– Download one of the plugins for Winamp that’s compatible with NSFs at "http://www.zophar.net/utilities/nsf.html."
– Open Winamp.
– Click "Options," then "Preferences," then "Configure."
– In the "Output file type" drop down box, click on "Force WAV file."
– Select a directory for the file to go into, such as your desktop.
– Add the file to your playlist.
– Click play.
The NSF file will be converted to a WAV file silently and will appear in the chosen directory.
– Then download a free program like Audacity, which can be found at "http://audacity.sourceforge.net/," open the program, open the WAV file you’ve created, click on "File," then click on "Export as Mp3."
The mp3 will appear in the directory you’ve chosen. Now you’ve got an NES song in mp3 format.
Is that easy? Only once you’ve got the hang of it. Is it worth it? Yes. Make it worth our while. Please. The NES is still a goldmine of songs that haven’t gotten sufficient recognition.
There was Options – Preferences and then a list of all the various preferences. Output didn’t have it and neither did File Types. My Winamp is version 5.5
See if that works.
My moniker is actually a reference to a short story called "Servant of Culture" by the American author Tom Piazza. It’s in his book Blues and Trouble.
Part of the story is about how the character Arthur Golden works for a record label that has been bought out by a mega corporation. The problem is that for years Arthur has been working on re-releases for all this classic jazz music that no one’s ever taken notice of before. He’s an advocate of the old, good stuff (for me that would be NES, SNES, Playstation music). But the stuff he likes isn’t appreciated by the culture he lives in. Even though he’s been working for years to get these recordings re-released, his projects are cancelled as soon as the mega corporation takes ownership. They say they’re taking the label in a new direction. They’re forgetting about all of their back catalogue of old, good stuff and replacing it with new, meaningless, disposable pop music (for me that resonates with the state of video game music today).
That’s not all the story’s about, but that conflict echoed with the way I look at the last two decades or so of video game music.
So there’s the extremely long, potentially boring, potentially pretentious explanation of the name.
Good luck with the conversions.
Might even be able to upload some Master System music onto this site in the future too or so. Cheers!
And it’s good to reflect on where something we love has been, and where it’s going. Made me start to think. While there are exceptions (Final Fantasy, Zelda, Castlevania games), I’m not happy with the recent history of video game music. I even felt there was some drop off in quality in the Zelda: Twilight Princess soundtrack. While I don’t see the slump as having lasted as long as that in film and more mainstream music, but it is there.
I know this isn’t the topic of the thread and I won’t stay on it long, but somehow I think having sophistocated hardware to work with has spoiled video game music composers. I think the limitations of NSF, for example, required more creativity and it resulted in some great soundtracks. Toward the end of the NES’ run, quality seemed to drop off again, but picked back up with the SNES.
A recent soundtrack I am happy with that returned more to a series’ roots is the Castlevania Dracula X Chronicles soundtrack. Loved hearing some remixes from the original NES Castlevania!
Sorry to get off the thread’s track, but wanted to say I share a lot of your thoughts on game music. On my weekend now, so I’ll have more time to work on some game rip albums. Was still disappointed to find that a lot of NES soundtracks haven’t had NSF rips either.
Cool. You’re welcome! I have used Wikipedia pretty successfully to find the names of video game soundtrack composers. When that fails, I can usually google something like "Ghosts n’ Goblins composer" or "Ghosts n’ Goblins music" and find an answer.
My moniker is actually a reference to a short story called "Servant of Culture" by the American author Tom Piazza. It’s in his book Blues and Trouble.
Part of the story is about how the character Arthur Golden works for a record label that has been bought out by a mega corporation. The problem is that for years Arthur has been working on re-releases for all this classic jazz music that no one’s ever taken notice of before. He’s an advocate of the old, good stuff (for me that would be NES, SNES, Playstation music). But the stuff he likes isn’t appreciated by the culture he lives in. Even though he’s been working for years to get these recordings re-released, his projects are cancelled as soon as the mega corporation takes ownership. They say they’re taking the label in a new direction. They’re forgetting about all of their back catalogue of old, good stuff and replacing it with new, meaningless, disposable pop music (for me that resonates with the state of video game music today).
That’s not all the story’s about, but that conflict echoed with the way I look at the last two decades or so of video game music.
So there’s the extremely long, potentially boring, potentially pretentious explanation of the name.
Good luck with the conversions.