer, Edouard, arranger(s)
Swan Lake Suite, Op. 20a (arr. for 2 pianos)
6. I. Scene 00:02:48
7. II. Waltz 00:06:25
8. III. Dance of the Swans 00:01:36
9. IV. Scene 00:05:17
10. V. Hungarian Dance, "Csardas" 00:02:14
11. VI. Scene 00:04:23
Tchaikovsky, Pyotr Il’yich
Esipoff, Stepan, arranger(s)
The Nutcracker Suite, Op. 71a (arr. for 2 pianos)
12. I. Overture 00:03:10
13. II. March 00:02:18
14. III. Dance of the Sugar Plum Fairies 00:02:00
15. IV. Russian Dance, "Trepak" 00:01:09
16. V. Arab Dance 00:02:58
17. VI. Chinese Dance 00:01:04
18. VII. Dance of the Reeds 00:02:16
19. VIII. Waltz of the Flowers 00:05:39
Total Playing Time: 01:03:12
DOWNLOAD
http://db.tt/1kCFuRYV
Thought I’d share this. Was looking for it and couldn’t find it anywhere. I love these ๐
Link is dead ๐
Sorry it took some time, here it goes again:
Brilliant have just begun a new Respighi cycle of orchestral works, with two "twofers" so far. Let’s see how that proceeds.
Have you tried Chandos?
GAVRILL MOTHERFUCKING POPOV
SYMPHONY NO.1
London Symphony Orchestra
Conducted by Leon Botstein
FLAC + LOG + SCANS | 18 Tracks | 1:05:24 | 335 MB
https://mega.co.nz/#!Bg1DUSwB!fdbq3iDvIqqICHOcSyai3k4-9UhfiGAepXGX-zMvNgo
or
www.adrive.com/public/ssju96
A little history:
Gavrill Popov was a ninja from the far east who often dabbled in composing. He conceived of this symphony during the physical act of love, then wrote it by carving the notes into the Berlin Wall (which later crumbled.) After it was first performed Stalin banned this symphony from ever being played again, so one night as Stalin slept, Popov broke into his bedroom and banned him from ever breathing again. The symphony later went on to become the national anthem for the whole universe.
Also included is an early peace by some dude named Shostakovich.
BBC Symphony Orchestra
Leonard Slatkin (conductor)
JS BACH The Conductor’s Transcriptions CHANDOS CHSA 5030 [TB]: Classical CD Reviews- August 2004 MusicWeb(UK) (http://www.musicweb-international.com/classRev/2004/Aug04/Bach_conductors.htm)
SA-CD.net – Bach: The Conductors’ Transcriptions – Slatkin (http://www.sa-cd.net/showtitle/2116)
Odeon: Alb???niz ??? Iberia (orch.Francisco Guerrero) ??? Encinar (http://odeonmusic.blogspot.gr/2012/12/albeniz-iberia-orchfrancisco-guerrero.html)
ALBENIZ, I.: Iberia (arr. F. Guerrero) (Galicia Symphony, Encinar) (http://www.theclassicalshop.net/Details.aspx?CatalogueNumber=G9%208006)
Franck ‘Panis Angelicus’ – Rene Leibowitz, conductor / arranger
Franck ‘Panis Angelicus’ – Rene Leibowitz, conductor / arranger – YouTube (http://www.youtube.com/watch?v=hUxkmsIfeIs)
Franck’s setting of the hymn ‘Panis Angelicus’ (‘The Angelic Bread’) is here played by the New Symphony Orchestra of London in an arrangement by the conductor Rene Leibowitz. It comes from a 1960s LP entitled ‘Concert Favourites’. The words have been added for any aspiring singer who wishes to sing along!
Schumann ‘Dedication’ (‘Widmung’) – Douglas Gamley, piano / arranger
https://www.youtube.com/watch?v=BCQsD88yk8s
Schumann’s song ‘Widmung’ (Dedication’) was arranged for piano and orchestra by Douglas Gamley. He is the piano soloist on this 1960s ‘Music for You’ stereo LP on which the New Symphony Orchestra is conducted by Eric Hammerstein.
Debussy-Stokowski ‘Night in Granada’ – Philadelphia Orchestra
https://www.youtube.com/watch?v=xSyFOHHOVGs
Leopold Stokowski returned to conduct the Philadelphia Orchestra in 1960 after an absence of nearly twenty years. He gave further concerts there over the next few years and one of them from 1962 has been released in its entirety on CD, the copyright in the broadcast having expired. The most atmospheric item on the programme was Stokowski’s own evocative orchestration of Debussy’s piano piece "La Soiree dans Grenade" (‘Night in Granada’) marred here and there, unfortunately, by one or two bronchial members of the Philadelphia audience!
Chopin-Stokowski: Prelude in D minor
https://www.youtube.com/watch?v=XfJFaGQXmjU
Stokowski orchestrated several of Chopin’s piano pieces and here is the stormiest of them all. It’s the Prelude in D minor that culminates the composer’s Opus 28 set. Stokowski was 94 when he recorded a sequence of his orchestral arrangements with the National Philharmonic Orchestra and it is from those that this number comes.
Rachmaninoff-Respighi ‘The Sea and Seagulls’ – Lopez-Cobos conducts
https://www.youtube.com/watch?v=vrrEX51zVlo
In 1929, Serge Koussevitzky had the idea that some of Rachmaninoff’s ‘Etudes-Tableaux’ for piano solo would sound well if orchestrated and he suggested Respighi for this task. Rachmaninoff himself was delighted with the idea and suggested five of the pieces, additionally supplying Respighi with various programmatic ideas and titles. The first number in the set is "The Sea and Seagulls" and it is heard here in a performance by the Cincinnati Orchestra under Jesus Lopez-Cobos.
Bach-Wood ‘Lament’ – Slatkin conducts
https://www.youtube.com/watch?v=AVBx928SKa4
Sir Henry Wood’s ‘Suite No. 6’ is a set of six Bach transcriptions, arranged from various sources, that includes this heartfelt ‘Lament.’ It is the ‘Adagio’ from Bach’s ‘Capriccio on the Departure of His Most Beloved Brother’ in Bb major, BWV 992. In this recording, the BBC Symphony is conducted by Leonard Slatkin. (With all due acknowledgements to Chandos Records.)
Bach-Stokowski: Prelude in Eb minor – Czech Philharmonic – YouTube (http://www.youtube.com/watch?v=hqh8v8C5mhk)
In 1972, 90-year-old Leopold Stokowski travelled to Prague to conduct the Czech Philharmonic in two concerts, the same programme for each. He was already very frail and suffered a heavy fall on the way which caused him to miss the first rehearsal. However, he persisted in going ahead with the aid of crutches and part of one of the concerts was televised. The first half of the programme consisted of several of his own Bach arrangements and here is one of them, the Prelude No. 8 in E flat minor from The Well-Tempered Clavier. Incidentally, sitting alongside the conductor’s podium, down on Stokowski’s right, was Ainslee Cox, his Assistant Conductor, on hand to help the Maestro if any difficulties occurred.
Does anyone have it ?
Does anyone have it ?
I’m interested in the recording myself so I just bought it online. Wait for a few days before I post my rip here.
FLAC Part I (http://www.mediafire.com/?ktt219hl95smzqx)
FLAC Part II (http://www.mediafire.com/?on6aliunjnknq8m)
Prague Symphony Orchestra, conductor Gennady Rozhdestvensky
One of the many people who set about orchestrating Pictures from an Exhibition was also the conductor V???clav Smet???cek "in whose life, composing was somewhat of a Cinderella, and when he did embark upon something, it was always from an external impulse only." His instrumentation of Pictures from an Exhibition was composed to be broadcast by the radio station Radiojournal at the outbreak of World War Two, at a time when Ravel was already on the list of forbidden composers.
Smet???cek V???clav – Lecyklop???dia (http://leccos.com/index.php/clanky/smetacek-vaclav)
Pictures from an Exhibition – M. P. Mussorgsky / instr. V???clav Smet???cek (http://www.rozhlas.cz/publishing/classical/_zprava/159438)
V???clav Smet???cek (http://en.wikipedia.org/wiki/V%C3%A1clav_Smet%C3%A1%C4%8Dek)
FLAC download
Free File Hosting – Online Storage; Upload Mp3, Videos, Music. Backup Files (http://www.peejeshare.com/storage/363580802/Mus-Smeta.rar.html)
or
http://filewinds.com/uruc67grk9vc/Muss-Smeta.rar.html
((special thanks to a particular person for this disc))
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Dah Leopold Stokowski powah!!!
Blogger Musical (Beautiful Classical Music): Leopold Stokowski ??? Encores ??? Chandos (http://i-bloggermusic.blogspot.gr/2012/09/stokowski-encores.html)
SYMPHONY NO. 3 "PLANET EARTH" (2006)
The North Netherlands Orchestra and Concert Choir, conducted by Otto Tausk
FLAC + CUE + LOG + SCANS | 3 Tracks | 00:48:56 | 273MB
Recording Date: April 18 & 19, 2006
Label: Amstel Music
Catalog Number: Amstel Classics CD 2006-01
01. I. Lonely Planet
02. II. Planet Earth
03. III. Mother Earth (https://www.youtube.com/watch?feature=player_embedded&v=rKM6XRlHK7E)
Johan De Meij
Symphony No 3 (Planet Earth) – 2006
https://mega.co.nz/#!tB1y2bgQ!GyeNDSq4ZzNNMbh4V-lZ-nt4R6Eg8zH4XNkikwx_G7s
1st Movement: Lonely Planet (start – 17:00)
2nd Movement: Planet Earth (17:00 – 29:05)
3rd Movement: Mother Earth (29:05 – end)
This is a live recording (unreleased) of the world premiere of the piece – I believe the orchestra is the North Netherlands Philharmonic. They have recorded it in the studio, and this CD is available – and is no doubt sonically superior to this recording, which was made from the Dutch radio broadcast of the premiere concert. However, there is a certain vitality to this recording – that live excitement that you never quite match with a polished, perfect, studio performance.
About this symphony…
This is a massive piece, clocking in at nearly fifty minutes. De Meij intended it as a companion piece to Holst’s "The Planets" – whereas Holst looked at every planet but the Earth, De Meij composed his symphony as an ode exclusively to our very own planet. The choral writing is, in places, reminiscent of Holst – indeed, there is even a quote from Neptune, but this is very much De Meij’s piece. It’s scored for full symphony orchestra, choir, plus electronics – pre-recorded sound on tape, and synthesisers. Incidentally, Joris De Man (Killzone) helped out with the electronic sections of this symphony. This piece has a considerably more modern feeling about it than the first symphony – De Meij is channelling John Adams (a great deal) and Phillip Glass (to a lesser extent) here as the piece is essentially minimalist in construction – a handful of motifs and melodies, repeated and expanded throughout the piece. If you like the way Ravel’s Bolero builds and builds, you’ll like the way this piece is set out. If you like John Adams, you’ll like this. If you like the sound of an enormous orchestra, noble brass, and anthemic lyricism, you’ll like this. Give it a try – it’s a wonderful piece written about a wonderful planet. ๐
About this recording…
This recording was made, as I have noted previously, from Dutch radio. Please, do not download this if less than perfect sound quality offends you. It is nowhere near bad – but it’s not absolutely flawless. The recording came to me mere days after the concert – in mono, and in absolutely appalling condition. I spent six months arriving at the fully remastered edition I’m uploading for you today. I have performed noise reduction (there was low frequency hum and tape hiss present all the way through) as well as re-equalised to bring out the midrange and higher frequencies, calm down the lower frequencies, and generally provide a bit of breathing room to what was initially a pretty boxy recording. I have also applied a light reverb, once again, to try to give the piece a little breathing space. It’s not perfect, but it’s definitely listenable, and it’s also RARE!
DOWNLOAD
https://mega.co.nz/#!gAE1lIiZ!cN4kLH_puYo5e5voJOAsZA99ub5ImbL9RWbemyo Cxuk
Volcano – YouTube (http://www.youtube.com/watch?v=c4oowExFBu0&feature=youtu.be)
Ya Modest Mussorgsky composed it. Maurice Ravel orchestrated it.
It is the first picture called "Gnomus" (The Gnome).
Pictures at an Exhibition – Wikipedia, the free encyclopedia (http://en.wikipedia.org/wiki/Pictures_at_an_Exhibition#No._1_.22Gnomus.22)
Leopold Stokowski was the first major foreign conductor to appear at the London ‘Proms’ concerts following a decision to make them more ‘international.’ Hitherto they had been mainly conducted by such British musicians as Sir Henry Wood and his successor Sir Malcolm Sargent but from 1963 onwards more and more non-British conductors have taken part.
For his Proms debut at the Royal Albert Hall, with the BBC Symphony Orchestra on 23 July 1963, Stokowski was asked by William Glock, the BBC’s Controller of Music, to conclude the concert with his own orchestration of Mussorgsky’s ‘Pictures at an Exhibition’ in its UK Premiere. The programme also included Britten’s ‘Variations and Fugue on a Theme of Purcell’ and Beethoven’s 7th Symphony, both of which have been released on CD by BBC Legends.
Stokowski’s version of ‘Pictures at an Exhibition’ omits the two French locations (‘Limoges’ and ‘Tuileries’) as he felt the work as whole should be as ‘Slavic’ as possible. The sequence is as follows:
Promenade 00:00
Gnomus 01:48
Promenade 03:57
The Old Castle 05:07
Bydlo (A Polish Ox Wagon) 08:22
Promenade 10:10
Ballet of Unhatched Chickens 11:00
Samuel Goldenberg and Schmuyle 12:12
Catacombs 14:40
The Hut on Fowl’s Legs (Baba-Yaga) 18:16
The Great Gate of Kiev 20:52
Debussy-Caplet ‘Clair de lune’ (‘Moonlight’) – Robert Irving conducts – YouTube (http://www.youtube.com/watch?v=9tX6U2U46XI)
Debussy’s most famous piano piece ‘Clair de lune’ has been orchestrated by several musicians, the version heard here having been made by his close friend and associate, Andre Caplet. It was featured on a 1959 LP entitled ‘Famous Evergreens’ on which the Sinfonia of London was conducted by Robert Irving. This, and another Irving LP called ‘Musical Merry-Go-Round,’ was reissued in a 2-CD set by ‘Vocalion,’ to whom all due acknowledgements are made. Both LPs consisted largely of orchestral arrangements of short works such as this.
Bach-Stokowski: Passacaglia and Fugue in C minor – Stokowski in Germany – YouTube (http://www.youtube.com/watch?v=x9Sbk3E8-ws)
n 1969, during one of his annual summer trips to Europe, Leopold Stokowski gave a televised studio performance of his own orchestration of Bach’s Passacaglia and Fugue in C minor with the Saarbrucken Radio Symphony Orchestra. This has already been uploaded here but was done so in two parts. However, I feel this sublime music needs to be seen and heard without a break, so I have re-uploaded it for that reason.
Tchaikovsky ‘March’ from "The Seasons" – Morton Gould, arranger / conductor – YouTube (http://www.youtube.com/watch?v=iKEdMbMdLm8)
Another little piece that heralds the month of March comes from Tchaikovsky’s "The Seasons." It bears the sub-title ‘Song of the Lark’ and in this 1951 recording the piano solo original has been arranged for orchestra by Morton Gould. It comes from the Pristine Audio ‘XR Remastering’ reissue (PASC 191) and is uploaded here with all due acknowledgements.
Tchaikovsky ‘Humoresque’ – Sir Malcolm Sargent, conductor / arranger – YouTube (http://www.youtube.com/watch?v=ufGz-rRAk5s)
Tchaikovsky’s ‘Humoresque’ for piano, Opus 10, No. 2, was arranged for orchestra by Stravinsky in his ballet ‘The Fairy’s Kiss’ and by Stokowski as a concert ‘encore.’ Sir Malcolm Sargent also made his own transcription and recorded it with the Royal Philharmonic in 1963 for the Reader’s Digest, to whom all due acknowledgments are made.
Schumann ‘Traumerie’ – Kostelanetz conducts – YouTube (http://www.youtube.com/watch?v=V4RRQGrrewY)
Andre Kostelanetz conducts the New York Philharmonic in his own arrangement of Schumann’s ‘Traumerie’ (‘Dreaming’) from an old LP entitled ‘Promenade Favorites’.
Elgar ‘Salut d’Amour’ – Carmen Dragon conducts – YouTube (http://www.youtube.com/watch?v=0yUM85kR6fw)
Elgar’s ‘Salut d’Amour’ started life as a piece for Solo Violin and Piano but soon became one of his most popular miniatures, appearing in a wide variety of arrangements. The version heard here was arranged by Carmen Dragon for string orchestra and recorded by the Capitol Symphony under his own direction for a sumptuous ‘Full Dimensional Stereo Sound’ LP in 1961
METAMORPHOSEN, study for 23 solo strings
TOD UND VERKL???RUNG, tone-poem for large orchestra
Berliner Philharmoniker
Conducted by Herbert von Karajan
FLAC + CUE | 2 Tracks | 51:41 | 230 MB
Here are two works by Strauss, given resplendent accounts by Karajan and the Berlin Philharmonic.
The first (and IMHO better work), "Metamorphosen," is extremely intimate and elegiac. This was written towards the end of Strauss’s life and was inspired by the firebombing of Munich and in particular the destruction of that city’s opera house, the Bavarian National Theater. Filled with despair and tragedy.
"Tod und Verkl???rung" (Death and Transfiguration) is the more famous of the two, written much earlier in Strauss’s life. It takes a more positive perspective on death as a joining with the divine.
https://mega.co.nz/#!NtpzEaLB!cre7WD0STFbTLx0JXKRBrXDW1TE5nKt_4XwLs3W 01Uc

Blogger Musical (Beautiful Classical Music): Zador: Five Contrasts, Children’s Symphony (http://i-bloggermusic.blogspot.gr/2013/03/zador-five-contrasts-childrens-symphony.html)
ZADOR, E.: 5 Contrasts / Children’s Symphony / Aria and Allegro / Hungarian Caprice (Budapest Symphony MAV, Smolij) – 8.572548 (http://www.naxos.com/catalogue/item.asp?item_code=8.572548)
The performances on this disc are excellent. The Budapest Symphony Orchestra M???V plays with great spirt and finesse under Mariusz Smolij. Z???dor was, as you might expect, a superb orchestrator. He did it for a living, after all, and by this I don???t mean he resorted to a gratuitous excess of color standing in for musical inspiration, but rather a knack for finding the right sound to convey the musical message. These players seem to appreciate this aspect of the music; the playing has soul, however subjective that may sound, while the engineering is excellent. Get to know this music; it???s worth your time. –ClassicsToday.com
Eugene Z???dor was a remarkable colourist and orchestrator whose Hollywood film work was extensive. He described himself as a ???middle of the road extremist???. The Aria and Allegro is a beautifully crafted work brimming with rhythmic energy. Five Contrasts for Orchestra demonstrates his rich sound world at its most vibrant; film noir jostling with a bigbooted country dance. The lighter A Children???s Symphony is one of his most popular pieces ??? communicative, witty, accessible. We also hear two small and captivating evocations of his native Hungary.
None of these pieces has been recorded before. One of Z???dor???s major works, Christopher Columbus, is on Cambria coupled with the Studies for orchestra. Z???dor???s music is hugely approachable, and exciting, as befits a Hollywood orchestrator. He was great friends with Mikl???s R???zsa and shares that communicative spirit and sense of colour (in fact he was R???zsa???s own orchestrator).
Odeon: Mussorgsky ? Pictures (Gortschakov & Funtek), Orchestral works ? Julla-Pekka Saraste (http://odeonmusic.blogspot.gr/2013/03/mussorgsky-pictures-gortschakov-funtek.html)
Modest Mussorgsky (1839-1881):
Night on the Bare Mountain (orch.: Rimsky-Korsakov)
Pictures at an Exhibition (orch.: Sergei Gortschakov & Leo Funtek)
Khovanchina – Prelude (orch.: Rimsky-Korsakov)
The Capture of Kars (Solemn March)
Scherzo in B flat major (orch.: Rimsky-Korsakov)
Music of Concert Band Contest
Metropiex
Japan Air Self Defense Force Western Air Band, conducted by Hiroyuki Kayo (1-3, 5, 6, 8-12) & Kaoru Urakawa (4, 7)
AAC ~256kbps | 12 Tracks | 01:15:04 | 141MB
Recording Date: January 24 & 25, 2007
Release Date: 21.03.2007
Label: CAFUA Records
Catalog Number: CACG-0096
01. Mark Camphouse – Symphonic Fanfare (http://kiwi6.com/file/91fc819olf)
02. James Swearingen – When Honor Prevails (http://kiwi6.com/file/44m15c5th6)
03. David Gillingham – Light of My Soul (http://kiwi6.com/file/qh2uep38yg)
04. Johnnie Vinson – Variants On a Shaped Note Tune (http://kiwi6.com/file/0d7y9jn50g)
05. Robert Sheldon – Three Postcards from Manhattan- Metropiex (http://kiwi6.com/file/e67gl6s0lg)
06. Masamicz Amano – Prelude and Fugue (http://kiwi6.com/file/yj0f1548r7)
07. Douglas E. Wagner – Folk Songs from British Isles (http://kiwi6.com/file/a1sxaosysn)
08. Robert Russell Bennett – Suite of Old American Dances (http://kiwi6.com/file/270tqp3t7h)
09. Rika Ishige – What Phrase That I Feel (http://kiwi6.com/file/me3rr3ndz0)
10. Hirokazu Fukushima – Run, Melos! (http://kiwi6.com/file/qt320u8qbh)
11. L???o Delibes – Copp???lia Suite (http://kiwi6.com/file/gb7622s79g)
12. Robert Jager – Sinfonia nobilissima (http://kiwi6.com/file/j25ipu5oh0)
From the iTunes Store.
DOWNLOAD
https://mega.co.nz/#!LMJnlJqY!XV9FbiPuWzgyevQItLaDBSOEFk97TFgjKXjnCN2 Yqkw
RACHMANINOV: Symphonic Dances (http://www.theclassicalshop.net/Details.aspx?CatalogueNumber=CV%205143)
RACHMANINOV: Symphonic Dances
Vancouver Symphony Orchestra, Sergiu Comissiona, Conductor
1. Preludes, Op. 23: No. 5 in G minor (orch. Lucien Cailliet)
2. Morceaux de fantaisie, Op. 3: No. 2 in C sharp minor (orch. Lucien Cailliet)
3. Capriccio on Gypsy Themes, Op. 12, "Caprice bohemien"
Symphonic Dances, Op. 45
4. I. Non allegro
5. II. Adante con moto – Tempo di valse
6. III. Lento assai – Allegro vivace – Lento assai come prima
Lame mp3 320Kbps (My rip)
Rach Comissiona.rar (http://www.mediafire.com/?m1yy45o2l168qn9)
Blogger Musical (Beautiful Classical Music): Zador: Divertimento, Oboe Concerto (http://i-bloggermusic.blogspot.gr/2013/04/zador-divertimento-oboe-concerto.html)
Elegy and Dance (1954) [12.43]
Oboe Concerto (1975)* [12.35]
Divertimento for strings (1954) [17.00]
Studies for orchestra (1969) [25.49]
L???szl??? Hadady (oboe)*
Budapest Symphony Orchestra M???V/Mariusz Smolij
ZADOR – Elegy and Dance, Oboe Concerto, Divertimento for Strings, Studies for Orchestra Naxos 8.572549 [PCG] : Classical Music Reviews – March 2013 MusicWeb-International (http://www.musicweb-international.com/classrev/2013/Apr13/Zador_divertimento_8572549.htm)
http://www.naxos.com/catalogue/item.asp?item_code=8.572549
And Peter Breiner’s orchestration for Albeniz’s Iberia
http://forums.ffshrine.org/f92/wimpel69s-could-film-music-classical-corner-work-121898/23.html#post2319653
Music For All: NEW-UP. CALA. Saint-Saens – Requiem, Organ Symphony: Geoffrey Simon, London PO. FLAC 24bit-88.2kHz 5.1, 2.0 (http://organ-music-for-all.blogspot.gr/2013/05/new-up-cala-saint-saens-requiem-organ.html)
SA-CD.net – Saint-Sa???ns: Requiem, Organ Symphony – Simon (http://www.sa-cd.net/showtitle/4599)
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Music For All: NEW-UP. RCO. Mussorgsky – Pictures at an Exhibition: Mariss Jansons, Royal Concertgebouw Orchestra. SACD-ISO, FLAC 24bit-88.2kHz 5.0, 2.0 (http://organ-music-for-all.blogspot.gr/2013/04/new-up-rco-mussorgsky-pictures-at.html)
SA-CD.net – Mussorgsky: Pictures at an Exhibition – Jansons (http://sa-cd.net/showtitle/6216)
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Music For All: NEW-UP. BIS. Respighi – Roman Trilogy: John Neschling, Sao Paulo SO. SACD-ISO, FLAC 24bit-88.2kHz 2.0, FLAC 24bit-88.2kHz 5.0 (http://organ-music-for-all.blogspot.gr/2013/04/new-up-bis-respighi-roman-trilogy-john.html)
SA-CD.net – Respighi: Roman Trilogy – Neschling (http://www.sa-cd.net/showtitle/6760)
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Music For All: UPGRADE. Reference Recordings. Michael Stern, Kansas City SO – Britten’s Orchestra. SACD-ISO, FLAC 24bit-88.2kHz 5.1, 2.0 (http://organ-music-for-all.blogspot.gr/2011/12/michael-stern-kansas-city-so-brittens.html)
SA-CD.net – Britten’s Orchestra – Michael Stern (http://www.sa-cd.net/showtitle/6516)
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Odeon: Brahms-Schoenberg; Brahms-Berio ? Daniel Raiskin (http://odeonmusic.blogspot.gr/2013/05/brahms-schoenberg-brahms-berio-daniel.html)
Johannes Brahms (1833-1897) / Arnold Schoenberg (1874-1951):
Piano Quartet in G minor, op.25 arr. for orchestra
Johannes Brahms (1833-1897) / Luciano Berio (1925-2003):
Sonata for Clarinet and Piano in F minor, op.120 n.1 arr. for orchestra
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Odeon: Heinrich Schulz-Beuthen ? Symphony No.5 ?Reformationshymnus? ? Adriano (http://odeonmusic.blogspot.gr/2013/05/heinrich-schulz-beuthen-symphony-no5.html)
Heinrich Schulz-Beuthen (1838-1915):
Reformationshymnus, Symphony No.5 for Orchestra and Organ, op.36
Die Toteninsel, symphonic poem
Neger-Lieder und T???nze, op.26
Abschieds-Kl???nge, for string orchestra, op.28
Moscow Symphony Orchestra
Anastasiya Sidelnikova – organ
Adriano – conductor
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Odeon: Le??? Weiner ? Liszt Piano Sonata (orchestr.), Orchestral Works ? L???szl??? Kov???cs (http://odeonmusic.blogspot.gr/2013/05/leo-weiner-liszt-piano-sonata-orchestr.html)
Le??? Weiner (1885-1960):
Liszt’s Piano Sonata in B minor orchestrated
Preludio, Notturno e Scherzo diabolico
Passacaglia
Toy Soldiers
North Hungarian Symphony Orchestra, Miskolc
L???szl??? Kov???cs – conductor
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Music For All: UPGRADE. RCA LIVING STEREO: Copland: Billy the Kid & Rodeo; Grofe: Grand Canyon Suite – Morton Gould and His Orchestra. SACD-ISO, FLAC 24bit-88.2kHz MCH, 2.0 (http://organ-music-for-all.blogspot.gr/2012/07/new-up-rca-living-stereo-copland-billy.html)
SA-CD.net – Copland: Billy the Kid, Rodeo, Grof???: Grand Canyon Suite – Gould (http://www.sa-cd.net/showtitle/3556)
RAVEL: ?Five O?Clock Foxtrot? = Five O?Clock Foxtrot; Bol???ro; Pavane for a Dead Princess; Tzigane for Violin and Orchestra; La Valse; Piece in the form of a Habanera; Daphnis and Chlo??? Suite 2 ? Philharmonia Orchestra/Geoffrey Simon ? Cala Records – (http://audaud.com/2007/06/ravel-five-oclock-foxtrot-five-oclock-foxtrot-bolero-pavane-for-a-dead-princess-tzigane-for-violin-and-orchestra-la-valse-piece-in-the-form-of-a-habanera-daphnis-and-chloe-suite-2-philh/)
http://organ-music-for-all.blogspot.gr/2013/05/new-up-cala-maurice-ravel-five-oclock.html
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Odeon: Stravinsky – The Firebird; Lyadov – Baba-Yaga; R.-Korsakyov – Dubinushka – J???rvi (http://odeonmusic.blogspot.gr/2012/07/stravinsky-firebird-lyadov-baba-yaga-r.html)
Odeon: Schreker ? Orchestral works ? Vassily Sinaisky (Vol.1) (http://odeonmusic.blogspot.gr/2013/05/schreker-orchestral-works-vassily.html)
Odeon: Schreker ? Orchestral works ? Vassily Sinaisky (Vol.2) (http://odeonmusic.blogspot.gr/2013/05/schreker-orchestral-works-vassily_15.html)
John Philip Sousa’s Greatest Hits: The President’s Own United States Marine Band (2012)
https://itunes.apple.com/us/album/john-philip-sousas-greatest/id571716969
Odeon: Schreker ? Orchestral works ? Vassily Sinaisky (Vol.2) (http://odeonmusic.blogspot.gr/2013/05/schreker-orchestral-works-vassily_15.html)
I found this earlier and does not lead to a proper link for downloading….
it does. odeon is a fantastic blog.
T???l???chargement de fichier (http://zftobr.1fichier.com/)
Perhaps you were befuddled by embedupload?
This piece of music- Prelude for a drama is just lovely. It is from another time long past… sometimes reminding me of Korngold. Very much a lovely tone poem…. telling a story with music that is remarkably accessible.
I only heard this piece on the radio today. The first time in some years I have heard something NEW that intrigued me. The orchestra for this 20 minute piece is HUGE.
It is par for the course with me to discover a new composer whose life was short. Looking forward to hearing more of this man’s work.
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Music For All: NEW-UP. Dmitri Shostakovitch: The Complete Simphonies (discs 01-04 of 12) – Dmitrij Kitajenko, G???rzenich-Orchester K???ln. SACD-ISO, FLAC 24bit 88.2kHz 2.0 (http://organ-music-for-all.blogspot.gr/2013/05/new-up-dmitri-shostakovitch-complete.html)
Music For All: NEW-UP. Dmitri Shostakovitch: The Complete Simphonies (discs 05-08 of 12) – Dmitrij Kitajenko, G???rzenich-Orchester K???ln. SACD-ISO, FLAC 24bit 88.2kHz 2.0 (http://organ-music-for-all.blogspot.gr/2013/06/new-up-dmitri-shostakovitch-complete.html)
Music For All: NEW-UP. Dmitri Shostakovitch: The Complete Simphonies (discs 09-12 of 12) – Dmitrij Kitajenko, G???rzenich-Orchester K???ln. SACD-ISO, FLAC 24bit 88.2kHz 2.0 (http://organ-music-for-all.blogspot.gr/2013/06/new-up-dmitri-shostakovitch-complete_3.html)
SA-CD.net – Shostakovich: Symphonies Nos. 1-15 – Kitajenko (http://www.sa-cd.net/showtitle/3051)
Odeon: Hugo Alfv???n ? Symphony No.5 ? Neeme J???rvi (http://odeonmusic.blogspot.gr/2013/05/hugo-alfven-symphony-no5-neeme-jarvi.html)
Odeon: Hugo Alfv???n ? Symphony No.4 ? Neeme J???rvi (http://odeonmusic.blogspot.gr/2013/05/hugo-alfven-symphony-no4-neeme-jarvi.html)
Odeon: Hugo Alfv???n ? Symphony No.3 ? Neeme J???rvi (http://odeonmusic.blogspot.gr/2013/05/hugo-alfven-symphony-no3-neeme-jarvi.html)
Odeon: Hugo Alfv???n ? Symphony No.2 ? Neeme J???rvi (http://odeonmusic.blogspot.gr/2013/05/hugo-alfven-symphony-no2-neeme-jarvi.html)
Odeon: Hugo Alfv???n ? Symphony No.1 ? Neeme J???rvi (http://odeonmusic.blogspot.gr/2013/05/alfven-symphony-no1-njarvi.html)
Odeon: A Swedish Pastorale – Larsson, Roman, Atterberg, Rosenberg, Alfven – J.-O. Wedin (http://odeonmusic.blogspot.gr/2012/06/swedish-pastorale-larsson-roman.html)
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Khachaturian: Spartacus; Ippolitov-ivanov / Tjeknavorian — Armenian Philharmonic Orchestra
Gayaneh: Suite by Aram Khachaturian
Masquerade: Suite by Aram Khachaturian
Spartacus Suite No 1 by Aram Khachaturian
Caucasian Sketches Suite no 1, Op. 10 by Mikhail Ippolitov-Ivanov
Download Khach Ippo Tjekn rar = FLAC (http://filewinds.com/22kr3ams9s6s/Khach-Ippo-Tjekn.rar.html)
1 Gayaneh Suite – 1 Sabre Dance
2 Gayaneh Suite – 2. Dance of the Young Maidens
3 Gayaneh Suite – 3. Mountaineer’s Dance
4 Gayaneh Suite – 4. Lullaby
5 Gayaneh Suite – 5. Lezghinka
Masquerade Suite
6 Masquerade Suite – 1. Waltz
7 Masquerade Suite – 2. Nocturne
8 Masquerade Suite – 3. Mazurka
9 Masquerade Suite – 4. Romance
10 Masquerade Suite – 5. Galop
Spartacus Suite
11 Spartacus Suite – 1. Variation of Aegina and Bacchanalia
12 Spartacus Suite – 2. Scene and Dance with Crotalums
13 Spartacus Suite – 3. Adagio of Spartacus and Phrygia
14 Spartacus Suite – 4. Dance of Gaditanae and Victory of Spartacus
Caucasian Sketches
15 Caucasian Sketches – 1. In the Mountain Pass
16 Caucasian Sketches – 2. In the Village
17 Caucasian Sketches – 3. In the Mosque
18 Caucasian Sketches – 4. Procession of the Sardar
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Music Composed by Aram Khachaturian
Played by the Armenian Philharmonic Orchestra
Conducted by Loris Tjeknavorian
Download Khach Lermontov ASV rar = FLAC (http://filewinds.com/9yscp2crw2fi/Khach_Lemontov_ASV_.rar.html)
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FILM MUSIC Composed by Aram Khachaturian
Played by the Armenian Philharmonic Orchestra
Conducted by Loris Tjeknavorian
https://www.hdtracks.com/index.php?file=catalogdetail&valbum_code=743625096620
FLAC DOWNLOAD
Download Khach FilmM ASV rar (http://filewinds.com/jsrvifv2nh6i/Khach_FilmM_ASV_.rar.html)
1. Pepo: Ov
2. Pepo: Pepo’s Song
3. Undying Flame: Intro (Ov)
4. Undying Flame: Bruno’s Return To His Homeland
5. Undying Flame: Rebels Capture Bruno In The Forest
6. Undying Flame: Bruno At The Consistory Court
7. Undying Flame: Banishment And Wanderings
8. Undying Flame: Dance Before The Queen
9. Undying Flame: The Battle And Christ
10. Undying Flame: Finale
11. Secret Mission: Ov
12. Secret Mission: The Pilot
13. Secret Mission: The Ardennes
14. Secret Mission: Surrender
15. Secret Mission: Armaments-Finale
16. Admiral Ushakov: Ov
17. Admiral Ushakov: Battle
18. Admiral Ushakov: Funeral
19. Admiral Ushakov: Russian Sailors In Naples (The Review Of The Fleet)
20. Admiral Ushakov: Finale
21. Prisoner No.217: Ov
22. Prisoner No.217: Murder
23. Prisoner No.217: In The Prison
24. Prisoner No.217: Work-Recapulation-Finale
———- Post added at 11:52 PM ———- Previous post was at 11:51 PM ———-
I can’t seem to find it anywhere. I would prefer it to be in MP3 (if possible), because I do not have a proper converter.
Odeon: Heinrich Hofmann ? Overture, Suite, Symphony ? Eric Sol???n (http://odeonmusic.blogspot.gr/2013/06/heinrich-hofmann-overture-suite.html)
Odeon: Stravinsky – Oedipus Rex – Salonen (http://odeonmusic.blogspot.gr/2013/06/stravinsky-oedipus-rex-salonen.html)
Odeon: Max Reger ? Requiem ? Roland Bader (http://odeonmusic.blogspot.gr/2013/06/max-reger-requiem-roland-bader.html)
Odeon: Siegfried Wagner ? Overtures ? Werner Andreas Albert (http://odeonmusic.blogspot.gr/2013/06/siegfried-wagner-overtures-werner.html)
Enjoy ๐
Any chance of another reup?
Odeon: Schumann – Symphonies nos.1, 2 re-orchestrated by Mahler – Ceccato (http://odeonmusic.blogspot.gr/2013/06/schumann-symphonies-nos1-2-re.html)
Odeon: Schumann – Symphonies nos.3, 4 re-orchestrated by Mahler – Ceccato (http://odeonmusic.blogspot.gr/2013/06/schumann-symphonies-nos3-4-re.html)
Odeon: Grieg ? Complete Symphonic Works (Vol.2) ? Eivind Aadland (http://odeonmusic.blogspot.gr/2013/06/grieg-complete-symphonic-works-vol2.html)
Odeon: Grieg ? Complete Symphonic Works (Vol.1) ? Eivind Aadland (http://odeonmusic.blogspot.gr/2013/06/grieg-complete-symphonic-works-vol1.html)
Odeon: Rimsky-Korsakov ? Symphonic works ? Ansermet (http://odeonmusic.blogspot.gr/2013/06/rimsky-korsakov-symphonic-works-ansermet.html)
Odeon: Tchaikovsky ? Incidental Music for The Snow Maiden ? N.J???rvi (http://odeonmusic.blogspot.gr/2013/03/tchaikovsky-incidental-music-for-snow.html)
Odeon: Dvo????k ? Stabat Mater ? N.J???rvi (http://odeonmusic.blogspot.gr/2012/11/dvorak-stabat-mater-njarvi.html)
Odeon: Kodaly – H???ry J???nos Suite; Peacock Varations; Dances of Gal???nta – N.J???rvi (http://odeonmusic.blogspot.gr/2012/09/kodaly-hary-janos-suite-peacock.html)
Odeon: Prokofiev – Piano Concertos Nos. 2 & 3 – Gutierrez, J???rvi (http://odeonmusic.blogspot.gr/2012/08/prokofiev-piano-concertos-nos-2-3.html)
Odeon: Dvorak – Symphony No. 9 & My Home – N.J???rvi (http://odeonmusic.blogspot.gr/2012/08/dvorak-symphony-no-9-my-home-njarvi.html)
Odeon: Dvorak – Symphony No. 8; The Wood Dove – N.J???rvi (http://odeonmusic.blogspot.gr/2012/08/dvorak-symphony-no-8-wood-dove-njarvi.html)
Odeon: Dvorak – Symphony No. 7; Golden Spinning Wheel – N.J???rvi (http://odeonmusic.blogspot.gr/2012/07/dvorak-symphony-no-7-golden-spinning.html)
Odeon: Dvor???k – Symphony No. 6; The Noon Witch – N.J???rvi (http://odeonmusic.blogspot.gr/2012/07/dvorak-symphony-no-6-noon-witch-njarvi.html)
Odeon: Dvorak – Symphony No. 5; The Water Goblin – N.J???rvi (http://odeonmusic.blogspot.gr/2012/07/dvorak-symphony-no-5-water-goblin-njarvi.html)
Odeon: Dvor???k – Symphony No. 4; Biblical Songs – N.J???rvi (http://odeonmusic.blogspot.gr/2012/07/dvorak-symphony-no-4-biblical-songs.html)
Odeon: Dvorak – Symphony No. 3- Carnival Overture; Symphonic Variations – N.J???rvi (http://odeonmusic.blogspot.gr/2012/07/dvorak-symphony-no-3-carnival-overture.html)
Odeon: Dvorak – Symphony No. 1; The Heroe’s Song – N.J???rvi (http://odeonmusic.blogspot.gr/2012/07/dvorak-symphony-no-1-heroes-song-njarvi.html)
Odeon: Dvorak – Symphony No. 2; Slavonic Rhapsody – J???rvi (http://odeonmusic.blogspot.gr/2012/04/dvorak-symphony-no-2-slavonic-rhapsody.html)
Odeon: George Antheil ? Piano Concertos, A Jazz Symphony, Jazz Sonata ? Markus Becker (http://odeonmusic.blogspot.gr/2013/06/george-antheil-piano-concertos-jazz.html)
Odeon: Chopin ? Evgeny Kissin at the Carnegie Hall (http://odeonmusic.blogspot.gr/2013/07/chopin-evgeny-kissin-at-carnegie-hall.html)
Odeon: Respighi ? Works for Piano and Orchestra ? Konstantin Scherbakov (http://odeonmusic.blogspot.gr/2013/07/respighi-works-for-piano-and-orchestra.html)
Odeon: Ole Olsen ? Orchestral works ? Christian Lindberg, Rune A. Halvorsen (http://odeonmusic.blogspot.gr/2013/07/ole-olsen-orchestral-works-christian.html)
Odeon: Balakirev ? Complete Piano Works ? Alexander Paley (http://odeonmusic.blogspot.gr/2013/07/balakirev-complete-piano-works.html)
Odeon: Mussorgsky ? Orchestral works ? Claudio Abbado (http://odeonmusic.blogspot.gr/2013/06/mussorgsky-orchestral-works-claudio.html)
Odeon: Janacek ? Orchestral works ? Sir Charles Mackerras (http://odeonmusic.blogspot.gr/2013/07/janacek-orchestral-works-sir-charles.html)
Odeon: Sir Charles Mackerras ? Life with Czech Music ? Janacek, Martinu (http://odeonmusic.blogspot.gr/2013/07/sir-charles-mackerras-life-with-czech.html)
Odeon: Lemba, Tobias, Eller, Tormis, P???rt ? Music from Estonia ? N.J???rvi (http://odeonmusic.blogspot.gr/2013/07/lemba-tobias-eller-tormis-part-music.html)
The Tree of Life (2011): Soundtrack and Complete List of Songs (http://www.what-song.com/Movies/Soundtrack/850/The-Tree-of-Life)
Tree of Life Soundtrack ??? Elissa Elliott (http://www.elissaelliott.com/tree-of-life-soundtrack/)
Do you still have a link for DL of the the entire list of songs from the movie? I am hitting a dead end trying to find all the other songs not on the original soundtrack release. Thanks.
Yes on those two.
I can’t seem to find it anywhere. I would prefer it to be in MP3 (if possible), because I do not have a proper converter.
???? There are tons of free music converters on the web, Foobar2000 being the best-known.
????? "?????????? ?????" || Composer Gli???re – YouTube (http://www.youtube.com/watch?v=NYwx7bj-gfo)
GLIERE The Gliere Orchestral Collection – CHANDOS CHAN106795X [SA]: Classical Music Reviews – November 2011 MusicWeb-International (http://www.musicweb-international.com/classrev/2011/Nov11/Gliere_collection_CHAN10679X.htm)
Reinhold GLIERE The Gliere Orchestral Collection – CHANDOS CHAN106795X [RB]: Classical Music Reviews – October 2011 MusicWeb-International (http://www.musicweb-international.com/classrev/2011/Oct11/Gliere_CHAN106795X.htm)
So Russian torrents for the rescue, because this is a must own box-set
(Classical, symphony) The Gli???re Orchestral Collection – BBC Philharmonic, Sir Edward Downes, ????????????????????? ???????????????????????????, Richard Watkins – 5CD- 2011, FLAC (image+.cue) lossless (http://rutracker.org/forum/viewtopic.php?t=3939616)
[rutracker.org].t3939616.torrent (http://www.mediafire.com/?ca8i59t31n9xs41)
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Odeon: Gli???re ? Symphony No.1, Suite ‘The Red Poppy’ ? Downes (http://odeonmusic.blogspot.gr/2012/12/gliere-symphony-no1-suite-red-poppy.html)
Odeon: Gli???re – Symphony No. 2, Zaporozhy Cossacks – Downes (http://odeonmusic.blogspot.gr/2012/06/gliere-symphony-no-2-zaporozhy-cossacks.html)
Odeon: Gliere – Symphony No. 3 ‘Ilya Muromets’ – Downes (http://odeonmusic.blogspot.gr/2012/06/gliere-symphony-no-3-ilya-muromets.html)
Odeon: Glinka, Borodin, Tchaikovsky, Rimsky-Korsakov, Gli???re – Russian Favorites – Slatkin (http://odeonmusic.blogspot.gr/2012/03/glinka-borodin-tchaikovsky-rimsky.html)
Odeon: August S???derman ? Catholic Mass ? Per Borin (http://odeonmusic.blogspot.gr/2013/07/august-soderman-catholic-mass-per-borin.html)
Odeon: Saint-Sa???ns ? Javotte, Rapsodie bretonne, Andromaque, Suite alg???rienne ? Robertson (http://odeonmusic.blogspot.gr/2013/07/saint-saens-javotte-rapsodie-bretonne.html)
Odeon: Schoenberg ? Violin Concerto; Prokofiev ? Symphony No.5 ? Mitropoulos (http://odeonmusic.blogspot.gr/2013/06/schoenberg-violin-concerto-prokofiev.html)
Odeon: Prokofiev ? The Symphonies ? Zden?k Ko?ler (http://odeonmusic.blogspot.gr/2013/03/prokofiev-symphonies-zdenek-kosler.html)
Odeon: Les Ballets Russes ? Vol.8 ? Rimsky-Korsakov, Prokofiev ? Perez, Karabits (http://odeonmusic.blogspot.gr/2012/12/les-ballets-russes-vol8-rimsky-korsakov.html)
Odeon: Les Ballets Russes ? Vol.5 ? Falla, Prokofiev ? Bollon, Karabits (http://odeonmusic.blogspot.gr/2012/12/les-ballets-russes-vol5-falla-prokofiev.html)
Odeon: Prokofiev – Alexander Nevsky, Lieutenant Kij??? – Abbado (http://odeonmusic.blogspot.gr/2012/09/prokofiev-alexander-nevsky-lieutenant.html)
Odeon: Prokofiev – Symphony No. 7, Sinfonietta – Jarvi (http://odeonmusic.blogspot.gr/2012/07/prokofiev-symphony-no-7-sinfonietta.html)
Odeon: Prokofiev – Symphony No. 6, Waltz Suite – Jarvi (http://odeonmusic.blogspot.gr/2012/07/prokofiev-symphony-no-6-waltz-suite.html)
Odeon: Prokofiev – Symphonies No.3, No.4 (orig.version) – J???rvi (http://odeonmusic.blogspot.gr/2012/07/prokofiev-symphonies-no3-no4.html)
Odeon: Prokofiev – Symphony No. 2, Romeo and Juliet, Suite No.1 – Jarvi (http://odeonmusic.blogspot.gr/2012/07/prokofiev-symphony-no-2-romeo-and.html)
Odeon: Prokofiev – Symphonies No.1, No.4 (rev.version) – J???rvi (http://odeonmusic.blogspot.gr/2012/07/prokofiev-symphonies-no1-no4-revversion.html)
Odeon: Prokofiev – Piano Concertos Nos. 1, 4 & 5 – Berman, Jarvi (http://odeonmusic.blogspot.gr/2012/04/prokofiev-piano-concertos-nos-1-4-5.html)
Odeon: Prokofiev – Symphony No. 5, Waltz Suite – J???rvi (http://odeonmusic.blogspot.gr/2012/02/prokofiev-symphony-no-5-waltz-suite.html)
Odeon: Prokofiev – Sinfonia Concertante, Romeo and Juliet (Suite no.3) (http://odeonmusic.blogspot.gr/2012/01/prokofiev-sinfonia-concertante-romeo.html)
Odeon: Prokofiev – Romeo & Juliet (excerpts) – Yoel Levi (http://odeonmusic.blogspot.gr/2012/02/prokofiev-romeo-juliet-excerpts-yoel.html)
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Russian Wind Band Classics
Royal Northern College of Music Wind Orchestra
Clark Rundell
Russian Wind Band Classics (http://www.theclassicalshop.net/Details.aspx?CatalogueNumber=CHAN%2010166)
DSCH CD Review, Russian Wind Band Classics (http://dschjournal.com/reviews/cd_reviews/rvs21op139.htm)
Download FLAC
Download RWindBC rar (http://filewinds.com/6pk5rdffgf26/RWindBC.rar.html)
Russian Wind Band Classics
Shostakovich : March of the Soviet Militia, opus 139;
Gli???re: Solemn Overture for the Twentieth Anniversary of the October Revolution, opus 72 (ed. Robert Grechesky)[a];
Stravinsky: Circus Polka, composed for a young elephant;
Prokofiev: Marches for Military Band, opus 69[a]; Anthem for Military Band, opus 98 (ed. James Gourlay)[a];
Rimsky-Korsakov: Concerto for Trombone[b];
Khachaturian: The Battle of Stalingrad, Suite from the film by Vladimir Petrov, opus 74a (ed. Robert Peel)[a].
Clark Rundell, Royal Northern College of Music Wind Orchestra, Jacques Mauger (trombone)[b].
Chandos CHAN10166. DDD. TT 69:27.
Recorded Studio 7, New Broadcasting House, Manchester 24 & 25 February 2003.
[a]World premiere recordings.
Despite its popularity amongst wind players and fans of wind music in general, music for wind orchestra has yet to achieve the status of its richer cousin "classical music". Ironically, the wind music scene is a thriving one, with highly developed schools of composition in America and Western Europe. New works appear annually and are greeted enthusiastically by performers and audiences alike; but their composers, such as Alfred Reed and Jan van der Roost, are practically unknown outside wind music circles. It is only when a "serious" orchestral composer enters the concert band repertoire that classical music listeners sit up and pay attention. In this respect, composers like Holst and Vaughan Williams have lent authority to an otherwise overlooked genre.
A recent series by Chandos featuring the excellent Royal Northern College of Music Wind Orchestra wanders cautiously into this niche, surveying the wind music of the English, French and Nordic regions. This instalment takes the English band to Russia and injects a few more big names, including Prokofiev, Rimsky-Korsakov and Khachaturian into the wind music repertoire. It can also be considered a follow-up to a 1996 release entitled Russian Concert Band Music (CHAN 9444) with the Stockholm Concert Band conducted by Gennady Rozhdestvensky, which features a remarkably similar line-up.
That earlier disc presented a varied and interesting programme, representing the best of Russian wind music with its inclusion of Myaskovsky’s Symphony No. 19 and two Rimsky-Korsakov concertos. This newcomer, while receiving a much more polished performance, is considerably heavier on the marches. As a wind player I found the selection a disappointment, particularly considering the announcement in the liner notes to Russian Concert Band Music that "band music has such prestige in Russia…. there are so many excellent compositions for band by composers from Russia and the other former Soviet republics."
Where are these excellent compositions? The present CD’s notes report the difficulty of obtaining scores from the former Soviet Union; for example, only one of the four Gli???re overtures in the catalogue was traceable. This lone Gli???re discovery, the Solemn Overture for the 20th Anniversary of the October Revolution, opus 72, is perhaps one of the disc’s most attractive works, exploiting the contrasting timbres of the different brass and wind sections of the ensemble (which, in contrast to the wind section of a typical symphony orchestra, employs larger choirs of a wider range of instruments such as the cornet, euphonium, saxhorn and the complete range of saxophones) and exploring the many possibilities of wind scoring from rhythmic excitement to lyrical beauty. Gli???re’s Overture is built on attractive melodic material that has instant appeal, with contrasting sections of declamation and lyricism, heroism and quiet sustaining interest in this 8-minute Overture.
It is worth noting that this 1937 October tribute has more than a touch of Rimsky-Korsakov in it, especially in the central dance sequence on woodwind. In fact, Gli???re sounds even more like Rimsky-Korsakov than Rimsky-Korsakov himself in the latter’s Trombone Concerto. This rather dull outing reads like an exercise piece containing not the slightest trace of the usually colourful and exotic Russian master. The central slow section hints at Tchaikovsky, while the finale is somewhat reminiscent of the finale of Vaughan Williams’ English Folk Song Suite. This is a far cry from the more idiomatic Concertst???ck for Clarinet and Military Band and Variations for Oboe and Military Band featured in Russian Concert Band Music. The Trombone Concerto’s rarity on disc undoubtedly earned it a place here. It may satisfy the completist, but I would much rather hear the transcription of Scheherazade mentioned in the notes to the earlier release.
Stravinsky adds value to the programme with his rollicking Circus Polka, which bursts with the neoclassic quirkiness of his Dumbarton Oaks concerto. Despite its frivolous title and subtitle, it is a marvellous miniature that shows off what a small band of wind instruments can achieve.
To this impressive roll-call of Russian composers comes Shostakovich with a disappointing one-and-a-half minutes’ worth of music. His March of the Soviet Militia, opus 139, is an innocuous miniature written between the Fourteenth and Fifteenth Symphonies. Placed in the middle of the programme, this trifle is easily upstaged by the surrounding works to the extent that without the minimum of attention you’d miss it altogether. It takes the form of a rousing military march dominated by a grandiose, Rossinian fanfare-like melody on the trumpets, with a typically strident second subject on the lower brass in a deliberately elementary A-B-A construction. A fleeting four-bar introduction on trilling woodwind and horns on a two-note utterance opens proceedings, the trumpets carrying the tune throughout in an insistent fashion. Section repeats are generously applied, and the work ends as unceremoniously as it begins. If Tahiti Trot took the composer 40 minutes to dash off, then I would guess this march took him 10!
The CD notes are just as brief on background information to the work. The annotator of Russian Concert Band Music, where it was also programmed (under the title March of the Soviet Police), refers to it as a "witty and ironic" work that according to Galina Vishnevskaya was written upon request of the despised Minister of Soviet Police, Nikolai Shcholokov. Fay’s biography Shostakovich: A Life (reviewed in DSCH No. 12) efficiently describes the work as a submission for a competition in 1970 that won first prize. Volkov’s Testimony further claims that the work was written with its dedicatee Zoshchenko in mind – the famed writer had once worked on the police force.
How much irony one can actually detect depends on the execution. Rozhdestvensky’s trumpets press the point home with emphatic playing, underlining their omnipresence with their constantly high, somewhat strained register. His band also outlines clearly the simplistic nature of Shostakovich’s upper melody and the blockish tutti accompaniment on the lower winds. As is apparent in the premiere recording by N. Zolotaryov and the Model Orchestra of the Moscow Kremlin Guard (reproduced on Chandos’ DSCH CD-ROM/DVD-ROM; CHAN 50001/55001; reviewed in DSCH No. 15), which extends the work with even more repeats in the second and final sections, to diminishing returns, the wit is at best subtle; this march has the potential to sound annoying and ridiculous if played with overt enthusiasm.
Zolotaryov’s recording makes us appreciate the brevity and light touch applied by the Royal Northern College Wind Orchestra, who render this a harmless, upbeat, made-to-order march that is over in a blink of the eye. Despite its brevity it does bear the hallmark of the composer’s impeccable craftsmanship: the efficiency of his method, the simplicity of the building blocks.
Prokofiev makes a more substantial contribution with his Marches For Military Band, opus 69, which ups the marching band quotient of the programme, for better or worse. The disc also includes his Anthem, opus 98, submitted for that notorious 1943 competition, which with its great tune and warm subtlety I found far more interesting. The opus 69 marches are more garish in comparison. Chandos here present the world premiere of the complete set of four, with previous cuts reinstated. Each march has a distinct character, and they are peppered with typical Prokofievan insolence. Deliberately or not, his melodies tend to overstay their welcome (the saccharine Cavalry March tune is a perfect example). While they are nowhere near as delightful as his opus 99 March found on Russian Concert Band Music (a work that displays the charm of the March from Love for Three Oranges), the contrasting individuality of each march will certainly be of interest.
The set opens with a rather flippant March for a Spartakiade, whose key melody could fit right into Shostakovich’s Moscow, Cheryomushki. It’s saved from excessive banality by imaginative instrumentation and an interestingly delicate trio (a military band term for a third, more lyrical section of a typical two-subject march). The second Marching Song is more typically pompous, with a stately melody in triple time that might have accompanied military march-pasts or slow marches and a subtle sour twist or two, courtesy of the incorrigible Prokofiev. The third march, written for a competition and the longest of the four, is all pomp and circumstance, with a main tune that I quickly found becomes an irritation. Its saving grace is the lyrical second theme and its two trios of contrasting character, one featuring a solo trumpet and a second, originally cut, starting on the clarinets and developing through various sections such as tuba and saxophones. The final Cavalry March has more than a tinge of irony in it, with its whimsical child-like tune passing from solo trumpet to tuba to woodwinds against a fluffy carnival backdrop complete with trotting triangle and cymbals, recalling Lieutenant Kije. The orchestra perform these marches with a lightness of touch and wonderful solo playing.
Khachaturian closes the programme with the most substantial offering here, a premiere recording of the 30-minute band arrangement of his film music from The Battle of Stalingrad. You can’t get more Socialist Realist than this: the touch of Spartacus in Invasion sounds utterly surreal in this overtly bombastic venture. The music is unmistakably Khachaturian, and there are moments where the fingerprints of Gayane are unmistakable (for example, compare Battle, one of the high points of the suite, with Gayane’s Storm). There are redeeming moments from the bombast of it all, for example, in the dark central movement; The enemy is doomed, where against a plodding accompaniment the low woodwind and brass take turns to intone mournful passages reminiscent of the third movement of Shostakovich’s Eleventh Symphony.
The band sound truly is stunning in the best moments of the score, even through the more hard-driven sections, and on the whole their performances on this disc are highly recommendable. They possess a more transparent and flexible sound than the Stockholm band under Rozhdestvensky, and their trademark lightness (especially noteworthy in the percussion) and crisp articulation give this programme a wonderful shine. If your tolerance for marches and Socialist Realist music is high enough, this could be an enjoyable excursion after all.
Odeon: Oscar Bystr???m ? Symphonic works ? Carlos Spierer (http://odeonmusic.blogspot.gr/2013/07/oscar-bystrom-symphonic-works-carlos.html)
Odeon: Webern, Schoenberg ? Orchestral works ? Riccardo Chailly (http://odeonmusic.blogspot.gr/2013/07/webern-schoenberg-orchestral-works.html)
Odeon: Schubert, Liszt, Brahms ? Piano works ? Evgeny Kissin (http://odeonmusic.blogspot.gr/2013/07/schubert-liszt-brahms-piano-works.html)
Odeon: Rachmaninov ? Piano Concerto No.3, Vocalise, Prelude ? Evgeny Kissin (http://odeonmusic.blogspot.gr/2013/07/rachmaninov-piano-concerto-no3-vocalise.html)
Odeon: Vincent d’Indy ? Symphonie ?Italienne?, Concert ? Lionel Bringuier (http://odeonmusic.blogspot.gr/2013/07/vincent-dindy-symphonie-italienne.html)
Odeon: Rachmaninov ? Piano Concerto No.2, Etudes-Tableaux ? Evgeny Kissin (http://odeonmusic.blogspot.gr/2013/07/rachmaninov-piano-concerto-no2-etudes.html)
Odeon: Lyatoshinsky ? Symphony No.2, Slavic Concerto for Piano and Orchestra ? VA (http://odeonmusic.blogspot.gr/2013/07/lyatoshinsky-symphony-no2-slavic.html)
Odeon: Khachaturian – Orchestral works – Khachaturian (http://odeonmusic.blogspot.gr/2013/02/khachaturian-orchestral-works.html)
Odeon: Prokofiev ? Cinderella Suites Nos.1-3, Scythian Suite, ‘On the Dnieper’ ? Kuchar (http://odeonmusic.blogspot.gr/2013/07/prokofiev-cinderella-suites-nos1-3.html)
Odeon: Bartok ? Dance Suite, Deux Images, Hungarian Sketches, Divertimento ? Boulez (http://odeonmusic.blogspot.gr/2013/07/bartok-dance-suite-deux-images.html)
Odeon: Klami ? Karelian Rhapsody, Kalevala Suite, Sea Pictures ? Petri Sakari (http://odeonmusic.blogspot.gr/2013/07/klami-karelian-rhapsody-kalevala-suite.html)
Odeon: Smetana ? Short Orchestral Pieces ? Stankovsky (http://odeonmusic.blogspot.gr/2013/07/smetana-short-orchestral-pieces.html)
Odeon: Stalder, Reindl ? Symphonic works ? Howard Griffiths (http://odeonmusic.blogspot.gr/2013/08/stalder-reindl-symphonic-works-howard.html)
Odeon: Tjeknavorian ? Piano Concerto, Babadzhanian ? Orchestral works ? Loris Tjeknavorian (http://odeonmusic.blogspot.gr/2013/08/tjeknavorian-piano-concerto.html)
Odeon: Dvorak ? Works for Piano 4 Hands (Vol.1) ? Duo Crommelynck (http://odeonmusic.blogspot.gr/2013/08/dvorak-works-for-piano-4-hands-vol1-duo.html)
Odeon: Mahler – 10th Symphony; Brahms-Schoenberg ? Piano Quartet ? Simon Rattle (http://odeonmusic.blogspot.gr/2013/07/mahler-10th-symphony-brahms-schoenberg.html)
Odeon: Bach ? The Well-Tempered Clavier Book 1 ? Sviatoslav Richter (http://odeonmusic.blogspot.gr/2013/08/bach-well-tempered-clavier-book-1.html)
Quality: FLAC tracks +.cue | Bitrate: Lossless | Total size: 14.51 GB
01. Symphonies 25, 26, 29 PINNOCK
02. Symphonies 28, 31, 33, 34 LEVINE
03. Symphonies 32, 35, 36 KARAJAN
04. Symphonies 38, 39 PINNOCK
05. Symphonies 40, 41 MINKOWSKI
06. Piano Concertos 6, 17, 21 ANDA
07. Piano Concertos 27, 10 GILELS
08. Piano Concertos 19, 23 POLLINI
09. Piano Concertos 20, 24 BILSON
10. Piano Concertos 14, 26 PIRES
11. Violin Concertos 3, 4, 5 PERLMAN
12. Sinfonia Concertante PERLMAN, ZUKERMAN
13. Wind Concertos NEIDICH, JOLLEY
14. Wind Concertos MORELLI, WOLFGANG, PURVIS
15. Flute, Flute & Harp Concertos PALMA, ALLEN
16. Gran Partita ORPHEUS
17. Divertimentos K.375, K.388, K.270 ORPHEUS
18. Divertimento K.334, K.239 Serenata KARAJAN
19. Haffner Serenade BOHM
20. Eine kleine Nachtmusik, Posthorn Serenade LEVINE
21 -23. 6 Haydn Quartets HAGEN
24. String Quintet K.515, Divertimento K.563 AMADEUS
25. String Quintets K.516, K.593 AMADEUS, ARONOWITZ
26. Quartets with winds KOCH, SEIFERT, DE PEYER, AMADEUS
27. Chamber Music LEVINE, ENSEMBLE WIEN-BERLIN
28. Piano Quartets FAURE QUARTET
29. Violin Sonatas DUMAY, PIRES
30. Violin Sonatas PERLMAN, BARENBOIM
31. Piano Sonatas PIRES
32. Piano Sonatas HOROWITZ
33. Piano Sonatas GULDA
34. Piano Duets FRANTZ, ESCHENBACH
35. Great Mass in C minor PINNOCK
36. Great Mass in C minor BERNSTEIN
37. Requiem ABBADO
38. Concert Arias JANOWITZ
39-41. Idomeneo GARDINER
42-43. Die Entfuhrung aus dem Serail BOHM
44-46. Le nozze di Figaro HARNONCOURT
47-49. Don Giovanni ABBADO
50-52. Cosi fan tutte LEVINE
53-54. Die Zauberflote BOHM
55. A Little Light Music ORPHEUS
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Vivaldi – The Masterworks (2004) [40CD Box Set]
Quality: MP3 | Bitrate: VBR 256-320 kbps | Total size: 4.18 GB
CD 1 Violin Concertos Op. 8 Nos. 1-7
CD 2 Violin Concertos Op. 8 Nos. 8-12
CD 3 L’Estro Armonico Concertos Op. 3 Nos. 1-6
CD 4 L’Estro Armonico Concertos Op. 3 Nos. 7-12
CD 5 Recorder Concertos
CD 6 Concertos & Symphonies for Strings Vol. I
CD 7 Concertos & Symphonies for Strings Vol. II
CD 8 Concertos & Symphonies for Strings Vol. III
CD 9 Organ Concertos
CD 10 Oboe Concertos Vol. I
CD 11 Oboe Concertos Vol. II
CD 12 Oboe Concertos Vol. III
CD 13 La Stravaganza Violin Concertos Op. 4 Nos. 1-6
CD 14 La Stravaganza Violin Concertos Op. 4 Nos. 7-12
CD 15 Bassoon Concertos
CD 16 La Cetra Violin Concertos Op. 9 Nos. 1-6
CD 17 La Cetra Violin Concertos Op. 9 Nos. 7-12
CD 18 Lute Concertos
CD 19 Concerti per Archi
CD 20 Concerti da Camera
CD 21 Viola d’Amore Concertos
CD 22 Concertos for Diverse Instruments
CD 23 Solo Concertos
CD 24 Mandolin Concertos, Cello Sonatas
CD 25 Violin Sonatas Op. 2 Nos. 1-6
CD 26 Violin Sonatas Op. 2 Nos. 7-12
CD 27 Juditha Triumphans Oratorio Part 1
CD 28 Juditha Triumphans Oratorio Part 2
CD 29 L’Olimpiade Opera Part 1
CD 30 L’Olimpiade Opera Part 2
CD 31 Cantatas
CD 32 Cantatas for Soprano & Basso Continuo
CD 33 Cantatas for Soprano & Basso Continuo
CD 34 Choral Works
CD 35 Choral Works
CD 36 Gloria Stabat Mater
CD 37 Dixit Dominus Nisi Dominus
CD 38 Magnificat
CD 39 Cantatas for Soprano & Alto
CD 40 Cantatas for Soprano & Alto
———- Post added at 11:57 AM ———- Previous post was at 11:56 AM ———-
Antonin Dvorak – The Masterworks (40CD Box Set) (2005)
MP3 VBR 192-320 kbps | 3.2 GB
Tracklist:
CD1
Symphony No. 1
SYMPHONY No. 1 in C minor ???The Bells of Zlonice???
1. Allegro 11:11
2. Adagio di molto 14:09
3. Allegretto 8:23
4. Finale, allegro animato 12:54
Total: 47:01
Slovak Philharmonic Orchestra, Zdenek Kosler
CD2
Symphony No. 2
SYMPHONY No. 2 in B flat major Op. 4
1. Allegro con moto 11:29
2. Poco adagio 15:29
3. Scherzo, allegro con brio 12:07
4. Finale, allegro con fuoco 9:57
Total: 50:07
Slovak Philharmonic Orchestra, Zdenek Kosler
CD3
Symphony No. 3
Symphony No. 4
SYMPHONY No. 3 in E flat major Op. 10
1. Allegro moderato 10:57
2. Adagio molto, tempo di marcia 18:42
3. Finale, allegro vivace 8:28
4.
SYMPHONY No. 4 in D minor Op. 13
5. Allegro 9:34
6. Andante e molto cantabile 11:27
7. Scherzo, allegro feroce 6:34
8. Finale, allegro con brio 9:50
Total: 75:55
Slovak Philharmonic Orchestra, Zdenek Kosler
CD4
Symphony No. 5
Symphony No. 7
SYMPHONY No. 5 in F major Op. 76
1. Allegro ma non troppo 9:24
2. Andante con moto 8:27
3. Allegro scherzando 7:20
4. Finale, allegro molto 13:11
SYMPHONY No. 7 in D minor Op. 70
5. Allegro maestoso 12:42
6. Poco adagio 10:21
7. Scherzo, vivace 7:49
8. Finale, allegro 9:49
Total: 76:29
Slovak Philharmonic Orchestra, Zdenek Kosler
CD5
Symphony No. 6
SYMPHONY No. 6 in D major Op. 60
1. Allegro non tanto 12:52
2. Adagio 10:56
3. Scherzo, Furiant 6:55
4. Finale, allegro con spirito 10:34
Total: 42:17
Slovak Philharmonic Orchestra, Zdenek Kosler
CD6
Symphony No. 8
Serenade for Strings
SYMPHONY No. 8 in G major Op. 88
1. Allegro con brio 9:43
2. Adagio 11:38
3. Allegretto grazioso 6:00
4. Allegro ma non troppo 8:35
SERENADE FOR STRINGS Op. 22
5. Moderato 4:23
6. Tempo di valse 6:38
7. Scherzo 4:57
8. Larghetto 5:32
Total: 63:41
Allegro vivace
Royal Philharmonic Orchestra, Paavo Jarvi
CD7
Symphony No. 9 ???From the New World???
Scherzo Capriccioso
SYMPHONY No. 9 in E minor Op. 95
???From the New World???
1. Adagio-allegro molto 13:07
2. Largo 15:21
3. Scherzo, molto vivace 7:33
4. Allegro con fuoco 11:13
5. SCHERZO CAPRICCIOSO Op. 66 14:52
Total: 62:28
Royal Philharmonic Orchestra, Paavo Jarvi
CD8
Piano Concerto
PIANO CONCERTO in G minor Op. 33
1. Allegro agitato 17:58
2. Andante sostenuto 8:10
3. Finale, allegro con fuoco 10:34
4. ROMANCE for Violin & Orchestra in F minor Op. 11 9:51
5. MAZUREK for Violin & Orchestra in E minor Op. 49 4:56
6. SILENT WOODS (Waldesruhe) for Cello & Orchestra Op. 68 4:56
7. RONDO for Cello & Orchestra in G minor Op. 94 6:08
Total: 63:40
Rudolf Firkusny, piano
Ruggiero Ricci, violin
Zara Nelsova, cello
Saint Louis Symphony Orchestra, Walter Susskind
CD9
ANTONIN DVORAK
Violin Concerto
Cello Concerto
VIOLIN CONCERTO in A minor Op. 53
1. Allegro ma non troppo-adagio ma non troppo 19:00
2. Finale, allegro giocoso 1:03
CELLO CONCERTO in B minor Op. 104
3. Allegro 14:08
4. Adagio ma non troppo 10:30
5. Finale, allegro moderato 12:03
Total: 66:10
Ruggiero Ricci, violin
Zara Nelsova, cello
Saint Louis Symphony Orchestra, Walter Susskind
CD10
Requiem Part 1
1. Requiem aeternam 10:43
2. Graduale 5:10
3. Dies irae 2:18
4. Tuba mirum 9:38
5. Quod sum miser 6:31
6. Recordare, Jesu pie 7:52
7. Confutatis 5:36
Total: 48:00
Magdalena Hajos-syova, soprano
Vera Soukupova, alto
Jozef Kundlak, tenor
Peter Mikulas, bass
Slovak Philharmonic Choir & Orchestra, Zdenek Kosler
CD11
Requiem Part 2
1. Lacrimosa 7:47
2. Domine Jesu Christe 12:22
3. Hostias 11:59
4. Sanctus 5:59
5. Pie Jesu 5:27
Total: 54:32
Agnus Dei
Magdalena Hajos-syova, soprano
Vera Soukupova, alto
Jozef Kundlak, tenor
Peter Mikulas, bass
Slovak Philharmonic Choir & Orchestra, Zdenek Kosler
CD12
Stabat Mater Part 1
1. Stabat Mater dolorosa 20:06
2. Quis est homo, qui non fleret 10:42
3. Eja, Mater, fons amoris 7:13
4. Fac, ut ardeat cor meum 9:02
Total: 47:26
Magdalena Hajos-syova, soprano
Vera Soukupova, alto
Peter Dvorsk?y, tenor
Richard Novak, bass
Slovak Philharmonic Choir & Orchestra, Zdenek Kosler
CD13
Stabat Mater Part 2
1. Tui nati vulnerati 5:28
2. Fac me vere tecum flere 6:32
3. Virgo virginum praeclara 7:06
4. Fac, ut portem Christi mortem 6:42
5. Imflammatus et accensus 6:27
6. Quando corpus morietur 8:19
Total: 40:21
Magdalena Hajos-syova, soprano
Vera Soukupova, alto
Peter Dvorsk?y, tenor
Richard Novak, bass
Slovak Philharmonic Choir & Orchestra, Zdenek Kosler
CD14
Piano Trios Op. 90 ???Dumky??? & 21
PIANO TRIO No. 4 in E minor Op. 90 ???Dumky???
1. Lento maestoso-allegro 4:33
2. Poco adagio-vivace 6:34
3. Andante 5:53
4. Andante moderato 4:55
5. Allegro 4:03
6. Lento maestoso-vivace 4:53
PIANO TRIO No. 1 in B flat major Op. 21
7. Allegro molto 13:27
8. Adagio molto e mesto 7:33
9. Allegro scherzando 7:08
10. Finale, allegro vivace 6:11
Total: 65:10
THE SOLOMON TRIO
Daniel Adni, piano
Rodney Friend, violin
Raphael Sommer, cello
CD15
Piano Trios Op. 65 & 26
PIANO TRIO NO. 3 in F minor Op. 65
1. Allegro ma non troppo 13:57
2. Allegro grazioso 6:45
3. Poco adagio 9:12
4. Finale, allegro con brio 10:14
PIANO TRIO No. 2 in G minor Op. 26
5. Allegro moderato 12:22
6. Largo 6:19
7. Scherzo, presto 5:56
8. Finale, allegro non tanto 6:47
Total: 71:33
THE SOLOMON TRIO
Daniel Adni, piano
Rodney Friend, violin
Raphael Sommer, cello
CD16
Piano Quartets
PIANO QUARTET in D major Op. 23
1. Allegro moderato 15:01
2. Andantino 9:39
3. Finale 7:49
PIANO QUARTET in E flat major Op. 87
4. Allegro con fuoco 8:33
5. Lento 11:11
6. Allegro moderato, grazioso 6:59
7. Finale 9:22
Total: 69:51
AMES PIANO QUARTET
William David, piano
Mahlon Darlington, violin
Laurence Burkhalter, viola
George Work, cello
Recording: January 1989 Troy Savings Bank Concert Hall, Troy, USA
CD17
Piano Quintets
PIANO QUINTET in A major Op. 5
1. Allegro ma non troppo 8:29
2. Andante sostenuto 11:03
3. Finale, allegro con brio 8:56
PIANO QUINTET in A major Op. 81
4. Allegro ma non tanto 13:47
5. Dumka, andante con moto 16:40
6. Scherzo, Furiant, molto vivace 3:46
7. Finale, allegro 7:01
Total: 69:42
Sviatoslav Richter, piano
Borodin Quartet
Mikhail Kopelman, violin I
Andrei Abramenkov, violin II
Dmitri Shebalin, viola
Valentin Berlinsky, cello
Live recording: 31 December 1982
CD18
String Quintets
STRING QUINTET in G major Op. 77, for 2 violins, viola, cello & double-bass
1. Allegro con fuoco 12:27
2. Scherzo, allegro vivace-l???istesso tempo, quasi allegretto 9:22
3. Poco andante 8:42
4. Finale, allegro assai 7:40
STRING QUINTET in E flat major Op. 97, for 2 violins, 2 violas & cello
5. Allegro non tanto 9:26
6. Allegro vivo 5:54
7. Larghetto 10:45
8. Finale, allegro giusto 8:12
Total: 72:53
STAMITZ QUARTET
Bohuslav Matousek, violin I
Josef Kekula, violin II
Jan Peruska, viola
Vladimir Leixner, cello
Jiri Hudec, double-bass (1-4)
Jan Talich, viola (5-8)
ass (1-4)
Jan Talich, viola (5-8)
Recording: March 1992, Prague
CD19
Music for violin & piano I
1. CAPRICCIO 9:45
2. ROMANCE Op. 11 12:42
3. NOCTURNO Op. 40 6:38
VIOLIN SONATA in F major Op. 57
4. Allegro ma non troppo 11:45
5. Poco sostenuto 6:45
6. Allegro molto 5:46
Total: 53:53
Bohuslav Matousek, violin
Petr Adamec, piano
Recording: 27-30 December 1992, Prague
CD20
Music for violin & piano II
SONATINA in G major Op. 100
1. Allegro risoluto 5:52
2. Larghetto 4:02
3. Scherzo 2:56
4. Allegro 6:20
5. BALLADE Op. 15 6:06
ROMANTISCHE STUCKE/ROMANTIC PIECES Op. 75
6. Allegro moderato 3:24
7. Allegro maestoso 2:42
8. Allegro appassionato 2:27
9. Larghetto 6:01
10. MAZURKA Op. 49 6:03
Total: 46:44
Bohuslav Matousek, violin
Petr Adamec, piano
Recording: 27-30 December 1992, Prague
CD21
Serenade / Hausmusik
1. Rondo for cello and piano in G minor Op. 94, allegretto grazioso 7:43
DROBNOSTI Op. 75a, for 2 violins & viola
2. Cavatina, moderato 3:56
3. Capriccio, poco allegro 2:22
4. Romanza, allegro 3:29
5. Elegia, larghetto 4:30
6. GAVOTTE in G minor for 3 violins: allegretto scherzando 2:41
BAGATELLES Op. 47 for 2 violins, cello & harmonium
7. Allegretto scherzando 2:59
8. Tempo di menuetto, grazioso 3:16
9. Allegretto scherzando 2:56
10. Canon, andante con moto 3:27
11. Poco allegro 4:21
SERENADE for 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 3 horns, cello & double-bass in D minor Op. 44
12. Moderato, alla Marcia 4:17
13. Minuetto 6:08
14. Andante con moto 8:35
15. Allegro molto 6:13
Total: 66:32
Robert Cohen, cello (1)
Roger Vignoles, piano (1)
Alberni String Quartet (6-11)
Howard Davis, violin
Peter Pople, violin
Roger Best, violin/viola
David Smith, cello
Virginia Black, harmonium
Nash Ensemble (12-15)
CD22
String Quartets
STRING QUARTET in D major (without opus number)
1. Allegro con brio 26:20
2. Andantino 17:25
3. Allegro energico 14:42
4. Finale, allegretto 13:37
Total: 72:21
Stamitz Quartet
Bohuslav Matousek, violin I
Josef Kekula, violin II
Jan Peruska, viola
Vladimir Peixner, cello
Recording: Prague, 23/24 April 1993
CD23
String Quartets
STRING QUARTET in B flat major Op. 4 B17
1. Allegro non troppo 11:21
2. Largo 15:23
3. Allegro con brio 6:51
4. Finale: andante-allegro giusto-allegro con fuoco 15:08
5. QUARTETTSATZ: andante appassionato 6:59
Total: 56:06
Stamitz Quartet
Bohuslav Matousek, violin I
Josef Kekula, violin II
Jan Peruska, viola
Vladimir Peixner, cello
Recording: Prague, 21/22 May, 1993
CD24
String Quartets
STRING QUARTET in E major Op. 80 B57
1. Allegro 9:13
2. Andante con moto 7:38
3. Allegretto scherzando 5:12
4. Finale, allegro con brio 8:04
ZYPRESSEN (Liebeslieder) for String Quartet, B 152
5. I 4:03
6. II 2:14
7. III 2:34
8. IV 5:57
9. V 3:21
10. VI 2:32
11. VII 2:02
12. VIII 3:02
13. IX 2:49
14. X 2:10
15. XI 2:30
16. XII 2:44
Total: 67:14
Stamitz Quartet
Bohuslav Matousek, violin I
Josef Kekula, violin II
Jan Peruska, viola
Vladimir Peixner, cello
Recording: Prague, January 1993
CD25
String Quartets
STRING QUARTET in E minor Op. 10
1. Assai con moto ed energico 14:55
2. Andante religioso 8:44
3. Allegro con brio 11:34
4. QUARTETTSATZ in F major B120 9:27
Total: 44:49
Stamitz Quartet
Bohuslav Matousek, violin I
Josef Kekula, violin II
Jan Peruska, viola
Vladimir Peixner, cello
Recording: Prague, February 1992
CD26
String Quartets
STRING QUARTET in F minor Op. 9
1. Moderato 15:53
2. Andante con moto quasi allegretto 9:56
3. Tempo di valse 3:45
4. Finale, allegro molto 7:40
STRING QUARTET in A minor Op. 12
5. Allegro ma non troppo 9:50
6. Poco allegro 7:29
7. Poco adagio 8:29
8. Finale, allegro molto 9:13
Total: 72:53
Stamitz Quartet
Bohuslav Matousek, violin I
Josef Kekula, violin II
Jan Peruska, viola
Vladimir Peixner, cello
Recording: Prague, May 1991
CD27
String Quartets
STRING QUARTET in A major Op. 2
1. Andante-allegro 13:09
2. Andante affetuoso ed appassionato 10:29
3. Allegro scherzando 5:46
4. Finale, allegro animato 10:27
TERZET in C major for 2 violins & viola, Op. 74
5. Introduzione-allegro ma non troppo 4:13
6. Larghetto 5:52
7. Scherzo, vivace 4:25
8. Thema con variazioni, poco adagio 5:24
Total: 60:16
Stamitz Quartet
Bohuslav Matousek, violin I
Josef Kekula, violin II
Jan Peruska, viola
Vladimir Peixner, cello
Recording: Prague, December 1990
CD28
String Quartets
STRING QUARTET in C major Op. 61
1. Allegro 14:18
2. Poco adagio e molto cantabile 7:29
3. Scherzo 8:35
4. Finale, vivace 7:52
TWO WALTZES Op. 54
5. No. 1, moderato 3:59
6. No. 2, allegro vivace 2:44
Total: 45:28
Stamitz Quartet
Bohuslav Matousek, violin I
Josef Kekula, violin II
Jan Peruska, viola
Vladimir Peixner, cello
Recording: Prague 1990
CD29
String Quartets
STRING QUARTET in D minor Op. 34
1. Allegro 12:29
2. Alla Polka 6:44
3. Adagio 7:09
4. Finale, poco allegro 6:55
STRING QUARTET in A minor Op. 16
5. Allegro ma non troppo 9:09
6. Andante cantabile 7:45
7. Allegro scherzando 4:25
8. Finale, allegro ma non troppo 7:28
Total: 62:45
Stamitz Quartet
Bohuslav Matousek, violin I
Josef Kekula, violin II
Jan Peruska, viola
Vladimir Peixner, cello
Recording: Prague 1989
CD30
String Quartets
STRING QUARTET in E flat major Op. 51 ???Slavonic/Slawisches???
1. Allegro ma non troppo 11:06
2. Dumka (Elegia) 8:32
3. Romanza, andante con moto 7:31
4. Finale, allegro assai 7:24
STRING QUARTET in A flat major Op. 105
5. Adagio ma non troppo-allegro appassionato 8:19
6. Molto vivace 6:11
7. Lento e molto cantabile 8:56
8. Allegro non tanto 12:35
Total: 70:17
Stamitz Quartet
Bohuslav Matousek, violin I
Josef Kekula, violin II
Jan Peruska, viola
Vladimir Peixner, cello
Recording: Prague, 1990
CD31
String Quartets
STRING QUARTET in F major Op. 96 ???American???
1. Allegro ma non troppo 7:24
2. Lento 8:31
3. Molto vivace 3:55
4. Finale, vivace ma non troppo 5:38
STRING QUARTET in G major Op. 106
5. Allegro moderato 10:10
6. Adagio ma non troppo 10:29
7. Molto vivace 7:16
8. Finale, andante sostenuto, allegro con fuoco 11:17
Total: 65:17
Stamitz Quartet
Bohuslav Matousek, violin I
Josef Kekula, violin II
Jan Peruska, viola
Vladimir Peixner, cello
Recording: Prague 1987
CD32
Slavonic Dances
Slavonic Dances Op.46
1. No.1 in C major 4:00
2. No.2 in E minor 6:00
3. No.3 in A flat major 5:22
4. No.4 in F major 7:59
5. No.5 in A major 3:16
6. No.6 in D major 5:15
7. No.7 in C minor 3:34
8. No.8 in G minot 4:05
Slavonic Dances Op.72
9. No.1 in B major 4:37
10. No.2 in E minor 6:22
11. No.3 in F major 3:24
12. No.4 in D flat major 5:55
13. No.5 in B flat minor 2:53
14. No.6 in B flat major 4:08
15. No.7 in C major 3:08
16. No.8 in A flat major 7:51
Total: 75:09
Royal Philharmonic Orchestra, John Farrer
CD33
Piano Duet
???Slavonic Dances???
Slavonic Dances, Op. 46
1. Presto (Furiant) [C major] 4:07
2. Allegretto scherzando ??? Allegro vivo (Dumka) [E minor] 5:27
3. Allegretto scherzando (Sousedska) [D major] 5:05
4. Tempo di minuetto (Sousedska ) [F major] 6:36
5. Allegro vivace (Skocna) [A major] 3:13
6. Poco allegro (Polka) [A flat major] 4:45
7. Allegro assai (Skocna) [C minor] 3:15
8. Presto (Furiant) [G minor] 3:59
Slavonic Dances, Op. 72
9. Molto vivace (Odzemek) 4:14
10. Allegretto grazioso (Dumka) [E minor] 5:50
11. Allegro (Skocna) [F major] 2:57
12. Allegretto grazioso (Dumka) [D flat major] 6:13
13. Poco adagio ??? Vivace (Spacirka) [B flat minor] 2:55
14. Moderato, quasi minuetto Polonaise) [B flat major] 3:50
15. Allegro vivace (Kolo) [C major] 3:12
16. Grazioso e lento, ma non troppo, quasi tempo di valse (Sousedska) [A flat major] 6:59
Total: 69:17
Ingryd Thorson & Julian Thurber, piano
Recording: December 1989/June 1990, Ski Church Hall, Oslo, Norway
CD34
Piano Duets
Legends, Op. 59
1. Allegretto non troppo, quasi andantino [D minor] 3:03
2. Molto moderato [G major] 4:08
3. Allegro giusto [G minor] 4:11
4. Molto maestoso [C major] 5:30
5. Allegro giusto [A flat major] 4:16
6. Allegro con moto [C sharp minor] 4:21
7. Allegretto grazioso [A major] 2:14
8. Un poco allegretto e grazioso, quasi andantino [F major] 3:16
9. Andante con moto [D major] 2:27
10. Andante [B flat minor] 3:14
Total: 63:25
From the Bohemian Forest, Op. 68
In the Spinning Room. Allegro molto [D major]
By the Black Lake. Lento [F sharp minor/major]
Walpurgis Night. Molto vivace [B falt major]
In Wait. Allegro comodo [F major]
Silent Woods. Lento e molto cantabile [D flat major]
From Troubled Times. Allegro con fuoco [A minor]
Ingryd Thorson & Julian Thurber, piano
Recording: December 1989/June 1990, Ski Church Hall, Oslo, Norway
CD35
Piano Works
TEMA CON VARIAZIONI in A flat major
1. Tema, tempo di minuetto 1:50
2. Variation I 1:15
3. Variation II 1:08
4. Variation III, poco meno mosso 3:46
5. Variation IV, allegretto scherzando 0:46
6. Variation V, tempo I 0:51
7. Variation VI, poco andante e molto tranquillo 2:48
8. Variation VII, piu mosso 0:56
9. Variation VIII, un poco piu mosso 4:15
SILHOUETTEN Op. 8
10. No. 1, allegro feroce in C sharp minor 1:52
11. No. 2, andantino in D flat major 1:30
12. No. 3, allegretto in D flat major 1:41
13. No. 4, vivace in F sharp minor 1:23
14. No. 5, presto in F sharp minor 1:06
15. No. 6, poco sostenuto in B flat major 3:18
16. No. 7, allegro in D major 0:53
17. No. 8, allegretto in B minor 1:32
18. No. 9, allegro in B major 1:30
19. No. 10, allegretto grazioso in G major 2:17
20. No. 11, allegro moderato in A major 1:50
21. No. 12, allegro feroce in C sharp minor 1:44
2 FURIANTEN Op. 42
22. No. 1 in D major 6:05
23. No. 2 in F major 6:56
WALTZES Op. 54
24. No. 1, moderato in A major 3:35
25. No. 2, allegro con fuoco in A minor 3:20
26. No. 3, poco allegro in E major 2:43
27. No. 4, allegro vivace in D flat major 2:48
28. No. 5, allegro in B flat major 2:34
29. No. 6, allegro in F major 3:49
30. No. 7, allegro in D minor 2:20
31. No. 8, allegro vivace in E flat major 2:47
Total: 75:10
Kai Adomeit, piano
Recording: 1994 Hochschule fur Kirchenmusik Heidelberg
CD36
RUSALKA
Opera in 3 acts Part I
1. Overture 3:17
ACT 1
2. Ho, ho, ho! (Three dryads, the Watersprite) 7:23
3. Watersprite, my father dear! (Rusalka, The Watersprite) 3:59
4. He comes here frequently (Rusalka, The Watersprite) 4:27
5. O moon high up in the deep sky (Rusalka, The Watersprite, Jezibaba) 7:49
6. Your ancient wisdom knows everything (Rusalka, Jezibaba) 8:29
7. Abracadabra! (Jezibaba, The Watersprite, The Hunter) 4:29
8. Here she appeared and again disappeared (The Prince, The Hunter) 2:14
9. The hunt is over, return home at once (The Prince, The Naiads, The Watersprite) 5:13
10. I know you???re but magic that will pass (The Prince) 1:41
ACT 2
11. Well then, my dear boy (The Gamekeeper, The Turnspit) 8:03
12. A week now do you dwell with me (The Prince, The Foreign Princess) 8:45
13. Festive music; ballet 5:21
Total: 71:09
The Watersprite: Marcel Rosca, bass
Rusalka, the Naiad: Ursula Furi-Bernhard, soprano
Jezibaba, the Witch: Nelly Boschkova, mezzo-soprano
The Prince: Water Coppola, tenor
The Foreign Princess: Tiziana K. Sojat, mezzo-soprano
First Dryad: Tamara Felbinger, soprano
Second Dryad: Vesna Odoran, soprano
Third Dryad: Martina Gojceta, soprano
The Gamekeeper: Zeljco Grofelnik, baritone
The Turnspit: Martina Zadro, soprano
The Hunter: Vitomir Marof, baritone
Academic Choir "Ivan Goran Kovacic"
Zagreb Philharmonic Orchestra
Alexander Rahbari, conductor
Recording: 13-18 December 1997 Zagreb
CD37
RUSALKA
Opera in 3 acts Part II
ACT 2 (continuation)
1. No one in this world can give you (The Watersprite) 4:23
2. White blossoms all along the road (Chorus, The Watersprite) 3:02
3. Rusalka, daughter, I am here! (The Watersprite, Rusalka) 6:17
4. Strange fire in your eyes is burning (The foreign Princess, The Prince, The Watersprite) 6:23
ACT 3
5. Insensible water power (Rusalka) 7:29
6. Ah, ah! Already you have come back? (Jezibaba, Rusalka) 5:59
7. Uprooted and banished (Rusalka, The Naiads) 3:32
8. That you???re afraid? Don???t be silly! (The Gamekeeper, The Turnspit, Jezibaba, The Watersprite) 6:11
9. Hair, golden hair I have (Three Dryads, The Watersprite) 8:05
10. Where are you, my white doe? (The Prince) 4:12
11. Do you still know me, love? (Rusalka, The Prince, The Watersprite) 10:52
Total: 66:25
The Watersprite: Marcel Rosca, bass
Rusalka, the Naiad: Ursula Furi-Bernhard, soprano
Jezibaba, the Witch: Nelly Boschkova, mezzo-soprano
The Prince: Water Coppola, tenor
The Foreign Princess: Tiziana K. Sojat, mezzo-soprano
First Dryad: Tamara Felbinger, soprano
Second Dryad: Vesna Odoran, soprano
Third Dryad: Martina Gojceta, soprano
The Gamekeeper: Zeljco Grofelnik, baritone
The Turnspit: Martina Zadro, soprano
The Hunter: Vitomir Marof, baritone
Academic Choir "Ivan Goran Kovacic"
Zagreb Philharmonic Orchestra
Alexander Rahbari, conductor
Recording: 13-18 December 1997 Zagreb
CD38
Symphonic Poems Vol. 1
Czech Suite op. 39
1. Preludium (pastorale) 3:15
2. Polka 5:11
3. Sousedska (minuetto) 4:05
4. Romance (Romanza) 4:01
5. Finale (furiant) 5:17
6. My Home Overture op. 62 8:57
7. Husitska Overture op. 67 12:28
8. In Nature?s Realm Overture op. 91 3:40
9. Otello op. 93 14:08
Total: 71:37
Janacek Philharmonic Orchestra, Theodore Kuchar
Recording: 20-28 August 2004, Ostrava, Czech Republic
CD39
Symphonic Poems Vol. 2
1. Symphonic Variations op. 78. 20:26
2. Carnival Overture op. 92 8:47
3. Water Goblin op. 107 20:00
4. Noon-Day Witch op. 108 13:38
Total: 63:12
Janacek Philharmonic Orchestra, Theodore Kuchar
Recording: 20-28 August 2004, Ostrava, Czech Republic
CD40
Symphonic Poems Vol. 3
1. Golden Spinning Wheel, op. 109 26:11
2. Wood Dove, op. 110 20:02
3. A Hero?s Song, op. 111. 19:44
Total: 66:14
Janacek Philharmonic Orchestra, Theodore Kuchar
Recording: 20-28 August 2004, Ostrava, Czech Republic
http://forums.ffshrine.org/f92/antonin-dvorak-masterworks-40cd-box-set-2005-a-138885/#post2417587
———- Post added at 07:31 AM ———- Previous post was at 07:26 AM ———-
[B]Ludwig Van Beethoven – Complete Works (100 CD Box Set) (2007)
MP3 | 320 kbps | 100 CD | 15 Gb
CD 1 – Symphonies Nos. 1 & 3
CD 2 – Symphonies Nos. 2 & 7
CD 3 – Symphonies Nos. 6 & 8
CD 4 – Symphonies Nos. 4 & 5
CD 5 – Symphony No. 9
CD 6 – Piano Concertos Nos. 1 & 3
CD 7 – Piano Concertos No. 2 & Op. 61
CD 8 – Piano Concertos Nos. 4 & 5
CD 9 – Violin Concerto
CD 10 – Triple Concerto
CD 11 – Overtures
CD 12 – Orchestral Works / Organ Works
CD 13 – Dances I
CD 14 – Dances II
CD 15 – Music for Wind Ensemble I
CD 16 – Music for Wind Ensemble II
CD 17 – Chamber music for Flute I
CD 18 – Chamber music for Flute II
CD 19 – Septet Op. 20 & Sextet Op. 81b
CD 20 – Quintet Op. 16 – Trio Op. 11 – Horn Sonata Op. 17
CD 21 – Trio Op. 38; Duo WoO 40
CD 22 – Serenade Op. 25, works for mandolin & piano
CD 23 – Piano Quartets
CD 24 – Piano Trios I
CD 25 – Piano Trios II
CD 26 – Piano Trios III
CD 27 – Piano Trios IV
CD 28 – Cello Sonatas I
CD 29 – Cello Sonatas II
CD 30 – Violin Sonatas I
CD 31 – Violin Sonatas II
CD 32 – Violin Sonatas III
CD 33 – String Trios I
CD 34 – String Trios II
CD 35 – String Quartets Op. 18 Nos. 1 & 2
CD 36 – String Quartets Op. 18 Nos. 3 & 4
CD 37 – String Quartets Op. 18 Nos. 5 & 6; Op. 95 ???Serioso???
CD 38 – String Quartets Op. 59 Nos. 1 & 2
CD 39 – String Quartets Op. 74 & Op. 131
CD 40 – String Quartets Op. 127 & Op. 135
CD 41 – String Quartets Op. 132 & Op. 59 No. 3
CD 42 – String Quartets Op. 130 & Grosse Fuge
CD 43 – String Ensembles I
CD 44 – String Ensembles II
CD 45 – Piano Sonatas Op.2 Nos. 1,2,3
CD 46 – Piano Sonatas Op. 7, Op. 10 No. 1, Op. 10 No. 2
CD 47 – Piano Sonatas Op. 10 No. 3, Op.13 ???Path???tique???, Op. 14 No. 1, Op. 14 No. 2
CD 48 – Piano Sonatas Op. 22 – Op. 26, Op. 27 No. 1, Op. 27 No. 2 ???Mondschein???
CD 49 – Piano Sonatas Op. 28 ???Pastoral???, Op. 31 No. 1, Op. 31 No. 2 ???Sturm???
CD 50 – Piano Sonatas Op. 31 No. 3, Op. 49 No. 1, Op. 49 No. 2, Op. 53 ???Waldstein???, Op. 54
CD 51 – Piano Sonatas Op. 57 ???Appassionata???, Op. 78, Op. 79, Op. 81a, Op. 90
CD 52 – Piano Sonatas Op. 101, Op. 106 ???Hammerklavier???
CD 53 – Piano Sonatas Op. 109, Op. 110, Op. 111
CD 54 – Piano Variations I
CD 55 – Piano Variations II
CD 56 – Piano Variations III
CD 57 – Piano Variations IV; Bagatelles
CD 58 – Bagatelles
CD 59 – Piano Works
CD 60 – Piano Works 4-hands
CD 61 – Leonore Part 1 (original version of Fidelio, 1805)
CD 62 – Leonore Part 2 (original version of Fidelio, 1805)
CD 63 – Fidelio Part 1
CD 64 – Fidelio Part 2
CD 65 – Egmont
CD 66 – Die Gesch???pfe des Prometheus, Ballet Music Op. 43
CD 67 – Die Ruinen von Athen, K???nig Stephan
CD 68 – Arias
CD 69 – Cantatas WoO 87 & 88
CD 70 – Der Glorreiche Augenblick Op. 136
CD 71 – Vocal Works
CD 72 – Christus am ???lberge
CD 73 – Missa Solemnis in D major Op. 123
CD 74 – Missa Solemnis (continuation); Mass in C major Op. 86
CD 75 – Songs I
CD 76 – Songs II
CD 77 – Songs III
CD 78 – Songs IV
CD 79 – Canons, Epigrams and Jokes
CD 80 – Irish songs WoO 152 & 153, selection
CD 81 – 12 Irish songs WoO 154 complete
CD 82 – 26 Welsh songs WoO 155 complete
CD 83 – Scottish Songs WoO 156 & 157, complete
CD 84 – Scottish Songs Op. 108 & WoO 158/1
CD 85 – Folksongs WoO 158/a/b/c
CD 86 – Symphony No. 9 in D minor Op. 125
CD 87 – Symphony No. 3 – Leonore Overture No. 1 & 2
CD 88 – Symphony No. 5 & 7
CD 89 – Piano Concerto No. 5 – Piano Sonatas Nos. 8 & 23
CD 90 – Violin Concerto Op. 61 – Romances for Violin & Orchestra Nos. 1 & 2
CD 91 – Piano Sonatas Op.13, 27, 57
CD 92 – Piano Sonatas Nos.30, 31, 32
CD 93 – Piano Sonatas Nos. 21, 23, 30, 31
CD 94 – Piano Sonatas Nos. 29 & 32
CD 95 – Violin Sonatas Nos. 5 & 7 – J.S. Bach: Partita No. 2
CD 96 – Cello Sonatas Nos. 1, 2, 3
CD 97 – Piano Trio Op. 97 – Franz Schubert Piano Trio No. 1
CD 98 – String Quartets Op. 130 & 131
CD 99 – FIDELIO, Opera in 2 Acts Op. 72 (Act 1)
CD 100 – FIDELIO, Opera in 2 Acts Op. 72 (Act 2)
http://forums.ffshrine.org/f92/ludwig-van-beethoven-complete-works-100-cd-138886/#post2417594
Artist: Frederic Chopin
Title Of Album: Complete Edition
Year Of Release: 2009
Label: Deutsche Grammophon
Genre: Classical, Piano
Quality: FLAC (Tracks + .cue)
Bitrate: Lossless
Total Time: 18:40:35 min
Total Size: 3.6 Gb (+1%rec.)
Tracklist:
01 – Piano Concertos
Piano Concerto No. 1 in E minor, Op. 11 – 46:06
I. Allegro maestoso – 23:31
II. Romance: Larghetto – 12:35
III. Rondo: Vivace – 9:59
Piano Concerto No. 2 in F minor, Op. 21 – 35:51
I. Maestoso – 15:40
II. Larghetto – 11:06
III. Allegro vivace – 9:06
Polish Festival Orchestra. Krystian Zimerman, soloist and conductor
02 – Works for Piano and Orchestra
Variations in B flat major on ???L??? ci darem la mano??? from Mozart’s ???Don Giovanni???, Op. 2 – 19:32
Fantasy on Polish Airs in A major, Op. 13 – 14:21
Rondo ??? la Krakowiak in F major, Op. 14 – 14:40
Andante spianato and Grande Polonaise brillante in E flat major, Op. 22 – 15:15
Claudio Arrau (piano), London Philharmonic Orchestra. Eliahu Inbal, conductor
03 – Ballades, Nouvelles Etudes, Ecossaises
4 Ballades – 36:56
No. 1 in G minor, Op. 23 – 9:39
No. 2 in F major, Op. 38 – 7:49
No. 3 in A flat major, Op. 47 – 7:30
No. 4 in F minor, Op. 52 – 11:57
Fantaisie in F minor, Op. 49 – 14:00
Krystian Zimerman
3 Nouvelles Etudes, Op. posth. – 4:12
No. 1 in F minor – 1:17
No. 2 in A flat major – 1:28
No. 3 in D flat major – 1:27
Marche fun???bre in C minor, Op. posth. 72 No. 2 – 6:07
3 Ecossaises, Op. posth. 72 No. 3 – 2:17
No. 1 in D major – 0:58
No. 2 in G major – 0:35
No. 3 in D flat major – 0:45
Anatol Ugorski
04 – Etudes, Barcarolle, Berceuse
12 Etudes, Op. 10 – 27:00
No. 1 in C major – 1:57
No. 2 in A minor ???Chromatique??? – 1:28
No. 3 in E major ???Tristesse??? – 3:42
No. 4 in C sharp minor – 2:02
No. 5 in G flat major ???Black Keys??? – 1:40
No. 6 in E flat major minor – 3:10
No. 7 in C major – 1:30
No. 8 in F major – 2:22
No. 9 in F minor – 2:07
No. 10 in A flat major – 2:04
No. 11 in E flat major – 2:16
No. 12 in C minor ???Revolutionary??? – 2:42
12 Etudes, Op. 25 – 29:17
No. 1 in A flat major ???Harp Study??? – 2:13
No. 2 in F minor – 1:29
No. 3 in F major – 1:53
No. 4 in A minor – 1:43
No. 5 in E minor – 2:55
No. 6 in G sharp minor – 2:04
No. 7 in C sharp minor – 4:51
No. 8 in D flat major – 1:06
No. 9 in G flat major ???Butterfly Wings??? – 0:58
No. 10 in B minor – 3:58
No. 11 in A minor ???Winter Wind??? – 3:32
No. 12 in C minor – 2:35
Barcarolle in F sharp major, Op. 60 – 8:36
Berceuse in D flat major, Op. 57 – 4:30
Maurizio Pollini
05 – Mazurkas 1
4 Mazurkas, Op. 6 – 8:29
No. 1 in F sharp minor – 3:17
No. 2 in C sharp minor – 2:31
No. 3 in E major – 1:39
No. 4 in E flat minor – 1:02
5 Mazurkas, Op. 7 – 9:27
No. 1 in B flat major – 1:49
No. 2 in A minor – 3:17
No. 3 in F minor – 2:23
No. 4 in A flat major – 1:09
No. 5 in C major – 0:49
4 Mazurkas, Op. 17 – 12:19
No. 1 in B flat major – 1:58
No. 2 in E minor – 1:59
No. 3 in A flat major – 4:06
No. 4 in A minor – 4:16
4 Mazurkas, Op. 24 – 11:27
No. 1 in G minor – 2:50
No. 2 in C major – 2:05
No. 3 in A flat major – 1:57
No. 4 in B flat minor – 4:35
4 Mazurkas, Op. 30 – 9:02
No. 1 in C minor – 1:33
No. 2 in B minor – 1:09
No. 3 in D flat major – 2:39
No. 4 in C sharp minor – 3:41
4 Mazurkas, Op. 33 – 9:38
No. 1 in G sharp minor – 1:27
No. 2 in D major – 2:04
No. 3 in C major – 1:30
No. 4 in B minor – 4:36
4 Mazurkas, Op. 41 – 9:02
No. 1 in C sharp minor – 3:33
No. 2 in E minor – 2:22
No. 3 in B major – 1:09
No. 4 in A flat major – 1:58
Vladimir Ashkenazy
06 – Mazurkas 2
3 Mazurkas, Op. 50 – 9:45
No. 1 in G major – 1:52
No. 2 in A flat major – 2:54
No. 3 in C sharp minor – 5:00
3 Mazurkas, Op. 56 – 11:32
No. 1 in B major – 3:57
No. 2 in C major – 1:37
No. 3 in C minor – 5:58
3 Mazurkas, Op. 59 – 10:20
No. 1 in A minor – 4:31
No. 2 in A flat major – 2:33
No. 3 in F sharp minor – 3:16
3 Mazurkas, Op. 63 – 6:41
No. 1 in B major – 2:02
No. 2 in F minor – 2:11
No. 3 in C sharp minor – 2:28
4 Mazurkas, Op. posth. 67 – 7:01
No. 1 in G major – 1:04
No. 2 in G minor – 1:58
No. 3 in C major – 1:28
No. 4 in A minor – 2:31
4 Mazurkas, Op. posth. 68 – 8:19
No. 1 in C major – 1:30
No. 2 in A minor – 3:12
No. 3 in F major – 1:17
No. 4 in F minor (reconstructed by J. Ekier) – 2:21
Mazurka in A minor (??? Emile Gaillard, 1840) – 3:09
Mazurka in A minor (Notre Temps No. 2, 1841) – 3:16
Mazurka in B flat major (1826) – 1:11
Mazurka in G major (1826) – 1:45
Mazurka in A flat major (1834) – 1:18
Mazurka in C major (1833) – 2:23
Mazurka in B flat major (1832) – 1:04
Mazurka in D major (1832) – 1:17
Mazurka in D major (1820?) – 1:05
Mazurka in F minor, Op. posth. 68 No. 4 (revised version) – 3:30
Vladimir Ashkenazy
07 – Nocturnes 1
3 Nocturnes, Op. 9 – 16:44
No. 1 in B flat minor – 5:36
No. 2 in E flat major – 4:29
No. 3 in B major – 6:39
3 Nocturnes, Op. 15 – 12:14
No. 1 in F major – 4:21
No. 2 in F sharp major – 3:27
No. 3 in G minor – 4:26
2 Nocturnes, Op. 27 – 11:48
No. 1 in C sharp minor – 5:11
No. 2 in D flat major – 6:37
2 Nocturnes, Op. 32 – 9:43
No. 1 in B major – 4:54
No. 2 in A flat major – 4:49
Maria Jo???o Pires
08 – Nocturnes 2
2 Nocturnes, Op. 37 – 11:44
No. 1 in G minor – 5:47
No. 2 in G major – 5:57
2 Nocturnes, Op. 48 – 14:03
No. 1 in C minor – 6:45
No. 2 in F sharp minor – 7:18
2 Nocturnes, Op. 55 – 9:32
No. 1 in F minor – 4:40
No. 2 in E flat major – 4:52
2 Nocturnes, Op. 62 – 12:25
No. 1 in B major – 6:27
No. 2 in E major – 5:58
Nocturne in E minor, Op. posth. 72 No. 1 – 4:08
Nocturne in C sharp minor, Op. posth. – 4:02
Nocturne in C minor, Op. posth. – 2:48
Maria Jo???o Pires
09 – Polonaises 1
2 Polonaises, Op. 26 – 17:03
No. 1 in C sharp minor – 8:26
No. 2 in E flat minor – 8:37
2 Polonaises, Op. 40 – 13:33
No. 1 in A major – 5:27
No. 2 in C minor – 8:06
Polonaise in F sharp minor, Op. 44 – 10:56
Polonaise in A flat major, Op. 53 ???Heroic??? – 7:07
Polonaise-Fantaisie in A flat major, Op. 61 – 13:14
Maurizio Pollini
10 – Polonaises 2, etc.
Andante spianato and Grande Polonaise brillante, Op. 22 – 13:30
I. Andante spianato. Tranquillo – 4:56
II. Polonaise: Allegro molto – 8:34
Martha Argerich
3 Polonaises, Op. posth. 71 – 20:11
No. 1 in D minor – 5:46
No. 2 in B flat major – 7:58
No. 3 in F minor – 6:26
Polonaise in B flat minor, Op. posth. – 6:44
Polonaise in G flat major, Op. posth. – 8:15
Polonaise in G minor, Op. posth. – 3:31
Polonaise in B flat major, Op. posth. – 3:17
Polonaise in A flat major, Op. posth. – 3:57
Polonaise in G sharp minor, Op. posth. – 7:07
2 Bourr???es, B160b – 1:01
No. 1 in G minor – 0:31
No. 2 in A major – 0:30
Galop Marquis in A flat major, Op. posth. – 0:43
Feuillet d’album in E major, Op. posth. – 1:20
Cantabile in B flat major, Op. posth. – 1:05
Fugue in A minor, Op. posth. – 3:06
Largo in E flat major, Op. posth. – 2:11
Anatol Ugorski
11 – Preludes, Impromptus
24 Pr???ludes, Op. 28 – 39:29
No. 1 in C major – 0:38
No. 2 in A minor – 2:13
No. 3 in G major – 0:58
No. 4 in E minor – 2:08
No. 5 in D major – 0:35
No. 6 in B minor – 2:08
No. 7 in A major – 0:56
No. 8 in F sharp minor – 2:03
No. 9 in E major – 1:38
No. 10 in C sharp minor – 0:33
No. 11 in B major – 0:42
No. 12 in G sharp minor – 1:17
No. 13 in F sharp major – 3:14
No. 14 in E flat minor – 0:39
No. 15 in D flat major – 4:55
No. 16 in B flat minor – 1:10
No. 17 in A flat major – 3:16
No. 18 in F minor – 0:57
No. 19 in E flat major – 1:23
No. 20 in C minor – 1:56
No. 21 in B flat major – 1:51
No. 22 in G minor – 0:42
No. 23 in F major – 0:58
No. 24 in D minor – 2:39
Prelude in A flat major, Op. posth. – 0:50
Pr???lude in C sharp minor, Op. 45 – 4:43
Rafał Blechacz
4 Impromptus – 19:55
No. 1 in A flat major, Op. 29 – 4:05
No. 2 in F sharp major, Op. 36 – 5:40
No. 3 in G flat major, Op. 51 – 5:13
No. 4 in C sharp minor, Op. posth. 66 (Fantaisie-Impromptu) – 4:57
Yundi Li
12 – Scherzos, Rondos
4 Scherzos – 37:28
No. 1 in B minor, Op. 20 – 9:35
No. 2 in B flat minor, Op. 31 – 9:55
No. 3 in C sharp minor, Op. 39 – 7:23
No. 4 in E major, Op. 54 – 10:36
Maurizio Pollini
Rondo in C minor, Op. 1 – 10:17
Rondo ??? la Mazur in F major, Op. 5 – 9:24
Lilya Zilberstein
Rondo in E flat major, Op. 16 – 10:05
Mikhail Pletnev
Rondo for 2 Pianos in C major, Op. posth. 73 – 9:24
Kurt Bauer, Heidi Bung
13 – Piano Sonatas
Piano Sonata No. 1 in C minor, Op. 4 – 25:04
I. Allegro maestoso – 10:00
II. Minuetto: Allegretto – 4:42
III. Larghetto – 3:36
IV. Finale: Presto – 6:46
Lilya Zilberstein
Piano Sonata No. 2 in B flat minor, Op. 35 – 23:27
I. Grave. — Doppio movimento – 7:17
II. Scherzo: (Vivo) – 6:15
III. Marche fun???bre: Lento – 8:25
IV. Finale: Presto – 1:30
Piano Sonata No. 3 in B minor, Op. 58 – 28:26
I. Allegro maestoso – 12:51
II. Scherzo: Molto vivace – 2:27
III. Largo – 8:14
IV. Finale: Presto ma non tanto – 4:54
Maurizio Pollini
14 – Variations, etc.
Introduction and Variations in E major on a German national Air ???Der Schweizerbub???, Op. posth. – 7:41
???Souvenir de Paganini??? — Variations in A major, Op. posth. – 3:41
Variations brillantes in B flat major on ???Je vends des scapulaires??? from ???Ludovic???, Op. 12 – 8:13
Introduction, Theme and Variations in D major on a Theme of Moore (in 4 Hands), Op. posth. – 7:35
Variation No. 6 in E major from the cycle ???Hexameron??? on a Theme from ???I Puritani??? – 1:43
Allegro de concert in A major, Op. 46 – 11:42
Bolero in C major, Op. 19 – 7:21
Tarantella in A flat major, Op. 43 – 3:05
Vladimir Ashkenazy, Vovka Ashkenazy (4)
15 – Waltzes
Grande Valse brillante in E flat major, Op. 18 – 4:52
3 Waltzes, Op. 34 – 11:42
No. 1 in A flat major ???Valse brillante??? – 5:02
No. 2 in A minor – 4:34
No. 3 in F major – 2:06
Waltz in A flat major, Op. 42 ???Grande valse??? – 3:24
3 Waltzes, Op. 64 – 7:37
No. 1 in D flat major ???Minute??? – 1:51
No. 2 in C sharp minor – 3:27
No. 3 in A flat major – 2:19
2 Waltzes, Op. posth. 69 – 7:40
No. 1 in A flat major ???Farewell??? – 3:59
No. 2 in B minor – 3:41
3 Waltzes, Op. posth. 70 – 6:20
No. 1 in G flat major – 2:06
No. 2 in F minor – 1:44
No. 3 in D flat major – 2:29
Waltz in E minor, Op. posth. (1830) – 2:38
Waltz in E major, Op. posth. (1829) – 2:11
Waltz in A minor, Op. posth. (1843) – 1:50
Waltz in A flat major, Op. posth. (1827) – 2:11
Waltz in E flat major, Op. posth. (1840) – 2:18
Waltz in E flat major, Op. posth. (1829/30) – 3:03
Vladimir Ashkenazy
16 – Chamber Works
Piano Trio in G minor, Op. 8 – 29:45
I. Allegro con fuoco – 10:46
II. Scherzo: Con moto ma non troppo – 6:57
III. Adagio sostenuto – 6:12
IV. Finale: Allegretto – 5:50
Beaux Arts Trio: Menahem Pressler (piano), Isidore Cohen (violin), Bernard Greenhouse (cello)
Introduction and Polonaise brillante in C major for Cello and Piano, Op. 3 – 8:17
Mstislav Rostropovich (cello), Martha Argerich (piano)
Grand Duo concertant in E major for Cello and Piano on Themes from Meyerbeer’s ???Robert le Diable??? – 12:41
Anner Bylsma (cello), Lambert Orkis (piano)
Cello Sonata in G minor, Op. 65 – 29:17
I. Allegro moderato – 15:14
II. Scherzo: Allegro con brio – 4:52
III. Largo – 3:41
IV. Finale: Allegro – 5:31
Mstislav Rostropovich (cello), Martha Argerich (piano)
17 – Songs
17 Songs, Op. posth. 74 – 43:08
No. 1. ???Życzenie??? (The Wish) – 1:51
No. 2. ???Wiosna??? (Spring) – 2:45
No. 3. ???Smutna rzeka??? (The Sad River) – 3:14
No. 4. ???Hulanka??? (Merrymaking) – 2:32
No. 5. ???Gdzie lubi??? (What she likes) – 1:23
No. 6. ???Precz z moich oczu??? (Out of my sight!) – 3:21
No. 7. ???Poseł??? (The Messenger) – 3:01
No. 8. ???Śliczny chłopiec??? (Handsome Lad) – 2:24
No. 9. ???Melodia??? (Melody) – 2:18
No. 10. ???Wojak??? (The Warrior) – 2:26
No. 11. ???Dwojaki koniec??? (The Double End) – 1:56
No. 12. ???Moja pieszczotka??? (My Darling) – 1:54
No. 13. ???Nie ma czego trzeba??? (I want what I have not) – 3:42
No. 14. ???Pierścień??? (The Ring) – 1:32
No. 15. ???Narzeczony??? (The Bridegroom) – 2:00
No. 16. ???Piosenka litewska??? (Lithuanian Song) – 2:33
No. 17. ???Śpiew z mogiłky??? (Hymn from the Tomb) – 4:16
???Czary??? (Enchantment), Op. posth. – 2:14
???Dumka??? (Reverie), Op. posth. – 1:15
Elzbieta Szmytka (soprano), Malcolm Martineau (piano)
Living is sharing!
…enjoy and say thanks…
———- Post added at 09:55 AM ———- Previous post was at 09:53 AM ———-
W.A.MOZART – PREMIUM EDITION [40 CD BOX SET] (2007)
MP3 320 kbps, 48 kHz, stereo
2007 – W.A Mozart Premium Edition CD 1
01. Concert for horn and orchestra n??? 1 kv 412 D major – Allegro
02. Concert for horn and orchestra n??? 1 kv 412 D major – Rondo Allegro
03. Concert for horn and orchestra n??? 2 kv 417 E Flat Major – Allegro Maetoso
04. Concert for horn and orchestra n??? 2 kv 417 E Flat Major – Andante
05. Concert for horn and orchestra n??? 2 kv 417 E Flat Major – Rondo Allegro
06. Concert for horn and orchestra n??? 3 kv 447 E Flat Major – Allegro
07. Concert for horn and orchestra n??? 3 kv 447 E Flat Major – Romanze
08. Concert for horn and orchestra n??? 3 kv 447 E Flat Major – Allegro
09. Concert for oboe and orchestra kv 285d C Major – Allegro Operto
10. Concert for oboe and orchestra kv 285d C Major – Adagio non Troppo
11. Concert for oboe and orchestra kv 285d C Major – Rondo Allegretto
2007 – W.A Mozart Premium Edition CD 2
01. Serenade n 13 kv 525 G Major – Allegro
02. Serenade n 13 kv 525 G Major – Romanze Andante
03. Serenade n 13 kv 525 G Major – Menuett Allegretto
04. Serenade n 13 kv 525 G Major – Rondo Allegro
05. s-g quartet no 14 kv 387 G Major – Allegro Vivace Assia
06. s-g quartet no 14 kv 387 G Major – Menuetto Allegro
07. s-g quartet no 14 kv 387 G Major – Andante Cantabile
08. s-g quartet no 14 kv 387 G Major – Molto Allegro
09. s-g quartet no 15 kv 421 D Minor – Allegro
10. s-g quartet no 15 kv 421 D Minor – Andante
11. s-g quartet no 15 kv 421 D Minor – Menuetto Allegro
12. s-g quartet no 15 kv 421 D Minor – Allegro Ma Non Troppo
2007 – W.A Mozart Premium Edition CD 3
01. s-g Quartet no 16 KV 428 E Flat Major – Allegro Ma Non Troppo
02. s-g Quartet no 16 KV 428 E Flat Major – Andante Con Moto
03. s-g Quartet no 16 KV 428 E Flat Major – Menuetto Allegro
04. s-g Quartet no 16 KV 428 E Flat Major – Allegro Vivace
05. s-g quartet no 17 KV 458 B Major – Allegro Vivace Assai
06. s-g quartet no 17 KV 458 B Major – Menuetto Moderato
07. s-g quartet no 17 KV 458 B Major – Adagio
08. s-g quartet no 17 KV 458 B Major – Allegro Assai
2007 – W.A Mozart Premium Edition CD 4 Symphony 13 – Concertante
01. Symphony no 13 KV 112 F Major – Allegro
02. Symphony no 13 KV 112 F Major – Andante
03. Symphony no 13 KV 112 F Major – Menuetto Trio
04. Symphony no 13 KV 112 F Major – Allegro Molto
05. Sinfonia Concertante KV 364 E Flat Major – Allegro Maestoso
06. Sinfonia Concertante KV 364 E Flat Major – Andante Maestoso
07. Sinfonia Concertante KV 364 E Flat Major – Andante Presto
08. Serenade no 6 KV 239 D Major – Marcia Maestosa
09. Serenade no 6 KV 239 D Major – Menuetto Trio
10. Serenade no 6 KV 239 D Major – Rondo Allegretto
2007 – W.A Mozart Premium Edition CD 5
01. Symphony no 19 KV 132 E Flat Major – Allegro
02. Symphony no 19 KV 132 E Flat Major – Andante
03. Symphony no 19 KV 132 E Flat Major – Menuett
04. Symphony no 19 KV 132 E Flat Major – Allegro
05. Symphony no 24 KV 182 B Major – Allegro Spiritoso
06. Symphony no 24 KV 182 B Major – Andantino Grazioso
07. Symphony no 24 KV 182 B Major – Allegro
08. Divertimento KV 136 D Major – Allegro
09. Divertimento KV 136 D Major – Andante
10. Divertimento KV 136 D Major – Presto
11. Divertimento KV 137 B Major – Andante
12. Divertimento KV 137 B Major – Allegro Di Molto
13. Divertimento KV 137 B Major – Allegro Assai
2007 – W.A Mozart Premium Edition CD 6 Symphony 54 & 30
01. Symphony no 54 KV 216 B Major -Allegro
02. Symphony no 54 KV 216 B Major – Andante
03. Symphony no 54 KV 216 B Major – Menuetto
04. Symphony no 54 KV 216 B Major – Allegro Molto
05. A musical Joke KV 522 F Major – Allegro
06. A musical Joke KV 522 F Major – Menuett Maestoso
07. A musical Joke KV 522 F Major – Adagio Cantabile
08. A musical Joke KV 522 F Major – Presto
09. Symphony no 30 KV 202 D Major – Molto Allegro
10. Symphony no 30 KV 202 D Major – Andantino Con Motta
11. Symphony no 30 KV 202 D Major – Menuett
12. Symphony no 30 KV 202 D Major – Presto
2007 – W.A Mozart Premium Edition CD 7 Divertimento 1 tm 5
01. Divertimento no 1 KV 439b B Major – Allegro
02. Divertimento no 1 KV 439b B Major – Menuett
03. Divertimento no 1 KV 439b B Major – Adagio
04. Divertimento no 1 KV 439b B Major – Menuett
05. Divertimento no 1 KV 439b B Major – Rondo
06. Divertimento no 2 KV 439b B Major – Allegro
07. Divertimento no 2 KV 439b B Major – Menuett
08. Divertimento no 2 KV 439b B Major – Larghetto
09. Divertimento no 2 KV 439b B Major – Menuett 2
10. Divertimento no 2 KV 439b B Major – Rondo
11. Divertimento no 3 KV 439b B Major – Allegro
12. Divertimento no 3 KV 439b B Major – Menuett
13. Divertimento no 3 KV 439b B Major – Adagio
14. Divertimento no 3 KV 439b B Major – Menuett
15. Divertimento no 3 KV 439b B Major – Rondo
16. Divertimento no 4 KV 439b B Major – Allegro
17. Divertimento no 4 KV 439b B Major – Largehetto
18. Divertimento no 4 KV 439b B Major – Menuett
19. Divertimento no 4 KV 439b B Major – Adagio
20. Divertimento no 4 KV 439b B Major – Rondo
21. Divertimento no 5 KV 439b B Major – Adagio
22. Divertimento no 5 KV 439b B Major – Menuett
23. Divertimento no 5 KV 439b B Major – Adagio
24. Divertimento no 5 KV 439b B Major – Polonaise
25. Divertimento no 5 KV 439b B Major – Romanze
2007 – W.A. Mozart Premium Edition CD 8
01. The Magic Flute KV 620 – Der Volgelfanger Bin Ich Ja
02. The Magic Flute KV 620 – Bei Mannern Welche Liebe Fuhlen
03. The Magic Flute KV 620 – Eine Madchen oder Weibchen
04. The Magic Flute KV 620 – Ach Ich Fuhl’s es ist Entschwunden
05. The Magic Flute KV 620 – In Diesen Heil’gen Hallen
06. The Magic Flute KV 620 – O Isis Und Osiris
07. The Magic Flute KV 620 – Chor des Priester
08. The Magic Flute KV 620 – Marsch des Priester
09. The Magic Flute KV 620 – Dies Bildnis is Bezaubernd Schon
10. The Magic Flute KV 620 – O Zittre nicht… Zum Leinden Bin Ich Auserkoren
11. The Magic Flute KV 620 – Der Holle Rache Kocht In Meinem Herzen
12. The Magic Flute KV 620 – Papagenal ! Papageno !
13. The Abduction from Seraglio KV 384 – Mastern Aller Arten
14. The Abduction from Seraglio KV 384 – Maesch Der Janistscharen
2007 – W.A Mozart Premium Edition CD 9 Symphony 16, 18, 22, Concert For Clarinet
01. Concert for Clarinet and Orchestra KV 622 A Major – Allegro
02. Concert for Clarinet and Orchestra KV 622 A Major – Adagio
03. Concert for Clarinet and Orchestra KV 622 A Major – Rondo
04. Symphony no 16 KV 128C Major – Allegro Maetoso
05. Symphony no 16 KV 128C Major – Andante Grazioso
06. Symphony no 16 KV 128C Major – Allegro
07. Symphony no 18 KV 130 F Major – Allegro
08. Symphony no 18 KV 130 F Major – Andantino Grazioso
09. Symphony no 18 KV 130 F Major – Menuett
10. Symphony no 18 KV 130 F Major – Molto Allegro
11. Symphony no 22 KV 162 C Major – Allegro Assai
12. Symphony no 22 KV 162 C Major – Andantino Grazioso
2007 – W.A Mozart Premium Edition CD 10 Concerts For Flute and Orchestra
01. Concerto for Flute and Orchestra no 1 KV 313 G Major – Allegro Maestoso
02. Concerto for Flute and Orchestra no 1 KV 313 G Major – Adagio Ma Non Troppo
03. Concerto for Flute and Orchestra no 1 KV 313 G Major – Rondo Tempo Di Meunuetto
04. Concert for Flute and Orchestra no KV 2 KV 314 D Major – Allegro Aperto
05. Concert for Flute and Orchestra no KV 2 KV 314 D Major – Andante Ma Non Troppo
06. Concert for Flute and Orchestra no KV 2 KV 314 D Major – Allegro
07. Andante For Flute And Orchestra KV 315 C Major – Andante
2007 – W.A. Mozart Premium Edition CD 11
01. Quartet For Flute And s-g Trio no 1 Kv 285 D Major – Allegro
02. Quartet For Flute And s-g Trio no 1 Kv 285 D Major – Rondo
03. Quartet For Flute And s-g Trio no 1 Kv 285 D Major – Andante
04. Quartet For Flute And s-g Trio no 2 KV 285 G Major – Tempo Di Menuetto
05. Divertimento no 15 Kv 287 B Major – Divertimento
2007 – W.A Mozart Premium Edition CD 12
01. Requiem KV 626 D Minor – Introitus: Requiem Aeternam
02. Requiem KV 626 D Minor – Kyrie Eleison
03. Requiem KV 626 D Minor – Sequentia: Dies Irae
04. Requiem KV 626 D Minor – Sequentia: Tuba Mirum
05. Requiem KV 626 D Minor – Sequentia: Rex Tremendae Majestatis
06. Requiem KV 626 D Minor – Sequentia: Recordare, Jesu Pie
07. Requiem KV 626 D Minor – Sequentia: Confutatis Maledictis
08. Requiem KV 626 D Minor – Sequentia: Lacrimosa Dies Illa
09. Requiem KV 626 D Minor – Offertorium: Domine Jesu Christe
10. Requiem KV 626 D Minor – Offertorium: Hostias Et Preces
11. Requiem KV 626 D Minor – Sanctus
12. Requiem KV 626 D Minor – Benedictus
13. Requiem KV 626 D Minor – Agnus Dei
14. Requiem KV 626 D Minor – Communio: Lux Aeterna
2007 – W.A Mozart Premium Edition CD 13 Cosi fan Tutte, Don Giovanni
01. Cosi Fan Tutte KV 588 – La Mia Dorabella
02. Cosi Fan Tutte KV 588 – Una Bella Serenata
03. Cosi Fan Tutte KV 588 – Vorrei Dir
04. Cosi Fan Tutte KV 588 – In Uomini In Soldati
05. Cosi Fan Tutte KV 588 – Smanie Implacabili
06. Cosi Fan Tutte KV 588 – Rivolgete eLui Lo Guardo
07. Cosi Fan Tutte KV 588 – E Voi Ridete
08. Cosi Fan Tutte KV 588 – Temenari … Come Scoglio
09. Cosi Fan Tutte KV 588 – Una Donna a Quindici Anni
10. Cosi Fan Tutte KV 588 – Unn ‘aura Amorosa
11. Cosi Fan Tutte KV 588 – Donne Me La Fate a Tanti
12. Cosi Fan Tutte KV 588 – E Amore un Ladroncello
13. Don Giovanni KV 527 – Ouverture
14. Don Giovanni KV 527 – Ah Pieta Signori Mei
15. Don Giovanni KV 527 – Il Mio Tesoro
16. Don Giovanni KV 527 – In Quali Eccessi
17. Don Giovanni KV 527 – Ah Che Me Dice Mai
18. Don Giovanni KV 527 – Vedria Carino
19. Don Giovanni KV 527 – Meta Di Voi Qua Vadano
2007 – W.A Mozart Premium Edition CD 14 Sonata for Violin and Piano
01. Sonata For Violin and Piano KV 304 E Minor – Allegro
02. Sonata For Violin and Piano KV 304 E Minor – Tempo Di Menuetto
03. Sonata for Violin and Piano KV 378 B Major – Allegro Moderato
04. Sonata for Violin and Piano KV 378 B Major – Andantino Sostenuto E Cantabile
05. Sonata for Violin and Piano KV 378 B Major – Rondo Allegro
06. Sonata for Violin and Piano KV 454 B Major – Largo Allegro
07. Sonata for Violin and Piano KV 454 B M – Andante
08. Sonata for Violin and Piano KV 454 B M – Allegretto
2007 – W.A. Mozart Premium Edition CD 15
01. Cosi Fan Tutte KV 588 – Ouverture
02. The Abduction from the Seraglio KV 384 – Ouverture
03. The Mariage of Figaro KV 492 – Ouverture
04. La Clememza Di Tito KV 621 – Ouverture
05. The Impressario KV 486 – Ouverture
06. Don Giovanni KV537 – Ouverture
07. The Magic Flute KV 620 – Ouverture
08. Serenata Notturna Serenade KV 239 D Major – Marcia Maestoso
09. Serenata Notturna Serenade KV 239 D Major – Romanze Andante
10. Serenata Notturna Serenade KV 239 D Major – Rondo Allegro
2007 – W.A Mozart Premium Edition CD 16 Church Sonatas 1-16
01. Church Sonata no 1 KV 67 E Flat Major – Andantino
02. Church Sonata no 2 KV 68 B Major – Allegro
03. Church Sonata no 3 KV 69 D Major – Allegro
04. Church Sonata no 4 KV 144 D Major – Allegro
05. Church Sonata no 5 KV 145 F Major – Allegro
06. Church Sonata no 6 KV 212 B Major – Allegro
07. Church Sonata no 9 KV 241 G Major – Allegro
08. Church Sonata no 7 KV 224 F Major – Allegro
09. Church Sonata no 8 KV 225 A Major – Allegro
10. Church Sonata no 10 KV 224 F Major – Allegro
11. Church Sonata no 11 KV 245 D Major – Allegro
12. Church Sonata no 13 KV 274 G Major – Allegro
13. Church Sonata no 15 KV 328 C Major – Allegro
14. Church Sonata no 17 KV 336 C Major – Allegro
15. Church Sonata no 12 KV 263 C Major – Allegro
16. Church Sonata no 14 KV 278 C Major – Allegro
17. Church Sonata no 16 KV 329 C Major – Allegro
2007 – W.A Mozart Premium Edition CD 17 Concerts for Piano & Orchestra 23 & 5
01. Concert for Piano and Orchestra no 23 KV 488 A Major – Allegro
02. Concert for Piano and Orchestra no 23 KV 488 A Major – Adagio
03. Concert for Piano and Orchestra no 23 KV 488 A Major – Allegro Assia
04. Concert for Piano and Orchestra no 5 KV 175 D Major – Allegro
05. Concert for Piano and Orchestra no 5 KV 175 D Major – Andate un poco Adagio
06. Concert for Piano and Orchestra no 5 KV 175 D Major – Allegro
07. Rondo for Piano and Orchestra no 1 KV 282 D Major – Allegro Grazioso Adagio Allegretto
2007 – W.A Mozart Premium Edition CD 18 Concerts For Piano & Orchestra 13 & 12
01. Concert for Piano and Orchestra no 13 Kv 415 C Major – Allegro
02. Concert for Piano and Orchestra no 13 Kv 415 C Major – Andante
03. Concert for Piano and Orchestra no 13 Kv 415 C Major – Rondo Allegro
04. Concert for Piano and Orchestra no 12 Kv 414 A Major – Allegro
05. Concert for Piano and Orchestra no 12 Kv 414 A Major – Andante
06. Concert for Piano and Orchestra no 12 Kv 414 A Major – Rondo Allegro
07. Concert for Piano and Orchestra no 2 Kv 386 A Major – Rondo
2007 – Mozart Premium Edition CD 19 Concert for Piano 8,9
01. Concert for Piano and Orchestra no 8 KV 246 C major – Allegro Aperto
02. Concert for Piano and Orchestra no 8 KV 246 C major – Andante
03. Concert for Piano and Orchestra no 8 KV 246 C major – Rondo Tempo di Menuetto
04. Concert for Piano and Orchestra no 9 KV 271 E flat major – Allegro
05. Concert for Piano and Orchestra no 9 KV 271 E flat major – Andantino
06. Concert for Piano and Orchestra no 9 KV 271 E flat major – Rondo Presto
2007 – W.A. Mozart Premium Edition CD 20
01. Concerto for Piano and Orchestra no 27 KV 595 B Major – Allegro
02. Concerto for Piano and Orchestra no 27 KV 595 B Major – Larghetto
03. Concerto for Piano and Orchestra no 27 KV 595 B Major – Allegro
04. Concerto for Piano and Orchestra no 1 KV 37 F Major – Allegro
05. Concerto for Piano and Orchestra no 1 KV 37 F Major – Andante
06. Concerto for Piano and Orchestra no 1 KV 37 F Major – Rondo
07. Concerto for Piano and Orchestra no 2 KV 39 B Major – Allegro Spiritoso
08. Concerto for Piano and Orchestra no 2 KV 39 B Major – Andante
09. Concerto for Piano and Orchestra no 2 KV 39 B Major – Molto Allegro
2007 – W.A. Mozart Premium Edition CD 21
01. Concert for Piano and Orchestra no 6 KV 238 B Major – Allegro Apperto
02. Concert for Piano and Orchestra no 6 KV 238 B Major – Andante un Poco Adagio
03. Concert for Piano and Orchestra no 6 KV 238 B Major – Rondo Allegro
04. Concert for Piano and Orchestra no 14 KV 443 E Flat Major – Allegro Vivace
05. Concert for Piano and Orchestra no 14 KV 443 E Flat Major – Andantino
06. Concert for Piano and Orchestra no 14 KV 443 E Flat Major – Allegro Ma Non Troppo
07. Concert for Piano and Orchestra no 11 KV 413 F Flat Major – Allegro
08. Concert for Piano and Orchestra no 11 KV 413 F Flat Major – Andante
09. Concert for Piano and Orchestra no 11 KV 413 F Flat Major – Tempo di Menuetto
2007 – Mozart Premium Edition CD 22 Concert for Piano 8,9
01. Concert for Piano and Orchestra no 8 KV 246 C major – Allegro Aperto
02. Concert for Piano and Orchestra no 8 KV 246 C major – Andante
03. Concert for Piano and Orchestra no 8 KV 246 C major – Rondo Tempo di Menuetto
04. Concert for Piano and Orchestra no 9 KV 271 E flat major – Allegro
05. Concert for Piano and Orchestra no 9 KV 271 E flat major – Andantino
06. Concert for Piano and Orchestra no 9 KV 271 E flat major – Rondo Presto
2007 – W.A. Mozart Premium Edition CD 23
01. Concert for Piano and Orchestra no 16 KV 451 D Major – Allegro Assai
02. Concert for Piano and Orchestra no 16 KV 451 D Major – Andante
03. Concert for Piano and Orchestra no 16 KV 451 D Major – Rondo Allegro
04. Concert for Piano and Orchestra no 17 KV 453 G Major – Allegro
05. Concert for Piano and Orchestra no 17 KV 453 G Major – Andante
06. Concert for Piano and Orchestra no 17 KV 453 G Major – Allegro Di Molto
2007 – W.A. Mozart Premium Edition CD 24
01. Concert for Piano and Orchestra no 18 KV 456 B Major – Allegro Vivace
02. Concert for Piano and Orchestra no 18 KV 456 B Major – Andante un Pocco Sostenuto
03. Concert for Piano and Orchestra no 18 KV 456 B Major – Allegro Vivace
04. Concert for Piano and Orchestra no 21 KV 467 C Major – Allegro
05. Concert for Piano and Orchestra no 21 KV 467 C Major – Andante
06. Concert for Piano and Orchestra no 21 KV 467 C Major – Allegro Vivace Assai
2007 – W.A Mozart Premium Edition CD 25 Concerts For Piano & Orchestra 25, 3 & 4
01. Concert for Piano and Orchestr no 25 KV 503 C Major – Allegro Maestoso
02. Concert for Piano and Orchestr no 25 KV 503 C Major – Andante
03. Concert for Piano and Orchestr no 25 KV 503 C Major – Allegretto
04. Concert for Piano and Orchestr no 3 KV 40 D Major – Allegro Maestoso
05. Concert for Piano and Orchestr no 3 KV 40 D Major – Andante
06. Concert for Piano and Orchestr no 3 KV 40 D Major – Presto
07. Concert for Piano and Orchestr no 4 KV 41 G Major – Allegro
08. Concert for Piano and Orchestr no 4 KV 41 G Major – Andante
09. Concert for Piano and Orchestr no 4 KV 41 G Major – Molto Allegro
2007 – W.A. Mozart Premium Edition CD 26
01. Concert for Piano and Orchestra no 19 KV 459 F Major – Allegro
02. Concert for Piano and Orchestra no 19 KV 459 F Major – Allegretto
03. Concert for Piano and Orchestra no 19 KV 459 F Major – Allegretto Assai
04. Concert for Piano and Orchestra no 26 KV 537 D Major – Allegro
05. Concert for Piano and Orchestra no 26 KV 537 D Major – Larghetto
06. Concert for Piano and Orchestra no 26 KV 537 D Major – Allegretto
2007 – W.A Mozart Premium Edition CD 27 Concerts For Piano & Orchestra 22 & 24
01. Concert for Piano and Orchestra No. 22 KV 482 E Flat Major – Allegro
02. Concert for Piano and Orchestra No. 22 KV 482 E Flat Major – Andante
03. Concert for Piano and Orchestra No. 22 KV 482 E Flat Major – Allegro
04. Concert for Piano and Orchestra No. 24 KV 491 C Minor – Allegro
05. Concert for Piano and Orchestra No. 24 KV 491 C Minor – Larghetto
06. Concert for Piano and Orchestra No. 24 KV 491 C Minor – Allegretto
2007 – W.A Mozart Premium Edition CD 28 Concerts For Piano & Orchestra 7 & 10
01. Concert for 2 Piano and Orchestra no 7 KV 422 F Major – Allegro
02. Concert for 2 Piano and Orchestra no 7 KV 422 F Major – Adagio
03. Concert for 2 Piano and Orchestra no 7 KV 422 F Major – Rondo Tempo di Menuetto
04. Concert for 2 Piano and Orchestra no 10 KV 365 E Flat Major – Allegro
05. Concert for 2 Piano and Orchestra no 10 KV 365 E Flat Major – Andante
06. Concert for 2 Piano and Orchestra no 10 KV 365 E Flat Major – Rondo Allegro
2007 – W.A. Mozart Premium Edition CD 29
01. Concert for Violin and Orchestra no 5 KV 219 A Major – Allegro Aperto
02. Concert for Violin and Orchestra no 5 KV 219 A Major – Adagio
03. Concert for Violin and Orchestra no 5 KV 219 A Major – Rondo Tempo Di Menuetto
04. Concert for Violin and Orchestra no 4 KV 218 D Major – Allegro
05. Concert for Violin and Orchestra no 4 KV 218 D Major – Andant Cantabile
06. Concert for Violin and Orchestra no 4 KV 218 D Major – Allegro Ma Non Troppo
2007 – W.A Mozart Premium Edition CD 30 Concerts For Violin & Orchestra 1 tm 3
01. Concert for Violin and Orchestra no 1 KV 207 B Major – Allegro Moderato
02. Concert for Violin and Orchestra no 1 KV 207 B Major – Adagio
03. Concert for Violin and Orchestra no 1 KV 207 B Major – Presto
04. Concert for Violin and Orchestra no 2 KV 211 D Major – Allegro Moderato
05. Concert for Violin and Orchestra no 2 KV 211 D Major – Andante
06. Concert for Violin and Orchestra no 2 KV 211 D Major – Rondo Allegro
07. Concert for Violin and Orchestra no 3 KV 216 G Major – Alegro
08. Concert for Violin and Orchestra no 3 KV 216 G Major – Adagio
09. Concert for Violin and Orchestra no 3 KV 216 G Major – Rondo Allegro
2007 – W.A Mozart Premium Edition CD 31 Sonatas For Piano 11, 11 & 18
01. Sonata for Piano no 10 KV 330 C Major – Allegro Moderato
02. Sonata for Piano no 10 KV 330 C Major – Andante Cantabile
03. Sonata for Piano no 10 KV 330 C Major – Allegretto
04. Sonata for Piano no 11 KV 331 A Major – Andante Grazioso
05. Sonata for Piano no 11 KV 331 A Major – Menuetto
06. Sonata for Piano no 11 KV 331 A Major – Alla Turca Allegretto
07. Sonata for Piano no 18 KV 576 D Major – Allegretto
08. Sonata for Piano no 18 KV 576 D Major – Adagio
09. Sonata for Piano no 18 KV 576 D Major – Allegretto
2007 – W.A Mozart Premium Edition CD 32 Sonatas For Piano 9, 12, 13 & 16
01. Sonata for Piano no 9 KV 311 D Major – Allegro Con Spirito
02. Sonata for Piano no 9 KV 311 D Major – Andante Con Espressionne
03. Sonata for Piano no 9 KV 311 D Major – Rondo Allegro
04. Sonata for Piano no 12 KV 332 F Major – Sonata For Piano
05. Sonata for Piano no 12 KV 332 F Major – Adagion
06. Sonata for Piano no 12 KV 332 F Major – Allegro Assia
07. Sonata for Piano no 13 KV 333 B Major – Allegro
08. Sonata for Piano no 13 KV 333 B Major – Andante Cantabile
09. Sonata for Piano no 13 KV 333 B Major – Allegretto Grazioso
10. Sonata for Piano no 16 KV 545 C Major – Allegro
11. Sonata for Piano no 16 KV 545 C Major – Andante
12. Sonata for Piano no 16 KV 545 C Major – Rondo Allegretto
2007 – W.A. Mozart Premium Edition CD 33
01. Sonata for Piano no 7 KV 309 C Major – Allegro Con Spirito
02. Sonata for Piano no 7 KV 309 C Major – Andante un Poco Adagio
03. Sonata for Piano no 7 KV 309 C Major – Rondo Allegretto Grazioso
04. Fantasy for Piano no 3 KV 475 C Major – Allegro
05. Sonata for Piano no 14 KV 457 C Minor – Molto Allegro
06. Sonata for Piano no 14 KV 457 C Minor – Adagio
07. Sonata for Piano no 14 KV 457 C Minor – Allegro Assai Agitato
08. Sonata for Piano no 17 KV 570 B Minor – Allegro
09. Sonata for Piano no 17 KV 570 B Minor – Adagio
10. Sonata for Piano no 17 KV 570 B Minor – Allegretto
2007 – W.A. Mozart Premium Edition CD 34
01. Sonata for Piano no 2 KV 280 F Major – Allegro Assia
02. Sonata for Piano no 2 KV 280 F Major – Adagio
03. Sonata for Piano no 2 KV 280 F Major – Presto
04. Sonata for Piano no 4 KV 282 E Flat Major – Adagio
05. Sonata for Piano no 4 KV 282 E Flat Major – Menuetto
06. Sonata for Piano no 4 KV 282 E Flat Major – Allegro
07. Sonata for Piano no 8 KV 310 A Minor – Allegro Maestoso
08. Sonata for Piano no 8 KV 310 A Minor – Andante Cantabile Con Espressione
09. Sonata for Piano no 8 KV 310 A Minor – Presto
10. Sonata for Piano no 15 KV 533 F Major – Allegro
11. Sonata for Piano no 15 KV 533 F Major – Andante
12. Sonata for Piano no 15 KV 533 F Major – Rondo Allegretto
2007 – W.A Mozart Premium Edition CD 35 Sonatas For Piano 1, 3, 5 & 6
01. Sonata for Piano no 1 KV 279 C Major – Allegro
02. Sonata for Piano no 1 KV 279 C Major – Andante
03. Sonata for Piano no 1 KV 279 C Major – Allegro
04. Sonata for Piano no 3 KV 281 B Major – Allegro
05. Sonata for Piano no 3 KV 281 B Major – Andante Amoroso
06. Sonata for Piano no 3 KV 281 B Major – Rondo Allegro
07. Sonata for Piano no 5 KV 283 G Major – Allegro
08. Sonata for Piano no 5 KV 283 G Major – Andante
09. Sonata for Piano no 5 KV 283 G Major – Presto
10. Sonata for Piano no 6 KV 284 D Major – Allegro
11. Sonata for Piano no 6 KV 284 D Major – Rondeau En Polonaise Andante
12. Sonata for Piano no 6 KV 284 D Major – Terma con Variazioni
2007 – W.A Mozart Premium Edition CD 36 Symphony 21, 25 & 28
01. Symphony no 21 KV 134 A Major – Allegro
02. Symphony no 21 KV 134 A Major – Andante
03. Symphony no 21 KV 134 A Major – Menuetto
04. Symphony no 21 KV 134 A Major – Allegro
05. Symphony no 25 KV 183 G Minor – Allegro Con Brio
06. Symphony no 25 KV 183 G Minor – Andante
07. Symphony no 25 KV 183 G Minor – Menuetto
08. Symphony no 25 KV 183 G Minor – Allegro
09. Symphony no 28 KV 200 C Major – Allegro Spiritoso
10. Symphony no 28 KV 200 C Major – Andante
11. Symphony no 28 KV 200 C Major – Menuetto Allegro
12. Symphony no 28 KV 200 C Major – Presto
2007 – W.A Mozart Premium Edition CD 37 Symhony 31, 33 & 35
01. Symphony no 31 KV 297 D Major – Allegro Assia
02. Symphony no 31 KV 297 D Major – Andantino
03. Symphony no 31 KV 297 D Major – Allegro
04. Symphony no 33 KV 319 B Major – Allegro Assia
05. Symphony no 33 KV 319 B Major – Andante Moderato
06. Symphony no 33 KV 319 B Major – Menuetto
07. Symphony no 33 KV 319 B Major – Final Allegro Assia
08. Symphony no 35 KV 385 D Major – Allegro Con Spirito
09. Symphony no 35 KV 385 D Major – Andante
10. Symphony no 35 KV 385 D Major – Menuetto
11. Symphony no 35 KV 385 D Major – Finale Presto
2007 – W.A Mozart Premium Edition CD 38 Symphony 36, 38
01. Symphony no. 36 KV 425 C major (Linz) – Adagio Allegro
02. Symphony no. 36 KV 425 C major (Linz) – Poco adagio
03. Symphony no. 36 KV 425 C major (Linz) – Menuetto
04. Symphony no. 36 KV 425 C major (Linz) – Finale: Presto
05. Symphony no. 38 KV 594 D major (Prague) – Adagion allegro
06. Symphony no. 38 KV 594 D major (Prague) – Andante
07. Symphony no. 38 KV 594 D major (Prague) – Finale: Presto
2007 – W.A Mozart Premium Edition CD 39 Symphony 39, 40
01. Symphony no 39 KV 543 E Flat Major – Adagio Allegro
02. Symphony no 39 KV 543 E Flat Major – Andante Con Moto
03. Symphony no 39 KV 543 E Flat Major – Menuetto Allegretto
04. Symphony no 39 KV 543 E Flat Major – Finale Allegro
05. Symphony no 40 KV 550 G Minor – Allegro Molto
06. Symphony no 40 KV 550 G Minor – Andante
07. Symphony no 40 KV 550 G Minor – Menuetto Allegretto
08. Symphony no 40 KV 550 G Minor – Finale Allegro Assai
2007 – W.A Mozart Premium Edition CD 40 Symphony 41 & 29
01. Symphony no 41 KV 551 C Major – Allegro Vivace
02. Symphony no 41 KV 551 C Major – Andante Cantabile
03. Symphony no 41 KV 551 C Major – Menuetto Allegretto
04. Symphony no 41 KV 551 C Major – Finale Allegro Molto
05. Symphony no 29 KV 201 A Major – Allegro Moderato
06. Symphony no 29 KV 201 A Major – Andante
07. Symphony no 29 KV 201 A Major – Menuetto
08. Symphony no 29 KV 201 A Major – Allegro Con Spirito
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Richard Wagner – The Complete Operas (2005) (43CD Box Set)
MP3 320 kbps, 48 kHz, stereo | Total size: 6.03 GB
01 – Der Fliegende Hollander
Disc 1
01. Vorspiel (10:31)
02. Aufzug 1 – Hojohe! Hallojo! (Chor) (5:09)
04. Aufzug 1 – Die Frist is um (Hollander) (11:23)
05. Aufzug 1 – He! Holla! Steuermann! (Daland, Steuermann) (1:59)
06. Aufzug 1 – Weit komm’ ich her, verwehrt bei Sturm und Wetter (Hollander, Daland) (14:51)
07. Aufzug 1 – Sudwind! Sudwind! (Steuermann, Daland, Hollander, Chor) (4:24)
08. Aufzug 2 – Introduktion (1:49)
09. Aufzug 2 – Summ’ und brumm, du gutes Radchen (Chor) (8:57)
10. Aufzug 2 – Traft ihr das Schiff (Senta, Chor, Mary) (7:35)
11. Aufzug 2 – Senta! Willst du mich verderben? (Erik, Mary) (2:02)
12. Aufzug 2 – Blieb’, Senta! Bleib’ nur einen Augenblick (Erik, Senta) (0:47)
Disc 2
01. Aufzug 2 – Mein Herz voll Treue bis zum Sterben (Erik, Senta) (7:45)
02. Aufzug 2 – Auf hohem Felsen lag ich traumend (Erik) (5:23)
03. Aufzug 2 – Mein Kind, du siehst mich auf der Schwelle (Daland) (1:08)
04. Aufzug 2 – Mogst du mein Kind, den fremden Mann (Daland) (6:16)
05. Aufzug 2 – Wie aus der Ferne langst vergang’ner Zeiten (Hollander, Senta) (14:39)
06. Aufzug 2 – Verzeiht! Mein Volk halt drauben sich nicht mehr (Daland, Senta, H… (2:14)
07. Aufzug 3 – Introduktion (1:03)
08. Aufzug 3 – Steuermann, lass’ die Wacht! Steuermann, her zu uns! (Chor) (15:26)
09. Aufzug 3 – Was musst’ ich horen! (Erik, Senta) (2:27)
10. Aufzug 3 – Willst jenes Tag’s du nicht dich mehr entsinnen (Erik) (3:03)
11. Aufzug 3 – Verloren! Ach! Verloren! Ewig verlornes Heil! (Hollander) (8:27)
02 – Lohengrin
Disc 1
01. Vorspiel (10:07)
02. Aufzug 1 Bild 1 – Hort Grafen, Edle, Freie von Brabant (Heerrufer, Chor, Konig) (4:40)
03. Aufzug 1 Bild 1 – Dank, Konig, dir, dass du zu richten kamst (Friedrich, Chor… (6:44)
04. Aufzug 1 Bild 2 – Seht hin! Sie naht, die hart Beklagte! (Chor, Konig, Elsa) (3:38)
05. Aufzug 1 Bild 2 – Einsam in truben Tagen (Elsa, Chor, Konig, Friedrich) (9:49)
06. Aufzug 1 Bild 2 – Wer hier in Gotteskampfe zu streiten kam (Heerrufer, Friedr… (5:31)
07. Aufzug 1 Bild 3 – Nun sei bedankt, mein lieber Schwan (Lohengrin, Chor, Konig… (4:14)
08. Aufzug 1 Bild 3 – Zum Kampf fur eine Magd zu stehn (Lohengrin, Elsa, Chor) (7:10)
09. Aufzug 1 Bild 3 – Nun hort! Euch, Volk und Edlen, mach ich kund (Lohengrin, C… (2:16)
10. Aufzug 1 Bild 3 – Nun horet mich und achtet wohl (Heerrufer, Chor, Lohengrin,… (7:47)
11. Aufzug 1 Bild 3 – Durch Gottes Sieg ist jetzt dein Leben mein (Lohengrin, Els… (3:53)
12. Aufzug 2 Bild 1 – Erhebe dich, Genossin meiner Schmach! (Friedrich, Ortrud) (7:53)
13. Aufzug 2 Bild 1 – Was macht dich in so wilder Klage doch vergehn? (4:24)
Disc 2
01. Aufzug 2 Bild 1 – Du wilde Seherin! Wie willst du doch (Friedrich, Ortrud) (6:57)
02. Aufzug 2 Szene 2 – Euch Luften, die mein Klagen (Elsa, Ortrud, Friedrich) (3:43)
03. Aufzug 2 Szene 2 – Elsa! Wer ruft? (Ortrud, Elsa) (4:15)
04. Aufzug 2 Szene 2 – Entweihte Gotter, helft jetzt meiner Rache! (4:10)
05. Aufzug 2 Szene 2 – Wie kann ich solche Huld dir lohnen (Ortrud, Elsa, Friedrich) (8:15)
06. Aufzug 2 Szene 3 – In Fruh’n versammelt uns der Ruf (Chor) (5:14)
07. Aufzug 2 Szene 3 – Des Konigs Wort und Will tu ich kund (Heerrufer, Chor) (8:05)
08. Aufzug 2 Szene 4 – Gesegnet soll sie schreiten (Chor) (5:37)
09. Aufzug 2 Szene 4 – Zuruck, Elsa! (Ortrud, Elsa, Chor) (6:04)
10. Aufzug 2 Szene 4 – Heil! Heil dem Konig! Du furchterliches Weib (Chor, Konig,… (3:13)
11. Aufzug 2 Szene 4 – O Konig! Trugbetorte Fursten! (Friedrich, Chor, Konig, Loh… (5:16)
12. Aufzug 2 Szene 4 – Welch ein Geheimnis muss der Held bewahren? (Chor, Konig, … (4:08)
13. Aufzug 2 Szene 4 – Mein Held entgegne kuhn dem Ungetreuen! (Konig, Elsa, Chor… (6:45)
Disc 3
01. Vorspiel (3:07)
02. Aufzug 3 Szene 1 – Treulich gefuhrt, ziehet dahin (Chor) (5:58)
03. Aufzug 3 Szene 2 – Das sube Lied verhallt (Lohengrin, Elsa) (8:03)
04. Aufzug 3 Szene 2 – Atmest du nicht mit mir die sussen Dufte (5:22)
05. Aufzug 3 Szene 2 – Hochstes Vertraun hast du mir schon zu danken (8:14)
06. Aufzug 3 Szene 2 – Weh, nun ist all unser Gluck dahin! (3:54)
07. Aufzug 3 Szene 3 – Heil, Konig Heinrich! (Chor, Konig) (8:32)
08. Aufzug 3 Szene 3 – Macht Platz, macht Platz dem Helden von Brabant! (Chor, Ko… (6:05)
09. Aufzug 3 Szene 3 – In fernem Land (Lohengrin, Konig, Chor) (6:16)
10. Aufzug 3 Szene 3 – Mir schwankt der Boden! (Elsa, Lohengrin, Chor, Konig) (5:11)
11. Aufuzg 3 Szene 3 – Mein lieber Schwan! (Lohengrin, Konig, Chor, Ortrud, Elsa) (4:50)
12. Aufzug 3 Szene 3 – Fahr heim, du stolzer Helde! (Ortrud, Chor, Lohengrin, Elsa) (3:49)
03 – Tannhauser
Disc 1
01. Ouverture (14:28)
02. Aufzug 1 Szene 1 – Naht euch dem Strande (Chor) (5:04)
03. Aufzug I Szene 2 – Geliebter, sag, wo weillt dein Sinn? (Venus, Tannhauser) (4:07)
04. Aufzug I Szene 2 – Dir tone Lob! (Venus, Tannhauser, Chor) (15:08)
05. Aufzug I Szene 3 – Frau Holda kam aus dem Berg hervor (Hirte, Tannhauser, Chor) (8:53)
06. Aufzug I Szene 4 – Wer ist der dort in brunstigem Gebete (Hermann, Tannhauser… (11:15)
Disc 2
01. Aufzug 2 Szene 1 – Dich, teure Halle, grub ich wieder (Elisabeth) (5:10)
02. Aufzug 2 Szene 2 – Dort ist sie (Wolfram, Tannhauser, Elisabeth) (11:39)
03. Aufzug 2 Szene 3 – Dich treff ich hier in dieser Halle (Hermann, Elisabeth) (4:35)
04. Aufzug 2 Szene 4 – Freudig begruben wir die edle Halle (Chor) (8:12)
05. Aufzug 2 Szene 4 – Gar viel und schon (Hermann, Chor, Vier Edelknaben) (6:27)
06. Aufzug 2 Szene 4 – Blick ich umher in diesem edlen Kreise (Wolfram, Tannhause… (14:50)
07. Aufzug 2 Szene 4 – Was hor ich! (Wolfram, Tannhauser, Walther, Biterolf, Elis… (12:11)
08. Aufzug 2 Szene 4 – Ein furchtbares Verbrechen ward hier begangen (Hermann, Wa… (8:12)
Disc 3
01. Vorspiel (8:30)
02. Aufzug 3 Szene 1 – Wohl wubt’ ich hier sie im Gebet zu finden … Begluckt da… (7:47)
03. Aufzug 3 Szene 1 – Allmacht’ ge Jungfrau (Elisabeth) (8:53)
04. Aufzug 3 Szene 2 – Wie Todesahnung Dammm’rung deckt die Lande … O du, mein … (5:19)
05. Aufzug 3 Szene 3 – Ich horte Harfenschlag (Tannhauser, Wolfram) (3:59)
06. Aufzug 3 Szene 3 – Inbrunst im Herzen (Tannhauser, Wolfram, Venus, Walther, H… (18:31)
04 – Das Rheingold
Disc 1
01. Vorspiel (4:19)
02. Szene 1 – Weia! Waga! Woge, du Welle (Woglinde, Wellgunde, Flobhilde) (1:34)
03. Szene 1 – Hehe! Ihr Nicker! (Alberich, Woglinde, Wellgunde, Flobhilde) (9:20)
04. Szene 1 – Lugt, Schwestern! Die Weckerin lacht in den Grund (Woglinde, Wellgu… (6:17)
05. Szene 1 – Der Welt Erbe gewann’ ich zu eigen durch dich? (Alberich, Woglinde,… (4:03)
06. Szene 2 – Wotan! Gemahl! Erwache! (Fricka, Wotan) (9:44)
07. Szene 2 – Sanft schlob Schlaf dein Aug (Fasolt, Wotan, Fafner, Freia, Froh, D… (6:45)
08. Szene 2 – Zu mir Freia! Meide sie, Frecher! (Froh, Donner, Fafner, Freia) (0:50)
09. Szene 2 – Halt, du Wilder! Nichts durch Gewalt (Wotan, Freia, Fricka) (0:49)
10. Szene 2 – Endlich Loge! Eiltest du so (Wotan, Loge, Fricka, Froh, Donner, Faf… (4:03)
11. Szene 2 – Immer ist Undank Loges Lohn! (Loge, Wotan, Fasolt, Fafner, Fricka, … (10:44)
12. Szene 2 – Hor’ Wotan, der Harrenden Wort! (Fafner, Wotan, Fasolt, Freia, Froh… (2:46)
13. Szene 2 – Was sinnt Wotan so wild? (Loge, Fricka, Donner, Froh) (5:15)
14. Szene 2 – Auf Loge, hinab mit mir! (Wotan, Loge, Donner, Froh, Fricka) (4:08)
15. Szene 3 – Hehe! Hehe! Hieher! Hieher! Tuckischer Zwerg! (Alberich, Mime) (1:20)
Disc 2
01. Szene 3 – Dem Haupt fugt sich der Helm (Alberich, Mime) (2:07)
02. Szene 3 – Nibelheim hier (Loge, Mime, Wotan) (7:39)
03. Szene 3 – Was wollt ihr hier? (Alberich, Wotan, Loge) (10:19)
04. Szene 3 – Riesen-Wurm winde sich ringelnd! (3:17)
05. Szene 3 – Nun schnell hinauf; dort ist er unser (Loge) (4:04)
06. Szene 4 – Da, Vetter, sitze du fest! (Loge, Alberich, Wotan) (2:49)
07. Szene 4 – Wohlan, die Nibelungen rief ich mir nah (2:31)
09. Szene 4 – Bin ich nun frei? (3:51)
10. Szene 4 – Lauschtest du seinem Liebesgrub? (Loge, Wotan, Froh, Donner, Fricka… (3:12)
11. Szene 4 – Auf Riesenheims ragender Mark rasteten wir (Fasolt, Fafner, Wotan, … (8:19)
12. Szene 4 – Weiche, Wotan, weiche! (Erda, Wotan) (5:11)
13. Szene 4 – Hort, Ihr Riesen! Zuruck und harret! (Donner, Freia, Wotan, Fafner,… (6:19)
14. Szene 4 – Schwules Gedunst schwebt in der Luft (Donner, Froh, Wotan, Fricka) (7:08)
15. Szene 4 – Ihrem Ende eilen sie zu (Loge, Wotan, Woglinde, Wellgunde, Flobhilde) (4:44)
05 – Die Walkure
Disc 1
01. Aufzug 1 – Vorspiel (3:33)
02. Aufzug 1 Szene 1 – Wes Herd dies auch sei, hier mub ich rasten (Siegmund, Sie… (12:13)
03. Aufzug 1 Szene 2 – Mud’ am Herd fand ich den Mann (Sieglinde, Hunding, Siegmund) (4:32)
04. Aufzug 1 Szene 2 – Friedmund darf ich nicht heiben (9:25)
05. Aufzug 1 Szene 2 – Ich weib ein wildes Geschlecht (Hunding) (5:40)
06. Aufzug 1 Szene 3 – Ein Schwert verhieb mir der Vater (Siegmund) (5:42)
07. Aufzug 1 Szene 3 – Schlafst du, Gast? (Sieglinde, Siegmund) (1:05)
08. Aufzug 1 Szene 3 – Der Manner Sippe sab hier im Saal (5:35)
09. Aufzug 1 Szene 3 – Wintersturme wichen dem Wonnemond (4:45)
10. Aufzug 1 Szene 3 – O subeste Wonne! Seligstes Weib! (5:43)
11. Aufzug 1 Szene 3 – Siegmund heib’ ich und Siegmund bin ich (4:06)
Disc 2
01. Aufzug 2 – Vorspiel (1:53)
02. Aufzug 2 Szene 1 – Nun zaume dein Rob, reisige Maid! (Wotan, Brunnhilde) (2:42)
03. Aufzug 2 Szene 1 – Der alte Sturm, die alte Muh’! (Wotan, Fricka) (4:31)
04. Aufzug 2 Szene 1 – So ist es dann aus mit den ewigen Gottern (8:48)
05. Aufzug 2 Szene 1 – Was verlangst du? (Wotan, Fricka, Brunnhilde) (5:30)
06. Aufzug 2 Szene 2 – Schlimm, furcht’ ich, schlob der Streit (Brunnhilde, Wotan) (5:39)
07. Aufzug 2 Szene 2 – Als junger Liebe Lust mir verblich (Wotan, Brunnhilde) (14:55)
08. Aufzug 2 Szene 2 – O sag, kunde, was soll nun dein Kind (4:02)
Disc 3
01. Aufzug 2 Szene 2 – So sah ich Siegvater nie (Brunnhilde) (3:54)
02. Aufzug 2 Szene 3 – Raste nun hier; gonne dir Ruh! (Siegmund, Sieglinde) (2:33)
03. Aufzug 2 Szene 3 – Hinweg! Hinweg! Flieh die Entweihte! (8:33)
04. Aufzug 2 Szene 4 – Siegmund! Sieh auf mich! (Brunnhilde, Siegmund) (15:55)
05. Aufzug 2 Szene 5 – Zauberfest bezahmt ein Schlaf der Holden Schmerz und Harm … (4:09)
06. Aufzug 2 Szene 5 – Wehwalt! Wehwalt! Steh mir zum Streit (Hunding, Siegmund, … (5:11)
Disc 4
01. Aufzug 3 Szene 1 – Hojotoho! Hojotoho! (Die acht Walkuren) (8:04)
02. Aufzug 3 Szene 1 – Schutzt mich und helft in hochster Not (Brunnhilde, Die ac… (3:14)
03. Aufzug 3 Szene 1 – Nicht sehre dich Sorge um mich (Sieglinde, Brunnhilde, Wal… (2:11)
04. Aufzug 3 Szene 1 – So fliehe denn eilig und fliehe allein (Brunnhilde, Siegli… (4:13)
05. Aufzug 3 Szene 2 – Wo ist Brunnhild’, wo die Verbrecherin? (Wotan, Die acht W… (4:09)
07. Aufzug 3 Szene 3 – War es so schmachlich, was ich verbrach (Brunnhilde, Wotan) (8:02)
08. Aufzug 3 Szene 3 – So tatest du, was so gern zu tun ich begehrt (7:35)
09. Aufzug 3 Szene 3 – Nicht streb’, o Maid, den Mut mir zu storen (4:13)
10. Aufzug 3 Szene 3 – Leb wohl, du kuhnes, herrliches Kind! (Wotan) (4:07)
11. Aufzug 3 Szene 3 – Der Augen leuchtendes Paar (5:31)
12. Aufzug 3 Szene 3 – Loge, hor’! Lausche hierher! (5:07)
06 – Siegfried
Disc 1
01. Aufzug 1 – Vorspiel (3:45)
02. Aufzug 1 Szene 1 – Zwangvolle Plage! Muh’ ohne Zweck (Mime) (3:34)
03. Aufzug 1 Szene 1 – Hoiho! Hoiho! Hau ein! (Siegfried, Mime) (5:30)
04. Aufzug 1 Szene 1 – Vieles lehrtest du, Mime (8:06)
05. Aufzug 1 Szene 1 – Einst lag wimmernd ein Weib da drauben im wilden Wald (5:32)
06. Aufzug 1 Szene 1 – Und diese Stucke sollst du mir schmeiden (3:26)
07. Aufzug 1 Szene 2 – Heil dir, weiser Schmeid (Wanderer, Mime) (3:18)
08. Aufzug 1 Szene 2 – Hier sitz ich am Herd (10:13)
09. Aufzug 1 Szene 2 – Was zu wissen dir frommt, soltest du fragen (7:53)
Disc 2
01. Aufzug 1 Szene 2 – Nach eitlen Fernen forschest du (Wanderer) (2:02)
02. Aufzug 1 Szene 3 – Verfluchtes Licht! (Mime, Siegfried) (1:30)
03. Aufzug 1 Szene 3 – Bist du es, Kind? (3:07)
04. Aufzug 1 Szene 3 – Fuhltest du nie im finst’ren Wald (8:38)
05. Aufzug 1 Szene 3 – Nothung! Nothung! Neidliches Schwert (8:19)
06. Aufzug 1 Szene 3 – Hoho! Hoho! Hohei! Schmiede, mein Hammer (7:05)
07. Aufzug 2 – Vorspiel (5:15)
08. Aufzug 2 Szene 1 – In Wald und Nacht vor Neidhohl (Alberich) (2:49)
09. Aufzug 2 Szene 1 – Zur Neidhohl fuhr ich bei Nacht (Wanderer, Alberich) (8:24)
10. Aufzug 2 Szene 1 – Fafner! Fafner! Erwache Wurm! (Wanderer, Alberich, Fafner) (6:51)
11. Aufzug 2 Szene 2 – Wir sind zur Stelle! Bleib’ hier stehen! (Mime, Siegfried) (5:52)
12. Aufzug 2 Szene 2 – Dab der mein Vater nicht ist (Siegfried) (1:25)
Disc 3
01. Aufzug 2 Szene 2 – Aber, wie sah meine Mutter wohl aus? (Siegfried) (10:16)
02. Aufzug 2 Szene 2 – Haha! Da hatte mein Lied mir was Liebes erblasen (Siegfrie… (2:51)
03. Aufzug 2 Szene 2 – Wer bist du, kuhner Knabe? (Fafner, Siegfried) (3:58)
04. Aufzug 2 Szene 2 – Zur Kunde taugt kein Toter (Siegfried, Stimme des Waldvogels) (2:03)
05. Aufzug 2 Szene 3 – Wohin schleichst du so eilig und schlau, schlimmer Gesell’… (5:21)
06. Aufzug 2 Szene 3 – Willkommen, Siegfried (Mime, Siegfried, Alberich) (9:49)
07. Aufzug 2 Szene 3 – Heib ward mir von der harten Last (Siegfried, Stimme des W… (7:53)
08. Aufzug 3 – Vorspiel (2:23)
09. Aufzug 3 Szene 1 – Wache, Wala! Wache, Wala! Erwach’! (Wanderer) (1:42)
10. Aufzug 3 Szene 1 – Stark ruft das Lied (Erda, Wanderer) (10:02)
Disc 4
01. Aufzug 3 Szene 1 – Dir Urweisen ruf’ ich ins Ohr! (Wanderer) (3:50)
02. Aufzug 3 Szene 2 – Dort seh’ ich Siegfried nah’n (Wanderer, Siegfried) (7:55)
03. Aufzug 3 Szene 2 – Bleibst du mir stumm, storrischer Wicht? (3:49)
04. Aufzug 3 Szene 2 – Mit zerfochtner Waffe wich mir der Feige? (Siegfried) (3:39)
05. Aufzug 3 Szene 3 – Selige ode auf sonniger Hoh’ (Siegfried) (6:45)
06. Aufzug 3 Szene 3 – Das ist kein Mann! (6:58)
07. Aufzug 3 Szene 3 – Heil dir, Sonne! Heil dir, Licht! (Brunnhilde, Siegfried) (5:40)
08. Aufzug 3 Szene 3 – O Siegfried! Siegfried! Seliger Held (5:35)
09. Aufzug 3 Szene 3 – Dort seh’ ich Grane, mein selig’ Ross (8:16)
10. Aufzug 3 Szene 3 – Ewig war ich, ewig bin ich (12:12)
07 – Gotterdammerung
Disc 1
01. Vorspiel – Welch’ Licht leuchtet dort? (Die drei Nornen) (10:31)
02. Vorspiel – Dammert der Tag? (8:59)
03. Vorspiel – Zu neuen Taten, teurer Helde (Brunnhilde, Siegfried) (11:21)
04. Vorspiel – Siegfrieds Rheinfart (5:17)
05. Aufzug 1 Szene 1 – Nun hor, Hagen, sage mir, Held (Gunther, Hagen, Gutrune) (9:07)
06. Aufzug 1 Szene 1 – Jagt er auf Taten wonnig umher (Hagen, Gunther, Siegfried) (3:02)
07. Aufzug 1 Szene 2 – Heil! Siegfried, teurer Held! (Hagen, Siegfried, Gunther, … (2:32)
08. Aufzug 1 Szene 2 – Begrube froh, o Held, die Halle meines Vaters! (Gunther, S… (3:39)
09. Aufzug 1 Szene 2 – Willkommen, Gast, in Gibichs Haus! (Gutrune, Siegfried, Gu… (2:47)
Disc 2
01. Aufzug 1 Szene 2 – Deinem Bruder bot ich mich zum Mann (Siegfried,Gunther) (4:36)
02. Aufzug 1 Szene 2 – Bluhenden Lebens labendes Blut (Siegfried, Gunther, Hagen,… (5:55)
03. Aufzug 1 Szene 2 – Hier sitz zur Wacht (Hagen) (9:11)
04. Aufzug 1 Szene 3 – Altgewohntes Gerausch (Brunnhilde, Waltraute) (7:41)
05. Aufzug 1 Szene 3 – Hore mit Sinn, was ich dir sage (Waltraute) (8:39)
06. Aufzug 1 Szene 3 – Welch banger Traume Maren (Brunnhilde, Waltraute) (5:59)
07. Aufzug 1 Szene 3 – Blitzend’ Gewolk vom Wind getragen (Brunnhilde) (3:14)
08. Aufzug 1 Szene 3 – Brunnhild’! Ein freier kam (Siegfried, Brunnhilde) (5:35)
09. Aufzug 1 Szene 3 – Jetzt bist du mein (3:08)
Disc 3
01. Aufzug 2 – Vorspiel (2:47)
02. Aufzug 2 Szene 1 – Schlafst du, Hagen, mein Sohn? (Alberich, Hagen) (9:54)
03. Aufzug 2 Szene 2 – Hoiho, Hagen! Muder Mann (Siegfried, Hagen, Gutrune) (4:48)
04. Aufzug 2 Szene 3 – Hoiho! Hoihohoho! Ihr Gibichsmannen! (Hagen, Mannen) (8:21)
05. Aufzug 2 Szene 4 – Heil dir, Gunther! Heil dir und deiner Braut! (Mannen, Gun… (8:44)
06. Aufzug 2 Szene 4 – Betrug! Betrug! (Brunnhilde, Gutrune, Mannen, Frauen, Gunt… (6:42)
07. Aufzug 2 Szene 4 – Helle Wehr! Heilige Waffe (Siegfried, Brunnhilde, Mannen) (6:46)
08. Aufzug 2 Szene 5 – Welchen Unholds List liegt hier verhohlen? (Brunnhilde, Ha… (5:31)
09. Aufzug 2 Szene 5 – Auf Gunther, edler Gibichung (Hagen, Gunther, Brunnhilde) (8:08)
Disc 4
01. Aufzug 3 – Vorspiel (2:30)
02. Aufzug 3 Szene 1 – Fraue Sonne sendet lichte Strahlen (Die drei Rheintochter,… (3:34)
03. Aufzug 3 Szene 1 – Ein Albe fuhrte mich irr (12:49)
04. Aufzug 3 Szene 2 – Hoiho! … Finden wir endlich, wohin du flogest? (Hagen, M… (6:13)
05. Aufzug 3 Szene 3 – Mime hieb ein murrischer Zwerg (Siegfried, Hagen, Mannen) (4:57)
06. Aufzug 3 Szene 3 – In Leid zu dem Wipfel lauscht’ ich hinauf (Siegfried, Hage… (4:22)
07. Aufzug 3 Szene 3 – Brunnhilde, heilige Brauf! (Siegfried) (4:27)
08. Aufzug 3 Szene 3 – Trauermarsch (6:05)
09. Aufzug 3 Szene 4 – War das sein Horn? (Gutrune, Hagen, Gunther) (2:33)
10. Aufzug 3 Szene 4 – Hoiho! Hoiho! Wacht auf! Wacht auf! (Hagen, Gutrune, Gunther) (4:25)
11. Aufzug 3 Szene 4 – Schweigt eures Jammers jauchzenden Schwall (Brunnhilde, Gu… (2:59)
12. Aufzug 3 Szene 4 – Starke Scheite schichtet mir dort! (Brunnhilde) (9:44)
13. Aufzug 3 Szene 4 – Fliegt heim, ihr Raben (8:03)
08 – Tristan und Isolde
Disc 1
01. Aufzug 1 – Vorspiel (10:59)
02. Aufzug 1 Szene 1 – Westwarts schwieft der Blick (Junger Seemann, Isolde) (6:27)
03. Aufzug 1 Szene 2 – Frisch weht der Wind der Heimat zu (Junger Seeman, Isolde,… (4:16)
04. Aufzug 1 Szene 2 – Hab acht, Tristan! Botschaft von Isolde (Kurwenal, Tristan… (5:55)
05. Aufzug 1 Szene 3 – Weh, ach wehe! Dies zu dulden! (Brangane, Isolde) (1:59)
06. Aufzug 1 Szene 3 – Wie lachend sie mir Lieder singen (Isolde) (2:23)
07. Aufzug 1 Szene 3 – Von seinem Lager blickt er her (Isolde, Brangane) (5:18)
08. Aufzug 1 Szene 3 – O blinde Augen! Blode Herzen! (Isolde, Brangane) (2:43)
09. Aufzug 1 Szene 3 – Hor mich! Komme! Setz dich her! (Brangane, Isolde) (5:14)
10. Aufzug 1 Szene 3 – Kennst du der Mutter Kunste nicht? (Isolde, Brangane, Chor) (4:07)
11. Aufzug 1 Szene 4 – Auf! Ihr Frauen! Frisch und froh! (Kurwenal) (1:09)
12. Aufzug 1 Szene 4 – Herrn Tristan bringe meinen Grub (Isolde, Kurwenal, Brangane) (2:52)
13. Aufzug 1 Szene 4 – Hortest du nicht? Hie blieb’ ich (Isolde, Brangane, Kurwenal) (4:15)
14. Aufzug 1 Szene 5 – Begehrt, Herrin, was ihr wunscht (Tristan, Isolde) (3:51)
15. Aufzug 1 Szene 5 – Da du so sittsam, mein Herr Tristan (Tristan, Isolde) (5:30)
Disc 2
01. Aufzug 1 Szene 5 – War Morold dir so wert (Tristan, Isolde) (3:40)
02. Aufzug 1 Szene 5 – Ho! He! Ha! He! Am Obermast die Segel ein! (Chor, Tristan,… (1:27)
03. Aufzug 1 Szene 5 – Du horst den Ruf? (Isolde) (2:37)
04. Aufzug 1 Szene 5 – Auf das Tau! Anker los! (Chor, Tristan, Isolde) (3:48)
05. Aufzug 1 Szene 5 – Tristan!…Isolde! (Isolde, Tristan, Chor, Brangane) (2:47)
06. Aufzug 1 Szene 5 – Was traumte mir von Tristans Ehre? (Tristan, Isolde) (1:41)
07. Aufzug 1 Szene 5 – Schnell, den Mantel, den Konigsschmuck! (Brangane, Chor, K… (2:28)
08. Aufzug 2 – Vorspiel (2:01)
09. Aufzug 2 Szene 1 – Horst du sie noch? (Isolde, Brangane) (3:46)
10. Aufzug 2 Szene 1 – Der deiner harrt – o hor mein Warnen! (4:11)
11. Aufzug 2 Szene 1 – O lass die warnende Zunde (3:15)
12. Aufzug 2 Szene 1 – Und mubte der Minne tuckischer Trank (3:14)
13. Aufzug 2 Szene 2 – Isolde! Geliebte! (Tristan, Isolde) (2:34)
14. Aufzug 2 Szene 2 – Das Licht! Das Licht! (2:28)
15. Aufzug 2 Szene 2 – Der Tag! Der Tag! (3:50)
16. Aufzug 2 Szene 2 – O eitler Tagesknecht! (Isolde) (2:40)
17. Aufzug 2 Szene 2 – In deiner Hand den suben Tod (Tristan, Isolde) (3:27)
18. Aufzug 2 Szene 2 – O nun waren wir Nacht-Geweihte! (Tristan) (3:37)
19. Aufzug 2 Szene 2 – O sink’ hernieder, Nacht der Liebe (Tristan, Isolde) (5:41)
20. Aufzug 2 Szene 2 – Einsam wachend in der Nacht (Brangane) (3:30)
21. Aufzug 2 Szene 2 – Lausch, Geliebter! (Isolde, Tristan) (2:20)
22. Aufzug 2 Szene 2 – Unsre Liebe? Tristans Liebe? (Tristan) (2:48)
Disc 3
01. Aufzug 2 Szene 2 – Doch unsre Liebe heibt sie nicht Tristan und Isolde? (Isol… (2:26)
02. Aufzug 2 Szene 2 – So sturben wir, um ungetrennt (2:27)
03. Aufzug 2 Szene 2 – Habet acht! Habet acht! (Brangane, Tristan, Isolde) (2:36)
04. Aufzug 2 Szene 2 – O ew’ge Nacht, sube Nacht! (Isolde, Tristan) (3:57)
05. Aufzug 2 Szene 3 – Rette dich, Tristan! (Kurwenal, Tristan, Melot) (1:59)
06. Aufzug 2 Szene 3 – Tatest du’s wirklich? (Marke, Tristan) (3:58)
07. Aufzug 2 Szene 3 – Wozu die Dienste ohne Zahl (3:48)
08. Aufzug 2 Szene 3 – Dies wunderhehre Weib, das mir dein Mut gewann (2:12)
09. Aufzug 2 Szene 3 – Nun, da durch solchen Besitz mein Herz (Marke) (3:57)
10. Aufzug 2 Szene 3 – O Konig, das kann ich dir nicht sagen (1:53)
11. Aufzug 2 Szene 3 – Wohin nun Tristan scheidet, willst du, Isold’, ihm folgen? (3:09)
12. Aufzug 2 Szene 3 – Als fur ein fremdes Land! (Isolde) (2:35)
13. Aufzug 2 Szene 3 – Verrater! Ha! Zur Rache, Konig! (Melot, Tristan) (2:13)
14. Aufzug 3 – Vorspiel (4:01)
15. Aufzug 3 – Hirtenreigen (3:18)
16. Aufzug 3 – Kurwenal! He! Sag’, Kurwenal! (Hirt, Kurwenal) (3:18)
17. Aufuzg 3 – Od’ und leer das Meer!… Die alte Weise – was weckt sie mich? (Hi… (3:09)
18. Aufzug 3 – Wo du bist? In Frieden, sicher und frei! (Kurwenal, Tristan) (4:41)
19. Aufzug 3 – Dunkt dich das? Ich weib es anders (Tristan) (4:01)
20. Aufzug 3 – Isolde noch im Reich der Sonne! (Tristan, Kurwenal) (4:27)
Disc 4
01. Aufzug 3 Szene 1 – Noch losch das Licht nicht aus (Tristan, Kurwenal) (2:50)
02. Aufzug 3 Szene 1 – Mein Kurwenal, du trauter Freund! (Tristan) (2:50)
03. Aufzug 3 Szene 1 – Hirtenreigen…Noch ist kein Schiff zu sehn! (Kurwenal, Tr… (4:48)
04. Aufzug 3 Szene 1 – Nein! Ach nein! So heibt sie nicht! (3:20)
05. Aufzug 3 Szene 1 – Der Trank! Der Trank! Der furchtbare Trank! (Tristan) (3:07)
06. Aufzug 3 Szene 1 – Mein Herre! Tristan! Schrecklicher Zauber! (Kurwenal) (2:31)
07. Aufzug 3 Szene 1 – Das Schiff? Siehst du’s noch nicht? (Tristan, Kurwenal) (2:12)
08. Aufzug 3 Szene 1 – Wie selig, hehr und milde (Tristan) (3:43)
09. Aufzug 3 Szene 1 – Hirtenreigen … O Wonne! Freude! Ha! Das Schiff! (Kurwena… (3:28)
10. Aufzug 3 Szene 2 – O diese, Sonne! (Tristan, Isolde) (3:49)
11. Aufzug 3 Szene 2 – Ich bin’s, ich bin’s, subester Freund! (2:21)
12. Aufzug 3 Szene 2 – Die Wunde? Wo? Lass sie mich heilen! (Isolde) (4:05)
13. Aufzug 3 Szene 3 – Kurwenal! Hor! Ein zweites Schiff (Hirt, Kurwenal, Brangan… (4:21)
14. Aufzug 3 Szene 3 – Tot denn alles! (Marke) (1:55)
15. Aufzug 3 Szene 3 – Sie wacht! Sie lebt! Isolde! (Brangane, Marke) (3:29)
16. Aufzug 3 Szene 3 – Mild und leise wie er lachelt (Isolde) (3:43)
17. Aufzug 3 Szene 3 – Heller schallend, mich umwallend (Isolde) (3:21)
Living is sharing!
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———- Post added at 09:58 AM ———- Previous post was at 09:57 AM ———-
Naxos 25th Anniversary. The Great Classics. Box #1 – Great Opera (2012) (LOSSLESS)
EAC rip | 10CD | FLAC – Log – Cue | Release: 2012 | 3.04 GB
CD01 Mozart: Don Giovanni
Wolfgang Amadeus Mozart (1756-1791)
Don Giovanni (Highlights) Dramma giocoso in 2 Acts
Libretto: Lorenzo Da Ponte
Artists:
Don Giovanni – Bo Skovhu, baritone Il Commendatore – Janusz Monarcha, bass
Donna Anna – Adrianne Pieczonka, soprano Don Ottavio – Torsten Kerl, tenor Donna Elvira – Regina Schorg, soprano
Leporello – Renato Girolami, bass Masetto – Boaz Daniel, bass Zerlina – Ildiko Raimondi, soprano
Hungarian Radio Chorus / Nicolaus Esterhazy Sinfonia / Conductor Michael Halasz
Tracklist:
1. Overture 00:05:56
2. Act I Scene 1: Introduzione: Notte e giorno faticar (Leporello, Donna Anna, Don Giovanni, Il Commendatore) 00:05:31
3. Act I Scene 3: Duetto: Fuggi, crudele, fuggi! (Donna Anna, Don Ottavio) 00:03:58
4. Act I Scene 5: Aria: Ah chi mi dice mai (Donna Elvira, Don Giovanni, Leporello) 00:03:38
5. Act I Scene 5: Aria: Madamina, il catalogo e questo (Leporello) 00:05:41
6. Act I Scene 7: Coro: Giovinette che fate all’amore (Zerlina, Masetto, Chorus) 00:01:26
7. Act I Scene 8: Aria: Ho capito, signor si (Masetto) 00:01:41
8. Act I Scene 9: Duettino: La ci darem la mano (Zerlina, Don Giovanni) 00:03:15
9. Act I Scene 10: Aria: Ah fuggi il traditor (Donna Elvira) 00:01:17
10. Act I Scene 12: Quartetto: Non ti fidar, o misera (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni) 00:04:15
11. Act I Scene 13: Recitativo accompagnato ed Aria: Don Ottavio, son morta! – Aria: Or sai chi l’onore (Donna Anna, Don Ottavio) 00:06:08
12. Act I Scene 13 Appendix: Aria: Dalla sua pace (Don Ottavio) 00:03:39
13. Act I Scene 15: Aria: Fin ch’han dal vino (Don Giovanni) 00:01:28
14. Act I Scene 16: Aria: Batti, batti, o bel Masetto (Zerlina) 00:03:33
15. Act II Scene 3: Canzonetta: Deh, vieni alla finestra (Don Giovanni) 00:01:58
16. Act II Scene 6: Aria: Vedrai, carino (Zerlina) 00:03:40
17. Act II Scene 10: Aria: Il mio tesoro intanto (Don Ottavio) 00:04:03
18. Act II Scene 10 Appendix 2: Recitativo accompagnato ed Aria: In quali eccessi (Donna Elvira) 00:05:35
19. Act II Scene 15: Don Giovanni, a cenar teco (Il Commendatore, Don Giovanni, Leporello, Chorus) 00:06:37
20. Act II Scene 16: Questo e il fin (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) 00:01:53
CD02 Mozart: Die Zauberflote
Wolfgang Amadeus Mozart (1756-1791)
Die Zauberflote (Highlights) Opera in 2 Acts
Libretto: Emanuel Schikaneder
Artists:
Tamino – Herbert Lippert, tenor Papageno – Georg Tichy, baritone Sarastro – Kurt Rydl, bass
Pamina – Elizabeth Norberg-Schulz, soprano Papagena – Lotte Leitner, soprano
The Queen of the Night – Hellen Kwon, soprano Monostatos – Wilfried Gahmlich, tenor
Hungarian Festival Chorus / Failoni Orchestra, Budapest / Conductor Michael Halasz
Tracklist:
1. Act I: Overture 00:06:40
2. Act I: Zu hilfe! Zu hilfe! (Tamino, the Three Ladies) 00:06:27
3. Act I: Der Vogelfanger bin ich ja (Papageno) 00:02:58
4. Act I: Dies Bildnis ist bezaubernd schon (Tamino) 00:03:36
5. Act I: O zitt’re nicht, mein lieber Sohn! (Queen of the Night) 00:04:48
6. Act I: Hm! Hm! Hm! Hm! (Papageno, Tamino, the Three Ladies) 00:06:11
7. Act I: Bei Mannern, welche Liebe fuhlen (Pamina, Papageno) 00:03:02
8. Act I: Wie stark ist nicht dein Zauberton! (Tamino) 00:02:46
9. Act I: Schnelle Fusse, rascher Mut (Pamina, Papageno, Monostatos, Slaves) 00:03:16
10. Act II: March of the Priests 00:02:41
11. Act II: O Isis und Osiris (Sarastro, Chorus) 00:03:03
12. Act II: Alles fuhlt der liebe Freuden (Monostatos) 00:01:19
13. Act II: Der Holle Rache kocht in meinen Herzen (Queen of the Night) 00:02:56
14. Act II: In diesen heil’gen Hallen (Sarastro) 00:03:58
15. Act II: Ach, ich fuhl’s (Pamina) 00:04:18
16. Act II: Ein Madchen oder Weibchen (Papageno) 00:04:12
17. Act II: Pa – Pa – Pa – Pa – Pa – Pa – Papageno (Papageno, Papagena) 00:02:30
18. Act II: Nur stille, stille, stille, stille (Monostatos, Queen of the Night, the Three Ladies) 00:02:10
19. Act II: Die Strahlen der Sonne vertreiben die Nacht (Sarastro, Chorus) 00:02:44
CD03 Rossini: Il Barbiere di Siviglia
Gioachino Rossini (1792-1868)
Il Barbiere di Siviglia (Highlights) Opera in 2 Acts
Libretto: Cesare Sterbini
Artists:
Figaro – Roberto Servile, baritone Rosina – Sonia Ganassi, mezzo-soprano Conte – Ramon Vargas, tenor
Bartolo – Angelo Romero, bass Don Basilio – Franco de Grandis, bass Berta – Ingrid Kertesi, soprano
Hungarian Radio Chorus / Failoni Chamber Orchestra, Budapest / Conductor Will Humburg
Tracklist:
1. Overture 00:06:43
2. Act I Cavatina: Ecco, ridente in cielo (Conte) 00:04:46
3. Act I Cavatina: Largo al factotum della citta (Figaro) 00:04:37
4. Act I Duetto: All’idea di quel metallo (Figaro, Conte) 00:08:35
5. Act I Cavatina: Una voce poco fa (Rosina) 00:05:56
6. Act I Aria: La calunnia e un venticello (Basilio) 00:04:34
7. Act I Duetto: Dunque io son … tu non m’inganni (Rosina, Figaro) 00:05:03
8. Act I Aria A un dottor della mia sorte (Bartolo) 00:06:13
9. Act I Finale: Fredda ed immobile 00:07:54
10. Act II Duetto: Pace e gioia sia con voi (Conte, Bartolo) 00:03:01
11. Act II Aria: Contro un cor che accende amore (Rosina, Conte) 00:07:16
12. Act II Sequito del Quintetto: Buona sera, mio ??signore 00:02:11
13. Act II Aria: Il vecchiotto cerca moglie (Berta) 00:03:10
14. Act II Terzetto: Ah! qual colpo inaspettato! (Rosina, Figaro, Conte) 00:06:39
15. Act II Finaletto: Di si felice innesto serbiam memoria eterna 00:02:06
CD04 Verdi: La Traviata
Giuseppe Verdi (1813-1901)
La Traviata (Highlights) Opera in 3 Acts
Libretto: Francesco Maria Piave
Artists:
Violetta Valery – Monika Krause, soprano Flora Bervoix – Rannveig Braga, mezzo-soprano Annina – Ivica Neshybova, soprano
Alfredo Germont – Yordy Ramiro, tenor Giorgio Germont, his father – Georg Tichy, baritone Dottore Grenvil – Jozef Spacek, baritone
Slovak Philharmonic Chorus / Slovak Radio Symphony Orchestra / Conductor Alexander Rahbari
Tracklist:
1. Act I: Prelude 00:03:51
2. Act I: Brindisi: Libiamo ne’lieti calici, "Drinking Song" (Alfredo, Chorus, Violetta) 00:02:55
3. Act I: Un di, felice, eterea (Alfredo, Violetta) 00:03:02
4. Act I: E ‘strano! e strano! (Violetta) 00:03:27
5. Act I: Follie! … Sempre libera degg’io (Violetta) 00:04:39
6. Act II Scene 1: Lunge da lei per me (Alfredo) 00:03:41
7. Act II Scene 1: O mio rimorso! (Alfredo) 00:01:33
8. Act II Scene 1: Pura si come un angelo – Dite alla giovine (Germont, Violetta) 00:10:02
9. Act II Scene 1: Dammi tu forza, o cielo! (Violetta, Annina, Alfredo) 00:03:49
10. Act II Scene 1: Di Provenza il mar, il suol (Germont) 00:03:58
11. Act II Scene 2: Noi siamo zingarelle (Chorus, Flora, Marchese) 00:02:44
12. Act III: Prelude 00:04:00
13. Act III: Teneste la promessa (Violetta) 00:04:03
14. Act III: Signora! … Che t’accade – Parigi, o cara (Annina, Violetta, Alfredo) 00:04:56
15. Act III: Ah, Violetta! … Voi, Signor! – E strano! … Che! (Germont, Violetta, Alfredo, Dottore, Annina, chorus) 00:05:33
CD05 Verdi: Aida
Giuseppe Verdi (1813-1901)
Aida (Highlights) Opera in 4 Acts
Libretto: Antonio Ghislanzoni
Artists:
Aida – Maria Dragoni, soprano Radames – Kristjan Johannson, tenor Amneris – Barbara Dever, mezzo-soprano
Amonasro – Mark Rucker, baritone Ramfis – Francesco Ellero D’Artegna, bass The King of Egypt – Riccardo Ferrari, bass
RTE Philharmonic Choir / RTE Chamber Choir / National Symphony Orchestra of Ireland / Conductor Rico Saccani
Tracklist:
1. Prelude 00:04:13
2. Act I: Se quel guerrier io fossi! … Celeste Aida 00:04:29
3. Act I: Ritorna vincitor! … I sacri nomi di padre, d’amante 00:06:30
4. Act I: Dance of the Priestesses 00:02:38
5. Act II: Dance of the Moorish Slaves 00:01:47
6. Act II: Sul del Nilo al sacro lido … Numi, pieta del mio martir 00:02:54
7. Act II: Gloria all ‘Egitto 00:03:20
8. Act II. Grand March 00:01:35
9. Act II: Ballet Music 00:04:44
10. Act II: Vieni, o guerrero vindice 00:02:29
11. Act III: Qui Radames verra! … O patria mia 00:06:23
12. Act III: Ciel mio padre! … Su dunque! 00:05:09
13. Act IV: L’Aborrita rivale a me sfuggia … Gia i Sacerdoti 00:03:55
14. Act IV: Die mie discolpe 00:00:59
15. Act IV: Morire! Ah, tu dei vivere 00:02:39
16. Act IV: Chi ti salva, sciagurato 00:00:37
17. Act IV: E la morte un ben supremo 00:01:25
18. Act IV: La fatal pietra … Morir! si pura e bella 00:06:08
19. Act IV: O terra, addio; addio di vale di pianto 00:05:19
CD06 Bizet: Carmen
Georges Bizet (1838-1875)
Carmen (Highlights) Opera in 4 Acts
Libretto: Henri Meilhac and Ludovic Halevy
Artists:
Carmen – Graciela Alperyn, mezzo-soprano Don Jose – Giorgio Lamberti, tenor
Escamillo – Alan Titus, baritone Micaela – Doina Palade, soprano
Mercedes – Dalia Schaechter, mezzo-soprano Frasquita – Ann Liebeck, soprano Zuniga – Danilo Rigosa, bass
Slovak Philharmonic Chorus / Slovak Radio Symphony Orchestra / Conductor Alexander Rahbari
Tracklist:
1. Prelude 00:03:34
2. Act I: La cloche a sonnee (Cigarette Factory Girls) 00:04:01
3. Act I: L’amour est un oiseau rebelle, ‘Habanera’ (Carmen) 00:04:54
4. Act I: Seguidilla and Duet: Pres des remparts de Seville (Carmen, Don Jose) 00:04:26
5. Entr’acte 00:01:40
6. Act II: Couplets: Votre toast, je peux vous le rendre (Escamillo, Chorus, Carmen) 00:05:00
7. Act II: La fleur que tu m’avais jetee (Don Jose, Carmen) 00:08:09
8. Entr’acte 00:03:10
9. Act III: Sextet and Chorus: Ecoute, ecoute, compagnon (Carmen, Don Jose, le Dancaire, Le Remendado, Frasquita, Mercedes, Smugglers) 00:04:19
10. Act III: Ensemble and Chorus: Quant au douanier, c’est notre affaire! (Carmen, Mercedes, Frasquita, Tous, Toutes Les Femmes, Micaela) 00:03:11
11. Act III: Je dis que rien m’epouvante (Micaela) 00:05:06
12. Act III: Entr’acte 00:02:26
13. Act IV: March and Chorus: Les voici! les voici! (Children, Sellers) 00:15:53
CD07 Mascagni: Cavalleria Rusticana / Leoncavallo: Pagliacci
Pietro Mascagni (1863-1945)
Cavalleria Rusticana (Highlights) Opera in 1 Act
Libretto: Giovanni Targioni and Guido Menasci
Artists:
Santuzza – Stefka Evstatieva, soprano Turiddu – Giacomo Aragall, tenor Alfio – Eduard Tumagian, baritone
Lola – Anna di Mauro, mezzo-soprano Mamma Lucia – Alzbeta Michalkova, contralto
Slovak Philharmonic Choir / Slovak Radio Symphony Orchestra / Conductor Alexander Rahbari
Tracklist:
1. Prelude: O Lola ch’ai di latti fior di spino, "Siciliana" (Turiddu) 00:07:59
2. Chorus: Gli aranci olezzano (Villagers) 00:07:40
3. Regina Coeli: Scene and Prayer – Beato voi, compar Alfio (Lucia, Alfio, Santuzza and Villagers) 00:07:22
4. Intermezzo 00:03:38
5. Brindisi: Viva il vino spumeggiante (Turiddu, Lola and Villagers) 00:02:37
6. Mamma, quel vino e generoso (Turiddu, Lucia and Santuzza) 00:05:10
7. Prologue 00:02:35
8. Prologue: Si puo Si puo (Tonio) 00:04:19
9. Act I Scene 1: Via di li! (Canio) 00:03:35
10. Act I Scene 1: Scene and Chorus of the Bells: I zampognari! (Villagers) 00:03:50
11. Act I Scene 2: Ballatella: Hui! Hui! … Stridono lassu (Nedda) 00:02:24
12. Act I Scene 3: Vesti la giubba (Canio) 00:03:12
13. Act II Scene 1: Ohe! Ohe! (Villagers) 00:03:46
14. Act II Scene 2: No! Pagglioccio non son (Canio) 00:03:50
15. Act II Scene 2: Ah! No, per mia madre! (Nedda, Silvio, Beppe, Tonio, Canio and Villagers) 00:01:33
CD08 Puccini: Tosca
Giacomo Puccini (1858-1924)
Tosca (Highlights) Opera in 3 Acts
Libretto: Luigi Illica and Giuseppe Giacosa
Artists:
Tosca – Nelly Miricioiu, soprano Cavaradossi – Giorgio Lamberti, tenor
Baron Scarpia – Silvano Carroli, baritone Spoletta – Miroslav Dvorsky, tenor
Sciarrone – Jan Durco, baritone Gaoler – Stanislav Benacka, bass Sacristan – Jozef Spacek, baritone
Slovak Philharmonic Chorus / Slovak Radio Symphony Orchestra / Conductor Alexander Rahbari
Tracklist:
1. Act I: Sante ampolle! – Recondita armonia (Il Sagrestano, Cavaradossi) 00:05:25
2. Act I: Mario! Mario! Mario! (Tosca, Cavaradossi, Angelotti) 00:03:10
3. Act I: Non la sospiri la nostra casetta (Tosca, Cavaradossi) 00:02:34
4. Act I: Ah, quegli occhi! … (Tosca, Cavaradossi) 00:05:27
5. Act I: Tre sbirri, una carrozza (Scarpia, Spoletta, Chorus) 00:04:33
6. Act II: Tosca e un buon falco! (Scarpia, Sciarrone) 00:04:38
7. Act II: Orsu, Tosca, parlate – Nel pozzo … nel giardino … (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) 00:04:11
8. Act II: Floria! … Amore … – Vittoria! Vittoria! (Cavaradossi, Tosca, Scarpia, Sciarrone) 00:04:20
9. Act II: Quanto … Quanto Il prezzo! … – Odi E ‘il tamburo (Tosca, Scarpia) 00:04:36
10. Act II: Vissi d’arte, vissi d’amore (Tosca, Scarpia) 00:03:56
11. Act II: Io tenni la promessa … – E qual via scegliete – Tosca, finalmente mia! (Scarpia, Tosca) 00:07:27
12. Act III: Introduction 00:01:30
13. Act III: Io de’sospiri (Un Pastore) 00:03:48
14. Act III: Mario Cavaradossi A voi (Un Carceriere, Cavaradossi) 00:04:27
15. Act III: E lucevan le stelle … (Cavaradossi) 00:03:00
16. Act III: Ah! Franchigia a Floria Tosca … – Il tuo sangue o il mio amore volea … (Cavaradossi, Tosca) 00:02:43
17. Act III: O dolci mani – Senti … l’ora e vicina – maro sol per te m’era morire (Cavaradossi, Tosca, Un Carceriere) 00:08:00
18. Act III: Come e lunga l’attesa! (Tosca) 00:02:29
19. Act III: Presto, su! Mario! Mario! (Tosca, Male Chorus, Sciarrone, Spoletta) 00:01:23
CD09 Puccini: Madama Butterfly
Giacomo Puccini (1858-1924)
Madama Buterfly (Highlights) Opera in 3 Acts
Libretto: Giuseppe Giacosa and Luigi Illica
Artists:
Madama Butterfly (Cio-Cio-San) – Miriam Gauci, soprano Suzuki – Nelly Boschkowa, mezzo-soprano
FB Pinkerton – Yordy Ramiro, tenor Sharpless – Georg Tichy, baritone
Goro – Jozef Abel, tenor Mother of Cio-Cio-San – Anna Tomkovicova, mezzo-soprano
Aunt of Cio-Cio-San – Maria Stahelova, soprano Cousin of Cio-Cio-San – Elena Hanzelova, soprano
Slovak Philharmonic Chorus / Slovak Radio Symphony Orchestra / Conductor Alexander Rahbari
Place of Recording: Concert Hall of Slovak Radio, Bratislava / Date of Recording: 2-10 May 1991
Tracklist:
1. Act I – Dovunque al mondo 00:03:06
2. Act I – Ed e bella la sposa 00:01:03
3. Act I – Amore o grillo 00:02:56
4. Act I – Ecco! Son giunte al sommo del pendio 00:03:32
5. Act I – Bimba, bimba, non piangere 00:02:17
6. Act I – Viene la sers 00:03:51
7. Act I – Bimba dagli occhi pieni di malia 00:11:03
8. Act II – Un bel di, vedremo 00:04:41
9. Act II – Vedrai, piccolo amor 00:04:06
10. Act II – Tutto, tutto, sia pien di fior 00:10:21
11. Act II – Humming Chorus 00:02:52
12. Act III – Introduction … Oh eh! Oh eh! 00:08:20
13. Act III – Con onor muore 00:05:13
CD10 Puccini La Boheme
Giacomo Puccini (1858-1924)
La Boheme (Highlights) Opera in 4 Acts
Libretto: Giuseppe Giacosa and Luigi Illica
Artists:
Mimi – Luba Orgonasova, soprano Rodolfo – Jonathan Welch, tenor Musetta – Carmen Gonzales, soprano
Marcello – Fabio Previati, baritone Schaunard – Boaz Senator, baritone
Colline – Ivan Urbas, bass Alcindoro – Jiri Sulzenko, bass Sergente – Stanislav Benacka, bass
Slovak Philharmonic Chorus / Bratislava Children’s Choir / Slovak Radio Symphony Orchestra / Conductor Will Humburg
Place of Recording: Concert Hall of Slovak Radio, Bratislava / Date of Recording: 23 April – 4 May 1990
Tracklist:
1. ACT I: Questo Mar Rosso – mi ammollisce e assidera 00:04:15
2. Oh! sventata, sventata! 00:01:30
3. Che gelida manina 00:04:22
4. Si, mi chiamo Mimi 00:04:37
5. O soave fanciulla 00:03:46
6. ACT II: Viva Parpignol 00:02:09
7. Oh! – Essa! – Musetta! 00:03:21
8. Quando me’n vo ’00:04:41
9. Caro! Fuori il danaro! 00:02:18
10. ACT III: Ohe, la, le guardie! Aprite! 00:03:37
11. Mimi! – Speravo di trovarvi qui 00:04:35
12. Marcello, finalmente! 00:04:58
13. Donde lieta usci 00:02:42
14. Dunque e proprio finita! 00:05:09
15. ACT IV: In un coupe … O Mimi, tu piu non torni 00:04:14
16. Vecchia zimarra, senti 00:02:18
17. Sono andati 00:05:11
18. Che ha detto il medico 00:02:23
Living is sharing!
…enjoy and say thanks…
Sviridov LP disc from Columbia Records [M-34525], containing his Spring Cantata, choruses from the Incidental Music to Tolstoy’s ‘Tsar Fedor Ivanovich’, Concert in Memory of Aleksander Yurlov and Three Miniatures: Roudelay, Springtide, and Caroling.
I see the LP on Ebay…. but would rather discover digital recordings of these works.
HELP!
EAC rip | 10CD | FLAC – Log – Cue | Release: 2012 | 3.24 GB
BOX SET:
CD01 Adam: Giselle
1. Act I: Introduction 00:02:35
2. Act I: Entree joyeuse des vendangeurs et vendangeuses (Entry of the Grape – Pickers) 00:01:36
3. Act I: Entree de Loys 00:01:33
4. Act I: Entree de Giselle 00:05:47
5. Act I: Retour de la vendange et valse (The Grape – Pickers Return) 00:04:38
6. Act I: Marche des vignerons (Grape – Pickers’ March) 00:03:16
7. Act I: Pas seul – Pas de deux des jeunes paysans 00:01:58
8. Act I: Polacca 00:01:04
9. Act I: Andante 00:01:49
10. Act I: Allegretto pesante 00:00:49
11. Act I: Allegro un peu loure 00:02:33
12. Act I: Galop general 00:03:11
13. Act I: Finale du 1er Acte et Scene de folie (Finale of Act 1 and Mad Scene) 00:05:41
14. Act II: Introduction, halte des chasseurs et apparition des feux follets (The Huntsmen Rest?) 00:03:18
15. Act II: Apparition de Myrthe et evocation magique (Myrthe Appears – Magical Evocation) 00:03:52
16. Act II: Entree d’Hilarion, scene et fugue des Wilis – Grand pas de duex 00:02:31
17. Act II: Adagio 00:05:36
18. Act II: Variation 1: Andante 00:00:51
19. Act II: Variation 2: Andante moderato 00:00:37
20. Act II: Valse 00:00:52
21. Act II: Ensemble des Wilis 00:02:00
22. Act II: Finale 00:00:54
23. Act II: Lever du soleil et arrivee de la cour (Sunrise and the Arrival of the Court) 00:04:06
CD02 Delibes: Coppelia & Sylvia
1. Act I: Prelude 00:04:30
2. Act I: Valse 00:02:21
3. Act I: Mazurka 00:04:08
4. Act I: Theme slave varie 00:07:12
5. Act I: Czardas – Danse hongroise 00:03:42
6. Act II: Musique des automates 00:02:06
7. Act II: Scene 00:01:12
8. Act II: Valse de la poupee 00:02:04
9. Act III: Marche de la cloche, Fete de la cloche – Divertissement 00:02:53
10. Act III: Valse des heures 00:04:08
11. Act III: L’aurore 00:02:36
12. Act III: Variation 00:01:08
13. Act III: Danse de fete 00:01:28
14. Act III: Galop final 00:03:02
15. Act I: Prelude 00:04:43
16. Act I: Valse lente 00:04:44
17. Act I: Scene 00:04:32
18. Act I: Cortege rustique 00:03:07
19. Act III: Marche 00:01:58
20. Act III: Cortege de Bacchus 00:04:44
21. Act III: Divertissement: Pizzicati 00:02:14
22. Act III: Divertissement: Andante 00:04:11
23. Act III: Divertissement: Pas des esclaves 00:01:52
24. Act III: Divertissement: Variation – Valse 00:01:15
25. Act III: Divertissement: Strette – Galop 00:02:48
CD03 Tchaikovsky: Swan Lake
1. Introduction 00:02:24
2. Act I: Scene 00:03:09
3. Act I: Waltz 00:06:40
4. Act I: Pas de trois: Intrada 00:02:27
5. Act I: Pas de trois: Allegro semplice – Presto 00:01:04
6. Act I: Pas de trois: Moderato 00:01:21
7. Act I: Pas de trois: Allegro 00:01:03
8. Act I: Pas de trois: Coda: Allegro vivace 00:01:39
9. Act I: Dance of the goblets 00:03:51
10. Act I: Finale: Flight of the Swans 00:01:45
11. Act II: Dances of the swans: I. Tempo di valse 00:02:15
12. Act II: Dances of the swans: II. Moderato assai 00:01:38
13. Act II: Dances of the swans: IV. Allegro moderato 00:01:33
14. Act II: Dances of the swans: V. Andante – Allegro 00:07:29
15. Act II: Dances of the swans: VII. Coda: Allegro vivace 00:02:15
16. Act II: Scene: Moderato 00:02:19
17. Act III: Allegro giusto 00:02:39
18. Act III: Dance of the corps de ballet and dwarves 00:02:51
19. Act III: Arrival of the guests and waltz 00:03:22
20. Act III: Mazurka 00:03:31
21. Act III: Scene: Allegro 00:03:30
22. Act IV: Dance of the cygnets: Moderato 00:03:49
23. Act IV: Allegro agitato 00:03:10
24. Act IV: Finale 00:06:33
CD04 Tchaikovsky: Sleeping Beauty
1. Introduction 00:03:20
2. Le Prologue: Marche – Entree du Roi Florestan et sa cour (Entrance of King Florestan and Court) 00:05:23
3. Le Prologue: Scene dansante – Entree des fees bonnes (Entrance of the Good Fairies) 00:04:48
4. Le Prologue: Pas de six: Adagio 00:04:47
5. Le Prologue: Coulante, Fleur de Farine (Variation II) 00:00:33
6. Le Prologue: Fee aux Miettes (Variation III) 00:01:13
7. Le Prologue: Canari qui chante (Variation IV) 00:00:36
8. Le Prologue: Violente (Variation V) 00:01:02
9. Le Prologue: Fee des Lilas (Variation VI) 00:01:20
10. Le Prologue: Coda 00:01:53
11. Act I: Valse 00:04:44
12. Act I: Pas d’action: Adagio (Rose Adagio) 00:06:36
13. Act I: Coda 00:02:42
14. Act I: Finale 00:07:57
15. Act II: The Vision and the Sleeping Beauty Awakened: Entr’acte et Scene 00:03:02
16. Act II: Panorama 00:03:43
17. Act II: Entr’acte symphonique (Le Sommeil) et Scene – The Sleep 00:08:00
18. Act II: Finale 00:02:28
19. Act III: The Wedding: Marche – Festive Procession 00:03:32
20. Act III: Polacca – Cortege des Contes de Fees (The Good Fairies) 00:04:22
21. Act III: Pas de quatre: Introduction 00:01:57
22. Act III: La Fee – Argent (Variation II) 00:00:53
23. Act III: La Fee – Diamant (Variation IV) 00:00:49
24. Act III: Pas de quatre – Adagio 00:02:48
25. Act III: Cendrillon et le Prince Fortune (Variation I) (Cinderella and Prince Fortune) 00:01:01
26. Act III: Coda 00:01:37
27. Act III: Apotheose 00:02:35
CD05 Tchaikovsky: Nutcracker
1. Act I: Overture 00:02:50
2. Act I: Scene: Decorating the Christmas Tree 00:04:06
3. Act I: March 00:02:29
4. Act I: Scene: Galop for the Children 00:02:23
5. Act I: Scene dansante 00:05:51
6. Act I: Scene and Grandfather’s Dance 00:06:13
7. Act I: Scene 00:07:04
8. Act I: Waltz of the Snowflakes 00:06:40
9. Act II: Divertissements 00:11:31
10. Act II: Waltz of the Flowers 00:06:50
11. Act II: Pas de deux: The Sugar – Plum Fairy and Prince Orgead 00:09:24
12. Act II: Closing Waltz and Apotheosis 00:05:23
CD06 Glazunov: The Seasons / Raymonda
1. Winter: Introduction 00:02:15
2. Winter: 4 Variations 00:01:27
3. Winter: Frost 00:01:03
4. Winter: Ice 00:01:17
5. Winter: Hail 00:00:55
6. Winter: Snow 00:00:52
7. Winter: Coda 00:02:21
8. Spring: Scene 00:05:21
9. Summer: Scene 00:02:36
10. Summer: Waltz of the Cornflowers and the Poppies 00:01:59
11. Summer: Barcarolle 00:02:11
12. Summer: Variations 00:01:06
13. Summer: Coda 00:04:11
14. Autumn: Bacchanale and Appearance of the Seasons (Winter – Spring – Bacchanalian Dance – Summer) 00:03:46
15. Autumn: Petit Adagio 00:03:47
16. Autumn: Scent and Apotheosis 00:02:44
17. Act I: Introduction – Premier tableau 00:02:08
18. Act I: Scene I 00:04:07
19. Act I: La traditrice 00:01:32
20. Act I: Grande valse 00:03:28
21. Act I: Pizzicato 00:01:19
22. Act I: Reprise de la valse 00:01:28
23. Act I: Grand Adagio 00:04:57
24. Act I: Valse fantastique 00:03:53
25. Act II: Scene III 00:04:42
26. Act II: Variation I 00:01:07
27. Act II: Variation II 00:01:56
28. Act II: Variation III 00:01:04
29. Act II: Variation IV 00:00:59
30. Act II: Grand pas espagnol 00:02:19
31. Act III: Galop 00:02:33
CD07 Khachaturian: Gayane & Spartacus / Prokofiev: Cinderella
1. I. Harvest Holiday 00:02:33
2. II. Dance of the Girls 00:02:31
3. III. Dance of the Boys 00:02:18
4. IV. Choosing the Bride 00:03:04
5. V. Lullaby 00:05:16
6. VI. Sabre Dance 00:02:26
7. Adagio of Spartacus and Phrygia 00:08:36
8. Entrance of the Merchants – Dance of a Roman Courtesan – General Dance 00:05:16
9. Entrance of Spartacus – Quarrel – Treachery of Harmodius 00:05:41
10. Dance of the Pirates 00:01:26
11. I. Introduction 00:02:57
12. II. Pas de Chale 00:04:00
13. III. Quarrel 00:03:41
14. IV. Fairy Godmother and Winter Fairy 00:05:19
15. V. Mazurka 00:05:52
16. VI. Cinderella Goes to the Ball 00:02:59
17. VII. Cinderella’s Waltz 00:02:44
18. VIII. Midnight 00:02:10
CD08 Prokofiev: Romeo and Juliet
1. Act I: Introduction 00:02:53
2. Act I: The Street Wakens 00:02:30
3. Act I: Morning Dance 00:02:24
4. Act I: The Young Juliet 00:03:34
5. Act I: Masks 00:02:47
6. Act I: Dance of the Knights 00:05:50
7. Act I: Mercutio 00:02:27
8. Act I: Madrigal 00:04:02
9. Act I: Gavotte 00:03:49
10. Act I: Balcony Scene 00:03:50
11. Act I: Romeo’s Variation 00:01:14
12. Act I: Love Dance 00:05:50
13. Act II: Dance with Mandolins 00:02:06
14. Act II: Romeo at Friar Laurence’s 00:03:32
15. Act II: Public Merrymaking 00:03:52
16. Act II: The Duel 00:01:31
17. Act II: Death of Mercutio 00:02:56
18. Act II: Finale 00:02:18
19. Act III: Introduction 00:01:18
20. Act III: Romeo Bids Juliet Farewell 00:05:46
21. Act III: Aubade 00:02:35
22. Act IV: Juliet’s Funeral 00:06:20
23. Act IV: Juliet’s Death 00:03:57
CD09 Ravel: Daphnis et Chloe / Stravinsky: Firebird
1. Part I: Introduction 00:02:51
2. Part I: Danse religieuse 00:04:48
3. Part I: Les jeunes filles attirent Daphnis – Danse generale 00:02:50
4. Part I: Daphnis s’approche tendrement de Chloe 00:00:42
5. Part I: Danse grotesque de Dorcon 00:01:49
6. Part I: Danse legere et gracieuse de Daphnis 00:04:28
7. Part I: Danse de Lyceion 00:03:12
8. Part I: Une lumiere irreelle enveloppe le paysage 00:01:50
9. Part I: Danse lente et mysterieuse 00:03:26
10. Part I: Derriere la scene, on entend des voix 00:02:45
11. Part II: Anime et tres rude 00:04:47
12. Part II: Danse suppliante de Chloe 00:06:06
13. Part III: Aucun bruit que le murmure des ruisselets amasses par la rosee qui coule des roches 00:05:34
14. Part III: Chloe figure la jeune nymphe errant das la prairie 00:05:56
15. Part III: Devant l’autel des Nymphes – Danse generale 00:04:44
16. I. Introduction 00:02:58
17. II. The Firebird 00:00:19
18. III. Firebird Variation 00:01:17
19. IV. Round of the Princesses 00:06:25
20. V. King Kastchei’s Infernal Dance 00:04:42
21. VI. Lullaby 00:04:17
22. VII. Finale 00:03:33
CD10 Stravinsky: Petrushka & The Rite of Spring
1. Tableau I: The Shrove – Tide Fair 00:05:12
2. Tableau I: The Mountebank 00:01:49
3. Tableau I: Russian Dance 00:02:42
4. Tableau II: In Petrushka’s Cell (Impetuoso) 00:04:24
5. Tableau III: The Blackamoor 00:02:26
6. Tableau III: The Ballerina 00:00:45
7. Tableau III: Valse – Ballerina and Blackamoor (Lento cantabile) 00:03:12
8. Tableau IV: The Shrove – Tide Fair 00:01:09
9. Tableau IV: The Dance of the Wet – Nurses 00:02:33
10. Tableau IV: Peasant with Bear 00:01:23
11. Tableau IV: Gypsies and a Rake Vendor 00:01:10
12. Tableau IV: Dance of the Coachmen 00:02:02
13. Tableau IV: Masqueraders 00:01:35
14. Tableau IV: The Scuffle (Blackmoor and Petrushka) 00:00:51
15. Tableau IV: Death of Petrushka 00:00:44
16. Tableau IV: Police and the Juggler 00:01:13
17. Tableau IV: Vociferation of Petrushka’s Ghost 00:00:51
18. Part I: Adoration of the Earth: Introduction – 00:03:16
19. Part I: Adoration of the Earth: The Augurs of Spring – Dances of the Young Girls – 00:03:14
20. Part I: Adoration of the Earth: Ritual of Abduction – 00:01:19
21. Part I: Adoration of the Earth: Spring Rounds – 00:03:09
22. Part I: Adoration of the Earth: Ritual of the River Tribes – 00:03:10
23. Part I: Adoration of the Earth: Dance of the Earth 00:01:18
24. Part II: The Sacrifice: Introduction – 00:03:31
25. Part II: The Sacrifice: Mystic Circles of the Young Girls – 00:03:08
26. Part II: The Sacrifice: Glorification of the Chosen One – 00:01:37
27. Part II: The Sacrifice: Evocation of the Ancestors – 00:00:41
28. Part II: The Sacrifice: Ritual Action of the Ancestors – 00:02:59
29. Part II: The Sacrifice: Sacrificial Dance 00:04:37
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EAC rip | 10CD | FLAC – Log – Cue | Release: 2012 | 2.71 GB
BOX SET:
CD01 Mozart: Piano Concertos Nos. 20 & 21
1. I. Allegro 00:14:09
2. II. Romance 00:09:02
3. III. Rondo: Allegro assai 00:07:45
4. I. Allegro maestoso 00:13:30
5. II. Andante 00:06:44
6. III. Allegro vivace assai 00:06:11
CD02 Mozart: Piano Concertos Nos. 23 & 25
1. I. Allegro 00:10:31
2. II. Adagio 00:06:25
3. III. Allegro assai 00:07:52
4. I. Allegro maestoso 00:14:07
5. II. Andante 00:07:20
6. III. Allegretto 00:08:51
CD03 Beethoven: Piano Concertos Nos. 3 & 4
1. I. Allegro con brio 00:16:33
2. II. Largo 00:09:53
3. III. Rondo: Allegro 00:08:49
4. I. Allegro moderato 00:19:07
5. II. Andante con moto 00:05:36
6. III. Rondo: Vivace 00:09:56
CD04 Beethoven: Piano Concerto No. 5 / Mozart: Piano Concerto No. 27
1. I. Allegro 00:20:14
2. II. Adagio un poco mosso 00:08:01
3. III. Rondo: allegro 00:10:13
4. I. Allegro 00:12:54
5. II. Larghetto 00:07:30
6. III. Allegro 00:08:23
CD05 Brahms: Piano Concerto No. 1 / Liszt: Piano Concerto No. 1
1. I. Maestoso 00:23:46
2. II. Adagio 00:15:01
3. III. Rondo: Allegro non troppo 00:12:36
4. Allegro maestoso – Tempo giusto – 00:05:09
5. Quasi adagio – 00:04:44
6. Allegretto vivace – 00:04:04
7. Allegro marziale animato 00:04:14
CD06 Brahms: Piano Concerto No. 2 / Liszt: Piano Concerto No. 2
1. I. Allegro non troppo 00:18:33
2. II. Allegro appassionato 00:09:11
3. III. Andante 00:13:29
4. IV. Allegretto grazioso 00:09:37
5. Adagio sostenuto assai – 00:07:04
6. Allegro moderato – 00:05:09
7. Allegro deciso – 00:06:48
8. Allegro animato 00:01:44
CD07 Grieg: Piano Concerto / Schumann: Piano Concerto
1. I. Allegro affettuoso 00:13:55
2. II. Intermezzo: Andantino grazioso 00:04:58
3. III. Allegro vivace 00:10:40
4. Introduction and Allegro appassionato, Op. 92 00:14:56
5. Introduction and Concert – Allegro, Op. 134 00:13:43
CD08 Chopin Piano Concertos Nos. 1 & 2
1. I. Allegro maestoso 00:21:28
2. II. Romance: Larghetto 00:11:40
3. III. Rondo: Vivace 00:10:24
4. I. Maestoso 00:14:14
5. II. Larghetto 00:09:23
6. III. Allegretto vivace 00:08:29
CD09 Tchaikovsky: Piano Concerto No. 1 / Rachmaninov: Piano Concerto No. 2
1. I. Allegro non troppo e molto maestoso – Allegro con spirito 00:21:03
2. II. Andantino semplice – Prestissimo – Tempo I 00:07:41
3. III. Allegro con fuoco 00:07:06
4. I. Moderato 00:11:11
5. II. Adagio sostenuto 00:11:19
6. III. Allegro scherzando 00:11:32
CD10 Ravel: Piano Concerto in G Major / Prokofiev: Piano Concerto No. 3 / Gershwin: Rhapsody in Blue
1. I. Allegramente 00:08:10
2. II. Adagio assai 00:08:27
3. III. Presto 00:04:08
4. I. Andante – Allegro 00:09:29
5. II. Tema con variazioni 00:09:31
6. III. Allegro ma non troppo 00:09:44
7. Rhapsody in Blue 00:16:57
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Odeon: Schumann ? Carnaval arranged for Orchestra ? Peter G???lke (http://odeonmusic.blogspot.gr/2013/08/schumann-carnaval-arranged-for.html)
Odeon: Alexander Mossolov ? Piano music ? Daniele Lombardi (http://odeonmusic.blogspot.gr/2013/08/alexander-mossolov-piano-music-daniele.html)
Odeon: Rachmaninov ? The Vespers ? Vladislav Chernushenko (http://odeonmusic.blogspot.gr/2013/08/rachmaninov-vespers-vladislav.html)
Odeon: Jan????ek ? Glagolitic Mass, Taras Bulba ? Karel An?erl (http://odeonmusic.blogspot.gr/2013/08/janacek-glagolitic-mass-taras-bulba.html)
Odeon: Tchaikovsky ? Liturgy of St John Chrysostom ? Viktor Popov (http://odeonmusic.blogspot.gr/2013/08/tchaikovsky-liturgy-of-st-john.html)
Odeon: Chabrier ? Orchestral works ? Herv??? Niquet (http://odeonmusic.blogspot.gr/2013/08/chabrier-orchestral-works-herve-niquet.html)
Odeon: Honegger ? Symphonic Works ? Jean Martinon (http://odeonmusic.blogspot.gr/2013/08/honegger-symphonic-works-jean-martinon.html)
Odeon: Kurt Atterberg ? Symphonies Nos.9 & Symphonic Poem ????lven? ? Ari Rasilainen (http://odeonmusic.blogspot.gr/2013/08/kurt-atterberg-symphonies-nos9.html)
Odeon: Rachmaninov ? Liturgy of St John Chrysostom ? Nikolai Korniev (http://odeonmusic.blogspot.gr/2013/08/rachmaninov-liturgy-of-st-john.html)
Odeon: Debussy ? Pr???lude ??? l’apr???s-midi d’un faune, Trois Nocturnes, Deux Danses ? Emmanuel Krivine (http://odeonmusic.blogspot.gr/2013/08/debussy-prelude-lapres-midi-dun-faune.html)
Odeon: Debussy ? La Mer, Images pour orchestre ? Emmanuel Krivine (http://odeonmusic.blogspot.gr/2013/08/debussy-la-mer-images-pour-orchestre.html)
Odeon: Dvorak ? Works for Piano 4 Hands (Vol.2) ? Duo Cromelynck (http://odeonmusic.blogspot.gr/2013/08/dvorak-works-for-piano-4-hands-vol2-duo.html)
Odeon: Sir Arthur Bliss ? Orchestral works ? David Lloyd-Jones (http://odeonmusic.blogspot.gr/2013/08/sir-arthur-bliss-orchestral-works-david.html)
Odeon: Shostakovich ? Piano Concertos 1 & 2 ? Valentina Igoshina (http://odeonmusic.blogspot.gr/2013/08/shostakovich-piano-concertos-1-2.html)
Artemis Quartet – Schubert – Rosamunde / Death And The Maiden
Chilingirian Quartet – Mozart – String Quintet in G Minor, String Quintet in C Minor (or others)
Jacqueline Du Pre / Barbirolli – Elgar – Cello Concerto / Sea Pictures / Cockaigne
Ivo Janssen – anything by Bach
Anders Miolin – Satie Piano Music Arranged For Guitar
EAC rip | 10CD | FLAC – Log – Cue | Release: 2012 | 3.19 GB
CD01 Schubert: Symphonies Nos. 8 & 9
Symphony No 8 in B minor ‘Unfinished’ D 759
1. I. Allegro moderato 00:14:50
2. II. Andante con moto 00:11:13
Symphony No 9 in C major ‘Great’ D 944
3. I. Andante – Allegro ma non troppo 00:16:20
4. II. Andante con moto 00:14:22
5. III. Scherzo: Allegro vivace 00:13:24
6. IV. Finale: Allegro vivace 00:12:07
CD02 Brahms: Symphony No. 1 / Schumann: Symphony No. 1
Symphony No 1 in C minor, Op 68
1. I. Un poco sostenuto – Allegro 00:13:17
2. II. Andante sostenuto 00:10:09
3. III. Un poco allegretto e grazioso 00:05:04
4. IV. Adagio – Allegro non troppo ma con brio 00:18:30
Symphony No 1 in B flat major, Op 38 ‘Spring’
5. I. Andante un poco maestro – Allegro molto vivace 00:11:49
6. II. Larghetto 00:06:56
7. III. Scherzo: Molto vivace 00:05:33
8. IV. Allegro animato e grazioso 00:08:21
CD03 Brahms: Symphony No. 4 / Schumann: Symphony No. 4
Symphony No 4 in E minor, Op 98
1. I. Allegro non troppo 00:14:31
2. II. Andante Moderato 00:12:27
3. III. Allegro Giocoso – Poco meno Presto 00:06:30
4. IV. Allegro Energico e Passionato – Piu Allegro 00:12:57
Symphony No 4 in D minor, Op 120
5. I. Ziemlich langsam – Lebhaft 00:11:12
6. II. Romanze: Ziemlich langsam 00:04:52
7. III. Scherzo: Lebhaft 00:05:55
8. IV. Langsam – Lebhaft 00:08:38
CD04 Mendelssohn: Symphonies Nos. 3 & 4
Symphony No 3 in A minor, Op 56 ‘Scottish’
1. I. Andante con moto – Allegro un poco agitato – Andante come prima 00:13:00
2. II. Vivace non troppo 00:04:21
3. III. Adagio 00:10:15
4. IV. Allegro vivacissimo – Allegro maestoso assai 00:09:54
Symphony No 4 in A major, Op 90 ‘Italian’
5. I. Allegro vivace 00:10:51
6. II. Andante con moto 00:06:35
7. III. Con moto moderato 00:07:08
8. IV. Saltarello: Presto 00:05:36
CD05 Berlioz: Symphonie Fantastique / Benvenuto Cellini / Roman Carnival Symphonie Fantastique, Op 14
1. I. Reveries: Largo – Passions: Allegro agitato e appassionato assai 00:13:14
2. II. Un Bal (Valse): Allegro non troppo 00:06:15
3. III. Scene aux Champs: Adagio 00:15:34
4. IV. Marche au Supplice: Allegretto non troppo 00:04:47
5. V. Songe d’une Nuit du Sabbat: Larghetto – Allegro 00:10:04
Overtures: Benvenuto Celini & Roman Carnival
6. Benvenuto Cellini, Op. 23 00:10:46
7. Le carnaval romain, Op. 9 00:09:02
CD06 Mahler Symphony No. 1
Symphony No 1 in D major ‘Titan’
1. I. Langsam, schleppend 00:16:19
2. II. Kraftig bewegt, doch nicht zu schnell 00:07:32
3. III. Feierlich und gemessen, ohne zu schleppen 00:10:02
4. IV. Sturmisch bewegt 00:19:30
5. Blumine (original second movement) 00:07:16
CD07 Bruckner: Symphony No. 4
Symphony No 4 in E flat major ‘Romantic’
1. I. Bewegt, nicht zu schnell 00:21:33
2. II. Andante quasi allegretto 00:16:19
3. III. Scherzo: Bewegt 00:12:05
4. IV. Finale: Bewegt, doch nicht zu schnell 00:23:10
CD08 Saint-Saens: Symphony No. 3 / Franck: Symphony in D Minor
Symphony No 3 in C minor, Op 78 ‘Organ Symphony’
1. I. Adagio – Allegro moderato – 00:10:23
2. I. Poco adagio 00:11:06
3. II. Allegro moderato – Presto – Allegro moderato – Presto – Allegro moderato – 00:07:50
4. II. Maestoso – Allegro – Piu allegro – Molto allegro – Pesante 00:07:51
Symphony in D minor
5. I. Lento: Allegro non troppo 00:18:42
6. II. Allegretto 00:11:17
7. III. Finale: Allegro non troppo 00:10:46
CD09 Dvorak: Symphony No. 9 / Symphonic Variations
Symphony No 9 in E minor, Op 95 ‘From the New World’
1. I. Adagio 00:11:40
2. II. Largo 00:12:01
3. III. Molto vivace 00:08:08
4. IV. Allegro con fuoco 00:11:11
Symphonic Variations, Op 78
5. Symphonic Variations, Op. 78, B. 70 00:22:06
CD10 Strauss: Alpine Symphony / Don Juan
Eine Alpensinfonie (An Alpine Symphony), Op. 64, TrV 233
1. Nacht (Night) – 00:03:57
2. Sonnenaufgang (Sunrise) – 00:01:28
3. Der Anstieg (The Ascent) – 00:02:17
4. Eintritt in den Wald (Entry into the Wood) – 00:06:08
5. Wanderung neben dem Bache (Wandering by the Stream) – 00:00:48
6. Am Wasserfall (At the Waterfall) – 00:00:15
7. Erscheinung (Apparition) – 00:00:46
8. Auf blumigen Wiesen (On Flowering Meadows) – 00:00:56
9. Auf der Alm (On the Alpine Pasture) – 00:02:37
10. Durch Dickicht und Gestrupp auf Irrwegen (Straying through Thicket and Undergrowth) – 00:01:31
11. Auf dem Gletscher (On the Glacier) – 00:01:04
12. Gefahrvolle Augenblicke (Dangerous Moments) – 00:01:29
13. Auf dem Gipfel (On the Summit) – 00:05:19
14. Vision – 00:03:58
15. Nebel steigen auf (Mists rise) – 00:00:20
16. Die Sonne verdustert sich allmahlich (The Sun gradually darkens) – 00:00:56
17. Elegie – 00:02:12
18. Stille vor der Sturm (Calm before the Storm) – 00:03:07
19. Gewitter und Sturm, Abstieg (Thunder and Storm, Descent) – 00:03:54
20. Sonnenuntergang (Sunset) – 00:02:15
21. Ausklang (Final Sounds) – 00:06:35
22. Nacht (Night) 00:02:23
Don Juan, Op. 20, TrV 156
23. Don Juan, Op. 20, TrV 156 00:17:54
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Audio Codec : FLAC | Rip type : image +. cue | Duration : 11: 26:50 | Scans | 3.42 GB
CD01 Vivaldi: Four Seasons / J. S. Bach: Violin Concertos in A Minor & E Major
1. I. Allegro 00:03:29
2. II. Largo e pianissimo sempre 00:02:36
3. III. Danza Pastorale (Allegro) 00:04:15
4. I. Allegro non molto 00:05:20
5. II. Adagio – Presto 00:02:33
6. III. Presto 00:03:01
7. I. Allegro 00:04:44
8. II. Adagio molto 00:02:45
9. III. Allegro 00:03:13
10. I. Allegro non molto 00:03:25
11. II. Largo 00:02:20
12. III. Allegro 00:03:06
13. I. Allegro 00:03:52
14. II. Andante 00:06:55
15. III. Allegro assai 00:03:45
16. I. Allegro 00:08:15
17. II. Adagio 00:07:23
18. III. Allegro assai 00:2:59
CD02 Mozart: Violin Concertos Nos. 4 & 5 / Spohr: Concerto No. 8
1. I. Allegro 00:10:09
2. II. Andante cantabile 00:07:51
3. III. Rondeau: Andante grazioso – Allegro ma non troppo 00:07:52
4. I. Allegro aperto 00:10:36
5. II. Adagio 00:10:56
6. III. Tempo di menuetto 00:09:22
7. I. Recitative: Allegro molto – 00:03:59
8. II. Adagio – Recitative: Andante – 00:07:08
9. III. Allegro moderato 00:08:09
CD03 Beethoven: Violin Concerto in D Major / Mozart: Violin Concerto No. 3
1. I. Allegro ma non troppo 00:25:11
2. II. Larghetto 00:10:13
3. III. Rondo: Allegro 00:11:21
4. I. Allegro 00:09:46
5. II. Adagio 00:08:27
6. III. Rondeau: Allegro 00:06:50
CD04 Mendelssohn: Violin Concerto in E Minor / Bruch: Violin Concerto No. 1 Vieuxtemps: Violin Concerto No. 5
1. I. Allegro molto appassionato 00:13:41
2. II. Andante – Allegro non troppo 00:09:27
3. III. Allegro molto vivace 00:06:39
4. I. Prelude: Allegro moderato 00:08:06
5. II. Adagio 00:8:09
6. III. Finale: Allegro energico 00:7:43
7. I. Allegro non troppo – Moderato 00:15:34
8. II. Adagio 00:04:08
9. III. Allegro con fuoco 00:01:20
CD05 Brahms: Violin Concerto in D Major / Paganini: Violin Concerto No. 1
1. I. Allegro non troppo 00:24:10
2. II. Adagio 00:08:54
3. III. Allegro giocoso, ma non troppo vivace 00:08:30
4. I. Allegro maestoso 00:22:34
5. II. Adagio espressivo 00:04:45
6. III. Rondo: Allegro spiritoso 00:09:51
CD06 Saint-Saens: Violin Concerto No. 3 / Lalo; Symphonie Espagnole
1. I. Allegro non troppo 00:8:49
2. II. Andantino quasi allegretto 00:7:37
3. III. Molto moderato e maestoso – Allegro non troppo 00:11:07
4. I. Allegro non troppo 00:07:31
5. II. Scherzando: Allegro molto 00:04:17
6. III. Intermezzo: Allegretto non troppo 00:06:31
7. IV. Andante 00:06:39
8. V. Rondo: Allegro 00:08:36
CD07 Tchaikovsky: Violin Concerto in D Major / Glazunov: Violin Concerto in A Minor
1. I. Allegro moderato 00:19:24
2. II. Canzonetta: Andante 00:06:57
3. III. Finale: Allegro vivacissimo 00:11:25
4. Violin Concerto in A minor, Op. 82 00:20:20
CD08 Elgar: Violin Concerto in B Minor / Wieniawski: Violin Concerto No. 2
1. I. Allegro 00:16:36
2. II. Andante 00:11:07
3. III. Allegro molto 00:18:07
4. I. Allegro moderato 00:12:01
5. II. Romance: Andante non troppo 00:04:44
6. III. Allegro con fuoco: Allegro moderato 00:06:15
CD09 Dvorak: Violin Concerto in A Minor / Sibelius: Violin Concerto in D Minor
1. I. Allegro moderato 00:16:15
2. II. Adagio di molto 00:08:36
3. III. Allegro, ma non tanto 00:06:54
4. I. Allegro ma non troppo 00:10:32
5. II. Adagio ma non troppo 00:10:11
6. III. Finale: Allegro giocoso, ma non troppo 00:09:16
CD10 Shostakovich: Violin Concerto No. 1 / Prokofiev: Violin Concerto No. 1
1. I. Nocturne 00:12:39
2. II. Scherzo 00:06:48
3. III. Passacaglia 00:14:44
4. IV. Burlesque 00:05:10
5. I. Andantino: Andante assai 00:09:32
6. II. Scherzo: Vivacissimo 00:03:55
7. III. Moderato – Allegro moderato – Moderato – Piu tranquillo 00:08:58
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EAC rip | 10CD | FLAC – Log – Cue | Release: 2012 | 3.24 GB
CD01 Tchaikovsky: Symphony No. 4 / Borodin: Symphony No. 2
Symphony No 4 in F minor, Op 36
1. I. Andante sostenuto – Moderato con anima 00:18:59
2. II. Andantino in modo di canzona 00:09:52
3. III. Scherzo: Pizzicato ostinato – Allegro 00:05:53
4. IV. Finale: Allegro con fuoco 00:09:15
Symphony No 2 in B minor
5. I. Allegro 00:06:59
6. II. Scherzo: Prestissimo. Trio: Allegretto 00:05:31
7. III. Andante 00:07:50
8. IV. Finale: Allegro 00:06:19
CD02 Tchaikovsky: Symphony No. 5 / Romeo and Juliet
Symphony No 5 in E minor, Op 64
1. I. Andante – Allegro con anima 00:15:09
2. II. Andante cantabile, con alcuna licenza 00:13:38
3. III. Valse: Allegro moderato 00:05:39
4. IV. Finale: Andante maestoso – Allegro vivo 00:12:19
Romeo And Juliet
5. Romeo and Juliet Fantasy Overture (3rd version, 1880) 00:19:03
CD03 Tchaikovsky: Symphony No. 6 / 1812 Overture
Symphony No 6 in B minor, Op 74 ‘Pathetique’
1. I. Adagio – Allegro non troppo 00:18:54
2. II. Allegro con grazia 00:08:40
3. III. Allegro molto vivace 00:09:21
4. IV. Finale: Adagio lamentoso 00:10:49
1812 Overture
5. 1812 Overture, Op. 49 00:15:32
CD04 Prokofiev: Symphony No.5 / Myaskovsky: Symphony No. 25
Symphony No 5 in B flat major, Op 100
1. I. Andante 00:14:05
2. II. Allegro marcato 00:08:58
3. III. Adagio 00:13:30
4. IV. Allegro giocoso 00:10:31
Symphony No 25 in D flat major, Op 69
5. I. Allegro deciso 00:12:38
6. II. Molto sostenuto 00:11:04
7. III. Allegro appassionato 00:11:14
CD05 Shostakovich: Symphony No. 5 / Prokofiev: Symphony No.1
Symphony No 5 in D minor, Op 47
1. I. Moderato 00:18:01
2. II. Allegretto 00:05:12
3. III. Largo 00:15:34
4. IV. Allegro non troppo 00:12:50
Symphony No 1 in D major, Op 25, ???Classical???
5. I. Allegro 00:04:50
6. II. Larghetto 00:04:42
7. III. Gavotte: Non troppo allegro 00:01:49
8. IV. Finale: Molto vivace 00:04:23
CD06 Shostakovich: Symphony No. 7
Symphony No 7 in C Major, Op 60 ‘Leningrad’
1. I. Allegretto 00:25:43
2. II. Moderato (Poco allegretto) 00:11:27
3. III. Adagio 00:18:11
4. IV. Allegro non troppo 00:19:57
CD07 Rimsky-Korsakov: Symphony No. 2 / Sheherazade
Symphony No 2, Op 9 (Symphonic Suite)
1. I. Largo – Allegro – Largo – Allegretto – Adagio – Allegretto – Largo 00:09:36
2. II. Allegro 00:04:16
3. III. Allegro risoluto 00:05:15
4. IV. Allegretto – Adagio 00:09:15
‘Antar’ Sheherazade
5. I. The Sea and Sinbad’s Ship 00:10:44
6. II. The Kalender Prince 00:11:33
7. III. The Young Prince and the Young Princess 00:10:44
8. IV. Festival at Baghdad – The Sea 00:12:51
CD08 Rachmaninov: Symphony No. 2 / The Rock
Symphony No 2 in E minor, Op 27
1. I. Largo: Allegro moderato 00:20:44
2. II. Allegro molto 00:10:41
3. III. Adagio 00:14:46
4. IV. Allegro vivace 00:11:51
Fantaisie, Op 7 ‘The Rock’ (Utyos)
5. Utyos (The Rock), Op. 7 00:14:33
CD09 Scriabin: Symphony No.3 / Le Poeme de Iextase
Symphony No 3 in C Minor, Op 43 ‘Le Poeme Divin’
1. I. Lento 00:01:36
2. II. Luttes (Struggles) 00:25:37
3. III. Voluptes (Delights) 00:13:44
4. IV. Jeu divin (Divine Play) 00:11:10
La Poeme de l’extase (The Poem of Extasy), Op. 54, ‘Symphony No. 4’
5. La Poeme de l’extase (The Poem of Extasy), Op. 54, "Symphony No. 4" 00:24:10
CD10 Glazunov: Symphony No.6 / Kalinnikov: Symphony No.1
Symphony No 6 in C minor, Op 58
1. I. Adagio – Allegro appassionato 00:11:05
2. II. Theme and Variations 00:11:04
3. III. Intermezzo: Allegretto 00:04:53
4. IV. Finale: Andante maestoso – Moderato maestoso – Scherzando – Allegro pesante – Allegro moderato 00:11:03
Symphony No 1 in G minor
5. I. Allegro moderato 00:14:18
6. II. Andante commodamente 00:07:12
7. III. Scherzo: Allegro non troppo – moderato assai 00:08:14
8. IV. Finale: Allegro moderato 00:09:16
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EAC rip | 10CD | FLAC – Log – Cue | Release: 2012 | 3.42 GB
CD01 Haydn: Symphonies Nos. 45 ???Farewell???, 88 & 92 ???Oxford???
Symphony No. 45 in F sharp minor, Hob.I:45, ‘Farewell’
1. I. Allegro assai 00:05:41
2. II. Adagio 00:07:39
3. III. Menuetto: Allegretto 00:03:52
4. IV. Finale: Presto – Adagio 00:08:05
Symphony No. 88 in G major, Hob.I:88
5. I. Adagio – Allegro 00:06:40
6. II. Largo 00:05:34
7. III. Menuetto: Allegretto 00:04:13
8. IV. Finale: Allegro con spirito 00:03:52
Symphony No. 92 in G major, Hob.I:92, ‘Oxford’
9. I. Adagio – Allegro spiritoso 00:07:34
10. II. Adagio 00:08:13
11. III. Menuetto: Allegro 00:05:41
12. IV. Presto 00:06:03
CD02 Haydn: Symphonies Nos. 94 ‘Surprise’, 100 ‘Military’ & 101 ‘Clock’
Symphony No. 94 in G major, Hob.I:94, ‘The Surprise’
1. I. Adagio: Vivace assai 00:08:45
2. II. Andante 00:05:33
3. III. Menuet: Allegro molto 00:05:03
4. IV. Allegro molto 00:04:18
Symphony No. 100 in G major, Hob.I:100, ‘Military’
5. I. Adagio – Allegro 00:07:51
6. II. Allegretto 00:06:18
7. III. Menuet: Moderato 00:05:11
8. IV. Finale: Presto 00:05:31
Symphony No. 101 in D major, Hob.I:101, ‘The Clock’
9. I. Adagio – Presto 00:08:07
10. II. Andante 00:07:51
11. III. Menuet: Allegretto 00:07:55
12. IV. Finale: Vivace 00:04:43
CD03 Haydn: Symphonies Nos. 95, 103 ‘Drumroll’ & 104 ‘London’
Symphony No. 95 in C minor, Hob.I:95
1. I. Allegro moderato 00:06:18
2. II. Andante cantabile 00:04:38
3. III. Menuet 00:04:51
4. IV. Finale: Vivace 00:03:48
Symphony No. 103 in E flat major, Hob.I:103
5. I. Adagio – Allegro con spirito 00:09:15
6. II. Andante 00:07:56
7. III. Menuetto: Allegro 00:04:45
8. IV. Allegro con spirito 00:06:01
Symphony No. 104 in D major, Hob.I:104, ‘London’
9. I. Adagio – Allegro 00:08:22
10. II. Andante 00:09:29
11. III. Menuet – Trio 00:05:26
12. IV. Finale: Spiritoso 00:06:53
CD04 Haydn Symphonies Nos. 96 ‘Miracle’, 98 & 102
Symphony No. 96 in D major, Hob.I:96, ‘The Miracle’
1. I. Adagio – Allegro 00:06:34
2. II. Andante 00:05:06
3. III. Menuetto: Allegretto 00:05:01
4. IV. Finale: Vivace assai 00:03:40
Symphony No. 98 in B flat major, Hob.I:98
5. I. Adagio – Allegro 00:08:22
6. II. Adagio 00:06:53
7. III. Menuet: Allegro 00:06:08
8. IV. Finale: Presto 00:09:17
Symphony No. 102 in B flat major, Hob.I:102
9. I. Largo – Allegro vivace 00:08:54
10. II. Adagio 00:05:41
11. III. Menuetto: Allegro 00:06:36
12. IV. Finale: Presto 00:05:06
CD05 Mozart: Symphonies Nos. 25, 35 ‘Haffner’ & 41 ‘Jupiter’
Symphony No. 25 in G minor, K. 183
1. I. Allegro con brio 00:07:42
2. II. Andante 00:03:49
3. III. Menuetto 00:03:28
4. IV. Allegro 00:05:13
Symphony No. 35 in D major, K. 385, ‘Haffner’
5. I. Allegro con spirito 00:05:34
6. II. Andante 00:04:29
7. III. Menuetto – Trio 00:03:00
8. IV. Finale: Presto 00:03:57
Symphony No. 41 in C major, K. 551, ‘Jupiter’
9. I. Allegro vivace 00:11:22
10. II. Andante cantabile 00:11:24
11. III. Menuetto: Allegretto 00:04:45
12. IV. Molto allegro 00:09:29
CD06 Mozart: Symphonies Nos. 38 ‘Prague’, 39 & 40
Symphony No. 38 in D major, K. 504, ‘Prague’
1. I. Adagio – Allegro 00:13:23
2. II. Andante 00:08:40
3. III. Finale: Presto 00:06:18
Symphony No. 39 in E flat major, K. 543
4. I. Adagio – Allegro 00:10:56
5. II. Andante con moto 00:07:12
6. III. Menuetto: Allegretto 00:03:58
7. IV. Finale: Allegro 00:04:14
Symphony No. 40 in G minor, K. 550
8. I. Allegro molto 00:07:31
9. II. Andante 00:07:45
10. III. Menuetto: Allegretto 00:04:38
11. IV. Allegro assai 00:05:06
CD07 Mozart: Symphonies Nos. 29, 34 & 36 ‘Linz
Symphony No. 29 in A major, K. 201
1. I. Allegro moderato 00:07:31
2. II. Andante 00:08:58
3. III. Menuetto 00:03:02
4. IV. Allegro con spirito 00:04:53
Symphony No. 34 in C major, K. 338
5. I. Allegro vivace 00:07:50
6. II. Andante di molto 00:06:59
7. III. Allegro molto 00:04:14
Symphony No. 36 in C major, K. 425, ‘Linz’
8. I. Adagio – Allegro spiritoso 00:10:44
9. II. Poco adagio 00:06:58
10. III. Menuetto 00:03:35
11. IV. Presto 00:08:11
CD08 Beethoven: Symphonies Nos. 3 ‘Eroica’ & 8
Symphony No. 3 in E flat major, Op. 55, ‘Eroica’
1. I. Allegro con brio 00:16:58
2. II. Marcia funebre: Adagio assai 00:12:52
3. III. Scherzo: Allegro vivace 00:05:53
4. IV. Finale: Allegro molto 00:11:35
Symphony No. 8 in F major, Op. 93
5. I. Allegro vivace e con brio 00:09:17
6. II. Allegretto scherzando 00:03:50
7. III. Tempo di menuetto 00:05:51
8. IV. Allegro vivace 00:07:44
CD09 Beethoven: Symphonies Nos. 5 & 6 ‘Pastoral
Symphony No. 5 in C minor, Op. 67
1. I. Allegro con brio 00:07:15
2. II. Andante con moto 00:09:21
3. III. Allegro 00:08:33
4. IV. Allegro 00:10:41
Symphony No. 6 in F major, Op. 68, ‘Pastoral’
5. I. Pleasant, cheerful feelings aroused on approaching the countryside: Allegro ma non troppo 00:11:06
6. II. Scene by the brook: Andante molto mosso 00:12:05
7. III. Happy gathering of villagers: Allegro 00:04:59
8. IV. Thunder – storm: Allegro 00:03:54
9. V. Shepherd’s song. Grateful thanks to the Almighty after the storm: Allegretto 00:09:53
CD10 Beethoven Symphony No. 9 ‘Choral
Symphony No. 9 in D minor, Op. 125, ‘Choral’
1. I. Allegro ma non troppo, un poco maestoso 00:14:44
2. II. Molto vivace 00:13:46
3. III. Adagio molto e cantabile – Andante moderato 00:13:05
4. IV. Finale: Presto 00:23:19
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Format: (*. Flac) | Bitrate: Lossless | Rip type: (Image +. Cue) | Scans in the hand: (PNG 600 dpi.) | 3.58 GB
CD01 Baroque Favourites
CD02 J.S. Bach: Brandenburg Concertos Nos. 1, 2, 3 & 6
CD03 J.S. Bach: Brandenburg Concertos Nos. 4 & 5 / Concertos in A Minor & F Major
CD04 J.S. Bach: Orchestral Suites Nos. 1 – 4
CD05 Handel: Water Music / Fireworks Music
CD06 Handel:
CD07 Vivaldi: The Four Seasons, Violin Concertos RV 253, RV 180, RV 362
CD08 Vivaldi: Favourite Concerti
CD09 Telemann:
CD10 Italian Concerti Grossi
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———- Post added at 10:23 AM ———- Previous post was at 10:11 AM ———-
The Decca Sound (50 CD) (2011)
Mp3 320 kbps | 50 CD | 8,20 Gb
Box set containing a compilation of works recorded by Decca. As well as the tracks listed it also includes ‘Gigues’ from ‘Images For Orchestra’ by Claude Debussy, ‘Capriccio Espagnol, Op. 34’ by Nikolai Rimsky-Korsakov, ‘Piano Sonata No. 2 in B flat minor, Op. 36’ by Sergei Rachmaninov, ‘Pictures at an Exhibition’ by Modest Mussorgsky, ‘Che Fa Il Mio Ben?, Op. 82, No. 3’ by Ludwig van Beethoven and ‘Baal Shem’ by Samuel Barber, amongst others.
CD 1 – Ernest Ansermet ~ Falla & Debussy
CD 2 – Ata???lfo Argenta ~ Espa???a & Tchaikovsky
CD 3 – Vladimir Ashkenazy ~ Rachmaninov
CD 4 – Vladimir Ashkenazy ~ Sibelius & Mussorgsky
CD 5 – Cecilia Bartoli & Andr???s Schiff ~ Italian Songs
CD 6 – Joshua Bell ~ Barber, Walton & Bloch
CD 7 – Herbert Blomstedt ~ Richard Strauss
CD 8 – Karl B???hm ~ Bruckner
CD 9 – Willi Boskovsky ~ New Year???s Day Concert In Vienna 1979
CD 10 – Benjamin Britten ~ War Requiem
CD 11 – Riccardo Chailly ~ Messiaen
CD 12 – Kyung Wha Chung ~ Mendelssohn & Bruch
CD 13 – Clifford Curzon ~ Mozart
CD 14 – Christoph von Dohn???nyi ~ Schoenberg, Berg & Webern
CD 15 – Antal Dor???ti ~ Stravinsky
CD 16 – Charles Dutoit ~ Rave
CD 17 – Ren???e Fleming ~ Great Opera Scenes
CD 18 – Nelson Freire ~ Brahms & Schumann
CD 19 – Bernard Haitink ~ Shostakovich
CD 20 – Christopher Hogwood ~ Purcell
CD 21 – Janine Jansen ~ Beethoven & Britten
CD 22 – Herbert von Karajan ~ Holst
CD 23 – Julius Katchen ~ Bart???k, Ravel & Prokofiev
CD 24 – Istv???n Kert???sz ~ Dvor???k
CD 25 – David Willcocks ~ Haydn
CD 26 – Alicia de Larrocha ~ Granados & De Falla
CD 27 – Ute Lemper ~ Berlin Cabaret Songs
CD 28 – Radu Lupu ~ Beethoven
CD 29 – Peter Maag ~ Mendelssohn
CD 30 – Lorin Maazel ~ Respighi & Rimsky-Korsakov
CD 31 – Charles Mackerras ~ Jan???ček
CD 32 – Neville Marriner ~ Tchaikovsky & Grieg
CD 33 – Jean Martinon ~ Ibert, Bizet, Saint-Sa???ns & Borodin
CD 34 – Zubin Mehta ~ Var???se & Ives
CD 35 – Pierre Monteux ~ Ravel & Elgar
CD 36 – Karl M???nchinger ~ Bach
CD 37 – Georg Solti ~ Wagner: The Golden Ring
CD 38 – Carreras Domingo Pavarotti In Concert
CD 39 – Joan Sutherland & Luciano Pavarotti ~ Puccini Turandot
CD 40 – Philip Pickett ~ Susato
CD 41 – Pascal Rog??? ~ Saint-Sa???ns
CD 42 – Christophe Rousset ~ Pergolesi
CD 43 – Andr???s Schiff ~ Bach
CD 44 – Georg Solti ~ Romantic Russia & Supp???
CD 45 – Georg Solti ~ Mahler
CD 46 – Joan Sutherland, Luciano Pavarotti & Marilyn Horne ~ Live from Lincoln Center
CD 47 – Tak???cs Quartet ~ Beethoven
CD 48 – Renata Tebaldi ~ Puccini La Fanciulla del West
CD 49 – Vienna Octet ~ Mendelssohn & Beethoven
CD 50 – Andrew Litton & David Hill ~ Walton & Parry
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Music has always had an important part to play in religious ritual. Records show that plainchant existed from as early as 3 AD, and centuries later it was to provide a foundation for early polyphony and for the great flowering of church music in the Renaissance, including the transcendent works of Tallis and Allegri.
JS Bach wrote most of his music for the Lutheran church, including the magnificent Mass in B Minor and the two Passions. Handel also contributed to religious music in England, with the creation of oratorios such as Messiah which, when witnessed by Haydn years later, inspired him to write The Creation. In the nineteenth century the form flowered again with Felix Mendelssohn, himself responsible for bringing many sacred works by JS Bach back to musical prominence. He completed Elijah in 1846; a work that, although modeled on the Handelian oratorio, clearly reflected in its lyricism and use of orchestral and choral colour Mendelssohn???s own genius as an early-Romantic composer. Particular attention has been given over the years to settings of the Requiem Mass. This collection includes three versions???from contemplative Mozart, to awesome Verdi, and sublime Faur???. Without doubt, in the years to come, religion will continue to be the driving inspirational force behind many a composition.
CD01 Favourite Sacred Masterpieces
CD02 J.S. Bach: Mass in B Minor (Highlights)
CD03 J.S. Bach: St. Matthew Passion (Highlights)
CD04 Handel: Messiah (Highlights)
CD05 Haydn: The Creation (Highlights)
CD06 Mozart: Requiem
CD07 Mendelssohn: Elijah (Highlights)
CD08 Beethoven: Missa Solemnis
CD09 Verdi: Requiem (Highlights)
CD10 Faur???: Requiem
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Odeon: Music from Diaghilev’s Ballet Russes ? Stravinsky ? Petrushka ? Thierry Fischer (http://odeonmusic.blogspot.gr/2013/08/music-from-diaghilevs-ballet-russes_172.html)
Odeon: George Enescu ? Symphony No.1, Suite No.1 ? Cristian Mandeal (http://odeonmusic.blogspot.gr/2013/08/george-enescu-symphony-no1-suite-no1.html)
Odeon: Florent Schmitt ? Orchestral Works ? Leif Segerstam (http://odeonmusic.blogspot.gr/2013/08/florent-schmitt-orchestral-works-leif.html)
Odeon: Gli???re ? Bronze Horseman Suite, Horn Concerto ? Sir Edward Downes (http://odeonmusic.blogspot.gr/2013/08/gliere-bronze-horseman-suite-horn.html)
Odeon: Tchaikovsky ? Symphony No.6 ? Kurt Masur (http://odeonmusic.blogspot.pt/2013/08/tchaikovsky-symphony-no6-kurt-masur.html)
Odeon: Tchaikovsky ? Symphony No.5 ? Kurt Masur (http://odeonmusic.blogspot.pt/2013/08/tchaikovsky-symphony-no5-kurt-masur.html)
Odeon: Tchaikovsky ? Symphony No.4 ? Kurt Masur (http://odeonmusic.blogspot.pt/2013/08/tchaikovsky-symphony-no4-kurt-masur.html)
Odeon: Tchaikovsky ? Symphony No.3 ? Kurt Masur (http://odeonmusic.blogspot.pt/2013/08/tchaikovsky-symphony-no3-kurt-masur.html)
Odeon: Tchaikovsky ? Symphony No.2 ? Kurt Masur (http://odeonmusic.blogspot.pt/2013/08/tchaikovsky-symphony-no2-kurt-masur.html)
Odeon: Tchaikovsky ? Symphony No.1 ? Kurt Masur (http://odeonmusic.blogspot.pt/2013/08/tchaikovsky-symphony-no1-kurt-masur.html)
Odeon: Russian Futurism (Vol.2) ? Goedicke ? Orchestral works ? Konstantin Krimets (http://odeonmusic.blogspot.gr/2013/08/russian-futurism-vol2-goedicke.html)
Odeon: S???derman ? Orchestral Music ? Roy Goodman (http://odeonmusic.blogspot.gr/2013/08/soderman-orchestral-music-roy-goodman.html)
Odeon: Russian Futurism (Vol.3) ? Krein, Gnesin, Kirkor ? Works for Cello and Piano (http://odeonmusic.blogspot.gr/2013/08/russian-futurism-vol3-krein-gnesin.html)
FLAC (Img,cue,scans) | 15 CD | 4.3 Gb
1. Manon Lescaut (2CD)
2. La Boheme (2CD)
3. Tosca (2CD)
4. Madama Butterfly (2CD)
5. La fanciulla del West (2CD)
6. Turandot (2CD)
7. Il Trittico (3CD)
Manon Lescaut
CD1
Act I
1. Ave, sera gentile
2. L’amor! … l’amor ї!
3. Tra voi, belle, brune e bionde
4. Ma bravo!
5. Discendono, vediam!
6. Cortese damigella
7. Donna vnon vidi mai
8. La tua ventura ci rassicura
9. La tua Proserpina
10. Vedete ї Io son fedele
11. Non c’и piщ vino ї
12. Di sedur la sorellina и il momento
Act II
13. Dispettosetto questo riccio!
14. In quelle trine morbide
15. Poichй tu vuoi saper
16. Che ceffi son costor ї … Sulla vetta tu del monte
17. Paga costor!
18. Minuetto
CD2
Act II
1. Oh! Sarт la piщ bella!
2. Ah! … Affй, madamigella
3. Senti, di qui partiamo … Ah! Manon, mi tradisce
4. Lescaut ї! Tu qui ї!
5. Intermezzo
Act III
6. Ansia eterna, crudel
7. … e Kate ripose al Re
8. All’armi! All’armi!
9. Rosetta!
10. Presto! In fila! … No! pazzo son!
Act IV
11. Tutta su me ti posa
12. Manon, senti, amor mio
13. Sei tu che piangi ї
14. Sola, perduta, abbandonata
15. Fra le tue braccia, amore
Manon Lescaut – Renata Tebaldi
Il cavaliere Renato des Grieux – Mario del Monaco
Lescaut – Mario Boriello
Geronte di Ravoir – Fernando Corena
Edmondo – Piero de Palma
Un musico – Luisa Ribacchi
Il maestro di balo – Adelio Zagonara
L’oste – Antonio Sacchetti
Orchestra e coro dell’Accademia di Santa Cecilia, Roma
Francesco Molinari-Pradelli
La Boheme
CD1
Act I
1. Questo Mar Rosso mi ammollisce e assidera
2. Pensier profondo!
3. Legna! Sigari! Bordт!
4. Si puт?
5. lo resto per terminar l’artico di fondo
6. Chi и lа? Scusi
7. Si sente meglio?
8. Che gelida manina
9. Si. Mi chiamano Mimi
10. O soave fanciulla
Act II
11. Aranci, datteri, caldi i marroni!
12. Chi guardi?
13. Viva Parpignol!
14. Oh! Essa! Musetta!
15. Quando me n’vт
16. Chi l’ha richiesto?
CD2
Act 3
1. Ohи lа, le guardie! Aprite!
2. Sa dirmi, scusi, qual’и l’osteria…
3. Mimм?!
4. Marcello. Finalmente!
5. Mimм и una civetta
6. Mimм и tanto malata
7. Donde lieta uscм al tuo grido
8. Dunque и proprio finita!
Act 4
9. In un coupи?
10. O Mimм, tu piu non torni
11. Gavotta!
12. C’и Mimм
13. Vecchia zimarra, senti
14. Sono andati? Fingevo di dormire
15. Che avvien?
Mimi – Renata Tebaldi
Rodolfo – Carlo Bergonzi
Musetta – Gianna d’Angelo
Marcello – Ettore Bastianini
Schaunard – Renato Cesari
Colline – Cesare Siepi
Benoit – Fernando Corena
Alcindoro – Fernando Corena
Parpignol – Piero de Palma
Orchestra e coro dell’Accademia di Santa Cecilia, Roma
Tullio Serafin
Tosca
CD1
Act I
1. Ah! Finalmente
2. E sempre lava!
3. Dammi i colori … Recondita armonia
4. Voi! Cavaradossi!
5. Mario! Mario! Mario!
6. И buona la mia Tosca
7. Sommo giubilo, Eccellenza!
8. Un tal baccano in chiesa!
9. Or tutto и chiaro
10. Tre sbirri, una carrozza
CD2
Act II
1. Tosca и un buon falco!
2. Ha piщ forte sapore
3. O galantuomo, come andт la caccia ї
4. Ov’и Angelotti
5. Sciarrone, che dice il Cavalier
6. Orsщ, Tosca, parlate
7. Floria … Amore
8. Vittoria! Vittoria!
9. Quanto ї …Quanto ї … Il prezzo
10. Vissi d’arte
11. Chi и la ї
12. Io tenni la promessa
Act III
13. Io de’ sospiri
14. Mario Cavaradossi ї A voi
15. E lucevan le stelle
16. Ah! Franchigia a Floria Tosca
17. O dolci mani
18. Come и lunga l’attesa!
19. Presto, su! Mario! Mario!
Tosca – Renata Tebaldi
Mario Cavarodossi – Mario del Monaco
Il barone Scarpia – George London
Cesare Angelotti – Silvio Maionica
Il sagrestano – Fernando Corena
Spoletta – Piero de Palma
Sciarrone – Giovanni Morese
Un carcaiere – Giovanni Morese
Un pastore – Ernesto Palerini
Orchestra e coro dell’Accademia di Santa Cecilia, Roma
Francesco Molinari-Pradelli
Madama Butterfly
CD1
Act I
1. E soffitto e pareti
2. Sorride Vostro Onore ї
3. Dovunque al mondo Io Yankee vagabondo
4. America forever
5. Ier l’altro, il Consolato sen’ venne a visitar
6. Ecco. Son giunte al sommo del pendio
7. Gran ventura
8. L’Imperial Commissario, l’Ufficiale del registro, i congiunti
9. Vieni, amor mio! Vi piace la casetta ї
10. leri son salita tutta sola in segreto allo Missione
11. Tutti zitti!
12. O Kami! O Kami!
13. Cio-Cio-San! Cio-Cio-San! Abbominazione!
14. Bimba, bimba, non piangere
15. Viene la sera
16. Vogliatemi bene
Act II
17. E lzaghi ed lzanami
18. Un bel di, vedremo levarsi un fil fumo
19. C’и. Entrate
CD2
Act II
1. Non lo sapete insommma
2. Si sa che aprir la porta e la moglie cacciar
3. Udiste?
4. Ora a noi. Sedete qui
5. Ebbene, che fareste, Madama Butterfly, s’ei non dovesse ritornar
6. E questo? … E questo?
7. Che tua madre dovrа prenderti in braccio
8. Vespa! Rospo maledetto!
9. Una nave da guerra
10. Scuoti quella fronda di ciliegio
11. Or vienmi ad ardornar
12. Coro a bocca chiusa – Choeur а bouche fermйe
13. Intermezzo
14. Fischi d’uccelli dal giardino – Pйpiement d’oiseaux dans le jardin
15. Giа il sole! Cio-Cio-San!
16. Chi sia?
17. lo so che alle sue pene non ci sono conforti!
18. Non ve l’avevo detto?
19. Addio, fiorito asil di letizia e d’amor
20. Suzuki! Suzuki! Dove sei?
21. Tu, Suzuki, che sei tanto buona, non piangere!
22. Come una mosca prigioniera l’ali batte il piccolo cuor!
23. Con onor muore chi non puт serbar vita con onore
Madama Butterfly (Cio-Cio-San) – Renata Tebaldi
B.F.Pinkerton – Carlo Bergonzi
Goro – Angelo Mercuriali
Suzuki – Fiorenza Cossotto
Sharpless – Enzo Sordello
Orchestra e coro dell’Accademia di Santa Cecilia, Roma
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MP3 320 kbps | 1.26 GB
Cd 1
01 Fugata 02:50
02 Soledad 06:53
03 Final 07:51
04 Vamos, Nina 03:51
05 Los Paraguas De Buenos Aires 04:53
06 No Quiero Otro 04:40
07 Violetas Populares 04:36
08 Preludio Pra El A???o 3001 04:12
09 Jeanny Paul 04:10
10 Fuga Y Mysterio 03:17
11 El Penultimo 05:29
Cd 2
01 Balada Para Un Loco 04:50
02 Balada Para Mi Muerte 04:13
03 Las Ciudades 04:36
04 La Pimera Palabra 03:42
05 Adios Nonno 08:00
06 Oto???o Porte???o 05:10
07 Michelangelo 70 03:21
08 Jorge Adios 04:03
09 A???os De Soledad 04:41
10 Tristeza De Un Doble A 07:10
Cd 3
01 Peque???a Cancion Para Matilde
02:49 02 El Gordo Triste
03:41 03 Moderato Mistico 05:31
04 Ados Nonino 08:01
05 Libertango 02:42
06 Ave Maria 05:37
07 Balada Para Un Loco 04:12
08 Olhos De Ressaca 04:07
09 La Muralla De China 03:21
10 Los Pajaros Perdidos 02:56
Cd 4
01 Fuga Y Misterio 03:17
02 Tocata Rea 04:35
03 Contramilonga A La Funerala 05:10
04 Tangata Del Alba 04:55
05 Allegro Tangabile 02:52
06 Coral 05:55
07 Balada Para Mi Muerte 05:02
08 Se Potessi Ancora 04:23
09 Anconcagua: Moderato 07:10
10 Anconcagua: Presto 06:45
Cd 5
01 As Ilhas 05:00 02
Chiquilin De Bacin 03:52
03 Jeanne Y Paul 04:11
04 Oblivion 03:36
05 Ave Maria 05:36
06 Cavalcata 03:59
07 Allegro Tranquillo 07:20
08 Moderato Mistico 05:29
09 Allegretto Molto Marcato 04:43
10 Baires ’72 05:48
Cd 6
01 Intro 04:51
02 Choral 10:14
03 Fugue 03:58
04 El Penultimo 05:32
05 Enrico IV 02:39
06 En 3 X 4 03:21
07 Homenaje A Cordoba 07:11
08 Remembrance 04:47
09 Oda Para Un Hippie 05:46
10 Fuga 03:00
Cd 7
01 Primera Portena 05:14
02 Oblivion 03:34
03 Cavalcata 03:59
04 Enrico IV 02:41
05 Remembrance 04:47
06 Otono Porteno 06:39
07 Mufa ’72 02:47
08 Introduccion Del Angel 04:34
09 Allegro Marcato 07:47
10 Tangata Del Alba 04:53
Cd 8
01 Zum 05:28
02 Verdarito 06:27
03 La Muerte Del ?ngel 03:03
04 Verano Porte?o 09:15
05 L’evasion 06:03
06 A???os De Soledad 04:46
07 Milonga Del angel 06:38
08 La Muerte Del angel 03:02
09 Resurreccion Del angel 06:37
10 Tristeza De Un Doble "A" 16:12
11 Lunfardo 05:34
Cd 9
01 Fuga Y Misterio 03:40
02 Buenos Aires Hora Cero 05:36
03 Onda Nueve 06:10
04 Tristeza De Un Doble "A" 07:16
05 Verano Porte?a 09:15
06 Libertango 03:08
07 Amelitango 03:30
08 Biyuya 06:10
09 Caliente 04:40
10 Invierno Porte?o 05:21
11 Preludio Nueve 07:03
12 Decarissimo 02:45
13 Escualo 03:30
14 La Muerte Del angel 02:59
Cd 10
01 Milonga Del Angel 06:38
02 Resureccion Del Angel 06:36
03 Revirado 03:23
04 Adios Nonino 07:42
05 Zita 06:14
06 Balada Para Mi Muerte 05:04
07 Bandoneon 11:00
08 Los Pajaros Perdidos 03:45
09 Divertimento Nueve 05:56
10 Adios Nonino 11:31
11 Balada Para Un Loco 05:04
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FLAC (tracks,cue,log,scans) | Lossless | 13.5 Gb
CD1 – Bach
CD2 – Bach
CD3 – Bach
CD4 – Bach
CD5 – Bach
CD6 – Bach
CD7 – Bart???k
CD8 – Bart???k
CD9 – Beethoven
CD10 – Beethoven
CD11 – Beethoven, Bruch
CD12 – Beethoven, Schubert, Brahms
CD13 – Beethoven
CD14 – Beethoven
CD15 – Beethoven
CD16 – Berg, Bloch
CD17 – Berkeley, Williamson, Panufnik
CD18 – Berlioz, Martin
CD19 – Brahms
CD20 – Brahms
CD21 – Brahms
CD22 – Chausson, Boulanger, Poulenc
CD23 – Elgar, Williams
CD24 – Elgar, Williams, Walton
CD25 – Enescu, Szymanowski, Prokofiev, Ravel
CD26 – Haydn, Mozart, Mendelssohn
CD27 – Franck, Bart???k, Nov???ček
CD28 – Grieg, Spohr
CD29 – Handel
CD30 – Lalo, Chausson, Falla, Debussy, Dvoř???k, Brahms, Schubert
CD31 – Lalo, Saint-S???ens
CD32 – Mendelssohn, Dvoř???k, Wieniawski
CD33 – Beethoven, Mendelssohn
CD34 – Mendelssohn, Tchaikovsky, Bruch, Wieniawski
CD35 – Mozart
CD36 – Mozart
CD37 – Mozart
CD38 – Mozart
CD39 – Рaganini
CD40 – Paganini, Vieuxtemps
CD41 – Purcell, Handel, Viotti, Vivaldi, Mozart
CD42 – Ravel, Debussy, Faur???
CD43 – Schubert
CD44 – Schubert, Brahms
CD45 – Tchaikovsky, Sibelius, Nielsen
CD46 – Purcell, Corelli
CD47 – Vivaldi
CD48 – Walton, Tippett
CD49 – Shorter Works, Various
CD50 – Instrumental Songs, Various
CD51 – The Life of Menuhin – In His Own Words
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http://forums.ffshrine.org/f92/yehudi-menuhin-great-emi-recordings-51cd-2009-a-140926/#post2432354
Artist: Gustav Holst
Title Of Album: The Collector’s Edition
Year Of Release: 2012
Label: EMI Classics
Genre: Classical
Quality: MP3
Bitrate: 320 kbps
Total Time: 7:29:06
Total Size: 1.01 GB
CD 1
The Planets – Suite, Op. 32/H125
01. Mars, the Bringer of War (Allegro) [00:08:02]
02. Venus, the Bringer of Peace (Adagio) [00:07:26]
03. Mercury, the Winged Messenger (Vivace) [00:03:48]
04. Jupiter, the Bringer of Jollity (Allegro giouoso) [00:07:59]
05. Saturn, the Bringer of Old Age (Adagio) [00:08:23]
06. Uranus, the Magician (Allegro) [00:06:27]
07. Neptune, the Mystic (Andante) [00:06:26]
Geoffrey Mitchell Choir
London Philharmonic Orchestra / Sir Adrian Boult
The Perfect Fool, Op. 39/H150
08. Andante [00:00:56]
09. Dance of Spirits of Earth (Moderato – Andante) [00:03:39]
10. Dance of Spirits of Water (Allegretto) [00:02:46]
11. Dance of Spirits of Fire (Allegro moderato) [00:03:20]
12. Egdon Heath, Op.47/H.172 ‘Homage to Hardy’ [00:14:38]
London Symphony Orchestra / Andre Previn
CD 2
01. A Somerset Rhapsody, Op.21/H.87 [00:09:38]
Brook Green Suite, H190
02. I. Prelude [00:01:25]
03. II. Air [00:02:34]
04. III. Dance [00:02:24]
Bournemouth Sinfonietta / Norman del Mar
A Fugal Concerto, Op. 40 No. 2/H152
05. I. Moderato [00:02:07]
06. II. Adagio [00:03:14]
07. III. Allegro [00:03:12]
Jonathan Snowden (flute); David Theodore (oboe)
English Chamber Orchestra / Yehudi Menuhin
Beni Mora (Oriental Suite), Op. 29 No. 1/H114
08. First Dance [00:05:24]
09. Second Dance [00:02:55]
10. Finale: In the Street of the Ouled Nails [00:05:54]
BBC Symphony Orchestra / Sir Malcolm Sargent
St. Paul???s Suite, Op. 29 No. 2/H118
11. Jig [00:03:18]
12. Ostinate [00:01:46]
13. Intermezzo [00:04:03]
14. Finale: The Dargason [00:03:29]
Royal Philharmonic Orchestra / Sir Malcolm Sargent
Hymns from the Rig Veda ??? 2nd Group, Op. 26 No. 2/H98
15. I. To Varuna [00:07:54]
16. II. To Agni [00:02:02]
17. III. Funeral Chant [00:03:53]
London Symphony Chorus, women???s voices
18. Ode to Death, Op. 38/H144 (Whitman) [00:11:07]
London Symphony Chorus
London Philharmonic Orchestra / Sir Charles Groves
CD 3
01. Psalm 86, H117 No. 1 [00:08:05]
Ian Partridge (tenor); Ralph Downes (organ)
02. A Choral Fantasia, Op. 51/H177 [00:17:15]
Dame Janet Baker (mezzo); Ralph Downes [organ]
The Purcell Singers
English Chamber Orchestra / Imogen Holst
First Suite in E flat, Op. 28 No. 1/H105
03. Chaconne [00:03:59]
04. Intermezzo [00:02:57]
05. March [00:03:08]
Second Suite in F, Op. 28 No. 2/H106
06. I. March [00:04:45]
07. II. Song without Words [00:01:55]
08. III. The Song of the Blacksmith [00:01:23]
09. IV. Fantasia on the Dargason [00:03:39]
Central Band of the Royal Air Force / Imogen Holst
A Moorside Suite, H173
10. I. Scherzo [00:03:17]
11. II. Nocturne [00:06:23]
12. III. March [00:04:20]
BMC (Oxford) Band / Imogen Holst
Hammersmith, Op. 52/ H178
13. I. Prelude [00:03:37]
14. II.Scherzo [00:09:46]
Central Band of the Royal Air Force / Wing Commander J.L. Wallace
CD 4
Hymns from the Rig Veda ??? 4th Group, Op. 26 No. 4/H100
01. III. Hymn to Manas [00:03:49]
02. The Homecoming, H120 (Hardy) [00:06:02]
Baccholian Singers of London
03. A Dirge for Two Veterans, H121 (Whitman) [00:06:14]
Baccholian Singers of London
Philip Jones Brass Ensemble / Ian Humphris
Six Choral Folk-Songs (arr.) [H136]
04. 1. I sowed the seeds of love [00:03:06]
05. 3. Matthew, Mark, Luke and John [00:02:24]
06. 4. The Song of the Blacksmith [00:01:16]
07. 5. I love my love [00:04:05]
08. 6. Swansea Town [00:02:50]
Six Choruses, Op. 53/H186 (Medieval Latin, trans. Waddell)
09. 1. Intercession [00:03:44]
10. 2. Good Friday [00:04:19]
11. 3. Drinking Song [00:02:11]
12. 4. A Love Song [00:02:12]
13. 6. Before Sleep [00:03:23]
Baccholian Singers of London
English Chamber Orchestra / Ian Humphris
Eight Canons, H187 (Medieval Latin, trans. Waddell)
14. 3. The Fields of Sorrow [00:01:02]
15. 4. David’s Lament for Jonathan [00:01:20]
16. 6. Truth of All Truth [00:04:01]
Baccholian Singers of London
17. Bring us in good ale Op. 34 No. 4/H131 (anon.) [00:01:04]
The King???s Singers
Vedic Hymns ??? 1st Group, Op. 24/H90
18. II. Varuna [00:03:26]
Frederick Harvey (baritone); Gerald Moore (piano)
Three Festival Choruses, Op. 36a/H134
19. II. Turn back, O man [00:04:26]
Choir of Chichester Cathedral / John Birch
Richard Seal (organ)
20. Lullay my liking Op. 34 No. 2/H129 (anon.) [00:03:42]
Arranged for boys??? voices by Imogen Holst
London Boy Singers / Jonathan Steele
Three Carols/H133
21. II. Christmas Song: Personent Hodie (Piae Cantiones) [00:02:40]
Bach Choir / Jacques Orchestra / Sir David Willcocks
22. Hymn: In the bleak mid-winter (English Hymnal, 1906) (based on poem by Christina Rossetti) [00:03:55]
Edwin Bates (organ)
Rodney Christian Fellowship Festival Choir / Rodney Smith Bishton
CD 5
The Hymn of Jesus, Op. 37/H140 (Apocryphal Acts of St. John, trans. Holst)
01. Prelude: Vexilla Regis proderunt [00:05:15]
02. Hymn: Glory to thee, Father! [00:02:33]
03. Hymn: Fain would I be saved [00:02:09]
04. Hymn: Divine Grace is dancing [00:03:31]
05. Hymn: Give ye heed unto my dancing [00:08:42]
Choristers of St. Paul???s Cathedral Choir; London Symphony Chorus
London Philharmonic Orchestra / Sir Charles Groves
06. Short Festival Te Deum, H145 [00:04:42]
London Symphony Chorus
London Philharmonic Orchestra / Sir Charles Groves
Choral Symphony, Op. 41/H155 (Keats)
07. Prelude (Invocation to Pan) [00:02:54]
08. I. Song and Bacchanale [00:10:01]
09. II. Ode to a Grecian Urn [00:12:58]
10. III. Scherzo (Fancy – Folly’s Song) [00:05:32]
11. IV. Finale [00:18:44]
Felicity Palmer (soprano); London Philharmonic Choir
London Philharmonic Orchestra / Sir Adrian Boult
CD 6
The Wandering Scholar, Op. 50/H176 (Chamber Opera in one act)
01. When boughs are green in April (Louis) [00:01:22]
02. Ho there, old dog (Louis) [00:01:39]
03. The most beautiful piece (Alison) [00:01:52]
04. The time, then, was well chosen (Philippe) [00:02:05]
05. Someone is coming! (Alison) [00:01:37]
06. The Wandering Scholar, Op.50/H.176 (1988 – Remaster): Before that I was twenty (Pierre) [00:03:32]
07. So learn???d a clerk (Alison) [00:01:54]
08. The Wandering Scholar, Op.50/H.176 (1988 – Remaster): Heigho, a pretty knave! (Alison) [00:03:22]
09. He’ll lie all day in the sun (Louis) [00:01:34]
10. As I was walking (Pierre) [00:03:52]
11. Monster! Villain! (Louis) [00:01:42]
Louis (a farmer) – Michael Rippon (baritone)
Alison (his wife) – Norma Burrowes (soprano)
Father Philippe – Michael Langdon (bass)
Pierre (a wandering scholar) – Robert Tear (tenor)
English Opera Group / English Chamber Orchestra / Steuart Bedford
At the Boar???s Head, Op. 42/H156 (A musical interlude in one act)
12. Of all the birds (Bardolph) [00:03:25]
13. Are you not a coward? (Falstaff) [00:01:28]
14. I am a rogue (Falstaff) [00:05:07]
15. We two saw you four (Prince) [00:03:45]
16. I know you all (Prince) [00:03:50]
17. Do thou stand (Prince) [00:09:52]
18. I’ faith, sweetheart (Hostess) [00:04:31]
19. Devouring Time (Prince) [00:03:27]
20. How now! What news? (Prince) [00:02:31]
21. Harry is valiant (Falstaff) [00:07:15]
22. For God’s sake (Doll) [00:02:43]
23. Now comes in the sweetest morsel (Falstaff) [00:03:13]
Prince Hal – Philip Langridge (tenor)
Falstaff – John Tomlinson (bass)
Hostess (Mistress Quickly) – Elise Ross (soprano)
Doll Tearsheet – Felicity Palmer (mezzo)
Pistol – David Wilson-Johnson (baritone)
Peto – Peter Hall (tenor)
Bardolph – Richard Suart (baritone)
Poins – Michael George (bass)
Men???s voices of the Liverpool Philharmonic Choir
Royal Liverpool Philharmonic Orchestra / David Atherton
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MP3 VBR kbps | Total Length: 8:53:26 | Size: 850.46 MB
Tracklist:
01. Turandot, Act 3: "Nessun dorma" Luciano Pavarotti, London Philharmonic Orchestra, John Alldis Choir and Zubin Mehta 2:58
02. Les pecheurs de perles (The Pearl Fishers), Act 1: "Au fond du temple saint" David Hobson, Teddy Tahu Rhodes, Sinfonia Australis and Thomas Woods 5:49
03. Les pecheurs de perles (The Pearl Fishers), Act 1: J"e crois entendre encore" (Romance) David Hobson, Tasmanian Symphony Orchestra and Marco Guidarini 3:44
04. Nabucco: Chorus of the Hebrew Slaves, "Va pensiero, sull’ali dorate" London Philharmonic Orchestra, London Philharmonic Choir, The London Chorus and David Parry 4:59
05. Rinaldo, HWV 7, Act 2: "Lascia ch’io pianga" Yvonne Kenny, Australian Brandenburg Orchestra and Paul Dyer 4:26
06. La traviata: Prelude to Act I Bonn Classical Philharmonic and Heribert Beissel 3:49
07. La traviata, Act 1: "Libiamo, ne’ lieti calici" (Live) Joan Sutherland, Luciano Pavarotti, Elizabethan Sydney Orchestra and Richard Bonynge 3:15
08. La traviata, Act 2: "Pura siccome un angelo… Dite alla giovine" Cheryl Barker, Peter Coleman-Wright, Tasmanian Symphony Orchestra and Martin Andre 17:28
09. La traviata, Act 3: "Parigi, o cara" (Final Duet) Joan Sutherland, Luciano Pavarotti, Elizabethan Sydney Orchestra and Richard Bonynge 4:05
10. Pagliacci, Act 1: "Recitar!… Vesti la giubba" Jussi Bjorling, RCA Victor Orchestra & Renato Cellini 3:59
11. Dido and Aeneas, Z. 626, Act 3: Thy hand, Belinda… When I am laid in earth (Dido’s lament) Fiona Campbell, Orchestra of the Antipodes and Anthony Walker 5:03
12. Die Zauberflote (The Magic Flute), K. 620: Overture London Philharmonic Orchestra & David Parry 6:24
13. Die Zauberflote (The Magic Flute), K. 620, Act 1: "Der Vogelfanger bin ich ja" (Birdcatcher’s Aria) Peter Edelmann, SWR SymphonyOrchestra and Klaus Arp 3:02
14. Die Zauberflote (The Magic Flute), K. 620, Act 1: "O zittre nicht, mein lieber Sohn" Maszella Holzapfel, SWR Symphony Orchestra and Klaus Arp 4:41
15. Die Zauberflote (The Magic Flute), K. 620, Act 1: "Dies Bildnis ist bezaubernd schon" Roberto Sacca, SWR Symphony Orchestra and Klaus Arp 4:21
16. Die Zauberflote (The Magic Flute), K. 620, Act 2: "O Isis und Osiris" Peter Edelmann, SWR Symphony Orchestra and Klaus Arp 2:52
17. Die Zauberflote (The Magic Flute), K. 620, Act 2: "Der Holle Rache kocht in meinem Herzen" (Queen of the Night’s Aria) Maszella Holzapfel, SWR SymphonyOrchestra and Klaus Arp 2:54
18. Die Zauberflote (The Magic Flute), K. 620: Act 2: Pa-pa-pa-papagena Susanne Leitz, Peter Edelmann, SWR Symphony Orchestra and Klaus Arp 2:39
19. Gianni Schicchi: "O mio babbino caro" Yvonne Kenny, Melbourne Symphony Orchestra and Vladimir Kamirski 2:26
20. Lakme, Act 1: "Sous le dome epais" (Flower Duet) Glenys Fowles, Heather Begg, Melbourne Symphony Orchestra and Richard Bonynge 5:21
21. Lakme, Act 2: "Par les dieux inspiree… "Ou va la jeune Indoue" (Bell Song) Joan Sutherland, Clifford Grant, Elizabethan SydneyOrchestra, The Australian Opera Chorus and Richard Bonynge 4:30
22. Samson and Delilah, Op. 47, Act 2: "Mon coeur s’ouvre a ta voix" Lauris Elms, West Australian Symphony Orchestra and Geoffrey Arnold 5:43
23. Il barbiere di Siviglia (The Barber of Seville): Overture London Philharmonic Orchestra & David Parry 6:58
24. Il barbiere di Siviglia (The Barber of Seville), Act 1: "Largo al factotum" Jose Carbo, Melbourne Symphony Orchestra and Anthony Inglis 5:16
25. Il barbiere di Siviglia (The Barber of Seville), Act 1: "Una voce poco fa" (Rosina’s Cavatina) Eteri Lamoris, Tbilisi SymphonyOrchestra and Jansug Kakhidze 7:23
26. Xerxes, HWV 40, Act 1: "Ombra mai fu": Largo Yoshikazu Mela, Japan Philharmonic Orchestra and Shigeo Genda 3:04
27. Madama Butterfly, Act 1: "Quanto cielo quanto mar!"… "Ancora un passo or via" Renata Tebaldi, National Academy of St CeciliaOrchestra and Alberto Erede 3:31
28. Madama Butterfly, Act 2: "Un bel di" (Live) Cheryl Barker, Australian Opera and Ballet Orchestra and Patrick Summers 4:32
29. Madame Butterfly, Act 2: Coro a bocca chiusa (Humming Chorus) Wiener Philharmoniker, Vienna State Opera Chorus and Herbert von Karajan 3:04
30. Madama Butterfly, Act 3: "Tu, tu piccolo Iddio" (Death of Butterfly) Renata Tebaldi, National Academy of St Cecilia Orchestra and Alberto Erede 4:43
31. Rusalka, Act 1: M?si?ku na nebi hlubokem (Song to the Moon) Yvonne Kenny, Melbourne Symphony Orchestra and Vladimir Kamirski 6:28
32. Die Walkurie (The Valkyrie), Act 3: Ride of the Valkyries London Philharmonic Orchestra & David Parry 5:11
33. Die Walkurie (The Valkyrie), Act 3: Leb’ wohl (Wotan’s Farewell) John Wegner, Orchestra Victoria and Richard Divall 9:08
34. Tristan and Isolde, Act 3: "Mild und leise" (Liebestod) Marilyn Richardson, Queensland Symphony Orchestra and Werner Andreas Albert 6:29
35. Rigoletto, Act 3: "Un di, si ben rammentomi… Bella figlia dell’amore" (Quartet) Joan Sutherland, Huguette Tourangeau, Luciano Pavarotti, Sherrill Milnes,London Symphony Orchestra and Richard Bonynge 5:38
36. Carmen, Act 1: "L’amour est un oiseau rebelle" (habanera) Rita Noel, Nuremberg Symphony Orchestra and Hans Swarowsky 4:44
37. Carmen, Act 2: "Votre toast, je peux vous le rendre" (Toreador’s Song) Teddy Tahu Rhodes, Alison Morgan, Jenny Duck-Chong, Sally-Anne Russell, Cantillation, Sinfonia Australis and Antony Walker 5:10
38. Carmen, Act 2: "La fleur que tu m’avais jetee" (Flower Song) Placido Domingo, London Philharmonic Orchestra and Sir Georg Solti 4:01
39. Thais: Meditation Pieter Schoeman, London Philharmonic Orchestra and David Parry 5:01
40. Norma, Act 1: "Casta diva" Joan Sutherland, Elizabethan Sydney Orchestra, The Australian Opera Chorus and Richard Bonynge 6:17
41. Der Rosenkvalier, Op. 59, Act 2: Mir ist die ehre widerfahren Barbara Bonney, Susan Graham, Wiener Philharmoniker and Christoph Eschenbach 7:25
42. La boheme, Act 1: "Che gelida manina" David Hobson, Tasmanian Symphony Orchestra and Marco Guidarini 4:39
43. La boheme, Act 1: O soave fanciulla Cheryl Barker, David Hobson, Australian Opera and Ballet Orchestra and Julian Smith 4:12
44. La boheme, Act 2: "Quando m’en vo" (Musetta’s Waltz) Shu-Cheen Yu, The Queensland Orchestra and Brett Kelly 2:27
45. La boheme, Act 4: "Sono andati?" (Death of Mimi) Cheryl Barker, David Hobson, Australian Opera and Ballet Orchestra and Julian Smith 5:56
46. L’elisir d’amore (The Elixir of Love), Act 2: "Una furtiva lagrima" David Hobson, Tasmanian Symphony Orchestra and Marco Guidarini 4:15
47. Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg), Act 3: Morgenlicht leuchtend in rosigem Schein (Walther’s Prize Song) James King, Vienna OperaOrchestra and Dietfried Bernet 4:28
48. Gotterdammerung, Act 3: Siegfried’s Funeral March Wiener Philharmoniker and Sir Georg Solti 7:54
49. Gotterdammerung, Act 3: Brunnhilde’s Immolation Scene Birgit Nilsson, Gottlob Frick, Wiener Philharmoniker and Sir Georg Solti 20:30
50. Lucia di Lammermoor, Act 2: "Chi mi frena in tal momento" (Sextet, Live) Joan Sutherland, Patricia Price, Richard Greager, Sergei Baigildin, Malcolm Donnelly, Clifford Grant, Elizabethan SydneyOrchestra, The Australian Opera Chorus and Richard Bonynge 4:07
51. Les contes d’Hoffmann (The Tales of Hoffmann), Act 2: "Belle nuit, o nuit d’amour" (Barcarolle) Joan Sutherland, Marilyn Horne, Elizabethan SydneyOrchestra and Richard Bonynge 3:58
52. La fille du regiment (The Daughter of the Regiment), Act 1: "Ah! Mes amis… Pour mon ame" Luciano Pavarotti, Eric Garrett, Orchestra And Chorus of the Royal Opera House, Covent Garden and Richard Bonynge 6:59
53. Le Nozze di Figaro (The Marriage of Figaro), K. 492: Overture Bonn Classical Philharmonic and Heribert Beissel 4:15
54. Le nozze di Figaro (The Marriage of Figaro), K. 492, Act 2: "Porgi, amor" Rita Hunter, Tasmanian Symphony Orchestra and Dobbs Franks 3:33
55. Le nozze di Figaro (The Marriage of Figaro) K. 492, Act 2: "Voi che sapete" Elisabeth Schwarzkopf, Philharmonia Orchestra and John Pritchard 2:58
56. Le nozze di Figaro (The Marriage of Figaro), K. 492, Act 3: "Sull’aria" (Letter Duet) Elisabeth Schwarzkopf, Irmgard Seefried, Wiener Philharmoniker and Herbert von Karajan 2:52
57. Le nozze di Figaro (The Marriage of Figaro), K. 492, Act 3: "Dove sono i bei momenti" Isobel Buchanan, Queensland Symphony Orchestra and Richard Bonynge 4:40
58. I puritani (The Puritans), Act 1: A te, o cara Luciano Pavarotti, Joan Sutherland, Nicolai Ghiaurov, Giancarlo Luccardi, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra and Richard Bonynge 5:52
59. Casanova: O Madonna, auf uns sieh (Nuns’ Chorus) Kiri Te Kanawa, The Mormon Tabernacle Choir, Utah Symphony Orchestra and Julius Rudel 3:38
60. Cosi fan tutte, K. 588, Act 1: "Soave sia il vento" Amanda Thane, Fiona James, David Brennan, Australian Opera and Ballet Orchestra and Carlo Rizzi 2:45
61. The Italian Girl in Algier, Act 1: Cruda sorte Rita Noel, Nuremberg Symphony Orchestra and Hans Swarowsky 5:03
62. The Italian Girl in Algier, Act 2: Pensa all patria Rita Noel, Nuremberg Symphony Orchestra and Hans Swarowsky 6:49
63. Faust, Act 5: "Alerte! Alerte!… Anges purs" Joan Sutherland, Franco Corelli, Nicolai Ghiaurov, London Symphony Orchestra, The Ambrosian Opera Chorus and Richard Bonynge 5:26
64. La Wally, Act 1: "Ebben? Ne andro lontana" Yvonne Kenny, Melbourne Symphony Orchestra and Vladimir Kamirski 4:09
65. Don Giovanni, K. 527, Act 1: "Madamina! Il catalogo e questo" (Catalogue Aria) Teddy Tahu Rhodes, Tasmanian Symphony Orchestra and Ola Rudner 5:59
66. Don Giovanni, K. 527, Act 1: "La ci darem la mano" Isobel Buchanan, John Pringle, Queensland Symphony Orchestra and Richard Bonynge 3:14
67. Don Giovanni, K. 527, Act 2: "Deh, vieni alla finestra" Teddy Tahu Rhodes, Tasmanian Symphony Orchestra and Ola Rudner 2:33
68. Don Giovanni, K. 527, Act 2: "Don Giovanni, a cenar teco" Mario Luperi, Bryn Terfel, Michele Pertusi, London Voices, London Philharmonic Orchestra and Sir Georg Solti 6:16
69. Tannhauser, Act 3: Begluckt darf nun dich, o Heimat, ich schauen (Pilgrims’ Chorus) Helga Dernesch, Victor Braun, Vienna State Opera Chorus, Wiener Philharmoniker and Sir Georg Solti 4:56
70. Hansel und Gretel, Act 2: Abends, will ich schlafen gehn (Evening Benediction)… Dream Pantomime Elisabeth Schwarzkopf, Elisabeth Grummer, Philharmonia Orchestra and Herbert von Karajan 9:38
71. Beatrice di tenda, Act 3: "Angiol di pace" Richard Conrad, Joan Sutherland, Marilyn Horne, London Symphony Orchestra and Richard Bonynge 3:33
72. Cavalleria rusticana: Symphonic Intermezzo Bonn Classical Philharmonic and Heribert Beissel 3:21
73. Cavalleria Rusticana: Easter hymn Julia Varady, London Opera Chorus, National Philharmonic Orchestra and Gianandrea Gavazzani 5:24
74. Die tote stadt, Act 1: Gluck das mir verblieb (Marietta’s Song) Joan Hammond, Philharmonia Orchestra and Walter Susskind 4:36
75. L’incoronazione di Poppea (The Coronation of Poppea) SV. 308, Act 3: "Pur ti miro, pur ti godo" Sara Macliver, Sally-Anne Russell, Orchestra of the Antipodes and Antony Walker 4:36
76. Zaide, K. 344, Act 1: "Ruhe sanft, mein holdes Leben" Shu-Cheen Yu, The Queensland Orchestra and Brett Kelly 6:01
77. Aida, Act 2: "Gloria all’Egitto" Triumphal March La Scala Opera Orchestra, La Scala Opera Chorus and Lorin Maazel 9:39
78. Aida, Act 4: "O terra, addio" Renata Tebaldi, Mario del Monaco, Ebe Stignani, National Academy of St Cecilia Orchestra and Alberto Erede 4:55
79. Andrea Chenier, Act 3: "La mamma morta" Renata Tebaldi, La Scala Opera Orchestra and Nino Sanzogno 6:37
80. Porgy and Bess:, Act 1: Summertime Leontyne Price 2:55
81. Die lustige Witwe (The Merry Widow), Act 2: Vilja Song Yvonne Kenny, Melbourne Symphony Orchestra and Vladimir Kamirski 4:57
82. Fidelio, Op. 72, Act 1: Mir ist so wunderbar (Quartet) Sona Ghazarian, Hildegard Behrens, David Kuebler, Hans Sotin, Chicago Symphony Orchestra and Sir Georg Solti 5:14
83. Fidelio, Op. 72, Act 1: O welche Lust (Prisoners’ Chorus) Robert Johnson, Philip Kraus, Chicago Symphony Orchestra and Chorus and Sir Georg Solti 8:25
84. Giulio Cesare in Egitto (Julius Caesar in Egypt), HWV 17, Act 1: "Va tacito e nascosto" Graham Pushee, Dominic Harvey, Australian Brandenburg Orchestra and Paul Dyer 6:51
85. Salome: Ah, ich habe deinen Mund gekusst, Jochanaan (Final scene) Cheryl Studer, Horst Hiestermann, Deutsche Oper Berlin Orchestraand Giuseppe Sinopoli 4:40
86. Les Troyens (The Trojans), Act 4: "Nuit d’ivresse" (Love Duet) Josephine Veasey, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden and Sir Colin Davis 9:07
87. Tosca, Act 1: "Recondita armonia" Zurab Sotkilava, Bolshoi Theatre Orchestra and Stanislav Gorkovenko 2:47
88. Tosca, Act 2: "Vissi d’arte" Rita Hunter, Tasmanian Symphony Orchestra and Dobbs Franks 3:23
89. Tosca, Act 3: "E lucevan le stelle" Franco Corelli, National Academy of St Cecilia Orchestra and Lorin Maazel 3:15
90. Jocelyn, Op. 109. Act 2: Oh! ne t’eveille pas encor (Berceuse) David Hobson, Tasmanian Symphony Orchestra and Marco Guidarini 4:45
91. Otello, Act 4: "Piangea cantando nell’erma landa" (Willow song)… "Ave Maria" Joan Carden, Sydney Symphony Orchestra and Eric Clapham 12:19
92. La forza del destino (The Force of Destiny), Act 2: "La vergine degli angeli" (Hymn) Zinka Milanov, The Robert Shaw Chorale, RCA Victor Orchestra and Renato Cellini 3:25
93. Eugene Onegin, Op. 24, Act 1: Puskai pogibnu ya, no pryezhde (Letter Aria) Marilyn Richardson, Queensland Symphony Orchestra and Vladimir Kamirski 12:57
94. Eugene Onegin, Op. 24, Act 2: Kuda, kuda vi udalilis Stuart Burrows, Orchestra of the Royal Opera House, Covent Garden and Sir Georg Solti 6:02
95. Die Entfuhrung aus dem Serail (The Abduction from the Seraglio), K. 384, Act 3: O wie will ich triumphieren Conal Coad, Tasmanian Symphony Orchestra and Dobbs Franks 4:19
96. Parsifal: Prelude Wiener Philharmoniker and Sir Georg Solti 12:38
97. Orfeo ed Euridice, Act 2: Dance of the Blessed Spirits Melbourne Symphony Orchestra and Richard Divall 6:06
98. Orfeo ed Euridice, Act 3: "Che faro senza Euridice" Lauris Elms, West Australian Symphony Orchestra and Geoffrey Arnold 4:00
99. The Bohemian Girl, Act 2: I Dreamt I Dwelt in Marble Halls Yvonne Kenny, Melbourne Symphony Orchestra and Vladimir Kamirski
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Odeon: Korngold ? Sursum Corda, Sinfonietta ? Bamert (http://odeonmusic.blogspot.gr/2013/08/korngold-sursum-corda-sinfonietta-bamert.html)
Odeon: Lysenko, Scriabin, Glazunov, Miaskovsky ? Orchestral works ? Stefan Blunier (http://odeonmusic.blogspot.gr/2013/08/lysenko-scriabin-glazunov-miaskovsky.html)
Odeon: Grieg ? Complete Symphonic Works (Vol.3) ? Eivind Aadland (http://odeonmusic.blogspot.gr/2013/08/grieg-complete-symphonic-works-vol3.html)
Odeon: Horneman ? Symphonic Works ? Michael Sch???nwandt (http://odeonmusic.blogspot.gr/2013/08/horneman-symphonic-works-michael.html)
Odeon: Mortelmans, Alpaerts, Hoof, Blockx, Sternfeld ? Symphonic works ? Alexander Rahbari (http://odeonmusic.blogspot.gr/2013/08/mortelmans-alpaerts-hoof-blockx.html)
Odeon: Debussy ? Complete Orchestral Works ? Jun M???rkl (http://odeonmusic.blogspot.gr/2013/08/debussy-complete-orchestral-works-jun.html)
Odeon: Russian Futurism (Vol.3) ? Krein, Gnesin, Kirkor ? Works for Cello and Piano (http://odeonmusic.blogspot.gr/2013/08/russian-futurism-vol3-krein-gnesin.html)
MP3 320 kbps, 7 Gb (+1%rec.)
CD 01
Mussorgsky: Pictures at an Exhibition
01. Promenade
02. The Gnome
03. Promenade
04. Il vecchio castello
05. Promenade
06. Tuileries
07. Bydlo
08. Promenade
09. Ballet of the Unhatched Chicks
10. Samuel Goldenberg & Schmuyle
11. Limoges – The Market
12. Catacombs (Sepulchrum romanum)
13. Con mortuis in lingua mortua
14. The Hut on Fowl’s Legs
15. The Great Gate at Kiev
Recorded November 7 & December 22, 1947
CD 02
Prokofiev: Sonata No.7, Op.83
01. I.Allegro inquieto; Andantino
02. II. Andante caloroso
03. III. Precipitato
Recorded September 22 & October 6, 1945
Kabalevsky: Sonata No.3,Op.46
04. I. Allegro con moto
05. II. Andante cantabile
06. III. Allegro giocoso
Recorded December 22, 1947
CD 03
Beethoven: Sonata Op.27 no.2 ???Moonlight???
01. I. Adagio sostenuto
02. II. Allegretto
03. III. Presto agitato
Recorded November 21&26, 1946
Mozart: Sonata No.12 K.332 in F
04. I. Allegro
05. II. Adagio
06. III. Allegro assai
Recorded November 6, 1947
CD 04
Schumann: Kinderszenen Op.15
01. I. Von fremden L???ndern und Menschen
02. II. Kuriose Geschichte
03. III. Haschemann
04. IV. Bittendes Kind
05. V. Gl???ckes genug
06. VI. Wichtige Begebenheit
07. VII. Tr???umerei
08. VIII. Am Kamin
09. IX. Ritter von Steckenpferd
10. X. Fast zu ernst
11. XI. F???rchtenmachen
12. XII. Kind im Einschlummern
13. XIII. Der Dichter spricht
Chopin:
14. Mazurka, Op.59, No.3 in F-Sharp Minor
15. Mazurka, Op.41, No.1 in C-Sharp Minor
16. Mazurka, Op.30, No.3 in D-Flat
17. Mazurka, Op.30, No.4 in C-Sharp Minor
18. Mazurka, Op.63, No.2 in F Minor
19. Mazurka, Op.63, No.3 in C-Sharp Minor
20. Mazurka, Op.50, No.3 in C-Sharp Minor
Recorded [1-14] May, 16&17 1950; [15] May 11, 1949; [16-20] December 26&30, 1949
CD 05
Chopin: Sonata No.2, Op.35 in B-Flat ???Funeral March???
01. I. Grave; Doppio movimento
02. II. Scherzo
03. III. Marche fun???bre
04. IV. Presto
Recorded May, 13 1950
Barber: Sonata Op.26
05. I. Allegro energico
06. II. Allegro vivace e leggero
07. III. Adagio mesto
08. IV. Fuga: Allegro con spirito
Recorded May, 15 1950
CD 06
Tchaikovsky: Piano Concerto No.1, Op.23
01. I. Allegro non troppo e molto maestoso
02. II. Andantino simplice
03. III. Allegro con fuoco
NBC SO, Arturo Toscanini conduct
Recorded Carnegie Hall, May 6&14, 1941
CD07
Chopin:
01. Andante spianato, Op.22 in E-Flat
02. Grande Polonaise, Op.22 in E-Flat
03. Waltz, Op.34, No.2 in A Minor
04. Polonaise in A-Flat, Op.53
05. Mazurka, Op.7, No.3 in F Minor
06. Waltz, Op.64, No.2 in C-Sharp Minor
Recorded [1,2&4] October 6, 1945; [3] September 23, 1945; [5] December 22 1947; [6] November 29, 1946
CD 08
Brahms: Violin Sonata No.3 Op.108 in D Minor
01. Allegro
02. Adagio
03. Un poco presto e con sentimento
04. Presto agitato
Nathan Milstein – violin
Recorded June 22&29, 1950
CD 09
Brahms: Piano Concerto No.2, Op.83
01. Allegro non troppo
02. Allegro appassionato
03. Andante
04. Allegretto grazioso
NBC SO, Arturo Toscanini conduct
Recorded Carnegie Hall, May 9, 1940
CD 10
01. Bizet: Variations on a Theme from "Carmen"
02. Mussorgsky: By the water
03. J.S.Bach-Busoni: Nun komm’ der Heiden Heiland
04. Mozart: Rondo alla turca (from Sonata No.11, K.331)
05. Schumann: Tr???umerei, No.7
06. Mendelssohn-Bartholdy: Lieder ohne Worte: ???l???gie, Op.85, No.4
07. Mendelssohn-Bartholdy: Lieder ohne Worte: Spring Song, Op.62, No.6
08. Debussy: Serenade of the Doll (from Children’s Corner)
09. Prokofiev: Toccata, Op.11
Recorded [1] December 22, 1947; [2,5&9] November 21, 1947; [3] September 6, 1947, [4] October 25, 1946; [6&7] October 29, 1946; [8] May 16, 1947
CD 11
Rachmaninov: Piano Concerto No.3, Op.30 in D Minor
01. Allegro ma non tanto
02. Intermezzo: Adagio
03. Finale: Alla breve
RCA Victor SO, Fritz Reiner conduct
Recorded Carnegie Hall, May 8&10, 1951
CD 12
Chopin: Sonata No.2, Op.35 in B-Flat ???Funeral March???
01. I. Grave; Doppio movimento
02. II. Scherzo
03. III. Marche fun???bre
04. IV. Presto
Chopin:
05. Ballade No.1, Op.23 in G Minor
06. Nocturne, Op.15, No.2 in F-Sharp
Liszt:
07. Au bord d’une source No.4
08. Hungarian Rhapsody No.6
Recorded [1-4] May 13, 1950; [5-7] May 19, 1947; [8] May 16&19, 1947
CD 13
Beethoven: Piano Concerto No.5 Op.73 ???Emperor??? in E-Flat
01. Allegro
02. Adagio un poco mosso
03. Rondo: Allegro
RCA Victor SO, Fritz Reiner conduct
Recorded Carnegie Hall, April 26, 1952
CD 14
Chopin:
01. Ballade No.3, Op.47 in A-Flat
02. Ballade No.4, Op.52 in F Minor
03. ???tude, Op.10, No.3 in E
04. Impromptu No.1, Op.29 in A-flat
05. Nocturne, Op.55, No.1 in F minor
06. Scherzo No.1, Op.20 in B Minor
Recorded [1] May 9, 1949; [2] May 2, 1952; [3] April 28, 1951; [4] October 11, 1951; [5] April 26, 1951; [6] April 29, 1951
CD 15
Mendelssohn-Bartholdy: Variations serieuses Op.54
01. Andante sostenuto
02. Variation I
03. Variation II: Un poco pi??? animato
04. Variation III: Pi??? animato
05. Variation IV: Sempre staccato e leggiero
06. Variation V: Agitato
07. Variation VI: A tempo
08. Variation VII: Con fuoco
09. Variation VIII: Allegro vivace
10. Variation IX
11. Variation X: Moderato
12. Variation XI: Cantabile
13. Variation XII: Tempo di tema
14. Variation XIII: Sempre assai leggiero
15. Variation XIV: Adagio
16. Variation XV: Poco a poco pi??? agitato
17. Variation XVI: Allegro vivace
18. Variation XVII
19. Presto
Mendelssohn-Bartholdy-Liszt:
20.Wedding March and Variations
Liszt:
21. Fun???railles, No.7
22. Valse oubli???e No.1
23. Sonetto 104 del Petrarca, No.5
24. Rak???czy March, No.15
Recorded [1-20] October 25 & November 22, 1946; [21] December 19, 1950; [22&23] April 28, 1951, [24] May 17, 1950
CD 16
Schubert: Sonata D.960 in B-Flat
01. Molto moderato
02. Andante sostenuto
03. Scherzo: Allegro vivace con delicatezza; Trio
04. Allegro ma non troppo
Chopin:
05. Nocturne, Op.72, No.1 in E Minor
06. Scherzo No.1, Op.20 in B Minor
Recorded Carnegie Hall, February 25, 1953
CD 17
Scriabin:
01. Sonata No.9, Op.68 "Black Mass"
02. Etude in B-Flat Minor, Op.8, No.7
03. Etude In C-Sharp Minor, Op.42 No.5
Liszt-Horowitz:
04. Hungarian Rhapsody No.2
Debussy:
05. Serenade of the Doll
Chopin:
06. Waltz, Op.34, No.2 in A Minor
Prokofiev:
07. Precipitato from Sonata No.7, Op.83
Recorded Carnegie Hall, February 25, 1953
CD 18
Clementi:
Sonata Op.34 no.2 in G Minor
01. I. Largo; Allegro con fuoco
02. II. Poco adagio
03. III. Allegro molto
Sonata Op.14 no.3 in F Minor
04. I. Allegro agitato
05. II. Largo e sostenuto
06. III. Presto
Sonata Op.26 no.2 in F-Sharp Minor
07. I. Piuttosto allegro con espressione
08. II. Lento e patetico
09. III. Presto
Recorded October 16&21, 1954
CD 19
Scriabin:
Sonata No.3 Op.23 in F-Sharp Minor
01. I. Dramatico
02. II. Allegretto
03. III. Andante
04. IV. Presto con fuoco; Meno mosso
05. Prelude Op.11, No.1 in C
06. Prelude Op.11, No.10 in C-Sharp Minor
07. Prelude Op.11, No.9 in E
08. Prelude Op.11, No.3 in G
09. Prelude Op.11, No.16 in B-Flat Minor
10. Prelude Op.11, No.13 in G-Flat
11. Prelude Op.11, No.14 in E-Flat Minor
12. Prelude Op.15, No.2 in F-Sharp Minor
13. Prelude Op.16, No.1 in B
14. Prelude Op.13, No.6 in B Minor
15. Prelude Op.16, No.4 in E-Flat Minor
16. Prelude Op.27, No.1 in G Minor
17. Prelude Op.51, No.2 in A Minor
18. Prelude Op.48, No.3 in D-Flat
19. Prelude Op.67, No.1
20. Prelude Op.59, No.2
Recorded January, 1955
CD 20
Beethoven:
Sonata Op.27 no.2 in C-Sharp Minor ???Moonlight???
01. Adagio sostenuto
02. Allegretto
03. Presto agitato
Sonata Op.53 in C ???Waldstein???
04. Allegro con brio
05. Introduzione. Adagio molto
06. Rondo. Allegretto moderato
Recorded at the home of Mr. Horowitz in NY, May 10, 11 & June 5, 1956
CD 21
Schumann: Variations on a Theme by Clara Wieck
01. Theme: Andantino
02. Variation I
03. Variation II
04. Variation III
05. Variation IV
Scarlatti:
06. Sonata, K.380, L.23 in E
Chopin:
07. Mazurka, Op.24, No.4 in B-Flat Minor
08. Polonaise-Fantaisie, Op.61 in A-Flat
Haydn: Sonata in E-Flat
09. Allegro
10. Adagio
11. Finale. Presto
Brahms:
12. Intermezzo, Op.117, No.2 in B-Flat Minor
Moszkowski-Horowitz:
13. ???tincelles, Op.36, No.6
Scriabin:
14. Prelude, Op.11, No.5 in D
15. Prelude, Op.22, No.1 in G-Sharp Minor
Sousa:
16. The Stars and Stripes Forever
Recorded [1-5&7] March 5, 1951; [6,8-13&16] April 23, 1951; [14&15] May 14, 1956
CD 22
Chopin:
01. Scherzo No.2 in B-Flat Minor, Op.31
02. Nocturne, Op.9, No.3 in B
03. Nocturne, Op.15, No.1 in F
04. Nocturne in C-Sharp Minor, Op.27, No.1
05. Nocturne, Op.9, No.2 in E-Flat
06. Barcarolle, Op.60
07. Scherzo No.3, Op.39 in C-Sharp Minor
Recorded [1-4&6] February 23, 1957; [5] May 14, 1957; [7] January 15, 1957
CD 23
Tchaikovsky: Piano Concerto No.1, Op.23
01. Allegro non troppo e molto maestoso
02. Andantino simplice
03. Allegro con fuoco
NBC SO, Arturo Toscanini conduct
Recorded Carnegie Hall, April 25, 1943
CD 24
Mussorgsky-Horowitz: Pictures at an Exhibition
01. Promenade
02. The Gnome
03. Promenade
04. Il vecchio castello
05. Promenade
06. Tuileries
07. Bydlo
08. Promenade
09. Ballet of the Unhatched Chicks
10. Samuel Goldenberg & Schmuyle
11. Limoges – The Market
12. Catacombs (Sepulchrum romanum)
13. Con mortuis in lingua mortua
14. The Hut on Fowl’s Legs
15. The Great Gate at Kiev
Recorded Carnegie Hall, April 23, 1951
CD 25
Beethoven:
Sonata No.23, Op.57 in F Minor "Appassionata"
01. Allegro assai
02. Andante con moto
03. Allegro ma non troppo
Sonata No.7, Op.10 no.3 in D
04. Presto
05. Largo e mesto
06. Menuetto: Allegro
07. Rondo: Allegro
Recorded May&June 1959
CD 26
Czerny: Variations on a Theme by Rode ???La Ricordanza??? Op.33
01. Thema: Andante espressivo
02. Variation I: Stesso tempo
03. Variation II: Stesso tempo
04. Variation III: Vivace
05. Variation IV: Sostenuto
06. Variation V: Allegro vivace; Andante Tempo I
Mozart: Sonata No.12 K.332 in F
07. Allegro
08. Adagio
09. Allegro assai
Clementi:
10. Rondo (from Sonata Op.24 no.2 in B-Flat)
Schumann: Variations on a Theme by Clara Wieck
11. Theme: Andantino
12. Variation I
13. Variation II
14. Variation III
15. Variation IV
16. Schumann: Tr???umerei
Mendelssohn-Bartholdy:
17. Lieder ohne Worte: ???l???gie, Op.85, No.4
18. Lieder ohne Worte: Spring Song, Op.62, No.6
19. Lieder ohne Worte: The Shepherd’s Complaint, Op.67, No.5
Chopin:
20. Andante spianato, Op.22 in E-Flat
21. Grande Polonaise, Op.22 in E-Flat
Recorded [1-6] October 23, 1944; [7-9] November 6, 1947; [10] May 17. 1950; [11-15] March 5, 1951; [16] May 10, 1950; [17-19] October 29, 1946; [20&21] October 6, 1945
CD 27
Scriabin:
01. Sonata No.9, Op.68 "Black Mass"
Barber: Sonata Op.26
02. I. Allegro energico
03. II. Allegro vivace e leggero
04. III. Adagio mesto
05. IV. Fuga: Allegro con spirito
Prokofiev: Sonata No.7, Op.83 in B-Flat
06. I. Allegro inquieto; Andantino
07. II. Andante caloroso
08. III. Precipitato
Moszkowski:
09. Etude in A-Flat, Op.72, No.11
Saint-Saens-Horowitz:
10. Danse macabre
Recorded [1] February 25, 1953; [2-5] May 15, 1950; [6-8] September 22 & October 10, 1945; [9] October 10, 1950; [10] September 10, 1942
CD 28
Kabalevsky: Sonata No.3, Op.46
01. I. Allegro con moto
02. II. Andante cantabile
03. III. Allegro giocoso
Tchaikovsky:
04. Dumka, Op.59
Scarlatti-Tausig:
05.Sonata K.20 (L.375) in E: Capriccio
Chopin:
06. Mazurka, Op.30, No.4 in C-Sharp Minor
Liszt-Busoni:
07. Etude No.2 in E-Flat (after Paganini Caprice No.17)
Debussy:
08. Serenade to the Doll
Horowitz:
09. Danse excentrique
Chopin:
10. Waltz, Op.64, No.2 in C-Sharp Minor
von Dohnanyi:
11. Capriccio (Concert Etude, Op.28, No.6) in F Minor
Recorded [1-3] December 22, 1947; [4] August 27 & September 29, 1942; [5] April 2, 1928; [6&8] March 26, 1928; [7&9] March 4, 1930; [10] November 29, 1946; [11] December 4, 1928
CD 29
Chopin:
01. Ballade No.1, Op.23 in G Minor
02. Waltz, Op.64, No.2 in C-Sharp Minor
03. Impromptu No.1, Op.29 in A-flat
04. Nocturne, Op.9, No.2 in E-Flat
05. ???tude, Op.10, No.4 in C-Sharp Minor
06. Scherzo No.1, Op.20 in B Minor
07. Mazurka, Op.50, No.3 in C-Sharp Minor
08. Andante spianato, Op.22 in E-Flat
09. Grande Polonaise, Op.22 in E-Flat
Recorded [1] May 19, 1947; [2] November 29, 1946; [3] October 11, 1951; [4] May 14, 1957; [5] January 5, 1952; [6] February 25, 1953; [7] December 30, 1949; [8&9] October 6, 1945
CD 30
Schubert:
01. Impromptu, D.899/3 (Arr. in G)
Liszt:
02. Valse oubli???e No.1
Mendelssohn-Bartholdy:
03. Lieder ohne Worte: ???l???gie, Op.85, No.4
04. Lieder ohne Worte: Spring Song, Op.62, No.6
Chopin:
05. Nocturne, Op.15, No.2 in F-Sharp
Brahms:
06. Intermezzo, Op.117, No.2 in B-Flat Minor
Schumann:
07. Tr???umerei
Brahms:
08. Waltz, Op.35, No.15 in A-Flat
Chopin:
09. Mazurka, Op.7, No.3 in F Minor
Mendelssohn-Bartholdy:
10. Lieder ohne Worte: The Shepherd’s Complaint, Op.67, No.5
Chopin:
11. Nocturne, Op.72, No.1 in E Minor
Liszt:
12. Fun???railles, No.7
Recorded [1] January 4, 1953; [2] April 28, 1951; [3,4&10] October 29, 1946; [5] May 19, 1947; [6] April 23, 1951; [7] May 10, 1950; [8] October 10, 1950; [9] December 22, 1947; [11] February 23, 1953; [12] December 19, 1950
CD 31
Schumann: Grand Sonata No.3, Op.14 in F Minor
01. I. Allegro brillante
02. II. Scherzo. Molto commodo
03. III. Quasi variazioni. Andantino de Clara Wieck
04. IV. Prestissimo possibile
Scriabin:
05. Sonata No.5, Op.53
Recorded [1-4] February 14&15, 1976; [5] February 28&29, 1976
CD 32
Liszt:
01. Sonata in B Minor
Faur???:
02. Impromptu No.5, Op.102
03. Nocturne No.13 in B Minor, Op.119
Recorded [1] November 21, 1976; [2&3] September 9, 1977
CD 33
Rachmaninov: Piano Concerto No.3, Op.30 in D Minor
01. I. Allegro ma non tanto
02. II. Intermezzo: Adagio
03. III. Finale: Alla breve
New York PhO, Eugene Ormandy
Recorded Carnegie Hall, January 8, 1978
CD 34
Schumann: Humoreske Op.20
01. Einfach
02. Sehr rasch und leicht
03. Noch rascher
04. Hastig
05. Nach und nach immer lebhafter und st???rker
06. Einfach und zart
07. Intermezzo
08. Innig
09. Sehr lebhaft
10. Mit einigem Pomp
11. Zum Beschlu???
Rachmaninov:
12. Barcarolle, Op.10, No.3
13. Humoresque, Op.10, No.5
Liszt:
14. Consolation No.3
15. Mephisto Waltz No.1
Recorded [1-13&15] April 7,8&15, 1979; [14] April 22, 1979
CD 35
Schumann: Fantasiestucke Op.111
01. Molto vivace ed appassionatamente
02. Pi??? tosto lento
03. Con forza, assai marcato
Schumann: Nachtstucke Op.23
04. No.3 in D-Flat
05. No.4 in F
Mendelssohn-Bartholdy:
06. Scherzo a capriccio. Presto
Rachmaninov: Sonata No.2, Op.36 in B-Flat Minor
07. I. Allegro agitato
08. II. Non allegro. Lento
09. III. L’istesso tempo. Allegro molto
Recorded April 13 & May 2,4&11, 1980
CD 36
Scarlatti:
01. Sonata in A-Flat, Kk.127, L.186: Allegro
02. Sonata in F Minor, Kk.466, L.118: Andante moderato
03. Sonata in F Minor, Kk.184, L.189: Allegro
04. Sonata in A, Kk.101, L.494: Allegro
05. Sonata in B Minor, Kk.87, L.33: Andante mosso
06. Sonata in E, Kk.135, L.224: Allegro molto
Chopin:
07. Ballade No.4 in F Minor, Op.52
Liszt:
08. Ballade No.2 in B Minor
Chopin:
09. Waltz in A-Flat, Op.69, No.1 "L’adieu"
Rachmaninov:
10. Prelude in G Minor, Op.23, No.5
Recorded November 1, 1981
CD 37
Clementi: Sonata quasi Concerto Op.33, No.3
01. I. Allegro con spirito
02. II. Adagio e cantabile, con espressione
03. III. Presto
Chopin:
04. Barcarolle, Op.60
05. ???tude in C-Sharp Minor, Op.25, No.7
06. ???tude, Op.10, No.5 in G-Flat "Black Keys"
Rachmaninov:
07. Prelude in G, Op.32 No.5
08. Moment musicale, Op.16, No.2 in E-Flat Minor
09. Polka V.R.
Recorded [1-3] April 1979; [4-5] April 13, 1980; [6] May 4, 1980; [7-9] June 24, 1977
CD 38
01. God Save the Queen
Chopin:
02. Polonaise-Fantaisie, Op.61
03. Ballade No.1, Op.23 in G Minor
Schumann: Kinderszenen Op.15
04. Von fremden L???ndern und Menschen
05. Kuriose Geschichte
06. Haschemann
07. Bittendes Kind
08. Gl???ckes genug
09. Wichtige Begebenheit
10. Tr???umerei
11. Am Kamin
12. Ritter vom Steckenpferd
13. Fast zu ernst
14. F???rchtenmachen
15. Kind im Einschlummern
16. Der Dichter spricht
Scriabin:
17. Etude, Op.8, No.12 in D-Sharp Minor
Recorded London, May 22, 1982
CD 39
Scarlatti:
01. Sonata, K.531 (L.430) in E
02. Sonata, K.87 (L.33) in B Minor
03. Sonata, K.380 (L.23) in E
04. Sonata, K.455 (L.209) in G
05. Sonata, K.322 (L.483) in A
06. Sonata, K.46 (L.25) in E
Chopin:
07. Nocturne in E Minor, Op.72, No.1
08. Mazurka, Op.17 No.4, in A Minor
Scarlatti:
09. Etude in C-Sharp Minor, Op.2, No.1
Liszt:
10. Valse oubli???e No.1
Poulenc:
11. Presto in B-Flat
Moszkowski:
12. Etude in F, Op.72, No.6
Mendelssohn-Bartholdy:
13. May Breezes, No.1
Bizet-Horowitz:
14. Variations on a Theme from "Carmen"
15. Carmen Fantasy
Sousa:
16. Stars and Stripes Forever
Recorded [1] November 7, 1947; [2] November 21, 1947; [3&4] October 24, 1946; [5&6] November 27, 1946; [7] January 5, 1952; [8] November 23, 1975; [9] May 12, 1950; [10] February 25, 1930; [11] May 16, 1947; [12] October 10, 1950; [13] October 29, 1946; [14] April 2, 1928; [15] May 14, 1957; [16] December 29, 1950
CD 40
Chopin: Sonata No.2, Op.35
01. I. Grave – Doppio movimento
02. II. Scherzo
03. III. Marche fun???bre. Lento
04. IV. Finale. Presto
Rachmaninov:
05. ???tude-Tableau in C major, Op.33, No.2; Allegro
06. ???tude-Tableau in E-flat minor, Op.39, No.5; Appassionato
Schumann:
07. Arabeske in C major, Op.18
Liszt:
08. Hungarian Rhapsody No. 19 in D minor
Recorded April 18&24 & May 9&14, 1962
CD 41
Schumann: Kinderszenen Op.15
01. Von fremden L???ndern und Menschen
02. Kuriose Geschichte
03. Hasche-Mann
04. Bittendes Kind
05. Gl???ckes genug
06. Wichtige Begebenheit
07. Tr???umerei
08. Am Kamin
09. Ritter vom Steckenpferd
10. Fast zu ernst
11. F???rchtenmachen
12. Kind im Einschlummern
13. Der Dichter spricht
14. Toccata in C major, Op.7. Allegro
Scarlatti:
15. Sonata in E Major, K. 531 (L.430)
16. Sonata in A Major, K. 322 (L.483)
17. Sonata in G Major, K. 455 (L.209)
Schubert:
18. Impromptu in G-flat Major, Op.90. No.3
Scriabin:
19. Po???me in F-sharp Major, Op.32, No.1
20. ???tude in C-sharp minor, Op.2, No.1
21. ???tude in D-sharp minor, Op.8, No.12
Recorded November 6,13&29 & December 18, 1962
CD 42
Beethoven: Sonata No.8, Op.13 in C Minor ???Pathetique???
01. I. Grave – Allegro di molto e con brio
02. II. Adagio cantabile
03. III. Rondo. Allegro
Debussy: 3 Preludes from Book II
04. IV. …Les f???es sont d’exquises danseuses Rapide et l???ger
05. V. …Bruyer???s. Calme
06. VI. …General Lavine – eccentric. Dans le style et le Mouvement d’un Cake-Walk
Chopin:
07. ???tude in C minor, Op.10. No.12
08. ???tude in C-sharp minor, Op.25, No.7
09. Scherzo No.1 in B minor, Op.20
Recorded [1-7] November 4, 1963; [8&9] November 14, 1963
CD 43
Scarlatti:
01. Sonata in D Major, K.33 (L.424)
02. Sonata in A minor, K.54 (L.241)
03. Sonata in F Major, K.525 (L.188)
04. Sonata in F minor, K.466 (L.118)
05. Sonata in G Major, K.146 (L.349)
06. Sonata in D Major, K.96 (L.465)
07. Sonata in E Major, K.162 (L.21)
08. Sonata in E-flat Major, K.474 (L.203)
09. Sonata in E minor, K.198 (L.22)
10. Sonata in D Major, K.491 (L.164)
11. Sonata in F minor, K.481 (L.187)
12. Sonata in A Major, K.39 (L.391)
Recorded 1964
CD 44
J.S.Bach-Busoni: Toccata, Adagio & Fugue in C BWV 564
01. I. Preludio, quasi improvvisando. Tempo moderato
02. II. Intermezzo. Adagio
03. III. Fuga. Moderamente scherzando, un poco umoristico
Schumann: Fantasie Op.17 in C
04. I. Durchaus phantastisch und leidenschaftlich vorzutragen
05. II. M???ssig. Durchaus energisch
06. III. Langsam getragen. Durchweg leise zu halten
Recorded Carnegie Hall, May 9, 1965
CD 45
Scriabin:
01. Sonata No.9 in F Major, Op.68 "Black Mass"
02. Po???me in F-sharp Major, Op.32, No.1
Chopin:
03. Mazurka No.4 in C-sharp minor, Op.30
04. ???tude in F Major, Op.10, No.8
05. Ballade No.1 in G minor, Op.23
Debussy:
06. Serenade for the Doll from Children’s Corner
Scriabin:
07. ???tude in C-sharp minor, Op.2, No.1
Moszkowski:
08. ???tude in A-flat Major, Op.72, No.11
Schumann:
09. Tr???umerei from Kinderszenen, Op.15
Recorded Carnegie Hall, May 9, 1965
CD 46
Haydn: Sonata in F Hob.XVI:23
01. I. Allegro
02. II. Adagio
03. III. Finale. Presto
Schumann: Blumenstuck Op.19
04. Leise bewegt
Scriabin:
05. Sonata No.10 in C Major, Op.70
Debussy:
06. L’Isle joyeuse
Recorded Carnegie Hall, 1966
CD 47
Mozart: Sonata No.11 in A K.331
01. I. Tema. Andante grazioso e variazioni
02. II. Menuetto – Trio
03. III. (Rondo) alla Turca. Allegretto
Chopin:
04. Nocturne No.1 in E Minor, Op.72
05. Mazurka No.4 in B minor, Op.33
Liszt:
06. Vall???e d’Obermann (from Annees de pelerinage, Premiere annee: Suisse, No.6)
Recorded Carnegie Hall, 1966
CD 48
Chopin:
01. Ballade No.1 in G minor, Op.23
02. Nocturne in F minor, Op.55, No.1
03. Polonaise in F-sharp minor, Op.44
Scarlatti:
04. Sonata in E Major, K.380 (L.23)
05. Sonata in E Major, K.55 (L.335)
Schumann:
06.Arabeske in C Major, Op.18
Scriabin:
07. ???tude in D-sharp minor, Op.8, No.12
Schumann:
08. Tr???umerei (No.7 from Kinderszenen, Op.15)
Horowitz:
09. Variations on a Theme from Bizet’s Opera Carmen
Recorded Carnegie Hall, January & February 1968
CD 49
Schumann:
01. Variations on a Theme by Clara Wieck from Sonata No.3
Kreisleriana, Op.16
02. ???usserst bewegt
03. Sehr innig und nicht zu rasch
04. Sehr aufgeregt05. Sehr langsam
06. Sehr Lebhaft
07. Sehr langsam
08. Sehr rasch
09. Schnell und spielend
Recorded [1] February 5&14, 1969; [2-9] December 1, 1969
CD 50
Rachmaninov:
Sonata No.2 in B-Flat Minor Op.36
01. I. Allegro agitato
02. II. Non allegro
03. III. Allegro molto
04. Prelude in G-sharp minor, Op.32, No.12
05. Moments musicaux in B minor, Op.16, No.3
06. ???tude-Tableau in E-flat minor, Op.33, No.5
07. ???tude-Tableau in C Major, Op. 3, No.2
08. ???tude-Tableau in D Major, Op.39, No.9
Recorded [1-5] Decermber 15, 1968; [6-8] December 10, 1967
CD 51
Chopin:
01. Polonaise-Fantaisie in A-flat Major, Op.61
02. Mazurka in A minor, Op.17, No.4
03. ???tude in G-flat Major, Op.10, No.5
04. Introduction and Rondo in E-flat Major, Op.16
05. Waltz in A minor, Op.34, No.2
06. Polonaise in A-flat Major, Op.53 "Heroic"
Recorded [1] April 17, 1966; [2-6] April 14, 1971
CD 52
Scriabin:
01. Feuillet d’album in E-flat Major, Op.45, No.1
02. ???tude in F-sharp minor, Op.8, No.2
03. ???tude in B-flat minor, Op.8, No.11
04. ???tude in D-flat Major, Op.8, No.10
05. ???tude in A-flat Major, Op.8, No.8
06. ???tude in F-sharp Major, Op.42, No.3
07. ???tude in F-sharp Major, Op.42, No.4
08. ???tude in C-sharp minor, Op.42, No.5
09. Sonata No.10 in C Major for Piano, Op.70
10. Po???me, Op.69 No.1
11. Po???me, Op.69 No.2
12. Allegro moderato from Vers la flamme, Op.72
Recorded [1-8&10-12] 1972; [9] 1966
CD 53
Beethoven: Sonata No.14 in C-Sarp Minor Op.27 No.2 ???Moonlight???
01. I. Adagio sostenuto
02. II. Allegretto
03. III. Presto agitato
Schubert:
04. Impromptu in A-flat Major, Op.90, No.4 (D899)
05. Impromptu in F minor, Op.142, No. 1 (D935)
06. Impromptu in A-flat Major, Op.142, No.2 (D935)
07. Impromptu in E-flat Major, Op.90, No.2 (D899)
Recorded [1-3] April 20, 1972; [4-7] January 10&24, 1973
CD 54
Beethoven: Sonata No.23 in F Minor, Op.57 ???Appassionata???
01. I. Allegro assai
02. II. Andante con moto – attacca
03. III. Allegro, ma non troppo – Presto
Beethoven: Sonata No.21 in C, Op.53 ???Waldstein???
04. I. Allegro con brio
05. II. Introduzione. Adagio molto – attacca
06. III. Rondo. Allegretto moderato – Prestissimo
Recorded [1-3] October 25, 1972; [4-6] December 20, 1972
CD 55
Chopin:
01. Mazurka in F-sharp minor, Op.59, No.3
02. Mazurka in C-sharp minor, Op.50, No.3
03. Mazurka in D-flat Major, Op.30, No.3
04. Mazurka in F minor, Op.7, No.3
05. Mazurka in E minor, Op.41, No.2
06. Mazurka in D Major, Op.33, No.2
07. ???tude in C-sharp minor, Op.10, No.4
08. ???tude in E Major, Op.10, No.3
09. ???tude in C minor, Op.10, No.12
10. Pr???lude in B minor, Op.28, No.6
11. Waltz in C-sharp minor, Op.64, No.2
12. Polonaise in A Major, Op.40, No.1
Recorded 1968-1973
CD 56
Beethoven:
01.Leonore Overture No.3, Op.72a
(New York PhO, Leonard Bernstein conduct)
Tchaikovsky: from Trio Op.50
02. I. Pezzo elegaico
(V.Horowitz, I.Stern & M.Rostropovich)
Rachmaninov: from Sonata Op.19
03. III. Andante
(V.Horowitz & M.Rostropovich)
Recorded Carnegie Hall, May 18, 1976
CD 57
Schumann: Dichterliebe Op.48
01. I. Im wunderschonen Monat Mai,… : Langsam, zart
02. II. Aus meinen Thranen spriessen… : Nicht schnell
03. III. Die Rose, die Lilie,… : Munter
04. IV. Wenn ich in deine Augen seh’,… : Langsam
05. V. Ich will meine Seele tauchen… : Leise
06. VI. Im Rhein, im heilegen Strome,… : Ziemlich Langsam
07. VII. Ich grolle nicht,… : Nicht zu schnell
08. VIII. Und wussten’s die Blumen,…
09. IX. Das ist ein Floten und Geigen… : Nicht zu rasch
10. X. Hor’ich das Liedchen klingen,… : Langsam
11. XI. Ein Jungling liebt ein Madchen,…
12. XII. Am leuchtenden Sommermorgen… : Zeimlich langsam
13. XIII. Ich hab’im Traum geweinet,… : Leise
14. XIV. Allnachtlich im Traume…
15. XV. Aus alten Marchen winkt es… : Lebendig
16. XVI. Die alten, bosen Lieder,… : Zeimlich langsam
(V.Horowitz & Dietrich Fischer-Dieskau)
J.S.Bach: Concerto in D Minor for Two Violins, BWV 1043
17. I. Vivace
18. II. Largo ma non tanto
19. III. Allegro
(Y.Menuhin & I.Stern; New York PhO, Leonard Bernstein conduct)
Tchaikovsky:
20. Pater Noster from Nine Sacred Pieces
(Oratorio Society of New York, Lyndon Woodside conduct)
Handel:
21. Hallelujah Chorus from Messiah (No.44 from Part Two)
(Dietrich Fischer-Dieskau & Oratorio Society of New York, Lyndon Woodside conduct)
Recorded Carnegie Hall, May 18, 1976
CD 58
Scarlatti:
01. Sonata in G K.547 (L.28)
02. Sonata in B Minor K.197 (L.147)
03. Sonata in F-Sharp K.24 (L.480)04. Sonata in D Minor K.52 (L.267)
05. Sonata in G K.201 (L.129)
06. Sonata in C Minor K.303 (L.9)
Chopin:
07. Pr???lude in D-flat Major, Op.28, No.15
08. ???tude in E-flat minor, Op.10, No.6
09. ???tude No.2 in A-flat Major from "Trois Nouvelles ???tudes"
Liszt:
10. Consolation No.2 in E, S.172 (R.12)
Debussy:
11. Pour les arpeges composes (???tude No.11): Dolce e lusingando
12. La terrasse des audiences du clair de lune (Pr???lude No.7 from Book II)
Mendelssohn-Bartholdy:
13. ???tude in A Minor, Op.104b, No.3
Liszt:
14. Scherzo & Marsch, S.177, (R.20)
Medtner:
15. Fairy Tale in A Major, Op.51 No.3
Scriabin:
16. Feuillet d’album, Op.58
17. ???tude Op.65, No.3
Recorded 1961-1972
CD 59
Clementi:
01. Sonata in E-flat Major, Op. 12 No 2; III. Rondo. Allegro assai
02. Adagio sostenuto in F Major from Book I, No.14 of Gradus ad Parnassum
03. Sonata in B-flat Major, Op.25, No.3; II. Rondo. Vivace
04. Sonata in A Major, Op.50 No.1; II. Adagio sostenuto e patetico
J.S.Bach:
05.Chorale Prelude "ich ruf’ zu dir, Herr Jesu Christ"
Scarlatti:
06. Sonata in F-sharp Major, K.319 (L.35)
07. Sonata in G Major, K.260 (L.124)
Haydn: Sonata in C, Hob.XVI:48
08. I. Andante con espressione
09. II. Rondo. Presto
Beethoven: Sonata in A, Op.101
10. I. Allegretto ma non troppo
11. II. Vivace alla marcia
12. III. Adagio ma non troppo, con affetto – Allegro
Recorded 1961-1972
CD 60
J.S.Bach: Toccata BWV 911 in C Minor
01. Toccata
02. Fugue
Clementi:
Sonata in A, Op.36 No.1
03. Allegro
04. Presto
05. Sonata Op.24 No.2/Op.47 No.2 in B-Flat – I. Allegro con brio
06. Sonata Op.34 No.1 in C – II. Un poco andante, quasi allegretto
Mendelssohn-Bartholdy:
07. Lieder ohne Worte Op.67 No.3 in B-Flat
Chopin:
08. Fantaisie, Op.49, in F Minor
09. Polonaise, Op.26, No.1 in C-Sharp Minor
10. Mazurka, Op.30, No.2, in B Minor
Liszt:
11. Consolation No.4 in D-Flat
12. Consolation No.5 in E
Rachmaninov:
13. Etude-tableau, Op.39, No.7, in C Minor
Recorded Carnegie Hall, [1&2] March 21, 1949; [3&4] January 17, 1949; [5&6] March 20, 1950; [7] February 21, 1949, [8] February 2, 1948, [9,11&12] April 24, 1950; [10&13] March 28, 1945
CD 61
Debussy: Etudes Book I
01. No.1. Pour les cinq doigts
02. No.4. Pour les sixtes
03. No.6. Pour les huit doigts
Prokofiev: Cinderella
04. No.1. Intermezzo
05. No.3. Valse lente
Poulenc:
06. Intermezzo No.2 in D-Flat
07. Novellette No.1 in C
Kabalevsky: Sonata No.2, Op.45 in E-Flat
08. Allegro moderato. Festivamente
09. Andante sostenuto
10. Presto assai
Barber: Excursions Op.20
11. No.1. Un poco allegro
12. No.2. In slow blues tempo
13. No.4. Allegro molto
Kabalevsky: Preludes‧Op.38
14. No.1 in C
15. No.3 in G
16. No.8 in F-Sharp Minor
17. No.10 in C-Sharp Minor
18. No.16 in B-Flat Minor
19. No.17 in A-Flat
20. No.22 in G Minor
21. No.24 in D Minor
Recorded Carnegie Hall, [1,2,4&5] January 17, 1949; [3] April 2, 1948; [6] March 21, 1948; [8-10] February 3, 1947; [11-13] March 28, 1945; [14-21] April 26 1947
CD 62
01. Applause
Schumann:
02. Blumenst???ck in D-Flat, Op.19
Sonata No.3 in F Minor, Op.14
03. Allegro brillante
04. Scherzo. Molto commodo
05. Quasi variazioni. Andantino de Clara Wieck
06. Prestissimo possibile
Recorded Carnegie Hall, November 16, 1975
CD 63
01. Applause
Rachmaninov:
02. Prelude in G, Op.32 No.5
03. Etude-tableau in E-Flat Minor, Op.39 No.5
Liszt:
04. Valse oubli???e No.1 in F-Sharp
05. Au bord d’une source (Ann???es de p???lerinage, premi???re ann???e, Suisse, No.5)
Chopin:
06. Waltz in A Minor, Op.34 No.2
07. Scherzo No.1 in B Minor, Op.20
Debussy:
08. Serenade of the Doll (Children’s Corner, No.3)
Schumann:
09. Tr???umerei (Kinderszenen, Op.15 No.7)
Moszkowski:
10. ???tincelles, Op.36 No.6
Rachmaninov:
11. Etude-tableau in D, Op.39 No.9
Recorded Carnegie Hall, November 16, 1975
CD 64
J.S.Bach-Busoni: Toccata, Adagio and Fugue in C, BWV 564
01. I. Preludio, quasi improvvisando. Tempo moderato
02. II. Intermezzo. Adagio
03. III. Fuga. Moderamente scherzando, un poco umoristico
Schumann: Fantasie in C, Op.17
04. I. Durchaus phantastisch und leidenschaftlich vorzutragen
05. II. M???ssig. Durchaus energisch
06. III. Langsam getragen. Durchweg leise zu halten
Scriabin:
07. Sonata No. 9 in F Major, Op.68 "Black Mass"
08. Po???me in F-sharp Major, Op.32, No.1Recorded Carnegie Hall, May 9, 1965
Recorded Carnegie Hall, May 9, 1965
CD 65
Chopin:
01. Mazurka No.4 in C-sharp minor, Op.30
02. ???tude in F Major, Op.10, No.8
03. Ballade No.1 in G minor, Op.23
Debussy:
04. Serenade for the Doll from Children’s Corner
Scriabin:
05. ???tude in C-sharp minor, Op. 2, No. 1
Moszkowski:
06. ???tude in A-flat Major, Op. 72, No. 11
Schumann:
07. Tr???umerei from Kinderszenen, Op.15
Schumann: Kinderszenen Op.15
08. 1. Von fremden L???ndern und Menschen
09. 2. Kuriose Geschichte10. 3. Hasche-Mann
11. 4. Bittendes Kind
12. 5. Gl???ckes genug
13. 6. Wichtige Begebenheit
14. 7. Tr???umerei
15. 8. Am Kamin16. 9. Ritter vom Steckenpferd
17. 10. Fast zu ernst
18. 11. F???rchtenmachen
19. 12. Kind im Einschlummern
20. 13. Der Dichter spricht
Recorded [1-7] Carnegie Hall, May 9, 1965; [8-20] – ?
CD 66
Haydn: Sonata in E-Flat, Hob. XVI:49
01. I. Allegro
02. II. Adagio e cantabile
03. III. Finale. Tempo di Minuet
Chopin:
04. Mazurka No.3 in C minor, Op.56
05. Nocturne No.2 in E-flat Major, Op.55
06. Fantaisie-Impromptu, Op.66
07. ???tude in A-flat Major, Op.25, No.1 "Aeolian Harp"
08. ???tude in E minor, Op.25, No.5
09. Nocturne in B Major, Op.62, No.1
Liszt:
10. Weinen, Klagen, Sorgen, Zagen, Pr???ludium; based on a theme from Bach’s Cantata No.12
Wagner-Liszt:
11. Isolde’s Liebestod from Tristan und Isolde
Recorded October 20, 1989
CD 67
Schumann:
01. Variations on a Theme by Clara Wieck, Op. 14
Mozart: Sonata in B-Flat K.333 ???Linzer Sonate???
02. I. Allegro
03. II. Andante cantabile
04. III. Allegretto grazioso
Prokofiev: Sonata No.7 in B-Flat, Op.83
05. I. Allegro inquieto
06. II. Andante caloroso
07. III. Precipitato
Recorded Carnegie Hall, March 5, 1951 (Previously unreleased)
CD 68
Chopin:
01. Mazurka in B-Flat Minor, Op.24, No.4
02. Polonaise in C-Sharp Minor, Op.26, No. 1
03. Polonaise in A Major, Op.40, No.1 "Military"
04. Etude in E-Flat Minor, Op.10, No.6
05. Etude in C-Sharp Minor, Op.10, No.4
06. Grande Valse Brillante in A Minor, Op.34, No.2
Liszt
07. Valse Oubli???e No.1
08. Hungarian Rhapsody No.6 in D-Flat Major
Scarlatti:
09. Sonata in A Major, Kk.322, L.483
Mendelssohn-Bartholdy:
10. Song without words No.25 "May Breezes", Op.62, No.1
Scriabin:
11. Etude in C-Sharp Minor, Op.2, No.1
Moszkowski:
12. Etincelles, Op.36, No.6
Recorded Carnegie Hall, March 5, 1951 (Previously unreleased)
CD 69
01. Applause
Beethoven: Sonata in A, Op.101
02. I. Etwas lebhaft und mit der innigsten Empfindung: Allegretto, ma non troppo
03. II. Lebhaft – Marschm??????ig: Vivace alla marcia
04. III. Langsam und sehnsuchtsvoll: Adagio, ma non troppo, con affetto – attaca: IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit: Allegro
Chopin:
05. Barcarolle in F-Sharp Major, Op.60
06. Nocturne No.15 in F Minor, Op.55, No. 1
07. Polonaise No.5 in F-Sharp Minor, Op. 44
Recorded Carnegie Hall, November 12, 1967 (Previously unreleased)
CD 70
01. Applause
Scarlatti:
02. Sonata in A Major, Kk.101, L.494
03. Sonata in F-Sharp Major, Kk.319, L.35
04. Sonata in G Major, Kk.260, L.124
05. Sonata in F Minor, Kk.466, L.118
06. Sonata in G Major, Kk.55, L.335
Schumann:
07. Arabeske, Op.18
Rachmaninov:
08. Etude-tableau in E-Flat Minor, Op.39, No.5
09. Etude-tableau in D Major, Op.39, No.9
Schumann:
10. Kinderszenen, Op.15 – No.7 Tr???umerei
Chopin:
11. Mazurka in F Minor, Op.7, No.3
Bizet-Horowitz:
12. Variations on a Theme from Bizet’s Carmen
Recorded Carnegie Hall, November 12, 1967 (Previously unreleased)
Vladimir Horowitz (piano)
Living is sharing!
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———- Post added at 06:50 PM ———- Previous post was at 06:42 PM ———-
Franz Schubert – The Collector’s Edition [50 CD] (2007)
MP3 320 kbps, 6.7 Gb
(CD1)
Symphony No. 1 in D Major, D82
Symphony No. 2 in B-flat Major, D125
Alfonso und Estrella Overture, D732
(CD2)
Symphony No. 3 in D Major, D200
Symphony No. 4 in C minor, D417
Overture in the Italian Style in D Major, D590
Overture in the Italian Style in C Major, D591
(CD3)
Symphony No. 5 in B-flat Major, D485
Symphony No. 6 in C Major, D589
Die Zwillingsbruder Overture, D647
(CD4)
Symphony No. 8 in B minor, D759
Symphony No. 9 in C Major, D944
(CD5)
Rosamunde, D797
(CD6)
Octet in F Major, D803
(CD7)
Piano Quintet in A Major, D667
Introduction, Theme and Variations for Flute and Piano on ‘Trockne Blumen’, D802
(CD8)
Quartet for Flute, Guitar, Viola and Cello in G Major, D96
Sonata ‘Arpeggione’ for Viola and Piano in A minor, D821
(CD9)
String Quintet in C Major, D956
(CD10)
String Quartet in G Major, D887
(CD11)
String Quartet in A minor, D804
String Quartet in D minor, D810
(CD12)
String Quartet in D Major, D94
String Quartet in B-flat Major, D112
String Quartet in G minor, D173
(CD13)
String Quartet in E-flat Major, D87
String Quartet in E Major, D353
String Quartet in C minor, D703
(CD14)
Piano Trio No. 1 in B-flat Major, D898
Sonatensatz in B-flat Major, D28
Notturno (Adagio) in E-flat Major, D897
(CD15)
Piano Trio No. 2 in E-flat Major, D929
Sonata (Duo) for Violin and Piano in A Major, D574
(CD16)
Fantasy for Violin and Piano in C Major, D934
Rondeau Brillant for Violin and Piano in B minor, D895
Sonatina No. 1 for Violin and Piano in D Major, D384
(CD17)
Sonatina No. 2 for Violin and Piano in A minor, D385
Sonatina No. 3 for Violin and Piano in G minor, D408
Adagio and Rondo Concertante for Piano, Violin and Strings in F Major, D487
(CD18)
Fantasy in F minor for Piano 4 Hands, D940
Variations on an Original Theme in A-flat Major for Piano 4 Hands, D813
Rondo in A Major for Piano 4 Hands, D951
Divertissement a la Hongroise in G minor for Piano 4 Hands, D818
(CD19)
Allegro in A minor for Piano 4 Hands (‘Lebenssturme’), D947
Divertissement a la Francaise in E minor for Piano 4 Hands, D823
Grande Marche Heroique in A minor for Piano 4 Hands, D885
(CD20)
Sonata ‘Grand Duo’ in C Major for Piano 4 Hands, D812
Marches Militaires for Piano 4 Hands, D733
Marches Caracteristiques for Piano 4 Hands, D886
(CD21)
6 Grandes Marches for Piano 4 Hands, D819
Grande Marche Funebre in C minor, D859
Marche in G Major for Piano 4 Hands (‘Kindermarsch’), D928
(CD22)
Impromptus, D899
Impromptus, D935
(CD23)
Klavierstucke, D946
Allegretto in C minor, D915
Galop in G Major, D735
Cotillon in E-flat, D976
2 Ecossaises in D Major, D783
Variation on a Waltz by Diabelli in C minor, D718
12 Deutsche Landler, D790
(CD24)
Moments Musicaux, DV 780
Fantasy in C Major, D760
(CD25)
Sonata in A minor, D784
Albumblatt in G Major, D844
Sonata in A minor, D537
Scherzos, D593
(CD26)
Sonata in A Major, D664
Sonata in B-flat Major, D960
(CD27)
Sonata in C minor, D958
Sonata in A Major, D959
(CD28)
Sonata in E-flat Major, D568
Sonata in B-flat Major, D575
(CD29)
Sonata in A minor, D845
Sonata in D Major, D850
(CD30)
Sonata in G Major, D894
Valses Sentimentales, D779
(CD31)
Valse Noble, D969
Grazer Walzer, D924
Waltzes, D145
(CD32)
Mass in E-flat Major for Soloists, Chorus and Orchestra, D950
(CD33)
Deutsche Messe for Chorus, Wind, Timpani and Organ, D872
Nachtgesang im Walde for Men’s Chorus and 4 Horns, D913
Gesang der Geister ьber den Wassern for Men’s and String Orchestra, D714
(CD34)
Stabat Mater in F, D383
Missa Brevis in B-flat, D324
(CD35)
Mass in A-flat for Soloists, Chorus and Orchestra, D678
Magnificat in C for Soloists, Chorus, Orchestra and Organ, D486
(CD36)
Mass in F for Soloists, Chorus & Orchestra, D105
Mass in G for Soloists, Chorus, Orchestra & Organ ("Missa Brevis"), D167
(CD37)
Mass in C for Soloists, Chorus, Orchestra & Organ, D452
Auguste Jam Coelestium in G for Soprano, Tenor & Oorchestra, D488
Salve Regina in A, D676
Tantum Ergo in D, D750
(CD38)
Lazarus oder Die Feier der Auferstehung, D689
(CD39)
Mirjams Siegesgesang, D942
Gott im Ungewitter, D985
Psalm 23 (‘Gott ist mein Hirt’) for Female Chorus, D706
An die Sonne, D439
Coronach, D836
Hymne an den Unendlichen, D232
Gott der Weltschopfer, D986
(CD40)
4 Gesange for 4 Part Male Voices, D983
Gesang der Geister uber den Wassern (a cappella), D538
Sehnsucht, D656
Mondenschein, D875
Der Hirt auf dem Felsen, D965
Auf dem Strom, D943
Viola, D786
Mitleiden Maria, D632
(CD41)
Gott in der Natur (4-Part Women’s Chorus), D757
Die Advokaten (2 Tenors, Bariton), D37
Trinklied (Tenor, Chorus), D148
Willkommen, lieber schoner Mai (3 Sopranos, 3 Tenors), D244
Ruhe, schonstes Gluck der Erde (4-Part Men’s Chorus), D657
Naturgenub (Chorus), D422
Fruhlingsgesang (Chorus), D740
Der Schnee zerrinnt (3-Part Women’s Chorus), D130
Fruhlingslied (2 Tenors, Bass), D243
Nachtmusik (4-Part Men’s Chorus), D848
Fruhlingslied (4-Part Men’s Chorus), D914
Nachthelle (Tenor, Chorus), D892
Der Gondelfahrer (Chorus), D809
Die Nachtigall (Chorus), D724
(CD42)
Standchen (Mezzo-Soprano, Chorus), D920
Der Entfernten (Chorus), D331
Wein und Liebe (4-Part Men’s Chorus), D901
Erinnerungen (4-Part Men’s Chorus), D424
Nur wer die Sehnsucht kennt (Chorus), D656
Im Gegenwartigen Vergangenes (Chorus), D710
Bootsgesang (Chorus), D838
Der Geistertanz (5-Part Men’s Chorus), D494
Schlachtgesang (8-Part Double Chorus for Male Voices), D912
Das Dorfchen (Chorus), D641
An der Fruhling (Chorus), D338
Punschlied (Chorus), D277
(CD43)
Songs (arr. Franz Liszt)
(CD44)
Schwestergrub, D762
Schlummerlied, D527
An die untergehende Sonne, D457
Mignon – Kennst du das Land, D321
Ellens Gesang I (Raster Krieger), D837
Ellens Gesang II (Jager, ruhe von der Jagd), D838
Ellens Gesang III (Ave Maria), D839
Wiegenlied, D867
Die junge Nonne, D828
Auf dem Wasser zu singen, D774
Der Tod und das Madchen, D531
An die Musik, D547
Fruhlingsglaube, D686
Heidenroslein, D257
(CD45)
An mein Herz, D860
Der Fluss, D693
Der Knabe, D692
Die Rose, D745
Der Schmetterling, D633
Fulle der Liebe, D854
Fischerweise, D881
Seligkeit, D433
Erster Verlust, D226
Auf dem See, D543
Standchen, D921
Lachen und Weinen, D777
Die Sterne, D939
(CD46)
An die Entfernte, D765
Der Schiffer, D694
Der Wanderer, D649
Nachtgesang, D314
Das Zugenglocklein, D871
Der Jungling und der Tod, D545
Das Heimweh, D456
Das Lied im Grunen, D917
Der Winterabend, D938
Der zurnende Barde, D875
Litanei auf das Fest Aller Seelen, D343
Sei mir gegrubt, D741
Der Jungling an der Quelle, D300
Der Erlkonig, D328
(CD47)
Der Wanderer an den Mond, D870
Der blinde Knabe, D833
Der Einsame, D800
Nacht und Traume, D827
Suleika I, D720
Ganymed, D544
Rastlose Liebe, D138
Wanderers Nachtlied, D768
Die Forelle, D550
Suleika II, D717
Der Musensohn, D764
Lied der Mignon, D877
Der Konig in Thule, D367
Gretchen am Spinnrade, D118
Du bist die Ruh, D776
Im Fruhling, D882
An Sylvia, D891
(CD48)
Die schone Mullerin, D795
(CD49)
Winterreise, D911
(CD50)
Schwanengesang, D957
Living is sharing!
…enjoy and say thanks…
———- Post added at 06:54 PM ———- Previous post was at 06:50 PM ———-
Verdi – The Great Operas (25CD Box Set) (1995)
MP3 320 kbps, 3.67 GB
CD1&2 – La Traviata – Montserrat Caballe, Carlo Bergonzi, Sherrill Milnes; Georges Pretre 1967
CD3&4 – Il Trovatore – Leontyne Price, Fiorenza Cossotto, Placido Domingo, Sherrill Milnes; Zubin Mehta 1970
CD5&6 – Rigoletto – Bernd Weikl, Lucia Popp, Giacomo Jaime Aragall; Lamberto Gardelli 1984
CD7&8 – Aida – Leontyne Price, Placido Domingo, Grace Bumbry, Sherrill Milnes; Erich Leinsdorf 1970
CD9&10 – Simon Boccanegra – Piero Cappuccilli, Ruggero Raimonid, Katia Ricciarelli, Placido Domingo; Gianandrea Gavazzeni 1973
CD11&12 – Un Ballo In Maschera – Leontyne Price, Carlo Bergonzi, Robert Merrill, Shirely Verrett; Erich Leinsdorf 1966
CD13&14 – Otello – Jon Vickers, Leonie Rysanek, Tito Gobbi; Tullio Serafin 1960
CD15&16 – Macbeth – Leonard Warren, Leonie Rysanek, Carlo Bergonzi; Erich Leinsdorf 1959
CD17&18 – Ernani – Carlo Bergonzi, Leontyne Price, Mario Sereni; Thomas Schippers 1967
CD19&20 – Luisa Miller – Anna Moffo, Carlo Bergonzi, Cornell MacNeil, Shirley Verrett; Fausto Cleva 1964
CD21&22 – Falstaff – Rolando Panerai, Alan Titus, Marilyn Horne, Frank Lopardo, Sharon Sweet; Colin Davis 1991
CD23&24&25 – La Forza Del Destino – Leontyne Price, Richard Tucker, Robert Merrill, Shirely Verrett; Thomas Schippers 1964
Living is sharing!
…enjoy and say thanks…
http://forums.ffshrine.org/f92/verdi-great-operas-25cd-box-set-1995-a-141127/#post2434906
———- Post added at 07:03 PM ———- Previous post was at 06:54 PM ———-
Mozart – Complete Piano Concertos (2001) (LOSSLESS)
APE (Img,cue,log), 2.45 Gb (+1%rec.)
CD01 – Piano Concerto No.20, 13
Piano Concerto No.20 in d-moll, KV 466
01 – I. Allegro
02 – II. Romance
03 – III. Allegro assai
Piano Concerto No.13 in C-dur, KV 415
04 – I. Allegro
05 – II. Andante
06 – III. Rondeau. Allegro
CD02 – Piano Concerto No.21, 12, 14
Piano Concerto No.21 in C-dur, KV 467
01 – I. Allegro maestoso
02 – II. Andante
03 – III. Allegro vivace assai
Piano Concerto No.12 in A-dur, KV 414
04 – I. Allegro
05 – II. Andante
06 – III. Allegretto
Piano Concerto No.14 in Es-dur, KV 449
07 – I. Allegro vivace
08 – II. Andantino
09 – III. Allegro ma non troppo
CD03 – Piano Concerto No.9, 27
Piano Concerto No.9 in Es-dur ‘Jeunehomme’, KV 271
01 – I. Allegro
02 – II. Andantino
03 – III. Rondeau. Presto
Piano Concerto No.27 in B-dur, KV 595
04 – I. Allegro
05 – II. Larghetto
06 – III. Allegro
CD04 – Piano Concerto No.23, 24
Piano Concerto No.23 in A-dur, KV 488
01 – I. Allegro
02 – II. Adagio
03 – III. Allegro assai
Piano Concerto No.24 in c-moll, KV 491
04 – I. Allegro
05 – II. Larghetto
06 – III. Allegretto
CD05 – Piano Concerto No.17, 18
Piano Concerto No.17 in G-dur, KV 453
01 – I. Allegro
02 – II. Andante
03 – III. Allegretto
Piano Concerto No.18 in B-dur, KV 456
04 – I. Allegro vivace
05 – II. Andante un poco sostenuto
06 – III. Allegro vivace
CD06 – Piano Concerto No.22, 11
Piano Concerto No.22 in Es-dur, KV 482
01 – I. Allegro
02 – II. Andante
03 – III. Allegro
Piano Concerto No.11 in F-dur, KV 413
04 – I. Allegro
05 – II. Larghetto
06 – III. Tempo di menuetto
CD07 – Piano Concerto No.25, 16, Rondo
Piano Concerto No.25 in C-dur, KV 503
01 – I. Allegro maestoso
02 – II. Andante
03 – III. Allegretto
Piano Concerto No.16 in D-dur, KV 451
04 – I. Allegro assai
05 – II. Andante
06 – III. Allegro di molto
07.Rondo in A-dur, KV 386
CD08 – Piano Concerto No.19, 6, 8
Piano Concerto No.19 in F-dur, KV 459
01 – I. Allegro
02 – II. Allegretto
03 – III. Allegro assai
Piano Concerto No.6 in B-dur, KV 238
04 – I. Allegro aperto
05 – II. Andante un poco adagio
06 – III. Rondeau. Allegro
Piano Concerto No.8 in C-dur ‘Lutzow’, KV 246
07 – I. Allegro aperto
08 – II. Andante
09 – III. Rondeau. Tempo di Menuetto
CD09 – Piano Concerto No.26, 5, Rondo
Piano Concerto No.26 in D-dur ‘Coronation’, KV 537
01 – I. Allegro
02 – II. Larghetto
03 – III. Allegretto
Piano Concerto No.5 in D-dur, KV 175
04 – I. Allegro
05 – II. Andante ma poco adagio
06 – III. Allegro
07.Rondo in D-dur, KV 382
CD10 – Piano Concerto No.15, 7, 10
Piano Concerto No.15 in B-dur, KV 450
01 – I. Allegro
02 – II. Andante
03 – III. Allegro
Piano Concerto No.7 in F-dur ‘Lodron’ (for 2 Pianos), KV 242
04 – I. Allegro
05 – II. Adagio
06 – III. Rondeau. Tempo di Menuetto
Piano Concerto No.10 in Es-dur (for 2 Pianos), KV 365
07 – I. Allegro
08 – II. Andante
09 – III. Rondeau. Allegro
CD11 – Piano Concerto No.1, 2, 3, 4
Piano Concerto No.1 in F-dur, KV 37
01 – I. Allegro
02 – II. Andante
03 – III. Allegro
Piano Concerto No.2 in B-dur, KV 39
04 – I. Allegro spiritoso
05 – II. Andante
06 – III. Molto allegro
Piano Concerto No.3 in D-dur, KV 40
07 – I. Allegro maestoso
08 – II. Andante
09 – III. Presto
Piano Concerto No.4 in G-dur, KV 41
10 – I. Allegro
11 – II. Andante
12 – III. Molto allegro
Living is sharing!
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http://forums.ffshrine.org/f92/mozart-complete-piano-concertos-2001-lossless-141128/#post2434919
Odeon: Mussorgsky, Lyadov ? Symphonic Miniatures ? Samuel Friedmann (http://odeonmusic.blogspot.gr/2013/08/mussorgsky-lyadov-symphonic-miniatures.html)
Odeon: Fumet, d’Indy, Honegger ? Symphonic works ? Fr???d???ric Bouaniche (http://odeonmusic.blogspot.gr/2013/08/fumet-dindy-honegger-symphonic-works.html)
APE (Image + cue + log) | 160 CD | 38 Gb (+1% rec.)
Vol.1 – Orchesrtal (87 CD)
CD1 (mono)
J. Strauss II: Die Fledermaus ??? Overture (p) 1952 (Recorded XI.1948)
[1] from 7243 5 66395 2 2 [1] ADD 8.32
An der sch???nen blauen Donau, Op.314 (p) 1948 (Recorded X.1946)
[2] from 7243 5 66395 2 2 [2] ADD 8.21
Kaiser-Walzer, Op.437 (p) 1947 (Recorded X.1946)
[3] from 7243 5 66395 2 2 [3] ADD 8.27
Perpetuum mobile, Op.257 (p) 1952 (Recorded I.1949)
[4] from 7243 5 66395 2 2 [4] ADD 2.37
K???nstlerleben-Walzer, Op.316 (p) 1947 (Recorded X.1946*)
[5] from 7243 5 66395 2 2 [5] ADD 7.42
Wien, Wieb und Gesang, Op.333 (p) 1951 (Recorded X.1949) ???
[6] from 7243 5 66395 2 2 [6] ADD 4.06
Josef Strauss: Sph???renklange-Walzer, Op.235 (p) 1950 (Recorded X.1949)
[7] from 7243 5 66395 2 2 [7] ADD 7.59
J. Strauss II: Unter Donner und Blitz Polka, Op.324 (p) 1952 (Recorded X.1949) ???
[8] from 7243 5 66395 2 2 [8] ADD 3.02
Der Zigeunerbaron ??? Overture (p) 1947 (Recorded X.1946*)
[9] from 7243 5 66395 2 2 [9] ADD 7.20
Wiener Philharmoniker
CD2 (mono)
Reznicek: Donna Diana ??? Overture (p)1951 (Recorded XII.1947) ???
[1] from 7243 5 66396 2 1 [1] ADD 4.03
J. Strauss II: Wienerblut-Walzer, Op.354 (p)1950 Recorded X.1949)
[2] from 7243 5 66396 2 1 [2] ADD 7.31
Josef Strauss: Transaktionen-Walzer, Op.184 (p) 1950 (Recorded X.1949)
[3] from 7243 5 66396 2 1 [3] ADD 7.53
Delirien-Walzer, Op.212 (p) 1950 (Recorded X.1949)
[4] from 7243 5 66396 2 1 [4] ADD 8.43
J. Strauss II: Leichtes Blut Polka, Op.319 (p) 1997 (Recorded X.1946*)
[5] from 7243 5 66396 2 1 [5] ADD 2.18
Pizzicato Polka (p) 1997 (Recorded X.1946*)
[6] from 7243 5 66396 2 1 [6] ADD 2.34
Trisch-Trasch Polka, Op.214 (p) 1952 (Recorded X.1949)
[7] from 7243 5 66396 2 1 [7] ADD 2.30
Geschichten aus dem Wienerwald, Op.325 (p) 1950 (Recorded XI.1948) ???
[8] from 7243 5 66396 2 1 [8] ADD 9.41
Wiener Philharmoniker
CD3 (mono)
Brahms: Symphony No.2 in D, Op.73 (p)1951 (Recorded X & XI.1949)
from 7243 5 66390 2 7 [1-4] ADD
[1] I Allegro non troppo 16.00
[2] II Adagio non troppo 10.52
[3] III Allegretto grazioso (Quasi andantino) 5.23
[4] IV Allegro con spirito 8.35
Mozart: Masonic Funeral Music, K.477 (p) 1949 (Recorded XII.1947) *
[5] from 7243 5 66390 2 7 [5] ADD 6.05
R. Strauss: Metamorphosen (p)1948 (Recorded X & XI.1947) ???
[6] from 7243 5 66390 2 7 [6] ADD 26.22
Wiener Philharmoniker
CD4 (mono)
Mozart: Adagio & Fugue, K.546 (p) 1948 (Recorded III.1947)
[1] from 7243 5 66391 2 6 [1] ADD 8.45
Adagio from Divertimento No.17, K.334 (p)1989 (Recorded X.1946 & XII.1947)
[2] from 7243 5 66391 2 6 [2] ADD 7.20
Beethoven: Symphony No.5 in C minor, Op.67 (p) 1950 (Recorded XI.1948)
from 7243 5 66391 2 6 [3-6] ADD
[3] I Allegro con brio 7.24
[4] II Andante con moto 10.44
[5] III Allegro 4.59
[6] IV Allegro 8.46
Symphony No.8 in F, Op.93 (p) 1947 (Recorded IX.1946)
from 7243 5 66391 2 6 [7-10] ADD
[7] I Allegro vivace e con brio 7.43
[8] II Allegretto scherzando 3.40
[9] III Tempo di Menuetto 4.25
[10] IV Allegro vivace 7.43
Wiener Philharmoniker
CD5 (mono)
Mozart: Three German Dances, K.605 ??? No.3 in C ‘Die Schlittenfahrt’ (p) 1989
[1] from 7243 5 66389 2 1 [1] ADD 1.41
Six German Dances, K.600 ??? No.5 in G ‘Der Kanarienvogel’ (p) 1989
[2] from 7243 5 66389 2 1 [2] ADD 2.49
Symphony No.33 in B flat, K.319 (p)1947
from 7243 5 66389 2 1 [3-6] ADD
[3] I Allegro assai 6.42
[4] II Andante con moto 4.38
[5] III Menuetto (Allegro vivace) & Trio 3.12
[6] IV Finale: Allegro 3.53
Schubert: Symphony No.9 in C, D.944 ‘The Great’ (p)1949
from 7243 5 66389 2 1 [7-10] ADD
[7] I Andante ??? Allegro ma non troppo 13.14
[8] II Andante con moto 13.46
[9] III Scherzo: Allegro vivace & Trio 8.28
[10] IV Finale: Allegro 11.33
Wiener Philharmoniker
CD6 (mono)
Mozart: Le nozze di Figaro ??? Overture (p) 1950
[1] from 7243 5 66388 2 2 [1] ADD 3.50
Serenade No.13 in G, K.525 ‘Eine kleine Nachtmusik’ (p) 1947
from 7243 5 66388 2 2 [2-5] ADD
[2] I Allegro 4.01
[3] II Romanza: Andante 5.34
[4] III Menuetto: Allegretto & Trio 2.15
[5] IV Rondo: Allegro 3.00
Clarinet Concerto in A, K.622 (p) 1951
from 7243 5 66388 2 2 [6-8] ADD
[6] I Allegro 12.29
[7] II Adagio 8.09
[8] III Rondo: Allegro 8.44
Leopold Wlach ??? clarinet
Symphony No.39 in E flat, K.543 (p) 1951
from 7243 5 66388 2 2 [9-12] ADD
[9] I Adagio ??? Allegro 8.38
[10] II Andante con moto 8.13
[11] III Menuetto: Allegretto & Trio 4.01
[12] IV Finale: Allegro 3.46
Wiener Philharmoniker
CD7 (mono)
Chabrier: Espa???a ??? Rhapsody (p)1997
[1] from 7243 5 66392 2 5 [1] ADD 5.50
Tchaikovsky: Romeo and Juliet ??? Fantasy Overture (p) 1947
[2] from 7243 5 66392 2 5 [2] ADD 20.38
Symphony No.6 in B minor, Op.74 ‘Path???tique’ (p) 1949
from 7243 5 66392 2 5 [3-6] ADD
[3] I Adagio ??? Allegro non troppo 18.46
[4] II Allegro con grazia 8.55
[5] III Allegro molto vivace 8.08
[6] IV Finale: Adagio lamentoso ??? Andante 9.54
Wiener Philharmoniker
CD 8 [mono)
Beethoven: Symphony No.9 in D minor Op.125 (Choral)
from 0777 7 61076 2 2 [1-11] ADD
[1] I Allegro ma non troppo, un poco maestoso 15.57
[2] II Molto vivace ??? Presto ??? Molto vivace ??? Presto 10.11
[3] III Adagio molto e cantabile 2.52
[4] Andante moderato ??? Tempo I ??? Andante moderato ??? Adagio 12.53
[5] IV Presto ??? Allegro ma non troppo ??? Tempo I ??? Vivace ??? Tempo I.
Adagio cantabile ??? Tempo I. Allegro ??? Allegro assai ??? Tempo I.
Allegro ??? Allegro assai 6.22
[6] ??? Presto ??? Recitativo ??? Allegro assai 3.30
[7] ??? Allegro assai vivace. Alla marcia 4.30
[8] ???Andante maestoso ??? Adagio ma non troppo 3.44
[9] ??? Allegro energico, sempre ben marcato 2.38
[10] ??? Allegro ma non tanto ??? Poco adagio ??? Tempo I ??? Poco adagio 2.32
[11] ??? Poco allegro, stringendo il tempo, sempre pi??? allegro ??? Prestissimo ???
??? Maestoso ??? Prestissimo
Elisabeth Schwarzkopf, Elisabeth H???ngen, Julius Patzak, Hans Hotter
Singverein der Gesellschaft der Musikfreunde
Wiener Philharmoniker
CD9 (stereo)
Vivaldi: Le quattro stagioni Op.8
from 0777 7 47043 2 8 [1-12] DDD
Concerto No.1 in E, RV269 ‘Spring’
[1] I Allegro 3.14
[2] II Largo e pianissimo 3.03
[3] III Danza pastorale: Allegro 4.32
Concerto No.2 in G minor, RV315 ‘Summer’
[4] I Allegro non molto 5.29
[5] II Adagio 2.01
[6] III L’Orage: Presto 2.43
Concerto No.3 in F, RV293 ‘Autumn’
[7] I Allegro 4.52
[8] II Adagio 2.44
[9] III Allegro 3.16
Concerto No.4 in F minor, RV297 ‘Winter’
[10] I Allegro non molto 3.24
[11] II Largo 2.18
[12] III Allegro 3.10
Anne-Sophie Mutter
Wiener Philharmoniker
CD10 (mono)
Balakirev: Symphony No.1 in C
from 7243 5 66595 2 0 [1-4] ADD
[1] I Largo ??? Allegro vivo 15.05
[2] II Scherzo: Vivo 6.41
[3] III Andante 13.28
[4] IV Finale: Allegro moderato 8.52
Roussel: Symphony No.4 in A, Op.53
from 7243 5 66595 2 5 [5-8] ADD
[5] I Lento ??? Allegro con brio 6.17
[6] II Lento molto 9.51
[7] III Allegro scherzando 3.01
[8] IV Allegro molto 4.03
Philharmonia Orchestra
CD11 (mono)
Beethoven: Symphony No.1 in C, Op.21 (p) 1954
from 7 63310 2 ??? disc 1 [1-4] ADD
[1] I Adagio molto ??? Allegro con brio 7.32
[2] II Andante cantabile con moto 6.15
[3] III Menuetto: Allegro molto vivace & Trio 3.45
[4] IV Adagio ??? Allegro molto e vivace 5.39
Symphony No.3 in E flat, Op.55 ‘Eroica’ (p) 1953
from 7 63310 2 ??? disc 1 [5-8] ADD
[5] I Allegro con brio 14.34
[6] II Marcia funebre: Adagio assai 16.26
[7] III Scherzo: Allegro vivace & Trio 5.47
[8] IV Finale: Allegro molto ??? Poco andante ??? Presto 11.45
Philharmonia Orchestra
CD12 (mono)
Beethoven: Symphony No.2 in D, Op.36 (p) 1956
from 7 63310 2 ??? disc 2 [1-4] ADD
[1] I Adagio molto ??? Allegro con brio 10.47
[2] II Larghetto 10.36
[3] III Scherzo: Allegro & Trio 3.43
[4] IV Allegro molto 6.31
Symphony No.7 in A, Op.92 (p) 1953
from 7 63310 2 ??? disc 2 [5-8] ADD
[5] I Poco sostenuto ??? Vivace 12.45
[6] II Allegretto 9.09
[7] III Presto ??? Assai meno presto 8.43
[8] IV Allegro con brio 7.00
Philharmonia Orchestra
CD13 (mono)
Beethoven: Symphony No.4 in B flat, Op.60 (p) 1955
from 7 63310 2 ??? disc 3 [1-4] ADD
[1] I Adagio ??? Allegro vivace 10.59
[2] II Adagio 11.15
[3] III Menuetto: Allegro vivace & Trio: Un poco meno allegro 6.01
[4] IV Allegro ma non troppo 5.49
Symphony No.5 in C minor, Op.67 (p) 1955
from 7 63310 2 ??? disc 3 [5-8] ADD
[5] I Allegro con brio 7.19
[6] II Andante con moto 9.44
[7] III Allegro 4.58
[8] IV Allegro ??? Presto 8.48
Overture ??? Coriolan, Op.62 (p) 1956
[9] from 7 63310 2 ??? disc 3 [9] ADD 9.06
Philharmonia Orchestra
CD14 (mono)
Beethoven: Symphony No.6 in F, Op.68 ‘Pastorale’ (p) 1954
from 7 63310 2 ??? disc 4 [1-5] ADD
[1] I Awakening of Pleasant Feelings upon Arriving in the Country ???
Allegro ma non troppo 9.22
[2] II Scene at the Brook ??? Andante molto mosso 12.11
[3] III Peasant’s Merrymaking ??? Allegro 3.02
[4] IV The Storm ??? Allegro 3.33
[5] V Shepherds’ Hymn after the Storm ??? Allegretto 9.21
Symphony No.8 in F, Op.93 (p) 1956
from 7 63310 2 ??? disc 4 [6-9] ADD
[6] I Allegro vivace e con brio 9.04
[7] II Allegretto scherzando 3.55
[8] III Tempo di Menuetto 5.49
[9] IV Allegro vivace 7.34
Overture ??? Egmont, Op.84 (p) 1954
[10] from 7 63310 2 ??? disc 4 [10] ADD 9.06
Philharmonia Orchestra
CD15 (mono)
Beethoven: Symphony No.9 in D minor, Op.125 ‘Choral’
from 7 63310 2 ??? disc 5 [1-4] ADD
[1] I Allegro ma non troppo, un poco maestoso 10.08
[2] II Molto vivace ??? Presto 10.09
[3] III Adagio molto e cantabile ??? Andante moderato 10.06
[4] IV Presto ??? Recitativo ??? Allegro assai ??? Allegro assai vivace.
Alla marcia ??? Andante maestoso ??? Allegro energico, sempre ben marcato ???
Allegro ma non troppo ??? Prestissimo 24.06
Philharmonia Orchestra
Elisabeth Schwarzkopf, Marga H???ffgen, Ernst Haefliger, Otto Edelmann
Chor der Gesellschaft der Musikfreunde, Vienna
CD16 (stereo)
Bizet: Carmen Suite (p) 1959
from 7 62853 2 [1-4] ADD
[1] Act IV ??? Entr’acte 2.21
[2] Act III ??? Entr’acte 2.58
[3] Act II ??? Entr’acte 1.35
[4] Act I ??? Pr???lude 2.14
L’Arlesienne ??? Suite No.1 (p) 1959
from 7 62853 2 [5-8] ADD
[5] Pr???lude 6.56
[6] Minuetto 3.14
[7] Adagietto 3.00
[8] Carillon 3.56
L’Arlesienne ??? Suite No.2 (p) 1959
from 7 62853 2 [9-12] ADD
[9] Pastorale 6.23
[10] Intermezzo 5.21
[11] Menuet 4.09
[12] Farandole 3.24
Leoncavallo: Pagliacci ??? Intermezzo (p) 1959
[13] from 7 62853 2 [13] ADD 3.32
Schmidt: Notre Dame ??? Intermezzo (p) 1959
[14] from 7 62853 2 [14] ADD 9.55
Mussorgsky: Khovanshchina ??? Dance of the Persian Slaves (p) 1961
[15] from 7 62853 2 [15] ADD 5.51
Philharmonia Orchestra
CD17 (mono)
Beethoven: Overture: Leonore No.3 (p) 1954
[1] from 7 63456 2 ??? disc 1 [1] ADD 14.51
Brahms: Variations on a Theme of Haydn, Op.56a (p) 1957
from 7 63456 2 ??? disc 1 [2-11] ADD
[2] Chorale (St. Antoni) 1.51
[3] Variation I: Poco pi??? animato 1.14
[4] Variation II: Pi??? vivace 1.00
[5] Variation III: Con moto 1.34
[6] Variation IV: Andante con moto 2.07
[7] Variation V: Vivace 0.48
[8] Variation VI: Vivace 1.12
[9] Variation VII: Grazioso 2.29
[10] Variation VIII: Presto non troppo 0.55
[11] Finale: Andante 4.04
Symphony No.1 in C minor, Op.68 (p)1954
from 7 63456 2 ??? disc 1 [12-15] ADD
[12] I Un poco sostenuto ??? Allegro 13.59
[13] II Andante sostenuto 9.20
[14] III Un poco allegretto e grazioso 4.59
[15] IV Adagio ??? Pi??? andante ??? Allegro non troppo 17.16
Philharmonia Orchestra
CD18 (mono)
Beethoven: Piano Concerto No.4 in G, Op.58 (p) 1953
from 7243 5 66604 2 7 [1-3] ADD
[1] I Allegro moderato 16.43
[2] II Andante con moto ??? 5.02
[3] III Rondo: Vivace 9.48
Piano Concerto No.5 in E flat, Op.73 ‘Emperor’ (p) 1952
from 7243 5 66604 2 7 [4-6] ADD
[4] I Allegro 20.07
[5] II Adagio un poco mosso ??? 7.49
[6] III Rondo: Allegro 10.14
Walter Gieseking
Philharmonia Orchestra
CD19 (mono/*stereo)
Berlioz: *Le Carnaval romain ??? Overture (p) 1958
[1] from 7243 5 66598 2 7 [1] ADD 9.11
*La Damnation de Faust ??? Hungarian March (p) 1959
[2] from 7243 5 66598 2 7 [2] ADD 4.15
*Les Troyens ??? Royal Hunt & Storm (p) 1959
[3] from 7243 5 66598 2 7 [3] ADD 10.02
Symphonie fantastique (p) 1955
from 7243 5 66598 2 7 [4-8] ADD
[4] I R???veries, Passions:
Largo ??? Allegro agitato e appassionato assai 14.35
[5] II Un bal: Valse. Allegro non troppo 6.19
[6] III Sc???ne aux champs: Adagio 16.38
[7] IV Marche au supplice: Allegretto non troppo 4.46
[8] V Songe d’une nuit du sabbat: Larghetto ??? Allegro ??? Allegro assai ???
Allegro ??? un peu retinu (Ronde du sabbat ??? animez un peu) 10.40
Philharmonia Orchestra
CD20 (stereo)
Brahms: Symphony No.2 in D, Op.73
from 7 69227 2 [1-4] ADD
[1] I Allegro non troppo 15.55
[2] II Adagio non troppo 9.59
[3] III Allegretto grazioso 5.26
[4] IV Allegro con spirito 9.05
Schubert: Symphony No.8 in B minor, D.759 ‘Unfinished’
from 7 69227 2 [5-6] ADD
[5] I Allegro moderato 11.21
[6] II Andante con moto 12.05
Philharmonia Orchestra
CD21 (stereo) Recompiling
Brahms: Symphony No.4 in E minor, Op.98 (p) 1956
from 7 69228 2 [1-4] ADD
[1] I Allegro non troppo 12.33
[2] II Andante moderato 10.58
[3] III Allegro giocoso 6.22
[4] IV Allegro energico e passionato ??? Pi??? allegro 9.48
Liszt: Les Pr???ludes ??? Symphonic Poem No.3 (p) 1958
[5] from 7 69228 2 [5] ADD 16.11
Philharmonia Orchestra
Respighi: Pini di Roma (p) 1958
from 7 69466 2 [6] ADD 22.46
[4] I I pini di Villa Borghese
[5] II I pini presso una catacomba
[6] III I pini del Gianicola
[7] IV I pini della Via Appia
Philharmonia Orchestra
CD22 (mono)
Britten: Variations on a Theme by Frank Bridge, Op.10 (p) 1954
from 7243 5 66601 2 0 [1-11] ADD
[1] Introduction & Theme: Lento maestoso ??? Allegretto poco lento ??? 2.00
[2] Adagio: Adagio ??? 2.54
[3] March: Presto alla marcia ??? 1.17
[4] Romance: Alegretto grazioso ??? 1.41
[5] Aria italiana: Allegro brillante ??? 1.19
[6] Bourr???e classique: Allegro e pesante ??? 1.25
[7] Wiener Walzer: Lento ??? Vivace ??? 2.48
[8] Moto perpetuo: Allegro molto ??? 1.03
[9] Funeral March: Andante ritmico ??? 3.54
[10] Chant: Lento ??? 1.42
[11] Fugue and Finale: Allegro molto vivace ??? Lento e solenne 7.03
Vaughan Williams: Fantasia on a Theme by Thomas Tallis (p) 1954
[12] from 7243 5 66601 2 0 [12] ADD 14.50
Stravinsky: Jeu de cartes (p) 1953
from 7243 5 66601 2 0 [13-15] ADD
[13] Premi???re donne 5.50
[14] Deuxi???me donne 9.27
[15] Troisi???me donne 7.56
Philharmonia Orchestra
CD23 (mono)
Handel arr. Harty: Water Music Suite
from 7 63464 2 ??? disc 1 [1-5] ADD
[1] I Allegro 2.34
[2] II Air 6.04
[3] III Bourr???e & Hornpipe 1.43
[4] IV Andante espressivo 4.24
[5] V Allegro deciso 3.59
Ravel: Rapsodie espagnole
from 7 63464 2 ??? disc 1 [6-9] ADD
[6] Pr???lude ??? la nuit 4.49
[7] Malague???a 2.02
[8] Haba??????ra 2.32
[9] Feria 6.18
Debussy: La mer
from 7 64464 2 ??? disc 2 [1-3] ADD
[10] I De l’aube ??? midi sur la mer 8.53
[11] II Jeux de vagues 6.48
[12] III Dialogue du vent et de la mer 8.23
Philharmonia Orchestra
CD24 (mono)
Kod???ly: H???ry J???nos Suite ??? Intermezzo (p) 1955
[1] from 7243 5 66596 2 9 [1] ADD 5.36
Bart???k: Music for Strings, Percussion and Celesta (p) 1951
from 7243 5 66596 2 9 [2-5] ADD
[2] I Andante tranquillo 8.17
[3] II Allegro 6.57
[4] III Adagio 6.46
[5] IV Allegro molto 7.02
Music for Strings, Percussion and Celesta (p) 1998
from 7243 5 66596 2 9 [6] ADD
[6] III Adagio (newly discovered rehearsal sequence) 1.53
Concerto for Orchestra (p) 1953
from 7243 5 66596 2 9 [7-11] ADD
[7] I Introduzione: Andante non troppo ??? Allegro vivace 9.50
[8] II Giuoco delle copie: Allegretto scherzando 6.27
[9] III Elegia: Andante non troppo 8.01
[10] IV Intermezzo interotto: Allegretto 4.26
[11] V Finale: Pesante ??? Presto 9.15
Philharmonia Orchestra
CD25 (mono) Remastering and compilation
Leimer: Piano Concerto in C minor
from XAX 689, bands 1-3 ADD
[1] I Allegro con brio 6.15
[2] II Andante tranquillo ???
[3] III Allegro ritmico 14.03
Piano Concerto for the left hand
from XAX 690 ADD
[4] I Allegro moderato 26.20
Kurt Leimer
Philharmonia Orchestra
Wagner: Tannh???user – Venusberg music
[5] from XAX 739 c24.00
Philharmonia Orchestra
CD26 (mono)
Mozart: Horn Concerto No.1 in D, K.412
from 7 61013 2 [1-2] ADD
[1] I Allegro 4.38
[2] II Rondo: Allegro 3.39
Horn Concerto No.2 in E flat, K.417
from 7 61013 2 [3-5] ADD
[3] I Allegro maestoso 6.35
[4] II Andante 3.31
[5] III Rondo 3.34
Horn Concerto No.3 in E flat K.447
from 7 61013 2 [6-8] ADD
[6] I Allegro 7.01
[7] II Romance (Larghetto) 4.54
[8] III Allegro 3.44
Horn Concerto No.4 in E flat, K.495
from 7 61013 2 [9-11] ADD
[9] I Allegro moderato 8.06
[10] II Romanze: Andante 4.31
[11] III Rondo: Allegro vivace
Dennis Brain
Philharmonia Orchestra
CD27 (mono) Remastering and compilation
Mozart, Leopold: Toy Symphony (Cassation in G)
from YAX 193 10.45
[1] I Marche
[2] II Menuetto
[3] III Allegro
Philharmonia Orchestra
Mozart: Serenade in G, K.525 ‘Eine kleine Nachtmusik’ (p) 1954
from 7 63459 2 [1-4] ADD
[4] I Allegro 4.07
[5] II Romanze: Andante 6.16
[6] III Menuetto: Allegretto & Trio 2.19
[7] IV Rondo: Allegro 2.56
J. Strauss II: Zigeunerbaron ??? Overture (p) 1956
[8] from 7 69459 2 [5] ADD 8.06
Josef Strauss: Delirien ??? Walzer, Op.212 (p) 1956
[9] from 7 69459 2 [6] ADD 8.09
J. Strauss II: K???nstlerleben-Walzer, Op.316 (p) 1956
[10] from 7 69459 2 [7] ADD 7.59
Kaiser-Walzer, Op.437 (p) 1956
[11] from 7 69459 2 [8] ADD 10.39
Pizzicato Polka (p) 1956
[12] from 7 69459 2 [9] ADD 2.27
An der sch???nen blauen Donau, Op.314 (p) 1956
[13] from 7 69459 2 [10] ADD 9.30
Philharmonia Orchestra
CD28 (mono)
Mozart: Piano Concerto No.23 in A, K.488 (p) 1952
from 7 63709 2 ??? disc 2 [1-3] ADD
[1] I Allegro 11.05
[2] II Adagio 6.53
[3] III Presto 7.36
Piano Concerto No.24 in C minor, K.491 (p) 1958
from 7 63709 2 ??? disc 2 [4-6] ADD
[4] I Allegro (Cadenza by Hummel) 13.02
[5] II Larghetto 9.38
[6] III Allegretto 9.08
Walter Gieseking
Philharmonia Orchestra
CD29 (mono)
Mozart: Sinfonia concertante, K.297a (p) 1954
from 0777 7 63316 2 1 ??? disc 1 [1-3] ADD
[1] I Allegro 13.42
[2] II Adagio 10.19
[3] III Andantino con variazioni 9.23
Sidney Sutcliffe, Bernard Walton, Dennis Brain, Cecil James
Clarinet Concerto in A, K.622 (p)1957
from 0777 7 63316 2 1 ??? disc 1 [4-6] ADD
[4] I Allegro 12.42
[5] II Adagio 8.08
[6] III Rondo: Allegro 9.07
Bernard Walton
Philharmonia Orchestra
CD30 (mono)
Mozart: Symphony No.35 in D, K.385 ‘Haffner’ (p)1958
from 7 63456 2 ??? disc 2 [1-3] ADD
[1] I Allegro con spirito 5.26
[2] II Andante 4.32
[3] III Menuetto & Trio 3.33
[4] IV Finale: Presto 3.41
Symphony No.39 in E flat, K.543 (p) 1957
from 7 63456 2 ??? disc 2 [5-8] ADD
[5] I Adagio ??? Allegro 8.36
[6] II Andante 9.07
[7] III Menuetto: Allegretto & Trio 3.57
[8] IV Finale: Allegro 4.06
Divertimento No.15, K.287 (p) 1958
from 7 63456 2 ??? disc 2 [9-14] ADD
[9] I Allegro 6.10
[10] II Thema mit Variationen: Andante grazioso 6.02
[11] III Menuetto & Trio 4.18
[12] IV Adagio 6.53
[13] V Menuetto & Trio 4.29
[14] VI Andante ??? Allegro molto 7.00
Philharmonia Orchestra
CD31 (stereo) Remastering and compilation
Mussorgsky/Ravel: Pictures at an Exhibition
from 7 62860 2 [3-12]
[1] Promenade ??? The Gnome ??? Promenade 5.11
[2] The Old Castle 5.24
[3] Tuilleries 1.04
[4] Bydlo ??? Promenade 3.51
[5] Ballet of the Unhatched Chicks 1.11
[6] Two Polish Jews 2.20
[7] The Market Place at Limoges 1.22
[8] The Catacombes 4.27
[9] The Hut of Fowl’s Legs 3.27
[10] The Great Gate of Kiev 6.13
Philharmonia Orchestra
Mussorgsky: Khovanshchina – Act 4: Entr’acte
[11] SAX 2294 (YAX 244) 4.02
Philharmonia Orchestra
Prokofiev: Peter and the Wolf Op. 40
[12] from YAX 192/93 28.00
Peter Ustinov
Philharmonia Orchestra
CD32 (stereo) Remastering and compilation
Offenbach: Gait??? Parisienne (Orch. Rosenthal) (p) 1958
from 7 69041 2 [1-17] ADD
[1] Ouverture 2.09
[2] No.1 0.23
[3] No.2
[4] No.6 1.07
[5] No.8 2.52
[6] No.9 0.48
[7] No.10 1.47
[8] No.11 0.12
[9] No.12 1.54
[10] No.13 2.04
[11] No.14 2.57
[12] No.15 0.24
[13] No.16 1.59
[14] No.17 1.15
[15] No.18 0.45
[16] No.22 1.03
[17] No.23 4.24
Gounod: Faust ??? Ballet Music (p) 1958
from 7 69041 2 [18-24] ADD
[18] No.1 Les Nubiennes 2.25
[19] No.2 Adagio 3.59
[20] No.3 Allegretto ??? Danse antique 1.36
[21] No.4 Moderato maestoso ??? Variations de Cl???op???tre 1.37
[22] No.5 Moderato con moto ??? Les Troyens 3.06
[23] No.6 Allegretto ??? Variations du miroir 1.57
[24] No.7 Allegretto vivo ??? Danse de Phryn??? 2.23
Verdi: Aida ??? Ballet Music (p) 1961
[25] from 7 69041 2 [25] ADD 4.20
Ponchielli: La Gioconda ??? Dance of the Hours (p) 1961
[26] from 7 69041 2 [26] ADD 9.50
Borodin: Prince Igor ??? Polovtsian Dances (p) 1961
from 7 69041 2 [27-28] ADD
[27] No.8 2.21
[28] No.17 11.27
J. Strauss II: Tritsch-Tratsch ??? Polka, Op.214 (p) 1961
[29] from YAX 657 or 658, track unknown c2.30
Philharmonia Orchestra
CD33 (stereo)
Rossini: L’Italiana in Algeri ??? Overture (p) 1961
[1] from 0777 7 63113 2 [1] ADD 8.07
Semiramide ??? Overture (p) 1961
[2] from 0777 7 63113 2 [2] ADD 12.07
Il barbiere di Sivilgia ??? Overture (p) 1961
[3] from 0777 7 63113 2 [3] ADD 7.15
Guillaume Tell ??? Overture (p) 1961
[4] from 0777 7 63113 2 [4] ADD 11.59
Guillaume Tell ??? Pas de trois et ch???ur tyrolien (p) 1958
[5] from 0777 7 63113 2 [5] ADD 8.14
La scala di seta ??? Overture (p) 1961
[6] from 0777 7 63113 2 [6] ADD 6.27
La gazza ladra ??? Overture (p) 1961
[7] from 0777 7 63113 2 [7] ADD 9.39
Philharmonia Orchestra
CD34 (mono)
Schumann: Piano Concerto in A minor, Op.54 (p)1948
from 7 69792 2 [1-3] ADD
[1] I Allegro affetuoso ??? Andante espessivo ??? Allegro (Tempo I) ???
Pi??? animato ??? Tempo I ??? Cadenza ??? Allegro molto 14.40
[2] II Intermezzo: Andantino grazioso ??? 5.44
[3] III Allegro vivace 9.47
Dinu Lipatti
Philharmonia Orchestra
Mozart: Piano Concerto No.21 in C, K.467 (p) 1961
from 7 69792 2 [4-6] ADD
[4] I Allegro maestoso (Cadenza: Lipatti) 15.17
[5] II Andante 7.14
[6] III Allegro vivace assai (Cadenza by Lipatti) 6.27
Dinu Lipatti
Lucerne Festival Orchestra
CD35 (mono)
Schumann: Piano Concerto in A minor, Op.54 (p)1954
from 7243 5 66597 2 8 [1-3] ADD
[1] I Allegro affetuoso ??? Andante espessivo ??? Allegro (Tempo I) ???
Pi??? animato ??? Tempo I ??? Cadenza ??? Allegro molto 14.40
[2] II Intermezzo: Andantino grazioso ??? 5.44
[3] III Allegro vivace 9.47
Franck: Symphonic Variations in F sharp minor (p)1952
[4] from 7243 5 66597 2 8 [4] ADD 15.41
Grieg: Piano Concerto in A minor, Op.16 (p) 1952
from 7243 5 66597 2 8 [5-7] ADD
[5] I Allegro molto moderato 12.54
[6] II Adagio 6.55
[7] III Allegro moderato molto e marcato 9.28
Walter Gieseking
Philharmonia Orchestra
CD36 (stereo)
Sibelius: Symphony No.2 in D, Op.43
from 7243 5 56599 2 6 [1-4] ADD
[1] I Allegretto 10.04
[2] II Tempo andante, ma rubato ??? Andante sostenuto ???
Allegro ??? Andante sostenuto 14.29
[3] III Vivacissimo ??? Lento e suave ??? Tempo primo ??? 6.08
[4] IV Finale: Allegro moderato 15.19
Symphony No.5 in E flat, Op.82
from 7243 5 56599 2 6 [5-7] ADD
[5] I Tempo molto moderato ??? Largamente ??? Allegro moderato 13.33
[6] II Andante mosso, quasi allegretto 8.13
[7] III Allegro molto 9.08
Philharmonia Orchestra
CD37 (mono)
Sibelius: Finlandia, Op.26 (p)1953
[1] from 7243 5 66600 2 1 [1] ADD 9.04
Symphony No.4 in A minor, Op.63 (p) 1954
from 7243 5 66600 2 1 [2]
[2] I Tempo molto moderato, quasi adagio ??? Adagio ???
Tempo I ??? Adagio ??? Tempo I 9.50
[3] II Allegro molto vivace 5.02
[4] III Il tempo largo 12.09
[5] IV Allegro 9.23
Symphony No.5 in E flat, Op.82 (p) 1953
from 7243 5 66600 2 1 [6-8] ADD
[6] I Tempo molto moderato ??? Largamente ??? Allegro moderato 13.55
[7] II Andante mosso, quasi allegretto 9.01
[8] III Allegro molto 9.36
Philharmonia Orchestra
CD38 (mono)
Sibelius: Symphony No.6 in D minor, Op.104 (p) 1956
from 7243 5 66602 2 9 [1-4] ADD
[1] I Allegro molto moderato 9.14
[2] II Allegretto moderato 5.15
[3] III Poco vivace 3.40
[4] IV Allegro molto ??? Allegro assai 9.44
Symphony No.7 in C, Op.105 (p) 1956
from 7243 5 66602 2 9 [5-8] ADD
[5] Adagio ??? Vivacissimo ??? 9.09
[6] Rallentando al Adagio ??? 6.00
[7] Allegro molto moderato ??? Allegro moderato ??? 4.46
[8] Presto ??? Adagio ??? Largamente molto ??? Affettuoso 5.00
Tapiola, Op.112 (p) 1954
[9] from 7243 5 66602 2 9 [9] ADD 20.15
Philharmonia Orchestra
CD39 (stereo) Recompiling
Sibelius: Finlandia, Op.26 (p) 1961 (Recorded I.1959)
[1] from 0777 7 69467 2 6 [1] ADD 8.54
Valse triste, Op.44 No.1 (p) 1959 (Recorded I.1958)
[2] from 0777 7 69467 2 6 [2] ADD 5.59
Chabrier: Espa???a ??? Rapsodie (p) 1961 (Recorded IX.1960)
[3] from 0777 7 69467 2 6 [3] ADD 5.55
Marche joyeuse ??? Marche fran???aise (p) 1961 (Recorded IX.1960)
[4] from 0777 7 69467 2 6 [4] ADD 4.00
J. Strauss I: Radetzky March, Op.228 (p) 1961 (Recorded IX.1960)
[5] from 0777 7 69467 2 6 [5] ADD 2.50
Granados: Goyescas ??? Intermezzo (p) 1959 (Recorded I.1959)
[6] from 0777 7 69467 2 6 [6] ADD 4.28
Weinberger: Schwanda the Bagpiper ??? Polka (p) 1961 (Recorded IX.1960)
[7] from 0777 7 69467 2 6 [7] ADD 2.17
Verdi: La traviata ??? Prelude, Act III (p) 1959 (Recorded I.1958)
[8] from 0777 7 69467 2 6 [9] ADD 3.52
Offenbach: Les contes d’Hoffmann ??? Barcarolle (p) 1960 (Recorded I.1959)
[9] from 0777 7 69467 2 6 [10] ADD 4.03
Puccini: Manon Lescaut ??? Intermezzo, Act III (p) 1960 (Recorded I.1959)
[10] from 0777 7 69467 2 6 [11] ADD 5.08
Waldteufel: Les patineurs ??? Valse, Op.183 (p) 1961 (Recorded IX.1960)
[11] from 7243 5 62869 2 4 ??? disc 2 [1] ADD 7.35
Liszt: Hungarian Rhapsody No.2 (p) 1959 (Recorded I.1958)
[12] from 7243 5 62869 2 4 ??? disc 2 [7] ADD 11.05
Weber (orch Berlioz): Invitation to the Dance (p) 1959 (Recorded I.1958)
[13] from 0777 7 69465 2 [13] ADD 8.35
J. Strauss II: Unter Donner und Blitz – Polka, Op.324 (Recorded: IX.1960)
[14] from YAX 657 (? track) 3.16
Philharmonia Orchestra
CD40 (mono)
Strauss: Don Juan, Op.20 (p) 1952 (Recorded XII.1951)
[1] from 0777 7 63316 2 1 ??? disc 4 [1] ADD 17.35
Till Eulenspiegels lustige Streiche, Op.28 (p)1952 (Recorded XII.1951)
[2] from 0777 7 63316 2 1 ??? disc 4 [2] ADD 15.32
Tod und Verkl???rung, Op.24 (p)1982 (Recorded VII.1953)
[3] from 0777 7 63316 2 1 ??? disc 4 [3] ADD 26.33
Philharmonia Orchestra
CD41 (mono)
Tchaikovsky: Symphony No.4 in F minor, Op.36 (p) 1954
from 7 63460 2 ??? disc 1 [1-4] ADD
[1] I Andante sostenuto ??? Moderato con anima 9.15
[2] II Andante in modo canzona 10.18
[3] III Scherzo: Pizzicato ostinato 5.59
[4] IV Finale: Allegro con fuoco 8.59
Swan Lake, Op.20 ??? Suite (p) 1953
from 7 63460 2 ??? disc 1 [5-9] ADD
[5] Sc???ne 2.48
[6] Valse (Act 1) 5.52
[7] Danse des petits cygnes (Act 2) 1.42
[8] Introduction & Danse de la reine des cygnes (Act 3) 6.08
[9] Danse hongroise (Cz???rd???s) (Act 3) 3.38
Philharmonia Orchestra
CD42 (mono)
Tchaikovsky: Symphony No.5 in E minor, Op.64 (p) 1954
from 7 63460 2 ??? disc 2 [1-4] ADD
[1] I Andante ??? Allegro con anima 15.59
[2] II Andante cantabile, con alcuna licenza 14.11
[3] III Valse: Allegro moderato 6.53
[4] IV Finale: Andante maestoso ??? Allegro vivace 13.00
Sleeping Beauty, Op.66 ??? Suite (p) 1953
from 7 63460 2 ??? disc 2 [5-9] ADD
[5] Introduction et F???e des Lilas (Prologue) 5.30
[6] Pas d’action: Adagio (Act 1) 6.23
[7] Pas de caract???re (Le chat bot???e) (Act 3) 1.48
[8] Panorama (Act 2) 2.29
[9] Valse (Act 1) 4.05
Philharmonia Orchestra
CD43 (mono/*stereo)
Tchaikovsky: *Symphony No.6 in B minor, Op.74 (p) 1959
from 7 63460 2 ??? disc 3 [1-4] ADD
[1] I Adagio ??? Allegro non troppo 19.14
[2] II Allegro con grazia 8.25
[3] III Allegro molto vivace 9.12
[4] IV Finale: Adagio lamentoso ??? Andante 9.31
The Nutcracker, Op.71a ??? Suite (p) 1953
from 7 63460 2 ??? disc 2 [5-12] ADD
[5] Ouverture 3.33
[6] Marche 2.17
[7] Danse de la f???e drag???e 1.58
[8] Danse russe 1.07
[9] Danse arabe 4.02
[10] Dance chinoise 1.07
[11] Dance des mirletons 2.26
[12] Valse des fleurs 6.36
Philharmonia Orchestra
CD44 (stereo) Remastering and compiling
Tchaikovsky: Swan lake Op. 20 – Suite (p) 1959 (Recorded: I.1959)
from YAX 245 c21.19
[1] Sc???ne c2.48
[2] Valse (Act 1) c5.52
[3] Danse des petits cygnes (Act 2) c1.42
[4] Introduction & Danse de la reine des cygnes (Act 3) c6.08
[5] Danse hongroise (Cz???rd???s) (Act 3) c3.38
Sleeping Beauty Op. 66 – Suite (p) 1959 (Recorded: I.1959)
from YAX 246 c20.49
[6] Introduction et F???e des Lilas (Prologue) c5.30
[7] Pas d’action: Adagio (Act 1) c6.23
[8] Pas de caract???re (Le chat bot???e) (Act 3) c1.48
[9] Panorama (Act 2) c2.29
[10] Valse (Act 1) c4.05
Wagner: Tannh???user – Venusberg music (p) 1961 (Recorded: IX.1960)
[11] from YAX 654 c24.00
Philharmonia Orchestra
CD45 (stereo) Remastering and compiling
Tchaikovsky: Ouverture solennelle: 1812, Op.49 (p) 1959
[1] from 7 69466 2 [1] ADD 17.16
Supp???: Leichtes Kavallerie (p) 1961
[2] from 7 69466 2 [3] ADD 7.08
Offenbach: Orph???e aux enfers ??? Overture (p) 1961
[3] from 7 69466 2 [4] ADD 9.36
Mozart: Symphony No.38 in D, K.503 ‘Prague’
from YHAX 1 24.48
[4] I Adagio ??? Allegro
[5] II Andante
[6] III Finale: Presto
Philharmonia Orchestra
CD46 (mono) Remastering and compiling
Mascagni: Cavalleria rusticana – Intermezzo
[1] from YAX 244 ADD c3.30
Mascagni: L’Amico Fritz – Intermezzo
[2] from YAX 243 ADD c4.30
Kodaly: H???ry Jan???s – Intermezzo
[3] from XAX 617 ADD c5.30
Bizet: Carmen – Act 4: Prelude
[4] from XAX 617 ??? side 2, track 1 ADD c3.00
Massenet: Tha???s – Meditation
[5] from XAX 617 ??? side 2, track 2 ADD c4.15
Manoug Parikian
Granados: Goyescas – Intermezzo
[6] from XAX 617 ??? side 2, track 4 ADD c5.00
[7] from XAX 739 ??? side 1, track 3 ADD c13.30
Chabrier: Espa???a – Rapsodie
[8] from XAX 792 ??? side 1, track 4 ADD c6.00
Chabrier: Marche joyeuse
[9] from XAX 792 ??? side 1, track 5 ADD c4.00
Handel arr. Harty: Water music – Suite
Columbia CAX 11535-41 (TLO09758?) ADD
[10] Allegro c2.00
[11] Air c3.00
[12] Hornpipe c2.00
[13] Allegro deciso c3.30
J. Strauss I: Radetzky Marsch Op. 235 Recorded: VII.1955
[14] from 33CX 1335 (XAX 792) 2.49
J. Strauss II: Tritsch-Tratsch – Polka, Op. 214 Recorded: VII.1955
[15] from 33CX 1335 (XAX 792) c2.30
Unter Donner und Blitz ??? Polka, Op.324 Recorded: VII.1955
[16] from 33CX 1335 (XAX 793) 3.15
Waldteufel: Les Patineurs – Valse Recorded: VII.1953
[17] from 33CX 1335 (XAX 792) c4.15
Supp???: Leichte Kavallerie – Overture Recorded: VII.1955
[18] from 33CX 1335 (XAX 793) c7.00
Weinberger: Schwanda the bagpiper – Polka Recorded: VII.1954
[19] from 33CX 1335 (XAX 739)
Philharmonia Orchestra
CD47 (stereo)
Bart???k: Concerto for Orchestra, Sz116
from 7243 4 76897 2 7 [1-5] ADD
[1] I Introduzione: Andante non troppo ??? Allegro vivace 9.51
[2] II Giuoco delle copie: Allegretto scherzando 6.47
[3] III Elegia: Andante non troppo 8.07
[4] IV Intermezzo interotto: Allegretto 4.22
[5] V Finale: Pesante ??? Presto 9.13
Music for Strings, Percussion & Celesta, Sz106
from 7243 4 76897 2 7 [6-9] ADD
[6] I Andante tranquillo 7.17
[7] II Allegro 7.09
[8] III Adagio 7.02
[9] IV Allegro molto 6.40
Berliner Philharmoniker
CD48 (stereo)
Beethoven: Piano Concerto No.1 in C, Op.15
from 7243 5 66090 2 0 [1-3] ADD
[1] I Allegro con brio 15.56
[2] II Largo 13.26
[3] III Rondo: Allegro scherzando 9.22
Piano Concerto No.2 in B flat, Op.19
from 7243 5 66090 2 0 [4-6] ADD
[4] I Allegro con brio 14.36
[5] II Adagio 10.31
[6] III Rondo: Molto allegro 5.51
Cadenzas by Beethoven
Alexis Weissenberg
Berliner Philharmoniker
CD49 (stereo)
Beethoven: Piano Concerto No.3 in C minor, Op.37 (p)1978
from 7243 5 66091 2 9 [1-3] ADD
[1] I Allegro con brio 16.52
[2] II Largo 9.50
[3] III Rondo: Allegro 9.08
Cadenzas by Beethoven
Piano Concerto No.5 in E flat, Op.73 ‘Emperor’ (p) 1974
from 7243 5 66091 2 9 [4-6] ADD
[4] I Allegro 20.42
[5] II Adagio un poco mosso 9.21
[6] III Rondo: Allegro 10.10
Alexis Weissenberg
Berliner Philharmoniker
CD50 (stereo)
Beethoven: Piano Concerto No.4 in G ,Op.58 (p) 1978
from 7243 5 66092 2 8 [1-3] ADD
[1] I Allegro maestoso 18.26
[2] II Andante con moto 5.07
[3] III Rondo: Vivace 9.44
Alexis Weissenberg ??? piano
Triple Concerto in C for Piano, Violin & Cello, Op.56 (p) 1970
from 7243 5 66092 2 8 [4-6] ADD
[4] I Allegro 17.58
[5] II Largo 5.36
[6] III Rondo alla Polacca 12.56
David Oistrakh ??? violin, Mstislav Rostropovich ??? cello, Sviatoslav Richter ??? piano
Berliner Philharmoniker
Vol.2 – Opera & Vocal (71 CD)
CD1 (mono)
Mozart:
Don Giovanni ??? L??? ci darem la mano (p) 1982 (Recorded XII.1947) ADD 3.11
Erich Kunz, Irmgard Seefried
Don Giovanni ??? Or sai chi l’onore (p) 1958 (Recorded XII.1947*) ADD 2.45
Maria Cebotari
Don Giovanni ??? Batti, batti, o bel Masetto (p) 1949 (Recorded XII.1947) ADD 3.30
Irmgard Seefried
Don Giovanni ??? Crudele? …Non mi dir (Recorded XII.1947*) ADD 6.57
Maria Cebotari
Le nozze di Figaro ??? Non pi??? andrai (p) 1948 (Recorded VIII.1947) ADD 3.24
Erich Kunz
Le nozze di Figaro ??? Voi, che sapete (p) 1949 (Recorded XII.1947) ADD 3.11
Irmgard Seefried
Le nozze di Figaro ??? Deh vieni, non tardar (p) 1949 (Recorded XII.1947) ADD 4.31
Irmgard Seefried
Mascagni:
Cavalleria rusticana ??? Intermezzo (p) 1949 (Recorded I.1949*) ADD 4.01
Puccini:
Manon Lescaut ??? Intermezzo (p) 1949 (Recorded XII.1947*) ADD 4.38
La boh???me ??? S???, mi chiamano Mim??? (p) 1983 (Recorded XI.1948) ADD 4.44
Elisabeth Schwarzkopf
La boh???me ??? Quando me’n vo (p) 1949 (Recorded XI.1948*) ADD 2.29
Ljuba Welitsch
Gianni Schicchi ??? O mio babbino caro (p) 1949 (Recorded XI.1948) ADD 2.59
Elisabeth Schwarzkopf
Mozart:
Die Zauberfl???te ??? Bei M???nnern, welche Liebe f???hlen (p) 1997 (Recorded XII.1947*) ADD 3.09
Elisabeth Schwarzkopf, Erich Kunz
Die Entf???hrung aus dem Serail ??? Martern aller Arten (p) 1981 (Recorded X.1946) ADD 8.50
Elisabeth Schwarzkopf
J. Strauss II:
Der Zigeunerbaron ??? So elend und treu (p) 1950 (Recorded XI.1948) ADD 3.14
Maria Cebotari
Smetana:
The Bartered Bride ??? Endlich allein…Wie fremd und tot (p) 1948 (Recorded XII.1947*) ADD 8.03
Hilde Konetzni
Strauss:
Ariadne auf Naxos ??? Es gibt ein Reich (p)1949 (Recorded XI.1948) ADD 6.30
Maria Cebotari
Wiener Philharmoniker
Recorded: Brahmssaal, Vienna & *Gro???er Musikvereinssaal, Vienna
Total approximate duration 76.06
CD2 (mono)
Wagner:
Die Meistersinger von N???rnberg ??? Wach auf! (p) 1950 (Recorded XI.1949) ADD 3.53
Hans Hotter
Lohengrin ??? Act III Prelude (p) 1951 (Recorded XI.1949) ADD 2.54
Lohengrin ??? Treulich gef???hrt (Bridal chorus) (p) 1951 (Recorded XI.1949) ADD 5.45
Der fliegende Holl???nder ??? Summ’ und Brumm’ (p) 1951 (Recorded XI.1948) ADD 3.50
Gertrud Schuster
Der fliegende Holl???nder ??? Act III Introduction & Sailors’ Chorus (p) 1951 (Recorded XI.1949) ADD 3.46
Tannh???user ??? March & Entry of the Guests (p) 1950 (Recorded XI.1949) ADD 6.50
Die Meistersinger von N???rnberg ??? Da zu dir der Heiland kam (p) 1950 (Recorded XI.1949) ADD 4.21
Chor der Wiener Staatsoper
Strauss:
Rosenkavalier ??? Kann mich auch an ein M???del erinnern (p) (Recorded XII.1947) ADD 4.46
Hilde Konetzni
Der Rosenkavalier ??? Quinquin, er soll jetzt geh’n (p) 1948 (Recorded XII.1947) ADD 3.46
Hilde Konetzni
Der Rosenkavalier ??? Herr Gott im Himmel (p) 1949 (Recorded XII.1947) ADD 11.10
Elisabeth Schwarzkopf, Irmgard Seefried
Salome ??? Abstieg in die Cisterne (p) 1978 (Recorded XI.1948) ADD 3.00
Salome ??? Ah! Du wolltest mich nicht (p) 1978 (Recorded XI.1948) ADD 4.16
Salome ??? Ah! warum hast du mich nicht angeseh’n (p) 1978 (Recorded XI.1948) ADD 10.29
Ljuba Welitsch, Gertrud Schuster, Josef Witt
Wiener Philharmoniker
Recorded: Gro???er Musikvereinssaal, Vienna
Total approximate duration 68.46
CD 3 – CD 4 (mono)
Mozart:
Die Zauberfl???te ADD
Anton Dermota, Irmgard Seefried, Erich Kunz, Wilma Lipp, Ludwig Weber, George London,
Sena Jurinac, Friedl Riegler, Else Sch???rhoff, Emmy Loose, Peter Klein, Ljubomir Pantscheff,
Erich Majkut, Harald Pr???glhoff, Hermine Steinmassl, Eleanore D???rpinghans, Annelies St???ckl
Singverein der Gesellschaft der Musikfreunde in Wien
Wiener Philharmoniker
Total approximate duration 62.16 & 67.02
Recorded: XI.1950, Musikvereinsaal, Vienna
CD 5 – CD 6 (mono)
Mozart:
Le nozze di Figaro ADD
Irmgard Seefried, Erich Kunz, George London, Elisabeth Schwarzkopf, Sena Jurinac,
Marjan Russ, Elisabeth H???ngen, Erich Majkut, R???sl Schwaiger, Wilhelm Felden,
Anny Felbermeyer, Hilde Czeska
Chor der Wiener Staatsoper
Wiener Philharmoniker
Total approximate duration 62.29 & 56.35
Recorded: VI.& X.1950, Musikvereinsaal, Vienna
CD 7 – CD 8 (stereo)
Strauss:
Salome ADD
Hildegard Behrens, Karl-Walter B???hm, Agnes Baltsa, Jos??? van Dam, Wieslaw Ochman,
Helj??? Angervo, Heinz Zednik, David Knutson, Martin Vantin, Gerhard Unger, Erich Kunz,
Jules Bastin, Dieter Ellenbeck, Gerd Nienstedt, Kurt Rydl, Helge von B???mches, Horst Nitsche
Wiener Philharmoniker
Total approximate duration 56.42 & 48.34
Recorded: V.1977 & V.1978, Sophiensaal, Vienna
CD 9 – CD 11 (stereo)
Verdi:
Aida ADD
Mirella Freni, Jos??? Carreras, Agnes Baltsa, Piero Cappuccilli, Ruggero Raimondi,
Jos??? van Dam, Katia Ricciarelli, Thomas Moser
Chor der Wiener Staatsoper
Wiener Philharmoniker
Total approximate duration 41.52 & 45.51 & 69.52
Recorded: V.1979, Musikvereinsaal, Vienna
CD12 (mono)
Bach:
Mass in B minor, BWV232 ADD
Elisabeth Schwarzkopf, Marga H???ffgen, Nicolai Gedda, Heinz Rehfuss
Orchester und Singverein der Gesellschaft der Musikfreunde, Wien
Total approximate duration 61.49
CD13 (mono)
Bach:
Mass in B minor, BWV232 ADD
Elisabeth Schwarzkopf, Marga H???ffgen, Nicolai Gedda, Heinz Rehfuss
Orchester und Singverein der Gesellschaft der Musikfreunde, Wien
Recorded: XI.1952 & VII.1953, No.1 Studio, Abbey Road, London
Mass in B minor, BWV232 ??? Duets & Aria ADD
Duet: Christe eleison 3.36
Aria: Laudamus te 4.49
Duet: Et in unum Dominum 4.14
Elisabeth Schwarzkopf, Kathleen Ferrier
Wiener Symphoniker
Recorded:15 June 1950, Grosser Saal, Musikvereinssaal
Total approximate duration 76.27
CD14 (mono)
Brahms:
Ein deutsches Requiem, Op.45 ADD
Elisabeth Schwarzkopf, Hans Hotter
Singverein der Gesellschaft der Musikfreunde in Wien
Wiener Philharmoniker
Recorded: X.1947, Musikvereinsaal, Vienna
Total approximate duration 74.51
CD15 (stereo)
Beethoven:
Missa solemnis, Op.123 ADD
Total approximate duration 68.16
CD16 (stereo/*mono)
Beethoven:
Missa solemnis, Op.123 ADD
Elisabeth Schwarzkopf, Christa Ludwig,
Nicolai Gedda, Nicola Zaccaria
Singverein der Gesellschaft der Musikfreunde
Philharmonia Orchestra
Recorded: IX.1958, Musikvereinssaal, Vienna
*Ah! Perfido, Op.65 ADD 14.12
*Fidelio ??? Abscheulicher! … ADD 2.12
*Fidelio ??? Komm Hoffnung ADD 5.27
Elisabeth Schwarzkopf
Philharmonia Orchestra
Recorded: IX.1954, Watford Town Hall
Mozart:
*Ave verum corpus, K.618 ADD 3.58
Singverein der Gesellschaft der Musikfreunde in Wien
Philharmonia Orchestra
Recorded: VII.1955, Musikvereinsaal, Vienna
Strauss:
*Vier letzte Lieder ADD
Elisabeth Schwarzkopf
Philharmonia Orchestra
Recorded live: VI.1956, Royal Festival Hall, London
Total approximate duration 61.10
CD17 – CD18 (mono)
Humperdinck:
H???nsel und Gretel ADD
Elisabeth Gr???mmer, Elisabeth Schwarzkopf, Else Sch???rhoff,
Maria von Ilosvay, Josef Metternich, Anny Felbermeyer
Philharmonia Orchestra
Total approximate duration 63.23 & 55.21
Recorded: VI.1953, Kingsway Hall, London
CD19 – CD21 (mono)
Mozart:
Cos??? fan tutte ADD
Elisabeth Schwarzkopf, Nan Merriman, Rolando Panerai,
Leopold Simoneau, Lisa Otto, Sesto Bruscantini
Philharmonia Chorus & Orchestra
Total approximate duration 63.50 & 58.44 & 38.12
Recorded: VII.1954, Kingsway Hall, London
CD22 (mono)
Offenbach:
Orph???e aux enfers ??? Overture (p) 1956 (Recorded VII.1955) ADD 9.35
Les contes d’Hoffmann ??? Barcarolle (p) 1955 (Recorded VII.1954) ADD 4.08
Gounod:
Faust ??? Vous qui faites l’endormie (p) 1998 (Recorded XI.1949) ADD 3.03
Boris Christoff
Ponchielli:
La Gioconda ??? Dance of the Hours (p) 1956 (Recorded VII.1954) ADD 9.21
Puccini:
Manon Lescaut ??? Intermezzo (p) 1956 (Recorded VII.1954) ADD 5.17
Leoncavallo:
I pagliacci ??? Intermezzo (p) 1955 (Recorded VII.1954) ADD 3.33
Mascagni:
Cavalleria rusticana ??? Intermezzo (p)1955 (Recorded VII.1954) ADD 3.30
L’Amico Fritz ??? Intermezzo (p) 1955 (Recorded VII.1954) ADD 4.35
Mussorgsky:
Khovanshchina ??? Act 4 Entr’acte (p) 1955 (Recorded VII.1954) ADD 5.33
Khovanshchina ??? Dance of the Persian Slaves (p) 1956 (Recorded XI.1954) ADD 6.51
Boris Godunov ??? In the Town of Kazan (Varlaam’s Drinking Song) (p) 1950 (Recorded XI.1949) ADD 2.34
Boris Christoff
Verdi:
La traviata ??? Act 3 Prelude (p) 1955 (Recorded VII.1954) ADD 4.11
Don Carlo ??? Ella giammia m’amo (p) 1950 (Recorded XI.1949) ADD 4.40
Boris Christoff
Don Carlo ??? Dormir??? sol (p) 1950 (Recorded XI.1949) ADD 4.34
Boris Christoff
Aida ??? Act 2 Ballet Music (p) 1956 (Recorded VII.1954) ADD 4.27
Philharmonia Orchestra
Recorded: Kingsway Hall, London
Total approximate duration 76.43
CD23 – CD24 (mono)
J. Strauss II:
Die Fledermaus ADD
Nicolai Gedda, Elisabeth Schwarzkopf, Rita Streich, Luise Martini, Helmut Krebs
Karl D???nch, Erich Kunz, Rudolf Christ, Erich Majkut, Franz B???heim
Philharmonia Chorus & Orchestra
Total approximate duration 41.04 & 68.39
Recorded: IV.1955, Kingsway Hall, London
CD25 – CD26 (mono)
Strauss:
Ariadne auf Naxos ADD
Elisabeth Schwarzkopf, Rita Streich, Irmgard Seefried, Rudolf Schock,
Alfred Neugebauer, Karl D???nch, Gerhard Unger, Hugues Cuenod, Erich Strauss,
Otakar Kraus, Lisa Otto, Grace Hoffman, Anny Felbermeyer, Hermann Prey,
Fritz Ollendorf, Helmut Krebs
Philharmonia Orchestra
Total approximate duration 62.04 & 66.18
Recorded: IV. & VII.1954, Kingsway Hall, London
CD27 – CD29 (stereo)
Strauss:
Der Rosenkavalier ADD
Elisabeth Schwarzkopf, Otto Edelmann, Christa Ludwig, Eberhard W???chter, Teresa Stich-Randall,
Ljuba Welitsch, Paul Kuen, Kerstin Meyer, Nicolai Gedda, Franz Bierbach, Erich Majkut,
Gerhard Unger, Harald Pr???glh???f, Karl Friedrich, Anny Felbermeyer
Chorus of Children: Loughton High School for Girls & Bancroft’s School
Philharmonia Chorus & Orchestra
Total approximate duration 70.02 & 59.41 & 61.33
Recorded: XII.1956, Kingsway Hall, London
CD30 – CD31 (stereo)
Verdi:
Falstaff ADD
Tito Gobbi, Luigi Alva, Rolando Panerai, Tomaso Spataro, Renato Ercolani,
Nicola Zaccaria, Elisabeth Schwarzkopf, Anna Moffo, Nan Merriman, Fedora Barbieri
Philharmonia Chorus & Orchestra
Total approximate duration 55.00 & 64.37
Recorded: VI. & VII.1956, Kingsway Hall, London
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MP3 320 kbps, 8 Gb
D 1 Bach: Goldberg Variations, BWV 988 (1955)
CD 2 Beethoven: Piano Sonatas Nos. 30-32 (1956)
CD 3 Bach: Concerto No. 1 in D minor BWV 1052; Beethoven: Concerto No. 2 in B flat Major Op. 19 (1957)
CD 4 Bach: Partitas Nos. 5 & 6; Fugues in F-Sharp Minor and E Major (1957)
CD 5 Haydn: Sonata No. 3 in E-Flat Major; Mozart: Sonata No. 10 in C Major, K.330; Fantasia and Fugue in C Major, K.394 (1958)
CD 6 Beethoven: Concerto No. 1 in C Major for Piano and Orchestra, Op. 15; Bach: Concerto No. 5 in F Minor For Piano and Orchestra (1958)
CD 7 Berg: Sonata for Piano, Op. 1; Schoenberg: Three Piano Pieces, Op. 11; Krenek: Sonata No. 3 for Piano, Op. 92, No. 4 (1959)
CD 8 Beethoven: Concerto No. 3 in C Minor for Piano and Orchestra, Op. 37 (1960)
CD 9 Gould: String Quartet No. 1 (1960)
CD 10 Bach: Italian Concerto in F Major & Partita Nos. 1 & 2 (1960)
CD 11 Brahms: 10 Intermezzi Op. 76, 116, 117, 118, 119 (1961)
CD 12 Beethoven: Concerto No. 4 in G Major for Piano and Orchestra, Op. 58 (1961)
CD 13 Bach: The Art of the Fugue, BWV 1080 Volume I Fugues 1-9 (1962)
CD 14 Mozart: Concerto No. 24 in C Minor for Piano and Orchestra, K. 491; Schoenberg: Concerto for Piano and Orchestra, Op. 42 (1962)
CD 15 Strauss: Enoch Arden (Tennyson), Op. 38 (1962)
CD 16 Bach: The Well-Tempered Clavier, Book I, Nos. 1-8 BWV 846-853 (1963)
CD 17 Bach: Partita No. 3 in A Minor, BWV 827 & No. 4 in D Major, BWV 828, Toccata in E minor, BWV 914 (1963)
CD 18 Bach: The Well-Tempered Clavier, Book I, Nos. 9-16, BWV 854-861 (1964)
CD 19 Bach: Two and Three Part Inventions and Sinfonias Nos. 1-15, BWV 772-801 (1964)
CD 20 Beethoven: Sonatas Nos. 5-7, Op. 10/1-3 (1965)
CD 21 Bach: The Well-Tempered Clavier, Book I, Nos. 17-24, BWV 846-869 (1965)
CD 22 a+b Schoenberg: Songs for Voice and Piano Op. 1, Op. 2 Op. 15 & Solo Piano works Op. 11, 19, 23, 25, Op. 33a & b (1966)
CD 23 Beethoven: Concerto No. 5 in E-Flat Major for Piano and Orchestra, Op. 73, ???Emperor??? (1966)
CD 24 a+b Schoenberg: Fantasy for Violin and Piano Op. 47, Ode to Napoleon Buonaparte Op. 41 et al. (1967)
CD 25 Beethoven: Sonatas for Piano No. 8-10, Op. 13 ???Pathetique???, Op. 14/1 & 2 (1967)
CD 26 Bach: Keyboard Concertos Nos. 3, 5 & 7, BWV 1054, 1056 & 1058 (1967)
CD 27 Canadian Music in the XXth Century: Anhalt, Hetu and Morawetz (1967)
CD 28 Mozart: Piano Sonatas Nos. 1-5, K. 279-283 (1968)
CD 29 Bach: The Well-Tempered Clavier, Book II, Nos. 1-8, BWV 870-877 (1968)
CD 30 Beethoven: Symphony No. 5 in C Minor, Op. 67 (transcribed for Piano by Franz Liszt) (1968)
CD 31 The Concert Drop-Out . Glenn Gould In Conversation with John McClure (1968)
CD 32 Scriabin: Sonata No. 3 in F-Sharp Minor, Op. 23; Prokofiev: Sonata No. 7 in B-Flat Major, Op. 83 (1969)
CD 33 Mozart: Piano Sonatas Nos. 6, 7 & 9, K. 284 (205b), 309 (284b) & 311 (284c) (1969)
CD 34 Bach: Keyboard Concertos, Nos. 2 & 4, BWV 1053 & 1055 (1969)
CD 35 Beethoven: Piano Sonatas Nos. 8, 14 & 23, Op. 13, 27/2 & 57 (1970)
CD 36 Bach: The Well-Tempered Clavier, Book II, Nos. 9-16, BWV 878-885 (1970)
CD 37 Beethoven: Variations for Piano, WoO. 80, Op. 34 & 35 (1970)
CD 38 Bach: The Well-Tempered Clavier, Book II, Nos. 17-24, BWV 886-893 (1971)
CD 39 A Consort of Musicke Bye William Byrde and Orlando Gibbons (1971)
CD 40 Mozart: Piano Sonatas Nos. 8, 10, 12 & 13, K. 310 (300d), K. 330 (300h), K. 332 (300k), K. 333 (315c) (1972)
CD 41 Music from Kurt Vonnegut’s Slaughterhouse Five (Original Motion Picture Score) Bach: Piano Concertos Nos. 3 & 5 BWV 1054 & 1056 (1972)
CD 42 Schoenberg: Songs for Voice and Piano, Op. 3, 6, 12, 14, 48, 2 Lieder Op. post. (1972)
CD 43 Handel: Suites for Harpsichord, Nos. 1-4, HWV 426-429 (1972)
CD 44 Grieg: Sonata in E Minor for Piano, Op. 7; Bizet: Premier Nocturne in F Major, Variations Chromatiques (1973)
CD 45 Bach: French Suites Nos. 1-4, BWV 812-815 (1973)
CD 46 Mozart: Piano Sonatas, Nos. 11, 15 & 16, K. 331 (300i), K. 533 / K. 494 & K. 545, Fantasia in D Minor, K. 397 (385g) (1973)
CD 47 Hindemith: Piano Sonatas Nos. 1-3 (1973)
CD 48 Wagner/Gould: Piano Transcriptions of Wagner Orchestral Showpieces: Die Meistersinger, Gotterdammerung, Siegfried-Idyll (1973)
CD 49 Beethoven: Piano Sonatas Nos. 16-18, Op. 31/1-3 (1973)
CD 50 Bach: French Suites Nos. 5 & 6, BWV 816 & 817; Overture in the French Style, BWV 831 (1974)
CD 51 Bach: Sonatas for Viola da Gamba and Harpsichord, Nos. 1-3, BWV 1027-1029 (1974)
CD 52 Beethoven: Bagatelles, Op. 33 and Op. 126 (1975)
CD 53 Mozart: Piano Sonatas Nos. 14, 17 & 18, K. 457, K. 570 & K. 576, Fantasia in C Minor, K. 475 (1975)
CD 54 a+b Hindemith: The Complete Sonatas for Brass and Piano (1976)
CD 55 a+b Bach: Sonatas for Violin and Harpsichord, Nos. 1-6, BWV 1014-1019 (1976)
CD 56 a+b Bach: English Suites Nos. 1-6, BWV 806-811 (1977)
CD 57 Sibelius: Sonatinas for Piano, Op. 67/1-3, "Kyllikki". Three Lyric Pieces for Piano, Op. 41 (1977)
CD 58 a+b Hindemith: Das Marienleben for Soprano and Piano (1978)
CD 59 Bach: Toccatas, BWV 910, 912 & 913 (1979)
CD 60 Bach: Toccatas, BWV 911 & 914-916 (1980)
CD 61 Bach: Preludes, Fugues and Fughettas BWV 895, 899, 900, 902, 924-938, 952, 953, 961 (1980)
CD 62 a+b Beethoven: Piano Sonatas Nos. 1-3 Op. 2/1-3 & No. 15 Op. 28 (Pastoral) (1980)
CD 63 a+b Works by Scarlatti, C. P. E. Bach, Gould, Scriabin, Strauss & Beethoven (1980)
CD 64 a+b Haydn: Six Late Piano Sonatas Hob.XVI/42, 48-52 (1982)
CD 65 Bach: Goldberg Variations (1981 Digital Recording) (1982)
CD 66 Brahms: 4 Ballads, Op. 10, 2 Rhapsodies Op. 79 (1983)
CD 67 Beethoven: Sonatas No. 12, Op. 26 & No. 13, Op. 27/1 (1983)
CD 68 Strauss: Sonata, Op. 5; 5 Piano Pieces, Op. 3 (1984)
CD 69 Schumann: Piano Quintet, Op. 44 & Piano Quartet, Op. 47 (1984)
CD 70 BONUS CD 1: Glenn Gould discusses his performances of the "Goldberg Variations" with Tim Page
CD 71 BONUS CD 2: Bach: "Italian Album" fragments & Wagner: "Siegfried Idyll"
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———- Post added at 07:04 AM ———- Previous post was at 06:52 AM ———-
111 Years Of Deutsche Grammophon – The Collectors’ Edition [111 CDs] (2009-2010) (LOSSLESS)
FLAC (Tracks), 28 Gb
Vol.1 – 2009 [55 CD Box Set]:
CD 01: Johannes Brahms – 21 Ungarische Tanze (1984 DG 477 8403) Wiener Philharmoniker and Claudio Abbado
CD 02: Ludwig van Beethoven – Quartette Op.59 No.1, Op.131 (1960 DG 477 8379) Amadeus-Quartett
CD 03: Frederic Chopin – 24 Preludes Op.28 et al. (1975 DG 477 8380) Martha Argerich
CD 04: Maurice Ravel – Bolero, La Valse et al. (1982 DG 477 8381) Orchestre de Paris and Daniel Barenboim
CD 05: Claude Debussy – Preludes Vol.1 (1971 DG 477 8382) Arturo Benedetti Michelangeli
CD 06: West Side Story (1985 DG 477 8383) Leonard Bernstein et al
CD 07: Wolfgang Amadeus Mozart – Requiem K.626 (1971 DG 477 8385) Wiener Philharmoniker, Karl Bohm et al
CD 08: Igor Stravinsky – Petrouchka, Le Sacre du Printemps (1992 DG 435 769-2) The Cleveland Orchestra and Pierre Boulez
CD 09: Antonio Vivaldi – Concertos for Violin et al. (2003 DG 477 8387) Venice Baroque Orchestra, Guliano Carmignola et al
CD 10: Opern Gala (1981 DG 477 8388) Los Angeles Philharmonic Orchestra, Placido Domingo, Carlo Maria Giulini et al
CD 11: Gustav Mahler – Symphony No.5 (2007 DG 477 8389) Simon Bolivar Youth Orchestra of Venezuala and Gustavo Dudamel
CD 12: Johann Sebastian Bach – The Art of Fugue (2003 DG 477 8390) Emerson String Quartet
CD 13: Franz Schubert – Winterreise (1972 DG 477 8391) Gerald Moore and Dietrich Fischer-Dieskau
CD 14: Johann Sebastian Bach – Sechs Suiten fur Violoncello solo – Part 1 (1961 DG 477 8392) Pierre Fournier
CD 15: Johann Sebastian Bach – Sechs Suiten fur Violoncello solo – Part 2 (1961 DG 477 8393) Pierre Fournier
CD 16: Giuseppe Verdi – Messa da Requiem (1954 DG 477 8394) Symphonie Orchester Berlin, Ferenc Fricsay et al
CD 17: Robert Schumann, Joseph Haydn – Symphony No.4, No.88 (1952 DG 477 8395) Berliner Philharmoniker and Wilhelm Furtwangler
CD 18 & CD 19: Claudio Montverdi – Vespro della Beata Vergine – Part 1-2 (1990 DG 477 8396) John Eliot Gardiner et al
CD 20: Ludwig van Beethoven – Piano Sonatten – Waldstein, Les Adieux, Appassionata (1972 DG 447 8398) Emil Gilels
CD 21: Pachelbel, Handel, Vivaldi, Bach – Various (1982 DG 477 8399) Musica Antiqua Koln and Reinhard Goebel
CD 22: Corigliano, van Beethoven, Part – Various (2003 DG 477 8400) Swedish Radio Symphony Orchestra, Helene Grimaud et al
CD 23: Johann Sebastian Bach – Concertos (2003 DG 477 8401) Los Angeles Chamber Orchestra, Jeffrey Kahane and Hilary Hahn
CD 24: Various – Horowitz in Moscow (1986 DG 477 8402) Vladimir Horowitz
CD 25: Carl Orff – Carmina Burana (1968 DG 477 8403) Chor Und Orchester Der Deutschen Oper Berlin, Eugen Jochum et al
CD 26: Ludwig van Beethoven – Symphonie No.9 Ouverture Coriolan (1963 DG 447 8404) Berliner Philharmoniker and Herbert von Karajan
CD 27: Ludwig van Beethoven – Klavierkonzerte Nos. 4 & 5 (1962 DG 477 8405) Wilhelm Kempff, Berliner Philharmoniker and Ferdinand Leitner
CD 28: Ludwig van Beethoven – Symphonien Nos. 5 & 7 (1975 DG 477 8406) Wiener Philharmoniker and Carlos Kleiber
CD 29: George Frideric Handel – Arias (2007 DG 477 8407) Venice Baroque Orchestra, Andrea Marcon and Magdalena Kozena
CD 30: Antonin Dvorak – Symphony No. 8 and 9 (1966 DG 477 8408) Berliner Philharmoniker and Rafael Kubelik
CD 31: Tchaikovsky, Mendelssohn – 1st Piano Concertos (2003 DG 477 8409) Chicago Symphony Orchestra, Daniel Barenboim and Lang Lang
CD 32: Felix Mendelssohn – Italienische, Reformations Sinfonie (1961 DG 4777 8410) Berliner Philharmoniker and Lorin Maazel
CD 33: Various – Adagio (1992 DG 477 8411) Orchestre de Paris, Semyon Bychkov and Mischa Maisky
CD 34: Hector Berlioz – Symphonie Fantastique (1962 DG 477 8412) Orchestre Lamoureux and Igor Markevitch
CD 35: Michael Praetorius – Christmette (1994 DG 477 8413) Gabrieli Consort, Paul McCreesh et al
CD 36: Jean-Philippe Rameau – Une Symphonie Imaginaire (2005 DG 477 8414) Les Musiciens du Louvre and Marc Minkowski
CD 37: Johannes Brahms – Violinkonzert (1982 DG 477 8415) Berliner Philharmoniker, Herbert von Karajan and Anne-Sophie Mutter
CD 38: Various – Opera Arias (2003 DG 477 8416) Wiener Philharmoniker, Gianandrea Noseda and Anna Netrebko
CD 39: Peter Tchaikovsky, Henryk Wieniawski et al. – Various (1954 DG 477 8417) Gewandhausorchester Leipzip, Oistrakh brothers et al
CD 40: Various – Lamenti (1998 DG 477 8418) Lusica Antiqua Koln, Reinhard Goebel and Anne Sofie von Otter
CD 41: Antonio Vivaldi – Le Quattro Stagioni (1982 DG 477 8419) The English Concert, Trevor Pinnock and Simon Standage
CD 42 – 43: Frederic Chopin – Nocturnes – Part 1 – 2 (1996 DG 477 8420) Maria Joao Pires
CD 44: Domenico Scarlatti – Sonatas (1992 DG 477 8422) Ivo Pogorelich
CD 45: Frederic Chopin – Etudes (1972 DG 477 8423) Maurizio Pollini
CD 46: Various – Die Stimme (2002 DG 477 8424) Chor und Orchester der Deutschen Oper Berlin, Christian Thielemann, Thomas Quasthoff et al
CD 47 – 48: Johann Sebastian Bach – Messe in h-moll – Part 1 – 2 (1962 DG 477 8425) Muchener Bach Orchester und Chor, Karl Richter et al
CD 49: Sergei Rachmaninoff – Preludes (1959 DG 477 8427) Warsaw National Philharmonkier Orchestra, Stanislaw Wislocki and Sviatoslav Richter
CD 50: Antonin Dvorak, Pyotr Tchaikovsky – Cellokonzert, Rokoko-Variationen (1969 DG 477 8428) Berliner Philharmoniker, Mstislav Rostropovich and Herbert von Karajan
CD 51: Various – The Vagabond (1995 DG 477 8429) Bryn Terfel and Malcolm Martineau
CD 52: Various – Cielo e Mar (2008 DG 477 8430) Coro & Orchestra Sinfonica di Milano Giuseppe Verdi, Rollando Villazon and Daniele Callegari
CD 53: Johann Sebastian Bach – Werke fur Orgel (1959 DG 477 8431) Helmut Walcha
CD 54: Schumann, van Beethoven, Schubert – Various (1966 DG 477 8432) Fritz Wunderlich and Hubert Giesen
CD 55: Franz Liszt – Klavierkonzerte Nos.1 and 2, Totentanz (1988 DG 477 8433) Boston Symphony Orchestra, Seiji Ozawa and Krystian Zimerman
Vol.2 – 2010 [56 CD Box Set]:
CD-01 – Bizet: Carmen / Act 1 & 2 (Beginning) (78:49)
CD-02 – Bizet: Carmen / Act 2 (cont.) & 3 (78:12)
CD-03 – Prokofiev: Piano Concerto No.3 / Ravel: Concerto in G; Gaspard de la nuit (70:29)
CD-04 – Beethoven: Piano Sonatas No.14 "Moonlight", No.13 "Pathtique" & No.23 (62:30)
CD-05 – Bach, J.S.: Arias (60:01)
CD-06 – Mahler: Symphony No.1 (55:51)
CD-07 – Chopin: Piano Concertos Nos.1 & 2 (74:39)
CD-08 – Mozart, W.A.: Clarinet Concerto, K.622; Flute Concerto, K.313; Bassoon Concerto, K.191 (77:16)
CD-09 – Debussy: La Mer; 3 Nocturnes; Jeux; Rhapsodie pour clarinette (70:33)
CD-10 – Brahms: Symphony No.4 / Strauss, R.: Tod und Verklrung, Op.24 (63:00)
CD-11 – Pasion Espaola (53:48)
CD-12 – Fiesta (75:41)
CD-13 – Bach, J.S.: Cantatas "Ich will den Kreuzstab gerne tragen", BWV 56; "Ich habe genug", BWV 82 (42:15)
CD-14 – Ferenc Fricsay – J.Strauss Waltzes,Polkas,Marches (54:59)
CD-15 – Schubert: Symphony No.9; Rosamunde (Overture to "Die Zauberharfe", D.644) (65:18)
CD-16 – Elina Garanca – Aria Cantilena – Staatskapelle Dresden (58:21)
CD-17 – Emil Gilels – Brahms Die Klavierkonzerte (51:42)
CD-18 – Carlo Maria Giulini – Faure Requiem (48:48)
CD-19 – Dawn Upshaw – Golijov Ayre, Berio Folksongs (61:55)
CD-20 – Helene Grimaud – Reflection (79:24)
CD-21 – Schubert: String Quartet, D.810 "Death and the Maiden" – Beethoven: String Quartet, Op.135 (67:39)
CD-22 – H.Hahn – Schoenberg, Sibelius Violin Concertos (62:54)
CD-23 – D.Hope – Air. A Baroque Journey (63:12)
CD-24 – V.Horowitz – Horowitz At Home (52:50)
CD-25 – Jochum – Bruckner Symphony No.4 (64:22)
CD-26 – Karajan – Ein Deutsches Requiem Op.45 – Brahms (76:57)
CD-27 – Schumann: Fantasie, Op.17 / Brahms: Variations and Fugue on a Theme by Handel, Op.24 (54:35)
CD-28 – C. Kleiber – Verdi: La Traviata – Act 1 & 2, Scene 1 CD-1 (63:59)
CD-29 – C. Kleiber – Verdi: La Traviata – Act 2, Scene 2 & Act 3 CD-2 (45:51)
CD-30 – M.Kozena & Sir Simon Rattle – Mozart Arias (67:55)
CD-31 – P.Glass, A.Schnittke – Violin Concerto, Concerto Grosso No.5 (52:28)
CD-32 – Lang Lang – Memory (79:28)
CD-33 – Levine, Gershwin – Rhapsody in Blue, An American in Paris (66:44)
CD-34 – Mozart, W.A.: Great Mass, K.427 – Haydn: Scena di Berenice, Hob XXIVa:10 – Beethoven: "Ah! perido", Op.65 (73:52)
CD-35 – P.Tchaikovsky – Mravinsky Symphony No.6.Leningrad PO (43:59)
CD-36 – Early Music Consort; Munrow – Music Of The Gothic Era (60:18)
CD-37 – Carmen-Fantasie (J.Levine, Wiener Philharmoniker) (66:44)
CD-38 – A.Netrebko & R.Villazon – Duets (71:07)
CD-39 – Alice Sara Ott – Franz Liszt – Etudes d’execution transcendante (66:09)
CD-40 – Kurt Weill – Speak Low (77:50)
CD-41 – J.S.Bach – Brandenburg Concertos (43:03)
CD-42 – Pires, Abbado – Mozart Piano Concertos No.14 and 26 (51:46)
CD-43 – M.Pollini – Stravinsky, Prokofiev, Webern, Boulez (67:56)
CD-44 – T.Quasthoff, J.Zeyen – Schubert – Die schone Mullerin (61:25)
CD-45 – Steve Reich – Drumming CD-1 (65:34)
CD-46 – Steve Reich – Drumming CD-2 (61:42)
CD-47 – K.Richter – C.P.E.Bach ; Vier Orchester-Sinfonien (38:45)
CD-48 – S.Richter – Pianist of the Century – R.Schumann (45:21)
CD-49 – Berliner Philharmoniker – M.Rostropovich – Tschaikowsky Ballet-Suiten (68:22)
CD-50 – G.Shaham, G.Sollscher – Paganini For Two (60:31)
CD-51 – G.Sinopoli – Opern-Chore (Deutsche Oper Berlin) (52:45)
CD-52 – Rita Streich – Chante Opera (50:37)
CD-53 – Bryn Terfel – Opera Arias (70:22)
CD-54 – Yuja Wang – Sonatas and Etudes (73:59)
CD-55 – J.Rodrigo – Concierto de Aranjuez – Fantasia para un Gentilhombre (44:05)
CD-56 – K.Zimerman – Chopin (Ballady-Barkarola-Fantazja) (59:28)
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Sacred Music Cornerstone Works of Sacred Music (29CD Box Set) (2009) (LOSSLESS)
EAC rip | FLAC – Log – Cue | 8.57 GB
CD 1 – Chant of the Early Christians
CD 2 – A Millenium of Gregorian Chant
CD 3 – The Birth of Polyphony (1100-1300)
CD 4 – The Polyphonic Motet from Ars Antiqua to the Renaissance
CD 5 – Polyphonic Mass from the Middle Ages to the Renaissance
CD 6 – Polyphonic Mass from the Middle Ages to the Renaissance
CD 7 – The French ???Petit Motet??? and ???Grand Motet???
CD 8 – Lamentations & Tenebrae
CD 9 – Baroque Vespers (1)
CD 10 – Baroque Vespers (2)
CD 11 – Great oratorios – Il primo omicidio (I)
CD 12 – Great oratorios – Il primo omicidio (II)
CD 13 – Great oratorios – Messiah (I)
CD 14 – Great oratorios – Messiah (II) & (III)
CD 15 – Great oratorios – Paulus (I)
CD 16 – Great oratorios – Paulus (II)
CD 17 – Music for the Reformed Church
CD 18 – Music for the Reformed Church – Weihnachts-Oratorium (I) & (II)
CD 19 – Music for the Reformed Church – Weihnachts-Oratorium (II)
CD 20 – Stabat Mater 1
CD 21 – Stabat Mater 2
CD 22 – Requiem
CD 23 – Requiem
CD 24 – Requiem
CD 25 – 19th and 20th centuries
CD 26 – 19th and 20th centuries
CD 27 – 19th and 20th centuries
CD 28 – 19th and 20th centuries
CD 29 – Orthodox Church Music
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Bela Bartok – Complete Edition (29CD (2000) (LOSSLESS)
APE (Img,cue,covers) | Lossless | 8 Gb
Vol. 01. Vocal Orchestral Works
Vol. 02. Stage Works I
Vol. 03. Stage Works II
Vol. 04. Chamber Works I
Vol. 05. Chamber Works II
Vol. 06. Chamber Works III
Vol. 07. Chamber Works IV
Vol. 08. Chamber Works V
Vol. 09. Chamber Works VI
Vol. 10. Symphonic Works I
Vol. 11. Symphonic Works II
Vol. 12. Symphonic Works III
Vol. 13. Symphonic Works IV
Vol. 14. Symphonic Works V
Vol. 15. Symphonic Works VI
Vol. 16. Symphonic Works VII
Vol. 17. Symphonic Works VIII
Vol. 18. Piano Works I
Vol. 19. Piano Works II
Vol. 20. Piano Works III
Vol. 21. Piano Works IV
Vol. 22. Piano Works V
Vol. 23. Piano Works VI
Vol. 24. Piano Works VII
Vol. 25. Piano Works VIII
Vol. 26. Vocal Works I
Vol. 27. Vocal Works II
Vol. 28. Vocal Works III
Vol. 29. Rarities
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Carl Phillip Emanuel Bach Symphonies, Concertos, Chamber & Vocal Works (12 CD) (2004) (LOSSLESS)
APE (Img,cue,log,scans) | 3 Gb
CD01 – CD02 – Symphonies
CD03 – CD04 – Flute Concertos
CD05 – Oboe Concertos
CD06 – Organ Concertos
CD07 – Sonatas
CD08 – Flute Sonatas
CD09 – CD10 – Vocal Music
CD11 – CD12 – The Resurrection and Ascension of Jesu, Gott hat den Herren auferwecket
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MP3 320 kbps, 5.75 Gb (+1%rec.)
Dietrich Fischer-Dieskau (Performer)
John Shirley-Quirk (Performer)
Jurij Kruglov (Performer)
Jiri Sulzenko (Performer)
Matthias Goerne (Performer)
Michael Volle (Performer)
Roman Janal (Performer)
Thomas Mehnert (Performer)
Wen-Sinn Yang (Performer)
Franz Schubert (Composer)
Andreas Weiser (Conductor)
Gerhard Schmidt-Gaden (Conductor)
Helmuth Rilling (Conductor)
Jack Martin Handler (Conductor)
Romano Gandolfi (Conductor)
Roy Goodman (Conductor)
Ulrich Backofen (Conductor)
Amati Chamber Ensemble (Performer)
Amati Quartet (Performer)
Berlin Philharmonic Octet (Performer)
CD-1:
1. Symphony No.1 in D major D82 – Adagio-allegro vivace
2. Symphony No.1 in D major D82 – Andante
3. Symphony No.1 in D major D82 – Menuetto & trio
4. Symphony No.1 in D major D82 – Allegro vivace
5. Symphony No.2 in B flat major D125 – Largo-allegro vivace
6. Symphony No.2 in B flat major D125 – Andante
7. Symphony No.2 in B flat major D125 – Menuetto & trio: allegretto
8. Symphony No.2 in B flat major D125 – Presto vivace
Performer: Hanover Band
Conducted by Roy Goodman
CD-2:
1. Symphony No.8 in B minor D759 – Allegro moderato
2. Symphony No.8 in B minor D759 – Andante con moto
3. Symphony No.5 in B flat major D485 – Allegro
4. Symphony No.5 in B flat major D485 – Andante con moto
5. Symphony No.5 in B flat major D485 – Menuetto & trio: allegro molto
6. Symphony No.5 in B flat major D485 – Allegro vivace
7. Symphony No.3 in D major D200 – Adagio maestoso-allegro con brio
8. Symphony No.3 in D major D200 – Allegretto
9. Symphony No.3 in D major D200 – Menuetto & trio: vivace
10. Symphony No.3 in D major D200 – Presto vivace
Performer: Hanover Band
Conducted by Roy Goodman
CD-3:
1. Symphony No.4 in C minor D417 ‘Tragic’ – Adagio molto-allegro vivace
2. Symphony No.4 in C minor D417 ‘Tragic’ – Andante
3. Symphony No.4 in C minor D417 ‘Tragic’ – Menuetto & trio
4. Symphony No.4 in C minor D417 ‘Tragic’ – Allegro
5. Symphony No.6 in C major D589 – Adagio-allegro
6. Symphony No.6 in C major D589 – Andante
7. Symphony No.6 in C major D589 – Scherzo: allegro
8. Symphony No.6 in C major D589 – Finale: allegro moderato
Performer: Hanover Band
Conducted by Roy Goodman
CD-4:
1. Symphony No.9 in C major D944 ‘The Great’ – Andante – allegro ma non troppo-piu moto
2. Symphony No.9 in C major D944 ‘The Great’ – Andante con moto
3. Symphony No.9 in C major D944 ‘The Great’ – Scherzo: allegro vivace
4. Symphony No.9 in C major D944 ‘The Great’ – Allegro vivace
Performer: Hanover Band
Conducted by Roy Goodman
CD-5:
1. Mass No.1 in F major D105 – Kyrie
2. Mass No.1 in F major D105 – Gloria
3. Mass No.1 in F major D105 – Credo
4. Mass No.1 in F major D105 – Sanctus
5. Mass No.1 in F major D105 – Benedictus
6. Mass No.1 in F major D105 – Agnus Dei
7. Salve Regina in A major D676
8. Magnificat in C major D486
Performer:
Zdena Kloubova, soprano
Marta Benackova, mezzo soprano
Walter Coppola, tenor
Jurij Kruglov, baritone
Virtuosi di Praga
PRAGUE CHAMBER ORCHESTRA,
Andreas Weiser, conductor
CD-6:
1. Mass No.2 in G major D167 – Kyrie
2. Mass No.2 in G major D167 – Gloria
3. Mass No.2 in G major D167 – Credo
4. Mass No.2 in G major D167 – Sanctus
5. Mass No.2 in G major D167 – Benedictus
6. Mass No.2 in G major D167 – Agnus Dei
7. Mass No.4 in C major D452 – Kyrie
8. Mass No.4 in C major D452 – Gloria
9. Mass No.4 in C major D452 – Credo
10. Mass No.4 in C major D452 – Sanctus
11. Mass No.4 in C major D452 – Benedictus
12. Mass No.4 in C major D452 – Agnus Dei
13. Mass No.3 in B flat major D324 – Kyrie
14. Mass No.3 in B flat major D324 – Gloria
15. Mass No.3 in B flat major D324 – Credo
16. Mass No.3 in B flat major D324 – Sanctus
17. Mass No.3 in B flat major D324 – Benedictus
18. Mass No.3 in B flat major D324 – Agnus Dei
Performer:
Ludmila Vernerova, soprano (No. 2,3);
Marta Filova, soprano (No. 4);
Lenka Smidova, mezzo soprano (No. 3);
Marta Benackova, alto (No. 4);
Richard Sporka, tenor (No. 2);
Walter Coppola, tenor (No. 4);
Rodrigo Orrego, tenor (No. З);
Roman Janal, bass (No. 2);
Mirostav Podskalsky, bass (No. 4);
Jiri Sulzenko, bass (No. 3)
VIRTUOSI DI PRAGA
PRAGUE CHAMBER ORCHESTRA
Conductors: Romano Gandolfi (No. 2);
Ulrich Backofen (No. 4);
Jack Martii Handler (No. 3)
CD-7:
1. Mass No.5 in A flat major D678 – Kyrie
2. Mass No.5 in A flat major D678 – Gloria in excelsis Deo
3. Mass No.5 in A flat major D678 – Gratias agimus
4. Mass No.5 in A flat major D678 – Domine Deus
5. Mass No.5 in A flat major D678 – Quoniam tu solus sanctus
6. Mass No.5 in A flat major D678 – Cum sancto spiritu
7. Mass No.5 in A flat major D678 – Credo
8. Mass No.5 in A flat major D678 – Et incarnatus est
9. Mass No.5 in A flat major D678 – Et resurrexit
10. Mass No.5 in A flat major D678 – Sanctus
11. Mass No.5 in A flat major D678 – Osanna
12. Mass No.5 in A flat major D678 – Benedictus
13. Mass No.5 in A flat major D678 – Osanna
14. Mass No.5 in A flat major D678 – Agnus Dei
15. Mass No.5 in A flat major D678 – Dona nobis pacem
16. Mass No.5 in A flat major D678 – Cum sancto (First version)
17. Mass No.5 in A flat major D678 – Osanna (Variant)
Performer:
Donna Brown, soprano;
Monica Groop, alto;
James Taylor, tenor;
Michael Volle, bass
OREGON BACH FESTIVAL CHOIR & ORCHESTRA
Helmuth Rilllng, conductor
CD-8:
1. Mass No.6 in E flat major D950 – Kyrie
2. Mass No.6 in E flat major D950 – Gloria in excelsis Deo
3. Mass No.6 in E flat major D950 – Domine Deus
4. Mass No.6 in E flat major D950 – Quoniam tu solus sanctus
5. Mass No.6 in E flat major D950 – Cum sancto spiritu
6. Mass No.6 in E flat major D950 – Credo
7. Mass No.6 in E flat major D950 – Et incarnatus est
8. Mass No.6 in E flat major D950 – Et reurrexit
9. Mass No.6 in E flat major D950 – Et vitam
10. Mass No.6 in E flat major D950 – Sanctus
11. Mass No.6 in E flat major D950 – Osanna
12. Mass No.6 in E flat major D950 – Benedictus
13. Mass No.6 in E flat major D950 – Osanna II
14. Mass No.6 in E flat major D950 – Agnus Dei
15. Mass No.6 in E flat major D950 – Dona nobis pacem
16. Offertorioum ‘Intende voci’ D953
17. Tantum ergo D962
Performer:
Sibylla Rubens, soprano;
Irene Friedli, alto;
Scot Weir, tenor (Mass, Offertorium);
Christoph Genz, tenor (Tantum ergo);
Matthias Goerne, tenor II & bass (Mass);
Thomas Mehnert, bass (Tantum ergo)
G???CHINGER KANTOREI
STUTTGART IBACH-COLLEGIUM STUTTGART
Helmuth Rilling, conductor
CD-9:
1. Deutsche Messe D872 – Zum Eingang: Wohn soll ich
2. Deutsche Messe D872 – Zum Gloria: Ehre, sei Gott
3. Deutsche Messe D872 – Zum Evangelium und Credo: Noch lag die Schцpfung
4. Deutsche Messe D872 – Zum Offertorium: Du gabst, o Herr
5. Deutsche Messe D872 – Zum Sanctus: Heilig, Heilig
6. Deutsche Messe D872 – Zum Agnus Dei: Mein Heiland
7. Deutsche Messe D872
8. Deutsche Messe D872 – Schlussgang: Herr, du hast mein Fleh’n
9. Deutsche Messe D872 – Anhang Das Gebet des Herrn: Anbetend deine Macht
Performer:
T???LZER KNABENCHOR
BL???SER ORCHESTER,
Gerhard Schmidt-Gaden, conductor
CD-10:
1. String Quartet in A minor D804 ‘Rosamunde’ – Allegro ma non troppo
2. String Quartet in A minor D804 ‘Rosamunde’ – Andante
3. String Quartet in A minor D804 ‘Rosamunde’ – Menuetto, allegro
4. String Quartet in A minor D804 ‘Rosamunde’ – Allegro moderato
5. String Quartet in D minor D810 ‘Der Tod und das Mдdchen’ – Allegro
6. String Quartet in D minor D810 ‘Der Tod und das Mдdchen’ – Andante con moto
7. String Quartet in D minor D810 ‘Der Tod und das Mдdchen’ – Scherzo, allegro m…
8. String Quartet in D minor D810 ‘Der Tod und das Mдdchen’ – Presto
Performer:
BRANDIS QUARTET
Thomas Brandis, violin I
Peter Brem, violin II
Wilfried Strehle, viola
Wolfgang Boettcher, cello
CD-11:
1. Quartettsatz in C minor D703
2. String Quartet inG major D887 – Allegro molto moderato
3. String Quartet inG major D887 – Andante un poco moto
4. String Quartet inG major D887 – Scherzo, allegro vivace
5. String Quartet inG major D887 – Alegro assai
Performer:
BRANDIS QUARTET
Thomas Brandis, violin I
Peter Brem, violin II
Wilfried Strehle, viola
Wolfgang Boettcher, cello
CD-12:
1. String Quintet in C major D956 – Allegro non troppo
2. String Quintet in C major D956 – Adagio
3. String Quintet in C major D956 – Scherzo, presto
4. String Quintet in C major D956 – Allegretto
Performer:
BRANDIS QUARTET
Thomas Brandis, violin I
Peter Brem, violin II
Wilfried Strehle, viola
Wolfgang Boettcher, cello
With Wen-Sinn Yang, cello
CD-13:
1. Quintet in A major D667 ‘The Trout’ – Allegro vivace
2. Quintet in A major D667 ‘The Trout’ – Andante
3. Quintet in A major D667 ‘The Trout’ – Scherzo, presto
4. Quintet in A major D667 ‘The Trout’ – Tema con variazioni (Die Forelle)
5. Quintet in A major D667 ‘The Trout’ – Allegro giusto
6. String Quartet in G minor D173 – Allegro con brio
7. String Quartet in G minor D173 – Andantino
8. String Quartet in G minor D173 – Menuetto, allegro vivace
9. String Quartet in G minor D173 – Allegro
Performer:
Trout Quintet:
AMATI CHAMBER ENSEMBLE
Gil Sharon, violin
Ron Ephrat, viola
Alexander H???lshoff, cello
Jean Sassen, double-bass
Dalia Ouziel, piano
String Quartet:
SHARON QUARTET
Gil Sharon, violin I
Rodica-Daniela Ciocoiu, violin II
Georg Haag, viola
Alexander H???lshoff, cello
CD-14:
1. Piano Trio No.1 in B flat major D898 – Allegro moderato
2. Piano Trio No.1 in B flat major D898 – Andante un poco mosso
3. Piano Trio No.1 in B flat major D898 – Scherzo
4. Piano Trio No.1 in B flat major D898 – Rondo, allegro vivace
5. Sonatensatz D28
Performer:
ISRAEL PIANO TRIO
Alexander Volkov, piano
Menahem Breuer, violin
Marcel Bergman, cello
CD-15:
1. Piano Trio No.2 in E flat major D929 – Allegro
2. Piano Trio No.2 in E flat major D929 – Andante con moto
3. Piano Trio No.2 in E flat major D929 – Scherzo, allegro moderato
4. Piano Trio No.2 in E flat major D929 – Allegro moderato
5. Notturno D897 – Adagio
Performer:
ISRAEL PIANO TRIO
Alexander Volkov, piano
Menahem Breiter, violin
Marcel Bergman, cello
CD-16:
1. Octet in F major D803 – Adagio-allegro
2. Octet in F major D803 – Adagio
3. Octet in F major D803 – Allegro vivace-trio
4. Octet in F major D803 – Andante con variazioni
5. Octet in F major D803 – Menuetto, allegretto
6. Octet in F major D803 – Andante molto-allegro
Performer:
BERLIN PHILHARMONIC OCTET
Saschko Gawriloff & Rainer Mehne, violin
Wilfried Strehle, viola
Peter Steiner, cello
Rainer Zepperitz, double-bass
Gerd Seifert, horn
Hans Lemke, bassoon
Alois Brandhofen clarinet
CD-17:
1. Piano Sonata in B flat major D960 – Molto moderato
2. Piano Sonata in B flat major D960 – Andante sostenuto
3. Piano Sonata in B flat major D960 – Scherzo, allegro vivace con delicatezza
4. Piano Sonata in B flat major D960 – Allegro, ma non troppo
5. Piano Sonata in B major D575 – Allegro, ma non troppo
6. Piano Sonata in B major D575 – Andante
7. Piano Sonata in B major D575 – Scherzo, allegretto
8. Piano Sonata in B major D575 – Allegro giusto
9. ‘Lebensstьrme’ – Allegro for piano 4 hands – in A minor D966
Performer:
Klara W???rtz, piano
With Pieter van Winkel, piano duet (Lebensst???rme, track 9)
CD-18:
1. Piano Sonata in A major D959 – Allegro
2. Piano Sonata in A major D959 – Andantino
3. Piano Sonata in A major D959 – Scherzo, allegro vivace
4. Piano Sonata in A major D959 – Rondo, allegretto
5. Piano Sonata in E minor D566 – Moderato
6. Piano Sonata in E minor D566 – Allegretto
7. Piano Sonata in E minor D566 – Scherzo, allegro vivace
8. Piano Sonata in E minor D566 – Rondo, allegretto
Performer:
Frank van de Laar, piano
CD-19:
1. Piano Sonata in C minor D958 – Allegro
2. Piano Sonata in C minor D958 – Adagio
3. Piano Sonata in C minor D958 – Menuetto, allegro
4. Piano Sonata in C minor D958 – Allegro
5. 6 Moments Musicaux D780 – Moderato, in C major
6. 6 Moments Musicaux D780 – Andantino, in A flat major
7. 6 Moments Musicaux D780 – Allegretto moderato, in F minor
8. 6 Moments Musicaux D780 – Moderato, in C sharp minor
9. 6 Moments Musicaux D780 – Allegro vivace, in F minor
10. 6 Moments Musicaux D780 – Allegretto, in A flat major
Performer:
Folke Nauta, piano
CD-20:
1. Piano Sonata in D major D850 ‘Gasteiner’ – Allegro vivace
2. Piano Sonata in D major D850 ‘Gasteiner’ – Con moto
3. Piano Sonata in D major D850 ‘Gasteiner’ – Scherzo, allegro vivace
4. Piano Sonata in D major D850 ‘Gasteiner’ – Rondo, allegro moderato
5. Piano Sonata in C major D840 ‘Relique’ – Moderato
6. Piano Sonata in C major D840 ‘Relique’ – Andante
7. Piano Sonata in A flat major D557 – Allegro moderato
8. Piano Sonata in A flat major D557 – Andante
9. Piano Sonata in A flat major D557 – Allegro
Performer:
Frank van de Laar, piano
CD-21:
1. Piano Sonata in A minor D784 – Allegro giusto
2. Piano Sonata in A minor D784 – Andante
3. Piano Sonata in A minor D784 – Allegro vivace
4. Piano Sonata in G major D894 – Molto moderato e cantabile
5. Piano Sonata in G major D894 – Andante
6. Piano Sonata in G major D894 – Menuetto, allegro moderato
7. Piano Sonata in G major D894 – Allegretto
Performer:
David Kuyken, piano
CD-22:
1. Piano Sonata in A minor D537 – Allegro ma non troppo
2. Piano Sonata in A minor D537 – Allegretto, quasi andantino
3. Piano Sonata in A minor D537 – Allegro vivace
4. Piano Sonata in A major D664 – Allegro moderato
5. Piano Sonata in A major D664 – Andante
6. Piano Sonata in A major D664 – Allegro
7. Drei Klavierstьcke D946 – Allegro molto, in E flat minor
8. Drei Klavierstьcke D946 – Allegretto, in E flat major
9. Drei Klavierstьcke D946 – Allegro, in C major
Performer:
Klara W???rtz, piano (Sonatas in ??? minor & A major)
Pieter van Winkel, piano (Drei Klavierst???cke)
CD-23:
1. Piano Sonata in A minor D845 – Moderato
2. Piano Sonata in A minor D845 – Andante, poco mosso
3. Piano Sonata in A minor D845 – Scherzo, allegro vivace
4. Piano Sonata in A minor D845 – Rondo, allegro vivace
5. Piano Sonata in E major D459 – Allegro moderato
6. Piano Sonata in E major D459 – Scherzo, allegro
7. Piano Sonata in E major D459 – Adagio
8. Piano Sonata in E major D459 – Scherzo con trio
9. Piano Sonata in E major D459 – Allegro patetico
Performer:
Bart van Oort, fortepiano
Instrument: Zierer, ca. 1825,
from the collection of "Het Zeeuws Genootschap der Wetenschappen, Middelburg".
CD-24:
1. Piano Sonata in F sharp minor D570/571 – Allegro
2. Piano Sonata in F sharp minor D570/571 – Scherzo, allegro vivace
3. Piano Sonata in F sharp minor D570/571 – Allegro moderato
4. Piano Sonata in C major D613 – Moderato
5. Piano Sonata in C major D613 – Without tempo indication
6. Piano Sonata in F minor D625 – Allegro
7. Piano Sonata in F minor D625 – Scherzo, allegretto
8. Piano Sonata in F minor D625 – Allegro
9. Sonata Movement in C sharp minor D655
10. Ungarische Melodie D817
11. Zwei Scherzi D593 – Scherzo in B flat major
12. Zwei Scherzi D593 – Scherzo in D flat major
Performer:
Alwin B???r, piano
CD-25:
1. Piano Sonata in E major D157 – Allegro ma non troppo
2. Piano Sonata in E major D157 – Andante
3. Piano Sonata in E major D157 – Menuetto, allegro vivace
4. Piano Sonata in C major D279 – Allegro moderato
5. Piano Sonata in C major D279 – Andante
6. Piano Sonata in C major D279 – Menuetto, allegro vivace
7. Piano Sonata in C major D279 – Allegretto
8. Piano Sonata in E flat major D568 – Allegro moderato
9. Piano Sonata in E flat major D568 – Andante molto
10. Piano Sonata in E flat major D568 – Menuetto, allegretto
11. Piano Sonata in E flat major D568 – Allegro moderato
12. Fantasie in C minor D2e
13. Allegretto in C minor D915
14. Scherzo in B flat major D593
Performer:
Tamara Rumiantsev, piano
CD-26:
1. Impromptu in C minor Op.90 no.1 – Allegro molto moderato
2. Impromptu in E flat major Op.90 no.2 – Allegro
3. Impromptu in G flat major Op.90 no.3 – Andante
4. Impromptu in A flat major Op.90 no.4 – Allegretto
5. Impromptu in F minor Op.142 no.1 – Allegro moderato
6. Impromptu in A flat major Op.142 no.2 – Allegretto
7. Impromptu in B flat major Op.142 no.3 – Andante mit Varationen (Rosamunde)
8. Impromptu in F minor Op.142 no.4 – Allegro vivace
Performer:
Martijn van den Hoek, piano
CD-27:
1. Fantasie in C major D760 ‘Wanderer Fantasie’ – Allegro con fuoco
2. Fantasie in C major D760 ‘Wanderer Fantasie’ – Adagio
3. Fantasie in C major D760 ‘Wanderer Fantasie’ – Scherzo, presto
4. Fantasie in C major D760 ‘Wanderer Fantasie’ – Allegro
5. Deutsche Tдnze Op.18 no.1
6. Deutsche Tдnze Op.9 no.3
7. Deutsche Tдnze Op.18 no.4
8. Deutsche Tдnze Op.9 no.5
9. Deutsche Tдnze Op.9 no.6
10. Deutsche Tдnze Op.9 no.2
11-22. 12 Wiener Deutsche Tдnze D128
23. Wiener Deutsche Tдnze D643
24. Wiener Deutsche Tдnze D722
25-26. 2 Deutsche Tдnze D769
27-42. 16 Deutsche Tдnze Op.33 D783
43-44. Deutsche Tдnze D820
45-49. Deutsche Tдnze D970
50-52. 3 Deutsche Tдnze D971
53-55. 3 Deutsche Tдnze D972
56-58. 3 Deutsche Tдnze D973
59-60. 2 Deutsche Tдnze D974
61. Deutsche Tдnze D975
Performer:
Martijn van den Hoek, piano
CD-28:
1. Die Schцne Mьllerin D795 – Das Wandern
2. Die Schцne Mьllerin D795 – Wohin?
3. Die Schцne Mьllerin D795 – Halt!
4. Die Schцne Mьllerin D795 – Danksagung an den Bach
5. Die Schцne Mьllerin D795 – Am Feierabend
6. Die Schцne Mьllerin D795 – Der Neugierige
7. Die Schцne Mьllerin D795 – Ungeduld
8. Die Schцne Mьllerin D795 – Morgengruss
9. Die Schцne Mьllerin D795 – Des Mьllers Blumen
10. Die Schцne Mьllerin D795 – Trдnenregen
11. Die Schцne Mьllerin D795 – Mein!
12. Die Schцne Mьllerin D795 – Pause
13. Die Schцne Mьllerin D795 – Mit den grьnen Lautenbande
14. Die Schцne Mьllerin D795 – Der Jдger
15. Die Schцne Mьllerin D795 – Eifersucht und Stolz
16. Die Schцne Mьllerin D795 – Die liebe Farbe
17. Die Schцne Mьllerin D795 – Die bцse Farbe
18. Die Schцne Mьllerin D795 – Trockne Blumen
19. Die Schцne Mьllerin D795 – Der Mьller und der Bach
20. Die Schцne Mьllerin D795 – Des Baches Wiegenlied
Performer:
Peter Schreier, tenor
Walter Olbertz, piano
CD-29:
1. Winterreise D911 – Gute Nacht
2. Winterreise D911 – Die Wetterfahne
3. Winterreise D911 – Gefrorne Trдnen
4. Winterreise D911 – Erstarrung
5. Winterreise D911 – Der Lindenbaum
6. Winterreise D911 – Wasserflut
7. Winterreise D911 – Auf dem Flusse
8. Winterreise D911 – Rьckblick
9. Winterreise D911 – Irrlicht
10. Winterreise D911 – Rast
11. Winterreise D911 – Frьhlingstraum
12. Winterreise D911 – Einsamkeit
13. Winterreise D911 – Die Post
14. Winterreise D911 – Der greise Kopf
15. Winterreise D911 – Die Krдhe
16. Winterreise D911 – Letzte Hoffnung
17. Winterreise D911 – Im Dorfe
18. Winterreise D911 – Der stьrmische Morgen
19. Winterreise D911 – Tдuschung
20. Winterreise D911 – Der Wegweiser
21. Winterreise D911 – Das Wirthaus
22. Winterreise D911 – Mut
23. Winterreise D911 – Die Nebensonnen
24. Winterreise D911 – Der Leiermann
Performer:
Robert Holl, bass-baritone
Num Grubert, piano
CD-30:
1. Schwanengesang D957 – Liebesbotschaft
2. Schwanengesang D957 – Kriegers Ahnung
3. Schwanengesang D957 – Frьhlingssehnsucht
4. Schwanengesang D957 – Stдndchen
5. Schwanengesang D957 – Aufenthalt
6. Schwanengesang D957 – In der Ferne
7. Schwanengesang D957 – Abschied
8. Schwanengesang D957 – Der Atlas
9. Schwanengesang D957 – Ihr Bild
10. Schwanengesang D957 – Das Fischermдdchen
11. Schwanengesang D957 – Die Stadt
12. Schwanengesang D957 – Am Meer
13. Schwanengesang D957 – Der Doppelgдnger
14. Schwanengesang D957 – Die Taubenpost
Performer:
John Shirley-Quirk, baritone
Steuart Bedford, piano
CD-31:
1. Der Winterabend D938
2. Auf dem See D543
3. Das Lied im Grьnen D917
4. An die untergehende Sonne D457
5. Der liebliche Stern D861
6. An den Mond D296
7. Nachtstьck D672
8. Augenlied D297
9. Der blinde Knabe D833
10. Am Grabe Anselmos D504
11. Bei dir allein D866/2
12. Die abgeblьhte Linde D514
13. Fischerweise D881
14. Geheimnis (An Franz Schubert) D491
15. An die Musick D547
Performer:
Gundula Janowitz, soprano
Charles Spencer, piano
CD-32:
1. Gretchen am Spinnrade D118
2. Gretchens Bitte D564
3. Klдrchens Lied D210
4. Sehnsucht (Lied der Mignon) D481
5. Mignon I D726
6. Mignon II D727
7. Mignon D321
8. Heidenrцslein D257
9. Lied der Mignon D877/2
10. Lied der Mignon D877/3
11. Lied der Mignon D877/4
12. Die Liebende schriebt D673
13. Suleika I D720
14. Suleika II D717
Performer:
Arleen Auger, soprano
Walter Olbertz, piano
CD-33:
1. Der Musensohn D764
2. Ganymed D544
3. Schдfers Klagelied D121
4. Rastlose Liebe D138
5. Suleika I D720
6. Suleika II D717
7. An den Mond D296
8. Der Fischer D225
9. Erlkцnig D328
10. Wandrers Nachtlied D768
11. Die Sterne D939
12. An den Mond D193
13. Der Einsame D800
14. Nachtstьck D672
15. Der Zwerg D771
16. Im Abendrot D799
17. Nachtviolen D752
18. Die junge Nonne D828
19. Nacht und Trдume D827
Performer:
Sarah Walker, mezzo-soprano
Roger Vignoles, piano (Kirkman, London 1864)
CD-34:
1. Heliopolis D754
2. Abendstern D806
3. Nacht und Trдume D827
4. Des Sдngers Habe D832
5. Auf der Bruck D853
6. Anderer an den Mond D870
7. Das Zьgenglцcklein D871
8. Am Fenster D878
9. Im Frьhling D882
10. An Silvia D891
11. Alinde D904
12. An die Laute D905
13. Der Kreuzzug D932
14. Des Fischers Liebesglьck D933
15. Der Winterabend D938
16. Die Sterne D939
Performer:
Dietrich Fischer-Dieskau, baritone
Hartmut Holl, piano
CD-35:
1. Sonatina in D major D384 – Allegro molto
2. Sonatina in D major D384 – Andante
3. Sonatina in D major D384 – Allegro vivace
4. Sonatina in A minor D385 – Allegro moderato
5. Sonatina in A minor D385 – Andante
6. Sonatina in A minor D385 – Allegro
7. Sonatina in A minor D385 – Allegro
8. Sonatina in G minor D408 – Allegro giusto
9. Sonatina in G minor D408 – Andante
10. Sonatina in G minor D408 – Menuetto: Allegro vivace
11. Sonatina in G minor D408 – Allegro moderato
Performer:
Jaime Laredo, violin
Stephanie Brown, piano
CD-36:
1. Sonata (‘Duo’) in A major D574 – Allegro moderato
2. Sonata (‘Duo’) in A major D574 – Scherzo: Presto
3. Sonata (‘Duo’) in A major D574 – Andantino
4. Sonata (‘Duo’) in A major D574 – Allegro vivace
5. Rondo (‘Rondo brillant’) in B minor D895
6. Fantasy in C major D934
Performer:
Jaime Laredo, violin
Stephanie Brown, piano
CD-37:
1. Erste Handlung – Lazarus: Hier lasst mich ruhn
2. Erste Handlung – Martha: Noch einen Augenblick
3. Erste Handlung – Maria: Trьbe nicht mit Klagen seine Seele
4. Erste Handlung – Aria Maria: Steh im letzten Kampf dem Mьden
5. Erste Handlung – Lazarus: Voll Friede
6. Erste Handlung – Nathanael: So segne mich
7. Erste Handlung – Lazarus: Wilkommen, mein Nathanael
8. Erste Handlung – Aria Nathanael: Wenn ich ihm nachgerungen habe
9. Erste Handlung – Martha: Nathanael, bewundern kann ich dich
10. Erste Handlung – Maria: O Martha, bliebst du stiller
11. Erste Handlung – Maria: Der Trost begliete dich hinьber
12. Erste Handlung – Maria: Wenn nun mit tausendfachen Qualen
13. Erste Handlung – Aria Maria: Gottes Liebe, du bist seine Zuverischt
14. Erste Handlung – Jemina: Ach, so find ich ihn noch
15. Erste Handlung – Lazarus: Jemina, Tochter der Auferstehung
16. Erste Handlung – Aria Jemina: So schlummert auf Rosen die Unschuld ein
17. Erste Handlung – Jemina: Nun entflog auf schnellen Schwingen
18. Erste Handlung – Jemina: Ach seht, er wird so bleich
19. Erste Handlung – Lazarus: Ich sterbe, ach nun kommt
20. Erste Handlung – Choir: Allgnдdiger, heile du unsrer Seele Wunde
21. Zweite Handlung – Enleitung
22. Zweite Handlung – Simon: Wo bin ich
23. Zweite Handlung – Aria Simon: O kцnnt ich, Allgewaltiger
24. Zweite Handlung – Nathanael: Wes ist der Klage Stimme
25. Zweite Handlung – Chorus: Sanft und still schlдft unser Freund
Performer:
G???chinger Kantorei
Stuttgart
Bach-Collegium
Stuttgart
Helmuth Rilling, conductor
CD-38:
1. Zweiter Handlung – Nathanael: So legt ihn in die Blumen
2. Zweiter Handlung – Aira Martha: Hebt mich, der Flьgel
3. Zweiter Handlung – Nathanael: Einst-wenn vom Abend und vom Morgen her
4. Zweiter Handlung – Ein Jьngling: Mein stiller Abend ist gekommen
5. Zweiter Handlung – Chorus: Wiedershen! sei uns gesegnet
6. Dritte Handlung – Martha: Ich hab’ ihn gesehen
7. Dritte Handlung – Aria Maria: Auferwecker!
8. Dritte Handlung – Martha: Maria! Ach wenn er den Schlummernden
9. Dritte Handlung – Maria: Ich folge, meine Schwester!
10. Dritte Handlung – Simon: Wie ich wanke! Wie ich irre!
11. Dritte Handlung – Chours: Preis dem Erwecker!
12. Dritte Handlung – Chorus: Er kam, mit Trost des Himmels
13. Dritte Handlung – Chours: Preis dem Erwecker!
14. Dritte Handlung – Nathanael: Simon! Simon, noch so trьbe dein Auge
15. Dritte Handlung – Lazarus: Wilkommen, meine Brьder
16. Dritte Handlung – Aria Lazarus: O dass mit Himmelharmonien
17. Dritte Handlung – Chorus: Mehr! viel mehr! Kein Harfenklang
18. Dritte Handlung – Simon: O Tag des Jubels
19. Dritte Handlung – Aria Simon: In Wetterwolken eingehьllt
20. Dritte Handlung – Nathanael: Was wird jener Tag sein
21. Dritte Handlung – Lazarus: Ich will dich singen
22. Dritte Handlung – Chorus: Heilige Stдtte
23. Dritte Handlung – Chorus: Komm, Wonnetag
Performer:
G???chinger Kantorei
Stuttgart
Bach-Collegium
Stuttgart
Helmuth Rilling, conductor
CD-39:
1. Fantasie in F minor D940
2. Rondo in D major D608
3. Sonata in B flat major D617 – Allegro moderato
4. Sonata in B flat major D617 – Andante con moto
5. Sonata in B flat major D617 – Allegretto
6. Grand Rondo in A major D951
7. Valses Sentimentales D779
Performer:
Bracha Eden & Alexander Tamir, piano duet
CD-40:
1. Divertissement A L’Hongroise D818 – Andante
2. Divertissement A L’Hongroise D818 – Marcia
3. Divertissement A L’Hongroise D818 – Allegretto
4. Divertissement A La Francaise D823 – Tempo di Marcia
5. Divertissement A La Francaise D823 – Andantino
6. Divertissement A La Francaise D823 – Rondo, allegretto
Performer:
Bracha Eden & Alexander Tamir, piano duet
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Volume 1
CD 1
???Nun komm, der Heiden Heiland???, BWV 61
[01] I. Ouvert???re (Chor) ???Nun komm, der Heiden Heiland???
[02] II. Rezitativ (Tenor) ???Der Heiland ist gekommen???
[03] III. Arie (Tenor) ???Komm Jesu, komm zu deiner Kirche???
[04] IV. Rezitativ (Bass) ???Siehe, ich stehe vor der T???r???
[05] V. Arie (Sopran) ??????ffne dich, mein ganzes Herze???
[06] VI. Choral ???Amen, Amen! komm du sch???ne Freudenkrone???
???Bereitet die Wege, bereitet die Bahn???, BWV 132
[07] I. Arie (Sopran) ???Bereitet die Wege, bereitet die Bahn???
[08] II. Rezitativ (Tenor) ???Willst du dich Gottes Kind und Christi Bruder nennen???
[09] III. Arie (Bass) ???Wer bist du? frage dein Gewissen???
[10] IV. Rezitativ (Alt) ???Ich will, mein Gott, dir frei heraus bekennen???
[11] V. Arie (Alt) ???Christi Glieder, ach bedenket???
[12] VI. Choral ???Ert???t uns durch dein G???te???
???Christen, ???tzet diesen Tag???, BWV 63
[13] I. Choral ???Christen, ???tzet diesen Tag???
[14] II. Rezitativ (Alt) ???O seiger Tag! o ungemeines Heute???
[15] III. Duett (Sopran, Bass) ???Gott, du hast es wohl gef???get???
[16] IV. Rezitativ (Tenor) ???So kehret sich nun heut das bange Leid???
[17] V. Duett (Alt, Tenor) ???Ruft und fleht den Himmel an???
[18] VI. Rezitativ (Bass) ???Verdoppelt euch demnach???
[19] VII. Choral ???H???chster, schau in Gnaden an???
CD 2
???Christum wir sollen loben schon???, BWV 121
[01] I. Choral ???Christum wir sollen loben schon???
[02] II. Arie (Tenor) ???O du, von Gott erh???hte Kreatur???
[03] III. Rezitativ (Alt) ???Der Gnade unerme???lichs Wesen???
[04] IV. Arie (Bass) ???Johannis freudenvolles Springen???
[05] V. Rezitativ (Sopran) ???Doch wie erblickt es dich in deiner Krippe????
[06] VI. Choral ???Lob, Ehr und Dank sei dir gesagt???
???Sehet, welch eine Liebe hat uns der Vater erzeiget???, BWV 64
[07] I. Choral ???Sehet, welch eine Liebe hat uns der Vater erzeiget???
[08] II. Choral ???Das hat er alles uns getan???
[09] III. Rezitativ (Alt) ???Geh, Welt, behalte nur das Deine???
[10] IV. Choral ???Was frag ich nach der Welt und allen ihren Sch???tzen???
[11] V. Arie (Sopran) ???Was die Welt in sich h???lt, mu??? als wie ein Rauch vergehen???
[12] VI. Rezitativ (Bass) ???Der Himmel bleibet mir gewi?๏ฟฝ
[13] VII. Arie (Alt) ???Von der Welt verlang ich nichts???
[14] VIII. Choral ???Gute Nacht, o Wesen, das die Welt erlesen???
???Gottlob! nun geht das Jahr zu Ende???, BWV 28
[15] I. Arie (Sopran) ???Gottlob! nun geht das Jahr zu Ende???
[16] II. Chor ???Nun lob, mein Seel, den Herren???
[17] III. Rezitativ und Arioso (Bass) ???So spricht der Herr???
[18] IV. Rezitativ (Tenor) ???Gott ist ein Quell, wo lauter G???te fleu???t???
[19] V. Duett (Alt, Tenor) ???Gott hat uns im heurigen Jahr gesegnet???
[20] VI. Choral ???All solch dein Gut wir preisen???
???Gott, wie dein Name, so ist auch dein Ruhm???, BWV 171
[21] I. Chor ???Gott, wie dein Name, so ist auch dein Ruhm???
[22] II. Arie (Tenor) ???Herr, so weit die Wolken gehen, gehet deines Namens Ruhm???
[23] III. Rezitativ (Alt) ???Du s???sser Jesus Name du???
[24] IV. Arie (Sopran) ???Jesus soll mein erstes Wort in dem neuen Jahre heissen???
[25] V. Rezitativ (Bass) ???Und da du, Herr, gesagt???
[26] VI. Choral ???Dein ist allein die Ehre, dein ist allein der Ruhm???
CD 3
???Ach Gott, wie manches Herzeleid???, BWV 58
[01] I. Duett (Sopran, Bass) ???Ach Gott, wie manches Herzeleid???
[02] II. Rezitativ (Bass) ???Verfolgt dich gleich die arge Welt???
[03] III. Arie (Sopran) ???Ich bin vergn???gt in meinem Leiden???
[04] IV. Rezitativ (Sopran) ???Kann es die Welt nicht lassen???
[05] V. Duett (Sopran, Bass) ???Ich hab f???r mir ein schwere Reis???
???Sie werden aus Saba alle kommen???, BWV 65
[06] I. Chor ???Sie werden aus Saba alle kommen???
[07] II. Choral ???Die K???n???ge aus Saba kamen dar???
[08] III. Rezitativ (Bass) ???Was dort Jesaias verhergesehn???
[09] IV. Arie (Bass) ???Gold aus Ophir ist zu schlecht???
[10] V. Rezitativ (Tenor) ???Verschm???he nicht, du, meiner Seelen Licht, mein Herz???
[11] VI. Arie (Tenor) ???Nimm mich dir zu eigen hin???
[12] VII. Choral ???Ei nun, mein Gott, so fall ich dir getrost in deine H???nde???
???Meinem Jesum la??? ich nicht???, BWV 124
[13] I. Chor ???Meinen Jesum la??? ich nicht???
[14] II. Rezitativ (Tenor) ???Solange sich eine Tropfen Blut???
[15] III. Arie (Tenor) ???Und wenn der harte Todesschlag???
[16] IV. Rezitativ (Bass) ???Doch ach!???
[17] V. Duett (Sopran, Alt) ???Entziehe dich eilends, mein Herze, der Welt???
[18] VI. Choral ???Jesum la??? ich nicht von mir???
???Meine Seufzer, meine Tr???nen???, BWV 13
[19] I. Arie (Tenor) ???Meine Seufzer, meine Tr???nen???
[20] II. Rezitativ (Alt) ???Mein liebster Gott l??????t mich annoch???
[21] III. Choral ???Der Gott, der mir hat versprochen???
[22] IV. Rezitativ (Sopran) ???Mein Kummer nimmet zu???
[23] V. Arie (Bass) ??????chzen und erb???rmlich Weinen???
[24] VI. Choral ???So sei nun, Seele, deine???
CD 4
???Was mein Gott will, das g???scheh??? allzeit???, BWV 111
[01] I. Chor ???Was mein Gott will, das g???scheh allzeit???
[02] II. Arie (Bass) ???Entsetze dich, mein Herze, nicht???
[03] III. Rezitativ (Alt) ???O T???richter! der sich von Gott entzieht???
[04] IV. Duett (Alt, Tenor) ???So geh ich mit beherzten Schritten???
[05] V. Rezitativ (Sopran) ???Drum wenn der Tod zuletzt den Geist???
[06] VI. Choral ???Noch eins, Herr will ich bitten dich???
???Jesus schl???ft, was soll ich hoffen????, BWV 81
[07] I. Arie (Alt) ???Jesus schl???ft, was soll ich hoffen????
[08] II. Rezitativ (Tenor) ???Herr! Warum trittest du so ferne????
[09] III. Arie (Tenor) ???Die sch???umenden Wellen von Belials B???chen???
[10] IV. Arioso (Bass) ???Ihr Kleingl???ubigen, warum seid ihr so furchtsam????
[11] V. Arie (Bass) ???Schweig, aufget???rmtes Meer!???
[12] VI. Rezitativ (Alt) ???Wohl mir! Mein Jesus spricht ein Wort???
[13] VII. Choral ???Unter deinen Schirmen bin ich vor den St???rmen???
???Ich habe genug???, BWV 82
[14] I. Arie (Bass) ???Ich habe genug???
[15] II. Rezitativ (Bass) ???Ich habe genug! Mein Trost ist nur allein???
[16] III. Arie (Bass) ???Schlummert ein, ihr matten Augen???
[17] IV. Rezitativ (Bass) ???Mein Gott! wenn k???mmt das sch???ne: Nun!???
[18] V. Arie (Bass) ???Ich freue mich auf meinen Tod???
Volume 2
CD 1
???Ich hab in Gottes Herz und Sinn???, BWV 92
[01] I. Chor ???Ich hab in Gottes Herz und Sinn???
[02] II. Rezitativ und Choral (Bass) ???Es kann mir fehlen nimmermehr!???
[03] III. Arie (Tenor) ???Seht, seht! wie rei???t, wie bricht, wie f???llt???
[04] IV. Choral ???Zudem ist Weisheit und Verstand???
[05] V. Rezitativ (Tenor) ???Wir wollen nun nicht l???nger zagen???
[06] VI. Arie (Bass) ???Das St???rmen von den rauhen Winden???
[07] VII. Choral und Rezitativ (SATB) ???Ei nun, mein Gott, so fall ich dir???
[08] VIII. Arie (Sopran) ???Meinem Hirten bleib ich treu???
[09] IX. Choral ???Soll ich den auch des Todes Weg???
???Erhalt uns, Herr, bei deinem Wort???, BWV 126
[10] I. Choral ???Erhallt uns, Herr, bei deinem Wort???
[11] II. Arie (Tenor) ???Sende deine Macht von oben???
[12] III. Rezitativ (Alt, Tenor) und Choral ???Der Menschen Gunst und Macht???
[13] IV. Arie (Bass) ???St???rze zu Boden schw???lstige Stolze!???
[14] V. Rezitativ (Tenor) ???So wird dein Wort und Wahrheit offenbar???
[15] VI. Choral ???Verleih uns Frieden gn???diglich???
???Du wahrer Gott und Davids Sohn???, BWV 23
[16] I. Duett (Sopran, Alt) ???Du wahrer Gott und Davids Sohn???
[17] II. Rezitativ (Tenor) ???Ach, gehe nicht vor???ber???
[18] III. Chor ???Aller Augen warten, Herr???
[19] IV. Choral ???Christe, du Lamm Gottes???
CD 2
???Wie sch???n leuchtet der Morgenstern???, BWV 1
[01] I. Chor ???Wie sch???n leuchtet der Morgenstern???
[02] II. Rezitativ (Tenor) ???Du wahrer Gottes und Marien Sohn???
[03] III. Arie (Sopran) ???Erf???llet, ihr himmlischen g???ttlichen Flammen???
[04] IV. Rezitativ (Bass) ???Ein irdscher Glanz, ein leiblich Licht???
[05] V. Arie (Tenor) ???Unser Mund und Ton der Saiten???
[06] VI. Choral ???Wie bin ich doch so herzlich froh???
???Himmelsk???nig, sei willkommen???, BWV 182
[07] I. Sonata
[08] II. Chor ???Himmelsk???nig, sei willkommen???
[09] III. Rezitativ (Bass) ???Siehe, siehe, ich komme???
[10] IV. Arie (Bass) ???Starkes Lieben, das dich, gro???er Gottessohn???
[11] V. Arie (Alt) ???Leget euch dem Heiland unter???
[12] VI. Arie (Tenor) ???Jesu, la??? durch Wohl und Weh???
[13] VII. Choral ???Jesu, deine Passion???
[14] VIII. Chor ???So lasset uns gehen in Salem der Freunden???
CD 3
???Christ lag in Todesbanden???, BWV 4
[01] I. Sinfonia
[02] II. Chor Versus I ???Christ lag in Todesbanden???
[03] III. Duett (Sopran, Alt) Versus II ???Den Tod niemand zwingen kunnt???
[04] IV. Arie (Tenor) Versus III ???Jesus Christus, Gottes Sohn???
[05] V. Chor Versus IV ???Es war ein wunderlicher Krieg???
[06] VI. Arie (Bass) Versus V ???Hier ist das rechte Osterlamm???
[07] VII. Duett (Sopran, Tenor) Versus VI ???So feiern wir das hohe Fest???
[08] VIII. Choral Versus VII ???Wir essen und leben wohl???
???Bleib bei uns, denn es will Abend werden???, BWV 6
[09] I. Chor ???Bleib bei uns, denn es will Abend werden???
[10] II. Arie (Alt) ???Hochgelobter Gottessohn???
[11] III. Choral (Soprane) ???Ach bleib bei uns, Herr Jesu Christ???
[12] IV. Rezitativ (Bass) ???Es hat die Dunkelheit???
[13] V. Arie (Tenor) ???Jesu, la??? uns auf dich sehen???
[14] VI. Choral ???Beweis dein Macht, Herr Jesu Christ???
???Der Friede sei mit dir???, BWV 158
[15] I. Rezitativ (Bass) ???Der Friede sei mit dir???
[16] II. Arie (Bass) und Choral (Soprane) ???Welt, ade, ich bin dein M???de???
[17] III. Rezitativ (Bass) ???Nun Herr, regiere meinen Sinn???
[18] IV. Choral ???Hier ist das rechte Osterlamm???
???Halt im Ged???chtnis Jesum Christ???, BWV 67
[19] I. Chor ???Halt im Ged???chtnis Jesum Christ???
[20] II. Arie (Tenor) ???Mein Jesus ist erstanden???
[21] III. Rezitativ (Alt) ???Mein Jesu, hei???est du des Todes Gift???
[22] IV. Choral ???Erschienen ist der herrlich??? Tag???
[23] V. Rezitativ (Alt) ???Doch scheinet fast???
[24] VI. Arie (Bass) ???Friede sei mit euch!???
[25] VII. Choral ???Du Friedef???rst, Herr Jesu Christ???
CD 4
???Du Hirte Israel, h???re???, BWV 104
[01] I. Chor ???Du Hirte Israel, h???re!???
[02] II. Rezitativ (Tenor) ???Der h???chste Hirte sorgt vor mich???
[03] III. Arie (Tenor) ???Verbirgt mein Hirte sich zu lange???
[04] IV. Rezitativ (Bass) ???Ja, dieses Wort ist meiner Seele Speise???
[05] V. Arie (Bass) ???Begl???ckte Herde, Jesu Schafe???
[06] VI. Choral ???Der Herr ist mein getreuer Hirt???
???Weinen, Klagen, Sorgen, Zagen???, BWV 12
[07] I. Sinfonia
[08] II. Choral ???Weinen, Klagen, Sorgen, Zagen???
[09] III. Rezitativ (Alt) ???Wir m???ssen durch viel Tr???bsal???
[10] IV. Arie (Alt) ???Kreuz und Krone sind verbunden???
[11] V. Arie (Bass) ???Ich folge Christo nach???
[12] VI. Arie (Tenor) ???Sei getreu, alle Pein???
[13] VII. Choral ???Was Gott tut, das ist wohlgetan???
CD 5
???Es ist euch gut, da??? ich hingehe???, BWV 108
[01] I. Arie (Bass) ???Es ist euch gut, da??? ich hingehe???
[02] II. Arie (Tenor) ???Mich kann kein Zweifel st???ren???
[03] III. Rezitativ (Tenor) ???Dein Geist wird mich also regieren???
[04] IV. Chor ???Wenn aber jener, der Geist der Wahrheit, kommen wird???
[05] V. Arie (Alt) ???Was mein Herz von dir begehrt???
[06] VI. Choral ???Dein Geist, den Gott vom Himmel gibt???
???Bisher habt ihr nichts gebeten in meinem Namen???, BWV 87
[07] I. Arie (Bass) ???Bisher habt ihr nichts gebeten in meinem Namen???
[08] II. Rezitativ (Alt) ???O Wort, das Geist und Seel erschreckt???
[09] III. Arie (Alt) ???Vergib, O Vater, unsre Schuld???
[10] IV. Rezitativ (Tenor) ???Wenn unsre Schuld bis an den Himmel steigt???
[11] V. Arie (Bass) ???In der Welt habt ihr Angst???
[12] VI. Arie (Tenor) ???Ich will leiden, ich will schweigen???
[13] VII. Choral ???Mu??? ich sein betr???bet????
Volume 3
CD 1
???Lobet Gott in seinen Reichen??? (Himmelfahrts-Oratorium), BWV 11
[01] I. Chor ???Lobet Gott in seinen Reichen???
[02] II. Rezitativ (Tenor) ???Der Herr Jesus hub seine H???nde auf???
[03] III. Rezitativ (Bass) ???Ach, Jesu, ist dein Abschied schon so nah????
[04] IV. Arie (Alt) ???Ach, bleibe doch, mein liebstes Leben???
[05] V. Rezitativ (Tenor) ???Und ward aufgehaben zusehends???
[06] VI. Choral ???Nun lieget alles unter dir???
[07] VIIa. Rezitativ (Tenor, Bass) ???Und da sie ihm nachsahen???
[08] VIIb. Rezitativ (Alt) ???Ah ja! So komme bald zur???ck???
[09] VIIc. Rezitativ (Tenor) ???Sie aber beteten ihn an???
[10] VIII. Arie (Sopran) ???Jesu, deine Gnadenblicke???
[11] IX. Choral ???Wenn soll es doch geschehen???
???Sie werden euch in den Bann tun???, BWV 44
[12] I. Duett (Tenor, Bass) ???Sie werden euch in den Bann tun???
[13] II. Chor ???Es k???mmt aber die Zeit???
[14] III. Arie (Alt) ???Christen m???ssen auf der Erden???
[15] IV. Choral ???Ach Gott, wie manches Herzeleid???
[16] V. Rezitativ (Bass) ???Es sucht der Antichrist???
[17] VI. Arie (Sopran) ???Es ist und bleibt der Christen Trost???
[18] VII. Choral ???So sei nun, Seele???
???O ewiges Feuer, o Ursprung der Liebe???, BWV 34
[19] I. Chor ???O ewiges Feuer, o Ursprung der Liebe???
[20] II. Rezitativ (Tenor) ???Herr, unsre Herzen halten dir???
[21] III. Arie (Alt) ???Wohl euch, ihr auserw???hlten Seelen???
[22] IV. Rezitativ (Bass) ???Erw???hlt sich Gott die heiigen H???tten???
[23] V. Chor ???Friede ???ber Israel???
CD 2
???Also hat Gott die Welt geliebt???, BWV 68
[01] I. Chor ???Also hat Gott die Welt geliebt???
[02] II. Arie (Sopran) und Ritornello ???Mein gl???ubiges Herze???
[03] III. Rezitativ (Bass) ???Ich bin mit Petro nicht vermessen???
[04] IV. Arie (Bass) ???Du bist geboren mir zugute???
[05] V. Chor ???Wer an ihn glaubet???
???Er rufet seinen Schafen mit Namen???, BWV 175
[06] I. Rezitativ (Tenor) ???Er rufet seinen Schafen mit Namen???
[07] II. Arie (Alt) ???Komm, leite mich???
[08] III. Rezitativ (Tenor) ???Wo find ich dich????
[09] IV. Arie (Tenor) ???Es d???nket mich, ich seh dich kommen???
[10] V. Rezitativ (Alt, Bass) ???Sie vernahmen aber nicht???
[11] VI. Arie (Bass) ??????ffnet euch, ihr beiden Ohren???
[12] VII. Choral ???Nun, werter Geist, ich folg dir???
???Gelobet sei der Herr, mein Gott???, BWV 129
[13] I. Chor ???Gelobet sei der Herr, mein Gott, mein Licht???
[14] II. Arie (Bass) ???Gelobet sei der Herr, mein Gott, mein Heil???
[15] III. Arie (Sopran) ???Gelobet sei der Herr, mein Gott, mein Trost???
[16] IV. Arie (Alt) ???Gelobet sei der Herr, mein Gott, der ewig lebet???
[17] V. Choral ???Dem wir das Heilig itzt mit Freuden lassen klingen???
CD 3
???Brich dem Hungrigen dein Brot???, BWV 39
Erster Teil:
[01] I. Chor ???Brich dem Hungrigen dein Brot???
[02] II. Rezitativ (Bass) ???Der reiche Gott wirft seinen ???berflu??? auf uns???
[03] III. Arie (Alt) ???Seinem Sch???pfer noch auf Erden???
Zweiter Teil:
[04] I. Arie (Bass) ???Wohlzutun und mitzuteilen???
[05] II. Arie (Sopran) ???H???chster, was ich habe???
[06] III. Rezitativ (Alt) ???Wie soll ich dir, o Herr, denn sattsamlich vergelten???
[07] IV. Choral ???Selig sind, die aus Erbarmen???
???Die Himmel erz???hlen die Ehre Gottes???, BWV 76
Erster Teil:
[08] I. Chor ???Die Himmel erz???hlen die Ehre Gottes???
[09] II. Rezitativ (Tenor) ???So la???t sich Gott nicht unbezeuget!???
[10] III. Arie (Sopran) ???H???rt, ihr V???lker, Gottes Stimme???
[11] IV. Rezitativ (Bass) ???Wer aber h???rt???
[12] V. Arie (Bass) ???Fahr hin, abg???ttische Zunft???
[13] VI. Rezitativ (Alt) ???Du hast uns, Herr, von allen Stra???en zu dir geruft???
[14] VII. Choral ???Es woll uns Gott gen???dig sein???
Zweiter Teil:
[15] I. Sinfonia
[16] II. Rezitativ (Bass) ???Gott segne noch die treue Schar???
[17] III. Arie (Tenor) ???Hasse nur, hasse mich recht???
[18] IV. Rezitativ (Alt) ???Ich f???hle schon im Geist???
[19] V. Arie (Alt) ???Liebt, ihr Christen, in der Tat???
[20] VI. Rezitativ (Tenor) ???So soll die Christenheit die Liebe Gottes preisen???
[21] VII. Choral ???Es danke, Gott, und lobe dich???
???Ach Herr, mich armen S???nder???, BWV 135
[22] I. Chor ???Ach Herr, mich armen S???nder???
[23] II. Rezitativ (Tenor) ???Ach heile mich, du Arzt der Seelen???
[24] III. Arie (Tenor) ???Tr???ste mir, Jesu, mein Gem???te???
[25] IV. Rezitativ (Alt) ???Ich bin von Seufzen m???de???
[26] V. Arie (Bass) ???Weicht, all ihr ???belt???ter???
[27] VI. Choral ???Ehr sei ins Himmels Throne???
CD 4
???Ich hatte viel Bek???mmernis???, BWV 21
Erster Teil:
[01] I. Sinfonia
[02] II. Chor ???Ich hatte viel Bek???mmernis???
[03] III. Arie (Sopran) ???Seufzer, Tr???nen, Kummer, Not???
[04] IV. Rezitativ (Tenor) ???Wie hast du dich, mein Gott???
[05] V. Arie (Tenor) ???B???che von gesalznen Z???hren???
[06] VI. Chor ???Was betr???bst du dich, meine Seele???
Zweiter Teil:
[07] I. Rezitativ (Sopran, Bass) ???Ach Jesu, meine Ruh???
[08] II. Duett (Sopran, Bass) ???Komm, mein Jesu???
[09] III. Chor ???Sei nun wieder zufrieden???
[10] IV. Arie (Tenor) ???Erfreue dich, Seele???
[11] V. Chor ???Das Lamm, das erw???rget ist???
???Ein ungef???rbt Gem???te???, BWV 24
[12] I. Arie (Alt) ???Ein ungef???rbt Gem???te???
[13] II. Rezitativ (Tenor) ???Die Redlichkeit???
[14] III. Chor ???Alles nun, das ihr wollet???
[15] IV. Rezitativ (Bass) ???Die Heuchelei ist eine Brut???
[16] V. Arie (Tenor) ???Treu und Wahrheit sei der Grund???
[17] VI. Choral ???Gott, du frommer Gott???
CD 5
???Freue dich, erl???ste Schar???, BWV 30
Erster Teil:
[01] I. Chor ???Freue dich, erl???ste Schar???
[02] II. Rezitativ (Bass) ???Wir haben Rast, und des Gesetzes Last???
[03] III. Arie (Bass) ???Globet sei Gott, gelobet sein Namen???
[04] IV. Rezitativ (Alt) ???Der Herold k???mmte und meldt den K???nig an???
[05] V. Arie (Alt) ???Kommt, ihr angefochtnen S???nder???
[06] VI. Choral ???Eine Stimme l??????t sich h???ren???
Zweiter Teil:
[07] I. Rezitativ (Bass) ???So bist du denn, mein Heil, bedacht???
[08] II. Arie (Bass) ???Ich will nun hassen und alles lassen???
[09] III. Rezitativ (Sopran) ???Und ob wohl sonst der Unbestand???
[10] IV. Arie (Sopran) ???Eilt, ihr Stunden, kommt herbei???
[11] V. Rezitativ (Tenor) ???Geduld???
[12] VI. Chor ???Freue dich, geheilgte Schar???
???Wer nur den lieben Gott l??????t walten???, BWV 93
[13] I. Chor ???Wer nur den lieben Gott l??????t walten???
[14] II. Rezitativ (Bass) und Choral ???Was helfen uns die schweren Sorgen????
[15] III. Arie (Tenor) ???Man halte nur ein wenig stille???
[16] IV. Duett (Sopran, Alt) und Choral ???Er kennt die rechten Freudenstunden???
[17] V. Rezitativ (Tenor) und Choral ???Denk nicht in deiner Drangsalshitze???
[18] VI. Arie (Sopran) ???Ich will auf den Herren schaun???
[19] VII. Choral ???Sing, bet und geh auf Gottes Wegen???
CD 6
???Herz und Mund und Tat und Leben???, BWV 147
Erster Teil:
[01] I. Chor ???Herz und Mund und Tat und Leben???
[02] II. Rezitativ (Tenor) ???Gebenedeiter Mund!???
[03] III. Arie (Alt) ???Sch???me dich, o Seele, nicht???
[04] IV. Rezitativ (Bass) ???Verstockung kann Gewaltige verblenden???
[05] V. Arie (Sopran) ???Bereite dir, Jesu, noch itzo die Bahn???
[06] VI. Choral ???Wohl mir, da??? ich Jesum habe???
Zweiter Teil:
[07] I. Arie (Tenor) ???Hilf, Jesu, hilf, da??? ich auch dich bekenne???
[08] II. Rezitativ (Alt) ???Der h???chsten Allmacht Wunderhand???
[09] III. Arie (Bass) ???Ich woll von Jesu Wundern singen???
[10] IV. Choral ???Jesus bleibet meine Freude???
???Meine Seel erhebt den Herren???, BWV 10
[11] I. Chor ???Meine Seel erhebt den Herren???
[12] II. Arie (Sopran) ???Herr, der du stark und m???chtig bist???
[13] III. Rezitativ (Tenor) ???Des H???chsten G???t und Treu???
[14] IV. Arie (Bass) ???Gewaltige st??????t Gott vom Stuhl???
[15] V. Duett (Alt, Tenor) und Choral ???Er denket der Barmherzigkeit???
[16] VI. Rezitativ (Tenor) ???Was Gott den V???tern alter Zeiten???
[17] VII. Choral ???Lob und Preis sei Gott???
Volume 4
CD 1
???Es ist das Heil uns kommen her???, BWV 9
[01] I. Chor ???Es ist das Heil uns kommen her???
[02] II. Rezitativ (Bass) ???Gott gab uns ein Gesetz???
[03] III. Arie (Tenor) ???Wir waren schon zu tief gesunken???
[04] IV. Rezitativ (Bass) ???Doch mu???te das Gesetz erf???llet werden???
[05] V. Duett (Sopran, Alt) ???Herr, du siehst statt guter Werke???
[06] VI. Rezitativ (Bass) ???Wenn wir die S???nd??? aus dem Gesetz erkennen???
[07] VII. Choral ???Ob sich???s anlie???, als wollt??? er nicht???
???Es wartet alles auf dich???, BWV 187
Erster Teil:
[08] I. Chor ???Es wartet alles auf dich???
[09] II. Rezitativ (Bass) ???Was Kreaturen h???lt das gro???e Rund der Welt!???
[10] III. Arie (Alt) ???Du Herr, du kr???nst allein das Jahr mit deinem Gut???
Zweiter Teil:
[11] I. Arie (Bass) ???Darum sollt ihr nicht sorgen???
[12] II. Arie (Sopran) ???Gott versorget alles Leben???
[13] III. Rezitativ (Sopran) ???Halt ich nur fest an ihm???
[14] IV. Choral ???Gott hat die Erde zugericht???
???Wo Gott, der Herr, nicht bei uns h???lt???, BWV 178
[15] I. Choral ???Wo Gott, der Herr, nicht bei uns h???lt???
[16] II. Rezitativ (Alt) und Choral ???Was Menschenkraft und -witz anf???ht???
[17] III. Arie (Bass) ???Gleichwie die wilden Meereswellen???
[18] IV. Choral (Tenor) ???Sie stellen uns wie Ketzern nach???
[19] V. Choral und Rezitativ (SATB) ???Auf sperren sie den Rachen weit???
[20] VI. Arie (Tenor) ???Schweig, schweig nur, taumelnde Vernunft!???
[21] VII. Choral ???Die Feind sind all in deiner Hand???
CD 2
???Es ist dir gesagt, Mensch, was gut ist???, BWV 45
Erster Teil:
[01] I. Chor ???Es ist dir gesagt, Mensch, was gut ist???
[02] II. Rezitativ (Tenor) ???Der H???chste l??????t mich seinen Willen wissen???
[03] III. Arie (Tenor) ???Wei??? ich Gottes Rechte???
Zweiter Teil:
[04] I. Arioso (Bass) ???Es werden viele zu mir sagen???
[05] II. Arie (Alt) ???Wer Gott bekennt aus wahrem Herzensgrund???
[06] III. Rezitativ (Alt) ???So wird denn Herz und Mund???
[07] IV. Choral ???Gib, da??? ich tu mit Flei?๏ฟฝ
???Herr, gehe nicht ins Gericht mit deinem Knecht???, BWV 105
[08] I. Chor ???Herr, gehe nicht ins Gericht mit deinem Knecht???
[09] II. Rezitativ (Alt) ???Mein Gott, verwirf mich nicht???
[10] III. Arie (Sopran) ???Wie zittern und wanken???
[11] IV. Rezitativ (Bass) ???Wohl aber dem, der seinen B???rgen wei?๏ฟฝ
[12] V. Arie (Tenor) ???Kann ich nur Jesum mir zum Freunde machen???
[13] VI. Choral ???Nun, ich wei???, du wirst mir stillen???
???Herr, deine Augen sehen nach dem Glauben???, BWV 102
Erster Teil:
[14] I. Chor ???Herr, deine Augen sehen nach dem Glauben???
[15] II. Rezitativ (Bass) ???Wo ist das Ebenbild???
[16] III. Arie (Alt) ???Weh der Seele, die den Schaden nicht mehr kennt???
[17] IV. Arioso (Bass) ???Verachtest du den Reichtum seiner Gnade???
Zweiter Teil:
[18] I. Arie (Tenor) ???Erschrecke doch, du allzu sichre Seele???
[19] II. Rezitativ (Alt) ???Beim Warten ist Gefahr???
[20] III. Choral ???Heut lebst du, heut bekehre dich???
CD 3
???Mein Herze schwimmt im Blut???, BWV 199
[01] I. Rezitativ (Sopran) ???Mein Herze schwimmt im Blut???
[02] II. Arie (Sopran) ???Stumme Seufzer, stille Klagen???
[03] III. Rezitativ (Sopran) ???Doch Gott mu??? mir gn???dig sein???
[04] IV. Arie (Sopran) ???Tiefgeb???ckt und voller Reue???
[05] V. Rezitativ (Sopran) ???Auf diese Schmerzensreu???
[06] VI. Choral (Sopran) ???Ich, dein betr???btes Kind???
[07] VII. Rezitativ (Sopran) ???Ich lege mich in diese Wunden???
[08] VIII. Arie (Sopran) ???Wie freudig ist mein Herz???
???Siehe zu, da??? deine Gottesfurcht nicht Heuchelei sei???, BWV 179
[09] I. Chor ???Siehe zu, da??? deine Gottesfurcht nicht Heuchelei sei???
[10] II. Rezitativ (Tenor) ???Das heutge Christentum???
[11] III. Arie (Tenor) ???Falscher Heuchler Ebenbild???
[12] IV. Rezitativ (Bass) ???Wer so von innen wie von au???en ist???
[13] V. Arie (Sopran) ???Liebster Gott, erbarme dich???
[14] VI. Choral ???Ich armer Mensch, ich armer S???nder???
???Lobe den Herren, den m???chtigen K???nig der Ehren???, BWV 137
[15] Versus I. Chor ???Lobe den Herren, den m???chtigen K???nig der Ehren???
[16] Versus II. Arie (Alt) ???Lobe den Herren, der alles so herrlich regieret???
[17] Versus III. Duett (Sopran, Bass) ???Lobe den Herren, der k???nstlich und fein???
[18] Versus IV. Arie (Tenor) ???Lobe den Herren, der deinen Stand sichtbar gesegnet???
[19] Versus V. Choral ???Lobe den Herren, was in mir ist, lobe den Namen???
CD 4
???Allein zu dir, Herr Jesu Christ???, BWV 33
[01] I. Chor ???Allein zu dir, Herr Jesu Christ???
[02] II. Rezitativ (Bass) ???Mein Gott und Richter???
[03] III. Arie (Alt) ???Wie furchtsam wankten meine Schritte???
[04] IV. Rezitativ (Tenor) ???Mein Gott, verwirf mich nicht???
[05] V. Duett (Tenor, Bass) ???Gott, der du die Liebe hei???t???
[06] VI. Choral ???Ehr sei Gott in dem h???chsten Thron???
???Jesu, der du meine Seele???, BWV 78
[07] I. Chor ???Jesu, der du meine Seele???
[08] II. Duett (Sopran, Alt) ???Wir eilen mit schwachen, doch emsigen Schritten???
[09] III. Rezitativ (Tenor) ???Ach! ich bin ein Kind der S???nden???
[10] IV. Arie (Tenor) ???Das Blut, so meine Schuld durchstreicht???
[11] V. Rezitativ (Bass) ???Die Wunden, N???gel, Kron und Grab???
[12] VI. Arie (Bass) ???Nun du wirst mein Gewissen stillen???
[13] VII. Choral ???Herr, ich glaube, hilf mir Schwachen???
???Wer Dank opfert, der preiset mich???, BWV 17
Erster Teil:
[14] I. Chor ???Wer Dank opfert, der preis et mich???
[15] II. Rezitativ (Alt) ???Es mu??? die ganze Welt???
[16] III. Arie (Sopran) ???Herr, deine G???te reicht???
Zweiter Teil:
[17] I. Rezitativ (Tenor) ???Einer aber unter ihnen???
[18] II. Arie (Tenor) ???Welch ???berma??? der G???te schenkst du mir!???
[19] III. Rezitativ (Bass) ???Sieh meinen Willen an???
[20] IV. Choral ???Wie sich ein Vatr erbarmet???
CD 5
???Jauchzet Gott in allen Landen???, BWV 51
[01] I. Arie (Sopran) ???Jauchzet Gott in allen Landen???
[02] II. Rezitativ (Sopran) ???Wir beten zu dem Tempel an???
[03] III. Arie (Sopran) ???H???chster, mache deine G???te ferner alle Morgen neu???
[04] IV. Choral (Sopran) ???Sei Lob und Preis mit Ehren???
[05] V. Arie (Sopran) ???Halleluja???
???Was Gott tut, das ist wohlgetan???, BWV 100
[06] Versus I. Choral ???Was Gott tut, das ist wohlgetan, es bleibt grerecht sein Wille???
[07] Versus II. Duett (Alt, Tenor) ???Was Gott tut, das ist wohlgetan, er wird mich nicht betr???ben???
[08] Versus III. Arie (Sopran) ???Was Gott tut, das ist wohlgetan, er wird mich wohl bedenken???
[09] Versus IV. Arie (Bass) ???Was Gott tut, das ist wohlgetan, er ist mein Licht, mein Leben???
[10] Versus V. Arie (Alt) ???Was Gott tut, das ist wohlgetan, mu??? ich den Kelch gleich schmecken???
[11] Versus ultimus. Choral ???Was Gott tut, das ist wohlgetan, darbei will ich verbleiben???
???Wer wei???, wie nahe mir mein Ende???, BWV 27
[12] I. Chor mit Rezitativen (Sopran, Alt, Tenor) ???Wer wei???, wie nahe mir mein Ende???
[13] II. Rezitativ (Tenor) ???Mein Leben hat kein ander Ziel???
[14] III. Arie (Alt) ???Willkommen! will ich sagen???
[15] IV. Rezitativ (Sopran) ???Ach, wer doch schon im Himmel war!???
[16] V. Arie (Bass) ???Gute Nacht, du Weltget???mmel!???
[17] VI. Choral ???Welt, ade! ich bin dein m???de???
CD 6
???Liebster Gott, wenn werd ich sterben????, BWV 8
[01] I. Chor ???Liebster Gott, wenn werd ich sterben????
[02] II. Arie (Tenor) ???Was willst du dich, mein Geist, entsetzen???
[03] III. Rezitativ (Alt) ???Zwar f???hlt mein schwaches Herz???
[04] IV. Arie (Bass) ???Doch weichet, ihr tollen, vergeblichen Sorgen!???
[05] V. Rezitativ (Sopran) ???Behalte nur o Welt, das Meine!???
[06] VI. Choral ???Herrscher ???ber Tod und Leben???
???Bringet dem Herrn Ehre seines Namens???, BWV 148
[07] I. Chor ???Bringet dem Herrn Ehre seines Namens???
[08] II. Arie (Tenor) ???Ich eile, die Lehren???
[09] III. Rezitativ (Alt) ???So wie der Hirsch nach frischem Wasser schreit???
[10] IV. Arie (Alt) ???Mund und Herze steht dir offen???
[11] V. Rezitativ (Tenor) ???Bleib auch, mein Gott, in mir???
[12] VI. Choral ???F???hr??? auch mein Herz und Sinn durch deinen Geist dahin???
Volume 5
CD 1
???Herr Christ, der ein???ge Gottessohn???, BWV 96
[01] I. Chor ???Herr Christ, der ein???ge Gottessohn???
[02] II. Rezitativ (Alt) ???O Wunderkraft der Liebe???
[03] III. Arie (Tenor) ???Ach, ziehe die Seele mit Seilen der Liebe???
[04] IV. Rezitativ (Sopran) ???Ach, f???hre mich, o Gott, zum rechten Wege???
[05] V. Arie (Bass) ???Bald zur Rechten, bald zur Linken???
[06] VI. Choral ???Ert???t uns durch dein G???te???
???Wo soll ich fliehen hin???, BWV 5
[07] I. Chor ???Wo soll ich fliehen hin???
[08] II. Rezitativ (Bass) ???Der S???nden Wust hat mich nicht nur befleckt???
[09] III. Arie (Tenor) ???Ergie???e dich reichlich???
[10] IV. Rezitativ (Alt) und Choral ???Mein treuer Heiland tr???stet mich???
[11] V. Arie (Bass) ???Verstumme, H???llenheer???
[12] VI. Rezitativ (Sopran) ???Ich bin ja nur das kleinste Teil der Welt???
[13] VII. Choral ???F???hr auch mein Herz und Sinn???
???Ich will den Kreuzstab gerne tragen???, BWV 56
[14] I. Arie (Bass) ???Ich will den Kreuzstab gerne tragen???
[15] II. Rezitativ (Bass) ???Mein Wandel auf der Welt???
[16] III. Arie (Bass) ???Endlich wird mein Joch???
[17] IV. Rezitativ und Arioso (Bass) ???Ich stehe fertig und bereit???
[18] V. Choral ???Komm, o Tod, du Schlafes Bruder???
CD 2
???Schm???cke dich, o liebe Seele???, BWV 180
[01] I. Chor ???Schm???cke dich, o liebe Seele???
[02] II. Arie (Tenor) ???Ermuntre dich: dein Heiland klopft???
[03] III. Rezitativ (Sopran) ???Wie teuer sind des heilgen Mahles Gaben!???
[04] IV. Rezitativ (Alt) ???Wein Herz f???hlt in sich Furcht und Freude???
[05] V. Arie (Sopran) ???Lebens Sonne, Licht der Sinnen???
[06] VI. Rezitativ (Bass) ???Herr, la??? an mir dein treues Lieben???
[07] VII. Choral ???Jesu, wahres Brot des Lebens???
???Aus tiefer Not schrei ich zu dir???, BWV 38
[08] I. Chor ???Aus tiefer Not schrei ich zu dir???
[09] II. Rezitativ (Alt) ???In Jesu Gnade wird allein???
[10] III. Arie (Tenor) ???Ich h???re mitten in den Leiden???
[11] IV. Rezitativ (Sopran) ???Ach! Da??? mein Glaube noch so schwach???
[12] V. Terzett (Sopran, Alt, Bass) ???Wenn meine Tr???bsal als mit Ketten???
[13] VI. Choral ???Ob bei uns ist der S???nden viel???
???Ich armer Mensch, ich S???ndenknecht???, BWV 55
[14] I. Arie (Tenor) ???Ich armer Mensch, ich S???ndenknecht???
[15] II. Rezitativ (Tenor) ???Ich habe wider Gott gehandelt???
[16] III. Arie (Tenor) ???Erbarme dich, la??? die Tr???nen dich erweichen???
[17] IV. Rezitativ (Tenor) ???Erbarme dich! Jedoch nun tr???st ich mich???
[18] V. Choral ???Bin ich gleich von dir gewichen???
CD 3
???Mache dich, mein Geist, bereit???, BWV 115
[01] I. Chor ???Mache dich, mein Geist, bereit???
[02] II. Arie (Alt) ???Ach, schl???frige Seele, wie????
[03] III. Rezitativ (Bass) ???Gott, so f???r deine Seele wacht???
[04] IV. Arie (Sopran) ???Bete aber auch dabei???
[05] V. Rezitativ (Tenor) ???Er sehnet sich nach unserm Schreien???
[06] VI. Choral ???Drum so la???t uns immerdar???
???Wohl dem, der sich auf seinen Gott???, BWV 139
[07] I. Chor ???Wohl dem, der sich auf seinen Gott???
[08] II. Arie (Tenor) ???Gott ist mein Freund???
[09] III. Rezitativ (Alt) ???Der Heiland sendet ja die Seinen???
[10] IV. Arie (Bass) ???Das Ungl???ck schl???gt auf allen Seiten???
[11] V. Rezitativ (Sopran) ???Ja trag ich gleich den gr??????ten Feind in mir???
[12] VI. Choral ???Dahero Trotz der H???llen Heer!???
???O Ewigkeit, du Donnerwort???, BWV 60
[13] I. Duett (Alt, Tenor) ???O Ewigkeit, du Donnerwort???
[14] II. Rezitativ (Alt, Tenor) ???O schwerer Gang zum letzten Kampf und Streite???
[15] III. Duett (Alt, Tenor) ???Mein letztes Lager will mich schrecken???
[16] IV. Rezitativ und Arioso (Alt, Bass) ???Der Tod bleibt doch ??? Selig sind die Toten???
[17] V. Choral ???Es ist genug: Herr, wenn es dir gef???llt???
???Ach wie fl???chtig, ach wie nichtig???, BWV 26
[18] I. Choral ???Ach wie fl???chtig, ach wie nichtig???
[19] II. Arie (Tenor) ???So schnell ein rauschend Wasser schie???t???
[20] III. Rezitativ (Alt) ???Die Freude wird zur Traurigkeit???
[21] IV. Arie (Bass) ???An irdische Sch???tze das Herze zu h???ngen???
[22] V. Rezitativ (Sopran) ???Die h???chste Herrlichkeit und Pracht???
[23] VI. Choral ???Ach wie fl???chtig, ach wie nichtig???
CD 4
???Du Friedenf???rst, Herr Jesu Christ???, BWV 116
[01] I. Chor ???Du Friedef???rst, Herr Jesu Christ???
[02] II. Arie (Alt) ???Ach, unaussprechlich ist die Not???
[03] III. Rezitativ (Tenor) ???Gedenke doch???
[04] IV. Terzett (Sopran, Tenor, Bass) ???Ach, wir bekennen unsre Schuld???
[05] V. Rezitativ (Alt) ???Ach, la??? uns durch die scharfen Ruten???
[06] VI. Choral ???Erleucht auch unser Sinn und Herz???
???Wachet! betet! betet! wachet!???, BWV 70
[07] I. Chor ???Wachet! betet! betet! wachet!???
[08] II. Rezitativ (Bass) ???Erschrecket, ihr verstockten S???nder!???
[09] III. Arie (Alt) ???Wenn kommt der Tag, an dem wir ziehen???
[10] IV. Rezitativ (Tenor) ???Auch bei dem himmlischen Verlangen???
[11] V. Arie (Sopran) ???La???t der Sp???tter Zungen schm???hen???
[12] VI. Rezitativ (Tenor) ???Jedoch bei dem unartigen Geschlechte???
[13] VII. Choral ???Freu dich sehr, o meine Seele???
[14] VIII. Arie (Tenor) ???Hebt euer Haupt empor???
[15] IX. Rezitativ (Bass) ???Ach, soll nicht dieser gro???e Tag???
[16] X. Arie (Bass) ???Seligster Erquickungstag???
[17] XI. Choral ???Nicht nach Welt, nach Himmel nicht???
???Wachet auf, ruft uns die Stimme???, BWV 140
[18] I. Choral ???Wachet auf, ruft uns die Stimme???
[19] II. Rezitativ (Tenor) ???Er kommt, er kommt???
[20] III. Duett (Sopran, Bass) ???Wenn k???mmst du, mein Heil???
[21] IV. Choral (Tenore) ???Zion h???rt die W???chter singen???
[22] V. Rezitativ (Bass) ???So geh herein zu mir???
[23] VI. Duett (Sopran, Bass) ???Mein Freund ist mein???
[24] VII. Choral ???Gloria sei dir gesungen???
CD 5
???Herr Gott, dich loben alle wir???, BWV 130
[01] I. Chor ???Herr Gott, dich loben alle wir???
[02] II. Rezitativ (Alt) ???Ihr heller Glanz und hohe Weisheit zeigt???
[03] III. Arie (Bass) ???Der alte Drache brennt vor Neid???
[04] IV. Rezitativ (Sopran, Tenor) ???Wohl aber uns???
[05] V. Arie (Tenor) ???La???, o F???rst der Cherubinen???
[06] VI. Choral ???Darum wir billig loben dich???
???Ein feste Burg ist unser Gott???, BWV 80
[07] I. Chor ???Ein feste Burg ist unser Gott???
[08] II. Duett (Sopran, Bass) ???Alles, was von Gott geboren/Mit unser Macht???
[09] III. Rezitativ (Bass) ???Erw???ge doch, Kind Gottes???
[10] IV. Arie (Sopran) ???Komm in mein Herzenshaus???
[11] V. Choral ???Und wenn die Welt voll Teufel w???r???
[12] VI. Rezitativ (Tenor) ???So stehe dann bei Christi blutgef???rbten Fahne???
[13] VII. Duett (Alt, Tenor) ???Wie selig sind doch die, die Gott im Munde tragen???
[14] VIII. Choral ???Das Wort, sie sollen lassen stahn???
???Gottes Zeit ist die allerbeste Zeit???, BWV 106
[15] I. Sonatina. Molto Adagio
[16] IIa. (Chor) ???Gottes Zeit ist die allerbeste Zeit???
[17] IIb. (Tenor) ???Ach Herr, lehre uns bedenken???
[18] IIc. (Bass) ???Bestelle dein Haus; denn du wirst sterben???
[19] IId. (Chor) ???Es ist der alte Bund???
[20] IIIa. (Alt) ???In deine H???nde befehl ich meinen Geist???
[21] IIIb. (Bass) ???Heute wirst du mit mir im Paradies sein???
[22] IIIc. (Alto) ???Mit Fried und Freud ich fahr dahin???
[23] IV. Chor ???Glorie, Lob, Ehr und Herrlichkeit???
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WavPack (Img,cue,log,scans), 7.3 Gb (+1%rec.)
Conductor:
Jascha Horenstein
Valery Polyansky
Gennady Rozhdestvensky
Piano:
Yakov Flier
Nikolai Lugansky
Garrick Ohlsson
Earl Wild
Orchestra:
London Symphony Orchestra
Royal Philharmonic Orchestra
Russian State Symphony Orchestra
USSR Ministry of Culture Symphony Orchestra
CD 01. Piano Concertos Mos 1-4. Rhapsody on a Theme of Pahanini
CD 02. Piano Concerto Nos 2-3
CD 03. Symphony Nos 1-3
CD 04. Symphony No.2. Youth Symphony
CD 05. Symphonyc Damces. The Bell
CD 06. Symphonic poems. Scherzo in D minor
CD 07. Aleko
CD 08. The Miserly Knight
CD 09. Monna Vanna
CD 10. Francesca da Rimini
CD 11. Vespers
CD 12. Liturgy of St. John Chrysostom (beginning)
CD 13. Liturgy of St. John Chrysostom (conclusion)
CD 14. Spring. Three Russian Songs
CD 15. Complete Songs Vol.1
CD 16. Complete Songs Vol.2
CD 17. Complete Songs Vol.3
CD 18. Trios. Elegiaques 1-2
CD 19. Music for Cello and Piano
CD 20. Etubes ??? tableaux. Opp 33-39
CD 21. Preludes Op.23. Nocturnes
CD 22. Piano Sonata No.1. Preludes Op.32
CD 23. Piano Sonata No.2
CD 24. Moment Musiccaus
CD 25. Piano Works ??? Transcriptions
CD 26. From Russia to America
CD 27. Works for piano duet 1
CD 28. Works for piano duet 2
CD 29. Historical Recordings: Piano Concerto Nos 2-3
CD 30. Historical Recordings: Piano Concerto Nos 1-2
CD 31. Historical Recordings: Piano Works
Tracklist:
Rachmaninoff: Aleko
1. Aleco: Introduction 03:18
2. Aleco: Chorus 04:13
3. Aleco: Story of the Old Gipsy 06:16
4. Aleco: Scene and Chorus 03:16
5. Aleco: Women"s Dance 05:34
6. Aleco: Men"s Dance 05:21
7. Aleco: Chorus 04:39
8. Aleco: Duettino 02:31
9. Aleco: Scene at The Cradle 05:31
10. Aleco: Aleko"s Cavatina 07:04
11. Aleco: Intermezzo 03:31
12. Aleco: Romance of The Young Gipsy 01:45
13. Aleco: Duet And Finale 14:53
Rachmaninoff: Complete Songs Vol. 1
1. At The Gates Of The Holy Cloister 03:04
2. Nothing Shall I Say To You 01:49
3. Again You Are Bestirred, My Heart 02:09
4. April! A Festive Day In The Spring 02:04
5. Dusk was Falling 02:39
6. Song Of The Disenchanted 02:59
7. The Flower Died 03:19
8. Do You remember The Evening? 02:31
9. O, No, I Beg You, Do Not leave Op. 4: No. 1 01:45
10. Morning Op. 4: No. 2 01:49
11. In The Silence Of The Secret Night Op. 4: No. 3 02:43
12. Sing Not, O Lovely One Op. 4: No. 4 04:20
13. Oh, My Field Op. 4: No. 5 04:03
14. It Wasn’t Long Ago, My Friend, Op. 4 No. 6 01:49
15. Water Lily Op. 8: No. 1 01:17
16. My Child, Your Beauty Is That of A Flower Op. 8: No. 2 01:39
17. Thoughts, Reflections Op. 8: No. 3 03:01
18. I Feel in love, To My Sorrow Op. 8: No. 4 02:19
19. A Dream Op. 8: No. 5 01:22
20. Prayer Op. 8: No. 6 03:14
21. I Await You Op. 14: No. 1 01:46
22. Small Island Op. 14: No. 2 02:11
23. How Fleeting is Delight In Love Op. 14: No. 3 01:32
24. I Was With Her Op. 14: No. 4 01:16
25. Summer Nights Op. 14: No. 5 01:36
26. You Are So Loved By All Op. 14: No. 6 01:35
27. Do Not Believe Me, Friend Op. 14: No. 7 01:35
28. Oh, Do Not Grieve Op. 14: No.8 02:56
29. She Is As Beautiful As Midday Op. 14: No. 9 02:35
30. In My Soul Op. 14: No. 10 02:34
31. Spring Torrents Op. 14: No. 11 02:10
32. It Is Time Op. 14: No. 12 01:33
Rachmaninoff: Complete Songs Vol. 2
1. Were You Hiccoughing, Natasha? 01:33
2. Night 03:10
3. Fate, Op. 21: No. 1 07:09
4. By A Fresh Grave, Op. 21: No. 2 01:47
5. Twilight, Op. 21: No. 3 02:04
6. They Replied, Op. 21: No. 4 01:45
7. Lilacs, Op. 21: No. 5 01:59
8. Fragment from A. Musset, Op. 21: No. 6 01:53
9. How Peaceful, Op. 21: No.7 02:07
10. On The Dead Of a Siskin, Op. 21: No. 8 02:29
11. Melody, Op. 21: No. 9 03:00
12. Before The Icon, Op. 21: No. 10 03:20
13. I Am Not A Prophet, Op. 21: No. 11 01:29
14. How Pained I Am, Op. 21: No. 12 01:45
15. There Are Many Sounds Op. 26: No. 1 02:28
16. All Was Taken From Me, Op. 26: No. 2 00:56
17. We Shall Rest, Op. 26: No. 3 02:13
18. Two Farewells, Op. 26: No. 4 04:27
19. Let Us Leave, My Sweet, Op. 26: No. 5 02:18
20. Christ Is Risen, Op. 26: No. 6 02:46
21. To My Children, Op. 26: No. 7 03:28
22. I Beg For Mercy, Op. 26: No. 8 01:12
23. I Am Again Alone, Op. 26: No. 9 01:46
24. At My Window, Op. 26: No. 10 02:05
25. The Fountain, Op. 26: No.11 01:22
26. Night is Sorrowful, Op. 26: No. 12 02:20
27. Yesterday We Met, Op. 26: No. 13 02:54
28. The Ring, Op. 26: No. 14 02:32
29. All Passes, Op. 26: No. 15 01:51
Rachmaninoff: Complete Songs Vol. 3
1. Letter To K. S. Stanislavsky 03:16
2. The Muse Op. 34: No. 1 04:10
3. In The Soul Of Each Of Us Op. 34: No. 2 02:15
4. The Storm Op. 34: No. 3 02:28
5. A Passing Breeze Op. 34: No. 4 03:36
6. Arion Op. 35: No. 4 02:48
7. The Rasing Of Lazarus Op. 34: No. 6 02:14
8. It Cannot Be Op. 34: No. 7 01:35
9. Music Op. 34: No. 8 02:23
10. You Knew Him Op. 34: No. 9 02:13
11. I Remember This Day Op. 34: No. 10 01:33
12. The Herald Op. 34: No. 11 02:52
13. What Happines Op. 34: No. 12 02:12
14. Dissonance Op. 34: No. 13 06:00
15. Vocalise Op. 34: No. 14 06:04
16. From The Gospel Of St. John 01:22
17. At Night In My Garden Op. 38: No. 1 01:48
18. To Her Op. 38: No. 2 02:50
19. Daises Op. 38: No. 3 02:15
20. The Pied Piper Op. 38: No. 3 02:30
21. Sleep Op. 38: No. 5 03:20
22. ‘A-Oo’ Op. 38: No. 6 02:21
23. A Prayer 02:33
24. All Glory To God 01:58
Rachmaninoff: ???tudes- Tableaux Op. 33 & 39
1. ???tudes- Tableaux Op. 33: Allegro non Troppo in F Minor No. 1 02:58
2. ???tudes- Tableaux Op. 33: Allegro in C Major 02:22
3. ???tudes- Tableaux Op. 33: Moderato in D Minor, No. 5 03:38
4. ???tudes- Tableaux Op. 33: Allegro Con Fuoco in E Flat Major No. 7 05:51
5. ???tudes- Tableaux Op. 33: Grave in C Minor No. 3 05:51
6. ???tudes- Tableaux Op. 33: Non Allegro in E Flat Minor, No. 6 01:40
7. ???tudes- Tableaux Op. 33: Moderato in G Minor, No. 8 04:05
8. ???tudes- Tableaux Op. 33: Grave in C Sharp Minor, No. 9 02:36
9. ???tudes- Tableaux Op. 39: Allegro Agitato in C Minor, No. 1 03:03
10. ???tudes- Tableaux Op. 39: Lento Assai in A Minor, No. 2 07:01
11. ???tudes- Tableaux Op. 39: Allegro Molto in F Sharp Minor, No. 3 02:32
12. ???tudes- Tableaux Op. 39: Allegro Assai in B Minor, No. 4 03:38
13. ???tudes- Tableaux Op. 39: Appassionato in E Flat Minor, No. 5 05:15
14. ???tudes- Tableaux Op. 39: Allegro in A Minor, No. 6 02:45
15. ???tudes- Tableaux Op. 39: Lento Lugubre in C Minor, No. 7 07:41
16. ???tudes- Tableaux Op. 39: Allegro Moderato in D Minor, No. 8 03:15
17. ???tudes- Tableaux Op. 39: Allegro- Moderato- Tempo di Marcia in D Major, No. 9 03:39
Rachmaninoff: Francesca da Rimini
1. Francesca da Rimini, Op. 25: Prologue 20:48
2. Francesca da Rimini, Op. 25: Tableau 1 20:58
3. Francesca da Rimini, Op. 25: Tableau 2 – Epilogue 23:10
Rachmaninoff: From Russia to America: Miscellany 1886- 1918
1. Song Without Words in D Minor: Lento (c. 1886- 87) 01:06
2. Four Pieces (c. 1887- 91): Romance in F Sharp Minor: Andante 02:26
3. Four Pieces (c. 1887- 91): Pr???lude in E Flat Minor: Allegro 02:57
4. Four Pieces (c. 1887- 91): M???lodie in E Major: Andante 03:37
5. Four Pieces (c. 1887- 91): Gavotte in D Major: Liberamente 04:04
6. Canon in E Minor: Andante Con Moto (c. 1889- 92) 02:01
7. Suite in D Minor (1890-91) from a lost orchestral original: Lento- Allegro Moderato in D Minor 06:19
8. Suite in D Minor (1890-91) from a lost orchestral original: Lento in B Minor 05:32
9. Suite in D Minor (1890-91) from a lost orchestral original: Menuetto in F Sharp Major 03:18
10. Suite in D Minor (1890-91) from a lost orchestral original: Allegro in D Major 05:43
11. Pr???lude in F Major: Comodo- Pi??? Mosso- Tempo I (20 July- 1 August 1891) 03:10
12. Four improvisations On Themes Of Arensky, Glazunov, Taneyev and Rachmaninoff (c. 1896- 97): Moderato in E Minor 00:53
13. Four improvisations On Themes Of Arensky, Glazunov, Taneyev and Rachmaninoff (c. 1896- 97): Allegro in C Major 00:43
14. Four improvisations On Themes Of Arensky, Glazunov, Taneyev and Rachmaninoff (c. 1896- 97): Allegro Scherzando in B Flat Minor 00:38
15. Four improvisations On Themes Of Arensky, Glazunov, Taneyev and Rachmaninoff: Lento-Tempo di valse-Tempo di marcia 01:06
16. Morceau de Fantaisie in G Minor (Delmo): Liberamente (11-23 January 1899) 01:00
17. Fughetta in F Major: Moderato (4- 16 February 1899) 02:23
18. Oriental Sketch in B Flat Major: Non Allegro (14-27 November 1917) 01:52
19. Piece (Prelude) in D Minor: Andante Ma Non Troppo- Poco Pi??? Mosso- Tempo I (14- 27 November 1917) 02:30
20. Fragments in A Flat Major: Andante Semplice- Pi??? Mosso- Come Prima (15- 28 November 1917) 01:57
21. The Star-Spangled Banner in B Flat Major (15 December 1918) 01:24
Rachmaninoff: Liturgy of St John Chrysostom (conclusion) – Music for four- part unaccompanied choir
1. Liturgy Of St John Chrysostom Op. 31 (conclusion): Anaphora 05:19
2. Liturgy Of St John Chrysostom Op. 31 (conclusion): Hymn of Praise 02:59
3. Liturgy Of St John Chrysostom Op. 31 (conclusion): Hymn To The Virgin 07:28
4. Liturgy Of St John Chrysostom Op. 31 (conclusion): The Lord"s Prayer 04:41
5. Liturgy Of St John Chrysostom Op. 31 (conclusion): The Elevation 01:21
6. Liturgy Of St John Chrysostom Op. 31 (conclusion): Communion Hymn 03:01
7. Liturgy Of St John Chrysostom Op. 31 (conclusion): Blessing 02:29
8. Liturgy Of St John Chrysostom Op. 31 (conclusion): Hymn Of Praise 08:51
9. Liturgy Of St John Chrysostom Op. 31 (conclusion): Blessed be His Name 00:52
10. Liturgy Of St John Chrysostom Op. 31 (conclusion): Glory To The Father 02:18
11. O Mother Of God Vigilantly Praying 09:29
12. Chorus of Spirits, for four-part unaccompanied choir 01:25
13. Panteley the Healer, for four- part unaccompanied choir 04:11
Rachmaninoff: Liturgy of St John Chrysostom. Op. 31 (beginning)
1. Liturgy of St. John Chrysostom, Op. 31: Great Ektenia 03:44
2. Liturgy of St. John Chrysostom, Op. 31: First Antiphon 06:34
3. Liturgy of St. John Chrysostom, Op. 31: Second Antiphon 04:37
4. Liturgy of St. John Chrysostom, Op. 31: Third Antiphon 06:02
5. Liturgy of St. John Chrysostom, Op. 31: Entrance Hymn 01:52
6. Liturgy of St. John Chrysostom, Op. 31: Trisagion Hymn 03:19
7. Liturgy of St. John Chrysostom, Op. 31: Fervent Supplication 08:23
8. Liturgy of St. John Chrysostom, Op. 31: Cheruvimic Hymn 06:33
9. Liturgy of St. John Chrysostom, Op. 31: Ektenia Of The Prothesis 03:47
10. Liturgy of St. John Chrysostom, Op. 31: Nicaean Creed 06:49
Rachmaninoff: Moment Musicaux – Morceaux de Salon
1. Moments Musicaux, Op. 16: No. 1 in B Flat Minor: Andantino 07:51
2. Moments Musicaux, Op. 16: No. 2 in E Flat Minor: Allegretto 03:28
3. Moments Musicaux, Op. 16: No. 3 in B Minor: Andante Cantabile 07:24
4. Moments Musicaux, Op. 16: No. 4 in E Minor: Presto 03:14
5. Moments Musicaux, Op. 16: No. 5 in D Flat Major: Adagio Sostenuto 04:30
6. Moments Musicaux, Op. 16: No. 6 in C Major: Maestoso 04:53
7. Morceaux de Salon Op. 10: No. 1 in A Minor: Nocturne 05:56
8. Morceaux de Salon Op. 10: No. 2 in A Major: Valse 03:30
9. Morceaux de Salon Op. 10: No. 3 in G Major: Barcarolle 03:43
10. Morceaux de Salon Op. 10: No. 4 in E Minor: M???lodie 05:05
11. Morceaux de Salon Op. 10: No. 5 in G Major: Humoresque 07:07
12. Morceaux de Salon Op. 10: No. 6 in F Minor: Romance 03:39
13. Morceaux de Salon Op. 10: No. 7 in D Flat Major: Mazurka 05:40
Rachmaninoff: Monna Vanna
1. Monna Vanna: Introduction 01:30
2. Monna Vanna: Scene 1 05:28
3. Monna Vanna: Scene 2 16:19
4. Monna Vanna: Scene 3 19:21
Rachmaninoff: Music for Cello and Piano
1. Morceaux de Salon, Op. 6: Romance 05:31
2. Morceaux de Salon, Op. 6: Danse Hongroise 06:08
3. Lied In F Minor: Andantino 02:51
4. Two Pices For Cello and Piano, Op. 2: Prelude in F major: Comodo- Con Moto 03:54
5. Two Pices For Cello and Piano, Op. 2: Dance Orientale In A Major: Andante Cantabile 06:26
6. Vocalise in E Flat Minor, Op. 34: No. 14: Lento 06:42
7. Cello Sonata in G Minor, Op. 19: I. Lento- Allegro Moderato 13:01
8. Cello Sonata in G Minor, Op. 19: II. Allegro Scherzando 06:21
9. Cello Sonata in G Minor, Op. 19: III. Andante 05:41
10. Cello Sonata in G Minor, Op. 19: IV. Allegro Mosso 10:18
Rachmaninoff: Piano Concertos Nos. 1 & 4 – Rhapsody on a Theme Of Paganini
1. Piano Concerto No. 1 in Sharp Minor, Op. 1: I. Vivace 11:56
2. Piano Concerto No. 1 in Sharp Minor, Op. 1: II. Andante 05:33
3. Piano Concerto No. 1 in Sharp Minor, Op. 1: III. Allegro vivace 06:42
4. Piano Concerto No. 4 in G Minor, Op. 40: I. Allegro 08:56
5. Piano Concerto No. 4 in G Minor, Op. 40: II. Largo 05:25
6. Piano Concerto No. 4 in G Minor, Op. 40: Allegro Vivace 08:35
7. Rhapsody on a Theme of Paganini, Op. 43 20:32
Rachmaninoff: Piano Concertos Nos. 2 & 3
1. Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato 09:19
2. Piano Concerto No. 2 in C Minor, Op. 18: II. Andante Sostenuto 10:25
3. Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro Scherzando 10:38
4. Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro 14:57
5. Piano Concerto no. 3 in D Minor, Op. 30: II. Intermezzo: Adagio 08:42
6. Piano Concerto no. 3 in D Minor, Op. 30: III. Finale: Allegro 11:37
Rachmaninoff: Piano Sonata No. 1 – Preludes Op. 32
1. Piano Sonata No. 1 in D Minor, Op. 28: Movement 1: Allegro Moderato 02:30
2. Piano Sonata No. 1 in D Minor, Op. 28: Movement 1: Moderato: Measure 73 01:33
3. Piano Sonata No. 1 in D Minor, Op. 28: Movement 1: Tempo I: 117 01:45
4. Piano Sonata No. 1 in D Minor, Op. 28: Movement 1: Tempo I: 172 02:46
5. Piano Sonata No. 1 in D Minor, Op. 28: Movement 1: A Tempo 02:56
6. Piano Sonata No. 1 in D Minor, Op. 28: Movement 2: Lento 02:23
7. Piano Sonata No. 1 in D Minor, Op. 28: Movement 2: Measure 43 02:37
8. Piano Sonata No. 1 in D Minor, Op. 28: Movement 2: Measure 102 03:28
9. Piano Sonata No. 1 in D Minor, Op. 28: Movement 3: Allegro Molto 01:25
10. Piano Sonata No. 1 in D Minor, Op. 28: Movement 3: Meno Mosso: 80 03:08
11. Piano Sonata No. 1 in D Minor, Op. 28: Movement 3: Moderato: 188 01:20
12. Piano Sonata No. 1 in D Minor, Op. 28: Movement 3: Pi??? Vivo: 240 00:41
13. Piano Sonata No. 1 in D Minor, Op. 28: Movement 3: Tempo I: 267 00:52
14. Piano Sonata No. 1 in D Minor, Op. 28: Movement 3: Meno mosso: 313 02:47
15. Piano Sonata No. 1 in D Minor, Op. 28: Movement 3: Moderato: 409 03:01
16. Preludes, Op. 32: No. 1 in C Major: Allegro Vivace 01:19
17. Preludes, Op. 32: No. 2 in B Flat Minor: Allegretto 03:09
18. Preludes, Op. 32: No. 3 in E Major: Allegro Vivace 02:31
19. Preludes, Op. 32: No. 4 in E Minor: Allegro Con Brio 04:39
20. Preludes, Op. 32: No. 5 in G Major: Moderato 03:17
21. Preludes, Op. 32: No. 6 in F Minor: Allegro Appassionato 01:29
22. Preludes, Op. 32: No. 7 in F Major: Moderato 02:14
23. Preludes, Op. 32: No. 8 in A Minor: Vivo 01:50
24. Preludes, Op. 32: No. 9 in A Major: Allegro Moderato 02:59
25. Preludes, Op. 32: No. 10 in B Minor: Lento 05:48
26. Preludes, Op. 32: No. 11 in B Major: Allegretto 02:40
27. Preludes, Op. 32: No. 12 in G Sharp Minor: Allegro 02:35
28. Preludes, Op. 32: No. 13 in D Flat Major: Grave 04:12
Rachmaninoff: Piano Sonata, No. 2 – Morceaux de Fantaisie – Variations on a Theme Of Chopin
1. Piano Sonata No. 2 in B Flat Minor, Op. 36, Movement 1: Allegro Agitato 01:42
2. Piano Sonata No. 2 in B Flat Minor, Op. 36, Movement 1: Meno Mosso: Measure 38 01:39
3. Piano Sonata No. 2 in B Flat Minor, Op. 36, Movement 1: Measure 55 01:43
4. Piano Sonata No. 2 in B Flat Minor, Op. 36, Movement 1: Tempo I: 98 02:54
5. Piano Sonata No. 2 in B Flat Minor, Op. 36, Movement 2: Non Allegro- Lento 03:22
6. Piano Sonata No. 2 in B Flat Minor, Op. 36, Movement 2: Poco Pi??? Mosso: 36 01:14
7. Piano Sonata No. 2 in B Flat Minor, Op. 36, Movement 2: Tem[o I: 63- Attacca 01:30
8. Piano Sonata No. 2 in B Flat Minor, Op. 36, Movement 3: L"istesso Tempo- Allegro Molto 01:42
9. Piano Sonata No. 2 in B Flat Minor, Op. 36, Movement 3: A Tempo Meno Mosso: 76 00:55
10. Piano Sonata No. 2 in B Flat Minor, Op. 36, Movement 3: Tempo I: 106 01:20
11. Piano Sonata No. 2 in B Flat Minor, Op. 36, Movement 3: Tempo Rubato: 184 01:37
12. Morceaux de Fantaisie, Op. 3, ???l???gie: Moderato 05:40
13. Morceaux de Fantaisie, Op. 3, Pr???lude: Lento 06:12
14. Morceaux de Fantaisie, Op. 3, M???lodie: Adagio Sostenuto 04:57
15. Morceaux de Fantaisie, Op. 3, Polichinelle: Allegro Vivace 03:21
16. Morceaux de Fantaisie, Op. 3, S???r???nade: Sostenuto, Tempo di Valse 03:03
17. Variations On A Theme Of Chopin, Op. 22, Theme: Largo 01:16
18. Variations On A Theme Of Chopin, Op. 22, Variation 1: Moderato 00:37
19. Variations On A Theme Of Chopin, Op. 22, Var. 2: Allegro 00:18
20. Variations On A Theme Of Chopin, Op. 22: Var. 3 00:17
21. Variations On A Theme Of Chopin, Op. 22: Var. 4 00:37
22. Variations On A Theme Of Chopin, Op. 22: Var. 5: Meno Mosso 00:25
23. Variations On A Theme Of Chopin, Op. 22: Var. 6: Meno Mosso 01:03
24. Variations On A Theme Of Chopin, Op. 22: Var. 7: Allegro 00:18
25. Variations On A Theme Of Chopin, Op. 22: Var. 8 00:20
26. Variations On A Theme Of Chopin, Op. 22: Var. 9 00:24
27. Variations On A Theme Of Chopin, Op. 22: Var. 10: Pi??? Vivo 00:32
28. Variations On A Theme Of Chopin, Op. 22: Var. 11: Lento 01:25
29. Variations On A Theme Of Chopin, Op. 22: Var. 12: Moderato 02:12
30. Variations On A Theme Of Chopin, Op. 22: Var. 13: Largo 01:26
31. Variations On A Theme Of Chopin, Op. 22: Var. 14: Moderato 01:36
32. Variations On A Theme Of Chopin, Op. 22: Var. 15: Allegro Scherzando 01:27
33. Variations On A Theme Of Chopin, Op. 22: Var. 16: Lento 01:10
34. Variations On A Theme Of Chopin, Op. 22: Var. 17: Grave 01:53
35. Variations On A Theme Of Chopin, Op. 22: Var. 18: Pi??? Mosso 00:59
36. Variations On A Theme Of Chopin, Op. 22: Var. 19: Allegro Vivace 01:30
37. Variations On A Theme Of Chopin, Op. 22: Var. 20: Presto 01:13
38. Variations On A Theme Of Chopin, Op. 22: Var. 21: Andante- Pi??? Vivo 01:58
39. Variations On A Theme Of Chopin, Op. 22: Var. 22: Maestoso 05:41
Rachmaninoff: Piano Works: Transcriptions
1. Scherzo (from Mendelssohn: A Midsummer Night"s Dream) 04:06
2. Lullaby (Tchaikovsky) 03:59
3. Liebesfreud (Kreisler) 06:32
4. Suite From Partita in E Major For Violin Solo (J. S. Bach): I. Prelude 03:15
5. Suite From Partita in E Major For Violin Solo (J. S. Bach): II. Gavotte 02:59
6. Suite From Partita in E Major For Violin Solo (J. S. Bach): II. Gigue 01:29
7. Wohin (Schubert) 02:18
8. Minuet (From Bizet: L"Arl???sienne Suite No. 1) 02:44
9. Flight Of The Bumblebee (Rimsky- Korsakov) 01:10
10. Liebesleid (Kreisler) 04:26
11. Lilacs (Rachmaninoff) 02:10
12. Daisies (Rachmaninoff) 02:15
13. Humoresque Op. 10, No. 5 (Revised Version) 03:21
14. M???lodie Op. 3, No. 3 (Revised Version) 04:02
15. Hopak (Mussorgsky) 01:50
16. Prelude Op. posth. (1917) 02:27
17. Fragments (1917) 01:59
Rachmaninoff: Preludes, Op. 23 – Nocturnes – Song without words – Variations on a Theme of Corelli
1. Preludes, Op. 23: No. 1 in F Sharp Minor: Largo 03:14
2. Preludes, Op. 23: No. 2 in B Flat Major: Maestoso 03:38
3. Preludes Op. 23: No. 3 in D Minor: Tempo Di Minuetto 03:17
4. Preludes Op. 23: No. 4 in D Major: Andante Cantabile 04:29
5. Preludes Op. 23: No. 5 in G Minor: Alla Marcia 03:39
6. Preludes Op. 23: No. 6 in E Flat Major: Andante 03:30
7. Preludes Op. 23: No. 7 in C Minor: Allegro 02:36
8. Preludes Op. 23: No. 8 in A Flat Major: Allegro Vivace 03:19
9. Preludes Op. 23: No. 9 in E Flat Minor: Presto 01:47
10. Preludes Op. 23: No. 10 in G Flat Major: Largo 04:04
11. Nocturnes: No. 1 in F Sharp Minor 04:43
12. Nocturnes: No. 2 in F Major 04:06
13. Nocturnes: No. 3 in C Minor 03:52
14. Song Without Words 01:19
15. Variations On A Theme Of Corelli Op. 42: Theme: Andante 01:01
16. Variations On A Theme Of Corelli Op. 42: Variation 1: Poco Pi??? Mosso 00:47
17. Variations On A Theme Of Corelli Op. 42: Var. 2: L"istesso Tempo 00:39
18. Variations On A Theme Of Corelli Op. 42: Ver. 3: Tempo Di Minuetto 00:36
19. Variations On A Theme Of Corelli Op. 42: Var. 4 Andante 00:55
20. Variations On A Theme Of Corelli Op. 42: Var. 5: Allegro 00:20
21. Variations On A Theme Of Corelli Op. 42: Var. 6: L"istesso Tempo 00:21
22. Variations On A Theme Of Corelli Op. 42: Var. 7: Vivace 00:26
23. Variations On A Theme Of Corelli Op. 42: Var. 8: Adagio Misterioso 01:02
24. Variations On A Theme Of Corelli Op. 42: Var. 9: Un Poco Pi??? Mosso 01:16
25. Variations On A Theme Of Corelli Op. 42: Var. 10: Allegro Scherzando 00:34
26. Variations On A Theme Of Corelli Op. 42: Var. 11: Allegro Vivace 00:20
27. Variations On A Theme Of Corelli Op. 42: Var. 12: L"istesso Tempo 00:31
28. Variations On A Theme Of Corelli Op. 42: Var. 13: Agitato 00:41
29. Variations On A Theme Of Corelli Op. 42: Intermezzo: A Tempo Rubato 01:25
30. Variations On A Theme Of Corelli Op. 42: Var. 14: Andante 01:05
31. Variations On A Theme Of Corelli Op. 42: Var. 15: L"Istesso Tempo 01:16
32. Variations On A Theme Of Corelli Op. 42: Var. 16: Allegro Vivace 00:36
33. Variations On A Theme Of Corelli Op. 42: Var. 17: Meno Mosso 01:16
34. Variations On A Theme Of Corelli Op. 42: Var. 18: Allegro con Brio 00:34
35. Variations On A Theme Of Corelli Op. 42: Var. 19: Pi??? Mosso- Agitato 00:29
36. Variations On A Theme Of Corelli Op. 42: Var. 20: Pi??? Mosso- Coda 02:29
Rachmaninoff: Spring -Three Russian Songs – Six Choruses – Scherzo – Vocalise
1. Spring (Vesna) Op. 20: Cantata for Baritone, Chorus and Orchestra: Allegro Moderato 17:00
2. Three Russian Songs, Op. 41: Over The Stream, The Swift Stream 04:18
3. Three Russian Songs, Op. 41: Ah, Vanka, You Are Dashing 06:23
4. Three Russian Songs, Op. 41: My Cheeks, So White, So Rosy! 03:59
5. Six Choruses, Op. 15: For Wome 01:56
6. Six Choruses, Op. 15: Night 03:12
7. Six Choruses, Op. 15: The Pine 02:30
8. Six Choruses, Op. 15: The Waves Began To Slumber 02:06
9. Six Choruses, Op. 15: Captivity 01:56
10. Six Choruses, Op. 15: The Angel 02:29
11. Scherzo in F Major 04:48
12. Vocalise, Op. 34: No. 14 05:31
Rachmaninoff: Symphonic Dances – The Bells
1. Symphonic Dances, Op. 45: I. Non allegro 11:58
2. Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse) 10:54
3. Symphonic Dances, Op. 45: III. Lento assai- Allegro vivace- Lento assai- Come prima- Allegro vivace 14:16
4. The Bells, Op. 35: I. Allegro ma non tanto 06:06
5. The Bells, Op. 35: II. Lento 10:37
6. The Bells, Op. 35: III. Presto 08:50
7. The Bells, Op. 35: IV. Lento lugubre 10:12
Rachmaninoff: Symphonic Poems – Scherzo in D Minor – Caprice Boh???mien
1. The Rock, Op. 7: Symphonic poem after A. Chekhov 14:50
2. Prince Rostislav – Symphonic poem after A.K. Tolstoy 18:18
3. Scherzo in D Minor 05:30
4. Caprice Boh???mien, Op. 12 18:33
5. The Isle of the Dead, Op. 29 – Symphonic poem after A. B???cklin 22:03
Rachmaninoff: Symphonies No. 2 – Youth Symphony
1. Symphony No. 2 in E Minor, Op. 27: I. Largo- Allegro Moderato 24:30
2. Symphony No. 2 in E Minor, Op. 27: II. Scherzo: Allegro Molto- Meno Mosso- Allegro Molto 11:13
3. Symphony No. 2 in E Minor, Op. 27: III. Adagio 15:09
4. Symphony No. 2 in E Minor, Op. 27: IV. Allegro Vivace 15:20
5. ‘Youth’ Symphony in D Minor: Grave – Allegro moderato 11:25
Rachmaninoff: Symphonies Nos. 1 & 3
1. Symphony No. 1 in D Minor, Op. 13: I. Grave- Allegro Ma Non Troppo 13:44
2. Symphony No. 1 in D Minor, Op. 13: II. Allegro Animato 07:33
3. Symphony No. 1 in D Minor, Op. 13: III. Larghetto 09:08
4. Symphony No. 1 in D Minor ,Op. 13: IV. Allegro Con Fuoco 11:56
5. Symphony No. 3 in A Minor, Op. 44: I. Lento- Allegro Moderato 12:21
6. Symphony No. 3 in A Minor, Op. 44: II. Adagio Ma Non Troppo 11:33
7. Symphony No. 3 in A Minor, Op. 44: III. Allegro 12:24
Rachmaninoff: The Miserly Knight
1. The Miserly Knight, Op. 24: Prelude 07:43
2. The Miserly Knight, Op. 24: Scene 1: In The Tower 17:33
3. The Miserly Knight, Op. 24: Scene 2: In The Cellar 22:56
4. The Miserly Knight, Op. 24: Scene 3: At The Palace 12:12
Rachmaninoff: Trios ???l???giaques Nos. 1& 2
1. Trio ???l???giaque No. 1 in G minor Op. posth.: Lento Lugubre 15:18
2. Trio ???l???giaque No.2 in D minor Op. 9: I. Moderato- Allegro Moderato 18:41
3. Trio ???l???giaque No.2 in D minor Op. 9: II. Quasi Variazione 17:40
4. Trio ???l???giaque No.2 in D minor Op. 9: III. Allegro Risoluto 07:25
Rachmaninoff: Vespers
1. Vespers, Op. 37: Come, Let Us Worship 01:46
2. Vespers, Op. 37: Bless The Lord, O My Soul 04:52
3. Vespers, Op. 37: Blessed Be The man 05:40
4. Vespers, Op. 37: O Serene Light 03:29
5. Vespers, Op. 37: Now Let Thy Servant Depart 03:59
6. Vespers, Op. 37: Rejoice, O Virgin 02:26
7. Vespers, Op. 37: Glory To God in The Highest 02:50
8. Vespers, Op. 37: Praise The Name Of The Lord 02:33
9. Vespers, Op. 37: Blessed Art Thou, O Lord 06:02
10. Vespers, Op. 37: Having Seen The Resurrection of The Lord 03:16
11. Vespers, Op. 37: My Soul Magnifies The Lord 09:45
12. Vespers, Op. 37: Glory To God in The Highest 07:47
13. Vespers, Op. 37: Troparia Of The Day Of Salvation 01:58
14. Vespers, Op. 37: Christ Is Risen From The Grave 03:31
15. Vespers, Op. 37: Thanksgiving To The Mother Of God 01:48
Rachmaninoff: Works for Piano Duet I
1. Fantaisie- tableaux (Suite No. 1) For Two Pianos, Op. 5: Barcarolle 07:48
2. Fantaisie- tableaux (Suite No. 1) For Two Pianos, Op. 5: La nuit… L 05:42
3. Fantaisie- tableaux (Suite No. 1) For Two Pianos, Op. 5: Les larmes 06:32
4. Fantaisie- tableaux (Suite No. 1) For Two Pianos, Op. 5: P???ques 02:21
5. Russian Rhapsody 09:02
6. Six Morceaux for Piano Duet, Op. 11: Barcarolle 04:56
7. Six Morceaux for Piano Duet, Op. 11: Scherzo 02:45
8. Six Morceaux for Piano Duet, Op. 11: Russian Theme 04:13
9. Six Morceaux for Piano Duet, Op. 11: Valse 03:39
10. Six Morceaux for Piano Duet, Op. 11: Romance 03:32
11. Six Morceaux for Piano Duet, Op. 11: Slava 04:14
12. Two Pieces For piano Six- Hands: Valse 01:09
13. Two Pieces For piano Six- Hands: Romance 03:40
14. Polka Italienne for Piano Duet 01:49
Rachmaninoff: Works for Piano Duet II
1. Suite No. 2 for Two Pianos Op. 17: I. Introduction 04:28
2. Suite No. 2 for Two Pianos Op. 17: II. Valse 06:25
3. Suite No. 2 for Two Pianos Op. 17: III. Romance 07:01
4. Suite No. 2 for Two Pianos Op. 17: IV. Tarantelle 06:04
5. Symphonic Dances for Two Pianos Op. 45: I. Non Allegro 10:56
6. Symphonic Dances for Two Pianos Op. 45: II. Andante Con Moto, Tempo di Valse 08:39
7. Symphonic Dances for Two Pianos Op. 45: III. Lento Assai- Allegro Vivace 12:39
8. Romance in G Major for Piano Duet 01:44
9. Prelude in C Sharp Minor for Two Pianos 04:21
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EAC Rip | APE (Img,cue,log,scans) | 7.6 Gb
CD 1
01 – 03. String Symphony No.1 In C
04 – 06. String Symphony No.2 In D
07 – 09. String Symphony No.3 In E Minor
10 – 12. String Symphony No.4 In C Minor
13 – 15. String Symphony No.5 In B-Flat
16 – 18. String Symphony No.6 In E-Flat
19. String Symphony No.10 In B-Minor
CD 2
01 – 04. String Symphony No.7 In D Minor
05 – 08. String Symphony No.8 In D (Version With Winds)
09 – 11. String Symphony No.12 In G Minor
CD 3
01 – 04. String Symphony No.9 In C
05 – 09. String Symphony No.11 In F
10. String Symphony No.13 "Sinfoniesatz" In C Minor: Grave
CD 4
01 – 04. Symphony No.1 In C Minor, Op.11
05 – 08. Symphony No.3 In A Minor, Op.56 "Scottish"
CD 5
01. Symphony No.2 In B Flat Major, Op.52, "Lobgesang"
CD 6
01 – 04. Symphony No.4 In A Major, Op.90, "Italian"
05 – 08. Symphony No.5 In D Minor, Op.107, "Reformation"
CD 7
01. The Marriage of Camacho, Op.10
02. A Midsummer Night’s Dream (Incidental Music) Overture, Op.21
03. Calm Sea And Prosperous Voyage, Op.27
04. Ruy Blas, Op.95
05. Athalia, Op.74
06. War March Of The Priests From Athalie, Op.74
07. The Hebrides (Fingal’s Cave), Op.26
08. Trumpet Overture, Op.101
CD 8
01 – 03. Violin and Orchestra Concerto In E Minor, Op.64
04 – 06. Violin and String Orchestra Concerto, woOp.In D Minor
CD 9
01 – 03. Two Pianos And Orchestra Concerto In E Major
04 – 06. Two Pianos And Orchestra Concerto In A-Flat Major
CD 10
01 – 03. Piano And Orchestra Concerto No.1 In G Minor, Op.25
04 – 06. Piano And Orchestra Concerto No.2 In D Minor, Op.40
07. Capriccio Brillant In B Major Op.22
08. Rondo Brillant In E Flat Major Op.29
CD 11
01 – 25. Incidental Music To "A Midsummer Night’s Dream", Op.21 And 61
CD 12
01 – 22. Paulus Op.36 – Oratorio After The Acts Of The Apostles – 1st Part
CD 13
01 – 21. Paulus Op.36 – Oratorio After The Acts Of the Apostles – 2nd Part
CD 14-15
Elias, Op.70
CD 16
01-12. Die Erste Walpurgisnacht, Op.60
13-24. Leise Zieht Durch Mein Gemuth
CD 17
01 – 07. Psalm No.42 Op.42 "Wie Der Hirsch Schreit"
08 – 13. Lieder Op.59
14. Hear My Prayer (O For The Wings Of A Dove)
CD 18
01 – 04. Octet E Flat Major Op.20 For Strings
05 – 07. Clarinet And Pianoforte Sonata In E-flat Major
08. On Wings Of Song, Op.34, No.2
09. Songs Without Words, Op.19 Venetian Boat Song, No.6
10. String Quartet, Op.12 Canzonetta
CD 19
01 – 04. Strings Quintet No.1 In A Major, Op.18
05 – 08. Strings Quintet No.2 In B-Flat Major, Op.87
CD 20
01 – 04. String Quartet No.1 In E Flat Major, Op.12
05 – 08. String Quartet No.6 In F Minor, Op.80
09 – 12. String Quartet In E Flat Major (1823)
CD 21
01 – 04. String Quartet No.2 In A Minor, Op.13
05 – 08. String Quartet No.5 In E Flat Major, Op.44/3
CD 22
01 – 04. String Quartet No.3 In D Major, Op.44/1
05 – 08. String Quartet No.4 In E Minor, Op.44/2
09 – 12. Four Pieces For String Quartet, Op.81
CD 23
01 – 04. Trio For Piano, Violin And Violoncello No.1 In D Minor, Op.49
05 – 08. Trio For Piano, Violin, And Violoncello No.2 In C Minor, Op.66
CD 24
01 – 09. Variations Concertantes, Op.17
10 – 14. Sonata No.1, Op.45, In B-Flat
15 – 18. Sonata No.2, Op.58 In D
CD 25
01 – 03. Piano Sonata In E Major, Op.6
04. Prelude and Fugue, Op.35, No.1
05. Variations serieuses, Op.54
06. Rondo Capriccioso, Op.14
07 – 10. Piano Sonata In B Flat Major, Op.106
CD 26
01 – 03. Fantasia In F sharp Minor "Sonate ecossaise" Op.28
04. Song Without Words in E Major, Op.19, No.1
05. Song Without Words in A Minor, Op.19, No.2
06. Song Without Words in A Minor, Op.85, No.2
07. Song Without Words in A Major, Op.85, No.5
08. Song Without Words in E Major, Op.30, No.3
09. Song Without Words in C, Op.102, No.3
10. Song Without Words in A-Flat, Op.38, No.6
11. Song Without Words in C, Op.67, No.4
12. Caprice, Op.33 No.1 in A Minor
13. May Breezes, Op.61, No 2
14. Song Without Words Elegie, Op.85, No.4
15. Song Without Words Spring Song, Op.62, No.6
16. Song Without Words The Shepherd’s Complaint, Op.67, No.5
17. Andante and Variations In B-Flat Major, Op.83a
18. Andante and Allegro brillant in A Op. 92
CD 27
01 – 04. Sonata No.65, Op.1 In F Minor (1845)
05. Trio In F Major (1844)
06. Ostinato In C Minor (1823)
07 – 09. Sonata Op.65, No.2 In C Minor (1845)
10. Prelude In C Minor (1841)
11 – 12. Sonata Op.65, No.3 In A Major
13. Fughetta In D Major (1843)
14. Postlude In D Major (1831)
CD 28
01 – 04. Sonata Op.65, No.4 In B Flat Major (1845)
05. Theme And Variations In D Major (1844)
06 – 08. Sonata Op.65, No.5 In D Major (1845)
09 – 12. Chorale With Variations On "Wie grob Ist Des Allmacht’gen Gute"
13. Allegro, Chorale And Fugue In D Minor (1844)
14 – 16. Sonata Op.65, No.6 In D Minor (1845)
CD 29
01. Allegro In B Flat Major (1844)
02. Fugue / Trio In D Minor (1820)
03. Fugue / Trio In G Minor (1820)
04. Fugue / Trio In D Minor (1820)
05. Andante Alla Marcia In B Flat Major (1845)
06. Andante Con Moto In G Minor (1833)
07. Prelude In D Minor (1820)
08. Fantasia In G Minor (1823)
09. Fughetta In A Major (1828)
10. Andante In D Major (1823)
11. Fugue In E Minor (1839)
12. Fugue In F Minor (1839)
13. Allegro Moderato Maestoso In C Major
14 – 15. Prelude And Fugue, Op.37 No.1 In C Minor (1839)
16 – 17. Prelude And Fugue, Op.37 No.2 In G Major (1839)
18 – 19. Prelude And Fugue, Op.37 No.3 In D Minor (1938)
CD 30
01 – 06. Lieder (Duette), Op.63
07. Sonntagsmorgen Op.77 Nr. 1
08. Wasserfahrt o. Op.
09. Abendlied o. Op.
10. Lied Aus Ruy Blas Op.77 Nr.3
11. Die Liebende Schreibt From Six Songs, Op.86, No.3
12. Allnachtlich Im Traume From Six Songs, Op.86, No.4
13. Fruhlingslied From Six Songs, Op.47, No.3
14. Venetianisches Gondellied From Six Songs, Op.57, No.5
15. Der Mond From Six Songs, Op.86, No.5
16. Suleika From Six Songs, Op.34, No.4
17. Das Erste Veilchen From Six Songs, Op.19a, No.2
18. Schilflied From Six Songs, Op.71, No.4
19. Neue Liebe From Six Songs, Op.19a, No.4
20. Bei Der Weige From Six Songs, Op.47, No.6
21. Reiselied
22. Morgengrub, Op.47/2: Uber Die Berge Steigt
23. Auf Flugeln Des Gesanges, Op.34/2
24. Grub, Op.19a/5: Leise Zieht Durch Mein Gemut
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Odeon: Lyadov ? Complete Piano Music ? Marco Rapetti (http://odeonmusic.blogspot.gr/2013/08/lyadov-complete-piano-music-marco.html)
Odeon: Arensky ? Symphony No.2 ? Vassily Sinaisky (http://odeonmusic.blogspot.gr/2013/08/arensky-symphony-no2-vassily-sinaisky.html)
Odeon: Humperdinck ? Orchestral works ? Martin Fischer-Dieskau (http://odeonmusic.blogspot.gr/2013/09/humperdinck-orchestral-works-martin.html)
Odeon: Rimsky-Korsakov ? Suites ? Neeme J???rvi (http://odeonmusic.blogspot.gr/2013/08/rimsky-korsakov-suites-neeme-jarvi.html)
Odeon: Tchaikovsky ? Orchestral Music ? Geoffrey Simon (http://odeonmusic.blogspot.gr/2013/09/tchaikovsky-orchestral-music-geoffrey.html)
FLAC (tracks + .cues + logs + pdf booklets) | 44.1 Khz, Joint-Stereo | 12.78 GB
CD1:
1. Liebestod: Dolce E Calmo (3. Akt) – Wagner, Richard 7:48
2. Casta Diva – Bellini, Vincenzo 6:55
3. Ah! Bello A Me Ritorna – Bellini, Vincenzo 2:17
4. O, Rendetemi La Speme – Bellini, Vincenzo 1:08
5. Qui La Voce Sua Soave – Bellini, Vincenzo 3:45
6. Vien, Diletto, e In Ciel La Luna – Bellini, Vincenzo 2:29
CD2:
1. Preludio – Ponchielli, Amilcare 5:01
2. Feste E Pane! (1. Akt) – Ponchielli, Amilcare 2:55
3. E Cantan Su Lo Tombe! – Ponchielli, Amilcare 2:01
4. Figlia, Che Reggi Il Tremulo Pie – Ponchielli, Amilcare 3:31
5. L’Ora Non Giunse Ancor Del Vespro Santo – Ponchielli, Amilcare 2:50
6. Gloria A Chi Vince – Ponchielli, Amilcare 1:21
7. Questi E L’Uom Ch’io Cerco – Ponchielli, Amilcare 2:30
8. Suo Covo E Un Tugurio – Ponchielli, Amilcare 3:04
9. Ribellion! – Ponchielli, Amilcare 4:15
10. Voce Di Donna O d’Angelo – Ponchielli, Amilcare 5:26
11. Enzo Grimaldo, Principe Di Santafior, Che Pensi? – Ponchielli, Amilcare 2:59
12. O Grido Di Quest’ Anima – Ponchielli, Amilcare 2:51
13. Maledici? Sta Ben…L’Amor T’Accieca – Ponchielli, Amilcare 2:15
14. O Monumento! – Ponchielli, Amilcare 3:46
15. Carneval! Baccanal! – Ponchielli, Amilcare 2:41
16. Angele Dei – Ponchielli, Amilcare 6:26
CD3:
1. Ho! He! Ho! He! Fissa Il Timone! (2. Akt) 4:01
2. Pescator, Affonda L’Esca 4:01
3. Sia Gloria Ai Canti Dei Naviganti! 4:18
4. Cielo E Mar! 4:31
5. Ma Chie Vien? 1:30
6. Deh! Non Turbare 5:27
7. E Il Tuo Nocchiere Or La Fuga T’Appresta 0:43
8. Stella Del Marinar! 2:10
9. E Un Anatema! 3:01
10. L’Amo Come Il Fulgor Del Creato! 0:46
11. Il Mio Braccio T’Afferra! 2:35
12. Laura! Laura, Ove Sei? 2:16
13. Tu Sei Traditio! …Noto M’e Il Rombo 1:22
CD4:
1. Si! Morir Ella De’ ! (3. Akt) 2:37
2. Ombre Di Mia Prosapia 2:26
3. Qui Chiamata M’Avete? …Bella Cosi, Madonna 3:14
4. Morir! e Troppo Orribile! 2:22
5. E Gia Che Ai Nuovi Imeni 4:01
6. O Madre Mia, Nell’ Isola Fatale 1:53
7. Benvenuti Messeri! Andrea Sagredo! 4:02
8. Grazie VI Rendo Per Le Vostre Laudi 1:03
9. Prodigio! Incanto! 9:50
10. Vieni! Lasciami! 2:07
11. d’un Vampiro Fatal 6:21
12. Preludio (4. Akt) 3:19
13. Nessun V’ha Visto? 2:07
14. Suicidio! 4:37
15. Ecco, Il Velen Di Laura 4:23
16. Enzo, Sei Tu 3:30
17. O Furibonda Jena 2:42
18. Ten Va Serenata 1:07
19. La Barca S’Avvicina 1:09
20. A Te Questo Rosario 5:38
21. Ora Posso Morir. Tutto E Compiuto 2:22
22. Si, Il Patto Mantengo 4:32
CD5:
1. Preludio – Donizetti, Gaetano 2:12
2. Percorrete Le Spiagge Vicine (1. Akt) – Donizetti, Gaetano 2:26
3. Tu Sei Turbato! E N’ho Ben Donde – Donizetti, Gaetano 3:13
4. Cruda, Funesta Smania – Donizetti, Gaetano 2:21
5. Il Tuo Dubbio e Omai Certezza – Donizetti, Gaetano 2:10
6. La Pietade In Suo Favore – Donizetti, Gaetano 1:38
7. Maestoso – Donizetti, Gaetano 2:40
8. Ancor Non Giunse? – Donizetti, Gaetano 1:34
9. Regnava Nel Silenzio – Donizetti, Gaetano 4:02
10. Quando Rapito In Estasi – Donizetti, Gaetano 4:00
11. Egli S’Avanza – Donizetti, Gaetano 2:39
12. Sulla Tomba Che Rinserra – Donizetti, Gaetano 2:57
13. Qui Di Sposa Eterna Fede – Donizetti, Gaetano 1:35
14. Ah, Talor Del Tuo Pensiero – Donizetti, Gaetano 0:46
15. Verranno A Te Sull’ Aure – Donizetti, Gaetano 4:16
CD6:
1. Moderato-Lucia Fra Poco A Te Verra (2. Akt) 3:14
2. Appressati, Lucia 1:11
3. Il Pallor Funesto, Orrendo…A Ragion Mi Fe’ Spietato 2:43
4. Nobil Sposo…Cessa, Cessa! 1:13
5. Soffriva Nel Pianto 3:23
6. Che Fia? Suonar Di Giubilo 1:24
7. Se Tradirmi Tu Potrai 1:58
8. Per Te d’Immenso Giubilo…Per Poco Fra Le Tenebre 3:41
9. Dov’e Lucia? …Qui Giungere Or La Vedrem 1:59
10. Ecco Il Tuo Sposo 2:12
11. Chi Mi Frena In Tal Momento 3:35
12. T’Allontana, Sciagurato…Rispettate In Me Di Dio 1:07
13. Sconsigliato! In Queste Porte Chi Ti Guida? 2:08
14. Esci, Fuggi, Il Furor Che M’Accende 1:21
15. d’Immenso Giubilo (3. Akt) 1:47
16. Ah! Deh, Cessate Quel Contento! Dalle Stanze Ove Lucia 3:22
17. Oh! Qual Funesto Avvenimento! 2:48
18. Oh Giusto Cielo! Il Dolce Suono 3:27
19. Ohime! Sorge Il Tremendo 3:28
20. Ardon Gli Incensi_ Splendon Le Sacre Faci 5:26
21. Spargi d’Amaro Pianto 3:51
22. Maestoso-Tombe Degli Avi Miei 4:08
23. Fra Poco A Me Ricovero 3:31
24. Oh, Meschina! Oh, Fato Orrendo! 3:03
25. Dove Corri, Sventurato? 1:05
26. Tu Che A Dio Spiegasti L’Ali 2:46
27. Che Facesti? 2:30
CD7:
1. Sinfonia – Bellini, Vincenzo 3:36
2. All’ Erta! All’ Erta! (1. Akt) – Bellini, Vincenzo 4:29
3. O Di Cromvel Guerrieri – Bellini, Vincenzo 3:29
4. A Festa! – Bellini, Vincenzo 2:25
5. Or Dove Fuggo Io Mai? – Bellini, Vincenzo 2:54
6. Ah! Per Sempre Io Ti Perdei – Bellini, Vincenzo 3:08
7. T’Appellan Le Schiere…Bel Sogno Beato Di Pace E Contento – Bellini, Vincenzo 1:57
8. O Amato Zio, O Mio Secondo Padre! – Bellini, Vincenzo 2:20
9. Sai Com’ Ardein Petto Mio – Bellini, Vincenzo 6:57
10. Odi…Qual Suon Si Desta? – Bellini, Vincenzo 2:46
11. Ad Arturo Onore – Bellini, Vincenzo 2:29
12. A Te, O Cara, Amor Talora – Bellini, Vincenzo 6:29
13. Il Rito Augusto Si Compia Senza Me – Bellini, Vincenzo 1:57
14. Com’io, VI Unisca – Bellini, Vincenzo 4:22
15. Son Vergin Vezzosa – Bellini, Vincenzo 3:35
16. Sulla Virginea Testa – Bellini, Vincenzo 0:42
17. Ferma. Invan Rapir Pretendi – Bellini, Vincenzo 4:31
18. E Gia Al Ponte-Passa Il Forte – Bellini, Vincenzo 3:45
19. Ah Vieni Al Tempio-Fedele Arturo – Bellini, Vincenzo 4:58
20. Ma Tu Gia Mi Fuggi? – Bellini, Vincenzo 2:01
CD8:
1. Ah…Dolor! Ah, Terror! (2. Akt) 5:33
2. Qual Novella? 3:01
3. Cinta Di Fiori E Col Bel Crin Disciolto 4:15
4. E Di Morte Lo Stral Non Sara Lento 3:01
5. O Rendetemi La Speme…Qui La Voce Sua Soave Mi Chiamava 10:04
6. Vien, Diletto, e In Ciel La Luna! 2:49
7. Il Rival Salvar Tu Dei 4:45
8. Se Tra Il Buio Un Fantasma Vedrai 2:27
9. Riccardo! Riccardo! 2:08
10. Suoni La Tromba 3:20
11. Son Salvo, Alfin Son Salvo (3. Akt) 4:35
12. A Una Fonte Afflitto E Solo 2:32
13. Qual Suon! Alcun S’Appressa 2:06
14. Son Gia Lontani 3:16
15. Fini…Me Lassa! 3:05
16. Ch’ei Provo Lontan Da Me? 3:08
17. Vieni Fra Queste Braccia 2:43
18. Alto La! Fedel Drapello 1:11
19. Cavalier, Ti Colse Il Dio 2:08
20. Credeasi, Misera! 5:30
21. Suon d’Araldi? 1:17
CD9:
1. Preludio – Mascagni, Pietro 2:35
2. O Lola Ch’ Haidi Lattila Cammisa – Mascagni, Pietro 2:34
3. Preludio – Mascagni, Pietro 3:28
4. Gli Aranci Olezzano – Mascagni, Pietro 8:33
5. Dite, Mamma Lucia – Mascagni, Pietro 5:04
6. Il Cavallo Scalpita – Mascagni, Pietro 2:38
7. Beato Voi, Compar Alfio – Mascagni, Pietro 0:56
8. Regina Coeli, Laetare: Alleluja! – Mascagni, Pietro 2:32
9. Inneggiamo, Il Signor Non E Morto – Mascagni, Pietro 4:23
10. Voi Lo Sapete, O Mamma – Mascagni, Pietro 6:11
11. Tu Qui, Santuzza? – Mascagni, Pietro 3:46
12. Fior Di Giaggiolo – Mascagni, Pietro 3:10
13. Ah! Lo Vedi, Che Hai Tu Detto? – Mascagni, Pietro 0:37
14. No, No, Turiddu, Rimani, Rimani Ancora – Mascagni, Pietro 5:27
15. Oh! Il Signore VI Manda, Compar Alfio! – Mascagni, Pietro 5:34
16. Intermezzo – Mascagni, Pietro 3:57
17. A Casa, A Casa, Amici – Mascagni, Pietro 2:56
18. Viva Il Vino Spumeggiante – Mascagni, Pietro 2:45
19. A Voi Tutti, Salute! – Mascagni, Pietro 5:08
20. Mamma, Quel Vino E Generoso – Mascagni, Pietro 5:46
CD10:
1. Ah! Finalmente! (1. Akt) – Puccini, Giacomo 2:06
2. E Sempre Lava! – Puccini, Giacomo 2:15
3. Sante Ampolle! Il Suo Ritratto! – Puccini, Giacomo 1:14
4. Dammi I Colori…Recondita Armonia – Puccini, Giacomo 4:24
5. Gente La Dentro – Puccini, Giacomo 1:10
6. Mario! Mario! Mario! …Son Qui – Puccini, Giacomo 2:03
7. Ora Stammi A Sentir – Puccini, Giacomo 3:10
8. Or Lasciami Al Lavoro – Puccini, Giacomo 1:47
9. Ah, Quegli Occhi…Quale Occhio Al Mondo – Puccini, Giacomo 1:34
10. Mia Gelosa! – Puccini, Giacomo 3:35
11. E Buona La Mia Tosca – Puccini, Giacomo 3:31
12. Sommo Giubilo, Eccellenza! – Puccini, Giacomo 1:22
13. Un Tal Baccano In Chiesa! – Puccini, Giacomo 3:44
14. Tosca? Che Non Mi Veda – Puccini, Giacomo 2:51
15. Ed Io Venivo A Lui Tutta Degliosa – Puccini, Giacomo 3:46
16. Tre Sbirri, Una Carrozza – Puccini, Giacomo 4:29
CD11:
1. Tosca E Un Buon Falco! (2. Akt) 3:08
2. Ha Piu Forte Sapore 1:16
3. O Galantuomo, Come Ando La Caccia? 1:01
4. Meno Male! 2:31
5. Ov’e Angelotti? 2:47
6. Ed Or Fra Noi Parliam Da Buoni Amici 1:08
7. Sciarrone, Che Dice Il Cavalier? 2:52
8. Orsu, Tosca, Parlate 3:27
9. Floria! Amore 2:42
10. Salvatelo! Lo? Voi! 2:11
11. Se La Giurata Fede Debbo Tradir-Gia Mi Struggea L’Amor 2:12
12. Come Tu Mi Odi! 1:25
13. Vissi d’Arte 3:15
14. Vedi, Le Man Giunte Io Stendo A Te! 3:11
15. Io Tenni La Promessa 2:03
16. Tosca, Finalmente Mia! 1:16
17. Or Gli Perdono! 3:47
18. Andante Sostenuto-Lo De’ Sospiri (3. Akt) 2:49
19. Lento 2:48
20. Largo-Mario Cavaradossi? A Voi 4:04
21. E Lucevan Le Stelle 2:48
22. Moderato Con Moto-Ah! Franchigia A Floria Tosca 2:34
23. O Dolci Mani Mansuete E Pure 1:29
24. Senti, L’Ora E Vicina 1:30
25. Amaro Sol Per Te M’Era Il Morire 1:54
26. E Non Giungono 2:26
27. Com’e Lunga L’Attesa! 2:15
28. Presto! Su, Mario! 1:16
CD12:
1. Preludio – Verdi, Giuseppe 4:40
2. Dell’ Invito Trascorsae Gial’ Ora (1. Akt) – Verdi, Giuseppe 5:13
3. Libiamo, Ne’ Lieti Calici – Verdi, Giuseppe 3:12
4. Che E Cio? – Verdi, Giuseppe 2:38
5. Un Di Felice, Eterea – Verdi, Giuseppe 3:32
6. Ebben? Che Diavol Fate? – Verdi, Giuseppe 1:30
7. Si Ridesta In Ciel L’Aurora – Verdi, Giuseppe 1:52
8. E Strano! E Strano! – Verdi, Giuseppe 1:20
9. Ah, Fors’e Lui Che L’Anima – Verdi, Giuseppe 2:59
10. Follie! Follie! Delirio Vano E Questo! – Verdi, Giuseppe 1:05
11. Sempre Libera – Verdi, Giuseppe 4:00
12. Lunge Da Lei (2. Akt) – Verdi, Giuseppe 2:01
13. De’ Miei Bollenti Spiriti – Verdi, Giuseppe 2:10
14. Annina, Donde Vieni? Alfredo? Per Parigi Or Or Partiva – Verdi, Giuseppe 4:33
15. Pura Siccome Un Angelo – Verdi, Giuseppe 1:46
16. Non Sapete Quale Affetto – Verdi, Giuseppe 2:21
17. Un Di, Quando Le Veneri – Verdi, Giuseppe 2:45
18. Ah! Dite Alla Giovine – Verdi, Giuseppe 4:26
19. Imponete…Non Amarlo Ditegli – Verdi, Giuseppe 1:11
20. Morro! La Mia Memoria – Verdi, Giuseppe 3:31
21. Dammi Tu Forza, O Cielo! – Verdi, Giuseppe 1:47
22. Che Fai? …Nulla – Verdi, Giuseppe 2:33
23. Ah, Vive Sol Quel Core All’ Amor Mio! – Verdi, Giuseppe 2:25
24. Di Provenza Il Mar – Verdi, Giuseppe 4:54
CD13:
1. Avram Lieta Di Maschere La Notte 1:06
2. Noi Siamo Zingarelle 2:53
3. Di Madride Noi Siam Mattadori 3:05
4. Alfredo! Voi! 4:41
5. Invitato A Qui Seguirmi 2:35
6. Ogni Suo Aver Tal Femmina 1:38
7. Di Sprezzo Degno Se Stesso Rende 1:54
8. Alfredo, Alfredo, Di Questo Core 4:33
9. Preludio (3. Akt) 4:38
10. Annina? Commandate? 4:37
11. Teneste La Promessa 1:51
12. Addio, Del Passato 3:27
13. Largo Al Quadrupede 0:45
14. Signora! Che T’Accadde? 1:59
15. Parigi, O Cara 4:07
16. Ah, Non Piu, A Un Tempio 1:57
17. Ah! Gran Dio! Morir Si Giovine 1:48
18. Ah, Violetta! Voi, Signor! 1:59
19. Prendi, Quest’e L’Immagine 0:59
20. Se Una Pudice Vergine 3:37
CD14:
1. Sinfonia – Bellini, Vincenzo 5:58
2. Introduzione: Andante Grave-Ite Sul Colle, O Druidi (1. Akt) – Bellini, Vincenzo 5:23
3. Dell’ Aura Tua Profetica – Bellini, Vincenzo 4:37
4. Svanir Le Voci! – Bellini, Vincenzo 2:41
5. Meco All’ Altardi Venere – Bellini, Vincenzo 2:32
6. Odi? I Suoi Riti A Compiere – Bellini, Vincenzo 1:38
7. Me Protegge, Me Difende – Bellini, Vincenzo 1:30
8. Allegro Assai-Norma Viene – Bellini, Vincenzo 4:42
9. Sediziose Voci – Bellini, Vincenzo 4:22
10. Casta Diva – Bellini, Vincenzo 7:18
11. Fine Al Rito, E Il Sacro Bosco – Bellini, Vincenzo 1:37
12. Ah! Bello A Me Ritorna – Bellini, Vincenzo 3:28
13. Andante-Sgombra e La Sacra Selva – Bellini, Vincenzo 4:10
14. Deh! Proteggimi, O Dio! – Bellini, Vincenzo 1:52
15. Eccola-Va, Mi Lascia – Bellini, Vincenzo 1:30
16. Va, Crudele – Bellini, Vincenzo 5:23
17. Vieni In Roma – Bellini, Vincenzo 3:18
CD15:
1. Allegro Agitato-Vanne, E Li Cela Entrambi 4:47
2. Adalgisa! Alma, Costanza 3:22
3. Oh, Rimembranza! 5:24
4. Ah Si, Fa’ Core, Abbracciami 3:06
5. Ma Di: L’Amato Giovane 3:02
6. Oh, Di Qual Sei Tu Vittima 4:13
7. Perfido!-Or Basti! 1:24
8. Vanne, Si, Mi Lascia, Indegno 2:36
CD16:
1. Introduzione: Allegro Assai Moderato (2. Akt) 3:46
2. Dormono Entrambi! 4:44
3. Ola! Clotilde! 0:49
4. Mi Chiami, O Norma? 2:33
5. Deh! Con Te, Con Te Li Prendi 4:15
6. Mira, O Norma 3:59
7. Cedi, Deh Cedi! 1:06
8. Si, Fino All’ Ore Estreme 2:08
9. Allegro Maestoso…Non Parti? 5:33
10. Guerrieri! A Voi Venirne 1:51
11. Ah! Del Tebro Al Giogo Indegno 3:03
12. Andante Maestoso-Ei Tornera! Si! 4:12
13. Squilla Il Bronzo Del Dio! 1:49
14. Guerra! Guerra! 2:14
15. Ne Compi Il Rito, O Norma? 4:12
16. In Mia Man Alfin Tu Sei 4:03
17. Ah, Crudele! In Sen Del Padre 4:10
18. Dammi Quel Ferro! 3:26
19. Qual Cor Tradisti 4:46
20. Norma! Deh Norma! Scolpati 2:35
21. Deh! Non Volerli Vittime 4:54
CD17:
1. Si Puo? Si Puo? – Leoncavallo, Ruggiero 7:46
2. Son Qua! (1. Akt) – Leoncavallo, Ruggiero 3:12
3. Un Grande Spettacolo A Ventitre Ore – Leoncavallo, Ruggiero 2:45
4. Un Tal Gioco, Credetemi, e Meglio Non Giocarlo – Leoncavallo, Ruggiero 2:47
5. I Zampognari! Din, Don. Suona Vespero – Leoncavallo, Ruggiero 3:56
6. Qual Fiamma Avea Nel Guardo-Hui! Stridono Lassu – Leoncavallo, Ruggiero 4:37
7. Sei La! Credea Che Te Ne Fossi Andato – Leoncavallo, Ruggiero 0:53
8. So Ben Che Lo Scemo Contorto Son Io – Leoncavallo, Ruggiero 4:04
9. Nedda! Silvio! A Quest’ Ora Che Imprudenza – Leoncavallo, Ruggiero 1:24
10. E Fra Quest’ Ansiein Eterno Vivrai – Leoncavallo, Ruggiero 2:37
11. Non Mi Tentar! – Leoncavallo, Ruggiero 1:21
12. E Allor Perche, Di’ ,tum’ Hai Stregato – Leoncavallo, Ruggiero 5:21
13. Derisione E Scherno! – Leoncavallo, Ruggiero 2:55
14. Recitar! Mentre Preso Dal Delirio – Leoncavallo, Ruggiero 0:45
15. Vesti La Giubba – Leoncavallo, Ruggiero 2:41
16. Intermezzo – Leoncavallo, Ruggiero 3:13
17. Presto, Affrettiamoci (2. Akt) – Leoncavallo, Ruggiero 4:07
18. Pagliaccio, Mio Marito – Leoncavallo, Ruggiero 1:51
19. Ah! Colombina, Il Tenero – Leoncavallo, Ruggiero 1:38
20. Di Fare Il Segno Convenuto – Leoncavallo, Ruggiero 4:14
21. Arlecchin! Colombina! – Leoncavallo, Ruggiero 2:28
22. Coraggio! Un Uomo Era Con Te – Leoncavallo, Ruggiero 1:58
23. No, Pagliaccio Non Son – Leoncavallo, Ruggiero 3:09
24. Suvviam Cosi Terribile – Leoncavallo, Ruggiero 2:44
CD18:
1. Sinfonia – Verdi, Giuseppe 7:32
2. Buona Notte, Mia Figlia (1. Akt) – Verdi, Giuseppe 2:27
3. Temea Restasse Qui Fino A Domani! – Verdi, Giuseppe 1:40
4. Me Pellgrina Ed Orfana – Verdi, Giuseppe 3:43
5. M’Aiuti, Signorina, Piu Presto Andrem – Verdi, Giuseppe 0:26
6. Ah, Per Sempre, O Mio Bell’ Angiol – Verdi, Giuseppe 7:13
7. Vil Seduttor! Infame Filgia! – Verdi, Giuseppe 2:05
8. Hola, Hola, Hola! Ben Giungi, O Mulattier (2. Akt) – Verdi, Giuseppe 1:20
9. La Cena e Pronta – Verdi, Giuseppe 0:34
10. Che Vedo! Mio Fratello! – Verdi, Giuseppe 0:34
11. Viva La Guerra! – Verdi, Giuseppe 0:55
12. Al Suon Del Tamburo – Verdi, Giuseppe 2:44
13. Padre Eterno Signor – Verdi, Giuseppe 3:47
14. Viva La Buona Compagnia! – Verdi, Giuseppe 1:52
15. Poich’e Imberbe L’Incognito – Verdi, Giuseppe 0:40
16. Son Pereda, Son Ricco d’Onore – Verdi, Giuseppe 2:30
17. Sta Bene – Verdi, Giuseppe 3:00
18. Sono Giunta! Grazie, O Dio! – Verdi, Giuseppe 1:40
19. Madre, Pietosa Vergine – Verdi, Giuseppe 5:11
20. Chi Siete? – Verdi, Giuseppe 2:10
21. Chi Mi Cerca? – Verdi, Giuseppe 1:09
22. Infelice, Delusa, Rejetta – Verdi, Giuseppe 11:16
23. Il Santo Nome Di Dio Signore Sia Benedetto – Verdi, Giuseppe 8:05
24. La Vergine Degli Angeli – Verdi, Giuseppe 3:36
CD19:
1. Attenti Al Gioco, Attenti, Attenti Al Gioco (3. Akt) 4:16
2. La Vita e Inferno All’ Infelice 3:00
3. O Tu Che In Seno Agli Angeli 3:18
4. Al Tradimento! 2:17
5. All’ Armi 2:19
6. Piano…Qui Posi…Approntisi Il Mio Letto 1:35
7. Solenne In Quest’ Ora 4:07
8. Morir! Tremenda Cosa! 2:07
9. Urna Fatale Del Mio Destino 2:37
10. E S’Altra Prova Rinvenir Potessi? 2:26
11. Comoagni, Sostiamo 3:07
12. Ne Gustare, M’e Dato Un’ Oradi Quiete 8:40
13. Lorche Pifferi E Tamburi Par Che Assordino La Terra 1:50
14. Qua, Vivandiere, Un Sorso 0:31
15. A Buon Mercato Chi Vuol Comprare? 2:17
16. Pane, Pan Per Carita! 3:01
17. Nella Guerra e La Follia 2:11
18. Toh! Toh! Poffare Il Mondo! Che Tempone! 3:58
19. Rataplan, Rataplan, Della Gloria 3:13
CD20:
1. Fate La Carita, e Un’ Ora Che Aspettiamo! (4. Akt) 6:22
2. Giunge, Qualcuno, Aprite 1:09
3. Invano Alvaro Ti Celasti Al Mondo 3:25
4. Le Minaccie, I Fieri Accenti 5:30
5. Pace, Pace Mio Dio 6:19
6. Io Muoio! Confessione! 3:07
7. Non Imprecare, Umiliati A Lui Ch’e Giusto E Santo 5:35
CD21:
1. Sinfonia – Rossini, Gioacchino 8:43
2. Nostra Patria e Il Mondo Intero (1. Akt) – Rossini, Gioacchino 2:20
3. Ho Da Fare Un Dramma Buffo – Rossini, Gioacchino 3:02
4. Ah! Se Di Questi Zingari L’Arrivo – Rossini, Gioacchino 0:46
5. Vado In Traccia Di Una Zingara – Rossini, Gioacchino 2:01
6. Chi Vuol Farsi Astrologar? – Rossini, Gioacchino 1:42
7. Ah, Mia Moglie, San Chi Sono – Rossini, Gioacchino 1:12
8. Non Si Da Follia Maggiore – Rossini, Gioacchino 3:39
9. Voga, Voga, A Terra, A Terra – Rossini, Gioacchino 1:45
10. Bella Italia, Alfin Ti Miro – Rossini, Gioacchino 2:39
11. Serva…Servo – Rossini, Gioacchino 3:36
12. Amici…Soccorretemi – Rossini, Gioacchino 0:53
13. Un Marito-Scimunito! – Rossini, Gioacchino 5:30
14. Ola, Tosto Il Caffe. Sedete – Rossini, Gioacchino 1:39
15. Siete Turchi, Non VI Credo – Rossini, Gioacchino 3:15
16. Lo Stupisco, Mi Sorprende – Rossini, Gioacchino 2:50
17. Come! Si Grave Scorno Soffrir Potete In Pace? – Rossini, Gioacchino 3:16
18. Un Vecchio Far Non Puo Maggior Follia – Rossini, Gioacchino 2:24
19. Per Piacere Alla Signora – Rossini, Gioacchino 2:29
20. No, Mia Vita, Mio Tesoro – Rossini, Gioacchino 3:34
21. Gran Meraviglie – Rossini, Gioacchino 1:20
22. Per La Fuga e Tutto Lesto – Rossini, Gioacchino 4:30
23. Perche Mai Se Son Tradito – Rossini, Gioacchino 2:33
24. Evviva d’Amore Il Foco Vitale – Rossini, Gioacchino 0:54
25. Chi Servir Non Brama Amor S’Allontani – Rossini, Gioacchino 1:57
26. Qui Mia Moglie Ha Da Venire – Rossini, Gioacchino 0:57
27. Ah! Che Il Cor Non M’Ingannava – Rossini, Gioacchino 2:42
28. Vada Via, Si Guardi Bene Di Cercar L’Amante Mio – Rossini, Gioacchino 4:44
CD22:
1. A Proposito, Amico (2. Akt) 1:15
2. d’un Bell’ Usodi Turchia 3:16
3. Se Fiorilla Di Vender Bramate 3:23
4. Non V’e Piacer Perfetto Se Nol Procura Amor 2:16
5. Che Turca Impertinente! 2:28
6. Credete Alle Femmine Che Dicon d’Amarvi! 1:51
7. In Italia Certamente Non Si Fa L’Amor Cosi 3:14
8. Fermate…Cosa C’e? 1:26
9. E Selim Non Si Vede! 2:13
10. Oh! Guardate Che Accidente! 3:19
11. Dunque Seguitemi 1:23
12. Questo Vecchio Maledetto 2:45
13. Si, Mi e Forza Partir 1:17
14. Son La Vite Sul Campo Appassita 2:25
15. Rida A Voi Sereno Il Cielo 2:10
16. Restate Contenti 0:52
CD23:
1. In Quelle Trine Morbide – Puccini, Giacomo 2:57
2. Sola, Perduta, Abbandonata – Puccini, Giacomo 5:52
3. Un Bel Di Vedremo – Puccini, Giacomo 4:34
4. Con Onor Muore – Puccini, Giacomo 3:43
5. Si. Mi Chiamano Mimi – Puccini, Giacomo 4:49
6. Donde Lieta Usci – Puccini, Giacomo 3:21
7. Senza Mamma – Puccini, Giacomo 5:34
8. O Mio Babbino Caro – Puccini, Giacomo 2:34
9. Signore, Ascolta! – Puccini, Giacomo 2:30
10. In Questa Reggia – Puccini, Giacomo 6:24
11. Tu Che Di Gel Sei Cinta – Puccini, Giacomo 2:49
CD24:
1. Ecco: Respiro Appena. Lo Son L’Umile Ancella – Cilea, Francesco 3:49
2. Poveri Fiori – Cilea, Francesco 3:12
3. La Mamma Morta – Giordano, Umberto 4:52
4. Ebben? Ne Andro Lontana – Catalani, Alfredo 4:52
5. L’Altra Notte In Fondo Al Mare – Boito, Arrigo 7:28
6. Una Voce Poco Fa – Rossini, Gioacchino 6:52
7. Ombra Leggera – Meyerbeer, Giacomo 5:42
8. Dov’e L’Indiana Bruna? – Delibes, Jules 8:06
9. Merce, Dilette Amiche – Verdi, Giuseppe 4:02
CD25:
1. Dei Tuoi Figli – Cherubini, Luigi 4:53
2. Tu Che Invoco – Spontini, Gasparo Luigi Pacifico 10:50
3. O Nume Tutelar – Spontini, Gasparo Luigi Pacifico 2:29
4. Caro Oggetto – Spontini, Gasparo Luigi Pacifico 3:48
5. Compagne, Teneri Amici…Come Per Me Sereno – Bellini, Vincenzo 5:49
6. Oh! Se Una Volta Sola…Ah! Non Credea Mirarti…Ah! Non Giunge – Bellini, Vincenzo 13:58
CD26:
1. E Soffitto…E Pareti (1. Akt) – Puccini, Giacomo 2:11
2. Questa e La Cameriera – Puccini, Giacomo 4:14
3. Dovunque Al Mondo – Puccini, Giacomo 4:15
4. Quale Smania VI Prendre! – Puccini, Giacomo 4:02
5. Quanto Cielo! Ancora Un Passo Or Via – Puccini, Giacomo 3:00
6. Gran Ventura – Puccini, Giacomo 3:41
7. L’Imperial Commissario – Puccini, Giacomo 2:31
8. Vieni, Amor Mio! – Puccini, Giacomo 2:37
9. Leri Son Salita Tutta Sola – Puccini, Giacomo 5:04
10. Ed Eccoci In Famiglia – Puccini, Giacomo 5:33
11. Vieni La Sera – Puccini, Giacomo 3:20
12. Bimba Dagli Occhi Pieni Di Malia – Puccini, Giacomo 3:36
13. Vogliatemi Bene, Un Bene Piccolino – Puccini, Giacomo 7:22
14. E Lzaghi Ed Izanami (2. Akt) – Puccini, Giacomo 7:19
15. Un Bnel Di Vedremo – Puccini, Giacomo 4:38
16. C’e. Entrate – Puccini, Giacomo 3:28
17. Non Io Sapete Insomma – Puccini, Giacomo 1:54
CD27:
1. A Voi Pero Giurerei Fede Costante 3:34
2. Ora A Noi 6:09
3. E Questo? E Questo? 2:25
4. Che Tua Madre Dovra 3:32
5. Io Scendo Al Piano 1:43
6. Vespa! Rospo Maledetto! 1:59
7. Una Nave Da Guerra 2:30
8. Scuoti Quella Fronda Di Ciliegio 5:13
9. Or Vienmi Ad Adornar 5:09
10. Coro A Bocca Chiusa 3:03
11. Oh Eh! Oh Eh! Oh Eh! (3. Akt) 7:28
12. Gia Il Sole! 2:01
13. Povera Butterfly! 2:48
14. Io So Che Alle Sue Pene 4:02
15. Addio, Fiorito Asil 1:55
16. Glielo Dirai? 2:13
17. Che Vuol Da Me? 5:39
18. Come Una Mosca Prigioniera 2:52
19. Con Onor Muore 5:19
CD28:
1. Preludio – Verdi, Giuseppe 3:47
2. Si, Corre Voce Che L’Etiope Ardisca (1. Akt) – Verdi, Giuseppe 1:32
3. Se Quel Guerriero Io Fossi! – Verdi, Giuseppe 1:00
4. Celeste Aida – Verdi, Giuseppe 3:28
5. Quale Insolita Gioia Nel Tuo Sguardo! – Verdi, Giuseppe 3:25
6. Vieni, O Diletta, Appressati – Verdi, Giuseppe 2:55
7. Alta Cagion V’Aduna – Verdi, Giuseppe 3:16
8. Su! Del Nilo Al Sacro Lido – Verdi, Giuseppe 2:56
9. Ritorna Vincitor! – Verdi, Giuseppe 6:40
10. Possente Ftha…Tu Che Dal Nulla Hai Tratto – Verdi, Giuseppe 3:08
11. Immenso Ftha! …Mortal, Diletto Ai Numi – Verdi, Giuseppe 2:58
12. Nume, Custode E Vindice – Verdi, Giuseppe 3:52
13. Chi Mai Fra Gl’ Innie I Plausi (2. Akt) – Verdi, Giuseppe 2:59
14. Danza Degli Schiavi Mori – Verdi, Giuseppe 1:30
15. Vieni, Sul Crin Ti Piovano – Verdi, Giuseppe 1:39
16. Fu La Sorte Dell’ Armia’ Tuoi Funesta – Verdi, Giuseppe 5:33
17. Pieta Ti Prenda Del Mio Dolor – Verdi, Giuseppe 1:49
18. Su! Del Nilo Al Sacro Lido…Numi, Pieta – Verdi, Giuseppe 2:35
19. Gloria All’ Egitto,ad Iside – Verdi, Giuseppe 3:24
20. Marcia Trionfale – Verdi, Giuseppe 1:39
21. Ballabile – Verdi, Giuseppe 4:18
22. Vieni, O Guerriero Vindice – Verdi, Giuseppe 2:18
CD29:
1. Salvator Della Patria 2:11
2. Che Veggo! Egli? Mio Padre! Anch’io Pugnai…Ma Tu, Re, Tu Signore Possente 3:25
3. Il Dolor Che In Quel Volto Favella 2:13
4. O Re, Pei Sacri Numi…Gloria All’ Egitto 5:17
5. O Tu Che Sei d’Osiride (3. Akt) 2:27
6. Vieni d’Iside Al Tempio 2:14
7. Qui Radames Verra! 1:38
8. O Patria Mia 5:24
9. Ciel! Mio Padre! 1:08
10. Rivedrai Le Foreste Imbalsamate 6:56
11. Pur Ti Riveggo, Mia Dolce Aida 1:23
12. Nel Fiero Anelito Di Nuova Guerra 1:40
13. Fuggiam Gli Ardori Inospiti…La, Tra Foreste Vergini 6:17
14. Ma Dimmi: Per Qual Via 3:18
15. L’Aborrita Rivale A Me Sfuggia (4. Akt) 3:07
16. Gia I Sacerdoti Adunansi 6:36
17. Ohime! Morir Mi Sento! 2:30
18. Spirto Del Nume 5:34
19. A Lui Vivo, La Tomba…Sacerdoti: Compiste Un Delitto! 3:20
20. La Fatal Pietra Sovra Me Si Chiuse 4:22
21. Vedi? Di Morte L’Angelo…Immenso Ftha 1:42
22. O Terra, Addio 4:52
CD30:
1. Preludio – Verdi, Giuseppe 2:23
2. Della Mia Bella Incognita Borghese (1. Akt) – Verdi, Giuseppe 1:43
3. Questa O Quella – Verdi, Giuseppe 1:52
4. Partite? Crudele! – Verdi, Giuseppe 1:35
5. In Testa Che Avete – Verdi, Giuseppe 0:52
6. Gran Nuova! Gran Nuova! – Verdi, Giuseppe 2:28
7. Ch’io Gli Parli – Verdi, Giuseppe 3:14
8. O Tu Che La Festa Audace – Verdi, Giuseppe 1:15
9. Quel Vecchio Maledivami! – Verdi, Giuseppe 4:29
10. Pari Siamo! – Verdi, Giuseppe 3:45
11. Figlia! Mio Padre! – Verdi, Giuseppe 6:40
12. Ah, Veglia, O Donna – Verdi, Giuseppe 5:11
13. Giovanna, Ho Dei Rimorsi – Verdi, Giuseppe 3:12
14. E Il Sol Del’ Anima – Verdi, Giuseppe 4:18
15. Addio! Speranza Ed Anima – Verdi, Giuseppe 0:50
16. Gualtier Malde! Silenzio! – Verdi, Giuseppe 7:30
17. Riedo! …Perche? …Silenzio – Verdi, Giuseppe 2:08
18. Zitti, Zitti, Moviamo A Vendetta – Verdi, Giuseppe 1:27
19. Soccorso, Padre Mio! – Verdi, Giuseppe 1:22
CD31:
1. Ella Mi Fu Rapita! (2. Akt) 2:42
2. Parmi Veder Le Lagrime 2:43
3. Duca, Duca! Ebben? 2:26
4. Povero Rigoletto! 4:00
5. Cortigiani, Vil Razza Dannata 4:25
6. Mio Padre! Dio! Mia Gilda! 1:50
7. Tutte Le Feste Al Tempio 7:01
8. Compiuto Pur Quanto 1:09
9. Si, Vendetta, Tremenda Vendetta 2:22
10. E L’Ami? (3. Akt) 2:02
11. La Donna e Mobile 3:13
12. Un Di, Se Ben Rammentomi 1:35
13. Bella Figlia Dell’ Amore 4:58
14. Venti Scudi Hai Tu Detto? 4:02
15. E Amabile Invero 6:00
16. Della Vendetta Alfin Giunge L’Istante! 4:52
17. Chi Mai, Chi e Qui In Sua Vece? 6:37
CD32:
1. All’ Erta! All’ Erta! (1. Akt) – Verdi, Giuseppe 2:59
2. Di Due Figli Vivea Padre Beato – Verdi, Giuseppe 0:45
3. Abbietta Zingara, Fosca Vegliarda! – Verdi, Giuseppe 3:34
4. Brevi E Tristi Giorni Visse – Verdi, Giuseppe 1:57
5. Sull’ Orlo Dei Tetti – Verdi, Giuseppe 1:22
6. Che Piu T’Arresti? – Verdi, Giuseppe 2:26
7. Tacea La Notte Placida – Verdi, Giuseppe 3:23
8. Quanto Narrasti Di Turbamento M’ha Piena L’Alma! – Verdi, Giuseppe 0:49
9. Di Tale Amor – Verdi, Giuseppe 1:40
10. Tace La Notte! – Verdi, Giuseppe 1:52
11. Il Trovator! Io Fremo! …Deserto Sulla Terra – Verdi, Giuseppe 1:44
12. Anima Mia! …Piu Dell’ Usato – Verdi, Giuseppe 1:55
13. Di Geloso Amor Sprezzato – Verdi, Giuseppe 2:37
14. Vedi! Le Fosche Notturne (2. Akt) – Verdi, Giuseppe 2:58
15. Stride La Vampa! – Verdi, Giuseppe 2:40
16. Mesta e La Tua Canzon! – Verdi, Giuseppe 2:01
17. Soli Or Siamo – Verdi, Giuseppe 1:00
18. Condotta Ell’ Erain Ceppi – Verdi, Giuseppe 4:50
19. Non Son Tuo Figlio! – Verdi, Giuseppe 2:27
20. Mal Reggendo All’ Aspro Assalto – Verdi, Giuseppe 3:08
21. L’Usato Messo Ruiz Invia! …Mi Vendica! – Verdi, Giuseppe 1:26
22. Perigliarti Ancor Languente – Verdi, Giuseppe 2:29
23. Tutto e Deserto – Verdi, Giuseppe 1:34
24. Il Balen Del Suo Sorriso – Verdi, Giuseppe 3:15
25. Qual Suono! Oh Ciel! – Verdi, Giuseppe 0:49
26. Per Me Ora Fatale – Verdi, Giuseppe 2:51
27. Ah! Se L’Error T’Ingombra – Verdi, Giuseppe 2:00
28. Perche Piangete? …O Dolci Amiche – Verdi, Giuseppe 2:16
29. E Deggio E Posso Crederlo? – Verdi, Giuseppe 4:42
CD33:
1. Or Co’ Dadi,ma Fra Poco (3. Akt) 4:27
2. In Braccio Al Mio Rival! 2:11
3. Giorni Poveri Vivea 3:08
4. Deh! Rallentate, O Barbari 2:07
5. Quale d’Armi Fragor 2:01
6. Ah Si, Ben Mio, Coll’ Essereio Tuo 2:52
7. L’Onda De’ Suoni Mistici Pura Discendaal Cor! 1:29
8. Di Quella Pira, L’Orrendo Foco 3:18
9. Siam Giunti_ Ecco La Torre (4. Akt) 3:05
10. d’Amor Sull’ Ali Rosee 4:01
11. Miserere…Quel Suon, Quelle Preci 4:53
12. Di Te, Di Te Scordarmi Di Te 2:32
13. Udiste? 1:46
14. Mira, d’Acerbe Lagrime 2:19
15. Conte! Ne Basti! 1:13
16. Colui Vivra…Vivra! Contende Il Giubilo 2:24
17. Madre, Non Dormi? 5:28
18. Si, La Stanchezza M’Opprime 1:20
19. Ai Nostri Monti Ritorneremo 2:03
20. Che! Non M’Inganna 1:08
21. Parlar Non Vuoi? …Ha Quest’ Infamel’ Amor Venduto 3:00
22. Ti Scosta! 1:06
23. Prima Che d’Altri Vivere 3:31
CD34:
1. Questo Mar Rosso Mi Ammollisce E Assidera (1. Akt) – Puccini, Giacomo 5:35
2. Abbasso, Abbasso L’Autor! – Puccini, Giacomo 3:47
3. Si Puo? …Chi e La? – Puccini, Giacomo 4:19
4. Al Quartiere Latin Ci Attendre Momus – Puccini, Giacomo 1:44
5. Non Sono In Vena – Puccini, Giacomo 3:48
6. Che Gelida Manina! – Puccini, Giacomo 5:01
7. Si. Mi Chiamano Mimi – Puccini, Giacomo 4:55
8. Ehi! Rodolfo! …O Soave Fanciulla – Puccini, Giacomo 4:59
9. Aranci, Datteri! (2. Akt) – Puccini, Giacomo 2:50
10. Chi Guardi? Odio Il Profano Volgo – Puccini, Giacomo 5:39
11. Beviam…Ch’io Beva Del Tossico! – Puccini, Giacomo 3:18
12. Quando Men’vo – Puccini, Giacomo 4:40
13. Chi L’ha Richiesto? …Vediam – Puccini, Giacomo 2:21
CD35:
1. Ohe, La, Le Guardie…Aprite! (3. Akt) 5:09
2. Mimi? ! …Speravo Di Trovarvi Qui 4:47
3. Marcello. Finalmente 6:11
4. d’Onde Lieta Usci Al Tuo Grido d’Amore 3:28
5. Dunque e Proprio Finita? 5:59
6. In Un Coupe? …Con Pariglia E Livree (4. Akt) 1:16
7. O Mimi, Tu Piu Non Torni 3:09
8. Che Ora Sia? 4:07
9. C’e Mimi…C’e Mimi Che Mi Segue E Che Sta Male 5:28
10. Vecchia Zimarra, Senti 1:30
11. Schaunard, Ognuno Per Diversa Via 1:43
12. Sono Andatl? 4:43
13. Oh Dio! Mimi! …Che Avvien? 5:13
CD36:
1. Preludio – Verdi, Giuseppe 4:15
2. Posa In Pace, A’Bei Sogni Ristora (1. Akt) – Verdi, Giuseppe 1:34
3. S’Avanza Il Conte – Verdi, Giuseppe 1:38
4. La Rivedra Nell’ Estasi – Verdi, Giuseppe 1:55
5. Il Cenno Mio Di La Con Essi Attendi – Verdi, Giuseppe 2:33
6. Alla Vita Che T’Arride – Verdi, Giuseppe 2:49
7. Il Primo Giudice – Verdi, Giuseppe 1:30
8. Volta La Terrea – Verdi, Giuseppe 2:37
9. Ogni Cura Si Doni Al Diletto – Verdi, Giuseppe 2:17
10. Zitti…L’Incanto Non Dessi Turbare…Re Dell’ Abisso, Affrettati – Verdi, Giuseppe 4:01
11. Arrivo Il Primo! E Lui, e Lui! – Verdi, Giuseppe 2:29
12. Su, Fatemi Largo, Saper Vo’il Mio Fato – Verdi, Giuseppe 1:02
13. Rallegrati Omai – Verdi, Giuseppe 2:22
14. Che V’Agita Cosi? – Verdi, Giuseppe 1:26
15. Della Citta All’ Occaso – Verdi, Giuseppe 1:29
16. Consentimi, O Signore – Verdi, Giuseppe 2:00
17. Figlia d’Averno, Schiudi La Chiostra – Verdi, Giuseppe 0:28
18. Su, Profetessa, Monta Il Treppie – Verdi, Giuseppe 0:56
19. Di’tu Se Fedele – Verdi, Giuseppe 3:10
20. Chi Voi Siate, L’Audace Parola – Verdi, Giuseppe 2:32
21. E Scherzo Od e Follia – Verdi, Giuseppe 3:19
22. Finisci Il Vaticinio – Verdi, Giuseppe 4:25
23. Preludio (2. Akt) – Verdi, Giuseppe 2:25
24. Ecco L’Orrido Campo Ove S’Accoppia – Verdi, Giuseppe 1:30
25. Ma Dall’ Arido Stelo Divulsa – Verdi, Giuseppe 5:12
26. Teco Io Sto – Verdi, Giuseppe 1:32
27. Nonm Sai Tu Che Se L’Anima Mia – Verdi, Giuseppe 4:12
28. Oh, Qual Soave Brivido – Verdi, Giuseppe 3:45
CD37:
1. Ahime! S’Appressa Alcun 2:11
2. Amico, Gelosa T’Affido Una Cura 0:54
3. Odi Tu Come Fremono Cupi 1:57
4. Seguitemi 2:37
5. Ve’ ,sedi Notte Qui Colla Sposa 5:03
6. A Tal Colpa e Nulla Il Pianto (3. Akt) 2:18
7. Morro, Ma Prima In Grazia 4:30
8. Alzati! La Tuo Figlio 1:52
9. Eri Tu Che Macchiavi Quell’ Anima…o Dolcezze Perdute!o Memorie 4:17
10. Siam Soli. Udite 2:36
11. Dunque L’Onta Di Tutti Sol Una 0:54
12. d’Una Grazia VI Supplico 3:57
13. Qual e Dunque L’Eletto? …Ah! Del Conte La Morte Si Vuole! 1:20
14. Il Messaggio Entri 1:05
15. Ah! Di Che Fulgor, Che Musiche 2:44
16. Forse La Soglia Attinse 2:36
17. Ma Se M’e Forza Perderti 2:44
18. Ah! Dessa e La 1:38
19. Fervono Amori E Danze 2:09
20. Saper Vorreste Di Che Si Veste 2:02
21. Fervono Amori E Danza 1:28
22. Ah! Perche Qui! Fuggite 4:38
23. E Tu Ricevi Il Mio! 1:14
24. Ella e Pura: In Braccio A Morte 4:35
CD38:
1. Ouverture – Rossini, Gioacchino 6:41
2. Piano, Pianissimo, Senza Parlar (1. Akt) – Rossini, Gioacchino 2:55
3. Ecco Ridente In Cielo – Rossini, Gioacchino 4:09
4. Ehi, Fiorello? – Rossini, Gioacchino 1:05
5. Mille Grazie, Mio Signore – Rossini, Gioacchino 1:56
6. Gente Indiscreta! – Rossini, Gioacchino 0:33
7. La Ran La Le Ra, La Ran La La. Largo Al Factotum – Rossini, Gioacchino 4:40
8. Ah, Che Bella Vita! – Rossini, Gioacchino 3:44
9. Se Il Mio Nome Saper Voi Bramate – Rossini, Gioacchino 2:55
10. Oh, Cielo! – Rossini, Gioacchino 0:59
11. All’ Ideadi Quel Metallo – Rossini, Gioacchino 3:06
12. Piano, Piano…Un’ Altra Idea! – Rossini, Gioacchino 1:58
13. Oh, Il Meglio – Rossini, Gioacchino 1:37
14. Ah, Che d’Amore La Fiamma – Rossini, Gioacchino 1:23
15. Una Voce Poco Fa – Rossini, Gioacchino 6:16
16. Si, Si, La Vincero – Rossini, Gioacchino 1:18
17. Ah, Disgraziato Figaro! – Rossini, Gioacchino 0:54
18. Ah! Barbiere d’Inferno – Rossini, Gioacchino 1:51
19. La Calunnia e Un Venticello – Rossini, Gioacchino 3:38
20. Ah! Che Ne Dite? – Rossini, Gioacchino 0:32
21. Ma Bravi! Ma Benone! – Rossini, Gioacchino 2:19
22. Dunque Io Son – Rossini, Gioacchino 2:54
23. Fortunati Affetti Miei – Rossini, Gioacchino 2:12
24. Ora Mi Sento Meglio – Rossini, Gioacchino 1:23
25. A Un Dottor Della Mia Sorte – Rossini, Gioacchino 5:00
CD39:
1. Finora In Questa Camera 0:30
2. Ehi, Di Casa, Buona Gente 2:40
3. Ah, Venisse, Il Caro Oggetto 2:36
4. Dunque, Lei Vuol Battaglia? 3:13
5. Che Cosa Accadde, Signori Miei 2:16
6. Fermi Tutti, Nessun Si Muova 1:22
7. Fredda Ed Immobile 3:02
8. Ma Signor…Ma Un Dottor 4:41
9. Ma Vedi Il Mio Destino! (2. Akt) 0:46
10. Pace E Gioia Sia Con Voi 2:27
11. Insomma, Mio Signore, Chi e Lei 2:19
12. Venite, Signorina 0:42
13. Contro Un Cor Che Accende Amore 5:54
14. Bella Voce! Bravissima! 0:35
15. Quando Mi Sei Vicina 0:56
16. Bravo, Signor Barbiere, Ma Bravo! 2:42
17. Don Basilio! …Cosa Veggo! 4:00
18. Buona Sera, Mio Signore 2:00
19. Orsu, Signor Don Bartolo 3:14
20. Che Vecchio Sospettoso! 0:28
21. Il Vecchiotto Cerca Moglie 3:19
22. Temporale 2:48
23. Alfine Eccoci Qua 1:02
24. Ah, Qual Colpo Inaspettato! 4:23
25. Zitti, Zitti, Piano, Piano 1:21
26. Ah, Disgraziati Noi! 1:31
27. Insomma Io Ho Tutti I Torti 0:43
28. Di Si Felice Innesto 2:08
CD40:
1. Viva! Viva Amina! …Tutto e Gioia, Tutto e Festa (1. Akt) – Bellini, Vincenzo 5:34
2. In Elvezia Non V’ha Rosa – Bellini, Vincenzo 3:28
3. Care Compagne – Bellini, Vincenzo 2:09
4. Come Per Me Sereno…Sempre, O Felice Amina – Bellini, Vincenzo 3:01
5. Sovra Il Sen La Man Mi Posa – Bellini, Vincenzo 2:37
6. Il Piu Di Tutti, O Amina – Bellini, Vincenzo 2:18
7. Perdona, O Mia Diletta – Bellini, Vincenzo 2:44
8. Prendi: L’Anel Ti Dono – Bellini, Vincenzo 5:16
9. Scritti Nel Ciel Gia Sono…Ah! Vorrei Trovar Parole – Bellini, Vincenzo 3:15
10. Domani, Appena Aggiorni – Bellini, Vincenzo 0:22
11. Come Noioso E Lungo Il Cammin…VI Ravviso, O Luoghi Ameni…E Gentil, Leggiadra Molto –
Bellini, Vincenzo 6:25
12. Contezza Del Paese – Bellini, Vincenzo 3:18
13. A Fosco Cielo, A Notte Bruna – Bellini, Vincenzo 3:56
14. Basta Cosi. Ciascuno Si Attenga – Bellini, Vincenzo 1:22
15. Elvino! E Me Tu Lasci – Bellini, Vincenzo 2:26
16. Son Geloso Del Zefiro Errante – Bellini, Vincenzo 5:52
17. Davver, Non Mi Dispiace – Bellini, Vincenzo 4:06
18. Che Veggio? – Bellini, Vincenzo 2:30
19. O Ciel! Che Tento? – Bellini, Vincenzo 3:39
20. Osservate: L’Uscio e Aperto – Bellini, Vincenzo 3:54
21. E Menzogna – Bellini, Vincenzo 2:05
22. d’un Pensiero E d’un Accento – Bellini, Vincenzo 5:20
23. Non Piu Nozze – Bellini, Vincenzo 1:40
CD41:
1. Qui La Selva e Piu Folta Ed Ombrosa (2. Akt) 5:53
2. Reggimi, O Buona Madre 4:34
3. Vedi, O Madre…e Afflitto E Mesto 3:25
4. Viva Il Conte! 1:27
5. Ah! Perche Non Posso Odiarti 1:56
6. E Fia Pur Vero, Elvino 1:56
7. Signor Conte, Agli Occhi Miei 4:35
8. Signor? …Che Creder Deggio? 2:42
9. Oh! Se Una Volta Sola 5:32
10. Ah! Non Credea Mirarti 4:43
11. No, Piu Non Reggo 2:14
12. Ah! Non Giunge Uman Pensiero 4:08
CD42:
1. Popolo Di Pekino! (1. Akt) – Puccini, Giacomo 2:51
2. Padre! Mio Padre! – Puccini, Giacomo 1:28
3. Perduta La Battaglia – Puccini, Giacomo 1:07
4. Gira La Cote! Gira! – Puccini, Giacomo 2:32
5. Perche Tarda La Luna? – Puccini, Giacomo 3:46
6. La, Sui Monti Dell’ Est – Puccini, Giacomo 1:12
7. O Giovinetto! – Puccini, Giacomo 5:07
8. Figlio, Che Fai? – Puccini, Giacomo 1:35
9. Fermo! Che Fai? T’Arresta! – Puccini, Giacomo 1:52
10. Silenzio, Ola! – Puccini, Giacomo 1:18
11. Guardalo, Pong! – Puccini, Giacomo 0:59
12. Non Indugiare! – Puccini, Giacomo 2:11
13. Signore, Ascolta! – Puccini, Giacomo 2:24
14. Non Piangere, Liu! – Puccini, Giacomo 2:15
15. Ah! Per L’Ultima Volta! – Puccini, Giacomo 2:27
16. Ola, Pang! Ola, Pong! (2. Akt) – Puccini, Giacomo 1:24
17. O Cina, O Cina – Puccini, Giacomo 2:07
18. Ho Una Casa Nell’ Honan – Puccini, Giacomo 3:16
19. O Mondo, Pieno Di Pazzi Innamorati! – Puccini, Giacomo 1:10
20. Addio, Amore! – Puccini, Giacomo 2:51
21. Noi Si Sogna – Puccini, Giacomo 0:24
22. Gravi, Enormi Ed Imponenti – Puccini, Giacomo 4:21
23. Un Giuramento Atroce Mi Costringe – Puccini, Giacomo 3:15
24. Diecimila Anni Ai Nostro Imperatore! – Puccini, Giacomo 3:03
25. In Questa Reggia – Puccini, Giacomo 6:18
26. Straniero, Ascolta! Nella Cupa Notte – Puccini, Giacomo 2:27
27. Guizza Al Pari Di Fiamma – Puccini, Giacomo 2:18
28. Gelo Che Ti Da Foco – Puccini, Giacomo 2:23
29. Gloria, O Vincitore! – Puccini, Giacomo 1:00
30. Figlio Del Cielo! – Puccini, Giacomo 2:54
31. Tre Enigmi M’Hai Proposto! – Puccini, Giacomo 2:06
32. Ai Tuoi Piedi Ci Prostriam – Puccini, Giacomo 2:24
CD43:
1. Cosi Comanda Turandot (3. Akt) 3:20
2. Nessun Dorma! 2:53
3. Tu Che Guardi Le Stelle 3:47
4. Principessa Divina! 2:43
5. Quel Nome! 1:20
6. L’Amore? …Tanto Amore, Segreto E Inconfessato 3:18
7. Tu, Che Di Gel Sei Cinta 5:31
8. Liu…Bonta! 2:57
9. Principessa Di Morte! 3:20
10. Che e Mai Di Me? Perduta! 3:13
11. Del Primo Pianto, Si…La Mia Gloria e Il Tuo Amplesso! 5:09
12. Diecimila Anni Al Nostro Imperatore! 3:25
CD44:
1. Ave, Sera Gentile (1. Akt) – Puccini, Giacomo 5:48
2. Tra Voi, Belle, Brune E Bionde – Puccini, Giacomo 1:17
3. Ma Bravo! – Puccini, Giacomo 1:52
4. Discendono, Vediam! – Puccini, Giacomo 2:09
5. Cortese Damigella, Il Priego Mio Accettate – Puccini, Giacomo 4:15
6. Donna Non Vidi Mai – Puccini, Giacomo 2:36
7. La Tua Ventura Ci Rassicura – Puccini, Giacomo 6:11
8. La Tua Proserpina Di Resisterti – Puccini, Giacomo 1:50
9. Vedete? Io Son Fedele Ale Parola Mia – Puccini, Giacomo 4:26
10. Non C’e Piu Vino? – Puccini, Giacomo 2:59
11. Cavalli Pronti Avete? – Puccini, Giacomo 3:06
12. Dispettosetto Questo Riccio! (2. Akt) – Puccini, Giacomo 2:32
13. Sei Splendida E Lucente! – Puccini, Giacomo 2:25
14. In Quelle Trine Morbide – Puccini, Giacomo 2:14
15. Poiche Tu Vuoi Saper – Puccini, Giacomo 2:56
16. Che Ceffi Son Costor? – Puccini, Giacomo 2:14
17. Paga Costor! – Puccini, Giacomo 1:18
18. VI Prego, Signorina – Puccini, Giacomo 8:35
19. Oh, Saro La Piu Bella! – Puccini, Giacomo 8:18
20. Ah! …Affe, Madamigella – Puccini, Giacomo 3:11
21. Ah, Manon, Mi Tradisce – Puccini, Giacomo 2:35
22. Lescaut! …Tu Qui? – Puccini, Giacomo 3:25
CD45:
1. Intermezzo 5:21
2. Ansia Eterna, Crudel (3. Akt) 2:51
3. Manon! …Des Grieux! 4:37
4. All’ Armi! All’ Armi! 0:58
5. Il Passo M’Aprite! 0:49
6. Rosetta! 3:59
7. Presto In Fila! Marciate! 0:33
8. Ah, Non V’Avvicinate! …Come Io Piango Ed Imploro 3:10
9. Tutta Su Me Ti Posa (4. Akt) 3:09
10. Manon, Senti, Amor Mio! …Vedi, Son Io Che Piango 3:54
11. E Nulla! Nulla! 2:45
12. Sola, Perduta, Abbandonata 12:01
CD46:
1. Sinfonia – Cherubini, Luigi 6:53
2. Che? Quando Gia Corona Amor (1. Akt) – Cherubini, Luigi 6:47
3. O Amore, Vieni A Me! – Cherubini, Luigi 5:07
4. No, Non Temer – Cherubini, Luigi 2:06
5. O Bella Glauce – Cherubini, Luigi 2:28
6. Colco! Pensier Fatal! – Cherubini, Luigi 1:51
7. Or Che Piu Non Vedro – Cherubini, Luigi 2:33
8. Ah, Gia Troppo Trubo – Cherubini, Luigi 0:33
9. Pronube Dive – Cherubini, Luigi 3:51
10. Signor! Ferma Una Donna – Cherubini, Luigi 4:09
11. Qui Tremar Devi Tu – Cherubini, Luigi 2:14
12. Taci, Giason – Cherubini, Luigi 2:26
13. Dei Tuoi Figli La Madre – Cherubini, Luigi 4:26
14. Son Vane Qui Minacce – Cherubini, Luigi 0:31
15. Nemici Senza Cor -Cherubini, Luigi 4:20
CD47:
1. Introduzione (2. Akt) 2:03
2. Soffrir Non Posso 2:39
3. Date Almen Per Pieta 9:50
4. Medea, O Medea! 1:18
5. Solo Un Pianto Con Te Versare 6:29
6. Creonte A Me Solo Un Giorno Da? 2:25
7. Figli Miei, Miei Ascolto 6:24
8. Hai Dato Pronto Ascolto 1:23
9. Ah! Triste Canto! …Dio Dell’ Amor! 8:44
10. Introduzione (3. Akt) 4:24
11. Numi, Venite A Me 4:53
12. Del Fiero Duol Che Il Cor Mi Frange 4:08
13. Neris, Che Hai Fatto 1:44
14. E Che? Io Son Medea! 11:12
CD48:
1. Nel Di Della Vittoria…Vieni! T’Affretta – Verdi, Giuseppe 7:47
2. La Luce Langue – Verdi, Giuseppe 4:11
3. Una Macchia e Qui Tuttora – Verdi, Giuseppe 11:13
4. Ben Io T’Invenni…Anch’io Dischiuso Un Giorno – Verdi, Giuseppe 9:10
5. Surta e La Notte…Ernani, Ernani, Involami – Verdi, Giuseppe 6:15
6. Tu Che Le Vanita – Verdi, Giuseppe 10:36
CD49:
1. Piangete Voi? …Al Dolce Guidami Castel Natio – Donizetti, Gaetano 19:57
2. A Vos Jeux…Partagez-Vous Mes Fleurs…Et Maintenant Ecoutez Ma Chanson – Thomas, Ambroise 10:23
3. Oh! S’io Potessi…Col Sorriso d’Innocenza – Bellini, Vincenzo 17:02
CD50:
1. Preludio – Donizetti, Gaetano 2:32
2. Percorrete…Percorriamo Le Spiagge Vicine (1. Akt) – Donizetti, Gaetano 2:25
3. Tu Sei Turbato! …E N’ho Ben d’Onde – Donizetti, Gaetano 3:00
4. Cruda, Funesta Smania – Donizetti, Gaetano 2:10
5. Il Tuo Dubbio e Omai Certezza…Come Vinti Da Stanchezza – Donizetti, Gaetano 2:19
6. La Pietade In Suo Favore – Donizetti, Gaetano 1:42
7. Ancor Non Giunse? – Donizetti, Gaetano 4:01
8. Regnava Nel Silenzio Alta La Notte E Bruna – Donizetti, Gaetano 4:05
9. Quando Rapito In Estasi – Donizetti, Gaetano 3:57
10. Egli S’Avanza…Lucia, Perdona Se Ad Ora Inusitata – Donizetti, Gaetano 2:29
11. Sulla Tomba Che Rinserra Il Tradito Genitore – Donizetti, Gaetano 2:59
12. Qui Di Sposa Eterna Fede…Ah, Soltanto Il Nostro Foco – Donizetti, Gaetano 1:36
13. Ah, Talor Del Tuo Pensiero Venga Un Foglio Messaggero – Donizetti, Gaetano 0:58
14. Verranno A Te Sull’ Aure I Miei Sospiri Ardenti – Donizetti, Gaetano 4:37
CD51:
1. Lucia Fra Poco A Te Verra…Tremante L’Aspetto (2. Akt) 3:11
2. Appressati, Lucia…Il Palor Funesto, Orrendo 5:18
3. Soffriva Nel Pianto…Un Folle T’Accese 3:39
4. Che Fia? Suonar Di Giubilo 1:33
5. Se Tradirmi Tu Potrai…Tu Che Vedi Il Pianto Mio 2:03
6. Per Te d’Immenso Giubilo…Per Poco Fra Le Tenebre Spari La Vostra Stella 3:24
7. Dov’e Lucia? …Qui Giungere Or La Vedrem 1:40
8. Piange La Madre Estinta 2:21
9. Chi Mi Frena In Tal Momento 3:35
10. T’Allontana, Sciagurato…Rispettate In Me Di Dio 1:12
11. Sconsigliato! In Queste Porte Chi Ti Guida? 2:00
12. Esci, Fuggi, Il Furor Che Mi Accende 1:21
13. d’Immenso Giubilo S’Innalzi Un Grido (3. Akt) 2:23
14. Dalle Stanze Ove Lucia Tratta Avea Col Suo Consorte 2:25
15. Oh! Qual Funesto Avvenimento! 3:13
16. Il Dolce Suono Mi Colpi Di Sua Voce! …Ardon Gli Incensi 11:48
17. Spargi d’Amaro Pianto 4:07
18. Tombe Degli Avi Miei 4:00
19. Fra Poco A Me Ricovero Dara Negletto Avello 3:05
20. Oh, Meschina! Oh, Fato Orrendo! 4:23
21. Tu Che A Dio Spiegasti L’Ali 5:03
CD52:
1. Preludio – Ponchielli, Amilcare 5:01
2. Feste E Pane! (1. Akt) – Ponchielli, Amilcare 2:53
3. E Cantan Su Lor Tombe! – Ponchielli, Amilcare 2:03
4. Figlia, Che Reggi Il Tremulo Pie – Ponchielli, Amilcare 3:24
5. L’Ora Non Giunse Ancor Del Vespro Santo – Ponchielli, Amilcare 2:53
6. Polso Di Cerro! – Ponchielli, Amilcare 3:17
7. Suo Covo e Un Tugurio – Ponchielli, Amilcare 3:19
8. Che? La Plebe Or Qui Si Arroga – Ponchielli, Amilcare 4:12
9. Voce Di Donna O d’Angelo – Ponchielli, Amilcare 5:05
10. Enzo Grimaldo, Principe Di Santafior, Che Pensi? – Ponchielli, Amilcare 3:06
11. O Grido Di Quest’ Anima – Ponchielli, Amilcare 2:45
12. Maledici? Sta Ben…L’Amor T’Accieca – Ponchielli, Amilcare 2:07
13. O Monumento! – Ponchielli, Amilcare 3:49
14. Carneval! Baccanal! – Ponchielli, Amilcare 2:23
15. Angele Dei – Ponchielli, Amilcare 5:59
CD53:
1. Ho! He! Ho! He! Fissa Il Timone! (2. Akt) 4:07
2. Pescator, Affonda L’Esca- 1:34
3. Pescator, Affonda L’Esca 2:34
4. Sia Gloria Ai Canti Dei Naviganti! 4:21
5. Cielo E Mar! 4:27
6. Ma Chi Vien? 4:31
7. Laggiu Nelle Nebbie Remote 2:43
8. E Il Tuo Nocchiere Or La Fuga T’Appresta 0:41
9. Stella Del Marinar! 2:10
10. E Un Anatema! 0:36
11. La Attesi E Il Tempo Colsi 1:13
12. L’Amo Come Il Fulgor Del Creato! 2:02
13. Il Mio Braccio T’Afferra! 1:38
14. Maledizion! Ha Preso Il Vol! 1:42
15. Vedi La, Nel Canal Morto 3:07
CD54:
1. Si! Morir Elle De’ ! (3. Akt) 2:37
2. Ombre Di Mia Prosapia 2:27
3. Qui Chiamata M’Avete? …Bella Cosi, Madonna 3:12
4. Morir! e Troppo Orribile! 2:50
5. La Gaia Canzone 3:21
6. O Madre Mia, Nell’ Isola Fatale 2:06
7. Benevenuti Messeri! Andrea Segredo! 4:00
8. Grazie Vo Rendo Per Le Vostre Laudi 1:31
9. Prodigio! Incanto! 9:38
10. Vieni! Lasciami! 3:19
11. Gia Ti Veggo Immota E Smorta 5:21
12. Nessun V’ha Visto? (4. Akt) 5:42
13. Suicidio! 4:12
14. Ecco, Il Velen Di Laura 5:17
15. Ridarti Il Sol, La Vita! 2:50
16. O Furibonda Jena 2:38
17. Ten Va Serenata 1:07
18. La Barca S’Avvicina 2:01
19. Quest’ Ultimo Bacio Cheil Pianto 5:00
20. Ora Posso Morir. Tutto e Compiuto 3:53
21. Vo’ Farmi Piu Gaia, Piu Fulgida Ancora 3:03
CD55:
1. Sinfonia – Bellini, Vincenzo 5:40
2. Ite Suol Colle…Dell’ Aura Tua Profetica (1. Akt) – Bellini, Vincenzo 9:37
3. Svanir Le Voci! – Bellini, Vincenzo 3:10
4. Meco All’ Altardi Venere – Bellini, Vincenzo 2:55
5. Odi? I Suoi Riti A Compiere – Bellini, Vincenzo 1:32
6. Me Protegge, Me Difende – Bellini, Vincenzo 1:38
7. Norma Viene – Bellini, Vincenzo 4:22
8. Sediziose Voci – Bellini, Vincenzo 4:30
9. Casta Diva – Bellini, Vincenzo 7:00
10. Fine Al Rito, E Il Sacro Bosco – Bellini, Vincenzo 1:41
11. Ah! Bello A Me Ritorna – Bellini, Vincenzo 3:21
12. Sgombra e La Sacra Selva – Bellini, Vincenzo 6:35
13. Eccola-Va, Mi Lascia – Bellini, Vincenzo 1:47
14. Va, Crudele – Bellini, Vincenzo 5:40
15. Vieni In Roma – Bellini, Vincenzo 3:47
CD56:
1. Vanne, E Li Cela Entrambi 4:26
2. Adalgisa! Alma, Costanza 3:38
3. Oh, Rimembranza! 5:18
4. Ah Si, Fa Core, Abbracciami 3:06
5. Ma Di’ …l’Amato Giovine 3:08
6. Oh, Di Qual Sei Tu Vittima 4:16
7. Perfido! …Or Basti! 1:27
8. Vanne, Si, Mi Lascia, Indegno 2:40
CD57:
1. Introduzione (2. Akt) 3:48
2. Dormono Entrambi! 4:55
3. Ola! Clothilde! 0:49
4. Mi Chiami, O Norma? 2:50
5. Deh! Con Te, Con Te Li Prendi 4:27
6. Mira, O Norma 4:16
7. Cedi…Deh Cedi! 1:08
8. Si, Fino All’ Ore Estreme 2:09
9. Non Parti? 5:16
10. Guerrieri! A Voi Venirne 1:56
11. Ah! Del Tebro Al Giogo Indegno 3:02
12. Ei Tornera. Si! 4:30
13. Squilla Il Bronzo Del Dio! 1:22
14. Guerra! Guerra! 2:06
15. Ne Compi Il Rito, O Norma? 4:06
16. In Mia Man Alfin Tu Sei 5:42
17. Gia Mi Pasco Ne’ Tuoi Sguardi 1:44
18. Dammi Quel Ferro! 3:26
19. Qual Cor Tradisti 5:04
20. Norma! Deh! Norma, Scolpati! 2:39
21. Deh! Non Volerli Vittime 4:44
CD58:
1. J’ai Perdu Mon Eurydice – Gluck, Christoph Willibald 4:25
2. Divinites Du Styx – Gluck, Christoph Willibald 4:26
3. L’Amour Est Un Oiseau Rebelle – Bizet, Georges 4:04
4. Pres Des Remparts De Seville – Bizet, Georges 2:05
5. Printemps Qui Commence – Saint-Saens, Camille 5:15
6. Samson, Recherchant Ma Presence…Amour! Viens Aider Ma Faiblesse! – Saint-Saens, Camille 4:11
7. Mon Coeur S’Ouvre a Ta Voix – Saint-Saens, Camille 5:17
8. Ah! Je Veux Vivre Dans Ce Reve – Gounod, Charles 3:40
9. Ah, Pour Ce Soir…Je Suis Titania – Thomas, Ambroise 5:10
10. De Cet Affreux Combat…Pleurez, Mey Yeux! – Massenet, Jules 6:07
11. Depuis Le Jour – Charpentier, Marc Antoine 4:42
CD59:
1. O Malheureuse Iphigenie – Gluck, Christoph Willibald 4:32
2. d’Amour L’Ardente Flamme – Berlioz, Hector 8:13
3. Me Voila Seule…Comme Autrefois – Bizet, Georges 6:00
4. Je Ne Suis Que Faiblesse…Adieu, Notre Petite Table – Massenet, Jules 3:18
5. Suis-Je Gentille Ainsi? …Je Marche Sur Tous Les Chemins – Massenet, Jules 2:50
6. Werther! Qui M’Aurait Dit…Des Cris Joyeux – Massenet, Jules 7:03
7. Je Voudrais Bien Savoir…Il Etait Un Roi De Thule…O Dieu! Que De Bijoux…Ah! Je Ris – Gounod, Charles 11:32
CD60:
1. Ah, Perfido op. 65 (Konzertarie Fur Sopran Und Orchester) – Beethoven, Ludwig Van 14:34
2. Ocean! Thou Mighty Monster – Weber, Carl Maria Von 9:12
3. Porgi, Amor – Mozart, Wolfgang Amadeus 4:20
4. Or Sai Chi L’Onore – Mozart, Wolfgang Amadeus 3:15
5. Crudele? …Non Mi Dir – Mozart, Wolfgang Amadeus 6:56
6. In Quali Eccessi, O Numi! …Mi Tradi Quell’ Alma Ingrata – Mozart, Wolfgang Amadeus 6:31
CD61:
1. Mi Parea…Mia Madre Aveva Una Povera Ancella – Verdi, Giuseppe 5:06
2. Piangea Cantando – Verdi, Giuseppe 7:12
3. Ave Maria Piena Di Grazie – Verdi, Giuseppe 4:52
4. Ciel, Ch’io Respir! …Salvami, Salvami Tu, Gran Dio! – Verdi, Giuseppe 3:26
5. O Cielo! Dove Son Io – Verdi, Giuseppe 9:42
6. Non Pianger, Mia Compagna – Verdi, Giuseppe 4:52
7. O Don Fatale – Verdi, Giuseppe 4:41
CD62:
1. Nacqui All’ Affanno…Non Piu Mesta – Rossini, Gioacchino 6:22
2. S’Allontanano Alfine…Selva Opaca – Rossini, Gioacchino 8:37
3. Bel Raggio Lusinghier – Rossini, Gioacchino 8:39
4. Convien Partir – Donizetti, Gaetano 4:08
5. Tranquillo Ei Posa…Com’e Bello – Donizetti, Gaetano 8:20
6. Prendi, Prendi_ Per Me Sei Libero – Donizetti, Gaetano 3:35
CD63:
1. Prelude – Bizet, Georges 2:14
2. Sur La Place (1. Akt) – Bizet, Georges 7:22
3. Avec La Garde Montante – Bizet, Georges 3:53
4. C’est Bien La, N’Est-Ce Pas – Bizet, Georges 1:13
5. La Cloche A Sonne…Dans L’Air, Nous Suivons Des Yeux La Fumee – Bizet, Georges 4:33
6. L’Amour Est Un Oiseau Rebelle – Bizet, Georges 4:17
7. Carmen! Sur Tes Pas, Nous Nous Pressons Tous! – Bizet, Georges 1:27
8. Quels Regards! Quelle Effronterie! – Bizet, Georges 0:55
9. Parle-Moi De Ma Mere! – Bizet, Georges 8:56
10. Reste La, Maintenant, Pendant Que Je Lirai – Bizet, Georges 1:31
11. Que Se Passe-T-Il Donc La-Bas? …Au Secours! Au Secours! – Bizet, Georges 3:00
12. Mon Officier, C’Etait Une Querelle – Bizet, Georges 3:44
13. Pres Des Remparts De Seville – Bizet, Georges 4:31
14. Voici L’Ordre_ Partez – Bizet, Georges 1:59
15. Entr’ Acte – Bizet, Georges 1:40
16. Les Tringles Des Sistres Tintaient (2. Akt) – Bizet, Georges 4:17
17. Messieurs, Pastia Me Dit – Bizet, Georges 0:57
18. Vivat! Vivat Le Torero! – Bizet, Georges 1:09
19. Votre Toast, Je Peux Vous Le Rendre – Bizet, Georges 4:48
20. La Belle, Un Mot – Bizet, Georges 1:33
21. Eh Bien! Vite, Quelles Nouvelles? Nous Avons En Tete Une Affaire – Bizet, Georges 4:47
CD64:
1. Mais Qui Donc Attends-Tu? 0:26
2. Halte La! 1:32
3. Enfin, C’est Toi! …Tout Doux, Monsieur, Tout Doux 5:51
4. La Fleur Que Tu M’Avais Jetee…Non, Tu M’Aimes Pas 7:48
5. Hola Carmen! Hola! Hola! 4:56
6. Entr’ Acte 2:59
7. Ecoute, Ecoute, Compagnon, Ecoute (3. Akt) 4:01
8. Reposons-Nous Une Heure Ici, Mes Camarades 2:15
9. Melons! Coupons! 6:50
10. Eh Bien? 0:37
11. Quant Au Douanier, C’est Notre Affaire 2:48
12. C’est Des Contrebandiers Le Refuge Ordinaire…Je Dis Que Rien Ne M’Epouvante 5:49
13. Je Ne Me Trompe Pas…C’est Lui Sur Ce Rocher 0:28
14. Quelques Lignes Plus Bas…Hola, Hola! Jose 11:29
15. Entr’ Acte 2:01
16. A Deux Cuartos! A Deux Cuartos! (4. Akt) 1:55
17. Les Voici! Voici La Quadrille! 6:52
18. C’est Toi! …Carmen, Il Est Temps Encore…Viva! Viva! La Course Est Belle! 8:44
CD65:
1. Ah! Finalmente! (1. Akt) – Puccini, Giacomo 5:13
2. Dammi I Colori…Recondita Armonia – Puccini, Giacomo 4:18
3. Gente La Dentro! – Puccini, Giacomo 1:06
4. Mario! Mario! Mario! – Puccini, Giacomo 7:15
5. Ah, Quegli Occhi…Quale Occhio Al Mondo Puo Star Di Paro – Puccini, Giacomo 5:42
6. E Buona La Mia Tosca – Puccini, Giacomo 5:05
7. Un Tal Baccano In Chiesa! – Puccini, Giacomo 3:42
8. Or Tutto e Chiaro…Tosca? Che Non Mi Veda…Mario! Mario! – Puccini, Giacomo 3:01
9. Ed Io Venivo A Lui Tutta Dogliosa – Puccini, Giacomo 3:58
10. Tre Sbirri, Una Carrozza – Puccini, Giacomo 3:44
CD66:
1. Tosca e Un Buon Falco! (2. Akt) 3:15
2. Ha Piu Forte 2:22
3. Meno Male! 3:10
4. Dov’e Dunque Angelotti? 2:26
5. Ed Ora Fra Noi Parliam Da Buoni Amici…Sciarrone, Che Dice Il Cavalier? 3:56
6. Orsu, Tosca, Parlate 3:12
7. Nel Pozzo…Nel Giardino 5:40
8. Se La Giurata Fede Debbo Tradir 3:26
9. Vissi d’Arte 2:59
10. Vedi, Le Man Giunte Io Stendo A Te! 3:42
11. E Qual Via Scegliete? 6:40
12. Io De’ Sospiri (3. Akt) 5:47
13. Mario Cavaradossi? A Voi 4:30
14. E Lucevan Le Stelle 3:02
15. Ah! Franchigia A Floria Tosca 2:45
16. O Dolci Mani Mansuete E Pure 5:17
17. E Non Giungono 2:41
18. Com’e Lunga L’Attesa! 2:31
19. Presto! Su, Mario! Mario! Su! Presto! Andiam! 1:26
CD67:
1. O Madre, Dal Cielo Soccorri – Verdi, Giuseppe 3:59
2. Liberamente Or Piangi…Oh! Nel Fuggente Nuvolo – Verdi, Giuseppe 5:23
3. Egli Non Riede Ancor…Non So Le Tetre Immagini – Verdi, Giuseppe 5:16
4. Ne Sulla Terra…Vola Talor Dal Carcere…Verro…Ah Conforto e Sol La Speme – Verdi, Giuseppe 5:57
5. Tacea La Notte Placida…Di Tale Amor – Verdi, Giuseppe 6:07
6. Arrigo! Ah, Parli A Un Core – Verdi, Giuseppe 4:32
7. Ecco L’Orrido Campo…Ma Dell’ Arido Stelo Divulsa – Verdi, Giuseppe 9:16
8. Morro, Ma Prima In Grazia – Verdi, Giuseppe 4:26
9. Ritorna Vincitor! – Verdi, Giuseppe 7:06
CD68:
1. Non Mi Dir – Mozart, Wolfgang Amadeus 5:26
2. Non Mi Dir – Mozart, Wolfgang Amadeus 5:12
3. Una Macchia e Qui Tuttora – Verdi, Giuseppe 11:19
4. Bel Raggio Lusinghier – Rossini, Gioacchino 5:41
5. Arrigo! Ah Parli A Un Core – Verdi, Giuseppe 4:12
6. Tranquillo Ei Posa…Com’e Bello – Donizetti, Gaetano 8:10
7. S’Allontanano Alfine…Selva Opaca – Rossini, Gioacchino 8:31
8. Bel Raggio Lusinghier – Rossini, Gioacchino 5:29
9. Sorgete…Lo Sognai Ferito, Esangue – Bellini, Vincenzo 9:23
CD69:
1. O Don Fatale – Verdi, Giuseppe 4:34
2. Nacqui All’ Affanno…Non Piu Mesta – Rossini, Gioacchino 6:17
3. Ocean! Thou Mighty Monster – Weber, Carl Maria Von 8:09
4. Pur Ti Riveggo, Mia Dolce Aida – Verdi, Giuseppe 9:39
5. Te, Vergin Santa – Verdi, Giuseppe 3:52
6. Vanne…d’Amour Sull Ali Rosee – Verdi, Giuseppe 6:34
7. Arrigo! Ah, Parli A Un Core – Verdi, Giuseppe 3:44
8. Liberamente Or Piangi! – Verdi, Giuseppe 4:52
9. Te, Vergin Santa – Verdi, Giuseppe 3:21
CD70:
1. Libretti And Maria Callas Picture Gallery (Data Track)
Living is sharing!
…enjoy and say thanks…
APE (Img, cue, log, scans), 1.07 Gb (+1%rec.)
Traclist:
ANTON BRUCKNER – Symphony No. 9 in D minor
I. Feierlich, misterioso (22:31)
II. Scherzo. Bewegt, lebhaft ??? Trio. Schnell (11:13)
III. Adagio. Langsam, feierlich (22:02)
FRANZ SCHUBERT – Symphony No. 8 in B minor, D.759, ‘Unfinished Symphony’
I. Allegro moderato (12:03)
II. Andante con moto (11:16)
ANTON BRUCKNER – Symphony No. 8 in C minor
I. Allegro moderato (15:05)
II. Scherzo. Allegro moderato (14:03)
III. Adagio. Feierlich langsam; doch nicht schleppend (26:55)
IV. Finale. Feierlich, nicht schnell (22:35)
LUDWIG VAN BEETHOVEN – Symphony No. 8 in F Major, Op. 93
I. Allegro vivace e con brio (10:11)
II. Allegretto scherzando (04:24)
III. Tempo di Menuetto (05:28)
IV. Allegro vivace (08:18)
JOHANN STRAUSS – One Thousand and One Nights
Intermezzo (09:10)
OTTO NICOLAI – The Merry Wives of Windsor
Ouverture (08:57)
JOSEPH HAYDN – Symphony No. 94 in G major ‘Surprise Symphony’
I. Adagio cantabile (07:34)
II. Andante (07:11)
III. Menuetto Allegro molto (05:25)
IV. Finale Allegro molto (04:32)
PETER ILYICH TCHAIKOVSKY – The Nutcracker Suite, Op. 71a
I. Miniature Overture. Allegro giusto (03:31)
II. Danses caract???ristiques – a. Marche: Tempo di marcia viva (02:37)
II. Danses caract???ristiques – b. Dance of the Sugar-Plum Fairy: Andante… (01:39)
II. Danses caract???ristiques – c. Russian Dance (Trepak): Tempo di trepak,… (01:07)
II. Danses caract???ristiques – d. Arabian Dance: Allegretto (03:38)
II. Danses caract???ristiques – e. Chinese Dance: Allegro moderato (01:09)
II. Danses caract???ristiques – f. Reed-Flutes: Moderato assai (02:37)
III. Waltz of the Flowers: Tempo di Valse (07:16)
JOHANN STRAUSS – Die Fledermaus
Ouverture (08:10)
JOHANN STRAUSS
Pizzikato Polka (02:55)
Bad???ner Mad???ln (10:19)
FRANZ SCHUBERT- Symphony No. 8 in B minor, D.759, ‘Unfinished Symphony’
I. Allegro moderato (12:20)
II. Andante con moto (11:51)
ANTON BRUCKNER – Symphony No. 9 in D minor
I. Feierlich, misterioso (22:33)
II. Scherzo. Bewegt, lebhaft ??? Trio. Schnell (11:20)
III. Adagio. Langsam, feierlich (23:25)
Living is sharing!
…enjoy and say thanks…
———- Post added at 03:30 PM ———- Previous post was at 03:24 PM ———-
Wilhelm Furtwangler – The Complete RIAS Recordings (12CD) (2009) (LOSSLESS)
APE (Img, cue, log, scans), 2.7 Gb (+1%rec.)
DISC 1
Symphony No. 6 in F major, Op. 68, "Pastoral"
Beethoven, Ludwig van-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Awakening of Cheerful Feelings Upon Arrival in the Country: Allegro ma non troppo 11:05
II. Scene by the Brook: Andante molto mosso 12:25
III. Merry Gathering of Country Folk: Allegro 5:33
IV. Thunderstorm: Allegro 4:05
V. Shepherd’s Song: Happy and Thankful Feelings after the Storm: Allegretto 8:42
Symphony No. 5 in C minor, Op. 67
Beethoven, Ludwig van-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Allegro con brio 8:14
II. Andante con moto 10:36
III. Allegro 5:48
IV. Allegro 8:00
DISC 2
A Midsummer Night’s Dream Overture, Op. 21 12:58
Violin Concerto in D major, Op. 61
Beethoven, Ludwig van-Classical Composer | Menuhin, Yehudi-violin | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Allegro ma non troppo 23:44
II. Larghetto 10:26
III. Rondo 9:56
Overture (Suite) No. 3 in D major, BWV 1068
Bach, Johann Sebastian-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Overture 8:11
II. Air 6:39
III. Gavotte 2:51
IV. Bourree 0:55
V. Gigue 2:35
DISC 3
Symphony No. 8 in B minor, D. 759, "Unfinished" (excerpts)
Schubert, Franz-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Allegro moderato 11:37
II. Andante con moto 12:02
Symphony No. 4 in E minor, Op. 98
Brahms, Johannes-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Allegro non troppo 12:46
II. Andante moderato 12:23
III. Allegro giocoso – Poco meno presto 6:28
IV. Allegro energico e passionato – Piu allegro 9:47
DISC 4
Symphony No. 8 in C minor, WAB 108 (ed. W. Furtwangler)
Bruckner, Anton-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Allegro moderato 15:30
II. Scherzo: Allegro moderato – Trio: Langsam 13:42
III. Adagio – Feierlich lansam; doch nicht schleppend 24:55
IV. Finale: Feierlich, nicht schnell 21:55
DISC 5
Manfred, Op. 115: Overture 13:21
Symphony No. 3 in F major, Op. 90
Brahms, Johannes-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Allegro con brio 13:16
II. Andante 9:43
III. Poco allegretto 6:23
IV. Allegro 9:22
Violin Concerto
Fortner, Wolfgang-Classical Composer | Taschner, Gerhard-violin | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Allegro con brio 6:16
II. Canzone: Andantino 9:44
III. Introduction e rondo: Molto allegro – Allegro poco scherzando – Presto 6:21
DISC 6
Gotterdammerung (Twilight of the Gods), Act III: Funeral March 9:35
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg), Act I: Prelude 9:23
Concerto Grosso in D minor, Op. 6, No. 10, HWV 328 (excerpts)
Handel, George Frideric-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Overture 2:11
II. Allegro 2:54
III. Air: Lento 4:44
V. Allegro 4:01
VI. Allegro moderato 1:34
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations"
Brahms, Johannes-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
Theme: Chorale St. Antoni: Andante 2:08
Variation 1 1:20
Variation 2 1:05
Variation 3 2:06
Variation 4 2:59
Variation 5 0:57
Variation 6 1:25
Variation 7 3:30
Variation 8 1:06
Finale: Andante 3:46
Concerto for Orchestra, Op. 38
Hindemith, Paul-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Mit Kraft, massig schnelle Viertel 3:18
II. Sehr schnelle Halbe 3:28
III. Marsch fur Holzblaser – Nicht zu langsame Viertel 3:41
IV. Basso ostinato – Schnelle Viertel 2:15
DISC 7
Symphony No. 3 in E flat major, Op. 55, "Eroica"
Beethoven, Ludwig van-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Allegro con brio 15:58
II. Marcia funebre: Adagio assai 17:33
III. Scherzo: Allegro vivace 6:16
IV. Finale: Allegro molto 12:09
Applause 0:30
Alceste, Act I: Overture 9:34
Concerto Grosso in D major, Op. 6, No. 5, HWV 323
Handel, George Frideric-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Larghetto e staccato 1:42
II. Allegro 3:02
III. Presto 2:15
IV. Largo 3:48
VI. Menuet: Un poco larghetto 3:47
V. Allegro 3:19
DISC 8
Der Freischutz, J. 277
Weber, Carl Maria von-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
Applause 0:38
Act I: Prelude 13:01
Symphony, "Die Harmonie der Welt"
Hindemith, Paul-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
Applause 0:17
I. Musica Instrumentalis: Breit – Marsch: Gewichtig 12:40
II. Musica Humana: Sehr getragen 9:23
III. Musica Mundana: Sehr breit – Passacaglia: Ruhig bewegt 14:12
DISC 9
Symphony No. 3 in E flat major, Op. 55, "Eroica"
Beethoven, Ludwig van-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Allegro con brio 16:37
II. Marcia funebre: Adagio assai 18:55
III. Scherzo: Allegro vivace 6:37
IV. Finale: Allegro molto 12:57
Rosamunde, D. 797
Schubert, Franz-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
Applause 0:27
Overture 11:45
Concertante Musik, Op. 10
Blacher, Boris-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
Applause 0:16
Concertante Music, Op. 10 9:38
DISC 10
Symphony No. 8 in B minor, D. 759, "Unfinished" (excerpts)
Schubert, Franz-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Allegro moderato 11:40
II. Andante con moto 11:37
Symphony No. 9 in C major, D. 944, "Great"
Schubert, Franz-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Andante – Allegro ma non troppo 14:16
II. Andante con moto 17:04
III. Scherzo: Allegro vivace – Trio 9:57
IV. Finale: Allegro vivace 11:13
DISC 11
Symphony No. 3 in F major, Op. 90
Brahms, Johannes-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Allegro con brio 10:49
II. Andante 9:55
III. Poco allegretto 6:40
IV. Allegro 9:40
Don Juan, Op. 20, TrV 156 18:14
Tristan und Isolde (excerpts)
Wagner, Richard-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
Act I: Prelude 11:01
Act III: Isolde’s Liebestod 6:43
DISC 12
Symphony No. 6 in F major, Op. 68, "Pastoral"
Beethoven, Ludwig van-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Awakening of Cheerful Feelings Upon Arrival in the Country: Allegro ma non troppo 11:45
II. Scene by the Brook: Andante molto mosso 13:45
III. Merry Gathering of Country Folk: Allegro 5:59
IV. Thunderstorm: Allegro 4:09
V. Shepherd’s Song: Happy and Thankful Feelings after the Storm: Allegretto 8:59
Symphony No. 5 in C minor, Op. 67
Beethoven, Ludwig van-Classical Composer | Berlin Philharmonic Orchestra-Orchestra | Furtwangler, Wilhelm-Conductor
I. Allegro con brio 8:24
II. Andante con moto 11:08
III. Allegro 6:11
IV. Allegro 8:52
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———- Post added at 03:35 PM ———- Previous post was at 03:30 PM ———-
Eugene Ormandy – Original Jacket Collection (2008) (LOSSLESS)
APE (Img, cue, log, scans), 3.2 Gb
CD1
RESPPIGHI
1-4. Pini di Roma
Recorded at Broadwood Hotel, Philadelphia, 23.03.1958
5-8. Fontane di Roma
Recorded at Broadwood Hotel, Philadelphia, 14.04.1957
9-12. Feste Romane
Recorded at the Academy of Music, Philadelphia
CD2
MUSSORGSKY
1-15. Pictures at an Exhibition, Orch. Maurice Ravel
Recorded at Town Hall, Philadelphia, 21.04.1966
RIMSKY-KORSAKOV
16-19. Scheherazade, with Anshel Brusllow – violin
Recorded at Town Hall, Philadelphia, 11.02.1962
CD3
RACHMANINOFF
1-4. Symphony No.2
Recorded at Philadelphia, 19.04.1959
5. Vocalise, Op.34 No.14
Recorded at Town Hall, Philadelphia, 18.10.1967
CD4
TCHAIKOVSKY
1-4. Symphony No.5
Recorded at at Broadwood Hotel, Philadelphia, 25.01.1959
5-8. Serenade in C Major for String Orchestra, Op.48
Recorded at Broadwood Hotel, Philadelphia, 10.04.1960
CD5
BARTOK
1-5. Concerto for Orchestra
Recorded at Town Hall, Philadelphia, 13.10.1963
6. Miraculous Mandarin Suite, Sz.73
Recorded at Town Hall, Philadelphia, 15.11.1962
7-8. Two Pictures, Sz.46
Recorded at Philadelphia Athletic Club, Philadelphia, 31.03.1963
CD6
MENDELSSOHN
1-3. Concerto un E Minor for Violin and Orchestra
TCHAIKOVSKY
4-6. Concerto un D Major for Violin and Orchestra
Recorded at Broadwood Hotel, Philadelphia, 23-24.03.1958
With Isaac Stern ??? violin
CD7
SHOSTAKOVICH
1-4. Symphony No.1
5-8. Concerto un E-Flat Major for Cello and Orchestra,
with Mstislav Rostropovich ??? cello, Mason Jones ??? french horn
Recorded at Broadwood Hotel, Philadelphia, 8.11.1959
CD8
THE BACH ALBUM
J.S.BACH, Arr. Ormandy
1. Toccata and Fugue in D Minor, BWV 565
J.S.BACH, Arr. William Smith
2. Arioso
J.S.BACH, Arr. Thomas Frost
3-6. Little Suite from The Anna Magdalena Notebook
J.S.BACH, Arr. Arhur Harris
7. A Mighty Fortress is our God
J.S.BACH, Arr. Lucien Cailliet
8. Jesu, Joy of Man???s Desiring from Cantata No.147
J.S.BACH, Arr. William Smith
9. Fugue in G Minor, ???The Little???
J.S.BACH, Trans. Ormandy
10. Passacaglia and Fugue in C Minor
J.S.BACH, Arr. Fritz Kreisler, William Smith
11. Preludium in E Major
J.S.BACH
12. Air from Suite No.3 ???Air on the G String???
J.S.BACH, Arr. & Adapt. Sir William Walton
13. Sheep May Safely Graze from Cantata No.208
J.S.BACH, Arr. Jesse Taynton
14. Come, Sweet Death
J.S.BACH, Arr. Ormandy
15. Sleepers Awake from Cantata No.140
CD9
THE BACH ALBUM
J.S.BACH, Arr. Ormandy
1. Toccata, Adagio and Fugue in C Major, BWV 564
J.C.BACH, Arr. William Smith
2-4. Sinfonia for Double Orchestra in E-Flat Major, Op.18 No.1
J.C.BACH, Arr. Ormandy
5-7. Sinfonia for Double Orchestra in D Major, Op.18 No.3
W.F.BACH
8. Sinfonia in D Minor for two Flutes and Strings, F.65
C.F.E.BACH, Arr. Maximilian Steinberg
9-11. Concerto for Orchestra in D Minor
CD10
THE ROMANTIC PHILADELPHIA STRINGS
BORODIN, Arr. Malcolm Sargent
1. Nosturne for String Orchestra
MASCAGNI
2. Intermezzo from Cavalleria Rusticana
TRADITIONAL, Arr. Arthur Harris
3. Londonderry Air
SAMUEL BARBER
4. Adagio for Strings, Op.11
TCHAIKOVSKY, Arr. Thomas Frost
5. Andante Cantable
JEAN SIBELIUS
6. Valse Triste from Kuolema, Op. 44 No.1
EDVARD GRIEG
7. Notturno No.5 from Lyric Suite, Op.54: Andante
8. The Last Spring from Two Elegiac Melodies, Op.34
JULES MASSENET, Arr. Thomas Frost
9. Elegie
EDWARD MACDOWELL, Arr. Thomas Frost
10. To a Wild Rose, Op.51 No.1, from Woodland Sketches
R.V.WILLIAMS, Arr. Ralph Greaves
11. Fantasia on Greensleeves from Sir John in Love
R.V.WILLIAMS
12. Fantasia on a Theme by Thomas Tallis: Largo Sostenuto
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APE (image+cue), 17.1 Gb
BOX 1:
CD 01. Johann Sebastian Bach: Concerto for Violin And Orchestra No.1-3 (202 Mb)
CD 02. Gustav Mahler: Symphony No. 5 (212 Mb)
CD 03. Frederic Chopin: Pianoworks (159 Mb)
CD 04. George Frideric Handel: Concerto Grosso №5-8 (324 Mb)
CD 05. Johann Sebastian Bach: Brandenburg Concertos No 1-3 (231 Mb)
CD 06. Ludwig van Beethoven: Symphony №9 op 125 In D Minor (238 Mb)
CD 07. Antonio Vivaldi: The Four Seasons (310 Mb)
CD 08. Wolfgang Amadeus Mozart: Selected (308 Mb)
CD 09. Johannes Brahms: Symphony №4 (176 Mb)
CD 10. Joseph Haydn: Pianoconcertos (179 Mb)
BOX 2:
CD 11. Strauss: New Year’s concert (242 Mb)
CD 12. Edvard Grieg: Peer Gynt Suite (196 Mb)
CD 13. Antonin Dvorak: Serenade Op. 22 & Symphony №8 Op. 88 (275 Mb)
CD 14. Franz Peter Schubert: Quintet, Rosamunde (311 Mb)
CD 15. Felix Mendelssohn-Bartholdy: A Midsummer Night’s Dream, Symphony No.4 (251 Mb)
CD 16. Bizet: Carmen, L’Arlesienne Suites (259 Mb)
CD 17. Maurice Ravel & Others (250 Mb)
CD 18. Wilhelm Richard Wagner: Famous Ouvertures (349 Mb)
CD 19. Pyotr Ilyich Tchaikovsky: Pianoconcerto No.1, Ouverture 1812 (184 Mb)
CD 20. Claude Debussy: Clair de Lune (161 Mb)
BOX 3:
CD 21. Franz Liszt: Concertos pour piano (217 Mb)
CD 22. Von Weber: Symphony No.2, Clarinetconcerto No.2, Andante (199 Mb)
CD 23. Eric Alfred Leslie Satie: Famous Pianoworks (159 Mb)
CD 24. George Gershwin – Rhapsody in Blue, American in Paris (251 Mb)
CD 25. George Frideric Handel: Fireworks, Watermusic (326 Mb)
CD 26. Frederic Francois Chopin: Pianoconcertos 1 & 2 (231 Mb)
CD 27. Gustav Mahler: Symphonie n??? 1 Le Titan (236 Mb)
CD 28. Rossini: Ouvertures (221 Mb)
CD 29. Ludwig van Beethoven: Concerto pour piano N???2, Symphonie No.5 (257 Mb)
CD 30. Wolfgang Amadeus Mozart: Selected Concerto (302 Mb)
CD 31. Robert Schumann: Piano Concerto, 6 Canons & Requiem For Mignon (216 Mb)
CD 32. Johann Sebastian Bach: Brandenburg Concertos Nos. 4-6 (292 Mb)
CD 33. J. Brahms, A. Dvorak: Ungarische Tanze, Symphonie No.2 (241 Mb)
CD 34. Rodrigo, Piazzolla & Ravel: Selected (255 Mb)
CD 35. Joseph Haydn: The Creation / Highlights (160 Mb)
BOX 4:
CD 36. Bedrich Smetana: The Bartered Bride & Antonin Dvorak: Symphony No.9 (262 Mb)
CD 37. Wolfgang Amadeus Mozart: Symphonien No. 38 & 40 (245 Mb)
CD 38. JLudwig van Beethoven: Klavierkonzert No.5, Symphonie No.2 (267 Mb)
CD 39. Carl Orff: Carmina Burana (306 Mb)
CD 40. Charles Camille Saint-Saens: Symphony No.3, Carnaval Des Animaux (193 Mb)
CD 41. Joseph Haydn: Symphonie No 53, Symphonie No 94 Surprise (193 Mb)
CD 42. Johannes Brahms: Piano Concerto No. 2 In B Flat Major, Op. 83 (214 Mb)
CD 43. Georg Friedrich Handel: Messiah (350 Mb)
CD 44. Pyotr Ilyich Tchaikovsky: Ballet Suites (290 Mb)
CD 45. Wolfgang Amadeus Mozart: Piano Concertos No. 21 & 23 (201 Mb)
CD 46. Ludwig van Beethoven, Wolfgang Amadeus Mozart: The Great Classical Overtures (267 Mb)
CD 47. Franz Peter Schubert: Symphonien No.5&8, Walzer, Deutscher Tanz (241 Mb)
CD 48. Arcangelo Corelli, Tomasso Albinoni, Domenico Scarlatti (275 Mb)
CD 49. Ludwig van Beethoven: Violin Romance, Sonatas for violin (218 Mb)
CD 50. Wolfgang Amadeus Mozart: Divertimento KV 287, 136, 138 (340 Mb)
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Artist: Valentina Lisitsa (London Symphony Orchestra, Michael Francis)
Title Of Album: Rachmaninov: The Piano Concertos, Paganini Rhapsody
Year Of Release: 2013
Label: Decca Music Group Limited
Country: Ukraine (Kiev)
Genre: Classical Music, Piano
Quality: FLAC (image+.cue+.log)
Bitrate: Lossless
Total Time: 02:25:55
Total Size: 622 MB (Scans)
Tracklist:
CD1
01. Piano Concerto No.1 in F sharp minor, OP.1- I Vivace 12:52
02. Piano Concerto No.1 in F sharp minor, OP.1- II Andante 05:54
03. Piano Concerto No.1 in F sharp minor, OP.1- III Allegro vivace 07:27
04. Piano Concerto No.3 in D minor, OP.30 – I Allegro ma non tanto 15:30
05. Piano Concerto No.3 in D minor, OP.30 – II Intermezzo : Adagio 10:25
06. Piano Concerto No.3 in D minor, OP.30 – III Finale (Alla breve) 13:31
CD2
01. Piano Concerto No.2 in C minor, Op. 18 – I. Moderato 10:16
02. Piano Concerto No.2 in C minor, Op .18 – II. Adagio sostenuto 10:44
03. Piano Concerto No.2 in C minor, Op.18 – III. Allegro scherzando 11:44
04. Piano Concerto No.4 in G minor, Op.40- I. Allegro vivace (Alla breve) 09:32
05. Piano Concerto No.4 in G minor, Op.40 – II. Largo 06:18
06. Piano Concerto No.4 in G minor, Op.40 – III. Allegro vivace 08:57
07. Rhapsody on a Theme of Paganini, Op .43 – Introduction (Allegro vivace) and Variation 1 (Precedente) 00:27
08. Rhapsody on a Theme of Paganini, Op .43 – Theme : Listesso tempo 00:18
09. Rhapsody on a Theme of Paganini, Op. 43 – Variation 2 : Listesso tempo 00:19
10. Rhapsody on a Theme of Paganini, Op. 43 – Variation 3 : Listesso tempo 00:25
11. Rhapsody on a Theme of Paganini, Op. 43 – Variation 4 : Piu vivo 00:29
12. Rhapsody on a Theme of Paganini, Op. 43 – Variation 5 : Tempo precedente 00:27
13. Rhapsody on a Theme of Paganini, Op. 43 – Variation 6 : Listesso tempo 00:57
14. Rhapsody on a Theme of Paganini, Op. 43 – Variation 7 : Meno mosso, a tempo moderato 01:07
15. Rhapsody on a Theme of Paganini, Op. 43 – Variation 8 : Tempo I 00:33
16. Rhapsody on a Theme of Paganini, Op. 43 – Variation 9 : Listesso tempo 00:31
17. Rhapsody on a Theme of Paganini, Op. 43 – Variation 10 : Listesso tempo 00:53
18. Rhapsody on a Theme of Paganini, Op. 43 – Variation 11 : Moderato 01:22
19. Rhapsody on a Theme of Paganini, Op. 43 – Variation 12 : Tempo di minuetto 01:22
20. Rhapsody on a Theme of Paganini, Op. 43 – Variation 13 : Allegro 00:28
21. Rhapsody on a Theme of Paganini, Op. 43 – Variation 14 : Listesso tempo 00:43
22. Rhapsody on a Theme of Paganini, Op. 43 – Variation 16 : Piu vivo scherzando 01:04
23. Rhapsody on a Theme of Paganini, Op. 43 – Variation 16 : Allegretto 01:35
24. Rhapsody on a Theme of Paganini, Op. 43 – Variation 17 : Allegretto 01:42
25. Rhapsody on a Theme of Paganini, Op. 43 – Variation 18 : Andante cantabile 02:50
26. Rhapsody on a Theme of Paganini, Op. 43 – Variation 19 : A tempo vivace 00:27
27. Rhapsody on a Theme of Paganini, Op. 43 – Variation 20 : Un poco piu vivo 00:36
28. Rhapsody on a Theme of Paganini, Op. 43 – Variation 21 : Un poco piu vivo 00:24
29. Rhapsody on a Theme of Paganini, Op. 43 – Variation 22 : Marziale. Un poco piu vivo (Alla breve) 01:33
30. Rhapsody on a Theme of Paganini, Op. 43 – Variation 23 : Listesso tempo 00:48
31. Rhapsody on a Theme of Paganini, Op. 43 – Variation 24 : A tempo un poco meno mosso 01:14
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———- Post added at 08:08 AM ———- Previous post was at 08:02 AM ———-
Puccini – Tosca (Riccardo Muti, Maria Guleghina, Salvatore Licitra, Leo Nucci) 2000 (2011) (DVD)
NTSC 16:9 (720×480) VBR Auto Pan&Scan | Italiano (LinearPCM, 2 ch), (Dolby AC3, 6 ch), (DTS, 5 ch) | 7.70 Gb (DVD9)
Classical | Label: EuroArts | Sub: Italiano, English, Deutsch, Francais, Espanol
Tosca was revived to great acclaim at La Scala in this 2000 production, which built on Luca Ronconi’s 1996 version with musical direction from principal conductor Riccardo Muti and Lorenza Cantini’s nightmarishly distorted set. Puccini’s most recorded opera is loved and derided in equal measure for its high-octane dramatics, rich arias and the fire-spitting exchanges of the eponymous heroine and her wily tormentor Scarpia. Under Muti, the music takes precedence over the self-conscious theatricality of the book. As a result, some high dramatic points–the stabbing, always tricky, and Tosca’s suicide, equally dicey–are underplayed here.
Singers of the calibre of Maria Guleghina and baritone Leo Nucci can be relied upon for rounded, controlled performances. Guleghina eschews the ferocity of Callas for a less stately, earthier honesty and enjoys moments of great delicacy, particularly in a sweet "Vissi d’arte". And her grief at Cavaradossi’s death is searing. The key to Tosca, though, is the ambivalent relationship between the singer and the chief of police. Scarpia is probably the most toxic antihero in opera, and Nucci could do with a touch more virulence. Even so, this is a fascinating production that strips away much of the traditional artifice and gives real insight into the complex emotions that make the opera so compelling for its devotees.
Performer:
Floria Tosca – Maria Guleghina
Mario Cavaradossi – Salvatore Licitra
Il barone Scarpia ??? Leo Nucci
Cesare Angelotti ??? Giovanni Battista Parodi
Il sagrestano ??? Alfredo Mariotti
Spoletta ??? Ernesto Gavazzi
Sciarrone ??? Silvestro Sammaritano
Un carceriere ??? Ernesto Panariello
Un pastore ??? Virginia Barchi
Orchestra e Coro del Teatro alla Scala
Conductor ??? Riccardo Muti
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———- Post added at 08:18 AM ———- Previous post was at 08:08 AM ———-
Dmitrii Shostakovich – Shostakovich Edition (27 CD Box Set) (2008) (LOSSLESS)
APE (Img, cue, scans, no logs), 6.8 Gb
CD01 – Symphonies no. 1, 2 & 3
1. Symphony no. 1 in F minor: Allegretto [8:09]
2. Symphony no. 1 in F minor: Allegro [4:45]
3. Symphony no. 1 in F minor: Lento [7:43]
4. Symphony no. 1 in F minor: Allegro molto [8:50]
5. Symphony no. 2 in B major ‘To October’ [19:00]
6. Symphony no. 3 in Eb major ‘First of May’ [26:29]
CD02 – Symphony no. 4
1. Symphony no. 4 – Allegretto poco moderato [27:11]
2. Symphony no. 4 – Moderato con moto [8:45]
3. Symphony no. 4 – Largo-allegro [26:02]
CD03 – Symphonies no. 5 & 6
1. Symphonie No. 5 In D Minor, Op. 47 – Moderato [15:30]
2. Symphonie No. 5 In D Minor, Op. 47 – Allegretto [5:32]
3. Symphonie No. 5 In D Minor, Op. 47 – Largo [13:18]
4. Symphonie No. 5 In D Minor, Op. 47 – Allegro Non Troppo [11:30]
5. Symphonie No. 6 In B Minor, Op. 54 – Largo [18:49]
6. Symphonie No. 6 In B Minor, Op. 54 – Allegro [5:46]
7. Symphonie No. 6 In B Minor, Op. 54 – Presto [6:58]
CD04 – Symphony no. 7
1. Symphony no. 7 in C, Op. 60 ‘Leningrad’ – Allegretto [26:17]
2. Symphony no. 7 in C, Op. 60 ‘Leningrad’ – Moderato (Poco Allegretto) [10:29]
3. Symphony no. 7 in C, Op. 60 ‘Leningrad’ – Adagio [18:14]
4. Symphony no. 7 in C, Op. 60 ‘Leningrad’ – Allegro Non Troppo [16:31]
CD05 – Symphony no. 8
1. Symphony no. 8 in C minor, Op. 65 – Adagio [27:22]
2. Symphony no. 8 in C minor, Op. 65 – Allegretto [6:41]
3. Symphony no. 8 in C minor, Op. 65 – Allegro non troppo [6:42]
4. Symphony no. 8 in C minor, Op. 65 – Largo [10:05]
5. Symphony no. 8 in C minor, Op. 65 – Allegretto [13:34]
CD06 – Symphonies no. 9 & 10
1. Symphonie no. 9 In E Flat, Op. 70 – Allegro Molto [5:16]
2. Symphonie no. 9 In E Flat, Op. 70 – Moderato [5:42]
3. Symphonie no. 9 In E Flat, Op. 70 – Presto [2:53]
4. Symphonie no. 9 In E Flat, Op. 70 – Largo [3:00]
5. Symphonie no. 9 In E Flat, Op. 70 – Allegretto [7:07]
6. Symphonie no. 10 In E Minor, Op. 93 – Moderato [23:14]
7. Symphonie no. 10 In E Minor, Op. 93 – Allegro [4:32]
8. Symphonie no. 10 In E Minor, Op. 93 – Allegretto [12:08]
9. Symphonie no. 10 In E Minor, Op. 93 – Andante – Allegro [12:17]
CD07 – Symphony no. 11
1. Symphony no. 11 in Gm ‘The Year 1905’ Palace Square: adagio [15:27]
2. Symphony no. 11 in Gm ‘The Year 1905’ January 9th: Allegro-Adagio [18:49]
3. Symphony no. 11 in Gm ‘The Year 1905’ Eternal Memory: adagio [11:24]
4. Symphony no. 11 in Gm ‘The Year 1905’ The Toscin: Allegro non troppo [14:12]
CD08 – Symphony no. 12
1. Symphony no. 12 in D minor ‘The Year 1917’ Revolutionary Petrograd: Moderato-allegro [12:53]
2. Symphony no. 12 in D minor ‘The Year 1917’ Razliv: Adagio [9:57]
3. Symphony no. 12 in D minor ‘The Year 1917’ Aurora: Allegro [4:14]
4. Symphony no. 12 in D minor ‘The Year 1917’ The Dawn of Humanity: L’istesso tempo [9:58]
CD09 – Symphony no. 13
1. Symphony no. 13 in Bb minor ‘Babi Yar’ Babi Yar – Adagio [17:08]
2. Symphony no. 13 in Bb minor ‘Babi Yar’ Humor – Allegretto [8:28]
3. Symphony no. 13 in Bb minor ‘Babi Yar’ In The Store: Adagio [12:43]
4. Symphony no. 13 in Bb minor ‘Babi Yar’ Fears: Adagio [11:55]
5. Symphony no. 13 in Bb minor ‘Babi Yar’ A Career: Allegretto [12:26]
CD10 – Symphony no. 14
1. Symphony no. 14 Op. 135 – De Profundis [4:21]
2. Symphony no. 14 Op. 135 – Malaguena [2:49]
3. Symphony no. 14 Op. 135 – Lorelei [8:00]
4. Symphony no. 14 Op. 135 – The Suicide [6:13]
5. Symphony no. 14 Op. 135 – On Watch [2:58]
6. Symphony no. 14 Op. 135 – Madam, look! [1:31]
7. Symphony no. 14 Op. 135 – In prison, at the Sante Jail [8:20]
8. Symphony no. 14 Op. 135 – The Zaporozhian Cossack’s answer to the Sultan of Constantinople [2:07]
9. Symphony no. 14 Op. 135 – O Delvig, Delvig [3:44]
10. Symphony no. 14 Op. 135 – The Death of the Poet [4:22]
11. Symphony no. 14 Op. 135 – Conclusion [1:03]
CD11 – Symphony no. 15
1. Symphony no. 15 in A major Op. 141 – Allegretto [8:19]
2. Symphony no. 15 in A major Op. 141 – Adagio – Largo – Adagio – Largo [11:43]
3. Symphony no. 15 in A major Op. 141 – Allegretto [3:54]
4. Symphony no. 15 in A major Op. 141 – Adagio – Allegretto – Adagio – Allegretto [13:56]
CD12 – Chamber Symphonies I
1. Chamber Symphony Op.73a – I. Allegretto [8:19]
2. Chamber Symphony Op.73a – II. Moderato con moto [5:30]
3. Chamber Symphony Op.73a – III. Allegro non troppo [4:41]
4. Chamber Symphony Op.73a – IV. Adagio [5:09]
5. Chamber Symphony Op.73a – V. Moderato [10:52]
6. Chamber Symphony Op.83a – I. Allegro [4:12]
7. Chamber Symphony Op.83a – II. Andantino [7:04]
8. Chamber Symphony Op.83a – III. Allegretto [5:09]
9. Chamber Symphony Op.83a – IV. Allegretto [9:56]
CD13 – Chamber Symphonies II
1. Chamber Symphony Op.49a – I. Moderato [4:23]
2. Chamber Symphony Op.49a – II. Moderato [4:52]
3. Chamber Symphony Op.49a – III. Allegro molto [2:45]
4. Chamber Symphony Op.49a – IV. Allegro [3:33]
5. Chamber Symphony Op.110a – I. Largo [4:42]
6. Chamber Symphony Op.110a – II. Allegro molto [3:40]
7. Chamber Symphony Op.110a – III. Allegretto [4:29]
8. Chamber Symphony Op.110a – IV. Largo [4:29]
9. Chamber Symphony Op.110a – V. Largo [3:49]
10. Chamber Symphony Op.118a – I. Andante [5:08]
11. Chamber Symphony Op.118a – II. Allegretto furioso [4:15]
12. Chamber Symphony Op.118a – III. Adagio [7:01]
13. Chamber Symphony Op.118a – IV. Allegretto [10:02]
CD14 – Jazz Suites
1. Jazz Suite N???2 – March [3:09]
2. Jazz Suite N???2 – Dance n???1 [3:01]
3. Jazz Suite N???2 – Dance n???2 [3:44]
4. Jazz Suite N???2 – Little Polka [2:38]
5. Jazz Suite N???2 – Lyric Waltz [2:43]
6. Jazz Suite N???2 – Waltz n???1 [3:25]
7. Jazz Suite N???2 – Waltz n???2 [3:38]
8. Jazz Suite N???2 – Finale [2:24]
9. Overture on Russian and Kirghiz Themes Op.115 [9:29]
10. Jazz Suite N???1 – Waltz [2:24]
11. Jazz Suite N???1 – Polka [1:43]
12. Jazz Suite N???1 – Foxtrot [3:55]
13. Novorossijsk Chimes [2:40]
14. Festive Overture Op.96 [5:46]
CD15 – Ballet Suites
1. The Bolt, Ballet Suite op. 27a – Overture [5:39]
2. The Bolt, Ballet Suite op. 27a – Polka [2:41]
3. The Bolt, Ballet Suite op. 27a – Variation [1:51]
4. The Bolt, Ballet Suite op. 27a – Tango [5:09]
5. The Bolt, Ballet Suite op. 27a – Intermezzo [3:55]
6. The Bolt, Ballet Suite op. 27a – Finale [3:30]
7. The Limpid Stream, Ballet Suite op. 39a – Waltz [2:26]
8. The Limpid Stream, Ballet Suite op. 39a – Russian Lubok [2:34]
9. The Limpid Stream, Ballet Suite op. 39a – Galop [2:01]
10. The Limpid Stream, Ballet Suite op. 39a – Adagio [7:24]
11. The Limpid Stream, Ballet Suite op. 39a – Pizzicato [1:20]
12. The Golden Age, Ballet Suite op. 22a – Overture [4:00]
13. The Golden Age, Ballet Suite op. 22a – Adagio [8:46]
14. The Golden Age, Ballet Suite op. 22a – Polka [2:14]
15. The Golden Age, Ballet Suite op. 22a – Dance [2:10]
CD16 – Film Music
1. Hamlet Suite – Prelude [2:21]
2. Hamlet Suite – The Ball at the Palace [3:44]
3. Hamlet Suite – The Ghost [1:25]
4. Hamlet Suite – In the Garden [3:09]
5. Hamlet Suite – Hamlet & Ophelia [3:56]
6. Hamlet Suite – Arrival of the Actors [2:14]
7. Hamlet Suite – Poisoning Scene [7:30]
8. Hamlet Suite – Duel and Death of Hamlet [4:03]
9. Gadfly, Suite Op.97a – Overture [2:59]
10. Gadfly, Suite Op.97a – Contradance [2:30]
11. Gadfly, Suite Op.97a – Folk Feast [2:41]
12. Gadfly, Suite Op.97a – Interlude [2:49]
13. Gadfly, Suite Op.97a – Waltz ” Barrel Organ ” [1:57]
14. Gadfly, Suite Op.97a – Galop [1:58]
15. Gadfly, Suite Op.97a – Introduction [6:07]
16. Gadfly, Suite Op.97a – Romance [6:29]
17. Gadfly, Suite Op.97a – Intermezzo [5:37]
18. Gadfly, Suite Op.97a – Nocturne [3:56]
19. Gadfly, Suite Op.97a – Scene [3:25]
20. Gadfly, Suite Op.97a – Finale [3:07]
CD17 – Piano Concertos
1. Piano concerto N???1 in C minor Op.35 – I. Allegro moderato-allegro vivace-mode… [6:06]
2. Piano concerto N???1 in C minor Op.35 – II. Lento [7:15]
3. Piano concerto N???1 in C minor Op.35 – III. Moderato [2:00]
4. Piano concerto N???1 in C minor Op.35 – IV. Allegro con brio [6:44]
5. Piano concerto N???2 in F major Op.102 – I. Allegro [7:23]
6. Piano concerto N???2 in F major Op.102 – II. Andante [6:50]
7. Piano concerto N???2 in F major Op.102 – III. Allegro [5:41]
8. Three fantastic dances Op.5 – I. Allegretto [1:10]
9. Three fantastic dances Op.5 – II. Andantino [1:27]
10. Three fantastic dances Op.5 – III. Allegretto [0:53]
CD18 – Violin Concertos
1. Violin Concerto N???1 in A minor Op.99 – I. Nocturne [11:52]
2. Violin Concerto N???1 in A minor Op.99 – II. Scherzo [6:18]
3. Violin Concerto N???1 in A minor Op.99 – III. Passacaglia-Burlesque [18:18]
4. Violin Concerto N???2 in C sharp minor Op.129 – I. Moderato [11:57]
5. Violin Concerto N???2 in C sharp minor Op.129 – II. Adagio, adagio-allegro [16:17]
CD19 – Cello Concertos
1. Cello Concerto N???1 Op.107 – I. Allegretto [6:15]
2. Cello Concerto N???1 Op.107 – II. Moderato [11:33]
3. Cello Concerto N???1 Op.107 – III. Cadenza [5:52]
4. Cello Concerto N???1 Op.107 – IV. Allegro con moto [4:49]
5. Cello Concerto N???2 Op.126 – I. Largo [15:44]
6. Cello Concerto N???2 Op.126 – II. Allegretto [4:20]
7. Cello Concerto N???2 Op.126 – III. Allegretto [16:18]
CD20 – Chamber Music I
1. Piano Quintet in G minor, op. 57 – Prelude [4:29]
2. Piano Quintet in G minor, op. 57 – Fugue [9:05]
3. Piano Quintet in G minor, op. 57 – Scherzo [3:26]
4. Piano Quintet in G minor, op. 57 – Intermezzo [6:11]
5. Piano Quintet in G minor, op. 57 – Finale [7:13]
6. Piano Trio No. 2 in E minor, op. 67 – Andante-Moderato [7:14]
7. Piano Trio No. 2 in E minor, op. 67 – Allegro non Troppo [3:07]
8. Piano Trio No. 2 in E minor, op. 67 – Largo [4:28]
9. Piano Trio No. 2 in E minor, op. 67 – Allegretto [10:23]
CD21 – Chamber Music II
1. Sonata for Violin and Piano Op.134 – I. Andante [9:28]
2. Sonata for Violin and Piano Op.134 – II. Allegretto [6:14]
3. Sonata for Violin and Piano Op.134 – III. Largo [12:44]
4. Sonata for Viola and Piano Op.147 – I. Moderato [8:27]
5. Sonata for Viola and Piano Op.147 – II. Allegretto [6:57]
6. Sonata for Viola and Piano Op.147 – III. Adagio [11:50]
CD22 – Chamber Music III
1. Cello Sonata in D minor Op.40 – I. Allegro non troppo [11:22]
2. Cello Sonata in D minor Op.40 – II. Allegro [3:17]
3. Cello Sonata in D minor Op.40 – III. Largo [7:04]
4. Cello Sonata in D minor Op.40 – IV. Allegro [3:49]
5. Piano Sonata N???1 Op.12 [12:25]
6. Piano Sonata N???2 Op.61- I. Allegretto [7:31]
7. Piano Sonata N???2 Op.61- II. Largo [7:24]
8. Piano Sonata N???2 Op.61- III. Moderato [11:56]
CD23 – String Quartets N???2, 8 & 13
1. String Quartet N???2 in A major Op.68 – I. Overture (moderato con moto) [1944} [8:03]
2. String Quartet N???2 in A major Op.68 – II. Recitative & Romance (adagio) [10:53]
3. String Quartet N???2 in A major Op.68 – III. Waltz (allegro) [5:59]
4. String Quartet N???2 in A major Op.68 – IV. Theme & variations (adagio) [10:55]
5. String Quartet N???8 in C minor Op.110 – I. Largo [1960] [4:40]
6. String Quartet N???8 in C minor Op.110 – II. Allegro molto [2:45]
7. String Quartet N???8 in C minor Op.110 – III. Allegretto [4:16]
8. String Quartet N???8 in C minor Op.110 – IV. Largo [4:33]
9. String Quartet N???8 in C minor Op.110 – V. Largo [4:12]
10. String Quartet N???13 in B flat minor Op.138 – Adagio [1970] [20:44]
CD24 – String Quartets N???3, 7 & 9
1. String Quartet N???3 in F major Op.73 – I. Allegretto [1946] [6:40]
2. String Quartet N???3 in F major Op.73 – II. Moderato con moto [4:54]
3. String Quartet N???3 in F major Op.73 – III. Allegro non troppo [4:01]
4. String Quartet N???3 in F major Op.73 – IV. Adagio [5:41]
5. String Quartet N???3 in F major Op.73 – V. Moderato [10:48]
6. String Quartet N???7 in F sharp minor Op.108 – I. Allegretto [1960] [3:33]
7. String Quartet N???7 in F sharp minor Op.108 – II. Lento [3:36]
8. String Quartet N???7 in F sharp minor Op.108 – III. Allegro [6:11]
9. String Quartet N???9 in E flat major Op.117 – I. Moderato con moto [1964] [4:20]
10. String Quartet N???9 in E flat major Op.117 – II. Adagaio [4:34]
11. String Quartet N???9 in E flat major Op.117 – III. Allegretto [3:47]
12. String Quartet N???9 in E flat major Op.117 – IV. Adagio [3:32]
13. String Quartet N???9 in E flat major Op.117 – V. Allegro [9:54]
CD 25 – Complete Chamber Music Vol.II
1. String Quartet N???5 in B flat major Op. 92 – I. Allegro ma non troppo [1952] [10:44]
2. String Quartet N???5 in B flat major Op. 92 – II. Andante [10:41]
3. String Quartet N???5 in B flat major Op. 92 – III. Moderato [10:33]
4. String Quartet N???11 in F minor Op.122 – I. Introduction (andantino) [1966] [2:15]
5. String Quartet N???11 in F minor Op.122 – II. Scherzo (allegretto) [2:57]
6. String Quartet N???11 in F minor Op.122 – III. Recitativo (adagio) [1:18]
7. String Quartet N???11 in F minor Op.122 – IV. Etude (allegro) [1:19]
8. String Quartet N???11 in F minor Op.122 – V. Humoresque (allegro) [1:08]
9. String Quartet N???11 in F minor Op.122 – VI. Elegy (adagio) [4:15]
10. String Quartet N???11 in F minor Op.122 – X. Conclusion (moderato) [3:49]
11. String Quartet N???12 in D flat major Op.133 – I. Moderato [1968] [6:41]
12. String Quartet N???12 in D flat major Op.133 – II. Allegretto [20:29]
CD26 – String Quartets N???4, 6 & 10
1. String Quartet N???4 in D major Op.83 – I. Allegretto [1949] [4:27]
2. String Quartet N???4 in D major Op.83 – II. Andantino [6:35]
3. String Quartet N???4 in D major Op.83 – III. Allegretto [4:07]
4. String Quartet N???4 in D major Op.83 – IV. Allegretto [10:36]
5. String Quartet N???6 in G major Op.101 – I. Allegretto [1956] [6:42]
6. String Quartet N???6 in G major Op.101 – II. Moderato con moto [4:56]
7. String Quartet N???6 in G major Op.101 – III. Lento [5:57]
8. String Quartet N???6 in G major Op.101 – IV. Lento-allegretto [7:52]
9. String Quartet N???10 in A flat major Op.118 – I. Andante [1964] [4:23]
10. String Quartet N???10 in A flat major Op.118 – II. Allegretto furioso [4:16]
11. String Quartet N???10 in A flat major Op.118 – III. Adagio [6:13]
12. String Quartet N???10 in A flat major Op.118 – IV. Allegretto [9:08]
CD27 – String Quartets N???1, 14 & 15
1. String Quartet N???1 in C major Op.49 – I. Moderato [1935] [3:57]
2. String Quartet N???1 in C major Op.49 – II. Moderato [4:43]
3. String Quartet N???1 in C major Op.49 – III. Allegro molto [2:12]
4. String Quartet N???1 in C major Op.49 – IV. Allegro [3:11]
5. String Quartet N???14 in F sharp major Op.142 – I. Allegretto [1973] [8:22]
6. String Quartet N???14 in F sharp major Op.142 – II. Adagio [10:57]
7. String Quartet N???14 in F sharp major Op.142 – III. Allegretto [8:52]
8. String Quartet N???15 in E flat minor Op.144 – I. Elegy (adagio) [1974] [12:23]
9. String Quartet N???15 in E flat minor Op.144 – II. Serenade (adagio) [5:15]
10. String Quartet N???15 in E flat minor Op.144 – III. Intermezzo (adagio) [1:49]
11. String Quartet N???15 in E flat minor Op.144 – IV. Nocturne (adagio) [4:54]
12. String Quartet N???15 in E flat minor Op.144 – V. Funeral March (adagio molto) [4:38]
13. String Quartet N???15 in E flat minor Op.144 – VI. Epilogue (adagio) [6:40]
Living is sharing!
…enjoy and say thanks…
So from now on "sharing/discovering new music/composers", etc. gonna be called pedantic? That’s funny.
There is a big difference in this and the other thread.
1 – Also yep, awesome uploads, most of them can be found easily on Rutracker and some more popular trackers. And of course, in the typical classical blog’s for DD.
2 – Most of Wimpel uploads will be found ONLY here or some hard-to-get-into private trackers. And in some cases, first option only.
That’s the little diference. But i praise too the work Oscar is doing.
MP3 320 kbps, 350 MB
Tracklist:
CD1:
01. Placido Domingo – Turandot, Opera (Act 3 ‘Nessun Dorma!’ [Calaf]) [03:25]
02. Julia Migenes – Carmen, Opera-Comique In 4 Acts (Act 1 Habanera – ‘L’amour Est Un Oiseau Rebelle’ [Carmen]) [04:17]
03. Roberto Alagna – L’elisir D’amore, Opera (Act 2 ‘Una Furtiva Lagrima’ [Nemorino]) [04:19]
04. Angela Gheorghiu – Carmen, Opera-Comique In 4 Acts (Act 3 ‘Je Dis Que Rien Ne M’epouvante’ [Micaela]) [05:05]
05. Jerry Hadley & Thomas Hampson – Les Pecheurs De Perles, Opera In 3 Acts (Act 1 ‘Au Fond Du Temple Saint’ [Nadir, Zurga]) [04:09]
06. Jennifer Larmore – Serse (Xerxes), Opera, HWV 40 (Act 1 ‘Ombra Mai Fu’ [Serse]) [03:36]
07. Veronique Gens – Dido And Aeneas, Opera, Z. 626 (Act 3 ‘When I Am Laid In Earth’ [Dido]) [03:55]
08. Cecilia Bartoli – Le Nozze Di Figaro (The Marriage Of Figaro), Opera, K. 492 (Act 2 ‘Voi Che Sapete [Cherubino]) [02:56]
09. Kiri Te Kanawa & Frederica von Stade – Cosi Fan Tutte, Opera, K. 588 (Act 1 ‘Soave Sia Il Sento’ [Fiordiligi, Dorabella, Don Alfonso]) [03:09]
10. Olga Borodina & Jose Cura – Samson Et Dalila, Opera In 3 Acts, Op. 47 (Act 2 ‘Mon Coeur S’ouvre A Ta Voix’ [Dalila, Samson]) [03:19]
11. Jerry Hadley & Anne Sofie von Otter – Werther, Lyric Drama In 4 Acts (Act 3 ‘Pourquoi Me Reveiller’ [Werther, Charlotte]) [02:24]
12. Richard Leech – Rigoletto, Opera (Act 3 ‘La Donna E Mobile’ [Duca]) [02:20]
13. Eva Urbanova – Rusalka, Opera, B. 203 (Op. 114) (Act 1 ‘O Silver Moon’ [Rusalka]) [06:05]
14. Cristina Gallardo-Domas – Madama Butterfly (Madame Butterfly), Opera (Act 2 ‘Un Bel Di Vedremo’ ) [04:29]
15. Jose Cura – Manon Lescaut, Opera (Act 1 ‘Donna Non Vidi Mai’ [Des Grieux]) [02:34]
16. Neil Schicoff & Edita Gruberova – La Traviata, Opera (Act 1- Brindisi- Libiamo, Libiamo Ne’Lieti Calici [Alfredo, Violetta]) [02:58]
17. Kiri Te Kanawa – Tosca, Opera (Act 2 ‘Vissi D’arte’ [Tosca]) [03:06]
18. Jose Carreras – La Boheme, Opera (Act 1 ‘Che Gelida Manina’ [Rodolfo]) [04:21]
19. Barbara Hendricks – La Boheme, Opera (Act 1 ‘Si. Mi Chiamano Mimi’ [Mimi]) [05:32]
20. Carreras & Hendricks – La Boheme, Opera (Act 1 ‘O Soave Fanciulla’ [Rodolfo, Mimi]) [04:06]
CD2:
01. Cristina Gallardo-Domas – Gianni Schicchi, Opera (Act 1 ‘O Mio Babbino Caro’ [Lauretta]) [02:31]
02. Cristina Gallardo-Domas – La Wally, Opera (Dramma Musicale) In 4 Acts (Act 1 ‘Ebben, Ne Andro Lontana’ [Wally]) [03:42]
03. Jennifer Larmore & Hei-Kyung Hong – Les Contes d’Hoffmann, Opera In 4 Acts (Act 4 Barcarolle – ‘Belle Nuit, O Nuit D’amour’ [Giulietta, Niklausse]) [02:31]
04. Placido Domingo – Carmen, Opera-Comique In 4 Acts (Act 2 Flower Song – ‘La Fleur Que Tu M’avais Jetee’ [Don Jose]) [04:04]
05. Kiri Te Kanawa – Turandot, Opera (Act 1 ‘Signore Ascolta!’ [Liu]) [02:41]
06. Neil Shicoff & Edith Gruberova – La Traviata, Opera (Act 1 ‘Un Di Felice’ [Alfredo, Violetta]) [03:09]
07. Jennifer Larmore & Hei-Kyung Hong – Lakme, Opera (Act 1 Flower Duet – ‘Dome Epais Le Jasmin’ [Lakme, Mallika]) [04:38]
08. Lella Cuberli – Le Nozze Di Figaro (The Marriage Of Figaro), Opera, K. 492 (Act 2 ‘Porgi Amor Qualche Ristoro’ [La Contessa]) [04:08]
09. Hans-Peter Blochwitz – Don Giovanni, Opera, K. 527 (Act 1 ‘Dalla Sua Pace’ [Don Ottavio]) [04:40]
10. Maria Callas – Norma – ‘Casta Diva’ [Norma & Priestesses] [06:53]
11. Marilyn Horne – Rinaldo, Opera, HWV 7 (Act 2 ‘Lascia Ch’io Pianga’ [Almirena]) [04:35]
12. Susan Graham – Orphee Et Eurydice (French Version), Opera In 3 Acts, Wq. 41 (Act 3 ‘J’ai Perdu Mon Eurydice’ [Orphee]) [04:24]
13. Rosa Mannion & Anton Scharinger – Die Zauberflote – ‘Bei Mannern, Welche Liebe Fuhlen’ [Pamina, Papageo] [02:57]
14. Placido Domingo – Aida, Opera (Act 1 ‘Celeste Aida’ [Radames]) [04:43]
15. Kiri Te Kanawa – La Rondine (The Swallow), Opera (Act 1 ‘Chi Il Bel Sogno Di Doretta’ [Magda]) [02:56]
16. Placido Domingo – Fedora, Opera (Act 2 ‘Amor Ti Vieta’ [Count Ipanov]) [02:11]
17. Karita Mattila – Die Lustige Witwe (The Merry Widow), Operetta (Act 2 Vilja-Lied [Hanna]) [04:53]
18. Placido Domingo – Tosca, Opera (Act 3 ‘E Lucevan Le Stelle’ [Cavaradossi]) [02:53]
19. Cristina Gallardo-Domas – Otello, Opera (Act 4 ‘Ave Maria’ [Desdemona]) [04:46]
20. Jennifer Larmore – La Cenerentola – ‘Non Piu Mesta’ [Angiolina] [03:10]
[B]Living is sharing!
…enjoy and say thanks…
http://forums.ffshrine.org/f92/40-most-beautiful-arias-2009-a-141508/#post2439540
Odeon: Khachaturian ? Piano Concerto & other Works ? Loris Tjeknavorian (http://odeonmusic.blogspot.gr/2013/09/khachaturian-piano-concerto-other-works.html)
Odeon: Glinka ? A life for the Tsar & other Orchestral Works ? Loris Tjeknavorian (http://odeonmusic.blogspot.gr/2013/09/glinka-life-for-tsar-other-orchestral.html)
Odeon: Sir Charles Mackerras ? Life with Czech Music ? Dvorak, Smetana (http://odeonmusic.blogspot.gr/2013/09/sir-charles-mackerras-life-with-czech.html)
Odeon: Dvorak ? Overtures, Symphonic Poems, Symphonic Variations ? Rafael Kubelik (http://odeonmusic.blogspot.gr/2013/09/dvorak-overtures-symphonic-poems.html)
Odeon: Jean Fran???aix ? Le roi nu, Les demoiselles de la nuit ? Thierry Fischer (http://odeonmusic.blogspot.gr/2013/09/jean-francaix-le-roi-nu-les-demoiselles.html)
Odeon: Hanns Eisler ? Orchestral Pieces ? Hans E. Zimmer (http://odeonmusic.blogspot.gr/2013/09/hanns-eisler-orchestral-pieces-hans-e.html)
Odeon: Various Composers ? Russian Moods ? Evgeny Svetlanov (http://odeonmusic.blogspot.gr/2013/09/various-composers-russian-moods-evgeny.html)
Odeon: Jean Fran???aix ? Symphony & Orchestral works ? Thierry Fischer (http://odeonmusic.blogspot.gr/2013/09/jean-francaix-symphony-orchestral-works.html)
Odeon: Grieg ? Peer Gynt ? Guillaume Tourniaire (http://odeonmusic.blogspot.gr/2013/09/grieg-peer-gynt-guillaume-tourniaire.html)
Odeon: Entartete Musik (Vol.2) ? Schoenberg In Hollywood – John Mauceri (http://odeonmusic.blogspot.gr/2013/09/entartete-musik-vol2-schoenberg-in.html)
Odeon: Shostakovich ? Orchestral works ? Rozhdestvensky (http://odeonmusic.blogspot.gr/2013/09/shostakovich-orchestral-works.html)
Odeon: Richard Wagner ? Symphonies in E major & in C major ? Hiroshi Wakasugi (http://odeonmusic.blogspot.gr/2013/09/richard-wagner-symphonies-in-e-major-in.html)
Odeon: Stokowski’s Symphonic Bach ? Matthias Bamert (http://odeonmusic.blogspot.gr/2013/09/stokowskis-symphonic-bach-matthias.html)
Odeon: Leopold Stokowski ? Maestro Celebre (http://odeonmusic.blogspot.gr/2013/09/leopold-stokowski-maestro-celebre.html)
Odeon: Honegger ? Symphonies 2 & 3, Pacific 231 ? Mariss Jansons (http://odeonmusic.blogspot.gr/2013/09/honegger-symphonies-2-3-pacific-231.html)
Odeon: Liebermann, Stravinsky. Ellington ? Concerto for Jazz Band & Symphony Orchestra (http://odeonmusic.blogspot.gr/2013/09/liebermann-stravinsky-ellington.html)
Odeon: Rapha???l Fumet ? Symphonie de l’Ame ? Mikhail Golikov (http://odeonmusic.blogspot.gr/2013/09/raphael-fumet-symphonie-de-lame-mikhail.html)
Odeon: Bach ? Works arranged for Orchestra ? Stokowski, Ormandy (http://odeonmusic.blogspot.gr/2013/09/bach-works-arranged-for-orchestra.html)
http://odeonmusic.blogspot.gr/2013/09/bach-works-arranged-for-orchestra.html
Odeon: Gershwin ? Rhapsody in Blue, Porgy and Bess suite, An American in Paris ? James Levine (http://odeonmusic.blogspot.gr/2013/09/gershwin-rhapsody-in-blue-porgy-and.html)
Odeon: Gustav Holst ? Orchestral Music ? Ross Pople (http://odeonmusic.blogspot.gr/2013/09/gustav-holst-orchestral-music-ross-pople.html)
Odeon: Falla ? Orchestral Music ? Various Artists (http://odeonmusic.blogspot.gr/2013/09/falla-orchestral-music-various-artists.html)
Odeon: Khachaturian ? Symphonies No.1 & 3 ? Loris Tjeknavorian (http://odeonmusic.blogspot.gr/2013/09/khachaturian-symphonies-no1-3-loris.html)
Odeon: Khachaturian – Symphony No.2; Suite from ‘The Battle of Leningrad’ – Loris Tjeknavorian (http://odeonmusic.blogspot.gr/2013/09/khachaturian-symphony-no2-suite-from.html)
Odeon: Ruben Liljefors ? Piano Concerto, Symphony in E flat ? Ir???ne Mannheimer, Mats Liljefors (http://odeonmusic.blogspot.gr/2013/09/ruben-liljefors-piano-concerto-symphony.html)
Odeon: Mendelssohn ? Preludes & Fugues ? Martin Jones (http://odeonmusic.blogspot.gr/2013/09/mendelssohn-preludes-fugues-martin-jones.html)
Odeon: A.Rejcha ? Te Deum ? V???clav Smet????ek (http://odeonmusic.blogspot.gr/2013/09/arejcha-te-deum-vaclav-smetacek.html)
Odeon: Mendelssohn ? Caprices & Scherzi ? Martin Jones (http://odeonmusic.blogspot.gr/2013/09/mendelssohn-caprices-scherzi-martin.html)
Odeon: Bart???k ? The Orchestral Masterpieces ? Sir Georg Solti (http://odeonmusic.blogspot.gr/2013/09/bartok-orchestral-masterpieces-sir.html)
Odeon: Brahms ? Piano Quartets ? Borodin Quartet (http://odeonmusic.blogspot.gr/2013/09/brahms-piano-quartets-borodin-quartet.html)
Odeon: Shostakovich ? 24 Preludes and Fugues op.87 ? Tatiana Nikolayeva (http://odeonmusic.blogspot.gr/2013/09/shostakovich-24-preludes-and-fugues.html)
Odeon: Tjeknavorian ? Piano Concerto, Babadzhanian ? Orchestral works ? Loris Tjeknavorian (http://odeonmusic.blogspot.gr/2013/08/tjeknavorian-piano-concerto.html)
MP3 320 kbps, 48 kHz, stereo
Tracklist:
CD1:
Ravel Maurice
Valses nobles et sentimentales (excerpts)
Slovak Radio Symphony Orchestra
Conductor: Jean Kenneth.
01. [01:18] No. 1. Modere
02. [00:57] No. 6. Assez vif
Sonatine: I. Modere
clarinet: Kovacs Bela,
harp: Maros Eva,
flute: Gyongyossy Zoltan.
Kodaly Quartet
03. [03:56] Sonatine: I. Modere
Introduction and Allegro
piano: Thiollier Francois-Joel.
04. [10:18] Introduction and Allegro
Violin Sonata in G major: II. Blues
violin:Kang Dong-Suk,
piano: Devoyon, Pascal.
05. [01:47] Menuet sur le nom de Haydn
Pavane pour une infante defunte
Slovak Radio Symphony Orchestra
Conductor: Jean Kenneth.
06. [06:28] Pavane pour une infante defunte
Miroirs: IV. Alborada del gracioso
Slovak Radio Symphony Orchestra
Conductor: Jean Kenneth.
07. [06:01] Miroirs: IV. Alborada del gracioso
Rapsodie espagnole: III. Habanera
piano: Thiollier Francois-Joel.
08. [02:51 ] Rapsodie espagnole: III. Habanera
Violin Sonata in G major: II. Blues: Moderato
09. [05:24] Violin Sonata in G major: II. Blues: Moderato
Chants populaires: Chanson espagnole
mezzo-soprano: Brua Claire,
piano: Abramovitz David.
10. [02:26] Chants populaires: Chanson espagnole
Piano Concerto for the Left Hand in G major
piano: Thiollier Francois-Joel,
Polish National Radio Symphony Orchestra
Conductor: Wit Antoni.
11. [18:27] Piano Concerto for the Left Hand in G major
La Valse
Slovak Radio Symphony Orchestra
Conductor: Jean Kenneth.
12. [13:17] La Valse
CD2:
Ravel Maurice
Daphnis et Chloe Suite No. 2
Slovak Radio Symphony Chorus
Slovak Radio Symphony Orchestra
Conductor: Jean Kenneth.
01. [16:28] I. Lever du jour – II. Pantomime – III. Danse generale
Jeux d’eau
piano: Thiollier Francois-Joel.
02. [04:58] Jeux d’eau
String Quartet in F major: II. Assez vif
Ad Libitum Quartet
03. [06:32] String Quartet in F major: II. Assez vif
Gaspard de la nuit: No. 1. Ondine
piano: Thiollier Francois-Joel.
04. [05:57] Gaspard de la nuit: No. 1. Ondine
Tzigane
violin: Zhang Howard,
Nicolaus Esterhazy Sinfonia
Conductor: Yuasa Takuo.
5. [09:32] Tzigane
Le tombeau de Couperin: V. Menuet
piano: Thiollier Francois-Joel.
06. [04:17] Le tombeau de Couperin: V. Menuet
Ravel Maurice
Morand, Paul, lyricist(s)
Don Quichotte a Dulcinee: No. 1. Chanson romanesque
baritone: Naouri Laurent,
piano: Abramovitz David.
07. [02:23] Don Quichotte a Dulcinee: No. 1. Chanson romanesque
Ravel Maurice
Ma mere l’oye: VI. Le jardin feerique
Slovak Radio Symphony Orchestra
Conductor: Jean Kenneth.
08. [03:51] Ma mere l’oye: VI. Le jardin feerique
Piano Concerto in G major: II. Adagio assai
piano: Thiollier Francois-Joel,
Polish National Radio Symphony Orchestra
Conductor: Wit Antoni.
09. [08:25] Piano Concerto in G major: II. Adagio assai
Bolero
Royal Philharmonic Orchestra
Conductor: Leaper Adrian.
10. [13:36] Bolero
Living is sharing!
…enjoy and say thanks…
http://forums.ffshrine.org/f92/ravel-very-best-2006-a-161854/#post2475159
could you please upload?
Odeon: Tchaikovsky ? Symphony No.3 ? Mariss Jansons (http://odeonmusic.blogspot.gr/2013/10/tchaikovsky-symphony-no3-mariss-jansons.html)
Odeon: Tchaikovsky ? Symphony No.2 ? Mariss Jansons (http://odeonmusic.blogspot.gr/2013/10/tchaikovsky-symphony-no2-mariss-jansons.html)
Odeon: Tchaikovsky – Symphony No. 1 in G minor Op. 13 ‘Winter Daydreams’ – Jansons (http://odeonmusic.blogspot.gr/2013/09/tchaikovsky-symphony-no-1-in-g-minor-op.html)
Odeon: Tchaikovsky ? Symphony No.4 ? Mariss Jansons (http://odeonmusic.blogspot.gr/2013/10/tchaikovsky-symphony-no4-mariss-jansons.html)
Odeon: Tchaikovsky ? Symphony No.5 ? Mariss Jansons (http://odeonmusic.blogspot.gr/2013/10/tchaikovsky-symphony-no5-mariss-jansons.html)
Meeting in Music: Glinka ? Dargomyzhsky ? Mussorgsky ? Borodin – Four hands piano music (Sandler | Laul) (http://meetinginmusic.blogspot.gr/2013/10/glinka-dargomyzhsky-mussorgsky-borodin.html)
Odeon: Prokofiev ? The Complete Symphonies ? Valery Gergiev (http://odeonmusic.blogspot.gr/2013/10/prokofiev-complete-symphonies-valery.html)
Odeon: Tchaikovsky ? Manfred Symphony ? Mariss Jansons (http://odeonmusic.blogspot.gr/2013/10/tchaikovsky-manfred-symphony-mariss.html)
Odeon: R.Strauss ? Tanzsuite, Divertimento ? Wakasugi (http://odeonmusic.blogspot.gr/2013/10/rstrauss-tanzsuite-divertimento-wakasugi.html)
Odeon: Richard Strauss ? Schlagobers ? Wakasugi (http://odeonmusic.blogspot.gr/2013/10/richard-strauss-schlagobers-wakasugi.html)
Odeon: Khachaturian, Borodin ? Gliere, Glinka, R.-Korsakov ? Russian Festival ? Bramall (http://odeonmusic.blogspot.gr/2013/10/khachaturian-borodin-gliere-glinka-r.html)
Odeon: R.Strauss ? Josephs Legende ? Hiroshi Wakasugi (http://odeonmusic.blogspot.gr/2013/10/rstrauss-josephs-legende-hiroshi.html)
Odeon: Mussorgsky ? Pictures from an Exhibition; Tchaikovsky ? The Sleeping Beauty ? Pletnev (http://odeonmusic.blogspot.gr/2013/10/mussorgsky-pictures-from-exhibition.html)
Odeon: Debussy, Ravel, Rimsky-Korsakov ? Spanish Music by Foreign Composers ? Various Artists (http://odeonmusic.blogspot.gr/2013/10/debussy-ravel-rimsky-korsakov-spanish.html)
Odeon: Ravel, Debussy ? Symphonic Works ? Fritz Reiner (http://odeonmusic.blogspot.gr/2013/10/ravel-debussy-symphonic-works-fritz.html)
Odeon: R.Strauss ? Symphony in D minor ? Kenneth Schermerhorn (http://odeonmusic.blogspot.gr/2013/10/rstrauss-symphony-in-d-minor-kenneth.html)
Odeon: R.Strauss ? Symphonic Works ? Andr??? Previn (http://odeonmusic.blogspot.gr/2013/10/rstrauss-symphonic-works-andre-previn.html)
Odeon: Evgeny Kissin in concert (CD 4) ? Chopin ? Piano Works (http://odeonmusic.blogspot.gr/2013/10/evgeny-kissin-in-concert-cd-4-chopin.html)
Odeon: Evgeny Kissin in concert (CD 3) ? Liszt, Schumann ? Piano Works (http://odeonmusic.blogspot.gr/2013/10/evgeny-kissin-in-concert-cd-3-liszt.html)
Odeon: Evgeny Kissin in concert (CD 2) ? Chopin ? Piano Concertos (http://odeonmusic.blogspot.gr/2013/10/evgeny-kissin-in-concert-cd-2-chopin.html)
Odeon: Evgeny Kissin in concert (CD 1) ? Tchaikovsky, Shostakovich ? Piano Concertos (http://odeonmusic.blogspot.gr/2013/10/evgeny-kissin-in-concert-tchaikovsky.html)
Odeon: Verdi Discoveries ? Riccardo Chailly (http://odeonmusic.blogspot.gr/2013/10/verdi-discoveries-riccardo-chailly.html)
Music For All: UPGRADE. MLP. Berlioz – Symphonie Fantastique, Marches, Overtures – Paul Paray, Detroit Symphony. SACD-ISO. FLAC 24bit 88.2kHz 2CH-MCH (http://organ-music-for-all.blogspot.gr/2012/06/new-up-mlp-berlioz-symphonie.html)
SA-CD.net – Berlioz: Symphonie Fantastique – Paray (http://www.sa-cd.net/showtitle/3265)
Music For All: UPGRADE. MLP. Franz Liszt, George Enesco – Rhapsodies: Antal Dorati, LSO. SACD-ISO. FLAC 24bit 88.2kHz 2CH-MCH (http://organ-music-for-all.blogspot.gr/2012/05/new-up-mlp-franz-liszt-george-enesco.html)
SA-CD.net – Liszt: Hungarian Rhapsodies, Enescu: Roumanian Rhapsody – Dorati (http://www.sa-cd.net/showtitle/2975)
Odeon: Grieg ? Piano Concerto (original version); Small Piano pieces ? Love Derwinger (http://odeonmusic.blogspot.gr/2013/10/grieg-piano-concerto-original-version.html)
Odeon: Mahler ? Symphony No.8 ? Dimitri Mitropolous (http://odeonmusic.blogspot.gr/2013/10/mahler-symphony-no8-dimitri-mitropolous.html)
Odeon: Mahler ? Symphony No.3 ? Dimitri Mitropoulos (http://odeonmusic.blogspot.gr/2013/10/mahler-symphony-no3-dimitri-mitropoulos.html)
Odeon: Liszt ? Eine Faust-Symphonie ? Jianyi Zhang, Eliahu Inbal (http://odeonmusic.blogspot.gr/2013/10/liszt-eine-faust-symphonie-jianyi-zhang.html)
Odeon: Mahler ? Symphony No.1, Blumine ? Neeme J???rvi (http://odeonmusic.blogspot.gr/2013/10/mahler-symphony-no1-blumine-neeme-jarvi.html)
Rachmaninov: Complete Symphonies & Orchestral Works | Classical??Klassik????????????????? (http://www.classical-gudian.com/2013/10/rachmaninov-complete-symphonies.html)
Blogger Musical (Beautiful Classical Music): Bizet: Carmen Ballet (http://i-bloggermusic.blogspot.gr/2013/10/bizet-carmen-ballet.html)
La Discoteca Cl???sica: Ernesto Lecuona – The Complete Piano Music Vol.2 (http://ladiscotecaclasica.blogspot.gr/2013/10/ernesto-lecuona-complete-piano-music_24.html)
La Discoteca Cl???sica: Ernesto Lecuona – The Complete Piano Music Vol.3 (http://ladiscotecaclasica.blogspot.gr/2013/10/ernesto-lecuona-complete-piano-music_25.html)
La Discoteca Cl???sica: Mikl???s R???zsa – Film Music for Piano Vol. 2 (http://ladiscotecaclasica.blogspot.gr/2013/10/miklos-rozsa-film-music-for-piano-vol-2.html)
http://1.bp.blogspot.com/-4tr5LSKMt5w/UmJF1fWfMAI/AAAAAAAAEVc/1WxG-966mcE/s1600/Front.JPG
http://4.bp.blogspot.com/-L4tAj7f-jq8/UmJGXFu1n0I/AAAAAAAAEVk/ET9BHftl-_I/s1600/Back.JPG
La Discoteca Cl???sica: Shostakovich – New Babylon Film Music; Song-Cycle from Jewish Folk Poetry (http://ladiscotecaclasica.blogspot.gr/2013/10/shostakovich-new-babylon-film-music.html)
Taneyev Symphony no.4 | Classical??Klassik????????????????? (http://www.classical-gudian.com/2013/10/taneyev-symphony-no4.html)
La Discoteca Cl???sica: Kalevi Aho – Symphony No.10; Rejoicing of the Deep Waters (fantasy for Orchestra) (http://ladiscotecaclasica.blogspot.gr/2013/10/kalevi-aho-symphony-no10-rejoicing-of.html)
David The DSCH Fan: Eliahu Inbal-Shostakovich Symphony No. 4 in C minor, op. 43 (http://dimitridsch.blogspot.gr/2013/10/eliahu-inbal-shostakovich-symphony-no-4.html)
David The DSCH Fan: Gennady Rozhdestvensky – Shostakovich Symphonies Nos. 1, 5, 6 & 9 (http://dimitridsch.blogspot.gr/2013/10/gennady-rozhdestvensky-schostakovitsch.html)
David The DSCH Fan: Gennady Rozhdestvensky – Schostakovitsch Symphonien Nr. 14 & 15 und Romances (http://dimitridsch.blogspot.gr/2013/10/gennady-rozhdestvensky-schostakovitsch_25.html)
La Discoteca Cl???sica: Ernesto Lecuona – The Complete Piano Music Vol.5 (http://ladiscotecaclasica.blogspot.gr/2013/10/ernesto-lecuona-complete-piano-music_3605.html)
La Discoteca Cl???sica: Ernesto Lecuona – The Complete Piano Music Vol.4 (http://ladiscotecaclasica.blogspot.gr/2013/10/ernesto-lecuona-complete-piano-music_28.html)
Odeon: Great Pianists of the 20th Century ? Mikhail Pletnev (http://odeonmusic.blogspot.gr/2013/10/great-pianists-of-20th-century-mikhail.html)
CD4 Ashkenazy’s orchestration for Pictures at an Exhibition
Diabolus In Musica: The Decca Sound CD01-05 (http://classical-pippo9.blogspot.gr/2013/11/the-decca-sound-cd01-05.html)
A very nice page with information on the great Greek conductor/pianist/composer Dimitri Mitropoulos
DimitriMitropoulos.gr (http://www.dimitrimitropoulos.gr/)
Odeon: George Enescu ? Symphony No.3, Concert Overture ? Cristian Mandeal (http://odeonmusic.blogspot.gr/2013/11/george-enescu-symphony-no3-concert.html)
Odeon: George Enescu ? Symphony No.2, Romanian Rhapsody No.2 ? Cristian Mandeal (http://odeonmusic.blogspot.gr/2013/11/george-enescu-symphony-no2-romanian.html)
Diabolus In Musica: The Decca Sound CD06-10 (http://classical-pippo9.blogspot.gr/2013/11/the-decca-sound-cd06-10.html)
Odeon: Bach, Shostakovich, Beethoven ? Piano Works ? Tatiana Nikolayeva (http://odeonmusic.blogspot.gr/2013/10/bach-shostakovich-beethoven-piano-works.html)
Odeon: George Enescu ? Symphonie Concertante, Chamber Symphony ? Cristian Mandeal (http://odeonmusic.blogspot.gr/2013/11/george-enescu-symphonie-concertante.html)
Odeon: George Enescu ? Romanian Rhapsody No.1, Suites Nos. 2 & 3 ? Cristian Mandeal (http://odeonmusic.blogspot.gr/2013/11/george-enescu-romanian-rhapsody-no1.html)
Odeon: George Enescu ? Po???me roumain, Vox Maris, Voix de la nature ? Cristian Mandeal (http://odeonmusic.blogspot.gr/2013/11/george-enescu-poeme-roumain-vox-maris.html)
Odeon: Mozart ? Requiem (completed by Robert Levin) ? Martin Pearlman (http://odeonmusic.blogspot.gr/2013/11/mozart-requiem-complrobert-levin-martin.html)
La Discoteca Cl???sica: Enescu – Complete Orchestral Works Vol.2 (http://ladiscotecaclasica.blogspot.gr/2013/11/enescu-complete-orchestral-works-vol2.html)
La Discoteca Cl???sica: Enescu – Complete Orchestral Works Vol.1 (http://ladiscotecaclasica.blogspot.gr/2013/11/enescu-complete-orchestral-works-vol1.html)
Music For All: NEW-UP. CALA. Respighi – Ballad of the Gnomes: Geoffrey Simon, London PO. SACD-ISO. FLAC 24bit-88.2kHz 2CH-MCH (http://organ-music-for-all.blogspot.gr/2013/11/new-up-cala-respighi-ballad-of-gnomes.html)
Odeon: Stravinsky ? Ballets, Stage Works, Orchestral Works ? Ernest Ansermet (http://odeonmusic.blogspot.gr/2013/11/stravinsky-ballets-stage-works.html)
Odeon: R.Strauss the unknown Vol.1 ? Early Orchestral Woks ? Jaroslav Opela (http://odeonmusic.blogspot.gr/2013/11/rstrauss-unknown-vol1-early-orchestral.html)
Odeon: R.Strauss the unknown Vol.2 ? The Donkey’s Shadow ? Karl Anton Rickenbacher (http://odeonmusic.blogspot.gr/2013/11/rstrauss-unknown-vol2-donkeys-shadow.html)
David The DSCH Fan: Gennady Rozhdestvensky – Schostakovitsch Symphonies Nos. 2, 3 & 4 (http://dimitridsch.blogspot.gr/2013/11/gennady-rozhdestvensky-schostakovitsch.html)
Odeon: R.Strauss the unknown Vol.5 ? The Waltz King ? Karl Anton Rickenbacher (http://odeonmusic.blogspot.gr/2013/11/rstrauss-unknown-vol5-waltz-king-karl.html)
Odeon: R.Strauss the unknown Vol.4 ? Symphonic Fragments and Fantasies ? Karl Anton Rickenbacher (http://odeonmusic.blogspot.gr/2013/11/rstrauss-unknown-vol4-symphonic.html)
Odeon: R.Strauss the unknown Vol.3 ? Early Symphonies ? Karl Anton Rickenbacher (http://odeonmusic.blogspot.gr/2013/11/rstrauss-unknown-vol3-early-symphonies.html)
Music For All: NEW-UP. MLP. Screamers March Time – Frederick Fennell, Eastman Wind Ensemble. SACD-ISO. FLAC 24bit 88.2kHz 2CH-MCH (http://organ-music-for-all.blogspot.gr/2013/11/new-up-mlp-screamers-march-time.html)
Odeon: R.Strauss the unknown Vol.7 ? The Works for Solo Piano ? Stefan Vladar (http://odeonmusic.blogspot.gr/2013/11/rstrauss-unknown-vol7-works-for-solo.html)
Odeon: R.Strauss the unknown Vol.6 ? Ballet Suites ? Karl Anton Rickenbacher (http://odeonmusic.blogspot.gr/2013/11/rstrauss-unknown-vol6-ballet-suites.html)
Odeon: R.Strauss ? Vier letzte Lieder, Tod und Verkl???rung, Metamorphosen ? Janowitz, Karajan (http://odeonmusic.blogspot.gr/2013/11/rstrauss-vier-letzte-lieder-tod-und.html)
Odeon: Hindemith ? Symphonia Serena, Symphony ‘Die Harmonie der Welt’ ? Yan Pascal Tortelier (http://odeonmusic.blogspot.gr/2013/11/hindemith-symphonia-serena-symphony-die.html)
La Discoteca Cl???sica: Enescu – Complete Orchestral Works Vo.4 (http://ladiscotecaclasica.blogspot.gr/2013/11/enescu-complete-orchestral-works-vo4.html)
La Discoteca Cl???sica: Enescu – Complete Orchestral Works Vol.3 (http://ladiscotecaclasica.blogspot.gr/2013/11/enescu-complete-orchestral-works-vol3.html)
Odeon: Prokofiev ? Symphony No. 5, The Year 1941 ? Theodore Kuchar (http://odeonmusic.blogspot.gr/2013/11/prokofiev-symphony-no-5-year-1941.html)
Odeon: R.Strauss the unknown Vol.12 ? Preludes and Intermezzos from Operas – Karl Anton Rickenbacher (http://odeonmusic.blogspot.gr/2013/11/rstrauss-unknown-vol12-preludes-and.html)
Odeon: Prokofiev ? Symphony No. 4, The Prodigal Son ? Theodore Kuchar (http://odeonmusic.blogspot.gr/2013/11/prokofiev-symphony-no-4-prodigal-son.html)
Odeon: R.Strauss the unknown Vol.11 ? Piano Concertos for the left hand ? Anna Gourari (http://odeonmusic.blogspot.gr/2013/11/rstrauss-unknown-vol11-piano-concertos.html)
Odeon: Prokofiev ? Symphonies Nos. 3 & 7 ? Theodore Kuchar (http://odeonmusic.blogspot.gr/2013/11/prokofiev-symphonies-nos-3-7-theodore.html)
Odeon: R.Strauss the unknown Vol.10 ? Early Orchestral Woks II ? Karl Anton Rickenbacher (http://odeonmusic.blogspot.gr/2013/11/rstrauss-unknown-vol10-early-orchestral.html)
Odeon: Prokofiev ? Symphonies Nos. 1 & 2 ? Theodore Kuchar (http://odeonmusic.blogspot.gr/2013/11/prokofiev-symphonies-nos-1-2-theodore.html)
Odeon: R.Strauss the unknown Vol.9 ? Die Ruinen von Athen ? Karl Anton Rickenbacher (http://odeonmusic.blogspot.gr/2013/11/rstrauss-unknown-vol9-die-ruinen-von.html)
Odeon: Fritz Brun ? Symphonies Nos. 5 & 10 ? Adriano (http://odeonmusic.blogspot.gr/2013/11/fritz-brun-symphonies-nos-5-10-adriano.html)
Odeon: R.Strauss the unknown Vol.8 ? Le Bourgeois Gentilhomme ? Karl Anton Rickenbacher (http://odeonmusic.blogspot.gr/2013/11/rstrauss-unknown-vol8-le-bourgeois.html)
Odeon: Fritz Brun ? Symphonies Nos. 6 & 7 ? Adriano (http://odeonmusic.blogspot.gr/2013/11/fritz-brun-symphonies-nos-6-7-adriano.html)
La Discoteca Cl???sica: Enescu – Complete Orchestral Works Vol.6 (http://ladiscotecaclasica.blogspot.gr/2013/11/enescu-complete-orchestral-works-vol6.html)
La Discoteca Cl???sica: Enescu – Complete Orchestral Works Vol.5 (http://ladiscotecaclasica.blogspot.gr/2013/11/enescu-complete-orchestral-works-vol5.html)
Music For All: UPGRADE. MLP. Respighi – Ancient Dances and Airs for Lute – Antal Dorati, Philharmonia Hungarica. SACD-ISO. FLAC 24bit 88.2kHz 2CH (http://organ-music-for-all.blogspot.gr/2012/06/new-up-mlp-respighi-ancient-dances-and.html)
Odeon: Prokofiev ? Symphony No. 6, Waltzes op.110 ? Theodore Kuchar (http://odeonmusic.blogspot.gr/2013/11/prokofiev-symphony-no-6-waltzes-op110.html)
Odeon: Taneyev ? Symphonies Nos.1 & 3 ? Thomas Sanderling (http://odeonmusic.blogspot.com/2013/11/taneyev-symphonies-nos1-3-thomas.html)
Odeon: Taneyev ? Symphonies Nos.2 & 4 ? Thomas Sanderling (http://odeonmusic.blogspot.com/2013/11/taneyev-symphonies-nos2-4-thomas.html)
Odeon: Taneyev ? Orchestral Works ? Thomas Sanderling (http://odeonmusic.blogspot.gr/2013/11/taneyev-orchestral-works-thomas.html)
Odeon: Taneyev ? Suite de Concert, Cantata ‘Ioanna Damaskin’ ? Thomas Sanderling (http://odeonmusic.blogspot.gr/2013/11/taneyev-suite-de-concert-cantata-ioanna.html)
Odeon: Berlioz ? Overtures ? Charles Munch (http://odeonmusic.blogspot.gr/2013/11/berlioz-overtures-charles-munch.html)
Music For All: UPGRADE. MLP. Antal Dorati, London SO – Stravinsky: The Firebird (complete ballet), etc. SACD-ISO. FLAC 24bit 88.2kHz 2.0 (http://organ-music-for-all.blogspot.com/2012/09/new-up-mlp-antal-dorati-london-so.html)
Music For All: NEW-UP. MLP. Rimsky-Korsakov & Borodin – Orchestral Works: Antal Dorati, LSO. SACD-ISO. FLAC 24bit 88.2kHz 2CH-MCH (http://organ-music-for-all.blogspot.com/2013/11/new-up-mlp-rimsky-korsakov-borodin.html)
Something I heard on the radio the other night. Very pleasant to the ears.
Thank you!
classic experience volume 1-4
http://i.ebayimg.com/t/The-Classic-Experience-2-x-Cassette-Set-EMI-1988-33-Most-Popular-Classics-/00/s/MTYwMFgxNDk2/z/tOkAAOxyrYFR2B23/$T2eC16ZHJFsFFSSYQD0VBR2B22wpe!~~60_12.JPG
http://i.ebayimg.com/t/CLASSIC-EXPERIENCE-II-36-POPULAR-CLASSICS-2-LP-/23/!CEJ!bKwEGk~$%28KGrHqYOKp0E0VKo5JQ9BNQ99%28H,mg~~_ 3.JPG
http://i.ebayimg.com/t/The-Classic-Experience-III-33-Of-The-Most-Popular-Classics-CD-/00/s/MTM2M1gxNTgx/z/HMUAAOxyMxJSMfhJ/$T2eC16dHJH4FHds)g9u2BSMfhIEhkg~~60_12.JPG
http://i.ebayimg.com/t/Various-Classic-Experience-IV-/00/s/MTE2WDExNg==/z/wxoAAMXQMmJROOAE/$(KGrHqJ,!k4FE)-kPG5NBROO!EbjN!~~60_35.JPG
the classic romance
http://i.ebayimg.com/t/The-Classic-Romance-18-of-Most-Popular-Romantic-Classics-Cassette-Tape-TESTED-/00/s/MTMyMlgxNjAw/z/Ek8AAMXQiFxR755y/$T2eC16h,!%29QE9s3HG988BR755%297Z-Q~~60_12.JPG
a classic christmas
http://i.ebayimg.com/t/Various-Orchestral-A-Classic-Christmas-vinyl-LP-album-record-UK-EMTV62-EMI-/00/s/ODAwWDgwMA==/z/srIAAOxydB1Se5P7/$(KGrHqJ,!pIFJVf)-pyMBSe5P7V)8Q~~60_12.JPG
Odeon: Liszt ? Saint-Sa???ns, Chopin, Berlioz transcriptions ? Leslie Howard (http://odeonmusic.blogspot.gr/2013/12/liszt-saint-saens-chopin-berlioz.html)
Odeon: Stravinsky ? Symphony, Le Chant du Rossignol, Capriccio for Piano and Orchestra ? N.J???rvi (http://odeonmusic.blogspot.gr/2013/12/stravinsky-symphony-le-chant-du.html)
Odeon: Stravinsky ? Petrushka, Apollon Musag???te, Circus Polka ? Neeme J???rvi (http://odeonmusic.blogspot.gr/2013/12/stravinsky-petrushka-apollon-musagete.html)
Odeon: Falla ? Complete Piano Works ? Ricardo Requejo (http://odeonmusic.blogspot.gr/2013/12/falla-complete-piano-works-ricardo.html)
Odeon: Stravinsky ? Symphony in E flat, Violin Concerto ? Neeme J???rvi (http://odeonmusic.blogspot.gr/2013/12/stravinsky-symphony-in-e-flat-violin.html)
Odeon: Respighi ? Orchestral Works ? Geoffrey Simon, Y.-P. Tortelier (http://odeonmusic.blogspot.gr/2013/12/respighi-orchestral-works-geoffrey.html)
Odeon: Stravinsky ? Oedipus Rex ? Neeme J???rvi (http://odeonmusic.blogspot.gr/2013/12/stravinsky-oedipus-rex-neeme-jarvi.html)
Music For All: NEW-UP. MLP. Fennell Conducts Sousa – Frederick Fennell, Eastman Wind Ensemble. SACD-ISO. FLAC 24bit 88.2kHz 2CH-MCH (http://organ-music-for-all.blogspot.gr/2013/12/new-up-mlp-fennell-conducts-sousa.html)
Odeon: Debussy ? Works for Piano 4 Hands ? Duo Crommelynck (http://odeonmusic.blogspot.gr/2013/11/debussy-works-for-piano-4-hands-duo.html)
Odeon: Stravinsky ? Petrushka, Orpheus ? Esa-Pekka Salonen (http://odeonmusic.blogspot.gr/2013/12/stravinsky-petrushka-orpheus-esa-pekka.html)
Odeon: Various Composers ? Marc-Andr??? Hamelin Live at Wigmore Hall (http://odeonmusic.blogspot.gr/2013/12/various-composers-marc-andre-hamelin.html)
Odeon: Martinu, Gideon Klein, Bart???k ? Symphonic Works ? Eschenbach (http://odeonmusic.blogspot.gr/2013/12/martinu-gideon-klein-bartok-symphonic.html)
Odeon: Turina ? Orchestral works ? Adrian Leaper (http://odeonmusic.blogspot.gr/2013/12/turina-orchestral-works-adrian-leaper.html)
Odeon: Haydn, Schubert ? Piano Sonatas ? Evgeny Kissin (http://odeonmusic.blogspot.gr/2013/12/haydn-schubert-piano-sonatas-evgeny.html)
Odeon: Stravinsky ? Pulcinella, Le Chant du Rossignol ? Pierre Boulez (http://odeonmusic.blogspot.gr/2013/12/stravinsky-pulcinella-le-chant-du.html)
Odeon: Godowsky ? The Complete Studies on Chopin’s Etudes ? Marc-Andr??? Hamelin (http://odeonmusic.blogspot.gr/2013/11/godowsky-complete-studies-on-chopins.html)
Odeon: Rimsky-Korsakov ? The Legend of the Invisible City of Kitezh, Sheherazade ? Temirkanov (http://odeonmusic.blogspot.gr/2013/12/rimsky-korsakov-legend-of-invisible.html)
Odeon: Ravel, Stravinsky ? Orchestral Works ? Yuri Temirkanov (http://odeonmusic.blogspot.gr/2013/12/ravel-stravinsky-orchestral-works-yuri.html)
Odeon: Sinding, Grieg, Sibelius, Alfven ? Symphonic Works ? Richard Edlinger (http://odeonmusic.blogspot.gr/2013/12/sinding-grieg-sibelius-alfven-symphonic.html)
Music For All: UPGRADE. MLP. Tchaikovsky – The Nutcracker: Antal Dorati, LSO. 2xSACD-ISO. FLAC 24bit 88.2kHz 2CH-MCH (http://organ-music-for-all.blogspot.gr/2012/06/new-up-mlp-tchaikovsky-nutcracker-antal.html)
Odeon: Alfven ? Swedish Rhapsodies 1-3 & other Orchestral works ? Petri Sakari (http://odeonmusic.blogspot.gr/2013/12/alfven-swedish-rhapsodies-1-3-other.html)
Odeon: Liszt ? The young Liszt ? Leslie Howard (http://odeonmusic.blogspot.gr/2013/12/liszt-young-liszt-leslie-howard.html)
Odeon: Rachmaninov, Tchaikovsky ? Piano Concertos ? Martha Argerich (http://odeonmusic.blogspot.gr/2013/12/rachmaninov-tchaikovsky-piano-concertos.html)
Odeon: Kar?owicz ? Violin Concerto, ‘Ewige Lieder’ ? Takao Ukigaya (http://odeonmusic.blogspot.gr/2013/12/karowicz-violin-concerto-ewige-lieder.html)
Odeon: Ippolitov-Ivanov ? Caucasian Sketches ? Christopher Lyndon Gee (http://odeonmusic.blogspot.gr/2013/12/ippolitov-ivanov-caucasian-sketches.html)
Odeon: Supp???, Auber ? Overtures ? Paul Paray (http://odeonmusic.blogspot.gr/2013/12/suppe-auber-overtures-paul-paray.html)
Sir Malcolm Arnold
Arnold: Guitar Concerto
Julian Bream, guitar
Melos Ensemble
Malcolm Arnold, conductor
RCA 09026-61598
Odeon: Khrennikov ? Violin Concertos, Piano Concertos ? Vladimir Fedoseyev (http://odeonmusic.blogspot.com/2013/12/khrennikov-violin-concertos-piano.html)
Odeon: Arensky; Ippolitov-Ivanov – USSR Radio S. Orchestra (http://odeonmusic.blogspot.com/2012/07/arensky-ippolitov-ivanov-ussr-radio-s.html)
Odeon: Tchaikovsky – Symphony No.4 – Fedoseyev (http://odeonmusic.blogspot.com/2012/04/tchaikovsky-symphony-no4-fedoseyev.html)
Odeon: Liszt ? Hexam???ron, Symphonie Fantastique ? Leslie Howard (http://odeonmusic.blogspot.com/2013/12/liszt-hexameron-symphonie-fantastique.html)
Odeon: Kurpinski, Dobrynski, Moniuszko, Zelenski, Noskowski ? Symphonic Music ? Nowak (http://odeonmusic.blogspot.com/2013/12/kurpinski-dobrynski-moniuszko-zelenski.html)
Music For All: NEW-UP. Prokofiev – Alexander Nevsky: Leonard Slatkin. Rimsky-Korsakov – Scheherazade: Jerzy Semkow. St. Louis Symphony. Audio DVD-Video (http://organ-music-for-all.blogspot.com/2013/12/new-up-prokofiev-alexander-nevsky.html)
Odeon: Paderewski ? Orchestral works ? Roland Bader (http://odeonmusic.blogspot.gr/2013/12/paderewski-orchestral-works-roland-bader.html)
Phideas you’re such a vindictive piece of crap. Nobody gave Oscar a hard time. And as far as the "big reach" goes – up yours!
———- Post added at 11:18 PM ———- Previous post was at 11:14 PM ———-
Hello, I’m really after Mikl???s R???zsa Piano / Cello Concerto’s for study purposes. I’m happy to buy it but no on-line shop has it!!
could you please upload?
All of Rőzsa’s concertante works are available in the Rőzsa on Koch collection I posted:
Unless of course you’re looking for the specific PC/CC album with Leonard Pennario and Jan???s Starker, the respective dedicatees. Igot that too, but the original link is dead now.
could you please upload?
Despite phideas1 being such an irritatingly morose and maudlin presence, I have posted the R???zsa concertos in my "concerto thread":
Music For All: NEW-UP. MDG. Respighi Orchestral Works: George Hanson, Wuppertal SO. SACD-ISO. DST64: DFF(DST) 1bit-2822,4kHz 2CH-MCH (http://organ-music-for-all.blogspot.com/2013/12/new-up-mdg-respighi-orchestral-works.html)
Music For All: NEW-UP. MDG. Ottorino Respighi – Pini di Roma, Trittico, Tre Corali: Stefan Blunier, Beethoven Orchester Bonn. SACD-ISO. DST64: DFF(DST) 1bit-2822,4kHz 2CH-MCH (http://organ-music-for-all.blogspot.com/2013/12/new-up-mdg-ottorino-respighi-pini-di.html)
Music For All: UPGRADE. RCA LIVING STEREO: Dvorak, Smetana, Weinberger – Fritz Reiner, Chicago SO. SACD-ISO. DST64: DFF(DST) 1bit-2822,4kHz 2CH-MCH (http://organ-music-for-all.blogspot.com/2012/09/new-up-rca-living-stereo-dvorak-smetana.html)
Odeon: Mendelssohn, Bach, Brahms, Tchaikovsky, Rachmaninov ? Piano Works ? Cherkassky (http://odeonmusic.blogspot.com/2013/12/mendelssohn-bach-brahms-tchaikovsky.html)
Odeon: Various Composers ? Shura Cherkassky ? Live Encores (http://odeonmusic.blogspot.com/2013/12/various-composers-shura-cherkassky-live.html)
Odeon: Ryba ? Czech Christmas Mass ? Vaclav Smetacek (http://odeonmusic.blogspot.com/2013/12/ryba-czech-christmas-mass-vaclav.html)
Odeon: Penderecki ? Te Deum, Lacrimosa ? Penderecki (http://odeonmusic.blogspot.com/2013/12/penderecki-te-deum-lacrimosa-penderecki.html)
Odeon: Brahms ? Symphonies ? Riccardo Chailly (http://odeonmusic.blogspot.com/2013/12/brahms-symphonies-riccardo-chailly.html)
Odeon: Wagner ? Orchestral Excerpts ? Hans Knappertsbusch (http://odeonmusic.blogspot.com/2013/12/wagner-orchestral-excerpts-hans.html)
Odeon: Janacek ? Opera Suites ? Ji???? B?lohl???vek (http://odeonmusic.blogspot.com/2013/12/janacek-opera-suites-jiri-belohlavek.html)
Odeon: Liszt, Ravel ? Piano works ? Sviatoslav Richter (http://odeonmusic.blogspot.com/2013/12/liszt-ravel-piano-works-sviatoslav.html)
Odeon: Stravinsky, Prokofiev, Britten ? Orchestral Works ? Karel Ancerl (http://odeonmusic.blogspot.com/2013/12/stravinsky-prokofiev-britten-orchestral.html)
Odeon: Grieg ? Peer Gynt, Symphonic Dances ? Sir Thomas Beecham (http://odeonmusic.blogspot.com/2013/12/grieg-peer-gynt-symphonic-dances-sir.html)
Odeon: Tom????ek ? Requiem in C minor ? Bohumil Kulinsky (http://odeonmusic.blogspot.com/2013/12/tomasek-requiem-in-c-minor-bohumil.html)
Odeon: Music at the Court of St. Petersburg (Vol.1) ? Glinka, Field, Hassler, Lizogub ? Olga Tverskaya (http://odeonmusic.blogspot.com/2013/12/music-at-court-of-st-petersburg-vol1.html)
Odeon: Foerster ? Cyrano de Bergerac; Shakespeare Suite ? Vaclav Smetacek (http://odeonmusic.blogspot.com/2013/12/foerster-cyrano-de-bergerac-shakespeare.html)
Odeon: Tchaikovsky ? Works arranged for two Pianos ? K.&M. Lab???que (http://odeonmusic.blogspot.com/2013/12/tchaikovsky-works-arranged-for-two.html)
Odeon: Mussorgsky, Debussy, Chabrier, Schumann ? Ravel Orchestrations ? Emmanuel Krivine (http://odeonmusic.blogspot.com/2013/12/mussorgsky-debussy-chabrier-schumann.html)
Odeon: Dukas, Bizet, Debussy, Ravel ? Piano Duos ? B???roff, Collard (http://odeonmusic.blogspot.com/2013/12/dukas-bizet-debussy-ravel-piano-duos.html)
Odeon: R.Strauss ? Also sprach Zarathustra ? Lorin Maazel (http://odeonmusic.blogspot.com/2013/12/rstrauss-also-sprach-zarathustra-lorin.html)
Odeon: Various Composers ? ‘The most beautiful Bohemian marches, polkas and waltzes’ ? Neumann (Vol.1) (http://odeonmusic.blogspot.com/2014/01/various-composers-most-beautiful.html)
Odeon: Various Composers ? ‘The most beautiful Bohemian marches, polkas and waltzes’ ? Neumann (Vol.2) (http://odeonmusic.blogspot.com/2014/01/various-composers-most-beautiful_1.html)
A Nordic Festival – Esa-Pekka Salonen | Songs, Reviews, Credits, Awards | AllMusic (http://www.allmusic.com/album/a-nordic-festival-mw0000905979)
can anyone please help?
main interest Salonen’s interpretation of:
Leifs, Geysir
Alven, Rhapsody
thanks a lot.
greetings bohuslav
Music For All: NEW-UP. CPO. Ottorino Respighi – La Sensitiva…: Marzio Conti, Orchestra del Teatro Massimo, Damiana Pinti. SACD-ISO. DST64: DFF(DST) 1bit-2822,4kHz 2CH-MCH (http://organ-music-for-all.blogspot.com/2014/01/new-up-cpo-ottorino-respighi-la.html)
Music For All: NEW-UP. HDAD. Respighi – The Fountains of Rome, The Pines of Rome: Malcolm Sargent, London SO. (http://organ-music-for-all.blogspot.com/2014/01/new-up-hdad-respighi-fountains-of-rome.html)
Music For All: NEW-UP. HDAD. BERLIOZ: Requiem Op. 5 (Grande Messe des Morts) – Maurice Abravanel, Utah Symphony Orchestra (http://organ-music-for-all.blogspot.com/2014/01/new-up-hdad-berlioz-requiem-op-5-grande.html)
Odeon: Barber, Amy Beach ? Symphonies ? Neeme J???rvi (http://odeonmusic.blogspot.com/2014/01/barber-amy-beach-symphonies-neeme-jarvi.html)
Odeon: Delibes ? Copp???lia (highlights) ? Kent Nagano (http://odeonmusic.blogspot.com/2014/01/delibes-coppelia-highlights-kent-nagano.html)
Odeon: Tessarini, Neruda, Handel, Mica ? Orchestral Works ? Mirko Krebs (http://odeonmusic.blogspot.com/2014/01/tessarini-neruda-handel-mica-orchestral.html)
Odeon: Rossini ? Music for Two Pianos ? David Bradshaw, Cosmo Buono (http://odeonmusic.blogspot.com/2014/01/rossini-music-for-two-pianos-david.html)
Odeon: Fazil Say ? 1001 Nights in the harem ? Various Artists (http://odeonmusic.blogspot.com/2014/01/fazil-say-1001-nights-in-harem-va.html)
Odeon: Carl Orff ? Carmina Burana ? Andr??? Previn (http://odeonmusic.blogspot.com/2014/01/carl-orff-carmina-burana-andre-previn.html)
Odeon: Elfrida Andr???e ? Fritiof Suite, Symphony No.2 ? Gustav Sj???kvist (http://odeonmusic.blogspot.com/2014/01/elfrida-andree-fritiof-suite-symphony.html)
Odeon: Ravel ? Daphnis et Chlo??? ? Riccardo Chailly (http://odeonmusic.blogspot.com/2014/01/ravel-daphnis-et-chloe-riccardo-chailly.html)
Odeon: Penderecki ? Symphonic Works ? Penderecki (http://odeonmusic.blogspot.com/2014/01/penderecki-symphonic-works-penderecki.html)
Odeon: Lindblad, ???lander ? Symphonies ? Various Artists (http://odeonmusic.blogspot.com/2014/01/lindblad-olander-symphonies-va.html)
Odeon: Bartok ? Orchestral Works ? Edward Gardner (http://odeonmusic.blogspot.com/2014/01/bartok-orchestral-works-edward-gardner.html)
Odeon: Poulenc, Milhaud, Honegger ? Symphonic Works ? Semyon Bychkov (http://odeonmusic.blogspot.com/2014/01/poulenc-milhaud-honegger-symphonic.html)
Odeon: Lutoslawski, Bartok, Helweg ? Works for Percursion Duo and Piano ? Safri Duo (http://odeonmusic.blogspot.com/2014/01/lutoslawski-bartok-helweg-works-for.html)
Odeon: Reger ? Piano Concerto, Suite im alten Stil ? Love Derwinger, Leif Segerstam (http://odeonmusic.blogspot.com/2014/01/reger-piano-concerto-suite-im-alten.html)
Odeon: Brahms ? Hungarian Dances (orchestrated) ? Istv???n Bog???r (http://odeonmusic.blogspot.com/2014/01/brahms-hungarian-dances-orchestrated.html)
Odeon: Khrennikov ? Symphonies, Concertos ? Various Artists (http://odeonmusic.blogspot.com/2014/01/khrennikov-symphonies-concertos-various.html)
Odeon: Balakirev ? Symphonies Nos.1 & 2, Symphonic works ? Yevgeny Svetlanov (http://odeonmusic.blogspot.com/2014/01/balakirev-symphonies-nos1-2-symphonic.html)
Odeon: Antonio Gomezanda ? Orchestral Works ? Jorge Velazco (http://odeonmusic.blogspot.com/2014/01/antonio-gomezanda-orchestral-works.html)
Odeon: Offenbach ? Overtures ? Bruno Weil (http://odeonmusic.blogspot.com/2014/01/offenbach-overtures-bruno-weil.html)
Odeon: C???sar Cui ? A Feast in Time of Plague ? Valeri Polyansky (http://odeonmusic.blogspot.com/2014/01/cesar-cui-feast-in-time-of-plague.html)
La Discoteca Cl???sica: Musica Mexicana – Chavez, Ponce & Revueltas (New Rip-Full scans) (http://ladiscotecaclasica.blogspot.com/2014/01/musica-mexicana-chavez-ponce-revueltas.html)
Music For All: NEW-UP. HDAD. Moussorgsky – Malcom Sargent, London SO. (http://organ-music-for-all.blogspot.com/2014/01/new-up-hdad-moussorgsky-malcom-sargent.html)
Odeon: BachTranscriptions (http://odeonmusic.blogspot.pt/search/label/BachTranscriptions)
Behavioral addiction – Wikipedia, the free encyclopedia (http://en.wikipedia.org/wiki/Behavioral_addiction)
Internet addiction disorder – Wikipedia, the free encyclopedia (http://en.wikipedia.org/wiki/Internet_addiction_disorder)
Odeon: Honegger (http://odeonmusic.blogspot.de/search/label/Honegger)
What are we going to do without Claudio Abbado now?…..
Odeon: Mussorgsky ? Orchestral works ? Claudio Abbado (http://odeonmusic.blogspot.com/2013/06/mussorgsky-orchestral-works-claudio.html)
Odeon: Mussorgsky – Orchestral works – Abbado (http://odeonmusic.blogspot.com/2012/09/mussorgsky-orchestral-works-abbado.html)
Actually it’s here! I simply overlooked that…..
Many thanks to the efforts of Greek Newspaper Kathimerini
(and to you bohuslav for your quick and keen perception!!)
(Classical) Liszt [Piano Concerto No.1,2; Hungarian Rhapsodies No. 1-6; Symphonic Poems]; Chopin [Piano Concerto No.1,2; Waltzes ???1-19](Beroff, Masur, Boskovsky, Ohlsson, Maksymiuk, Anievas)- EMI for Kathimerini – 5CD, 1993,FLAC (image+.cue) lossless (http://rutracker.org/forum/viewtopic.php?t=3483196)
Niigaki go! (Samoragochi why??…..)
?????????????????????????????2014/2/6? – YouTube (http://www.youtube.com/watch?v=y3xBGIWij9o)
Isn’t wimpel69 a hoot?
———- Post added at 11:48 PM ———- Previous post was at 11:47 PM ———-
What’s the bloody point of all these links. We get it. ODEON’s blog is worth checking out. No need to point to all these postings individually.
Just a sweet heart!
Many thanks!
Today’s the 90th anniversary of this piece of fantastic music.
Odeon: Gershwin (http://odeonmusic.blogspot.com/search/label/Gershwin)
Music For All: George Gershwin (http://organ-music-for-all.blogspot.com/search/label/George%20Gershwin)
You mean Carl Maria Von Weber and Prokofiev’s Alexander Nevsky?
Odeon: Weber ? Der Freisch???tz ? Carlos Kleiber (http://odeonmusic.blogspot.com/2013/11/weber-der-freischutz-carlos-kleiber.html)
Odeon: Prokofiev – Ivan the Terrible; Alexander Nevsky – Rostropovich (http://odeonmusic.blogspot.com/2013/11/prokofiev-ivan-terrible-alexander.html)
Odeon: Prokofiev – Alexander Nevsky, Lieutenant Kij??? – Abbado (http://odeonmusic.blogspot.com/2012/09/prokofiev-alexander-nevsky-lieutenant.html)
Odeon: Weber ? Der Freisch???tz ? Carlos Kleiber (http://odeonmusic.blogspot.com/2013/11/weber-der-freischutz-carlos-kleiber.html)
Odeon: Prokofiev – Ivan the Terrible; Alexander Nevsky – Rostropovich (http://odeonmusic.blogspot.com/2013/11/prokofiev-ivan-terrible-alexander.html)
Odeon: Prokofiev – Alexander Nevsky, Lieutenant Kij??? – Abbado (http://odeonmusic.blogspot.com/2012/09/prokofiev-alexander-nevsky-lieutenant.html)
Yes ๐
EDIT: Found it on a torrent site, can’t remember which one.
I am looking for Handel’s Orchestral Works, 8CD, Neville Marriner. If anyone has this and is looking for other things, please get in touch. I have a mass amount of religious Anglican music and classical music to offer in return. A public share would also be great but please no mega links. I won’t subscribe to this page so a pm would be good.
I’d be over-joyed if someone has it and posted it.
Thank you.
Thank you for sharing if you have these!
Music For All: Walter Susskind (http://organ-music-for-all.blogspot.com/search/label/Walter%20Susskind)
================================================== ===========================================
Finally a 24-bit recording for Gyorgy Sviridov’s Snowstorm! I was looking for this. Vladimir Fedoseyev has been a champion of his orchestral works, but I was waiting for a DDD recording of this (You know, Metal Gear Solid fan).
(Classical) ?????????????????? ?????????????????? – – 1995, FLAC (image+.cue) lossless :: RuTracker.org (ex torrents.ru) (http://rutracker.org/forum/viewtopic.php?t=4624646)
torrent file
https://www.mediafire.com/?j6dbptfaagbtcwi
So my theory goes like this. Perhaps it was quite hard for the various Melodiya releases to reach Japan. But JP label Pony Canyon recorded and released the disc in 1995. Metal Gear Solid 1 was unveiled in 1996, meaning that Tappy Iwase was working on the game music back in 1995. Perchance he grabbed the JP Pony Canyon disc, and subsequently the music of Sviridov became a nice inspiration for him.
https://www.youtube.com/watch?v=-7damwzqa4s
Tappi Iwase – VGMdb (http://vgmdb.net/artist/333)
Tappi Iwase – Wikipedia, the free encyclopedia (http://en.wikipedia.org/wiki/Tappi_Iwase)
Tappy Iwase is credited with composing all of the music to the game Metal Gear Solid, with the exception being the ending theme "The Best is Yet to Come". This includes the well-known main music theme to Metal Gear Solid, subsequently used in Metal Gear Solid 2: Sons of Liberty and Metal Gear Solid 3: Snake Eater. The use of his theme song was discontinued from Metal Gear Solid 4: Guns of The Patriots onward, following the discovery that its motifs were actually plagiarized from a classical piece by Russian composer Georgy Sviridov.
Honegger – Piano works (lossless)
Honegger – La Danse des Morts (lossless)
Bloch – Three nocturnes (piano trio, lossless on cd)
It would be great if someone could help me. I need most of these for my Russian friends. Any help would be greatly appreciated. Thanks for advance!
I am seeking a collection of the most popular peices of classical music by the the greats. This is a similiar, but broader, request to my post on the top of this page. I’m sure another collection like this exists.
If you have it, I would be tremendously thankful.
As always, thank you.
American Piano Trios
Beach, A: Piano Trio in A minor, Op. 150
Bloch, E: Three Nocturnes
Copland: Vitebsk – study on a Jewish theme for violin, cello & piano
Cowell, H: Four Combinations for Three Instruments
Ives, C: Piano Trio
Hartley Trio
Dal Segno – DSPRCD057 CD
HAVERGAL BRIAN
Symphony No 9
performed by the Royal Philharmonic Orchestra, conducted by Myer Fredman
Now, here’s the deal. This is one of those rare 1970s booties taken from radio broadcasts. A record label called Aries got hold of transcriptions of recordings made by the BBC – in most cases, of world premiere performances – and turned them into LPs. Then they promptly disappeared. The recordings have never been legitimately released.
In order to elude capture, the record company used fake orchestra and performer details on their sleeve notes so the original rights holders would hopefully not notice that their recordings were being pilfered.
This particular recording – in reality from the 1971 performance by the RPO under Fredman, was attributed to the world-renowned Wales Symphony Orchestra, conducted by highly respected musicologist Colin Wilson. They also gave us such fine fake performers as the Sao Paulo Symphony Orchestra and the Edinburgh Youth Symphony Orchestra!
So, here you go.
A note about sound quality:
This is a bootleg of a radio recording made in the 1970s. Don’t expect auditory miracles. There isn’t a great deal of high frequencies present, and there are some horrific noises caused by a mixture of poor quality vinyl, poor quality source tapes, and broadcast noise. The occasional buzzing/scraping noise on the right channel is regrettable but you soon get used to it. All the above notwithstanding, it’s extremely listenable if only for the curiosity value – this is a fine performance of one of Brian’s greatest symphonies and it’s a miracle the recording survived at all.
I had the incredible good fortune to come across about a dozen of these Aries bootlegs – all sealed and untouched – a couple of years ago and I snapped them up quickly. I am slowly getting around to transferring them all and doing audio cleanup work. Though it has to be said, very little was required given that these records – whilst nearly fourty years old – are in mint condition and haven’t even been exposed to air any time since their manufacture.
So – enjoy! And I’d love to hear comments as well; any other Brian fanatics here?
home.pl : Najlepszy hosting. Domeny, serwery, e-mail, sklepy internetowe, SSL (http://www.rapidspread.com/file.jsp?id=a1myeqmlep)
Thanks for this. I am a Brian fan and knowledgeable about his works. I’m very interested in hearing this but the link doesn’t seem to work. Can you resend some other way?
here you can find flac and mp3, old remasters but free ;O)
solo beethoven: Resultados de la b???squeda de klemperer (http://beethovenunico.blogspot.de/search?q=klemperer)
solo beethoven: Resultados de la b???squeda de klemperer (http://beethovenunico.blogspot.de/search?q=klemperer)
Argh! Thanks for the link — it’s certainly an improvement of what I had before, which was nothing. But I was really hoping they’d be cut into their individual acts for each symphony, not just a single 45 minute song. Maybe I’m just being irritatingly picky.
I did; it wasn’t until later that I realized that the quality is only 128kps, so I may as well not have bothered. Right now I’m using… Another service to get my hands on what will hopefully be 320kps copies of all nine symphonies.
Return – anything
Odeon: Stravinsky, Stokowski-Bach ? Orchestral Works ? Yannick N???zet-S???guin (http://odeonmusic.blogspot.com/2014/05/stravinsky-stokowski-bach-orchestral.html)
Bach / Natan Rakhlin : Chaconne
Bach – Rakhlin: Chaconne for Orchestra (or, "What I like") – YouTube (http://www.youtube.com/watch?v=qyS38VvS7OI)
Natan Rakhlin – Wikipedia, the free encyclopedia (http://en.wikipedia.org/wiki/Natan_Rakhlin)
Bach / Pavel Rivilis : Chaconne (инструментовка ???Чаконы??? И.-С. Баха для симфонического оркестра) (conducted by Valery Polyansky)
????????????????????????????????? ???????????????????????????????????? ?????????????????? ?????? ????????????????????? ??? 2 ????????????, BWV 1004, – ??????????????? ????????????????????? (Pavel Rivilis) – ????????????????????? ??????????????????, ????????????????????? ??????????????????????????? mp3 (http://classic-online.ru/ru/production/52151)
https://www.mediafire.com/?d1ea5et84lauy92
???????, ????? ????????? ? ????????? (http://ru.wikipedia.org/wiki/%D0%A0%D0%B8%D0%B2%D0%B8%D0%BB%D0%B8%D1%81,_%D0%9F %D0%B0%D0%B2%D0%B5%D0%BB_%D0%91%D0%BE%D1%80%D0%B8% D1%81%D0%BE%D0%B2%D0%B8%D1%87)
Odeon: Bach ? Transcriptions ? Leonard Slatkin (http://odeonmusic.blogspot.com/2014/05/bach-transcriptions-leonard-slatkin.html)
Odeon: Shostakovich ? Piano arrangements ? Shostakovich (http://odeonmusic.blogspot.com/2014/06/shostakovich-piano-arrangements.html)
Odeon: Liszt ? Missa Choralis, Via Crucis ? Matthew Best (http://odeonmusic.blogspot.com/2014/06/liszt-missa-choralis-via-crucis-matthew.html)
His latest symphony would also be great to have. Adams’ saxophone concerto as well. So much good stuff written in the last few months….
Also would love to get my hands on Tom Newman’s "It Got Dark" if anyone happens to have it.
Anton Rubinstein – Symphonies Nos. 3 & 5 – Slovak State Philharmonic Orchestra – Barry Kolman
Thanks friends.
Odeon: Shostakovich ? Film Music ? Vassily Sinaisky (Vol.2) (http://odeonmusic.blogspot.com/2014/06/shostakovich-film-music-vassily.html)
Odeon: ‘Stokowski’s Mussorgsky’ ? Matthias Bamert (http://odeonmusic.blogspot.com/2014/06/stokowskis-mussorgsky-matthias-bamert.html)
Orchestrated by Dmitri Shostakovich
Meeting in Music: Khovanshchina ? Ghiaurov, Ghiuselev, …, Tchakarov ? Sofia ’86 (http://meetinginmusic.blogspot.com/2014/07/khovanshchina-ghiaurov-ghiuselev.html)
Roumi Petrova: Enchanted Rhythms
Amazon.com: Roumi Petrova: Enchanted Rhythms: Music (http://www.amazon.com/Roumi-Petrova-…/dp/B000FQ53Y2)
Track 8 is hauntingly amazing!
Pictures at an Exhibition – orchestrated by Sergei Petrovich Gortchakov
Return – anything
I posted this in my COULD BE FILM MUSIC thread in February:
?????? ??????. ?????-??????, ????????????? ?????. ??????? ???????? ??????????. – 8 ????? 2013 – ?????????? ? ???????? (http://intoclassics.net/news/2013-03-08-9799)
download here
https://yadi.sk/d/qePuPRPM386P7
REVIEW:*Everest – Return of the prodigal [RB]: Classical Music Reviews – December 2013 MusicWeb-International (http://www.musicweb-international.com/classrev/2013/Dec13/Everest_again.html)
SA-CD.net – Scriabin: The Poem of Ecstasy, Amirov: Azerbaijan Mugam – Stokowski (http://www.sa-cd.net/showtitle/9358)
Classical Net Review – Scriabin/Amirov – Poem of Ecstasy/Azerbaijan Mugam (http://www.classical.net/music/recs/reviews/e/evc03032a.php)
KKC-4025 | ???????????? (http://www.kinginternational.co.jp/classics/kkc-4025/)
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One more here
(classical) ?????????????????? ??????????????????. "?????????????????? ??? ???????????? ????????????" (???????????????), ???????????????????????? ????????? ??????????????????????????? ????????????????????????, ?????????. 2 CDs – 1996, FLAC (tracks+.cue), lossless :: RuTracker.org (ex torrents.ru) (http://rutracker.org/forum/viewtopic.php?t=2948059)
Admiring Amirov 1922-1984 (http://www.good-music-guide.com/community/index.php?topic=15907.0)

My "Mostly-Modern" Classical Music Blog: Fikret Amirov – Shur, Kyurdi Ovshari, Gyulistan Bayati Shiraz, Azerbaijan Capriccio (http://mostlymodernclassicalmusic.blogspot.com/2014/08/fikret-amirov-shur-kyurdi-ovshari.html)
Amirov : Shur etc. : NAXOS 8.572170 [BR]: Classical Music Reviews – July 2010 MusicWeb-International (http://www.musicweb-international.com/classrev/2010/July10/Amirov_Symphonic_Mugams_Naxos8572170.htm)
Fikret Amirov: Orchestral Works – Classics TodayClassics Today (http://www.classicstoday.com/review/review-15375/)
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My "Mostly-Modern" Classical Music Blog: Fikret Amirov – Orchestral Works (http://mostlymodernclassicalmusic.blogspot.com/2014/08/fikret-amirov-orchestral-works.html)
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Alternative download
My "Mostly-Modern" Classical Music Blog: Fikret Amirov – The Arabian Nights (http://mostlymodernclassicalmusic.blogspot.com/2014/08/fikret-amirov-arabian-nights.html)
Odeon: Amirov/Nazirova, Adigezalov, Guliyev, Badalbeyli ? Azerbaijani Piano Concertos ? Various Artists (http://odeonmusic.blogspot.com/2013/09/amirovnazirova-adigezalov-guliyev.html)
I am requesting:
Felix Mendelssohn: Symphony No.4 In A Major, Op.90, "Italian"
Many thanks to any that oblige.
avaxhome to the rescue!
Mikolajus Konstantinus Ciurlionis – Complete Works for Orchestra (Juozas Domarkas, Lithuanian National Symphony Orchestra) (http://avaxhm.com/music/classical/early_20th_century/Ciurlionis_CompleteWorksforOrchestra.html)
Mikalojus Konstantinas Ciurlionis: Complete Works for Orchestra – Juozas Domarkas,Lithuanian National Orchestra | Songs, Reviews, Credits, Awards | AllMusic (http://www.allmusic.com/album/mikalojus-konstantinas-ciurlionis-complete-works-for-orchestra-mw0002392750)
http://www.nflowers.ru/page.php?page=23&item=193&lang=en
read review here
?IURLIONIS: In the Forest; The Sea; De Profundis ? Lithuanian National Sym. Orch. and Kaunas State Choir/Juozas Domarkas. Cond. ? Northern Flowers – Audiophile Audition (http://audaud.com/2012/12/ciurlionis-in-the-forest-the-sea-de-profundis-lithuanian-national-sym-orch-and-kaunas-state-choirjuozas-domarkas-cond-northern-flowers/)
Busoni – Piano Concerto – Ohlsson, Cleveland Orchestra, von Dohnanyi – CLASSICS (http://classicallibrary.blogspot.com/2014/08/busoni-piano-concerto-ohlsson-cleveland.html)
Odeon: Mussorgsky ? Pictures at an Exhibition (orch.: Peter Breiner) ? Peter Breiner (http://odeonmusic.blogspot.com/2014/08/mussorgsky-pictures-at-exhibition-orch.html)
????? ??? ?????? – ????? ????????? ???????? ?????? – 26 ??? 2014 – ?????????? ? ???????? (http://intoclassics.net/news/2014-05-26-35977)
download link here
https://yadi.sk/d/0bvl8PNVRM4LU
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And rutracker.org to the rescue
Reinhold Gliere – Violin Concerto & Symphony No 2 ( Yuko Nishino, Yondani Butt )
(Concert, Symphony) ???. ??????????????? – ?????????????????????????????? ?????????????????????, ???????????????????????? ???2 (Yuko Nishino, Yondani Butt) – 2002, APE (image+.cue), lossless :: RuTracker.org (ex torrents.ru) (http://rutracker.org/forum/viewtopic.php?t=2009362)
Gliere began composition of his unfinished violin concerto shortly before his death in 1956, a fact that comes as somewhat of a surprise considering it sounds considerably less “modern” than some of his earlier compositions (i.e., the Symphony No. 3 from 1910). Completed and orchestrated by Lyatoshinsky, the concerto constitutes a throwback to the lyrical-romantic style of Mendelssohn but also sounds markedly influenced by the Glazunov concerto. Thus, the solo writing is in the echt-19th century virtuoso vein, which seems to present no significant challenge for Yuko Nishino, who delivers the part with the requisite showmanship as well as a certain infectious ardor.
Those familiar with Gliere’s massive, phantasmagorical Third Symphony “Ilya Murometz” may be surprised by the pared down melodic style and harmonic palette of his Symphony No. 2. The first movement begins with a bold, commanding statement of what will become a main motto theme, and the rest of the movement maintains this stark, angry tone. However, the music becomes quite colorful at the climax of the development (as well as the slow movement’s magical central section), where we hear intriguing pre-echoes of the later symphony. Conductor Yondani Butt illuminates the music’s tragic grandeur, taking care to underline the insistent motto theme whenever it appears (most notably when the horns repeatedly hammer it out in the first-movement climax). Overall, Butt’s version has more raw energy than Edward Downes’ BBC Philharmonic performance, even if it lacks the latter’s polished finesse. ASV’s dry, close recording is less pleasing than the fuller, more spacious Chandos sound.
Gliere Sym No. 2 – Classics TodayClassics Today (http://www.classicstoday.com/review/review-8347/)
Karl Goldmark – Symphony No 2, Prometheus Bound, In Italien (Philharmonia Orchestra, Yondani Butt)
(Classical) Karl Goldmark – Symphony No 2, Prometheus Bound, In Italien (Philharmonia Orchestra, Yondani Butt) – 1995, FLAC (image+.cue) lossless :: RuTracker.org (ex torrents.ru) (http://rutracker.org/forum/viewtopic.php?t=4794930)
This is a safer bet than ASV’s recent Kod???ly disc. Yondani Butt’s interpretations hang together better here, the music is less milked, the Philharmonia’s tutti are tightened (instrumental solo excellence can be taken for granted). Hungarian-born Goldmark may sound sub-Brahms, but he’s sub- a lot of other good things too (at times, notably Russian-orientated). The Symphony feels best focused in the faster later movements (the Andante flags significantly). The two fillers are both rewarding. Worth a try.
Goldmark: Symphony No. 2; Der gefesselte ? (Philharmonia Orchestra/Yondani Butt) | Classical music review from Classical-Music.com (http://www.classical-music.com/review/goldmark-1)
Reinhold Gliere – the Red Poppy & Lev Knipper – Symphony No. 4, Op. 41
(classical) gliere – the red poppy & knipper – symphony no. 4 / ??????????????? – ????????????????????? ????????? ??? ????????????????????? – ???????????????????????? ??? 4 – 1988 (????????????????????? ???????????????????????? ??????????????????, ???????????? ????????????; ????????????????????????, ??????????????????????????????, ?????????????????????, ????????????????????? ??????????????????????????????????????? ???????????????????????? ?????????), FLAC (tracks+.cue) lossle :: (http://rutracker.org/forum/viewtopic.php?t=4495608)
Avet Terterian – Symphonies No. 3 & 4 (Tjeknavorian, Armenian PO)
(Classical, Symphony) Avet Terterian/???????????? ???????????????????????? – Symphonies No. 3 & 4 (Tjeknavorian, Armenian PO) – 1997, FLAC (image+.cue) lossless :: RuTracker.org (ex torrents.ru) (http://rutracker.org/forum/viewtopic.php?t=4651648)
Such manifestly eccentric music defies rational analysis. The Third Symphony opens with the sort of manic percussive assault you would expect from a teenager let loose on a drum kit for the first time. After an exhausting three minutes it subsides into several minutes of near-silence, finally broken by the strident nasal squawking of a battery of shawms and other Eastern double-reed instruments. Any hope that this might lead somewhere recognisably musical is shattered by the mayhem that ensues. The percussion re-enters, joined by whooping horns, braying trombones, and primordial squeaks from the woodwind. An almost completely static slow movement is followed by a finale whose fabulous barrage of sound teeters on the brink of total chaos. In the single-movement Fourth Symphony, ghostly musical fragments drift in and out of a mesmerising spectral backcloth that scarcely changes over the half-hour duration. You could reject such music out of hand, but in fact it is oddly compelling.
Terterian: Symphony No. 3; Symphony No. 4 (Armenian PO/Loris Tjeknavorian) | Classical music review from Classical-Music.com (http://www.classical-music.com/review/terterian)
Dmitri Kabalevsky – The Comedians", "Romeo and Julia" "Colas Breugnon" — Armenian Philharmonic Orchestra Loris Tjeknavorian (conductor)
(Orchesral music) ????????????????????????????????? – ???????????????????????? ???????????????: "??????????????? ??? ???????????????????????????", "??????????????????????????????", "???????????? ?????????????????????" (Loris Tjeknavorian) – 1996, FLAC (image+.cue), lossless :: RuTracker.org (ex torrents.ru) (http://rutracker.org/forum/viewtopic.php?t=2328823)
Kabalevsky’s light, melodious touch is well displayed in these three orchestral suites, whose content coincides exactly on the two records. His best-known piece remains the overture to Colas Breugnon (three more pieces from the opera are included), and this is played with a certain amount of verve by Jelvakov and the Moscow Symphony Orchestra; Tjeknavorian takes it a little more slowly with the Armenian Philharmonic, but the extra clarity, which is also found in the recording itself, helps the liveliness.
Of the other music, the Galop from The Comedians, delivered rather more punchily by the Armenians than by the Muscovites, has become something of a popular hit in Russia. The play was written for a children’s theatre in 1939 by the Jewish playwright Mark Daniel, who died young the following year. It is on the unlikely subject of Johannes Gutenberg, and was originally entitled The Inventor and the Comedian; it includes some attractive pieces in Kabalevsky’s trouble-free vein of easily accessible music. His Shakespeare scores test his range a good deal further – they include Measure for Measure – and in this music for Romeo and Juliet he succeeds better with the sprightlier pieces than in the love music or with the death scene for the star-crossed lovers. There is a sombre movement for Friar Laurence that has a half-allusion to Tchaikovsky’s Fantasy-Overture; this is played gravely by Jelvakov, but with intensity and a sense of doom by Tjeknavorian, who also gives the death scene a stronger atmosphere of tragedy and mourning.
These latter pieces sit a little uneasily with the predominantly bright, cheery music; but without knowing more about the nature of the production, staged in 1956 for the theatre named in honour of one of Russia’s great pioneers of the twentieth-century theatre, Yevgeny Vakhtangov, or even whether there is more music that did not fit into a suite, it is unfair to question the balance of the moods. What we have is some predominantly fresh and agreeable music, agreeably played especially by Tjeknavorian.
ASV CD DCA 967 (http://home.online.nl/ovar/sovrev/kabalevsky/asv967.htm)
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Rare Soviet Classical Records (http://militscky.narod.ru/cd-r.html)
This was previously posted in the Bernard Herrmann thread, Re-Upped on request & thanks to the original poster.
Bernard Herrmann – Wuthering Heights (Opera) (Unicorn-Kanchana Records ~ 320k)
Tracklist : Wuthering Heights – Bernard Herrmann | Songs, Reviews, Credits, Awards | AllMusic (http://www.allmusic.com/album/wuthering-heights-mw0000889866)
https://mega.co.nz/#!5dBzyIzI!CthAo6ksPfndmBZc05IPX4hbDGBNHqJKxSlwqtA wv4I
.
My "Mostly-Modern" Classical Music Blog: Aram Ilyich Khachaturian – Ode to Joy, 3 Concert Arias, Ballad. Poem, March of Zangezur (http://mostlymodernclassicalmusic.blogspot.com/2014/09/aram-ilyich-khachaturian-ode-to-joy-3.html)
Odeon: Berlioz ? Symphonie Fantastique ? Les Si???cles (http://odeonmusic.blogspot.com/2014/10/berlioz-symphonie-fantastique-les.html)
Odeon: Liszt ? Symphonie d’apr???s Dante, Orpheus ? Les Si???cles (http://odeonmusic.blogspot.com/2014/09/liszt-symphonie-dapres-dante-orpheus.html)
Odeon: Paul Dukas ? Orchestral Works ? Les Si???cles (http://odeonmusic.blogspot.com/2014/09/paul-dukas-orchestral-works-les-siecles.html)
Mussorgsky Pictures at an Exhibition (arr Leonard) [HC]: Classical Reviews- June 2001 MusicWeb(UK) (http://www.musicweb-international.com/classrev/2001/June01/Mussorgsky_Pictures.htm)
Cala Records Ltd (http://www.calarecords.com/acatalog/info_CACD1030.html)
Classical Net Review – Shchedrin – Carmen Suite, etc. (http://www.classical.net/music/recs/reviews/d/dgg71136a.php)
Rodion Shchedrin – Carmen Suite [TB]: Classical Reviews- January 2002 MusicWeb(UK) (http://www.musicweb-international.com/classrev/2002/Jan02/Schedrin.htm)
Tank Ewe ๐
DG_UCCG9797_SHM-CD_flac.rar (233,03 MB) – uploaded.net (http://uploaded.net/file/9zxzkr0h)
Title: Chopin: Preludes, Piano Sonata No.2
Performer: Martha Argerich
Record Date: October 1975 (1-24); July 1974 (27-30); February 1977 (25-26)
Release Date: June 25, 2008
Label: Deutsche Grammophon
Catalogue: UCCG-9797 / 463 6632
Format / Type: 1 SHM-CD
Shared Detail: EAC-Rip | flac | cue | log | covers
St. Petersburg State Symphony Orchestra, Andr??? Anichanov
1. Shakh-Senem
2. Gyul’sara
3. The Bronze Horseman, Op. 89a
4. Heroic March for the Buryat-Mongolian ASSR, Op. 71
Download MP3 320 CBR (https://mega.co.nz/#!9NJBECQC!eCp9rjZPqgSlEGQ70uySAi7ErPDxD-eZVgazl_gYOpc)
GLIERE: Bronze Horseman / Shakh-Senem / Gyul’sara (http://www.theclassicalshop.net/Details.aspx?CatalogueNumber=MP%203675)
Gli???re: Orchestral Works – Andr??? Anichanov,St. Petersburg State Symphony Orchestra | Songs, Reviews, Credits, Awards | AllMusic (http://www.allmusic.com/album/gli%C3%A8re-orchestral-works-mw0001354599)
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For more Gliere stuff
Homepage von Joerg Schnadt (http://www.reinhold-gliere.net/index8.htm)
Composer Gliere, Reinhold – listen online, download mp3 – complete works (http://classical-music-online.net/en/composer/Gliere/258)
List of works by Reinhold Gli???re – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music (http://imslp.org/wiki/List_of_works_by_Reinhold_Gli%C3%A8re)
Classical Net – Master Review Index by Composer – Gli???re (http://www.classical.net/music/recs/reviews/master/gliere.php)
I. Allegretto
II. Moderato Assai
III. Moderato. Rubato
IV. Adagio. Vivace Assai
Gennady Rozhdestvensky, State Symphony Orchestra of the USSR Ministry of Culture
https://cloud.mail.ru/public/d68f5653a470/Sov_Symph/%D0%92%D0%B5%D0%BB%D0%B8%20%D0%9C%D1%83%D1%85%D0%B 0%D1%82%D0%BE%D0%B2%20.rar
https://en.wikipedia.org/wiki/Veli_Mukhatov
https://de.wikipedia.org/wiki/Weli_Muhadow
Source : Intoclassics.net Soviet symphony Eugene Tikotsky. Veli Mukhatov, Alexey Nikolaev (http://intoclassics.net/news/2014-04-26-8924)
Would greatly appreciate it.
Danke.
However I am still looking for the aforementioned version.
Danke.
Gulda: Concerto for myself tracks 1,2, and 3
Here is Track 4
https://www.youtube.com/watch?v=r5bPD-evgI8
I tried to buy this from Amazon com and they don’t ship to … where I live.
http://www.amazon.com/gp/offer-listing/B000026CPZ/ref=tmm_other_meta_binding_used_olp_sr?ie=UTF8&condition=used&qid=&sr=
And there are very cheap CD’s selling with this ultrarare CD but onloy to US…
La Discoteca Cl???sica: Reinhold Gli???re – Symphony No.1; The Sirens Op.33 (http://ladiscotecaclasica.blogspot.com/2015/09/reihold-gliere-symphony-no1-sirens-op33.html)
Gliere Symphony 1 NAXOS 8.550898 [DW]: Classical CD Reviews- October 2005 MusicWeb-International (http://www.musicweb-international.com/classrev/2000/nov00/gliere.htm)
http://www.classical.net/music/recs/reviews/n/nxs50898a.php
http://ladiscotecaclasica.blogspot.com/2015/09/reinhold-gliere-symphony-no2-zaporozhy.html
http://ladiscotecaclasica.blogspot.com/2015/09/mikhail-ippolitov-ivanov-orchestral.html
http://www.allmusic.com/album/ippolitov-ivanov-orchestral-music-mw0001421272
http://www.classical.net/~music/recs/reviews/a/asv01102a.php
http://www.classical.net/music/recs/reviews/a/asv01102b.php
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Aram Khachaturian; Mikhail Ippolitov-Ivanov – Orchestral Works ( Loris Tjeknavorian – Armenian Philharmonic Orchestra – ASV)
http://classicalmjourney.blogspot.com/2015/05/aram-khachaturian-mikhail-ippolitov.html
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Fikret Amirov : Shur; Azerbaijan Mugam No. 1 & Kurd Ovshari ; Azerbaijan Mugam No. 2 – Azerbaijan Capriccio – Symphonic Dances ; Moscow Symphony Orchestra, Antonio De Almeida – ASV
Download here in FLAC (https://mega.nz/#!hUQQkIBS!ykiVCHBufUGiiqQ1I1WxqJqHAqn2wv5KZhUuG0erdCE)
Alternative DL option
http://nocturna-artificialia.blogspot.com/2015/05/fikret-amirov-shur-azerbaijan-mugam-no.html
http://www.allmusic.com/album/fikret-amirov-shur-azerbaijan-mugam-no-1-azerbaijan-capriccio-mw0001826691
Angele Dubeau & La Pieta… anyone?
http://www.brusselsphilharmonic.be/en/news/detail/nieuwe-cd/
Thanks in advance.
Fikret Amirov : Shur; Azerbaijan Mugam No. 1 & Kurd Ovshari ; Azerbaijan Mugam No. 2 – Azerbaijan Capriccio – Symphonic Dances ; Moscow Symphony Orchestra, Antonio De Almeida – ASV
Thanks so much for this. Amirov is wonderful!
Yes, Fikret Amirov delivers!
AMIROV (1922-1984) wrote highly coloured music – as brightly lit as ASV’s cover art. This is ethnic-dramatic and ranges from poetic middle eastern exotic to gaudily raucous. You might well end up grouping these works written during the period 1940-1970 with those of Khachaturian. The Moscow Phil under de Almeida play up the barbarous colours in a 1996 recording. This Azerbaijani composer rejoiced in a Rimskian tradition and poured into it colours that rage and dazzle. No wonder that Stokowski took up the first of his Azerbaijani Mugams (nationalistic rhapsodies) coupled on Everest with Scriabin’s Poem of Ecstasy and, I think, other works. It can be a little episodic and is in the Borodin Polovtsian tradition. There is a Naxos CD of Amirov orchestral works which overlaps with but has a shorter playing time than this one. It’s also worth looking out for two generously timed and long-gone Olympia CDs of Amirov orchestral music: OCD 490 and OCD 578. This music is quite addictive. The present disc is completed by an essay from Philip Taylor.
http://www.musicweb-international.com/classrev/2015/Nov/ASV_Russian.htm
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http://classicalmjourney.blogspot.com/2015/10/reinhold-gliere-alberto-ginastera-harp.html
http://www.musicweb-international.com/classrev/2000/nov00/Glieremultiple.htm
http://www.classical-music.com/review/gliereginastera
If you are decadent enough to have your CD sound piped through to the bathroom, this is the kind of disc you would surely enjoy there. As JBS noted in reviewing the reissued performances on mid-price Decca, Gliere’s concertos are unashamed Easy Listening. Composed in 1938, though most of it could have been written 50 or more years earlier, the Harp Concerto is anodyne and ingratiating throughout—and absolutely irresistible if you are in the mood. Rachel Masters is every bit as fluent an exponent as Osian Ellis, and the generous acoustic of All Saints Church, Tooting allows every note to hang deliciously in the air.
The Concerto for coloratura soprano is another mellifluous and undemanding piece. Undemanding for the listener, that is; for the soprano it is a merciless examination of breath control and intonation, with no consonants to articulate, no vowels to colour the sound, and no text to guide the interpretation. Eileen Hulse sails through with scarcely a hint of distress, she even adds some phrases not in the printed Kalmus score, taking her up to an exquisite E in alt (from 2’33”, bars 140 to 155 in the second movement). It’s a pity her final top F fractionally overshoots, but in general I prefer her sensitively blended chamber-music approach to the blowsier operatic delivery of Dame Joan Sutherland (who opts for the lower octave at the end). Neither singer can avoid parts of the faster second movement sounding like a castrato version of The Laughing Policeman.
Gliere’s lush late romanticism and Chandos’s house-style recording are a marriage made in heaven. But Ginastera’s 1956 Concerto is another matter. A colourful display piece, thoroughly Latin American in feel and with a particularly attractive Bartokian Night-Music central movement, its style is generally about half-way between that composer and Bernstein. Much of the scoring is quite heavy when the harp is not playing, and in this instance some of the colours tend to run in the acoustic wash. Having said that, this is another crisp and rhythmically alert performance from soloist and orchestra alike, completing a marvellously enjoyable disc
— Gramophone
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http://classicalmjourney.blogspot.com/2015/10/reinhold-gliere-overtures-orchestral.html
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http://classicalmjourney.blogspot.com/2015/10/reinhold-gliere-horn-concerto-bronze.html
Poor old Gliere has had his sensitive knuckles rapped for writing the same kind of music in Soviet Russia that Korngold, Rozsa et al. had free rein to produce in Hollywood. True, much in his post-Revolution scores is far less opulently, or even interestingly, romantic than the inspirations of the three symphonies completed in the first decade of the twentieth century (and honourably championed by Downes and the BBC Philharmonic in previous Chandos issues, 7/93, 7/92 and 5/92). But as a composer with his roots in the nineteenth century – and remember he was old enough to be the child Prokofiev’s first influential tutor in 1902 – he was able to carry on in a revised (or censored) version of his youthful style far more convincingly than did any other composer after the death of Glazunov. The big romantic melodies of The Bronze Horseman rarely seem contrived; for a product of 1949, one of the fallow years following Zhdanov’s infamous conferences, it seems a remarkably honest score.
The real problem is whether it comes close to its Pushkin source, known to every Russian, in which a half-demented young clerk is chased through the streets of St Petersburg by the bronze statue of Peter the Great (take note, Chandos: the cover illustration of a palakh-box bogatyr has no relevance). One of the many questions left unanswered by the accompanying note is what kind of full-length ballet it is, and how the very unchoreographic central premise of the tale was dealt with; for the 45 – minute suite features the terrifying statue not at all, conjuring the dark atmosphere of the tale only in the chromatic introduction and a very unsuccessful slice of storm music for the floods that drown the clerk’s beloved. The rest is lush pas de deux lyricism – with neat thumbnail portraits of the timid hero and his girl a step or two behind Prokofiev’s character-studies for the 1936 Eugene Onegin, but attractive nevertheless – and nationalistic routines for the corps de ballet. The central dancing scene sounds as if it were scored by the enthusiastic percussionist of the Bolshoi (the man who touched up Romeo and Juliet and Cinderella); it needs a slightly more over-the-top performance than this – and why no heady final accelerando as Gliere proposes?
Otherwise, there are subtler touches – a 5/4 scherzo for a fortune-telling scene a la Glazunov or Borodin, plenty of affable Russian woodwind solos (again of a Glazunov-like cut) beautifully taken and the fascination of the placid apotheosis, the anthem-like ”Hymn to the Great City” – fascinating because this is the piece which made Shostakovich shudder as it blared forth from Leningrad railway station loudspeakers. The Horn Concerto is utterly straight, boasts the occasional attractive melody and could have been written in the 1880s (performance date: 1952). The solo part proves undemanding and rarely embroiders its themes, which may be why Richard Watkins has treated himself to a longer cadenza than the one in the score; to be honest, it’s not much more arresting. A disc worth investigating, but only if you’ve already heard Downes’s performances of the symphonies and the superior Red Poppy ballet suite.
— Gramophone
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Mikis Theodorakis – Zorbas Ballet Suite, Adagio,3 Pieces from Carnaval
http://ladiscotecaclasica.blogspot.com/2015/12/mikis-theodorakis-zorbas-ballet-suite.html
I have four or five different versions, ranging from Bohm, Bernstein to Klemperer. Gardiner’s interpretation is awful, both in terms of sound quality and tempo chosen
Moscow Radio Symphony Orchestra/Valery Gergiev
rec. 1988 , MELODIYA MELCD1002326
http://melody.su/en/catalog/classic/30696/
Download here in FLAC (my rip) (https://mega.nz/#!QFgmCT7Y!wpusZWzETpB-PYGf1F6OIb2f98FS5SpQV66eY3yNURk)
As one of MusicWeb International’s well-informed readers, you will already know that Valery Gergiev is one of the world’s busiest conductors. You may also be aware that he is one of the best paid musicians of our time. You may even have observed that he really does need a good shave but did you know that he was a child prodigy on the podium?
That rather slipshod standard of presentation is also evident in the inconsistent identification of the orchestra. Both the outer packaging and the English-language section of the booklet notes refer to it as the Moscow Radio Symphony Orchestra. The Russian-language and French-language texts describe it as the Large Symphony Orchestra of USSR Radio and Television. In fact, both attributions are probably accurate because in the Soviet era they were often used interchangeably for the same body – still performing today, incidentally, under yet another name, the Tchaikovsky Symphony Orchestra. Surely, to avoid any possible confusion, Melodiya’s translators ought to have made a consistent decision on how to describe them on any single release.
It is disappointing that such glitches potentially dent our confidence in those booklet notes, for most of the site’s readers will probably not previously have encountered Legend of love, the work that made the 28 years old Melikov’s name when it was first performed by the Kirov Ballet in 1961. Its story had been inspired by a work of the Marxist Turkish poet Nazim Hikmet (1902-1963), for whom the composer was to express, if somewhat mawkishly, his enduring regard in a brief personal memoir published more than forty years later (see here). Although Melikov claims, in that memoir, to have been an apolitical composer, Legend of love’s story certainly conformed to conventional Soviet ideology for it espoused the idea of sacrificing one’s personal happiness for the greater good of society as a whole. In this particular case, young engineer Ferhad resolves the complications of a conventional love triangle by forsaking his opportunity of love with Shirin, beautiful sister of the jealous Queen Mehmene Banu, in favour of drilling through a mountain to bring water to the people.
Melikov was, as already noted, a relatively young and inexperienced composer in 1961 and one, moreover, who was writing in a relatively conservative environment. He was also somewhat constrained by both the general requirements of ballet and the requirement, in this case, to follow a specific storyline. Those factors may help explain why the score of Legend of love does not suggest that, at that stage, he possessed an especially distinctive musical voice. Even though there are certainly moments where Shostakovich, Prokofiev or Khachaturian come to mind, his score remains effective and most certainly fit for its specific purpose. Melikov’s gifts are easily able to comprehend both rhythmically vigorous sections – of which there are more than a few – and overtly lyrical set pieces such as the attractive adagio conclusion to Act 1/Tableau 2 or the Adagio of Ferhad and Shirin and The living couple’s supplication that both feature in Act2/Tableau 3.
Given an accomplished, completely idiomatic performance on these two well-recorded discs, Legend of love will certainly offer pleasure to many listeners who already enjoy, say, the music of Khachaturian’s Spartacus. The more I listened to it, the more I came to appreciate this as, if not an especially original score, at the very least a highly attractive and atmospheric one. I suspect, however, that full appreciation would be helped immensely by experiencing it in a theatre as the accompaniment to a staged production. Some of our more adventurous readers may actually have done that already, for, as recently as October last year, the Bolshoi Ballet relayed a fully staged performance of Legend of love live to cinemas around the world. Perhaps someone who watched it will let us know whether it was that particular performance or another that currently features on YouTube, where it has been broken down into 13 separate clips and offers, like this attractive two-CD set, an opportunity for others to make the acquaintance of Melikov’s most famous and enduring work.
Incidentally, in case you didn’t click on that previous link to the composer’s memoir, let me repeat an anecdote from it that offers a valuable insight into the way in which music was cynically utilised to serve the Soviet Russian state. Having been commissioned to produce a symphony to commemorate the USSR’s 60th anniversary, Melikov submitted one with an atmosphere that was less overtly celebratory than tragic. Unwilling to cancel the well-publicised premiere, the authorities simply came up with their own ingeniously concocted – and utterly fictitious – explanation. They announced, without the composer???s authority or even his foreknowledge, that even during "such a remarkable holiday, the anniversary of our state, Arif Melikov never loses sight of the tragedy of African children dying of hunger, or the threat of nuclear war that hangs over all of humanity".
Rob Maynard
http://www.musicweb-international.com/classrev/2015/June/Melikov_legend_MELCD1002326.htm
WALTER PISTON: THE INCREDIBEL FLUTIST – LOUISVILLE FIRST EDITION
It’s the only(!) complete version of this ballet.
https://www.amazon.de/gp/product/B003LX97DO?ie=UTF8&redirect=true&ref_=nosim&tag=asin0-21
Anyone?
Angele Dubeau & La Pieta… anyone?
Hi.
I have that on FLAC rip, if you still want it, i can upload that until next weekend.
https://www.amazon.fr/Glassworlds-OEuvres-pour-piano-transcriptions/dp/B00RLR2ZAS
Are you interested ?
oops.
It’s by the Budapest Strings orchestra, definitely one of the best recordings out there (youtube link: https://youtu.be/GRxofEmo3HA).
Which version? Here are four: Barry Douglas, Gerhard Oppitz, Glenn Gould and Hakon Austb???.
https://mega.nz/#!8SwyhC4L!5uSKBxFzgCsYCCJ1mx3pgCs0y7VTDxnawjbATg–w6c
https://mega.nz/#!8SwyhC4L!5uSKBxFzgCsYCCJ1mx3pgCs0y7VTDxnawjbATg–w6c
I am not picky…. thus I thank you very much for the kindness of variety!
https://mega.nz/#!8pRTSIjS!g3L-GWaB7djMZvSnNPTvMEsS5J-MzCUhHZExrWZlD08
Plus an orchestral arrangement of said work by British composer Edmund Rubbra. It sounds closer to Elgar than to Brahms though. ๐
https://mega.nz/#!hPBiXKrZ!4c6zCD2LfVxTLaV1wse0w37ygdiXd-6IOQ9BrWLQLYE
https://www.ebay.com/itm/Frank-Cooper-RAFF-DREYSCHOCK-Piano-Concertos-Genesis-GS-1013-SEALED-/172025518943
Plus an orchestral arrangement of said work by British composer Edmund Rubbra. It sounds closer to Elgar than to Brahms though. ๐
https://mega.nz/#!hPBiXKrZ!4c6zCD2LfVxTLaV1wse0w37ygdiXd-6IOQ9BrWLQLYE
Thank you for MORE BRAHMS…. I have known he’s been around a long time, so to speak, but I skipped passed him in my classical pursuits. Now my ears have grown up.
Am also looking for his famous Academic Overture (with the addition of chorus as featured in the conclusion of the film PEOPLE WILL TALK… but I don’t require Cary Grant to conduct. ๐ )
Am also looking for his famous Academic Overture (with the addition of chorus as featured in the conclusion of the film PEOPLE WILL TALK… but I don’t require Cary Grant to conduct. ๐ )
That was an arrangement of the overture made by conductor Sir Malcolm Sargent.
https://www.youtube.com/watch?v=47Ed6zsHioU
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And here it is:
https://mega.nz/#!lXYSzZaC!UV9RLOyZh-Cljfawe6od5e-7Vwj71RWBAX0QsNXWtGY
But beggars can’t be choosy, as they say, and would welcome any conductor. Thank you!
p1
But beggars can’t be choosy, as they say, and would welcome any conductor. Thank you!
p1
I have Solti if you’re interested. Give me a learning curve on posting here though.
https://www.allmusic.com/album/the-british-music-collection-gerald-finzi-mw0001839357
https://www.prestoclassical.co.uk/classical/products/7923939–british-music-collection-gerald-finzi
EDIT: Link removed. I dug around some more, and it turns out that it was by Franck Pourcel.
Hang the bastard!! ๐
Bruno Walter from January 16, 1938
Many Thanks in Advance!
Bruno Walter from January 16, 1938
Many Thanks in Advance!
Thanks SO MUCH!
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What is the password?
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Never mind. No password. Thanks again
Also every recording of Wagner???s "Ring der Nibelungen" especially from the late 60-70.
Perhaps someone knew a blog or something where I can download them (and not OperaDepot or WagnerDisco).
Thanks!
At least nine sets (not sure of the years) of Wagner at https://classicalpippo9.com//?s=Ring+Nibelungen&search=Go .
I allready have these sets.
Looking for the rare onces like 1967 Leitner (Buenos Aires) or other Bayreuth recordings (Kempe 63, B???hm 65, B???hm 66, Maazel 69).
For piano????
For piano????
Avec plaisir.
Composer: Delibes
Title: Lakme
Label: Erato
Stars: Natalie Dessay, Gregory Kunde, Jose van Dam
Conductor: Michel Plasson
Year 1998
Some of this was excerpted in The Hunger (1983).